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Life is a bucket of shit with a barbed wire handle.
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Jim Thompson
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There are things that have to be forgotten if you want to go on living.
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Jim Thompson (The Killer Inside Me)
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Take it from me, there's nothing like a job well done. Except the quiet enveloping darkness at the bottom of a bottle of Jim Beam after a job done any way at all.
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Hunter S. Thompson (Fear and Loathing in Las Vegas)
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A weed is a plant out of place.
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Jim Thompson (The Killer Inside Me)
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There are thirty-two ways to write a story, and I’ve used every one, but there is only one plot – things are not as they seem.
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Jim Thompson
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I ain't saying you're a liar, because that wouldn't be polite. But I'll tell you this, ma'am. If I loved liars, I'd hug you to death.
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Jim Thompson (Pop. 1280 (Crime Masterworks))
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I kissed her, a long hard kiss. Because baby didn't know it, but baby was dead, and in a way I couldn't have loved her more.
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Jim Thompson (The Killer Inside Me)
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I'd been chasing females all my life, not paying no mind to the fact that whatever's got tail at one end has teeth at the other, and now I was getting chomped.
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Jim Thompson (Pop. 1280 (Crime Masterworks))
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If we all had what we wanted to eat... We'd have inflation in the toilet paper industry.
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Jim Thompson (The Killer Inside Me)
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Then he laughed and she laughed. And quivering with the movement of the train, the dead man seemed to laugh too.
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Jim Thompson (The Getaway)
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What smells good in the store may stink in the stewpot.
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Jim Thompson (Nothing More Than Murder)
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I told her the world was full of nice people. I'd have hated to try to prove it to her, but I said it, anyway.
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Jim Thompson (A Hell of a Woman)
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When life attains a crisis, man’s focus narrows. […] The world becomes a stage of immediate concern, swept free of illusion.
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Jim Thompson (The Killer Inside Me)
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I'd forgotten about it, and now I forgot it again. There are things that have to be forgotten if you want to go on living.
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Jim Thompson (The Killer Inside Me)
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You go into the office and take a book or two from the shelves. You read a few lines, like your life depended on reading 'em right. But you know your life doesn't depend on anything that makes sense, and you wonder where in the hell you got the idea it did; and you begin to get sore.
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Jim Thompson (The Killer Inside Me)
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Practically every fella that breaks the law has a danged good reason, to his own way of thinking, which makes every case exceptional, not just one or two. Take you, for example.
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Jim Thompson (Pop. 1280 (Crime Masterworks))
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I found out long ago that the place where the law is apt to be abused the most is right around a courthouse.
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Jim Thompson (The Killer Inside Me)
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There is only one plot—things are not what they seem.
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Jim Thompson
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We're living in a funny world kid, a peculiar civilization. The police are playing crooks in it, and the crooks are doing police duty. The politicians are preachers, and the preachers are politicians. The tax collectors collect for themselves. The Bad People want us to have more dough, and the good people are fighting to keep it from us. It's not good for us, know what I mean? If we had all we wanted to eat, we'd eat too much. We'd have inflation in the toilet paper industry. That's the way I understand it. That's about the size of some of the arguments I've heard.
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Jim Thompson (The Killer Inside Me)
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The phone rang. Softly, in actuality, yet it seemed loud and ominous, as phones do at night in dark hotel rooms.
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Jim Thompson (The Nothing Man)
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Anyone who deprived her of something she wanted deserved what he got.
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Jim Thompson (The Grifters)
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If I had to marry someone, it wouldn't be a bossy little gal with a tongue like barbed-wire and a mind about as narrow.
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Jim Thompson (The Killer Inside Me)
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I knew–though I didn't recognize the fact–that I wasn't all right.
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Jim Thompson (The Killer Inside Me)
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what else is there to do but laugh and joke...how else can you bear up under the unbearable?
