Jimmy Johns Quotes

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Make your own dream. That's the Beatles' story, isn't it? That's Yoko's story, that's what I'm saying now. Produce your own dream. If you want to save Peru, go save Peru. It's quite possible to do anything, but not to put it on the leaders and the parking meters. Don't expect Jimmy Carter or Ronald Reagan or John Lennon or Yoko Ono or Bob Dylan or Jesus Christ to come and do it for you. You have to do it yourself. That's what the great masters and mistresses have been saying ever since time began. They can point the way, leave signposts and little instructions in various books that are now called holy and worshipped for the cover of the book and not for what it says, but the instructions are all there for all to see, have always been and always will be. There's nothing new under the sun. All the roads lead to Rome. And people cannot provide it for you. I can't wake you up. You can wake you up. I can't cure you. You can cure you.
John Lennon
Without Jimmy (James) Dean the Beatles would never have existed.
John Lennon
You're hurt because everything is changed. Jimmy is hurt because everything is the same. And neither of you can face it. Something's gone wrong somewhere, hasn't it?
John Osborne (Look Back in Anger (Penguin Plays))
Jimmy: The injustice of it is almost perfect! The wrong people going hungry, the wrong people being loved, the wrong people dying!
John Osborne (Look Back in Anger (Penguin Plays))
Jimmy: (in a low, resigned voice) They all want to scape from the pain of being alive. And, most of all, from love. (...) It's no good to fool yourself about love. You can't fall into it like a soft job, without dirtying up your hands.
John Osborne (Look Back in Anger (Penguin Plays))
This is the tale of Magic Alex, the man who was everywhere: with Leonard Cohen in Hydra; in Crete with Joni Mitchell; in a Paris bathroom when Jimmy Morrison went down; working as a roadie setting up the Beatles last rooftop gig; an assistant to John and Yoko when they had a bed-in at the Amsterdam Hilton; with the Stones when they were charged for pissing against a wall; the first to find and save Dylan after the motorcycle accident; having it off with Mama Cass hours before she choked the big one; arranging the security at Altamont; at Haight-Ashbury with George Harrison and the Grateful Dead; and in the Japanese airport with McCartney after the dope rap. He was the guy Carly Simon was really singing about and the missing slice of ‘Bye, Bye Miss American Pie’.
Harry F. MacDonald (Magic Alex and the Secret History of Rock and Roll)
I suppose people of our generation aren't able to die for good causes any longer. We had all that done for us, in the thirties and the forties, when we were still kids. ...There aren't any good, brave causes left. (Jimmy Porter)
John Osborne (Look Back in Anger (Penguin Plays))
Truth be told, John said, the one thing in this world I want more than anything else is a great big crowbar, to jimmy myself open and take whatever creature that's sitting inside and shake it clean like a rug and then rinse it in a cold, clear lake like up in Oregon, and then I want to put it under the sun to let it heal and dry and grow and sit and come to consciousness again with a clear and quiet mind.
Douglas Coupland (Miss Wyoming)
Jimmy: I hope you won't make the mistake of thinking for one moment that I am a gentleman.
John Osborne (Look Back in Anger (Penguin Plays))
Jimmy: One day, when I'm no longer spending my days running a sweet-stall, I may write a book about us all. It's all here. (slapping his forehead) Written in flames a mile high. And it won't be recollected in tranquillity either, picking daffodils with Auntie Wordsworth. It'll be recollected in fire, and blood. My blood.
John Osborne (Look Back in Anger (Penguin Plays))
Jimmy : The injustice of it is almost perfect! The wrong people going hungry, the wrong people being loved, the wrong people dying!
John Osborne (Look Back in Anger (Penguin Plays))
Jimmy: You'll end up like one of those chocolate merengues my wife is so fond of [Alison starts banging jars]...sweet and sticky on the outside, and sink your teeth in it [savouring every word]-inside, all white, messy and disgusting. [offering teapot sweetly to Helena] Milk?
John Osborne (Look Back in Anger (Penguin Plays))
associate me with names that connoted fame, money, and power. These were the relationships she supported, also because they were less attainable. She loved that I had briefly dated John Travolta, Jimmy McNichol, Leif Garrett, Scott Baio, and John Kennedy.
Brooke Shields (There Was a Little Girl: The Real Story of My Mother and Me)
The purpose of American culture is to create a norm, Morris. That means extraordinary people must be leveled, and it happens to Jimmy. He ends up working in advertising, for God's sake, and what greater agent of the norm is there in this fucked - up country?
Stephen King
Do you know I think it is just terrible,” said Mrs. Merivale when she had done carving, “the way you fellows wont tell us any of your experiences over there. . . . Lots of them must have been remarkably interesting. Jimmy I should think you’d write a book about your experiences.
John Dos Passos (Manhattan Transfer: A Novel)
What kind of a big shot has the nickname of Skinny Razor? John got the name Skinny Razor because he used to own a live chicken store and the Italian ladies would come and pick out a chicken they wanted from looking at the chickens in the cages all lined up. Then John would take out a straight razor and cut the chicken’s throat, and that was the chicken the Italian ladies would take home and pluck and cook for dinner. Skinny
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Weißt du, Jimmy, ich glaube, es wird ganz lustig sein, ein Weilchen in einer Redaktion zu sitzen." "Ich fände es schon sehr lustig, wenn ich _irgendwo_ sitzen dürfte... Na ja, da bleibe ich eben zu Haus und passe auf das Baby auf." "Sei nicht so verbittert, Jimmy, es ist ja nur vorübergehend." "Das ganze Leben ist nur vorübergehend." (S. 250)
John Dos Passos (Manhattan Transfer)
I have drinks,” Hanson said, coming up behind Duvall. “Why, Jimmy,” Duvall said. “That makes you my new favorite person.
John Scalzi (Redshirts)
I will drink wine now, for I must prepare myself for the question which my mother will now ask. She will say: “Do you go to Mass every Sunday, my Jimmy?” I will answer: “Sometimes, Ma. Sometimes.” I will be lying. She will ask: “Do you still read books against God?” I will say, lying again: “Not any more, Ma.” And I will look at the face of my mother, and I will remember a night when we lived in the South, and I came home, and I saw my mother in tears, and sick unto death, and the doctor was called, and he saved my mother, and he came out of the room wherein my mother lay, and he held a book in his hand, and he handed it to me, and he said: “This is the cause. If you must read such stuff as this, do it where your mother can’t see you.” When I looked at the book, I saw that it was the The Anti-Christ. Now I will be home soon, and my mother will ask if I read books against God, and I will answer that I do not.
