Jigsaw Love Quotes

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On Writing: Aphorisms and Ten-Second Essays 1. A beginning ends what an end begins. 2. The despair of the blank page: it is so full. 3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself. 4. The best time is stolen time. 5. All work is the avoidance of harder work. 6. When I am trying to write I turn on music so I can hear what is keeping me from hearing. 7. I envy music for being beyond words. But then, every word is beyond music. 8. Why would we write if we’d already heard what we wanted to hear? 9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation. 10. Writer: how books read each other. 11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love. 12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything. 13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough. 14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear. 15. There are silences harder to take back than words. 16. Opacity gives way. Transparency is the mystery. 17. I need a much greater vocabulary to talk to you than to talk to myself. 18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean. 19. Believe stupid praise, deserve stupid criticism. 20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do. 21. Minds go from intuition to articulation to self-defense, which is what they die of. 22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday. 23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open). 24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?
James Richardson
And I love being with you. Your giggle, your silly grin, how you apply you personality in paste. The ambitions that I share. The way of thinking that I understand. The unconventional person, you are. You are the odd-shaped jigsaw puzzle that I'm looking to fit. And you completed me
Raditya Dika
If I’m going to have any chance of getting through today, tomorrow, and all the days that follow, I think I need to go back to the start, where we were two boys bonding over jigsaw puzzles and falling in love.
Adam Silvera (History Is All You Left Me)
Private Parts The first love of my life never saw me naked - there was always a parent coming home in half an hour - always a little brother in the next room. Always too much body and not enough time for me to show it. Instead, I gave him my shoulder, my elbow, the bend of my knee - I lent him my corners, my edges, the parts of me I could afford to offer - the parts I had long since given up trying to hide. He never asked for more. He gave me back his eyelashes, the back of his neck, his palms - we held each piece we were given like it was a nectarine that could bruise if we weren’t careful. We collected them like we were trying to build an orchid. And the spaces that he never saw, the ones my parents half labeled “private parts” when I was still small enough to fit all of myself and my worries inside a bathtub - I made up for that by handing over all the private parts of me. There was no secret I didn’t tell him, there was no moment I didn’t share - and we didn’t grow up, we grew in, like ivy wrapping, moulding each other into perfect yings and yangs. We kissed with mouths open, breathing his exhale into my inhale - we could have survived underwater or outer space. Breathing only of the breathe we traded, we spelled love, g-i-v-e, I never wanted to hide my body from him - if I could have I would have given it all away with the rest of me - I did not know it was possible. To save some thing for myself. Some nights I wake up knowing he is anxious, he is across the world in another woman’s arms - the years have spread us like dandelion seeds - sanding down the edges of our jigsaw parts that used to only fit each other. He drinks from the pitcher on the night stand, checks the digital clock, it is 5am - he tosses in sheets and tries to settle, I wait for him to sleep. Before tucking myself into elbows and knees reach for things I have long since given up.
Sarah Kay
When I first set out to ruin SNL, I didn't think anyone would notice, but i persevered because like you trying to a do a nine- piece jigsaw puzzle, it was a labor of love.
Tina Fey
My emotions split into an unsolvable jigsaw puzzle. I was smooth edges, crooked edges, and awkward corner edges. I was cutthroat and fierce, betrayer and deceiver, loved and lover.
Pepper Winters (Third Debt (Indebted, #4))
I automatically leaned back, my head fitting into that spot between his neck and his shoulder. Again, the cliched romantic in me wondered how we seemed to fit so perfectly, two pieces of a jigsaw, and have such different, clashing personalities... I didn't care how bad we were for each other or that he'd be off to college soon; I just remembered that I was in love with him.
Beth Reekles (The Kissing Booth (The Kissing Booth, #1))
Couples are jigsaw puzzles that hang together by touching in just enough points. They're never total fits or misfits. ... We marry children who have grown up and still rejoice in being children .... [p. 15]
Diane Ackerman (One Hundred Names for Love: A Stroke, a Marriage, and the Language of Healing)
This is how it feels in the split second you suddenly become aware that you’re falling in love with someone. The click of a jigsaw’s last piece, the rainfall of coins in a jackpot slot machine, the right song striking up and your being swept away by its opening bars. That conviction of making complete sense of the universe, in one moment. Of course. You’re where I should be. You’re here.