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Jim Thompson (Pop. 1280 (Crime Masterworks))
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I looked at her, with her hair spilled out on the pillows and the warmth of her body warming mine. And I thought, god-dang, if this ain't a heck of a way to be in bed with a pretty woman. The two of you arguing about murder, and threatening each other, when you're supposed to be in love and you could be doing something pretty nice. And then I thought, well, maybe it ain't so strange after all. Maybe it's like this with most people, everyone doing pretty much the same thing except in a different way. And all the time they're holding heaven in their hands.
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Jim Thompson (Pop. 1280 (Crime Masterworks))
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Usually, during the past fifteen-odd years, I'd hated to see the morning come. That's a psychotic symptom, you know, not wanting to awaken--hating to face things that are bound to be more than you can handle.
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Jim Thompson (After Dark, My Sweet)
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You've got forever; and somehow you can't do much with it. You've got forever; and it's a mile wide and an inch deep and full of alligators.
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Jim Thompson
“
It’s—it’s always lightest j-just before the dark.
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Jim Thompson (The Killer Inside Me)
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A weed is a plant out of place.’ Let me repeat that. A weed is a plant out of place.’ I find a hollyhock in my cornfield, and it’s a weed. I find it in my yard, and it’s a flower.
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Jim Thompson (The Killer Inside Me (Mulholland Classic))
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The world was a shitpot with a barbed-wire handle and the further he could kick it the better he liked it.
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Jim Thompson (Texas by the Tail (Mulholland Classic))
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if I wasn't a decent woman I'd heist a leg and pee in your ear until it washed out that stinking pile of crap you call brains.
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Jim Thompson (Pop. 1280 (Crime Masterworks))
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He was his own victim, his own slave. He had made personality a profession, created a career out of selling himself. And he could not stray far, or for long, from his self-made self.
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Jim Thompson (The Grifters)
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It was like being asleep when you were awake and awake when you were asleep. I'd pinch myself, figuratively speaking - I had to keep pinching myself. Then I'd wake up kind of in reverse; I'd go back to the nightmare I had to live in. And everything would be clear and reasonable.
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Jim Thompson (The Killer Inside Me)
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You can't stamp on a man's corns when he's got his feet cut off.
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Jim Thompson (The Killer Inside Me)
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you might think it wasn't real nice to kick a dying man, and maybe it wasn't, but I'd been wanting to kick him for a long time, and it just never had seemed safe till now
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Jim Thompson (Pop. 1280 (Crime Masterworks))
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She wasn't much over five feet and a hundred pounds, and she looked a little scrawny around the neck and ankles. But that was all right. It was perfectly all right. The good Lord had known just where to put that flesh where it would really do some good.
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Jim Thompson (The Killer Inside Me)
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He could be breaking apart inside and you'd never know it from the way he acted. He'd be just as pleasant and polite as if he didn't have a care in the world. You had to be careful with someone like that. You could never know what he was thinking.
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Jim Thompson (The Getaway)
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He kept his back turned and his eyes closed, feeling no shame or anger but only an increasing sickness of soul.
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Jim Thompson (The Getaway)
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Maybe it don’t seem to make sense for a fella to be doing things for a reason that he don’t know about. But I reckon I’ve been doing it most of my life.
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Jim Thompson (Pop. 1280)
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I finished the ale, started to order a third one, and decided against it. I'd had enough. More than enough. Or I never would have. You take just so much from a bottle, and then you stop taking. From then on you're putting.
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Jim Thompson (Savage Night)
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It had soaked in on him at last, the spot he was in. Soaked clear through a quart of booze until it hit him where he lived and rubbed the place raw.
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Jim Thompson (Pop. 1280 (Crime Masterworks))
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Maybe I should go back to teaching school about crazy people instead of being one. (Jim Alvin)
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Patricia Briggs (River Marked (Mercy Thompson, #6))
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Sure there's a hell...
