“
O sun, to tell thee how I hate thy beams
That bring to my remembrance from what state I fell, how glorious once above thy sphere.
”
”
John Milton (Paradise Lost)
“
Ride?" Rhage snorted. "Please. That thing is a sewing machine with an air dam taped to it. My GTO could dust the fucker in fourth gear from a dead stop."
When there was an odd sound from behind, John looked back. So did the three Brothers.
"What." Xhex bristled and crossed her arms over her chest. "I can laugh, you know. And that's . . . pretty damn funny."
Rhage beamed. "I knew I liked you.
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
John Keats / John Keats / John / Please put your scarf on.
”
”
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
“
At about 10 o'clock in the morning the sun threw a bright dust-laden bar through one of the side windows and in and out of the beam flies shot like rushing stars.
”
”
John Steinbeck (Of Mice and Men)
“
As Patron-Sponser, I am charged with..."-he pasued and consulted the notes-"adding a sense of royal cachet to proceedings today."
He waited while a ripple of conversation ran around the room. Nobody was quite sure what adding a sense of royal cachet really meant. But everyone agreed that it sounded impressive indeed. Lady Pauline's mouth twitched in a smile and she looked down at the table. Halt found something of vast interest in the ceiling beams high above. Duncan continued.
My second duty is..."-again he consulted his notes to make sure he had the wording correct-"to provide an extremly expensive present to the bride and groom..."
Lady Pualine's head jerked at that. She leaned forward and turned to make eye contact with Lord Anthony. The Chamberlain met her gaze, his face completely devoid of expression. Then, very slowly, one eyelid slid down in a wink. He liked Lady Pauline and Halt a great deal and he'd added that duty without consulting them.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
Cease, stranger, cease those witching notes,
The art of syren choirs;
Hush the seductive voice that floats
Across the trembling wires.
Music's ethereal power was given
Not to dissolve our clay,
But draw Promethean beams from heaven
To purge the dross away.
”
”
John Henry Newman
“
You bathe in these spirit-beams, turning round and round, as if warming at a camp-fire. Presently you lose consciousness of your own separate existence: you blend with the landscape, and become part and parcel of nature.
”
”
John Muir (Wilderness Essays)
“
Is that all?” he blurted out.
Crowley and Halt exchanged slightly puzzled glances. Then Crowley pursed his lips thoughtfully.
“Um…it seems to be…Listed your trainging, mentioned a few achievements, made sure you know which end of an arrow is the sharp part…decided your new name…I think that’s…” Then it seemed that understanding dawned on him and his eyes opened wide.
“Of course! You have to have you Silver…whatsis, don ‘t you?” He took hold of the chain that held his own Silver Oakleaf around his throat and shook it lightly. It was a badge of a Graduate Ranger. Then he began to search through his pockets, frowning.
“Had it here! Had it here! Where the devil is it…wait. I heard something fall on the boards as I came in! Must have dropped it. Just check outside the front door, will you, Will?”
Too stunned to talk, Will rose and went to the door. As he set his hand on the latch, he looked back at the two Rangers, still seated at the table. Crowley made a small shooing motion with the back of his hand, urging him to go outside. Will was still looking back at them when he opened the door and stepped through on the verandah.
“Congratulations!”
The massive cry went up from at least forty throats. He swung around in shock to find all his friends gathered in the clearing outside around the table laid for a feast, their faces beaming with smiles. Baron Arald, Sir Rodney, Lady Pauline and Master Chubb were all there. So were Jenny and George, his former wardmates. There were a dozen others in the Ranger uniform – men he had met worked with over the past five years. And wonder of wonders, there were Erak and Svengal , bellowing his name and waving their huge axes overhead in his praise. Close by them stood Horace and Gilan, both brandishing their swords overhead as well. It looked like a dangerous section of the crowd to be in, Will thought.
After the first concerted shout, people began cheering and calling his name, laughing and waving to him.
Halt and Crowley joined him on the verandah. The Commandant was doubled over with laughter.
“Oh, if you could have seen yourself!” he wheezed. “Your face! Your face! It was priceless! ‘Is that all?’” He mimicked Will’s plaintive tones and doubled over again.
Will tuned to Halt accusingly. His teacher grinned at him.
“Your face was a study,” he said.
“Do you so that to all apprentices?” Will asked.
Halt nodded vigorously. “Every one. Stops them getting a swelled head at the last minute. You have to swear never to let an apprentice in on the secret.
”
”
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
“
With thee conversing I forget all time,
All seasons and their change, all please alike.
Sweet is the breath of morn, her rising sweet,
With charm of earliest birds; pleasant the sun
When first on this delightful land he spreads
His orient beams, on herb, tree, fruit, and flower,
Glistering with dew; fragrant the fertile earth
After soft showers; and sweet the coming on
Of grateful evening mild, then silent night
With this her solemn bird and this fair moon,
And these the gems of heav'n, her starry train:
But neither breath of morn when she ascends
With charm of earliest birds, nor rising sun
On this delightful land, nor herb, fruit, flower,
Glistring with dew, nor fragrance after showers,
Nor grateful evening mild, nor silent night
With this her solemn bird, nor walk by moon,
Or glittering starlight without thee is sweet.
”
”
John Milton (Paradise Lost)
“
It was still mild when they walked home from the party, and Irene looked up at the spring stars. "How far that little candle throws its beams," she exclaimed. "So shines a good dead in a naughty world.
”
”
John Cheever (The Stories of John Cheever (Vintage International))
“
What a brotherband!" he declared. "A thief, a touchy first mate, a shortsighted bear, a joker, two twins who can't tell each other apart, a bookworm and a skirl who doesn't know the right shape for a ship's sail." He beamed at all of them, then added, "I can't think of better qualities in a wolfship's crew.
”
”
John Flanagan (The Outcasts (Brotherband Chronicles, #1))
“
Whatever is, is in its causes just;
But purblind man
Sees but a part o' th' chain; the nearest link;
His eyes not carrying to that equal beam
That poises all above.
”
”
John Dryden (Oedipus: A Tragedy)
“
Methinks I see in my mind a noble and puissant nation rousing herself like a strong man after sleep, and shaking her invincible locks: methinks I see her as an eagle mewing her mighty youth, and kindling her undazzled eyes at the full midday beam;
”
”
John Milton (Areopagitica A speech for the Liberty of Unlicensed Printing to the Parliament of England)
“
Dim as the borrowed beams of moons and stars
To lonely, weary, wandering travelers,
Is Reason to the soul; and, as on high
Those rolling fires discover but the sky,
Not light us here, so Reason's glimmering ray
Was lent, not to assure our doubtful way,
But guide us upward to a better day.
”
”
John Dryden (Religio Laici, or A Layman's Faith)
“
The beam caught the bowed head of Angel. He glanced up into Bobby Sciorra’s eyes and smiled. Sciorra looked puzzled for a moment and then his mouth opened in slow-dawning realization. He was already turning to try to locate Louis when the darkness seemed to come alive around him and his eyes widened as he realized, too late, that death had come for him too.
”
”
John Connolly (Every Dead Thing (Charlie Parker, #1))
“
each time he opened his eyes, beams of feverish, demonic pain shot through his brain.
”
”
John Green (An Abundance of Katherines)
“
Van Houten was still staring at the ceiling beams. He took a drink. The glass was almost empty again. 'Lidewij, I can't do it. I can't. I can't.' He leveled his gaze to me. 'Nothing happens to the Dutch Tulip Man. He isn't a con man or not a con man; he's God. He's an obvious and unambiguous metaphorical representation of God, and asking what becomes of him if the intellectual equivalent of asking what becomes of the disembodied eyes of Dr. T.J. Eckleburg in Gatsby. Do he and Anna's man get married? We are speaking of a novel, dear child, not some historical enterprise.
”
”
John Green
“
Even though I haven’t set foot under that roof for decades, I am forever part of its fabric. I’m the mortar that binds the bricks together, the pipes linking each tap, the wooden beams that hold up the roof.
”
”
John Marrs (Keep It in the Family)
“
THE VASTNESS OF OUR MEMORY
Holography also explains how our brains can store so many memories in so little space. The brilliant Hungarian-born physicist and mathematician John von Neumann once calculated that over the course of the average human lifetime, the brain stores something on the order of 2. 8 x 1020 (280, 000, 000, 000, 000, 000, 000) bits of information. This is a staggering amount of information, and brain researchers have long struggled to come up with a mechanism that explains such a vast capability. Interestingly, holograms also possess a fantastic capacity for information storage. By changing the angle at which the two lasers strike a piece of photographic film, it is possible to record many different images on the same surface. Any image thus recorded can be retrieved simply by illuminating the film with a laser beam possessing the same angle as the original two beams. By employing this method researchers have calculated that a one-inch-square of film can store the same amount of information contained in fifty Bibles!
”
”
Michael Talbot (The Holographic Universe)
“
O miserable condition of man, which is not imprinted by God, who, as he is immortal himself, had put a coal, a beam of immortality into us, which we might have blown into a flame, but blew it by our first sin; we beggared ourselves by hearkening after falses riches, and infatuated ourselves by hearkening after false knowledge.
”
”
John Donne (The Major Works: Including Songs and Sonnets and Sermons)
“
Some departure from the norm
Will occur as time grows more open about it.
The consensus gradually changed; nobody
Lies about it any more. Rust dark pouring
Over the body, changing it without decay—
People with too many things on their minds, but we live
In the interstices, between a vacant stare and the ceiling,
Our lives remind us. Finally this is consciousness
And the other livers of it get off at the same stop.
