Jimmy Iovine Quotes

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If you love your dad, it’s tough when he dies. If you don’t like your dad, it’s tough when he dies. Because you lose that guy. Whatever you didn’t get, you miss. And what you did get, you miss.
Jimmy Iovine
We’re built to move on. Someone dies, no matter how close you are to them, you move on. That helps in a lot of ways.
Jimmy Iovine
round of meetings ensued. Jobs flew down to talk to Jimmy Iovine, whose Interscope records distributed U2, at his house in the Holmby Hills section
Walter Isaacson (Steve Jobs)
Connection, he explained, was the essence of pop music, according to his boss, Jimmy Iovine: “Jimmy always says it’s all about the connection between the artist and the fans,” he says. “This whole business, it’s just about that connection.
John Seabrook (The Song Machine: Inside the Hit Factory)
complement the first. The initial credit line Junior offered for investing in artists was only $100 million, much less than what had been available at Warner, but Morris could see that, sitting on a limitless tap of booze money, there was a lot more where that came from.4 Best of all, Seagram was domiciled in Canada, where the lyrics of popular rap songs were not a pressing political issue. Although Jimmy Iovine and Doug Morris were temporarily estranged as colleagues, they remained best friends and hoped to reunite. Fuchs’ actions had stung them both, and Iovine had raised such a stink after Morris’ sacking that he was no longer permitted in the Time Warner Building. Under normal circumstances, he too would have been fired, but Iovine didn’t actually work for Warner directly—he was an equity partner in a joint venture, and the only way to get rid of him was to sell him back his shares. This was an expensive proposition, as Interscope had diversified beyond rap, signing No Doubt, Nine Inch Nails, and Marilyn Manson. Together, the two came up with a plan. Iovine, the agitator, would make himself unbearable to Fuchs, and push extreme albums like Dogg Food and Antichrist Superstar that made the provocations of The Chronic seem boring by comparison. Morris,
Stephen Witt (How Music Got Free: The incredible true story of the modern music revolution, now a major new documentary series)