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Jim Thompson (Savage Night (Mulholland Classic))
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Existence and proof are inseparables. You have to have the second to have the first. I
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Jim Thompson (The Killer Inside Me)
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ethicalities aside,
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Jim Thompson (The Alcoholics (Mulholland Classic))
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It looked like I’d sold my pottage for a mess of afterbirth, as the saying is. I’d been chasing females all my life, not paying no mind to the fact that whatever’s got tail at one end has teeth at the other, and now I was getting chomped on.
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Jim Thompson (Pop. 1280)
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But even the innocent blow of a child can be painful, possibly more so than that of an adult since its victim cannot bring himself to strike back. His only recourse, when the pain becomes unbearable, is to put himself beyond the child's reach.
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Jim Thompson
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He was part of this river of cars, aiding its sluggish tide and in turn aided by it. Without losing his identity, free to turn out of the tide when he chose, he still belonged to something.
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Jim Thompson (The Grifters)
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a heck of a lot of things are bound to go wrong in a world as big as this one. And if there's an answer to why it's that way - and there ain't always - why, it's probably not just one answer by itself, but thousands of answers.
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Jim Thompson (Pop. 1280 (Crime Masterworks))
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When life attains a crisis, man’s focus narrows.
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Jim Thompson (The Killer Inside Me (Mulholland Classic))
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He’d had too much. He was too beaten. When they get that far gone, you’d better get in the final licks fast.
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Jim Thompson (Savage Night (Mulholland Classic))
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Strolling down a white-graveled walk to the cliff above the ocean, he let his eyes rove aimlessly over the expanse of sea and sand: The icy-looking whitecaps, the blinking, faraway sails of boats, the sweeping, constantly searching gulls. Desolation. Eternal, infinite. Like Dostoevski’s conception of eternity, a fly circling about a privy, the few signs of life only emphasized the loneliness.
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Jim Thompson (The Grifters)
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If the Good Lord made a mistake in us people it was in making us want to live when we’ve got the least excuse for it.
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Jim Thompson (The Killer Inside Me)
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I rode a streetcar to the edge of the city limits, then I started to walk, swinging the old thumb whenever I saw a car coming.
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Jim Thompson
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her neat sweet features fixed in a small smile of polite wariness.
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Jim Thompson (The Alcoholics (Mulholland Classic))
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Well, anyway, by the time it got ready to vote, it looked like a fella wouldn’t be able to have no fun at all anymore, if my opponents were elected. About all a fella would be able to do, without getting arrested, was to drink sody-pop and maybe kiss his wife. And no one liked the idea very much, the wives included.
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Jim Thompson (Pop. 1280)
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Friends can help each other. A true friend is someone who lets you have total freedom to be yourself - and especially to feel. Or, not feel. Whatever you happen to be feeling at the moment is fine with them. That's what real love amounts to - letting a person be what he really is.
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Jim Thompson (The Best American Noir of the Century (The Best American Series ®))
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He was dignity distorted, bravery become knavery, sanctimoniousness masking sin. He was a mirror, jeering at the subject it reflected. Yet so muted were the jeers, so delicate the inaccuracies of delineation, that they evaded detection. True and false were blended together. The false was merely an extended shadow of the true.
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Jim Thompson (Swell-Looking Babe (Mulholland Classic))
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There was too much of a sameness about the evening’s delights. He had been the same route too many times. He’d been there before, so double-damned often, and however you traveled—backward, forward, or walking on your hands—you always got to the same place. You got nowhere, in other words, and each trip took a little more out of you.
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Jim Thompson (The Grifters)
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He picked her up and tossed her on the bed.
They had a hell of a time.
But afterward, after she had gone back to her own room, depression came to him and what had seemed like such a hell of a time became distasteful, even a little disgusting. It was the depression of surfeit, the tail of selfindulgence’s kit. You flew high, wide, and handsome, imposing on the breeze that might have wafted you along indefinitely; and then it was gone, and down, down, down you went.
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Jim Thompson (The Grifters)
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You've got no time at all, but it seems like you've got forever. You've got nothing to do, but it seems like you've got everything.