How careless. Yet in the end each of us
Is seen to have traveled the same distance—it’s time
That counts, and how deeply you have invested in it,
Crossing the street of an event, as though coming out of it
were
The same as making it happen. You’re not sorry,
Of course, especially if this was the way it had to happen,
Yet would like an exacter share, something about time
That only a clock can tell you: how it feels, not what it
means.
It is a long field, and we know only the far end of it,
Not the part we presumably had to go through to get there.
If it isn’t enough, take the idea
Inherent in the day, armloads of wheat and flowers
Lying around flat on handtrucks, if maybe it means more
In pertaining to you, yet what is is what happens in the end
As though you cared. The event combined with
Beams leading up to it for the look of force adapted to the
wiser
Usages of age, but it’s both there
And not there, like washing or sawdust in the sunlight,
At the back of the mind, where we live now.
”
”
John Ashbery (Houseboat Days)
“
So dear to heaven is saintly chastity,
That when a soul is found sincerely so,
A thousand liveried angels lackey her,
Driving far off each thing of sin and guilt,
And in clear dream, and solemn vision
Tell her of things that no gross ear can hear,
Till oft converse with heavenly habitants
Begin to cast a beam on the outward shape,
The unpolluted temple of the mind,
And turns it by degrees to the soul's essence,
Till all be made immortal
”
”
John Milton (Milton's Comus)
“
Sweet is the breath of morn, her rising sweet,
With charm of earliest birds; pleasant the sun,
When first on this delightful land he spreads
His orient beams, on herb, tree, fruit and flower,
Glistening with dew; fragrant the fertile earth
After soft showers, and sweet the coming on
of grateful Evening mild; the silent Night,
With this her solumn bird and hisfair Moon,
And these the gems of Heaven, their starry train;
But neither breath of morn nor rising sun
On this delightful land, nor herb, fruit, flower
Glistening with dew, nor fragrance after shower,
Nor grateful Evening mild, nor silent Night,
With this her solumn bird, nor walk by Moon,
Or glittering starlight, without thee is sweet
”
”
John Milton
“
BUSY old fool, unruly Sun,
Why dost thou thus,
Through windows, and through curtains, call on us?
Must to thy motions lovers' seasons run?
Saucy pedantic wretch, go chide
Late school-boys and sour prentices,
Go tell court-huntsmen that the king will ride,
Call country ants to harvest offices ;
Love, all alike, no season knows nor clime,
Nor hours, days, months, which are the rags of time.
Thy beams so reverend, and strong
Why shouldst thou think ?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long.
If her eyes have not blinded thine,
Look, and to-morrow late tell me,
Whether both th' Indias of spice and mine
Be where thou left'st them, or lie here with me.
Ask for those kings whom thou saw'st yesterday,
And thou shalt hear, "All here in one bed lay."
She's all states, and all princes I ;
Nothing else is ;
Princes do but play us ; compared to this,
All honour's mimic, all wealth alchemy.
Thou, Sun, art half as happy as we,
In that the world's contracted thus ;
Thine age asks ease, and since thy duties be
To warm the world, that's done in warming us.
Shine here to us, and thou art everywhere ;
This bed thy center is, these walls thy sphere.
”
”
John Donne
“
Busie olde foole, unruly Sunne;
Why dost thou thus,
Through windowes, and through curtaines call on us?
Must to they motions lovers seasons run?
Sawcy pedantique wretch, goe chide
Late schoole boyes, and sowre prentices,
Goe tell Court-huntsmen, that the King will ride,
Call countrey ands to harvest offices;
Love, all alike, no season knows, nor clyme,
Nor houres, dayes, months, which are the rags of time.
Thy beames, so reverend, and strong
Why shouldst thou thinke?
I could eclipse and cloud them with a winke,
But that I would not lose her sight so long:
If her eyes have not blinded thine
Looke, and tomorrow late, tell mee,
Whether both the India's of spice and Myne
Be where thou leftst them, or lie here with mee.
Aske for those Kings whom thou saw'st yesterday,
And thou shalt heare, All here in one bed lay.
She'is all States, and all Princes, I,
Nothing else is;
Princes doe but play us; compar'd to this,
All honor's mimique; All wealth alchimie,
Thou sunne art halfe as happy'as wee,
In that the world's contracted thus;
Thine ages askes ease, and since thy duties bee
To warme the world, that's done in warming us.
Shine here to us, and thou art every where;
This bed thy center is, these walls, thy spheare.
”
”
John Donne
“
The setting sun
With yellow radiance lighten'd all the vale;
And as the warriors moved, each polish'd helm,
Corslet or spear, glanced back his gilded beams.
The hill they climbed, and halting at its top,
Of more than mortal size, towering, they seem'd
A host angelic, clad in burning arms.
”
”
John Home (Douglas: A Tragedy)
“
When by my solitary hearth I sit,
And hateful thoughts enwrap my soul in gloom;
When no fair dreams before my "mind's eye" flit,
And the bare heath of life presents no bloom;
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o'er my head.
Whene'er I wander, at the fall of night,
Where woven boughs shut out the moon's bright ray,
Should sad Despondency my musings fright,
And frown, to drive fair Cheerfulness away,
Peep with the moon-beams through the leafy roof,
And keep that fiend Despondence far aloof.
Should Disappointment, parent of Despair,
Strive for her son to seize my careless heart;
When, like a cloud, he sits upon the air,
Preparing on his spell-bound prey to dart:
Chace him away, sweet Hope, with visage bright,
And fright him as the morning frightens night!
Whene'er the fate of those I hold most dear
Tells to my fearful breast a tale of sorrow,
O bright-eyed Hope, my morbid fancy cheer;
Let me awhile thy sweetest comforts borrow:
Thy heaven-born radiance around me shed,
And wave thy silver pinions o'er my head!
Should e'er unhappy love my bosom pain,
From cruel parents, or relentless fair;
O let me think it is not quite in vain
To sigh out sonnets to the midnight air!
Sweet Hope, ethereal balm upon me shed.
And wave thy silver pinions o'er my head!
In the long vista of the years to roll,
Let me not see our country's honour fade:
O let me see our land retain her soul,
Her pride, her freedom; and not freedom's shade.
From thy bright eyes unusual brightness shed--
Beneath thy pinions canopy my head!
Let me not see the patriot's high bequest,
Great Liberty! how great in plain attire!
With the base purple of a court oppress'd,
Bowing her head, and ready to expire:
But let me see thee stoop from heaven on wings
That fill the skies with silver glitterings!
And as, in sparkling majesty, a star
Gilds the bright summit of some gloomy cloud;
Brightening the half veil'd face of heaven afar:
So, when dark thoughts my boding spirit shroud,
Sweet Hope, celestial influence round me shed,
Waving thy silver pinions o'er my head.
- To Hope
”
”
John Keats (The Complete Poems)
“
It’s not that the government made us do it; you can’t think that way,” John said. “They made us not ask questions, they told us what to think, but also, we did it.
”
”
Cris Beam (I Feel You: The Surprising Power of Extreme Empathy)
“
He looks up.
Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes.
He is no longer St. Clair, everyone's pal, everyone's friend.
He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend.
He is so much more.
Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect.
My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs.
"Whoa," he says. But I don't think he means me falling.
I blush and blame it on clumsiness. "Yeesh,that could've been bad."
Phew.A steady voice.
He looks dazed. "Are you all right?"
I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!"
"Hey,Anna. How was your break?"
John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank.
We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?"
The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs.
"I have something for you." He pulls me back down by my sleeve. "A late Christmas present."
"For me? But I didn't get you anything!"
He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited."
"Ooo,what is it?"
"I saw it when I was out with Mum, and it made me think of you-"
"Etienne! Come on!"
He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand."
Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned.
"Whoops," I say.
He tilts his head at me.
"I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal.
Where is it? What is it?
"Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too.
It's a glass bead.A banana.
He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..."
I close my hand around the bead. "Thank you."
"Mum wondered why I wanted it."
"What did you tell her?"
"That it was for you,of course." He says this like, duh.
I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Then I wash them down with a neat Jim Beam bourbon whiskey. It’s now early morning and, at this time, it’s either my last drink of the day or my first. I don’t feel so guilty when I think of it like that.
”
”
John Marrs (Keep It in the Family)
“
But Brinker came in. I think he made a point of visiting all the rooms near him the first day. “Well, Gene,” his beaming face appeared around the door. Brinker looked the standard preparatory school article in his gray gabardine suit with square, hand-sewn-looking jacket pockets, a conservative necktie, and dark brown cordovan shoes. His face was all straight lines— eyebrows, mouth, nose, everything—and he carried his six feet of height straight as well. He looked but happened not to be athletic, being too busy with politics, arrangements, and offices. There was nothing idiosyncratic about Brinker unless you saw him from behind; I did as he turned to close the door after him. The flaps of his gabardine jacket parted slightly over his healthy rump, and it is that, without any sense of derision at all, that I recall as Brinker’s salient characteristic, those healthy, determined, not over-exaggerated but definite and substantial buttocks.
”
”
John Knowles
“
He’d been spending more time in the past lately. He liked to close his eyes and let his memories overtake him. A life, remembered, is a series of photographs and disconnected short films: the school play when he was nine, his father beaming in the front row; clubbing with Arthur in Toronto, under whirling lights; a lecture hall at NYU. An executive, a client, running his hands through his hair as he talked about his terrible boss. A procession of lovers, remembered in details: a set of dark blue sheets, a perfect cup of tea, a pair of sunglasses, a smile. The Brazilian pepper tree in a friend’s backyard in Silver Lake. A bouquet of tiger lilies on a desk. Robert's smile. His mother's hands, knitting while she listened to the BBC.