John Fante (The Wine of Youth: Selected Stories)
Oh it’s all in the day’s work,” said Jimmy. “What gives me gooseflesh is the armies mobilizing, Belgrade bombarded, Belgium invaded . . . all that stuff. I just cant imagine it. . . . They’ve killed Jaures.” “Who’s he?” “A French Socialist.” “Those goddam French are so goddam degenerate all they can do is fight duels and sleep with each other’s wives. I bet the Germans are in Paris in two weeks.
John Dos Passos (Manhattan Transfer: A Novel)
Future presidential candidates Senator Barry Goldwater of Arizona and Senator John F. Kennedy of Massachusetts were members of the committee. The committee’s chief counsel and principal interrogator was the future president’s younger brother and the nation’s future attorney general, Bobby Kennedy. As a result of his aggressive work on the committee, Bobby Kennedy was to become Jimmy Hoffa’s mortal enemy. Johnny
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
From there we’d go over to the Friendly Lounge at Tenth and Washington, owned by a guy named John who went by the nickname of Skinny Razor. At first I didn’t know anything about John, but some of the guys from Food Fair pushed a little money on their routes for John. A waitress, say, at a diner would borrow $100 and pay back $12 a week for ten weeks. If she couldn’t afford the $12 one week she’d just pay $2, but she’d still owe the $12 for that week and it would get added on at the end. If it wasn’t paid on time the interest would keep piling up. The $2 part of the debt was called the “vig,” which is short for vigorish. It was the juice. My
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Today...major actors and actresses develop their own projects or, at the very least, cherry-pick their roles carefully to suit not only their tastes but also whatever image they have cultivated to present to their public. Most major stars have their own production companies through which such projects are developed and even financed. While the biggest male stars of that time did in fact have their own production companies--Jimmy Stewart, Kirk Douglas, John Wayne, and Burt Lancaster, to name a few--and thus exerted creative and financial control over their careers, that was not the case with female stars. But Marilyn Monroe was about to change that.
J. Randy Taraborrelli (The Secret Life of Marilyn Monroe)
Riesel had been crusading against the criminal element in labor unions. The night of the radio broadcast, Riesel stepped out of the famous Lindy’s restaurant on Broadway near Times Square and was approached on the sidewalk by a goon who threw a cup of acid in his face. Riesel was blinded by the acid’s effect on his eyes. It soon became obvious that the attack had been ordered by Hoffa ally and labor racketeer John Dioguardi, aka Johnny Dio.
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Jimmy (to Allison):We'll be together in our bear's cave, and our squirrel's drey, and we'll live on honey, and nuts-lots and lots of nuts. And we'll sing songs about ourselves-about warm trees and snug caves, and lying in the sun. And you'll keep those big eyes on my fur, and help me keep my claws in order, because I'm a bit of a soppy, scruffy sort of a bear. And I'll see that you keep that sleek, bushy tail glistening as it should, because you're a very beautiful squirre, but you're none too bright either, so we've got to be careful. There are cruel steel traps lying about everywhere, just waiting for rather mad, slightly satanic, and very timid little animals.
John Osborne (Look Back in Anger (Penguin Plays))
Later that same year John F. Kennedy was elected president by a thin margin. The first thing he did was appoint his brother attorney general of the United States. This put Bobby in charge of the Justice Department, all of the United States attorneys, and of the FBI and the FBI director, J. Edgar Hoover. And the first thing Bobby Kennedy did was turn against the very men who helped elect his brother. For the first time in American history an attorney general committed his office to the eradication of organized crime. Toward
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
the letter I wrote to Jimmy Carter. “Dear Mr. President,” I wrote. “Who will pardon the United States?” Who can pardon the United States? How can they be pardoned for Vietnam, for their conduct in Nicaragua, for their steadfast and gross contribution to the proliferation of nuclear arms?
John Irving (A Prayer for Owen Meany)
In February 1957, Hoffa contacted a New York lawyer named John Cye Cheasty. Cheasty had been in the Navy and the Secret Service. His law practice had a subspecialty in conducting investigations. Hoffa told Cheasty that the committee was hiring investigators. If Cheasty would take a job with the committee and report on its activities to Hoffa there was $24,000 in cash in the deal for Cheasty at the rate of $2,000 a month for a year. Hoffa gave Cheasty a down payment of $1,000 for his expenses in getting the job. However, in his impatience, Hoffa had not sufficiently checked Cheasty out. This was an honest New York investigator and a patriot. Cheasty reported the bribery scheme straightaway. Bobby
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Comedy, much of the time, is built on disorder. Comedy is intoxicating to a young mind in distress. You see these famous people pointing out the ridiculousness of a world that you’ve never been able to make sense of. Comedians offer the hope, the chance, however slim, that it’s not you that’s broken but the world. And they dress up in cool clothes! And hang out with various late-night hosts named Jimmy! And they make people laugh, and those people then love them. I can’t say for certain that depression leads people to a career in comedy, but it seems like the path is smoothly paved and well lit. Comedian Solomon Georgio came to the United States as a refugee from Ethiopia when he was three years old, and his family relied on comedy early on for entertainment and education. “We all loved comedy because that’s one of the few things that we comprehended when we didn’t speak the language,” he says. “Surprisingly, standup comedy, too, which, even though we didn’t know what was going on, you kind of see a rhythm and you know people are being entertained and laughing along. So we watched a lot of old television. Three Stooges, I Love Lucy, and, like, slapstick. We just immediately started watching and enjoying. So you can only imagine how disappointed I was when I met my first white person in real life and I was like, ‘Oh, you’re not like the Three Stooges. I can’t slap you and poke you in the eye. You guys aren’t doing any of that stuff out here. Okay.
John Moe (The Hilarious World of Depression)
One of the very hot topics between Jimmy and Sam Giancana was Senator John F. Kennedy’s upcoming campaign for president. This was very controversial between them. Giancana had been promised by Kennedy’s old man that he could control Bobby and nobody had to worry about Bobby if Jack got in. The Kennedy old man had made his money alongside the Italians as a bootlegger during Prohibition. He brought in whiskey through Canada and distributed it to the Italians. The old man kept his contacts with the Italians over the years as he branched out into more legitimate things, like financing movie stars like Gloria Swanson who he was having affairs with. Sam Giancana was going to help John F. Kennedy against Nixon and so were Giancana’s buddy Frank Sinatra and practically all of Hollywood.