You make coffee and smoke a few cigarettes; and the hands of the clock have gone crazy on you. They haven't moved hardly, they've hardly budged out of the place you last saw them, but they've measured off a half? two-thirds? of your life. You've got forever, but that's no time at all. You've got forever; and somehow you can't do much with it. You've got forever; and it's a mile wide and an inch deep and full of alligators.
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Jim Thompson (The Killer Inside Me)
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Dad always said that he had enough trouble sorting the fiction out of so-called facts, without reading fiction. He always said that science was already too muddled without trying to make it jibe with religion. He said those things, but he also said that science itself could be a religion, that a broad mind was always in danger of becoming narrow.
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Jim Thompson (The Killer Inside Me)
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that crutch hadn’t done her rear end any harm. If you saw it by itself, you might have thought it belonged to a Shetland pony. But
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Jim Thompson (Savage Night (Mulholland Classic))
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Rothman gave me another sharp look, and then he looked down at his desk. 'Lou' he said softly, 'do you know how many days a year an ironworker works? Do you know what his life expectancy is? Did you ever see an old ironworker? Did you ever stop to figure that there's all kinds of dying, but only one way of being dead?
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Jim Thompson (The Killer Inside Me)
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Screw you! I’m not going to tell you what I was going to say because I’m a decent woman. But if I wasn’t, you know what I’d say? You know what I’d do to you, you rotten son-of-a-bitch? I’d heist a leg and pee in your ear until it washed out that stinking pile of crap you call brains!
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Jim Thompson (Pop. 1280)
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"Sure there's a hell..." I could hear him saying it now, now, as I lay here on bed with her breath in my face, and her body squashed against me... "It is the drab desert where the sun sheds neither warmth nor light and Habit force-feeds senile Desire. It is the place here mortal Want dwells with immortal Necessity, and the night becomes hideous with the groans of one and the ecstatic shrieks of the other. Yes, there is a hell, my boy, and you do not have to dig for it.
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Jim Thompson (Savage Night (Mulholland Classic))
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How to make her run? No problem there. For a fearful shadow lies constantly over the residents of Uneasy Street. It casts itself through the ostensibly friendly handshake, or the gorgeously wrapped package. It beams out from the baby's carriage, the barber's chair, the beauty parlor. Every neighbor is suspect, every outsider, every period; even one's own husband or wife of sweetheart. There is no ease on Uneasy Street. The longer one's tenancy, the more untenable it becomes.
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Jim Thompson (The Grifters)
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As for working with a partner, he didn’t like that either. It cut the score right down the middle. It put an apple on your head, and handed the other guy a shotgun. Because grifters, it seemed, suffered an irresistible urge to beat their colleagues. There was little glory in whipping a fool—hell, fools were made to be whipped. But to take a professional, even if it cost you in the long run, ah, that was something to polish your pride.
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Jim Thompson (The Grifters)
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I yawned and I stretched. I sure was needing some sleep, but I guess I'm always in need of sleep like I'm always in need of food. Because my labors were mighty ones--ol' Hercules didn't know what hard work was--and what is there to do but eat and sleep? And when you're eatin' and sleepin' you don't have to fret about things you can't do nothing about. And what else is there to do but laugh an' joke...how else can you bear up under the unbearable?
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Jim Thompson (Pop. 1280 (Crime Masterworks))
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You don't need proof, know what I mean? Not from what I've seen of the law in operation. All you need is a tip that a guy is guilty. From then on, unless he's a big shot, it's just a matter of making him admit it.
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Jim Thompson (The Killer Inside Me)
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He had never before realized the blessedness of silence - the freedom to be silent, rather, if one chose. He had never realized, somehow, that such blessedness might be his privilege. He was Doc Mc Coy, and Doc Mc Coy was born to the obligation of being one hell of a guy.
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Jim Thompson (The Getaway)
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Wildly, he declared that she was a whore at heart, that she had always been a whore, that she had been one when he met her.