”
”
Emily St. John Mandel (Station Eleven)
“
His intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect. (About Philip Seymour Hoffman)
”
”
John le Carré
“
The mercy of heaven is greater than you or your sins. Let your sadness be dispersed by its glorious beams. Do not let apathy prevent you from seizing the moment for repentance. It matters not how wickedness has flourished. Divine grace can flourish still more abundantly.
”
”
Christopher St. John (The Plays of Roswitha)
“
Our hope is not in being beamed up to heaven upon death with suddenly perfected bodies. Our hope is informed and colored by John’s vision in Revelation 21: the New Jerusalem comes down from heaven. Hope in suffering is never for a disembodied day when we can finally escape the bodies, relationships, and circumstances that have caused us so much pain. Biblical hope is expressed not in certainty but in curiosity, hearts that acknowledge and accept Jesus is already King, lives that look for the restoration of his rule right here, people propelled by a willingness to see Jesus turn every inch of creation from cursed to cured. The relationships that were broken will be made right; our relationship to our bodies, each other, the earth, and God will be fully and finally restored. The kingdom is already and not yet; living in its tension rather than panicking for release is the only way to be pulled into the trajectory of hope.
”
”
K.J. Ramsey (This Too Shall Last: Finding Grace When Suffering Lingers)
“
Even though I haven’t set foot under that roof for decades, I am forever part of its fabric. I’m the mortar that binds the bricks together, the pipes linking each tap, the wooden beams that hold up the roof. I have never truly been able to escape it. I am it and it is me. Good or bad, it has made me the person I am today.
”
”
John Marrs (Keep It in the Family)
“
And now the sun with more effectual beams Had cheered the face of earth, and dried the wet From drooping plant, or dropping tree; the birds, Who all things now behold more fresh and green, After a night of storm so ruinous, Cleared up their choicest notes in bush and spray, To gratulate the sweet return of morn.
”
”
John Milton (Paradise Regained (Paradise series Book 2))
“
There was a school here now, in Concourse C. Like educated children everywhere, the children in the airport school memorized abstractions: the airplanes outside once flew through the air. You could use an airplane to travel to the other side of the world, but—the schoolteacher was a man who’d had frequent-flyer status on two airlines—when you were on an airplane you had to turn off your electronic devices before takeoff and landing, devices such as the tiny flat machines that played music and the larger machines that opened up like books and had screens that hadn’t always been dark, the insides brimming with circuitry, and these machines were the portals into a worldwide network. Satellites beamed information down to Earth. Goods traveled in ships and airplanes across the world. There was no place on earth that was too far away to get to. They were told about the Internet, how it was everywhere and connected everything, how it was us. They were shown maps and globes, the lines of the borders that the Internet had transcended. This is the yellow mass of land in the shape of a mitten; this pin here on the wall is Severn City. That was Chicago. That was Detroit. The children understood dots on maps—here—but even the teenagers were confused by the lines. There had been countries, and borders. It was hard to explain.
”
”
Emily St. John Mandel (Station Eleven)
“
The pharmaceutical companies were going to use Theranos’s blood-testing system to monitor patients’ response to new drugs. The cartridges and readers would be placed in patients’ homes during clinical trials. Patients would prick their fingers several times a day and the readers would beam their blood-test results to the trial’s sponsor.
”
”
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
“
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav'd thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
”
”
John Milton (Samson Agonistes)
“
As often as I feel certain that God exists, I feel as often at a loss to say what difference it makes—that He exists—or even: that to believe in God, which I do, raises more questions than it presents answers. Thus, when I am feeling my most faithful, I also feel full of a few hard questions that I would like to put to God—I mean, critical questions of the How-Can-He, How-Could-He, How-Dare-You variety. “For example, I would like to ask God to give us back Owen Meany,” Mr. Merrill said; when he spread his arms wide, the fingers of his right hand were dancing again in the beam of light. “O God—give him back, give him back to us!” Pastor Merrill asked. It was so quiet in Hurd’s Church,
”
”
John Irving (A Prayer for Owen Meany)
“
Pi' o' the li'er,' he said and for a moment Will frowned, trying to decipher the words. Then he had it. When he had left Shadow with Trobar, he had told the giant, 'If she ever has pups, I want the pick of the litter.' 'Pick of the litter?' he translated now and Trobar beamed, holding the little, squirming shape out to him. 'For you, Wi' Trea'y.
”
”
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
“
sighed. “Bring her around sometime.” She padded lithely over to me and took my wrist and looked at my watch. Her breathing had slowed. Her leotard was sweat-dark and fitted her almost as closely as her healthy hide. She beamed down at me. “I knew you’d be nice about it, Trav. She’ll be here in twenty minutes.” I stared up at her. “You are a con artist, McCall.
”
”
John D. MacDonald (The Deep Blue Good-By)
“
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.”
“John,” I said, whirling around to clutch his arm again.
“Don’t get too excited,” he warned. “You haven’t heard the condition.”
“Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?”
John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly.
“You’re giving blankets away to keep them warm while they wait. When did this start happening?”
“You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.”
My eyes widened. “Things I said?”
“About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.”
It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart.
“Oh, John,” I said, and rose onto my toes to kiss his cheek.
He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks.
“What was that for?” he asked.
“Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.”
John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet.
“Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.”
I beamed up at him.
Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable.
It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all.
I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph.
“Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John.
The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat.
“Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards.
“No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
As for how much aerobic exercise you need to stay sharp, one small but scientifically sound study from Japan found that jogging thirty minutes just two or three times a week for twelve weeks improved executive function. But it’s important to mix in some form of activity that demands coordination beyond putting one foot in front of the other. Greenough worked on an experiment several years ago in which running rats were compared to others that were taught complex motor skills, such as walking across balance beams, unstable objects, and elastic rope ladders. After two weeks of training, the acrobatic rats had a 35 percent increase of BDNF in the cerebellum, whereas the running rats had none in that area. This extends what we know from the neurogenesis research: that aerobic exercise and complex activity have different beneficial effects on the brain.
”
”
John J. Ratey (Spark: The Revolutionary New Science of Exercise and the Brain)
“
Even though I haven’t set foot under that roof for decades, I am forever part of its fabric. I’m the mortar that binds the bricks together, the pipes linking each tap, the wooden beams that hold up the roof. I have never truly been able to escape it. I am it and it is me. Good or bad, it has made me the person I am today. To some, I’m a saviour, but to others, I’m a monster. I know what my work has been about, all the souls I’ve saved from torment. It’s part of the bargain that I can never share my role with the world.
”
”
John Marrs (Keep It in the Family)
“
All right, but you know Star Trek, and ‘Beam me up, Scotty’? How they can teleport people around?” “Yeah. The transporters.” “Do you know how they work?” “Just … special effects. CGI or whatever they used.” “No, I mean within the universe of the show. They work by breaking down your molecules, zapping you over a beam, and putting you back together on the other end.” “Sure.” “That is what scares me. I can’t watch it. I find it too disturbing.” I shrugged. “I don’t get it.” “Well, think about it. Your body is just made of a few different types of atoms. Carbon, hydrogen, oxygen, and so on. So this transporter machine, there is no reason in the world to break down all of those atoms and then send those specific atoms thousands of miles away. One oxygen atom is the same as another, so what it does is send the blueprint for your body across the beam. Then it reassembles you at the destination, out of whatever atoms it has nearby. So if there is carbon and hydrogen at the planet you’re beaming down to, it’ll just put you together out of what it has on hand, because you get the exact same result.” “Sure. “So it’s more like sending a fax than mailing a letter. Only the transporter is a fax machine that shreds the original. Your original body, along with your brain, gets vaporized. Which means what comes out the other end isn’t you. It’s an exact copy that the machine made, of a man who is now dead, his atoms floating freely around the interior of the ship. Only within the universe of the show, nobody knows this. “Meanwhile, you are dead. Dead for eternity. All of your memories and emotions and personality end, right there, on that platform, forever. Your wife and children and friends will never see you again. What they will see is this unnatural photocopy of you that emerged from the other end. And in fact, since transporter technology is used routinely, all of the people you see on that ship are copies of copies of copies of long-dead, vaporized crew members. And no one ever figures it out. They all continue to blithely step into this machine that kills one hundred percent of the people who use it, but nobody realizes it because each time, it spits out a perfect replacement for the victim at the other end.
”
”
David Wong (This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It (John Dies at the End, #2))
“
I remember as a child scrambling among the brilliants of books or, battered with agonies, or in the spectral half-life that requires loneliness, retiring to the attic, to lie curled in a great body-molded chair in the violet-lavender light from the window. There I could study the big adze-squared beams that support the roof--see how they are mortised on into another and pined in place with oaken dowels. When it rains from rustling drip to roar on the roof, it i s a fine secure place. Then the books, tinted with light, the picture books of children grown, seeded, and gone...
”
”
John Steinbeck (The Winter of Our Discontent)
“
Literature is a vast universality of memory that is understood not at all but that is manifestly potent. One is translated these days into 12 or 14 languages, not because we possess any secrets of happiness or success but for matters that seem quite inconsequential. Not very long ago in a little mountain village in Bulgaria, a complete stranger embraced me and exclaimed in a jumble of languages: "How can I thank you for your memorable description of the thrill of watching autumn leaves stream through the beam of a car's headlights."