Mhairi McFarlane (Just Last Night)
I love the English language, playing with words, watching sentences fit together like pieces of a jigsaw puzzle,
Jane Green (Jemima J)
The right loved one will fill up your life like the final puzzle piece that makes it all complete. You feel it when you meet them. Or sometimes if you aren’t mature enough or wise enough, it can take time to discover that they are the right one. Once your jigsaw puzzle is complete, the rest are often just extra pieces.
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
Couples are jigsaw puzzles that hang together by touching in just enough points. They’re never total fits or misfits. In time, a pair invents its own commonwealth, complete with anthems, rituals, and lingos—a cult of two with fallible gods.
Diane Ackerman (One Hundred Names for Love: A Memoir)
Gracie’s memory was like a jigsaw puzzle with parts that didn’t always fit, but she’d found the all-important edge pieces. She was beginning to reframe her life—their life. It was a work in progress, but the image was coming together. “It’s
Jamie Ford (Love and Other Consolation Prizes)
There’s a feeling when you really get a handle on your plot that’s like when you’re getting to the end of a jigsaw puzzle and each piece you fit makes the next one fit faster. I love that feeling. Rewriting to add foreshadowing and strengthen the themes, that’s really fun.
Sacha Lamb
The real problem here is that we’re all dying. All of us. Every day the cells weaken and the fibres stretch and the heart gets closer to its last beat. The real cost of living is dying, and we’re spending days like millionaires: a week here, a month there, casually spunked until all you have left are the two pennies on your eyes. Personally, I like the fact we’re going to die. There’s nothing more exhilarating than waking up every morning and going ‘WOW! THIS IS IT! THIS IS REALLY IT!’ It focuses the mind wonderfully. It makes you love vividly, work intensely, and realise that, in the scheme of things, you really don’t have time to sit on the sofa in your pants watching Homes Under the Hammer. Death is not a release, but an incentive. The more focused you are on your death, the more righteously you live your life. My traditional closing-time rant – after the one where I cry that they closed that amazing chippy on Tollington Road; the one that did the pickled eggs – is that humans still believe in an afterlife. I genuinely think it’s the biggest philosophical problem the earth faces. Even avowedly non-religious people think they’ll be meeting up with nana and their dead dog, Crackers, when they finally keel over. Everyone thinks they’re getting a harp. But believing in an afterlife totally negates your current existence. It’s like an insidious and destabilising mental illness. Underneath every day – every action, every word – you think it doesn’t really matter if you screw up this time around because you can just sort it all out in paradise. You make it up with your parents, and become a better person and lose that final stone in heaven. And learn how to speak French. You’ll have time, after all! It’s eternity! And you’ll have wings, and it’ll be sunny! So, really, who cares what you do now? This is really just some lacklustre waiting room you’re only going to be in for 20 minutes, during which you will have no wings at all, and are forced to walk around, on your feet, like pigs do. If we wonder why people are so apathetic and casual about every eminently avoidable horror in the world – famine, war, disease, the seas gradually turning piss-yellow and filling with ringpulls and shattered fax machines – it’s right there. Heaven. The biggest waste of our time we ever invented, outside of jigsaws. Only when the majority of the people on this planet believe – absolutely – that they are dying, minute by minute, will we actually start behaving like fully sentient, rational and compassionate beings. For whilst the appeal of ‘being good’ is strong, the terror of hurtling, unstoppably, into unending nullity is a lot more effective. I’m really holding out for us all to get The Fear. The Fear is my Second Coming. When everyone in the world admits they’re going to die, we’ll really start getting some stuff done.
Caitlin Moran
Love isn't always easy, is it? That's because we're all different. We don't fit together as cleaning as the pieces of a jigsaw puzzle. Sometimes there are gaps. Holes. The finished product when we come together isn't always perfect. But as we're reminded in Corinthians, a love that keeps no record of wrongs...that perseveres...never fails.
Irene Hannon (Starfish Pier (Hope Harbor, #6))
Love is like a jigsaw puzzle. There's an infinite number of ways for people to fit together.
K.D. West (The Visitor Celebrates)
Is that what love is? Discovering a missing jigsaw piece and finding that it fits? Are we all born incomplete, compelled to search for the lost bits of us? 