That was not true. In her early working life, as a photographer's model and cocktail waitress, she had occasionally given herself to men and received gifts in return. But it wasn't the same as whoring. She had liked the men involved. What she gave them was given freely, without bargaining, as were their gifts to her.
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Jim Thompson (The Grifters)
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That was the way one had to do. To do the best one could, and accept things as they were. Usually, they did not seem so bad after a while; if they were not actually good, then they became so by virtue of the many things that were worse. Almost everything was relatively good. Eating was better than starving, living better than dying,
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Jim Thompson (The Grifters)
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I just learned two things there at that college, Mr. Ford, that was ever of any use to me. One was that I couldn’t do any worse than the people that were in the saddle, so maybe I’d better try pulling ’em down and riding myself. The other was a definition I got out of the agronomy book, and I reckon it was even more important than the first. It did more to revise my thinking, if I’d really done any thinking up until that time. Before that I’d seen everything in black and white, good and bad. But after I was set straight I saw that the name you put to a thing depended on where you stood and where it stood. And…and here’s the definition, right out of the agronomy books: ‘A weed is a plant out of place.’ Let me repeat that. ‘A weed is a plant out of place.’ I find a hollyhock in my cornfield, and it’s a weed. I find it in my yard, and it’s a flower.
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Jim Thompson (The Killer Inside Me)
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They had no hope of anything more, no comprehension that there might be anything more. In a sense they were an autonomous body, functioning within a society which was organized to grind them down. The law did not protect them; for them it was merely an instrument of harassment, a means of moving them on when it was against their interest to move, or detaining them where it was to their disadvantage to stay.
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Jim Thompson (The Getaway)
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You've got no time at all, but it seems like you've got forever. You've got nothing to do, but it seems like you've got everything.
You make coffee and smoke a few cigarettes; and the hands of the clock have gone crazy on you. They haven't moved hardly, they've hardly budged out of the place you last saw them, but they've measured off a half? two-thirds? of your life. You've got forever, but that's no time at all.
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Jim Thompson (The Killer Inside Me)
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That’s what she keeps you around for, to diddle her fiddle. Because you’re low-hung and she’s high-strung!
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Jim Thompson (Pop. 1280)
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Judging by her reaction (and what else was there to judge by?) he had managed the interview very well.
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Jim Thompson (The Alcoholics (Mulholland Classic))
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You’ve got no time at all, but it seems like you’ve got forever. You’ve got nothing to do, but it seems like you’ve got everything.
You make coffee and smoke a few cigarettes: and the hands of the clock have gone crazy on you. They haven’t moved hardly, they’ve hardly budged out of the place you last saw them, but they’ve measured off a half? two-thirds? of your life. You’ve got forever, but that’s no time at all.
You’ve got forever; and somehow you can’t do much with it. You’ve got forever; and it’s a mile wide and an inch deep and full of alligators.
You go into the office and take a book or two from the shelves. You read a few lines, like your life depended on reading 'em right. But you know your life doesn't depend on anything that makes sense, and you wonder where in the hell you got the idea it did; and you begin to get sore.
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Jim Thompson (The Killer Inside Me)
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Flight is many things. Something clean and swift, like a bird skimming across the sky. Or something filthy and crawling; a series of crablike movements through figurative and literal slime, a process of creeping ahead, jumping sideways, running backward.
It is sleeping in fields and river bottoms. It is bellying for miles along an irrigation ditch. It is back roads, spur railroad lines, the tailgate of a wildcat truck, a stolen car and a dead couple in lovers' lane. It is food pilfered from freight cars, garments taken from clotheslines; robbery and murder, sweat and blood. The complex made simple by the alchemy of necessity
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Jim Thompson (The Getaway)
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I sat down in a booth, and the waitress shoved a menu in front of me. There wasn’t anything on it that sounded good, and anyway, one look at her and my stomach turned flipflops… Every goddamned restaurant I go to, it’s always the same way… They’ll have some old bag on the payroll — I figure they keep her locked up in the mop closet until they see me coming. And they’ll doll her up in the dirtiest goddamned apron they can find and smear that crappy red polish all over her fingernails, and everything about her is smeary and sloppy and smelly. And she’s the dame that always waits on me.