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Jimmy had a loyal supporter in Puerto Rico named Frank Chavez. But however, Frank Chavez was a definite troublemaker. He was very hotheaded. He’s the one who sent Bobby Kennedy a letter from his local in Puerto Rico the day John F. Kennedy got assassinated. He told Bobby that in honor of all the bad things Bobby Kennedy had done to Jimmy Hoffa, his Puerto Rican local was going to put flowers on the grave of Lee Harvey Oswald and maintain them and keep them fresh. That still has to make you cringe a little. Let the dead rest in peace. You honor the dead, especially that man. He was a war hero who saved his own men in that PT boat incident. Bobby was a son of a bitch, but the man had just lost his brother and he must have known it was all connected with him and that it was his own fault, besides. Frank
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Jimmy: They all want to escape from the pain of being alive. And, most of all,love. It's no good trying to fool yourself about love. You can't fall into it like a soft job, without dirtying up your hands.It takes muscle and guts. And if you can't bear the thought of messing up your nice, clean soul- you'd better give up the whok idea of life, and because you'll never make it as a human being. It's either this world or the next.
John Osborne (Look Back in Anger (Penguin Plays))
Similarly, one of my missionary friends in Italy sent me detailed notes from a sermon by a hyper-grace preacher there who proclaimed that there are some prayers that do not have to be prayed in the light of the finished work of the cross, including: • “Lord, forgive me for I am sorry.” • “Lord, bless Jimmy today.” • “Lord, save Auntie Jean.” • “Lord, heal Uncle Bob.” Yes, these hyper-grace teachers believe that God has already saved, forgiven, and healed the whole world, since Jesus already paid for our complete redemption. The only thing lacking is our faith, and once we believe, then we are saved, forgiven, and healed. As for Jesus, He hasn’t done any saving or healing or prospering of anyone in two thousand years. He finished the work on the cross. This, of course, is absolutely untrue, but it’s just another indication of how far off the deep end we can go when we misunderstand grace and misrepresent the finished work of the cross. (For those needing proof that this teaching is untrue, here are a few verses that speak of God saving or healing or forgiving after the cross: Acts 9:34; Titus 3:5–7; Hebrews 7:25; Jacob [James] 5:15; 1 John 5:16.)
Michael L. Brown (Hyper-Grace: Exposing the Dangers of the Modern Grace Message)
Perhaps Bufalino’s closest friend was Philadelphia crime boss Angelo Bruno. Law enforcement referred to Bufalino as “the quiet Don Rosario”; Bruno was known as the “Docile Don” for his similar low-key approach to heading a major crime family. Like Bufalino’s family, the Bruno crime family was not permitted to deal in drugs. Because of his perceived old-fashioned ways Bruno was killed by greedy underlings in 1980. Bruno’s demise would lead to everlasting anarchy in his family. His successor, Philip “Chicken Man” Testa, was literally blown up a year after taking over. Testa’s successor, Nicodemus “Little Nicky” Scarfo, is now serving multiple life sentences for murder, having been betrayed by his own underboss and nephew. Little Nicky’s successor, John Stanfa, is serving five consecutive life sentences for murder. Frank Sheeran got a Christmas card every year from John Stanfa in his Leavenworth cell. John Stanfa’s successor, Ralph Natale, is the first boss to turn government informant and testify against his own men. Frank Sheeran calls Philadelphia “the city of rats.” On the other hand, Russell Bufalino lived a long life. He died of old age in a nursing home in 1994 at the age of ninety. He controlled his “family” until the day he died, and unlike Angelo Bruno’s Philadelphia family, not a sign of discord has been reported in the Bufalino family since his death. Frank
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Do you ever wear leather?" the guy asks. "What?" "Leather. Do you like leather?" "It doesn't exactly wipe me out." "I like to see boys in leather." I look at him cool. "Okay," I say, "what is it you want and how much are you willing to pay for it?" "I've got a leather jacket upstairs...Would you put it on?" "Just put it on?" "I'll go and get it." He leaves the horror hole and returns a few minutes later holding a leather flying jacket with a lambswool collar. There are tears in the jacket's sleeves and the lambswool is yellow with age. John Wayne could've worn it in one of those crappy war films he made. "Put it on," the guy says. I give him a spiky smile and put on the jacket. "Okay, where's the plane and what time's take-off?" "Drop your jeans and turn around.
Eric Bishop-Potter (Jimmy, Mrs Fisher and Me)
Despite everything that has happened, regardless of the pain of their loss, despite all the other nonviolent peaceful warriors who suffered and sometimes fell, I have never once considered giving up or giving out. I could not let myself get lost in a sea of despair, because I had faith that the truth is bigger than all humanity. The tragedy of their loss was a crisis of faith, but in that struggle I discovered that you can kill a Medgar Evers or a Jimmie Lee Jackson. You can kill three civil rights workers named Chaney, Goodman, and Schwerner. You can bomb four innocent little girls in church on a Sunday morning. You can even kill three of the finest leaders of the twentieth century, but you cannot kill the truth they represented. The truth marches on; it is not connected to the life of any one individual. When a person dies, the dream does not die. You can kill a man, but the truth that he stood for will never die.