Charlie Laidlaw (The Things We Learn When We're Dead)
A story is like a giant jigsaw puzzle, a jigsaw puzzle that would cover the whole floor of a room with its tiny pieces. Buts it's not that sort of puzzle that comes with a box. There is no lid with a picture on it so that you can see what the puzzle will look like when it's finished. And you have only some of the pieces. All you can do is keep looking and listening, sniffing about in all sorts of places, until you find the next piece. And then you'll be amazed where that next piece will take you. Suddenly your puzzle can have a whole new person in it, or it can go from being on a train to a hot air balloon, from city to country, from love to sadness to loneliness and back to love. Pieces can come to you at any time. When you're having a cup of tea or sitting on a bus or talking with a friend.it will be like a bell going off in your head. That's what comes next you'll think. And that's why it's serendipity. Serendipity is luck and chance and fate all tumbled into one.
Angelica Banks (Finding Serendipity (Tuesday McGillycuddy, #1))
I'm not tormenting myself. I learned long ago that in order to heal my wounds, I must have the courage to face up to them. I also learned to forgive myself and correct my mistakes. However, ever since I started out on this journey, I've had a sense of being confronted by a vast jigsaw puzzle, the pieces of which are only just beginning to revealed, pieces of love, hate, sacrifice, forgiveness, joy, and grief.
Paulo Coelho (Aleph)
Life was like a jigsaw, but if you tried to fit the pieces together yourself, you generally got them wrong. Pierre had money; she needed money. Pierre was lovable and loved her; she would marry him. She had thought that was the pattern the pieces made. But it had been like trying to force two pieces together that didn't fit, and then, suddenly, the jigsaw had been done, in quite a different way, by other hands.
Monica Dickens
Beauty isn’t an arrangement of features, even features as perfect as Finlay Hart’s, it’s a feeling. This is how it feels in the split second you suddenly become aware that you’re falling in love with someone. The click of a jigsaw’s last piece, the rainfall of coins in a jackpot slot machine, the right song striking up and your being swept away by its opening bars. That conviction of making complete sense of the universe, in one moment. Of course. You’re where I should be. You’re here.
Mhairi McFarlane (Just Last Night)
Mona´s Law apparently states that everyone wants three things - that happiness is made up on three - piece jigsaw: a good relationship, a nice place to live, and a good job. And Mona´s law states that it is mathematically impossible to maintain more than two out of the three. Thus, if you have a good job and a nice flat and you meet a lovely guy, bam-you lose your job. So you change jobs and find the perfect undreamt-of work opportunity, and wham, your landlord kicks you out on the street.
Nick Alexander (The Case Of The Missing Boyfriend)
She stared at him, at his face. Simply stared as the scales fell from her eyes. "Oh, my God," she whispered, the exclamation so quiet not even he would hear. She suddenly saw-saw it all-all that she'd simply taken for granted. Men like him protected those they loved, selflessly, unswervingly, even unto death. The realization rocked her. Pieces of the jigsaw of her understanding of him fell into place. He was hanging to consciousness by a thread. She had to be sure-and his shields, his defenses were at their weakest now. Looking down at her hands, pressed over the nearly saturated pad, she hunted for the words, the right tone. Softly said, "My death, even my serious injury, would have freed you from any obligation to marry me. Society would have accepted that outcome, too." He shifted, clearly in pain. She sucked in a breath-feeling his pain as her own-then he clamped the long fingers of his right hand about her wrist, held tight. So tight she felt he was using her as an anchor to consciousness, to the world. His tone, when he spoke, was harsh. "Oh, yes-after I'd expended so much effort keeping you safe all these years, safe even from me, I was suddenly going to stand by and let you be gored by some mangy bull." He snorted, soft, low. Weakly. He drew in a slow, shallow breath, lips thin with pain, but determined, went on, "You think I'd let you get injured when finally after all these long years I at last understand that the reason you've always made me itch is because you are the only woman I actually want to marry? And you think I would stand back and let you be harmed?" A peevish frown crossed his face. "I ask you, is that likely? Is it even vaguely rational?" He went on, his words increasingly slurred, his tongue tripping over some, his voice fading. She listened, strained to catch every word as he slid into semi delirium, into rambling, disjointed sentences that she drank in, held to her heart. He gave her dreams back to her, reshaped and refined. "Not French