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Jim Thompson (A Hell of a Woman)
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I figure sometimes that maybe that's why we don't make as much progress as other parts of the nation. People lose so much time from their jobs in lynching other people, and they spend so much money on rope and kerosene and getting likkered-up in advance and other essentials, that there ain't an awful lot of money or man-hours left for practical purposes.
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Jim Thompson (Pop. 1280 (Mulholland Classic))
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He was staring off across the long broad fields, raising his eyes above the red clay soil to the horizon, looking across the fiery-red plains of Hell with its endless gauntlet of dead-brown imps---the cotton, the cotton, cotton, cotton---closing his eyes to them and seeing only the horizon and its towering ranks of derricks. Steel giants, snorting and chuckling amongst themselves; sneering wonderingly at the cotton and the bent-backed pigmies admist it. Huffing and puffing and belching up gold.
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Jim Thompson (Cropper's Cabin)
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What I was thinking was that she must have buggers in her bloomers or a chigger on her figger, or however you say it. It looked to me like something had better be done about it pretty quick, or her pants would start blazing and maybe they'd set the fairgrounds on fire and there'd be a panic with thousands of people getting stomped to death, not to mention the property damage. And I couldn't think of but one way to prevent it.
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Jim Thompson (Pop. 1280 (Mulholland Classic))
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Clinton sighed, and gave up. All his life he had given up. He didn't know why it was like that; why a man who wanted nothing but to live honestly and industriously and usefully - who, briefly, asked only the privileges of giving and helping - had had to compromise and surrender at every turn. But that was the way it had been, and that apparently was the way it was to be.
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Jim Thompson (The Getaway)
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People looking for easy answers to big problems. People that blame the Jews or colored folks for all the bad things that happen to ‘em. People that can’t realize that a heck of a lot of things are bound to go wrong in a world as big as this one. And if there is any answer to why it’s that way – and there ain’t always – why, it’s probably not just one answer by itself, but thousands of answers.
But that’s the way my daddy was – like those people. They buy some books by a fella that don’t know a god-danged thing more than they do (or he wouldn’t be having to write books). And that’s supposed to set ‘em straight about everything. Or they buy themselves a bottle of pills. Or they say the whole trouble is with other folks, and the only thing to do is to get rid of ‘em. Or they claim we got to war with another country.
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Jim Thompson (Pop. 1280 (Crime Masterworks))
“
Yeah, Johnnie,’ I said, ‘it’s a screwed up, bitched up world, and I’m afraid it’s going to stay that way. And I’ll tell you why. Because no one, almost no one, sees anything wrong with it. They can’t see that things are screwed up, so they’re not worried about it. What they’re worried about is guys like you.
‘They’re worried about guys liking a drink and taking it. Guys getting a piece of tail without paying a preacher for it. Guys who know what makes ’em feel good, and aren’t going to be talked out of the motion … They don’t like you guys, and they crack down on you. And the way it looks to me they’re going to be cracking down harder and harder as time goes on. You ask me why I stick around, knowing the score, and it’s hard to explain. I guess I king of got a foot on both fences, Johnnie. I planted ’em there early and now they’ve taken root, and I can’t move either way and I can’t jump. All I can do is wait until I split. Right down the middle.