Thus may we live happily with one another.
”
”
John Cheever (Collected Stories)
“
All Sun-shine
when his Beams at Noon
Culminate from th' Æquator, as they now
Shot upward still direct, whence no way round
Shadow from body opaque can fall, and the Aire,
No where so cleer, sharp'nd his visual ray
To objects distant farr, whereby he soon
Saw within kenn a glorious Angel stand,
The same whom John saw also in the Sun:
His back was turnd, but not his brightness hid;
Of beaming sunnie Raies, a golden tiar
Circl'd his Head, nor less his Locks behind
Illustrious on his Shoulders fledge with wings
Lay waving round; on som great charge imploy'd
He seemd, or fixt in cogitation deep.
”
”
John Milton (Paradise Lost)
“
It is not, as somebody once wrote, the smell of corn bread that calls us back from death; it is the lights and signs of love and friendship. Gil Bucknam called me the next day and said that the old man was dying and would I come back to work? I went to see him, and he explained that it was the old man who was after my skin, and, of course, I was glad to come home to parablendeum. What I did not understand, as I walked down Fifth Avenue that afternoon, was how a world that had seemed so dark could, in a few minutes, become so sweet. The sidewalks seemed to shine, and, going home on the train, I beamed at those foolish girls who advertise girdles on the signboards in the Bronx.
”
”
John Cheever (The Stories of John Cheever)
“
I have from my youth up, desired and prayed unto God for pure and sound wisdom and understanding of truths natural and artificial, so that God's wisdom, goodness, and power bestowed in the frame of the world might be brought in some bountiful measure under the talent of my capacity... So for many years and in many places, far and near, I have sought and studied many books in sundry languages, and have conferred with sundry men, and have laboured with my own reasonable discourse, to find some inkling, gleam, or beam of those radical truths. But after all my endeavours I could find no other way to attain such wisdom but by the Extraordinary Gift, and not by any vulgar school, doctrine, or human invention
”
”
John Dee
“
One of the great myths about war is that there is a ground zero, a center stage, where the terrible forces unleashed by it can be witnessed, recounted, and replayed like the launching of a rocket. War is a human activity far too large to be contained in the experience of a single reporter in a single place and time in any meaningful way. When it comes, it happens to everyone. Everything is in its path. Yet this is the allure of war reporting, the chance of acquiring some personal mother lode of truth to beam back to the living rooms of a waiting nation. The fear that comes from reporting on a war is as much a fear of missing this mother load as it is of being injured or killed in battle, and it sets reporters apart from the people who have to fight wars. Soldiers have their own agonies to think about as a battle approaches. Missing the war is not generally one of them.
”
”
John Hockenberry (Moving Violations: War Zones, Wheelchairs, and Declarations of Independence)
“
I look back over these pages, leafing through them with my trembling, spotted hands, and I wonder if there is some meaning here, as in those books which are supposed to be uplifting and ennobling. I think back to the sermons of my childhood, booming affirmations in the church of Praise Jesus, The Lord Is Mighty, and I recall how the preachers used to say that God's eye is on the sparrow, that He sees and marks even the least of His creations. When I think of Mr. Jingles, and the tiny scraps of wood we found in that hole in the beam, I think that is so. Yet this same God sacrificed John Coffey, who tried only to do good in his blind way, as savagely as any Old Testament prophet ever sacrificed a defenseless lamb... as Abraham would have sacrificed his own son if actually called upon to do so. I think of John saying that Wharton killed the Detterick twins with their love for each other, and that it happens every day, all over the world. If it happens, God lets it happen, and when we say “I don’t understand,” God replies, “I don’t care.
”
”
Stephen King (The Green Mile)
“
I’m setting up the American flag centerpiece, watching John lug a table closer to the center of the room at Stormy’s direction, when Alicia sidles up beside me, and then we’re both watching him. “You should date him.”
“Alicia, I told you, I just got out of a relationship,” I whisper back. I can’t take my eyes off him in that uniform with that side part.
“Well, get into a new one. Life is short.” For once, Alicia and Stormy are on the same page.
Stormy is now straightening John’s tie, his little hat. She even licks her finger and tries to smooth his hair, but he ducks away. Our eyes meet, and he makes a frantic face like, Help me.
“Save him,” Alicia says. “I’ll finish the table. My internment camp display is already done.” She’s set that up by the doors, so it’s the first thing you see when you walk in.
I hurry over to John and Stormy. Stormy beams at me. “Doesn’t she look like an absolute doll?” She swans off.
With a straight face John says, “Lara Jean, you’re an absolute doll.”
I giggle and touch the top of my head. “A cinnamon roll-headed doll.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
All right, but you know Star Trek, and ‘Beam me up, Scotty’? How they can teleport people around?” “Yeah. The transporters.” “Do you know how they work?” “Just … special effects. CGI or whatever they used.” “No, I mean within the universe of the show. They work by breaking down your molecules, zapping you over a beam, and putting you back together on the other end.” “Sure.” “That is what scares me. I can’t watch it. I find it too disturbing.” I shrugged. “I don’t get it.” “Well, think about it. Your body is just made of a few different types of atoms. Carbon, hydrogen, oxygen, and so on. So this transporter machine, there is no reason in the world to break down all of those atoms and then send those specific atoms thousands of miles away. One oxygen atom is the same as another, so what it does is send the blueprint for your body across the beam. Then it reassembles you at the destination, out of whatever atoms it has nearby. So if there is carbon and hydrogen at the planet you’re beaming down to, it’ll just put you together out of what it has on hand, because you get the exact same result.” “Sure. “So it’s more like sending a fax than mailing a letter. Only the transporter is a fax machine that shreds the original. Your original body, along with your brain, gets vaporized. Which means what comes out the other end isn’t you. It’s an exact copy that the machine made, of a man who is now dead, his atoms floating freely around the interior of the ship. Only within the universe of the show, nobody knows this. “Meanwhile, you are dead. Dead for eternity. All of your memories and emotions and personality end, right there, on that platform, forever. Your wife and children and friends will never see you again. What they will see is this unnatural photocopy of you that emerged from the other end. And in fact, since transporter technology is used routinely, all of the people you see on that ship are copies of copies of copies of long-dead, vaporized crew members. And no one ever figures it out. They all continue to blithely step into this machine that kills one hundred percent of the people who use it, but nobody realizes it because each time, it spits out a perfect replacement for the victim at the other end.” I
”
”
David Wong (This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It (John Dies at the End, #2))
“
Barrels of oysters wrapped in seaweed came by boat from Stollport. Fat beam and trout were carried in dripping wooden boxes lined with wet straw. A great conger eel arrived in a crate large enough to hold a cannon and appeared so fearsome Mister Bunce quelled the kitchen boys' mock-screams only by bringing out Mister Stone to take his pick among the screechers. Sacks of raisins, currants, dried prunes and figs piled up in the dry larder. In the wet room, soused brawn, salted ling and gallipots of anchovies crowded the shelves and floor. In the butchery, Colin and Luke marshalled four undercooks, six men from the Estate armed with saws, a grumbling Barney Curle and his barrow to skin, draw and joint the hogs. Simeon, Tam Yallop and the other bakers lugged in sacks of meal from the Callock Marwood mill while a dray from the ale-house made journeys over the hill, past the gatehouse and into the yard until the buttery and cellar were filled with kegs and barrels. Rhenish wine arrived in a covered wagon, the dark oak tuns resting on a thick bed of bracken. Scents of cinnamon and saffron drifted out of the spice room.
”
”
Lawrence Norfolk (John Saturnall's Feast)
“
O thou that with surpassing glory crowned,
Look'st from they sole dominion like the god
Of this new world: at whose sight all the stars
Hide their diminished heads; to thee I call,
But with no friendly voice, and add they name
O sun, to tell thee how I hate thy beams
That bring to my remembrance from what state
I fell, how glorious once above they sphere;
Till pride and worse ambition threw me down
Warring in Heav'n against Heav'n's matchless King:
Ah wherefore! he deserved no such return
From me, whom he created what I was
In that bright eminence, and with his good
Upbraided none, nor was his service hard.
What could be less than to afford him priase,
The easiest recompense, and pay him thanks,
How due! yet all his good proved ill in me,
And wrought but malice; lifted up so high
I 'sdained subjection, and thought one step higher
Would set me highest, and in a moment quit
The debt immense of endless gratiude,
So burthensome still paying, still to owe;
Forgetful what from him I still received,
And understood not that a grateful mind
By owing owes not, but still pays, at once
Indebted and discharged; what burden then?
”
”
John Milton (Paradise Lost, Book 4)
“
In 1937, Gunda Lawrence, a teacher and homemaker from South Dakota, lay close to death from abdominal cancer. Doctors at the Mayo Clinic in Minnesota had given her three months to live. Luckily, Mrs. Lawrence had two exceptional and devoted sons—John, a gifted physician, and Ernest, one of the most brilliant physicists of the twentieth century. Ernest was head of the new Radiation Laboratory at the University of California at Berkeley and had just invented the cyclotron, a particle accelerator that generated massive amounts of radioactivity as a side effect of energizing protons. They had in effect the most powerful X-ray machine in the country at their disposal, capable of generating a million volts of energy. Without any certainty what the consequences would be—no one had ever tried anything remotely like this on humans before—the brothers aimed a deuteron beam directly into their mother’s belly. It was an agonizing experience, so painful and distressing to poor Mrs. Lawrence that she begged her sons to let her die. “At times I felt very cruel in not giving in,” John recorded later. Happily, after a few treatments, Mrs. Lawrence’s cancer went into remission and she lived another twenty-two years. More important, a new field of cancer treatment had been born.
