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Most memorably for readers, Hochschild reprints staged photographs taken by the English missionary Alice Seeley Harris and supplied to the anti-Léopold campaign through the English missionary John Weeks. The missionaries knew that showing these fake photos at “lantern shows” in community halls in Britain won more attention and donations than their detailed accounts of cannibalism and sleeping sickness ravaging their areas. Hochschild does not tell the reader that the photographs are staged, nor does he explain that the photographs of people with severed hands were victims of gangrene, tribal vendettas, or cannibalism having nothing to do with rubber. In the most famous photo of them all, a man whom Seeley got to sit on the veranda of her mission station with a severed hand and foot before him, the original caption given by Morel reads: “Sala of Wala and remains of his five year old daughter; both wife and child were eaten by king’s soldiers at a cannibal feast. Until Hochschild, no one had suggested that the girl or her mother were killed for rubber, only that the EIC had failed to control the eating habits of its citizens. Hochschild, however, captions the photo thus: “Nsala, of the district of Wala, looking at the severed hand and foot of his five-year-old daughter, Boali, a victim of the Anglo-Belgian India Rubber Company (A.B.I.R.) militia.
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Bruce Gilley (King Hochschild’s Hoax: An absurdly deceptive book on Congolese rubber production is better described as historical fiction.)