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Jim Thompson (The Killer Inside Me)
“
Джонни, откуда ты знаешь, какой я? Разве человек может быть уверен в том, что знает что-то? Малыш, мы живем в забавном мире, в своеобразной цивилизации. В этом мире полицейские становятся проходимцами, а проходимцы выполняют их обязанности. Политики становятся проповедниками, а проповедники - политиками. Налоговые инспекторы собирают налоги для себя. Плохие люди хотят, чтобы у нас было больше денег, а хорошие борются за то, чтобы их отнять. В этом нет ничего хорошего для нас - понимаешь, что я имею в виду? Если бы у всех было на столе то, что они хотят съесть, появилось бы слишком много дерьма. Выросло бы производство туалетной бумаги. Вот так я все это понимаю. Вот таков уровень моих аргументов.
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Jim Thompson (The Killer Inside Me)
“
The land, now, well I'll tell you how I feel about that. It's done a good job, as good as it was able to, anyway, and it's got a right to look tired. It'd be pretty upsetting if it looked any other way. Yes, and the hardness is all right, too. It's been through something pretty hard, and some of that hardness was bound to rub off. And sometimes a frown sets a lot better with you than a smile. Something that's taken a beating, you don't want to see it laugh. And just because it's stopped laughing doesn't mean it'll never laugh again.
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Jim Thompson (Cropper's Cabin)
“
shoddily constructed sexual fantasies" The Guardian... a newspaper in England.
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Rocky Flintstone (Belinda Blinked 1 (Belinda Blinked, #1))
“
He had to hate them, to move the smothering shroud of hatred from himself to them. He closed the door of his room behind him, and almost snatched the drink from under the bed.
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Jim Thompson (The Alcoholics (Mulholland Classic))
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He'd seen this babe before--her many counterparts, that is. He knew her kin, distant and near. All her mamas, sisters, aunts, cousins and what have you. And he knew the name was Lowdown with a capital L. He wasn't at all surprised to find her in a setup like this. Not after encountering her as a warden's sister-in-law, the assistant treasurer of a country bank, and a supervisor of paroles. This babe got around. She was the original square-plug-in-a-round-hole kid. But she never changed any. She had that good old Lowdown blood in her, and the right guy could bring it out.
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Jim Thompson
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Well. Well?
What are you going to do? What are you going to say?
What are you going to say when you’re drowning in your own dung and they keep booting you back into it, when all the screams in hell wouldn’t be as loud as you want to scream, when you’re at the bottom of the pit and the whole world’s at the top, when it has but one face, a face without eyes or ears, and yet it watches and listens….
What are you going to do and say? Why, pardner, that’s simple. It’s easy as nailing your balls to a stump and falling off backwards. Snow again, pardner, and drift me hard, because that’s an easy one.
You’re gonna say, they can’t keep a good man down. You’re gonna say, a winner never quits and a quitter never wins. You’re gonna smile, boy, you’re gonna show ’em the ol’ fightin’ smile. And then you’re gonna get out there an’ hit ’em hard and fast and low, an’—an’ Fight!
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Jim Thompson (The Killer Inside Me)
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I got a pole and fishing line from under my bed. I came back out of the bedroom and called to Myra, asking her if she could pack me up a lunch because I was going fishing. And I guess you know what she told me. So I left. There weren’t many people on the street that late at night, almost nine o’clock, but practically everybody that was up asked me if I was going fishing. I said, why, no, I wasn’t, and where did they ever get an idea like that? “Well, how come you’re carryin’ a fish pole and line, then?” this one fella said. “How come you’re doin’ that if you ain’t goin’ fishin’.” “Oh, I got that to scratch my butt with,” I said. “Just in case I’m up a tree somewheres, an’ I can’t reach myself from the ground.” “But, looky here now—” He hesitated, frowning. “That don’t make no sense.
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Jim Thompson (Pop. 1280)
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But you could,” Ken said. “You could. We got a fella over in the jail right now for pleasurin’ a pig.” “Well, I’ll be dogged,” I said, because I’d heard of things like that but I never had known of no actual cases. “What kind of charges you makin’ against him?” Buck said maybe they could charge him with rape. Ken gave him a kind of blank look and said no, they might not be able to make that kind of charge stick. “After all, he might claim he had the pig’s consent, and then where would we be?