Imperial-good, sound, English oak. You can use whatever colors you like, but no gilt-I forbid it." Eventually he ventured further than she had. "And I want at least three children-not just an heir and a spare. At least three-if you're agreeable. We'll have to have two boys, of course-my evil ugly sisters will found us to make good on that. But thereafter...as many girls as you like...as long as they look like you. Or perhaps Cordelia-she's the handsomer of the two uglies." He loved his sisters, his evil ugly sisters. Heather listened with tears in her eyes as his mind drifted and his voice gradually faded, weakened. She'd finally got her declaration, not in anything like the words she'd expected, but in a stronger, impossible-to-doubt exposition. He'd been her protector, unswerving, unflinching, always there; from a man like him, focused on a lady like her, such actions were tantamount to a declaration from the rooftops. The love she'd wanted him to admit to had been there all along, demonstrated daily right before her eyes, but she hadn't seen. Hadn't seen because she'd been focusing elsewhere, and because, conditioned as she was to resisting the same style of possessive protectiveness from her brothers, from her cousins, she hadn't appreciated his, hadn't realized that that quality had to be an expression of his feelings for her. Until now. Until now that he'd all but given his life for hers. He loved her-he'd always loved her. She saw that now, looking back down the years. He'd loved her from the time she'd fallen in love with him-the instant they'd laid eyes on each other at Michael and Caro's wedding in Hampshire four years ago. He'd held aloof, held away-held her at bay, too-believing, wrongly, that he wasn't an appropriate husband for her. In that, he'd been wrong, too. She saw it all. And as the tears overflowed and tracked down her cheeks, she knew to her soul how right he was for her. Knew, embraced, and rejoiced.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
The perfect girl what can I say; to be so close yet, feel miles away. I want to run to her, but have to walk out the door going the other way. The only words spoken to her are- ‘Have a nice day.’ I think about her and the summer, and what it could have been with her. It reminds me of- sixteen, you are on my mind all the time. I think about you. It is like a vision of the stars shining, ribbon wearing, bracelet making, and holding hands forever. All the sunflowers in the hayfields and kissing in the rain, no more brick walls, no more falling teardrops of pain, and no more jigsaw puzzle pieces would remain. True love should not be such a game; does she feel the same. She is everything that I cannot have, and everything I lack. What if every day could be like this- Diamond rings, football games, and movies on the weekends? It is easy to see she belongs to me; she is everything that reminds me of ‘sixteen’ everything that is in my dreams. Everything she does is amazing, but then again, I am just speculating, and fantasizing about Nevaeh Natalie, who just turned the age of sixteen! Nevaeh- I recall my first boy kiss was not at all, what I thought it was going to be like. I was wearing a light pink dress, and flip-flops that were also pink with white daisy flowers printed on them. I loosened my ponytail and flipped out my hair until my hair dropped down my back, and around my shoulders. That gets A guy going every time, so I have read online. He was wearing ripped-up jeans and a Led Zeppelin t-shirt. He said that- ‘My eyes sparkled in blue amazement, which was breathtaking, that he never saw before.’ Tell me another line… I was thinking, while Phil Collins ‘Take Me Home’ was playing in the background. I smiled at him, he began to slowly lean into me, until our lips locked. So, enjoy, he kissed me, and my heart was all aflutter. When it happened, I felt like I was floating, and my stomach had butterflies. My eyes fastened shut with no intentions of me doing so during the whole thing. When my eyes unfastened my feelings of touch engaged, and I realized that his hands are on my hips. His hands slowly moved up my waist, and my body. I was trembling from the exhilaration. Plus, one thing led to another. It was sort of my first time, kissing and playing with him you know a boy, oh yet not really, I had gotten to do some things with Chiaz before like, in class as he sat next to me. I would rub my hand on it under the desks- yeah, he liked that, and he would be. Oh, how could I forget this… there was this one time in the front seat of his Ford pickup truck, we snuck off… and this was my first true time gulping down on him, for a lack of a better term. As I had my head in his lap and was about to move up for him to go in me down there, I was about to get on top and let him in me. When we both heard her this odd, yet remarkably loud scream of bloody murder! Ava was saying- ‘You too were going to fuck! What the fuck is going on here? Anyways, Ava spotted us before he got to ‘Take me!