John Lewis (Across That Bridge: Life Lessons and a Vision for Change)
American DEWAR FAMILY Cameron Dewar Ursula “Beep” Dewar, his sister Woody Dewar, his father Bella Dewar, his mother PESHKOV-JAKES FAMILY George Jakes Jacky Jakes, his mother Greg Peshkov, his father Lev Peshkov, his grandfather Marga, his grandmother MARQUAND FAMILY Verena Marquand Percy Marquand, her father Babe Lee, her mother CIA Florence Geary Tony Savino Tim Tedder, semiretired Keith Dorset OTHERS Maria Summers Joseph Hugo, FBI Larry Mawhinney, Pentagon Nelly Fordham, old flame of Greg Peshkov Dennis Wilson, aide to Bobby Kennedy Skip Dickerson, aide to Lyndon Johnson Leopold “Lee” Montgomery, reporter Herb Gould, television journalist on This Day Suzy Cannon, gossip reporter Frank Lindeman, television network owner REAL HISTORICAL CHARACTERS John F. Kennedy, thirty-fifth U.S. president Jackie, his wife Bobby Kennedy, his brother Dave Powers, assistant to President Kennedy Pierre Salinger, President Kennedy’s press officer Rev. Dr. Martin Luther King Jr., president of the Southern Christian Leadership Conference Lyndon B. Johnson, thirty-sixth U.S. president Richard Nixon, thirty-seventh U.S. president Jimmy Carter, thirty-ninth U.S. president Ronald Reagan, fortieth U.S. president George H. W. Bush, forty-first U.S. president British LECKWITH-WILLIAMS FAMILY Dave Williams Evie Williams, his sister Daisy Williams, his mother Lloyd Williams, M.P., his father Eth Leckwith, Dave’s grandmother MURRAY FAMILY Jasper Murray Anna Murray, his sister Eva Murray, his mother MUSICIANS IN THE GUARDSMEN AND PLUM NELLIE Lenny, Dave Williams’s cousin Lew, drummer Buzz, bass player Geoffrey, lead guitarist OTHERS Earl Fitzherbert, called Fitz Sam Cakebread, friend of Jasper Murray Byron Chesterfield (real name Brian Chesnowitz), music agent Hank Remington (real name Harry Riley), pop star Eric Chapman, record company executive German FRANCK FAMILY Rebecca Hoffmann Carla Franck, Rebecca’s adoptive mother Werner Franck, Rebecca’s adoptive father Walli Franck, son of Carla Lili Franck, daughter of Werner and Carla Maud von Ulrich, née Fitzherbert, Carla’s mother Hans Hoffmann, Rebecca’s husband OTHERS Bernd Held, schoolteacher Karolin Koontz, folksinger Odo Vossler, clergyman REAL HISTORICAL PEOPLE Walter Ulbricht, first secretary of the Socialist Unity Party (Communist) Erich Honecker, Ulbricht’s successor Egon Krenz, successor to Honecker Polish Stanislaw “Staz” Pawlak, army officer Lidka, girlfriend of Cam Dewar Danuta Gorski, Solidarity activist REAL HISTORICAL PEOPLE Anna Walentynowicz, crane driver Lech Wałesa, leader of the trade union Solidarity General Jaruzelski, prime minister Russian DVORKIN-PESHKOV FAMILY Tanya Dvorkin, journalist Dimka Dvorkin, Kremlin aide, Tanya’s twin brother Anya Dvorkin, their mother Grigori Peshkov, their grandfather Katerina Peshkov, their grandmother Vladimir, always called Volodya, their uncle Zoya, Volodya’s wife Nina, Dimka’s girlfriend OTHERS Daniil Antonov, features editor at TASS Pyotr Opotkin, features editor in chief Vasili Yenkov, dissident Natalya Smotrov, official in the Foreign Ministry
Ken Follett (Edge of Eternity (The Century Trilogy, #3))
Miles Davis, John Coltrane, Julian “Cannonball” Adderley, Paul Chambers, Bill Evans, and Jimmy Cobb playing “All Blues,” a moody, blues form piece in 6/8, off the 1959 album Kind of Blue.
Blake Crouch (Desert Places (Andrew Z. Thomas/Luther Kite #1))
Do not assume that family squabbles will be reconciled automatically. It may be necessary for the dying patient to directly confront family members. I can hear Fran take her two daughters aside and say, “Now Jill and Suzanne, isn’t it time to forget what happened at Jimmy’s wedding and start loving each other again?” The family may have been torn apart for years, but when Fran, on her deathbed, entreated her daughters in this way, Jill and Suzanne cried together, embraced and, let their quarrel go.
John Dunlop (Finishing Well to the Glory of God: Strategies from a Christian Physician)
Bible in Life Walking With God GENESIS 1:27–31 Genesis describes the unique nature of our relationship with God our Creator. In John 4:24, Jesus says that “God is spirit, and his worshipers must worship in the Spirit and in truth.” Christ was completely human and also completely divine. Humans, created in God’s image, are spiritual creatures. We have the potential for a complete spiritual relationship with God through
Jimmy Carter (NIV, Lessons from Life Bible: Personal Reflections with Jimmy Carter)
American DEWAR FAMILY Cameron Dewar Ursula “Beep” Dewar, his sister Woody Dewar, his father Bella Dewar, his mother PESHKOV-JAKES FAMILY George Jakes Jacky Jakes, his mother Greg Peshkov, his father Lev Peshkov, his grandfather Marga, his grandmother MARQUAND FAMILY Verena Marquand Percy Marquand, her father Babe Lee, her mother CIA Florence Geary Tony Savino Tim Tedder, semiretired Keith Dorset OTHERS Maria Summers Joseph Hugo, FBI Larry Mawhinney, Pentagon Nelly Fordham, old flame of Greg Peshkov Dennis Wilson, aide to Bobby Kennedy Skip Dickerson, aide to Lyndon Johnson Leopold “Lee” Montgomery, reporter Herb Gould, television journalist on This Day Suzy Cannon, gossip reporter Frank Lindeman, television network owner REAL HISTORICAL CHARACTERS John F. Kennedy, thirty-fifth U.S. president Jackie, his wife Bobby Kennedy, his brother Dave Powers, assistant to President Kennedy Pierre Salinger, President Kennedy’s press officer Rev. Dr. Martin Luther King Jr., president of the Southern Christian Leadership Conference Lyndon B. Johnson, thirty-sixth U.S. president Richard Nixon, thirty-seventh U.S. president Jimmy Carter, thirty-ninth U.S. president Ronald Reagan, fortieth U.S. president George H. W. Bush, forty-first U.S. president British LECKWITH-WILLIAMS FAMILY Dave Williams Evie Williams, his sister Daisy Williams, his mother Lloyd Williams, M.P., his father Eth Leckwith, Dave’s grandmother MURRAY FAMILY Jasper Murray Anna Murray, his sister Eva Murray, his mother MUSICIANS IN THE GUARDSMEN AND PLUM NELLIE Lenny, Dave Williams’s cousin Lew, drummer Buzz, bass player Geoffrey, lead guitarist OTHERS Earl Fitzherbert, called Fitz Sam Cakebread, friend of Jasper Murray Byron