Jewel Song Quotes

That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space. It was the Song of Eyllwe. Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps. And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan. When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage. The next morning, by royal decree, the theatre was shut down. No one saw those musicians or their conductor again.

Words can be said easily, but one can't fake actions.

all the gods are the same unknowable mystery, just as each face of a jewel strikes light in a different direction

Lucivar winced. "She guzzled half the flask — and it wasn't one of his home brews, it was the concoction you created." Jaenelle’s eyes widened. “You let her drink a ‘gravedigger’?” “No no no,” Wilhelmina said, shaking her head. “You shouldn’t ever drink a gravedigger until he’s had a bath.” She smiled placidly when Jaenelle and Lucivar just stared at her. “Mother Night,” Lucivar muttered. “Do you know that song?” Wilhelmina asked Jaenelle.

I will shrink myself no longer to make any human feel secure

True cynics kill themselves. The rest are posers, trying to use clever sarcasm and snarky remarks to hide insecurity and the fear that if they put themselves out there, they will fail.

Carrying anger with you is like lighting your own house on fire to get rid of rats. The rats run to safety while you burn yourself down. Forgive. Let go. Heal.

I would sooner be flesh and blood than silks and jewels.

I watched love and life play out in a million ways, but one of the best things I learned was this: You don't outrun pain.

I forget myself sometimes, but then I look up, as I am looking up now, and I see in my mind's eye a sheild, strangely changed by a rich encrusting of jewel-like barnacles and cold-water coral, with an eight foot tooth sticking right out of the middle of it. I reach out and the edge of that tooth is still so bitingly sharp after all these years that just a gentle brush with the fingers might send a rain of blood down on these pages. And I bend my head, not too close, and I am sure I can hear, very faintly: Once I set the sea alight With a single fiery breath.... Once I was so mighty that I thought My name was Death.... Sing out loud until you're eaten, Song of melancholy blisss, For the mighty and the middling All shall come to THIS.... The Supper is still singing.

Hatred is hurt masquerading-it is an energy used to fool someone into thinking they are frightening when in truth they are frightened.

He fell in love with Manhattan's skyline, like a first-time brothel guest falling for a seasoned professional. He mused over her reflections in the black East River at dusk, dawn, or darkest night, and each haloed light-in a tower or strung along the jeweled and sprawling spider legs of the Brooklyn Bridge's spans-hinted at some meaning, which could be understood only when made audible by music and encoded in lyrics.

Once upon a time, when men and women hurtled through the air on metal wings, when they wore webbed feet and walked on the bottom of the sea, learning the speech of whales and the songs of the dolphins, when pearly-fleshed and jewelled apparitions of Texan herdsmen and houris shimmered in the dusk on Nicaraguan hillsides, when folk in Norway and Tasmania in dead of winter could dream of fresh strawberries, dates, guavas and passion fruits and find them spread next morning on their tables, there was a woman who was largely irrelevant, and therefore happy.

And believing that we are broken is the same as being broken. It means we experience ourselves that way. That perception shapes our reality. It is an illusion we must strive to avoid, as great misery comes from such a belief.

Audiences don't care if you sing correctly. They care if they feel something. If they don't, they forget you. Emotional honesty creates loyalty and a lifelong connection above all else.

Hurt people can become hurtful,

She had found a jewel down inside herself and she had wanted to walk where people could see her and gleam it around. But she had been set in the market-place to sell. Been set for still bait. When God had made The Man, he made him out of stuff that sung all the time and glittered all over. Then after that some angels got jealous and chopped him into millions of pieces, but still he glittered and hummed. So they beat him down to nothing but sparks but each little spark had a shine and a song. So they covered each one over with mud. And the lonesomeness in the sparks made them hunt for one another, but the mud is deaf and dumb. Like all the other tumbling mud-balls, Janie had tried to show her shine.

Hard wood grows slowly. Be thoughtful about the shape you want to grow into, and be mindful that there is no shortcut to strength and character. Have the patience to allow yourself and your goals to develop.

Betrayal converts our innocence to wisdom if we can let go of pain, bitterness, and fear and create enough self-love and safety for ourselves to allow it to do so.

Greatness is never achieved by trying to imitate the greatness of another. Greatness is chipping away at all that does not belong to you and then expressing yourself so truly that others can’t help but recognize it.

Unfelt feelings don’t cease to exist; they stay bottled up in our minds and our bodies. They dissipate when given expression. A heart can break only if it is closed—if it remains open there is nothing to break.

We cannot always control or avoid what happens to us, but we can control what it does to our spirit.

A soul cannot be broken. It is not a teacup. If you have suffered abuse of any kind, know that perfection exists untarnished within you.

My innocence is not lost—it has been converted into wisdom. The sensation we call "breaking" is the pain that comes from resisting the truth. Life broke parts of me that needed to fall away for me to live an open and truthful life.

I believe we forget who we are over time, and in our state of forgetfulness we struggle and employ all kinds of learned behaviors that don't necessarily help us or bring us happiness. Each of us has a self that exists undamaged and whole, from the moment we are born waiting to be reclaimed.