”
”
Bill Bryson (The Body: A Guide for Occupants)
“
As Marlboro Man slid open the huge barn doors and flipped on the enormous lights mounted to the beams, my heart began beating quickly. I couldn’t wait to smell its puppy breath.
“Happy wedding,” he said sweetly, leaning against the wall of the barn and motioning toward the center with his eyes. My eyes adjusted to the light…and slowly focused on what was before me.
It wasn’t a pug. It wasn’t a diamond or a horse or a shiny gold bangle…or even a blender. It wasn’t a love seat. It wasn’t a lamp. Sitting before me, surrounded by scattered bunches of hay, was a bright green John Deere riding lawn mower--a very large, very green, very mechanical, and very diesel-fueled John Deere riding lawn mower. Literally and figuratively, crickets chirped in the background of the night. And for the hundredth time since our engagement, the reality of the future for which I’d signed up flashed in front of me. I felt a twinge of panic as I saw the tennis bracelet I thought I didn’t want go poof, disappearing completely into the ether. Would this be how presents on the ranch would always be? Does the world of agriculture have a different chart of wedding anniversary presents? Would the first anniversary be paper…or motor oil? Would the second be cotton or Weed Eater string?
I would add this to the growing list of things I still needed to figure out.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
WHEN beginners become aware of their own fervor and diligence in their spiritual works and devotional exercises, this prosperity of theirs gives rise to secret pride—though holy things tend of their own nature to humility—because of their imperfections; and the issue is that they conceive a certain satisfaction in the contemplation of their works and of themselves. From the same source, too, proceeds that empty eagerness which they display to some extent, and occasionally very much,1 in speaking before others of the spiritual life, and sometimes as teachers rather than learners. They condemn others in their heart when they see that they are not devout in their way. Sometimes also they say it in words, showing themselves herein to be like the Pharisee, who in the act of prayer boasted of his own works and despised the Publican.2 2. Their fervor, and desire to do these and other works, is frequently fed by Satan in order that they may grow in pride and presumption: he knows perfectly well that all their virtue and works are not only nothing worth, but rather tending to sin. Some of them go so far as to desire none should be thought good but themselves,3 and so, at all times, both in word and deed fall into condemnation and detraction of others. They see the mote in the eye of their brother, but not the beam which is in their own.4 They strain out the gnat in another man’s cup, and swallow the camel in their own.5 3.
”
”
Juan de la Cruz (Dark Night of the Soul)
“
The most servile Negroes are suspect, and every means is used to impress upon them the power of the White Citizens Councils. Even police brutality can be put to good use. An incident in Ruleville, Sunflower County, birthplace of the Council, will illustrate the point. Preston Johns, Negro renter on Senator Eastland's plantation near Blanc, is a "good nigger who knows his place." One day in May 1955, Preston's wife got into a fight with another Negro woman in the Jim Crow section of the Ruleville theater. The manager threw the women out and notified the police. While the police were questioning the women, Preston's daughter came up to see what was happening to her mother. Without warning, a policeman struck her over the head with the butt of his gun. She fell to the pavement bleeding badly. The police left her there. Someone went for her father. When he came up, the police threatened to kill him. Preston left and called Mr. Scruggs, one of Eastland's cronies. After half an hour, Scruggs came and permitted the girl to be lifted from the street and taken to the hospital.
When Scruggs left, he yelled to the Negroes across the street: "You'll see who your friend is. If it wasn't for us Citizens Council members, she'd have near about died." One old Negro answered back, "I been tellin' these niggers Mr. Scruggs and Mr. Eastland is de best friends dey got." A few days later, Senator Eastland came to Ruleville to look the situation over. Many Negroes lined the streets and beamed at their "protector.
”
”
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
“
And our host said, “It seems to us that the American people are democratic people. Can you explain to us why the American government has as its friends reactionary governments, the governments of Franco and Trujillo, the military dictatorship of Turkey, and the corrupt monarchy of Greece?”
We could not answer their questions because we didn’t know enough, and because we are not in the confidence of our makers of foreign policy. We told them instead what was being asked in America: the questions about the domination of the Balkans by Communist parties; the questions about, and the denunciations of, the use of the veto by the Russians in the United Nations; the questions about the denunciation of America by the Russian press. These things seemed to balance each other—they knew no more about their foreign policy than we knew about ours. There was no animosity in their questions, only wonder.
Finally our host stood up, and he raised his glass, and he said, “Somewhere in all of this there must be an answer, and there must be an answer quickly. Let us drink to the hope that the answer may be found, for the world needs peace, needs peace very badly.” And he pointed to the two who were struggling with the heavy beams to build a roof, and he said, “This winter those two will have a house for the first time since 1941. They must have peace, they want their house. They have three small children who have never had a house to live in. There cannot be in the world anyone so wicked as to want to put them back in holes under the ground. But that is where they have been living.”
The host opened the champagne and poured a little of the precious fluid into each of our glasses.
”
”
John Steinbeck
“
The No-name Rule In purely social situations, the difficulties are even more acute. There is no universal prescription of handshakes on initial introduction – indeed, they may be regarded as too ‘businesslike’ – and the normal business practice of giving one’s name at this point is also regarded as inappropriate. You do not go up to someone at a party (or in any other social setting where conversation with strangers is permitted, such as a pub bar-counter) and say ‘Hello, I’m John Smith,’ or even ‘Hello, I’m John.’ In fact, the only correct way to introduce yourself in such settings is not to introduce yourself at all, but to find some other way of initiating a conversation – such as a remark about the weather. The ‘brash American’ approach: ‘Hi, I’m Bill, how are you?’, particularly if accompanied by an outstretched hand and beaming smile, makes the English wince and cringe. The American tourists and visitors I spoke to during my research had been both baffled and hurt by this reaction. ‘I just don’t get it,’ said one woman. ‘You say your name and they sort of wrinkle their noses, like you’ve told them something a bit too personal and embarrassing.’ ‘That’s right,’ her husband added. ‘And then they give you this tight little smile and say, “Hello” – kind of pointedly not giving their name, to let you know you’ve made this big social booboo. What the hell is so private about a person’s name, for God’s sake?’ I ended up explaining, as kindly as I could, that the English do not want to know your name, or tell you theirs, until a much greater degree of intimacy has been established – like maybe when you marry their daughter. Rather than giving your name, I suggested, you should strike up a conversation by making a vaguely interrogative comment about the weather (or the party or pub or wherever you happen to be). This must not be done too loudly, and the tone should be light
”
”
Kate Fox (Watching the English)
“
Comus.
The Star that bids the Shepherd fold,
Now the top of Heav'n doth hold,
And the gilded Car of Day, [ 95 ]
His glowing Axle doth allay
In the steep Atlantick stream,
And the slope Sun his upward beam
Shoots against the dusky Pole,
Pacing toward the other gole [ 100 ]
Of his Chamber in the East.
Mean while welcom Joy, and Feast,
Midnight shout, and revelry,
Tipsie dance and Jollity.
Braid your Locks with rosie Twine [ 105 ]
Dropping odours, dropping Wine.
Rigor now is gone to bed,
And Advice with scrupulous head,
Strict Age, and sowre Severity,
With their grave Saws in slumber ly. [ 110 ]
We that are of purer fire
Imitate the Starry Quire,
Who in their nightly watchfull Sphears,
Lead in swift round the Months and Years.
The Sounds, and Seas with all their finny drove [ 115 ]
Now to the Moon in wavering Morrice move,
And on the Tawny Sands and Shelves,
Trip the pert Fairies and the dapper Elves;
By dimpled Brook, and Fountain brim,
The Wood-Nymphs deckt with Daisies trim, [ 120 ]
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove,
Venus now wakes, and wak'ns Love.
Com let us our rights begin, [ 125 ]
Tis onely day-light that makes Sin,
Which these dun shades will ne're report.
Hail Goddesse of Nocturnal sport
Dark vaild Cotytto, t' whom the secret flame
Of mid-night Torches burns; mysterious Dame [ 130 ]
That ne're art call'd, but when the Dragon woom
Of Stygian darknes spets her thickest gloom,
And makes one blot of all the ayr,
Stay thy cloudy Ebon chair,
Wherin thou rid'st with Hecat', and befriend [ 135 ]
Us thy vow'd Priests, till utmost end
Of all thy dues be done, and none left out,
Ere the blabbing Eastern scout,
The nice Morn on th' Indian steep
From her cabin'd loop hole peep, [ 140 ]
And to the tel-tale Sun discry
Our conceal'd Solemnity.
Com, knit hands, and beat the ground,
In a light fantastick round.
”
”
John Milton (Comus and Some Shorter Poems of Milton: Harrap's English Classics)
“
There is a show tonight in the Highwood, John. There will be all sorts of people to play music there. We must go tonight to the Highwood, john. we'll breathe in the music and the cold-starred air.
*
And Cornelius has taken down the moon - hasn't he? - with gleam-of-eye and giddying snout and his touch on the wheel is delicate as the spring, here a soft tip, there a glanced tap for each swerve of the road as it runs the country and turns.
Oh this is the knack of it - John can see clearly now - the carefree life, and he envies him the spring.
And before we know it, John? The summer proper will be in on top of us and the woods will be whispering.