Chesterfield (real name Brian Chesnowitz), music agent Hank Remington (real name Harry Riley), pop star Eric Chapman, record company executive German FRANCK FAMILY Rebecca Hoffmann Carla Franck, Rebecca’s adoptive mother Werner Franck, Rebecca’s adoptive father Walli Franck, son of Carla Lili Franck, daughter of Werner and Carla Maud von Ulrich, née Fitzherbert, Carla’s mother Hans Hoffmann, Rebecca’s husband OTHERS Bernd Held, schoolteacher Karolin Koontz, folksinger Odo Vossler, clergyman REAL HISTORICAL PEOPLE Walter Ulbricht, first secretary of the Socialist Unity Party (Communist) Erich Honecker, Ulbricht’s successor Egon Krenz, successor to Honecker Polish Stanislaw “Staz” Pawlak, army officer Lidka, girlfriend of Cam Dewar Danuta Gorski, Solidarity activist REAL HISTORICAL PEOPLE Anna Walentynowicz, crane driver Lech Wałesa, leader of the trade union Solidarity General Jaruzelski, prime minister Russian DVORKIN-PESHKOV FAMILY Tanya Dvorkin, journalist Dimka Dvorkin, Kremlin aide, Tanya’s twin brother Anya Dvorkin, their mother Grigori Peshkov, their grandfather Katerina Peshkov, their grandmother Vladimir, always called Volodya, their uncle Zoya, Volodya’s wife Nina, Dimka’s girlfriend OTHERS Daniil Antonov, features editor at TASS Pyotr Opotkin, features editor in chief Vasili Yenkov, dissident Natalya Smotrov, official in the Foreign Ministry Nik Smotrov, Natalya’s husband Yevgeny Filipov, aide to Defense Minister Rodion Malinovsky Vera Pletner, Dimka’s secretary Valentin, Dimka’s friend Marshal Mikhail Pushnoy REAL HISTORICAL CHARACTERS Nikita Sergeyevitch Khrushchev, first secretary of the Communist Party of the Soviet Union Andrei Gromyko, foreign minister under Khrushchev Rodion Malinovsky, defense minister under Khrushchev Alexei Kosygin, chairman of the Council of Ministers Leonid Brezhnev, Khrushchev’s successor Yuri Andropov, successor to Brezhnev Konstantin Chernenko, successor to Andropov Mikhail Gorbachev, successor to Chernenko Other Nations Paz Oliva, Cuban general Frederik Bíró, Hungarian politician Enok Andersen, Danish accountant
Ken Follett (Edge of Eternity Deluxe (The Century Trilogy #3))
like to thank the many people who have assisted and supported me in this work. First, thanks to the Johns Hopkins University Press and its editors, who have believed in me from the fi rst: thanks to Anders Richter, who shepherded me through the publication of the fi rst edition, and to Jacqueline Wehmueller, who inherited me from Andy after his retirement and encouraged me to write a second and now a third edition of the book. She has been a constant and steadfast source of inspiration and support for this and many other projects. Immeasurable thanks is owed to my teachers and mentors at Johns Hopkins, Paul R. McHugh and J. Raymond DePaulo, and to my psychiatric colleagues (from whom I never stop learning), especially Jimmy Potash, Melvin McInnis, Dean MacKinnon, Jennifer Payne, John Lipsey, and Karen Swartz. Thanks to Trish Caruana, LCSW, and Sharon Estabrook, OTR, for teaching me the extraordinary importance of their respective disciplines, clinical social work and occupational therapy, to the comprehensive treatment of persons with mood disorders. And thanks, of course, to my partner, Jay Allen Rubin, for much more than I could ever put into words. x ■ pre face
Anonymous
Elvis had been a truck driver, but John Lennon, Pete Townshend, Eric Clapton, Jeff Beck, Jimmy Page, Ray Davies, and Keith Richards were all art college students who tended to think of themselves as artists.
Steven D. Stark (Meet the Beatles: A Cultural History of the Band that Shook Youth, Gender, and the World)
Apart from this critical letter, the Bush administration largely ignored Israel for most of his first seven years, discovering it as a final eighth year issue. Secretary of State Rice was a regular commuter to Israel, all the while “pushing” Israel to give up land to obtain a peace treaty. However, prior to the Bush assurances, which were so hastily withdrawn, Israel has for some appreciable length of time enjoyed the military protection umbrella of American support. The United States of America, on March 26, 1979, guaranteed Israel that if she were to be militarily invaded, America would militarily respond. Israel bargained for this American military commitment and treaty promise as a condition of the Camp David peace agreement with Yassar Arafat and Anwar Sadat of Egypt, brokered by then President Jimmy Carter. The President of the United States of America on that date signed a Memorandum of Agreement between the Governments of the United States of America and the State of Israel.
John Price (The End of America: The Role of Islam in the End Times and Biblical Warnings to Flee America)
While Reagan was often criticized by liberals and conservatives alike for quoting John Kennedy, he once received a letter from son John Kennedy, Jr., praising Reagan’s use of his father’s words and urging him to keep on quoting President Kennedy.26 In 1980, nearly all the extended Kennedy family had voted for Reagan rather than Jimmy Carter.
Craig Shirley (Last Act: The Final Years and Emerging Legacy of Ronald Reagan)
Connection, he explained, was the essence of pop music, according to his boss, Jimmy Iovine: “Jimmy always says it’s all about the connection between the artist and the fans,” he says. “This whole business, it’s just about that connection.
John Seabrook (The Song Machine: Inside the Hit Factory)
John Cazale happens once in a lifetime. He was an invention, a small perfection. It is no wonder his friends feel such anger upon waking from their sleep to discover that Cazale sleeps on with kings and counselors, with Booth and Kean, with Jimmy Dean, with Bernhardt, Guitry, and Duse, with Stanislavsky, with Groucho, Benny, and Allen. He will make fast friends in his new place. He is easy to love. John Cazale’s body betrayed him. His spirit will not. His whole life plays and replays as film, in our picture houses, in
Michael Schulman (Her Again: Becoming Meryl Streep)
John’s new Platoon Sergeant, Sergeant First Class Wilson* was a smart man, he was a Master Gunner and had just come from Fort Knox as an instructor which did not sit well with John’s bull headedness.