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Jim Thompson (Pop. 1280)
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Her mind moved around and around the subject, moving with a kind of fuzzy firmness. With no coherent thought process, she arrived at a conviction - a habit with the basically insecure; an insecurity whose seeds are invariably planted earlier, in under or over-protectiveness, in a distrust in parental authority which becomes all authority. It can later, with maturity - a flexible concept - be laughed away, dispelled by determined clear thinking. Or it can be encouraged by self-abusive resentment and brooding self-pity. It can grow ever greater until the original authority becomes intolerable, and a change becomes imperative. Not to a radical one in thinking; that would be too troublesome, too painful. The change is simply to authority in another guise which, in time, and under any great stress, must be distrusted and resented even more than the first.
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Jim Thompson (The Getaway)
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He was thinking that the cities, perhaps, needed to look into the future even more than the country did. They should look ahead for forty, eighty, one hundred and sixty years, to a strong and healthy plain of population - or to an overworked, weakened, underfed, and infertile desert.
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Jim Thompson (Heed the Thunder (Mulholland Classic))
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In lots of books I read, the writer seems to go haywire every time he reaches a high point. He’ll start leaving out punctuation and running his words together and babble about stars flashing and sinking into a deep dreamless sea. And you can’t figure out whether the hero’s laying his girl or a cornerstone. I guess that kind of crap is supposed to be pretty deep stuff—a lot of the book reviewers eat it up, I notice. But the way I see it is, the writer is just too goddam lazy to do his job. And I’m not lazy, whatever else I am. I’ll tell you everything.
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Jim Thompson (The Killer Inside Me)
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Did you ever think much about jobs? I mean, some of the jobs people land in? You see a guy giving haircuts to dogs, or maybe going along the curb with a shovel, scooping up horse manure. And you think, now why is the silly bastard doing that? He looks fairly bright, about as bright as anyone else. Why the hell does he do that for living?
You kind grin and look down your nose at him. You think he’s nuts, know what I mean, or he doesn’t have any ambition. And then you take a good look at yourself, and you stop wondering about the other guy…
You’ve got all your hands and feet. Your health is okay, and you make a nice appearance, and ambition-man! You’ve got it. You’re young, I guess: you’d call thirty young, and you’re strong. You don’t have much education, but you’ve got more than plenty of other people who go to the top. And yet with all that, with all you’ve had to do with this is as far you’ve got And something tellys you, you’re not going much farther if any.
And there is nothing to be done about it now, of course, but you can’t stop hoping. You can’t stop wondering…
…Maybe you had too much ambition. Maybe that was the trouble. You couldn’t see yourself spending forty years moving from office boy to president. So you signed on with a circulation crew; you worked the magazines from one coast to another. And then you ran across a little brush deal-it sounded nice, anyway. And you worked that until you found something better, something that looked better. And you moved from that something to another something. Coffee-and-tea premiums, dinnerware, penny-a-day insurance, photo coupons, cemetery lots, hosiery, extract, and God knows what all. You begged for the charities, You bought the old gold. You went back to the magazines and the brushes and the coffee and tea. You made good money, a couple of hundred a week sometimes. But when you averaged it up, the good weeks with the bad, it wasn’t so good. Fifty or sixty a week, maybe seventy. More than you could make, probably, behind agas pump or a soda fountain. But you had to knock yourself out to do it, and you were standing stil. You were still there at the starting place. And you weren’t a kid any more.
So you come to this town, and you see this ad. Man for outside sales and collections. Good deal for hard worker. And you think maybe this is it. This sounds like a right town. So you take the job, and you settle down in the town. And, of course, neither one of ‘em is right, they’re just like all the others. The job stinks. The town stinks. You stink. And there’s not a goddamned thing you can do about it. All you can do is go on like this other guys go on. The guy giving haircuts to dogs, and the guy sweeping up horse manute Hating it. Hating yourself.
And hoping.
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Jim Thompson (A Hell of a Woman)