Marcel Ray Duriez (Nevaeh The Miracle)
My mom was repainting our bathroom. My dad was standing behind her, frowning slightly. I stood by and listened to them squabble like two clucking hens. "You said yellow," my dad remarked. "I thought you meant a deep, dark yellow. This . . . this color . . . it's . . ." "It's called canary yellow," my mom answered. "Canary yellow?!" my dad repeated in disbelief. "What? Were they all out of banana yellow?" "Don't get wise," my mom replied sharply, her back to the doorway. Still, I could hear the smile in her voice. She enjoyed these little duels with my father. "It's too bright!" my dad said. "We'll all go blind! Think of the children, my darling. We'll need sunglasses just to go to the bathroom," my dad protested. "Oh, hush," my mom replied. And with a neat little twirl, she swiftly turned and dabbed paint on my father's nose. They both laughed like it was the funniest thing ever. Parents are so weird sometimes. Still, ya gotta love 'em, I guess. "Jigsaw!" my dad exclaimed. "How long have you been standing there?" "Long enough," I answered. "Maybe too long.
James Preller (The Case Of The Buried Treasure)
Maybe love was just an illusion anyway, like jigsaw puzzles that looked like a picture or a painting from a distance. But the closer you got, the more visible the cracks. Wasn’t until you shined a light on it that the illusion fell apart.
Erin McLellan (Controlled Burn (Farm College, #1))
I believe that when a loved one has dementia, you experience many layers of grief. The first wave of grief comes with the diagnosis. The realisation that the person who has supported you all your life, will no longer be able to do so, no matter how hard they try. Grief the first time they struggle to remember your name or your relationship to each other. Grief when you have to accept that you can no longer keep them at home. Grief as they lose the ability to communicate, as another piece of the jigsaw is lost. Grief every time they are afraid, agitated or confused. So much grief you don't think you can cope with anymore. And then the overwhelming tidal wave of grief when they pass, when you would give anything to go back to the first wave of grief.
Emma Haslegrave (Same Destination ... Different Journey: Lewy Body Dementia: Our Journey)
Then countries—your invention—maps jigsawing the world into colored shapes caged in bold lines to say: you’re here, not there, you’re this, not that, to say: yellow isn’t red, red isn’t black, black is not white, to say: mine, not ours, to say war, and believe life’s worth is relative.
Richard Blanco (How to Love a Country)
His countless childhood fears of grass and sand and buttons and balloons that would send him flying in our direction for a comforting cuddle, his hand reaching to squeeze ours. His love of jigsaws and building and watching me wield a wrench or saw, forcing me to speak to him in a solemn voice and pretend I knew what I was doing with them. His adoration of his older sister and his gentle approach with any baby or toddler who crosses his path. His rubber face when he impersonates us or his friends and teachers, his shaking laughter when he knows he’s made us giggle. I will miss our muddy walks
Cesca Major (Maybe Next Time)
People have shapes.All we do and say and think and believe cuts outlines around us like a jigsaw.And sometimes, you run into a person who seems to fit right beside you in the picture.Someone who sticks out where you dent in and zigs where you zag.
Ben Stephenson (A Matter of Life and Death Or Something)
The two pieces of a jigsaw that actually fit together are the ones that are totally different.