Jimmy Brown (In the Boots of a Soldier)
Jimmie was in the kitchen where his mother was preparing breakfast for her boarders
John D. Fitzgerald (The Great Brain)
Jimmy Carter did not have the grace of John Kennedy, the congressional wizardry Lyndon Johnston, the strategic vision of Richard Nixon, the charm and clarity of purpose of Ronald Regan, the foreign policy experience of George H. W. Bush, the supreme political skills of Bill Clinton, the toughness of George W. Bush, or the eloquence of Barack Obama. But he brought to the oval office his own unique intellect, inquisitiveness, self discipline, political courage, and resilience in the face of setbacks. He disregarded the political costs of trying to make the nation and the world a better place in ways that transcended his presidency and often did not come to fruition until he left office. It is precisely because of his qualities that he was determined to confront so many difficult challenges and accomplished so much as he pressed ahead.
Stuart E. Eizenstat (President Carter: The White House Years)
The most surprising supporter of the treaties outside the Senate was the Oscar-winning actor John Wayne, a conservative Republican and icon of cowboy integrity. Wayne’s first wife was Panamanian, and his next two were also Latinas, and he and Torrijos had become fishing buddies. He let Bob Pastor—Carter’s top aide on the issue—ghostwrite dozens of letters and articles in support of the treaties, many of which pointed out that “General Torrijos has never followed the Marxist line.” Wayne contacted every senator and, as he told the president, “all the people who write me hysterical letters.” When Wayne saw Reagan’s fund-raising letter attacking the treaties, he privately scolded his old friend: “Dear Ronnie,” he wrote. “I’ll show you point by God damn point in the treaty where you are misinforming people. This is not my point of view against your point of view. These are facts.”VII
Jonathan Alter (His Very Best: Jimmy Carter, a Life)
When Rosalynn grew despondent about the headlines, Jimmy told her to read from John 14:1 (“Let not your heart be troubled”), and her spirits lifted before she embarked on a diplomatic mission to Peru.
Jonathan Alter (His Very Best: Jimmy Carter, a Life)
Uncle Jimmy was there too, and he [James Hogue] stuck his head into the burning trash and came back out and his hair was all singed up and smoking and his eyebrows were burned off and all that and—he had some like second-degree burns on his face and that sort of thing and everybody was asking him like, ‘What? What did you do?’ and he’s like, ‘I wanted to see the trash burn.’ 
Madison Salters (Scams and Cons: A True Crime Collection: Manipulative Masterminds, Serial Swindlers, and Crafty Con Artists (Including Anna Sorokin, Elizabeth Holmes, ... Issei Sagawa, John Edward Robinson, and more))
television set, trying to make out what George Peppard was saying to Jill St. John. “It’s usually quieter than this,” Dortmunder said.
Donald E. Westlake (Jimmy the Kid (Dortmunder, #3))
The police caught us and brought Jimmy and me to the front step. My father answered the door. They asked him, “Are these your sons?” “Never seen them before in me life.” He slammed the door in the policeman’s face. There was nothing they could do with us. We were underage, so they had to let us go. At first I was horrified, but later I realized that was the smartest thing I’d ever seen my old man do. He impressed me no end, because he never mentioned it again, either.
John Lydon (Rotten: No Irish, No Blacks, No Dogs)
Or even, like the Union commander General John Sedgwick, during the American Civil War, 'They couldn't hit an elephant from this dist...
Jimmy Carr (The Naked Jape: Uncovering The Hidden World Of Jokes)
»Das Schreddern eroberter Naziakten war eine bevorzugte Taktik von Dulles und seinen [Partnern], die nach dem Krieg zurückblieben, um bei der Besatzungsverwaltung Deutschlands mitzuarbeiten«, schrieb Nazijäger John Loftus, der als Staatsanwalt im Justizministerium unter Präsident Jimmy Carter viele Dokumente mit Bezug zu den Dulles-Brüdern sichtete.38
David Talbot (Das Schachbrett des Teufels: Die CIA, Allen Dulles und der Aufstieg Amerikas heimlicher Regierung (German Edition))
»Das Schreddern eroberter Naziakten war eine bevorzugte Taktik von Dulles und seinen [Partnern], die nach dem Krieg zurückblieben, um bei der Besatzungsverwaltung Deutschlands mitzuarbeiten«, schrieb Nazijäger John Loftus, der als Staatsanwalt im Justizministerium unter Präsident Jimmy Carter viele Dokumente mit Bezug zu den Dulles-Brüdern sichtete.38 Hätte Roosevelt, ihr mächtiger Feind im Weißen Haus, den Krieg überlebt, dann hätten die Dulles-Brüder wegen ihrer Aktivitäten während des Kriegs wohl mit einem Strafverfahren rechnen müssen.
David Talbot (Das Schachbrett des Teufels: Die CIA, Allen Dulles und der Aufstieg Amerikas heimlicher Regierung (German Edition))
Owners of strong franchises like Holiday Inns, Jimmy John’s, or Dunkin’ Donuts experience the lowest rates of failure of any enterprises, with more than ninety percent surviving ten years. Five-year survival rates across all franchises, both brand-new and well-established, average about thirty percent.
Carl J. Schramm (Burn the Business Plan: What Great Entrepreneurs Really Do)
1973 was the year when the United Kingdom entered the European Economic Union, the year when Watergate helped us with a name for all future scandals, Carly Simon began the year at number one with ‘You’re So Vain’, John Tavener premiered his Variations on ‘Three Blind Mice’ for orchestra, the year when The Godfather won Best Picture Oscar, when the Bond film was Live and Let Die, when Perry Henzell’s film The Harder They Come, starring Jimmy Cliff, opened, when Sofia Gubaidulina’s Roses for piano and soprano premiered in Moscow, when David Bowie was Aladdin Sane, Lou Reed walked on the wild side and made up a ‘Berlin’, Slade were feeling the noize, Dobie Gray was drifting away, Bruce Springsteen was ‘Blinded by the Light’, Tom Waits was calling ‘Closing Time’, Bob Dylan was ‘Knocking on Heaven’s Door’, Sly and the Family Stone were ‘Fresh’, Queen recorded their first radio session for John Peel, when Marvin Gaye sang ‘What’s Going On’ and Ann Peebles’s ‘I Can’t Stand the Rain’, when Morton Feldman’s Voices and Instruments II for three female voices, flute, two cellos and bass, Alfred Schnittke’s Suite in the Old Style for violin and piano and Iannis Xenakis’s Eridanos for brass and strings premiered, when Ian Carr’s Nucleus released two albums refining their tangy English survey of the current jazz-rock mind of Miles Davis, when Ornette Coleman started recording again after a five-year pause, making a field recording in Morocco with the Master Musicians of Joujouka, when Stevie Wonder reached No. 1 with ‘Superstition’ and ‘You Are the Sunshine of My Life’, when Free, Family and the Byrds played their last show, 10cc played their first, the Everly Brothers split up, Gram Parsons died, and DJ Kool Herc DJed his first block party for his sister’s birthday in the Bronx, New York, where he mixed instrumental sections of two copies of the same record using two turntables.