Fuck the whispering woods, Cornelius. Just get me to my fucking island.
But he is snagged again; he turns helplessly.
How'd you mean, about the woods?
Cornelius beams -
There are things we can't describe, he says.
Go on?
What we see around us is only at the ten per cent level, John.
Of?
The reality.
And what's the leftover?
Unseen.
How'd you mean?
Well, he says. The way sometimes you'd walk across a field and a sense of elation would come over you. Are you with me?
Okay...
You're half risen from the skin. the feet are not touching the stones. The little heart is about to hop out of your chest from the sheer fucken joy. And the strange thing about it?
Go on.
That patch of happiness could be floating around the field for the last ten years. Or for the last three hundred and fifty years. Out of love that was had there or a child that was playing or an old friend that was found again after a long time lost. Whatever it was, it caused a great happy feeling and it was left there in the field. You're after walking into it. And for half a minute you're lifted and soaring but then you're out the far side again and back into your own poor stride and woes.
You'd find a sadness just the same?
Or an evil, John. Or a blackness. Or terror, John, or fucken terror, because there's plenty of terror in the world. Always was and has been.
A soft whisper -
I mean take a look out the window.
A sweep of the arm for the greys and sea-greens of the moonful hills, the pale night as they pass by -
I mean why'd you think I've the fucken foot down, John?
”
”
Kevin Barry (Beatlebone)
“
With the news that he would soon be a daddy again, Steve seemed inspired to work even harder. Our zoo continued to get busier, and we had trouble coping with the large numbers. The biggest draw was the crocodiles. Crowds poured in for the croc shows, filling up all the grandstands. The place was packed.
Steve came up with a monumental plan. He was a big fan of the Colosseum-type arenas of the Roman gladiator days. He sketched out his idea for me on a piece of paper.
“Have a go at this, it’s a coliseum,” he declared, his eyes wide with excitement. He drew an oval, then a series of smaller ovals in back of it. “Then we have crocodile ponds where the crocs could live. Every day a different croc could come out for the show and swim through a canal system”--he sketched rapidly--“then come out in the main area.”
“Canals,” I said. “Could you get them to come in on cue?”
“Piece of cake!” he said. “And get this! We call it…the Crocoseum!”
His enthusiasm was contagious. Never mind that nothing like this had ever been done before. Steve was determined to take the excitement and hype of the ancient Roman gladiators and combine it with the need to show people just how awesome crocs really were.
But it was a huge project. There was nothing to compare it to, because nothing even remotely similar had ever been attempted anywhere in the world. I priced it out: The budget to build the arena would have to be somewhere north of eight million dollars, a huge expense. Wes, John, Frank, and I all knew we’d have to rely on Steve’s knowledge of crocodiles to make this work.
Steve’s enthusiasm never waned. He was determined. This would become the biggest structure at the zoo. The arena would seat five thousand and have space beneath it for museums, shops, and a food court. The center of the arena would have land areas large enough for people to work around crocodiles safely and water areas large enough for crocs to be able to access them easily.
“How is this going to work, Steve?” I asked, after soberly assessing the cost. What if we laid out more than eight million dollars and the crocodiles decided not to cooperate? “How are you going to convince a crocodile to come out exactly at showtime, try to kill and eat the keeper, and then go back home again?”
I bit my tongue when I realized what was coming out of my mouth: advice on crocodiles directed at the world’s expert on croc behavior. Steve was right with his philosophy: Build it, and they will come.
These were heady times. As the Crocoseum rose into the sky, my tummy got bigger and bigger with our new baby. It felt like I was expanding as rapidly as the new project.
The Crocoseum debuted during an Animal Planet live feed, its premiere beamed all over the world. The design was a smashing success. Once again, Steve had confounded the doubters.
”
”
Terri Irwin (Steve & Me)
“
Edgerton/Assassins of Dreamsongs 169
The thick, frosty rain had long since subsided. A thin, fur clad figure peered through the thick, rain soaked foliage, just outside the army's encampment. The old Wizard's raspy whisper suddenly broke the silence. He shivered against the cold and swore to himself, as no eyes peered back at him from the forest. "Damnable rabbits!" He shook both stiff, old legs from the bitter cold of the forest night and from the puddle he had been standing in.
The half-asleep guard paid no attention or tribute to the thin, fur clad bearer of wood, as he trudged through the camp's outer perimeter with a load of firewood in his arms. Slumber played a barbaric tune to the rhythms of the wind through the trees, while the army slept.
Arkin readjusted the stack of wood held precariously in his arms, as he walked through the center of camp. His steady, silent pace took him around large mud puddles and before a roaring fire built beneath a rocky shelf. The large bonfire spit colorful sparks into the blackness and the cold of the night. His thin arms let fall the wood he had gathered, while he surveyed the camp. A long, walking stick suddenly appeared in his hand, as if by magic, while his senses took in all around him.
The small, white haired Wizard leaned lazily on his heavy staff for a thoughtful moment, while his calculating eye took in the figures huddled on the ground around the small campfires.
Edgerton/Assassins of Dreamsongs 170
In the forest, two sets of eyes suddenly blinked their timidity at Arkin and then disappeared. "Dull witted rabbits to save a future King," he grumbled. "Will wonders never cease."
From an ancient leather pouch, old weathered hands drew a sparkling dust that seemed to be alive in its’ every glimmer. The old man watched its’ mesmerizing glow for a moment. Then, as if youth possessed his body once again, Arkin began dancing like a misguided wood nymph through the camp, sprinkling the powder on the slumbering figures. The old Wizard's ritualistic dance took him the complete circumference of the camp.
An old Wizard smiled broadly, as he danced by the giant, blond Nobleman chained helplessly to a tree. Their eyes met in an exchanged mischievous greeting.
Garish beamed his roguish smile at him, hope renewed once more. The blond, captive Nobleman had to fight back the mounting laughter in his throat, from the comforting sight of his mentor and the queer fairy dance he was performing. His gaze followed the little man's every step with pure delight.
The little Grand Master Wizard slowed his mischievous fairy dance only long enough to retrieve the glimmering Sword of Damen from the pile of weapons in the center of the camp.
Edgerton/Assassins of Dreamsongs 171
The Old Man carefully concealed the sword under his cloak and continued his fairy dance, while sprinkling the sparkling powder over the sleeping figures. Stooping low, he picked up a shield and flung it over his shoulder. Once again the old, fur clad Wizard’s movements brought him to where he had first entered the camp, through the forest. The half-asleep guard awakened faintly, to watch the little man in his queer dance, as he moved towards him. He made no effort to detain the Old One but merely stared in disbelief, as Arkin vanished into the forest once again. The guard stood dazed in disbelief at the sight and then rubbed away the sleep from his eyes, uncertain if he had been daydreaming.
”
”
John Edgerton (ASSASSINS OF DREAMSONGS)
“
Why dost thou shade thy lovely face? Oh why
Does that eclipsing hand of thine deny
The sunshine of the Sun's enlivening eye?
Without thy light, what light remains to me?
Thou are my life, my way, my light's in thee;
I love, I move, and by thy beams I see.
Thou art my life--and if thou but turn away
My life's a thousand deaths. Thou are my way--
Without thee, Love, I travel not, but stray.
My light thou art--without thy glorious sight
My eyes are darkened with eternal night.
My love, though art my way, my life, my light,
”
”
John Wilmot
“
checked his gauge; it was twenty-five feet. His beam had still not reached the bottom. He went down, with the receiver around his neck beeping louder and louder. The ocean around him was noisy. It was something you noticed on a night dive—the sea was alive with night creatures, eating and clicking with a strange, almost mechanical sound, like a giant bank of electronic relays far off.
”
”
John Lange (Grave Descend)
“
With the car now sounding healthy, Don McCrea was able to rev the engine. He remembers Ian Paisley Senior looking pleased that he had been able to help: ‘There was Ian beaming away and in his best clerical voice he said, “Well young Hume, that is real power,” and John just leaned over and in a quiet voice said, “No Ian, that is power-sharing.”’21
”
”
Stephen Walker (John Hume The Persuader)
“
Carlos describes the sensation of having his cells vibrate and dissolve as he is transported by a light beam, leaving behind a kind of ghostly shape.
”
”
John E. Mack (Abduction: Human Encounters with Aliens)
“
If I were to wander into the path of the beam I might be uncomfortable just long enough for my brain to register the pain before I was turned into a floating pile of carbon dust. That was not on my schedule for the day.
”
”
John Scalzi (The End of All Things (Old Man's War, #6))
“
I waited to see if he’d say more, if he’d stop with the jokes. We were both quiet for a bit. Then John began counting. “One Mississippi, two Mississippi, three Mississippi …” He shot me an exasperated look. “How long are we going to sit here saying nothing?” I understood his frustration. In movies, therapist silences have become a cliché, but it’s only in silence that people can truly hear themselves. Talking can keep people in their heads and safely away from their emotions. Being silent is like emptying the trash. When you stop tossing junk into the void—words, words, and more words—something important rises to the surface. And when the silence is a shared experience, it can be a gold mine for thoughts and feelings that the patient didn’t even know existed. It’s no wonder that I spent an entire session with Wendell saying virtually nothing and simply crying. Even great joy is sometimes best expressed through silence, as when a patient comes in after landing a hard-won promotion or getting engaged and can’t find the words to express the magnitude of what she’s feeling. So we sit in silence together, beaming.