Kiki Archer (Too Late... I Love You)
My little man,” she said. “No.” She stretched out her hand to him. “Come.” “I can’t,” he said. “Sam, I’m your mother. I love you. Come with me.” “Mom…” “Just reach out to me. I’m safe. I can carry you away, out of this place.” Sam shook his head slowly, slowly, like he was drowning in molasses. Something was happening to time. Astrid wasn’t breathing. Nothing was moving. The whole world was frozen. “It will be like it was,” his mother said. “It was never…,” he began. “You lied to me. You never told me…” “I never lied,” she said, and frowned at him, disappointed. “You never told me I had a brother. You never told—” “Just come with me,” she said, impatient now, jerking her hand a little like she would when he was a little kid and refused to take her hand to cross the street. “Come with me now, Sam. You’ll be safe and out of this place.” He reacted instinctively, the little boy again, reacted to the “mommy” voice, the “obey me” voice. He reached for her, stretched his hand out to her. And pulled it back. “I can’t,” Sam whispered. “I have someone I have to stay here for.” Anger flashed in his mother’s eyes, a green light, surreal, before she blinked and it was gone. And then, out of the bleached, unreal world, Caine stepped into the eerie light. Sam’s mother smiled at Caine, and he stared at her wonderingly. “Nurse Temple,” Caine said. “Mom,” she corrected. “It’s time for both my boys to join me, to come away with me. Out of this place.” Caine seemed spellbound, unable to tear his gaze away from the gentle, smiling face, the piercing blue eyes. “Why?” Caine asked in a small child’s voice. Their mother said nothing. Once again, for just a heartbeat, her blue eyes glowed a toxic green before returning to cool, icy blue. “Why him and not me?” Caine asked. “It’s time to come with me now,” their mother insisted. “We’ll be a family. Far from here.” “You first, Sam,” Caine said. “Go with your mother.” “No,” Sam said. Caine’s face darkened with rage. “Go, Sam. Go. Go. Go with her.” He was shouting now. He seemed to want to grab Sam physically, push him toward the mother they had not quite shared, but his movements were odd, disjointed, a jerky stick figure in a dream. Caine gave up trying. “Jack told you,” he said dully. “No one told me anything,” Sam said. “I have things I have to do here.” Their mother extended her arms to them, angry, demanding to be heeded. “Come to me. Come to me.” Caine shook his head slowly. “No.” “But you’re the man of the house now, Sam,” his mother wheedled. “My little man. Mine.” “No,” Sam said. “I’m my own man.” “And I was never yours,” Caine sneered. “Too late now, Mother.” The face of their mother wavered. The tender flesh seemed to break apart in jigsaw-puzzle pieces. The gently smiling, pleading mouth melted, collapsed inward. In its place a mouth ringed with needle-sharp teeth. Eyes filled with green fire. “I’ll have you yet,” the monster raged with sudden violence. Caine stared in horror. “What are you?” “What am I?” the monster mocked him savagely. “I’m your future. You’ll come to me on your own in the dark place, Caine. You will come willingly to me.
Michael Grant
It began to cross my mind that the spirits at spiritualist meetings were all evil imposters. The missing pieces of the jigsaw were beginning to fit into place. When our dead relatives and spirit guides began to attack Mum and me, it indicated they were fakes and had deceived us. They were merely impersonating our loved ones.
Jeff Harshbarger (Dancing With the Devil: An Honest Look Into the Occult from Former Followers)
This is how it feels in the split second you suddenly become aware that you’re falling in love with someone. The click of a jigsaw’s last piece, the rainfall of coins in a jackpot slot machine, the right song striking up and your being swept away by its opening bars. That conviction of making complete sense of the universe, in one moment.
Mhairi McFarlane (Just Last Night)
High up on the hill there is construction noise, down in the village, people go about their business. Dogs chase dogs, delivery vans unload. Letters are posted. The cold sun simply can't compete though. Coopers Chase is wearing death like chain mail. It is Thursday at eleven a.m., but nobody is in the Jigsaw Room. The Art History class have stacked their chairs away, as always, and that is where the chairs will remain until Conversational French comes in at noon. Motes of dust float in the air and settle. The Thursday Murder Club is nowhere to be seen today. Their absence echoes. Ron is texting Pauline, hoping beyond hope that she finally replies. Joyce has done some shopping for Elizabeth and dropped it outside her door. She rang, but no reply. Ibrahim sits in his flat, staring at a picture of a boat on his wall. Elizabeth? Well, she is no longer present in a time and a space for now. She isn't anywhere or anything. Bogdan has his eye on her. Joyce switches off the television - it has nothing for her. Alan lies at her feet and watches her cry. Ibrahim thinks that perhaps he should take a walk, but, instead, he keeps looking at the picture on the wall. Ron receives a text, but it is from his electricity provider. There is a murder still to be solved, but it won't be solved today. The timelines and the photographs and the theories and the plans will have to wait. Perhaps it will never be solved? Perhaps death has defeated them all with this latest trick? Who now has the heart for the battle? They still have each other, but not today. There will be laughing and teasing and arguing and loving again, but not today. Not this Thursday. As the waves of the world crash around them, this Thursday is for Stephen.
Richard Osman (Collins Quiz Night, Collins Quiz Master, Collins Pub Quiz, Ultimate PopMaster, Richard Osman's House of Games 5 Books Collection Set)
The word game helped keep her mind fresh, along with the thousand-piece jigsaw puzzle of the Eiffel Tower that she was currently working on. Impossibly small pieces were spread across the top of the kitchen table.