Paul Morley (A Sound Mind: How I Fell in Love with Classical Music (and Decided to Rewrite its Entire History))
New franchises account for nearly forty percent of all new business started each year. Success among strong franchises such as Jimmy John’s sandwiches, Sport Clips Haircuts, and Auntie Anne’s pretzels is very high. Nearly everyone who owns one of the two hundred strongest franchised brands succeeds: Five-year survival rates are over ninety-five percent.
Carl J. Schramm (Burn the Business Plan: What Great Entrepreneurs Really Do)
Medical Warning: Talk to your doctor before beginning a John Locke series, as studies have shown them to be habit-forming and highly addictive. Do not read Locke if you suffer from high blood pressure or other heart-related issues, as readers often experience mood swings, increased pulses, elevated heart rates, and have reported unexpected shifts in body position that take them to the edge of their seats. Do not drive or use machinery while reading Locke novels. Locke novels are not for everyone, and may cause serious reactions including insomnia, night terrors, and uncontrollable, maniacal laughter. Tell your doctor right away if you have these, or if you experience unusual changes in your behavior including increased sexual urges, palpitations, or prolonged erections. Common side effects include confusion, hysteria, and trouble swallowing a given premise. Do not drink alcohol while reading Locke novels, though those with a history of drug or alcohol abuse may be more prone to understanding the material. Adverse reactions to Locke novels include nausea and vomiting, loss of appetite, severe itching, rectal bleeding, purple spots under the skin, and Jimmy Legs. In extreme cases, readers have reported laughing so hard they not only shit their pants, but other’s pants, as well. Upon completing a Locke series be prepared to experience symptoms of withdrawal, including fear, anger, extreme sadness, and moderate to severe depression. Ask your doctor today if John Locke novels are right for you!
John Locke (The President's Daughter (Donovan Creed))
Doom, meanwhile, had a long-term impact on the world of gaming far exceeding even that of Myst. The latest of a series of experiments with interactive 3D graphics by id programmer John Carmack, Doom shares with Myst only its immersive first-person point of view; in all other respects, this fast-paced, ultraviolent shooter is the polar opposite of the cerebral Myst. Whereas the world of Myst is presented as a collection of static nodes that the player can move among, each represented by a relatively static picture of its own, the world of Doom is contiguous. As the player roams about, Doom must continually recalculate in real time the view of the world that it presents to her on the screen, in effect drawing for her a completely new picture with every frame using a vastly simplified version of the 3D-rendering techniques that Eric Graham began experimenting with on the Amiga back in 1986. First-person viewpoints had certainly existed in games previously, but mostly in the context of flight simulators, of puzzle-oriented adventures such as Myst, or of space-combat games such as Elite. Doom has a special quality that those earlier efforts lack in that the player embodies her avatar as she moves through 3D space in a way that feels shockingly, almost physically real. She does not view the world through a windscreen, is not separated from it by an adventure game’s point-and-click mechanics and static artificiality. Doom marks a revolutionary change in action gaming, the most significant to come about between the videogame’s inception and the present. If the player directs the action in a game such as Menace, Doom makes her feel as if she is in the action, in the game’s world. Given the Amiga platform’s importance as a tool for noninteractive 3D rendering, it is ironic that the Amiga is uniquely unsuited to Doom and the many iterations and clones of it that would follow. Most of the Amiga attributes that we employed in the Menace reconstruction—its scrolling playfields, its copper, its sprites—are of no use to a 3D-engine programmer. Indeed, the Intel-based machines on which Carmack created Doom possess none of these features. Even the Amiga’s bitplane-based playfields, the source of so many useful graphical tricks and hacks when programming a 2D game such as Menace, are an impediment and annoyance in a game such as Doom. Much preferable are the Intel-based machines’ straightforward chunky playfields because these layouts are much easier to work with when every frame of video must be drawn afresh from scratch. What is required most of all for a game such as Doom is sufficient raw processing power to perform the necessary thousands of calculations needed to render each frame quickly enough to support the frenetic action for which the game is known. By 1993, the plebian Intel-based computer, so long derided by Amiga owners for its inefficiencies and lack of design imagination, at last possessed this raw power. The Amiga simply had no answer to the Intel 80486s and Pentiums that powered this new, revolutionary genre of first-person shooters. Throughout
Jimmy Maher (The Future Was Here: The Commodore Amiga (Platform Studies))
Modern art is a waste of time. When the zombies show up, you can't worry about art. Art is for people who aren't worried about zombies. Besides zombies and icebergs, there are other things that Soap has been thinking about. Tsunamis, earthquakes, Nazi dentists, killer bees, army ants, black plague, old people, divorce lawyers, sorority girls, Jimmy Carter, giant quids, rabid foxes, strange dogs, new anchors, child actors, fascists, narcissists, psychologists, ax murderers, unrequited love, footnotes, zeppelins, the Holy Ghost, Catholic priests, John Lennon, chemistry teachers, redheaded men with British accents, librarians, spiders, nature books with photographs of spiders in them, darkness, teachers, swimming pools, smart girls, pretty girls, rich girls, angry girls, tall girls, nice girls, girls with superpowers, giant lizards, blind dates who turn out to have narcolepsy, angry monkeys, feminine hygiene commercials, sitcoms about aliens, things under the bed, contact lenses, ninjas, performances artists, mummies, spontaneous combustion, Soap has been afraid of all of these things at one time or another, Ever since he went to prison, he's realized that he doesn't have to be afraid. All he has to do is come up with a plan. Be prepared. It's just like the Boy Scouts, except you have to be even more prepared. You have to prepare for everything that the Boy Scouts didn't prepare you for, which is pretty much everything.