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
Did they believe they saw Deliverance Hobbs on the beam, John Procter on the marshal’s lap? They had spent a claustrophobic winter housebound, under ashen skies and drifted snow, between whitewashed walls, amid undecorated surroundings. Visual monotony has been known to produce hallucinations. (It is interesting that there were no olfactory hallucinations and only a rare disembodied voice.) It could not have been difficult to cough up visions under the feverish circumstances. On intimate terms with the supernatural, a girl well versed in Scripture supplied them all the more readily. Prayer works to clarify the mental imagery, to privilege the
”
”
Stacy Schiff (The Witches: Salem, 1692)
“
In the Superman comics, all inhabitants of the planet Krypton possessed the power of laser vision, but only Superman and General Zod had completely mastered it. Their cells could absorb solar energy which they could emit through his eyes in the form of a heat laser beam.
”
”
John Stoddard (Quantum Physics for Beginners, Into the Light: The 4 Bizarre Discoveries You Must Know To Master Quantum Mechanics Fast, Revealed Step-By-Step (In Plain English!))
“
Your group is decades out of compliance with IRS requirements for nonprofits. Everything I've seen from you suggests your nonprofit is a sham. And Butyl and Dowidge doesn't represent sham organizations." I paused, letting this sink in. "Even if you hadn't been trying to kill Reggie from the moment you first contacted my firm, you're still the worst client I've ever had."
As I spoke, Richardson simply stood there, processing everything. "How much trouble are we in with the IRS, exactly?"
"A lot," I said. "Though it's hard to say exactly how much. Best-case scenario, they'll dissolve your nonprofit." I shrugged. "When that happens, you'll be getting a bill for back taxes you won't be able to pay, given your nonprofit's annual budget. And the worst-case scenario..."
John Richardson leaned forward, hanging on my every word. Excellent. "What is the worst-case scenario?"
I waited a beat before answering so my next words would have maximum impact. "Worst-case scenario is the IRS finds that you intentionally withheld taxes you owed. You could face time in jail." There. The closest thing to a mic drop any accountant ever got. I leaned in closer, readying myself for the kill. "Unless, of course, you do exactly what I tell you to do."
Richardson narrowed his eyes at me. "And what might that be?"
Bingo. This was the part I'd been looking forward to the most. The part I'd practiced in a mirror the night before until I'd gotten the ferocity of my expression just right.
"What happens next is you are going to leave Reginald Cleaves alone, forever. If you do that, we will pretend we've never heard of you if the IRS ever comes knocking." I trailed off, letting my words hang in the air for dramatic effect. In the entirety of my time as an accountant, I had never once had the opportunity to do anything for dramatic effect. I could all but feel Reggie looking on, beaming with pride. "If you continue to harass Reggie, however, I tell the IRS everything I know.
”
”
Jenna Levine (My Vampire Plus-One (My Vampires, #2))
“
Sir John, under his beaming countenance and outward serenity, actually contemplated failure. Another winter — another full year — in the ice could undo them. The expedition would be out of food, coal, oil, pyroligneous ether for lamp fuel, and rum. This last item’s disappearance might well mean mutiny.
”
”
Dan Simmons (The Terror)
“
I have remade myself; or I am no one, driving a delivery van carrying boxes of electronics from nowhere to no place, the road empty before me by day, shared by headless headlights after dark, beams increasing briefly and then gone, beyond, somewhere off in the cross-traffic, catchable in the rearview if I dare. I thrive. I fail to thrive. I fall. I rise. Too many. Too late. Not that, not those, not these: this.
”
”
John Darnielle
“
After all, it wouldn't be the first time that I'd let a beautiful woman rip the molecules of my body apart, shoot them through a light beam, and throw them back together somewhere else for credits. But that's another story...
”
”
John Zakour (Dangerous Dames)
“
Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me.
Then again, we were walking toward a barn.
Maybe it was a piece of furniture for the house we’d been working on--a love seat, perhaps. Oh, wouldn’t that be the most darling of wedding gifts? A love seat? I’ll bet it’s upholstered in cowhide, I thought, or maybe some old western brocade fabric. I’d always loved those fabrics in the old John Wayne movies. Maybe its legs are made of horns! It just had to be furniture. Maybe it was a new bed. A bed on which all the magic of the world would take place, where our children--whether one or six--would be conceived, where the prairie would ignite in an explosion of passion and lust, where…
Or maybe it’s a puppy.
Oh, yes! That has to be it, I told myself. It’s probably a puppy--a pug, even, in tribute to the first time I broke down and cried in front of him! Oh my gosh--he’s replacing Puggy Sue, I thought. He waited until we were close enough to the wedding, but he doesn’t want the pup to get any bigger before he gives it to me. Oh, Marlboro Man…you may have just zeroed in on what could possibly be the single most romantic thing you ever could have done for me. In my wildest dreams, I couldn’t have imagined a more perfect love gift. A pug would be the perfect bridge between my old world and my new, a permanent and furry reminder of my old life on the golf course. As Marlboro Man slid open the huge barn doors and flipped on the enormous lights mounted to the beams, my heart began beating quickly. I couldn’t wait to smell its puppy breath.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Still, he pulled firmly at the door, knowing how it swelled and stuck in wet weather. He might have wished to see their faces once more. The face that met him was under a fireman’s helmet, lit by a flashlight held low and expertly angled. The light caught the silver needles of rain, in the air, off the rim of the black hat. It showed him a mouth and a chin and the broad shoulders under the wet rain gear without blinding him or turning the man himself into a grotesque. “I only wanted to warn you,” the man said. He moved the flashlight across his body, to the shrubs beside the steps and then to the grass and then to the weeping willow at the edge of the yard, beside the house. The streetlights were out. Following the moving beam of white light, John Keane saw the grass of his small lawn stir like a rising wave and the roots of the tree—thin as an arm, bent here and there like an elbow—breaking through. The fireman moved the light until it caught the base of the tree where a wider swath of dirt was opening like a mouth, an unhinged jaw filled with broken roots and dirt, and then it closed up again, as if with a breath. “We were driving by and saw it,” the fireman said. “That tree’s gonna fall. It’ll probably fall straight back, but you might want to get your family downstairs. Keep them to this side of the house.” He felt the wind and the rain on his bare ankles, against the hems of his thin pajama pants. He looked beyond the young fireman. In the street, there was no sign of the fire truck or car that had brought him. No coach, either. “Yes,” he said, thinking himself foolish, in his thin pajamas. “Thank you.” “There are trees down all over,” the man added. He raised his chin and in the darkness his eyes seemed as black and wet as his coat. He couldn’t have been more than twenty-five or thirty. “Take care of your family,” he said, and turned, using his flashlight to get himself down the three steps that led to the door. Squinting against the rain, John Keane watched him cross the path to the sidewalk, the circle of white light leading him, first to the right and then across the street where he might have disappeared altogether, leaving only the pale beam of his flashlight and a flashing reflection of two streaks of silver on his back, and then, as he apparently rounded the opposite corner, not even that.
”
”
Alice McDermott (After This)
“
Focused ultrasound utilizes intersecting beams of high-frequency sound concentrated accurately and precisely on tissue deep in the body, much as sunlight passing through a magnifying glass can be focused to burn a hole in a leaf.
”
”
John Grisham (The Tumor)
“
The pulsar is like a lighthouse beam spinning at high speed. Every time it comes around to face us we see a flash. Its rotation can be very accurately monitored by timing observations of its periodic pulses. Twenty years of observations have shown that the pulsing of the binary pulsar is slowing at exactly the rate predicted if the system is losing energy by radiating gravitational waves at the rate predicted by Einstein's theory.
”
”
John D. Barrow (The Book of Nothing: Vacuums, Voids, and the Latest Ideas about the Origins of the Universe)
“
In some ways, the neighborhood was the poster child for bad zoning. There were shiny glass-and-steel condominiums across from corrugated and I-beam parking garages. Single-family homes perched alongside recycling plants and foundries. A new multistory school turned its proud granite façade away from its neighbor, a dilapidated relic of a car repair shop, like an ungrateful child ashamed of an ailing parent.
”
”
Barry Eisler (A Lonely Resurrection (John Rain #2))
“
She spun and faced me, one hand on her wounded posterior. Her eyes were wide, her nostrils flared with shock and anger. In my peripheral vision, I saw her weight shift to her back leg, and thought she was going to try for a ball shot with her forward foot. Instead, she stepped back. Her arms slipped to her sides and she drew up her shoulders and chin, the picture of suppressed regal rage. She looked at me. “Mo owari, okyakusama?” she asked, as contemptuously as she could. Are we finished, honorable customer? “Was that against the rules?” I asked, smiling into her eyes. She pulled up the dress and slipped her arms through the straps. Her face was still red with anger, and I couldn’t help admiring her composure in controlling it. She managed the zipper without assistance, then said, “That was three songs, so thirty thousand yen. And you should tip the doorman ten percent. Ken?” Ken must have been the Nigerian, because a second later the semicircular sofa was pulled aside and there he was. I took out my billfold and paid each of them. “Thank you,” I said to Naomi. I beamed like a well-satisfied customer. “That was… special.” She smiled back in a way that made me glad she didn’t have a weapon. “Kochira koso,” she replied. The pleasure was mine. She escorted me back to my seat.
”
”
Barry Eisler (A Lonely Resurrection (John Rain #2))
“
In the creature's knowing, esteeming, loving, rejoicing in, and praising God, the glory of God is both exhibited and acknowledged; his fullness is received and returned. Here is both an emanation and remanation. The refulgence shines upon and into the creature, and is reflected back to the luminary. The beams of glory come from God, are something of God, and are refunded back again to their original. So that the whole is of God, and in God, and to God; and he is the beginning, and the middle, and the end.