Debbie Macomber (Must Love Flowers)
Yeesh. I didn’t exactly love the idea of racing against Bigs Maloney. I’d rather go swimming with Orca the Killer Whale.
James Preller (The Case of the Great Sled Race (Jigsaw Jones, #8))
Love was this. Love was connection. Love was when your rough corners and missing pieces weren’t imperfections you needed to correct, they were the tabs and blanks on a jigsaw puzzle piece that perfectly aligned with someone else’s and locked you together seamlessly.
May Archer (The Gift (Love in O'Leary, #2))
A place where God’s love, life and light would reach out into the darkness. We never had all the pieces of the jigsaw puzzle, we didn't have the full strategy, just a part of it, and the Holy Spirit gave more to us as the years passed. But we knew the assignment. We knew in our hearts it was going to be a big mountain to climb. We knew there were giants in the land. As we followed His voice strategy kept coming to us. In the same way, God leads you step by step. You take one step and He will show you the next.
Dr. Theo Wolmarans (Give Me This Mountain)
But I love the blue-eyed problem for another reason. It’s a crash course in perspective-taking, in seeing the world from someone else’s point of view. Which to me is an absolutely crucial skill, especially in these times of heightened tribalism.
A.J. Jacobs (The Puzzler: One Man's Quest to Solve the Most Baffling Puzzles Ever, from Crosswords to Jigsaws to the Meaning of Life)
I’ve seen the dark side of puzzles, how they can overlap with paranoia and obsession. And I grew to love types of puzzles that never appealed to me before. I talked to scientists about why we’re so drawn to puzzles, why an estimated 50 million people do crosswords every day and more than 450 million Rubik’s Cubes have been sold.
A.J. Jacobs (The Puzzler: One Man's Quest to Solve the Most Baffling Puzzles Ever, from Crosswords to Jigsaws to the Meaning of Life)
I learned the surprising history of puzzles, perhaps the oldest form of entertainment. I learned how they’ve played a part in religion, love, and war. How the British secret service used a crossword puzzle in The Daily Telegraph to recruit codebreakers against the Nazis.
A.J. Jacobs (The Puzzler: One Man's Quest to Solve the Most Baffling Puzzles Ever, from Crosswords to Jigsaws to the Meaning of Life)
During our meeting, Peter told me one of the keys to solving crosswords is to keep your mind flexible. Keep it open to new perspectives. Don’t fall in love with your hypothesis. Good advice for both life and puzzles.
A.J. Jacobs (The Puzzler: One Man's Quest to Solve the Most Baffling Puzzles Ever, from Crosswords to Jigsaws to the Meaning of Life)
I found my parents in the living room. They were playing chess. “Hi, Mom. Hi, Dad. Who’s winning?” My dad grumbled. “Your mother just took my queen,” he complained. “Even after all the nice things I’ve done for her.” My mom laughed. “What else should I do? Lose to you on purpose?” “Yes!” my dad answered. “Lose to me on purpose! I love that idea!” Yeesh. That’s my dad for you. A little goofy. “Um, Mom, Dad? Can you tell me some family stories?” My dad slid his rock across the board. “Now’s not a good time, Theodore. I’m trying to destroy your dear mother.” My mom moved her knight. “Check,” she said. She tried not to smile. But not hard enough. “Uh, guys?” I asked. “Remember me? Your youngest son?
James Preller (The Case of the Ghostwriter (Jigsaw Jones Mystery, No. 10))
Love isn't easy, it is? That's because we're all different. We don't fit together as cleanly as the pieces of a jigsaw puzzle. Sometimes there are gaps. Rough edges. Holes. The finished product when we come together isn't always perfect. But as we're reminded in Corinthians, a love that keeps no record of wrongs...that perseveres...never fails.
Irene Hannon (Starfish Pier (Hope Harbor, #6))
You’ve given your heart to her, maybe, but there’s no need to lose your marbles as well.