Kelly Link (Magic for Beginners)
There were still exciting groups on the horizon: Ben Pollack, Isham Jones, Red Nichols, and Ted “Is Ev-rybody Happy?” Lewis provided an early training ground for many of the stars of the swing era, which was just around the corner. Fletcher Henderson, Louis Armstrong, Earl “Fatha” Hines, Jimmie Lunceford, and Chick Webb had started or were soon to start bands in the mid- to late 1920s, and Duke Ellington was already one of the most respected names in the industry.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
That all these leaders were temperamental and difficult mattered little to the fans who loved them. Goodman was called “an ornery SOB” by more than one sideman. His icy stare, “the Goodman ray,” was usually a prelude to termination. Miller was considered cold and distant. His demeanor kept his men at bay and uneasy. Dorsey could be openly combative. Some stories had it that he and his brother Jimmy sometimes settled disputes with fists in the old days of the Dorsey Brothers band. And Artie Shaw had serious bouts of nervous depression, walking out on his great 1939 band and escaping to Mexico.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Jimmy paused and then spoke softly; “I can do this… but I can’t do it alone. I need every single one of you to be the hero right now.” -Head On, Chapter 42
John Monaghan (Head On: NYPD Takes on ISIS)
I can do this… but I can’t do it alone. I need every single one of you to be the hero right now. -Jimmy Gallagher, Head On, Chapter 42
John Monaghan
This process is short-circuited when people are told, “Jesus has forgiven all your sins; now stop mourning them!” This is like telling a man whose wife has just died, “Jesus has taken your wife to heaven; now stop mourning her death!” Jesus wept at the tomb of Lazarus (John 11:35)—even knowing he was about to bring him back to life. If that’s the case, the need to grieve is so deep in human nature that trying to prevent it is foolish and can even be harmful.
Jimmy Akin (The Drama of Salvation: How God Rescues You from Your Sins and Brings You to Eternal Life)
Carter had diagnosed a political regime in deep trouble, one that would have to alter radically the way it worked in order to meet the problems of the day. Yet, he came to power to rejuvenate that regime rather than repudiate it, to save it rather than destroy it. As the order-affirming and order-shattering dimensions of this project had virtually the same referents, Carter convened a politics in which he could not win for winning. To make his critique credible, he would have to offer potent prescriptions for changing the way government did business. But the more potent his prescriptions, the harder he would have to fight his ostensible allies to secure them; and the harder he had to fight to administer his remedies, the more elusive his case for the vitality of the regime would become. Earnest in the pursuit of his objectives, he could not but drive the disjunction between the regime and the nation beyond repair. The very relationship that Carter sought to carry on with the political establishment served to magnify the problems he had ostensibly come to Washington to resolve.
Stephen Skowronek (The Politics Presidents Make: Leadership from John Adams to Bill Clinton)
Jimmy went to John’s truck, opened the door, and saw the keys in the ignition. He walked to the back and looked in the bed. Some of John’s camping gear, his bolt-action Enfield rifle, and his cellphone. “What the hell?” Jimmy murmured. He looked around the town, glanced down, and froze.
Ron Ripley (The Lighthouse (Berkley Street #2))
Like all obsessive characters, Merrick was inordinately boring. He was uninterested in books, music, politics, people or, seemingly, even sex. His studied politeness was a mask that must conceal a slow-boiling malevolence. I can't see what he could have responded to in an irrepressible jokesmith like Jimmy Porter. He could squeeze out a frosty smile only when someone like a lovingly hated star collapsed with coronary.
John Osborne (Looking Back: Never Explain, Never Apologise)
If one word applied to that post-war decade it was inertia. Enthusiasm there was not, in this climate of fatigue. Jimmy Porter was hurt because things had remained the same. Colonel Redfern grieved that everything had changed. They were both wrong, but that was hard to see at the time.
John Osborne (Looking Back: Never Explain, Never Apologise)
He studied everything on the air, “listened to radio until it was coming out of my ears, getting the feel of it.” This was a brand new ball game: “it wouldn’t do any good to roll your eyes or clap your hands” to capture an audience. He decided to rope in the studio audience and let them laugh—on microphone—at his gags. This was unknown territory: before Cantor, studio audiences were sternly warned to make no noise of any kind while the shows were on the air. No laughter was permitted: even a muffled cough would bring an usher with a finger to his lips. This policy changed forever when Cantor and announcer Jimmy Wallington went down into the audience, snatched the hats off their wives’ heads, and chased each other around the stage while the audience shrieked hysterically. After the broadcast, John Reber of J. Walter Thompson called with the excited news that Cantor had “just invented audience participation.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
On Feb. 5, 1945, an all-star cast spoofed America’s most popular comic strip in an hour-long play, Dick Tracy in B-Flat; or, For Goodness Sake, Isn’t He Ever Going to Marry Tess Trueheart? The stars were Bing Crosby as Dick Tracy; Dinah Shore as Tess Trueheart; Harry Von Zell as Old Judge Hooper; Jerry Colonna as the Chief of Police; Bob Hope as Flat Top; Frank Morgan as Vitamin Flintheart; Jimmy Durante as the Mole; Judy Garland as Snowflake; the Andrews Sisters as the Summer Sisters; Frank Sinatra as Shaky; and Cass Daley as Gravel Gertie.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
An advocacy group, the Cinnamon Bear Brigade, operates in Portland, Ore., and claims 400 members nationwide. The outstanding cast was identified by Frank Nelson, with additional names supplied by SPERDVAC, the oldtime radio society of Southern California. But the actor who played the male lead, Jimmy Barton, eludes them all. Not even the most ardent Cinnamon Bear advocates have been able to supply his name.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
army, that’s all.” He couldn’t wait to leave. After the Holocaust, when fascism became synonymous with anti-Semitism and mass murder, the term “Zionist fascisti” would become an almost unimaginable slur. But in 1929, to label Zionists (or segments of Zionism) as fascist was inflammatory but not uncommon. The right-wing Zionist leader Vladimir Jabotinsky had indeed been influenced by European fascist movements, modeling his own paramilitary force on Mussolini’s blackshirts. Jabotinsky’s Jewish opponents in the Zionist Labour movement regularly called him a fascist. When John and Jimmy invoked fascism, they meant that Zionism was expansionist, aggressive, nationalistic, and racially exclusive, all characteristics of the kind of fascism they had seen firsthand in Italy, Romania, and Hungary.
Deborah Cohen (Last Call at the Hotel Imperial: The Reporters Who Took on a World at War)