”
”
John Piper (God's Passion for His Glory: Living the Vision of Jonathan Edwards (With the Complete Text of The End for Which God Created the World))
“
Indeed, yes,” said John Smith, beaming manically. “Wwwe have a recruit for you, Commander. A vampire wwho wwants to be in the Wwwatch!” “Ant, of course, zer night vill not prezent a problem,” said Doreen triumphantly. “Ve are zer night!
”
”
Terry Pratchett (Thud! (Discworld, #34))
“
The next morning Talis awoke in a fright. He spotted spindly shadows dancing across the room as the wind knocked the shutters back and forth. He hated waking this way. His cat, the yellow and white Tobias, pounced on his bed, tail jerking crazily as he stared up at the amber feather he’d bought for Mara. It flipped around in the breeze, taunting Tobias. He had mounted the feather on a strand of leather tied to a wooden beam that spanned the ceiling. The cat leapt into the air, trying to swat the feather, but missed it by a few inches.
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
I picked up the earthen cup and went to take a sip. “Not like that,” Miyamoto said. “Let it cool a little. Give yourself a moment to appreciate the aroma, the feel of the bowl in your hands.” I was a little surprised and didn’t respond, though nor did I drink any tea. Miyamoto flushed. “I’m sorry,” he said. “This is why my children prefer to avoid me. Only…it seems a shame, not to pause to appreciate the small things. So often they’re more important than what we think are the big ones.” Somehow, being corrected by Miyamoto didn’t sting. “It’s fine,” I said. “Do you know a lot about tea?” He shook his head quickly as though embarrassed. “Very little.” I sensed he was being modest. “You’ve done sadō, I think,” I said, referring to the Japanese tea ceremony—literally, “the way of tea.” “Perhaps I was exposed to it somewhat, when I was younger. But still it’s really not right for me to suggest to others how they should comport themselves.” “No, I don’t mind,” I said, setting my bowl down. “Show me the way you would do it.” He beamed. “All right, since you ask. What’s important is not much more than what I said. The purpose is to appreciate, to pay careful attention…to be mindful. Not to overlook what seems small but that is in fact significant. The rest is commentary, no?” The word he used for “mindful” was nen, which typically means “sense” or “feeling.” If he hadn’t offered the additional context, I wouldn’t have quite understood his meaning. I nodded and followed his lead, holding the bowl, appreciating the aroma, savoring the taste. At first I was just being polite, but after a few moments, I started to wonder if he might have a point. I knew there were tradecraft things I’d been missing. Why wouldn’t there be everyday things, as well? What would it cost to become more heedful of those things…and would the practice of becoming more heedful of one naturally cause me to become more heedful of the other? I thought this nen was an attitude worth cultivating. Not just to appreciate the things that make life worth living. But to be attuned to the things that can keep you alive.
”
”
Barry Eisler (Graveyard of Memories (John Rain, #8))
“
Finally, there are assuredly diversities of gifts pertaining to diverse breeds of men; and unless we are all reduced to the dull dead level of socialism, and perhaps even in that case, for the sake of relief, we shall continue to stand in need of all these gifts. Let us hope, then, that blue eyes, as well as brown eyes, will continue to beam on our descendants, and that heads will never come to be framed all upon one and the same pattern.
”
”
John Beddoe (The Anthropological History of Europe)
“
IV-132. Of Eden, where delicious Paradise, / Now nearer, Crowns with her enclosure green, / As with a rural mound the champain head IV-135. Of a steep wilderness, whose hairie sides / With thicket overgrown, grottesque and wilde, IV-137. Access deni'd; and over head up grew / Insuperable highth of loftiest shade, / Cedar, and Pine, and Firr, and branching Palm / A Silvan Scene, and as the ranks ascend / Shade above shade, a woodie Theatre IV-142. Of stateliest view. Yet higher then thir tops / The verdurous wall of paradise up sprung: IV-144. Which to our general Sire gave prospect large / Into his neather Empire neighbouring round. IV-146. And higher then that Wall a circling row / Of goodliest Trees loaden with fairest Fruit, / Blossoms and Fruits at once of golden hue / Appeerd, with gay enameld colours mixt: IV-150. On which the Sun more glad impress'd his beams / Then in fair Evening Cloud, or humid Bow, / When God hath showrd the earth; so lovely seemd IV-153. That Lantskip: And of pure now purer aire / Meets his approach, and to the heart inspires / Vernal delight and joy, able to drive / All sadness but despair: now gentle gales / Fanning thir odoriferous wings dispense IV-158. Native perfumes, and whisper whence they stole IV-159. Those balmie spoiles. As when to them who saile / Beyond the Cape of Hope, and now are past / Mozambic, off at Sea North-East windes blow / Sabean Odours from the spicie shoare / Of Arabie the blest, with such delay / Well pleas'd they slack thir course, and many a League / Chear'd with the grateful smell old Ocean smiles.
”
”
Joseph Lanzara (John Milton's Paradise Lost In Plain English)
“
His head is securely fixed in a hemispheric focused ultrasound brain transducer (fig. 2). The transducer is capable of transmitting more than 1,000 intersecting beams of ultrasound energy through the scalp and skull to the tumor with a high degree of accuracy and without damaging the
”
”
John Grisham (The Tumor)
“
He nodded, a torrent of emotions flooding through him at her words. They’d won the Blood Dagger and won the right to fight in the Arena of the Sej Elders. In front of all the crowds that gathered to watch the fights. Talis remembered his father’s beaming face after his older brother Xhan had won his first Blood Dagger competition. It was his turn to earn Father’s pride. He couldn’t wait to run home and tell his family.
”
”
John Forrester (Fire Mage (Blacklight Chronicles, #1))
“
Velvet Jesus faced a shadow man to my left. Laser beams fired from his eyes.
”
”
David Wong (This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It (John Dies at the End, #2))
“
My dad was always tough to please. He thought pushing me would make me a man, but I was never man enough. All I ever wanted from him was a word of praise, a proud smile.” “What about your mother?” He smiled tenderly. “God, she was incredible. She always loved him, no matter what. And I didn’t have to do anything to make her think I was a hero. If I fell flat on my face she’d just beam and say, ‘Did you see that great routine of Ian’s? What a genius!’ When I was in that musical, she thought I was the best thing to hit Chico, but my dad asked me if I was gay.” He chuckled. “My mom was the best-natured, kindest, most generous woman who ever lived. Always positive. And faithful?” He laughed, shaking his head. “My dad could be in one of his negative moods where nothing was right—the dinner sucked, the ball game wasn’t coming in clear on the TV, the battery on the car was giving out, he hated work, the neighbors were too loud… And my mom, instead of saying, ‘Why don’t you grow the fuck up, you old turd,’ she would just say, ‘John, I bet I have something that will turn your mood around—I made a German chocolate cake.’” Marcie smiled. “She sounds wonderful.” “She was. Wonderful. Even while she was fighting cancer, she was so strong, so awesome that I kept thinking it was going to be all right, that she’d make it. As for my dad, he was always impossible to please, impossible to impress. I really thought I’d grown through it, you know? I got to the point real early where I finally understood that that’s just the kind of guy he was. He never beat me, he hardly even yelled at me. He didn’t get drunk, break up the furniture, miss work or—” “But what did he do, Ian?” she asked gently. He blinked a couple of times. “Did you know I got medals for getting Bobby out of Fallujah?” She nodded. “He got medals, too.” “My old man was there when I was decorated. He stood nice and tall, polite, and told everyone he knew about the medals. But he never said jack to me. Then when I told him I was getting out of the Marine Corps, he told me I was a fuckup. That I didn’t know a good thing when I had it. And he said…” He paused for a second. “He said he’d never been so ashamed of me in his whole goddamn life and if I did that—got out—I wasn’t his son.” Instead of crumbling into tears on his behalf, she leaned against him, stroked his cheek a little and smiled. “So—he was the same guy his whole stupid life.” Ian felt a slight, melancholy smile tug at his lips. “The same guy. One miserable son of a bitch.” “There’s
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Robyn Carr (A Virgin River Christmas (Virgin River #4))
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Time and again, Scripture is clear that sinful humanity languishes in unknowing darkness, and, left to our imaginations, we dream up a miserable god, quite deserving of our dislike and mistrust. The unique and cheering work of Jesus is to be the light in the dark rooms of our hearts and minds, showing us the Father. As John Calvin put it, “We are blind as to the light of God, until in Christ it beams on us.
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Michael Reeves (God Shines Forth: How the Nature of God Shapes and Drives the Mission of the Church)
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Experiments show that infants just entering the third trimester will move or alter their heart rate, or both, in response to a strong light beamed at the womb.
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John Medina (Brain Rules for Baby: How to Raise a Smart and Happy Child from Zero to Five)
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At about ten o’clock in the morning the sun threw a bright dust-laden bar through one of the side windows, and in and out of the beam flies shot like rushing stars.
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John Steinbeck
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Stone and wood had been the coin of the building realm until the arrival of cast iron in the middle of the nineteenth century. Until then the weight of buildings had been borne by their walls, but in 1848 James Bogardus used a skeleton of cast-iron posts and beams to support a building from within. Since the walls no longer bore the load, they could be freed from their former obligations.
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John Tauranac (The Empire State Building: The Making of a Landmark)