Yaba Badoe (A Jigsaw of Fire and Stars)
He needn’t have worried. ‘Before long I found myself swimming like a parcel of Escher lizards through the lines of a purple jigsaw of increasing and then decreasing size. “What the hell’s going on?” I asked, crying with laughter. “You’re tripping,” said Joan, with a new vocabulary already. Tripping? Me? … “Are you tripping?” I asked Joan. She nodded lovingly. “We all are,” George said. “Everyone is.”’ As the effects of the double dose peaked, it proved too much for Taylor, who was assailed by disturbing visions and dark thoughts. Harrison, with enough experience to spot the warning signs, and the calmness – despite tripping himself – to provide reassurance, talked Taylor back from his descent into misery. ‘Derek, create and preserve the image of your choice,’ Harrison told him. ‘It’s up to you. The thing is to see what you want to see. Do you want to create something nice? Then look into the fire and see something nice.’ The intervention worked, and much of the remainder of Taylor’s trip was filled with talking, laughter and visions. He and Joan bonded over the shared experience, and led a singalong on Epstein’s grand piano. Late into the night Taylor was cornered by Harrison, who reiterated his words of wisdom: ‘Derek, I love ya. I just want you to know that. I love ya and it’s going to be OK. Create and preserve the image of your choice. Don’t forget, Derek. Gandhi said that. Pick your own trips.
Joe Goodden (Riding So High: The Beatles and Drugs)
They say home is where the heart is, although in my case, the location of the fridge is also important.
Carol Hedges (Jigsaw)
I stare at Finlay and he stares back. We’re both fixed on each other, and as seconds pass, I realize neither of us is trying to pretend it’s anything other than a heart-struck gaze of mutual longing. Everything about his face is so ridiculously, staggeringly lovely to me, in this moment, I’m unable to speak. Beauty isn’t an arrangement of features, even features as perfect as Finlay Hart’s, it’s a feeling. This is how it feels in the split second you suddenly become aware that you’re falling in love with someone. The click of a jigsaw’s last piece, the rainfall of coins in a jackpot slot machine, the right song striking up and your being swept away by its opening bars. That conviction of making complete sense of the universe, in one moment. Of course. You’re where I should be. You’re here. “How are you?” Fin says to me, eventually, and we both break into broad smiles at the ludicrousness of having declared our feelings without saying a word. I can’t wait to talk to him properly, after we leave here. I can’t wait, full stop.
Mhairi McFarlane
THE NEXT DAY WAS RAIN-SOAKED and smelled of thick sweet caramel, warm coconut and ginger. A nearby bakery fanned its daily offerings. A lapis lazuli sky was blanketed by gunmetal gray clouds as it wept crocodile tears across the parched Los Angeles landscape. When Ivy was a child and she overheard adults talking about their break-ups, in her young feeble-formed mind, she imagined it in the most literal of essences. She once heard her mother speaking of her break up with an emotionally unavailable man. She said they broke up on 69th Street. Ivy visualized her mother and that man breaking into countless fragments, like a spilled box of jigsaw pieces. And she imagined them shattered in broken shards, being blown down the pavement of 69th Street. For some reason, on the drive home from Marcel’s apartment that next morning, all Ivy could think about was her mother and that faceless man in broken pieces, perhaps some aspects of them still stuck in cracks and crevices of the sidewalk, mistaken as grit. She couldn’t get the image of Marcel having his seizure out of her mind. It left a burning sensation in the center of her chest. An incessant flame torched her lungs, chest, and even the back door of her tongue. Witnessing someone you cared about experiencing a seizure was one of those things that scribed itself indelibly on the canvas of your mind. It was gut-wrenching. Graphic and out-of-body, it was the stuff that post traumatic stress syndrome was made of.
Brandi L. Bates (Remains To Be Seen)
Piano At 66 Sandringham Crescent an upright piano was being eased down a long flight of stairs by three men all wearing off-white overalls. Backward, staccato, two stepped descending one stair at a time till the taller of the two men began to collapse in slow slow slow motion and the piano leapt to the hallway's rising floor crashing its memories of music: simple tunes such as 3 Blind Mice, as well as great meaningful sonatas of profundity and faraway, into a scattered anarchic jigsaw of free-loving volatile meaningless sounds fading till the stricken piano lost its memory entirely. After the ambulance arrived (too late) one removal man lit a cigarette and sensing the wide-awake stare of the householder tapped the grey ash, with great delicacy, into the cupped hollow of his left hand.
Dannie Abse (Running Late)