And suddenly first one and then another began to sing as they played, deep-throated singing of the dwarves in the deep places of their ancient homes; and this is like a fragment of their song, if it can be like their song without their music. [...]As they sang the hobbit felt the love of beautiful things made by hands and by cunning and by magic moving through him, a fierce and jealous love, the desire of the hearts of dwarves. Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick. He looked out of the window. The stars were out in a dark sky above the trees. He thought of the jewels of the dwarves shining in dark caverns. Suddenly in the wood beyond The Water a flame leapt up - probably somebody lighting a wood-fire-and he thought of plundering dragons settling on his quiet Hill and kindling it all to flames. He shuddered; and very quickly he was plain Mr. Baggins of Bag-End, Under-Hill, again. He got up trembling.

Our clothes make us different people. I would sooner be flesh and blood than silks and jewels,

You have to know what you want to ever be able to have it.

Truth: You are my greatest song.

All artists give birth. It's alchemy and it's really an amazing process.

Sovegna vos. Here are the years that walk between, bearing Away the fiddles and the flutes, restoring One who moves in the time between sleep and waking, wearing White light folded, sheathed about her, folded. The new years walk, restoring Through a bright cloud of tears, the years, restoring With a new verse the ancient rhyme. Redeem The time. Redeem The unread vision in the higher dream While jewelled unicorns draw by the gilded hearse.

I wrote a line in a song once: “We are never broken.” I believe that truly. It is a hard-earned belief, and rose out of many years of experiencing the opposite. I believe we forget who we are over time, and in our state of forgetfulness we struggle and employ all kinds of learned behaviors that don’t necessarily help us or bring us happiness. Each of us has a self that exists undamaged and whole, from the moment we are born, waiting to be reclaimed. My life has not been about fixing what is broken. It has been about engaging in a loving and tender archaeological dig back to my true self.

The truest treasure is a soul who believes in its own existence

This is the best worst time of my life.

You can boil down all interactions to two categories: ones that grow love and ones that diminish it. Choose love.

I realized that happiness was not some bird that landed on your shoulder by accident, but was a skill that was taught, or not taught, in certain houses and families. After

Spend time in silence. Take time to get to know yourself and your genius in stillness.

Just these two words He spoke changed my life, "Enjoy Me" What a burden I thought I was to carry-a crucifix as did He. Love once said to me: "I know a song, would you like to hear it?" And laughter came from every brick in the street and from every pore in the sky. After a night of prayer, He changed my life when He sang "Enjoy me".

Informed optimism is different from a willful ignorance that simply wishes not to see the bad in the world. Seeing the truth and choosing every day to see it, letting life break your heart but doing something about it took courage. It was not about hiding your head in the sand but rather digging in, accepting the challenges, and doing the hard work it takes not just to complain about a problem but to be the solution.

The truth is that no one can keep you captive. No one can keep you unhappy. No one can keep you abused. Our lives rise to the level we accept. I do believe we can rise from the screaming blood of our losses, of extreme pain, physically debilitating emotion, psychological neglect, and apathy, and not merely survive, but thrive. We do not need to let our histories or our losses define us except in the way we choose. We can use them as fuel to create real depth, beauty, connectedness, and compassion in our lives. Our stories can make us exceptional people, not damaged ones. If we choose to be truthful with ourselves. And if we choose to digest and release the pain rather than try to avoid it. This is how pain accumulates and creates more pain, leading to neurosis, pathology, and brittleness of spirit.

That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space. It was the Song of Eyllwe. Then the Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labor camps. And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan. When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage. The next morning, by royal decree, the theater was shut down. No one saw those musicians or their conductor again.

And, indeed it is a very pleasant thing for to ride forth in the dawning of a Springtime day. For then the little birds do sing their sweetest song, all joining in one joyous medley, whereof one may scarce tell one note from another, so multitudinous is that pretty roundelay; then do the growing things of the earth smell the sweetest in the freshness of the early daytime—the fair flowers, the shrubs, and the blossoms upon the trees; then doth the dew bespangle all the sward as with an incredible multitude of jewels of various colors; then is all the world sweet and clean and new, as though it had been fresh created for him who came to roam abroad so early in the morning.

Winter is a time for going inward. For tending to the unseen.

Feelings are your soul's way of communicating. Pain is trying to teach you something, and if you don't listen now, it will speak louder and louder until it is heard.

What bends does not break.

When angered I ask myself, “If I removed my anger or hurt from this situation and acted out of love and unity—if I acted from my highest self—what would I do now?

Negative self-criticism is an iron chain that will never let you ascend to real greatness.

I spent a lifetime being small for those closest to me but this is not the woman my son will know

I would try to be as bold as that blue waterfall that had the audacity to liberate itself from stone.

I used my intuition like a weapon; whatever insecurity and weakness I sensed in him, I exploited.

Meditation helped me to access the same thing my writing did: my intelligence and my instincts beyond the turmoil that inhabited the forefront of my mind.

The moment I fell, my wings wilted like roses left too long in the vase. The misery of the bare back is to live after flight, to be the low that will never again rise. “To live on land is to live in a dimming station, but to fly above, everything sparkles, everything is endlessly crystal. Even the dry dirt improves to jewel when you can be the wings over it. “To be removed from flight is to be removed from the comet lines, the star-soaked song. How can I go on from that? How can I be something of value when I’ve lost my most valuable me? Land is my forever now, my thoroughly ended heaven. No sky will have me, no God either. “I am the warning to all little children before bedtime. Say your prayers, be done with sin, lest you become the devil, the one too sunk, no save will have him.” Dad

*I don't want the body,* she whimpered. *It hurts.* *Not always, sweetheart. Not always. Without the body, how will you hear a bird's song? How will you feel a warm summer rain on your skin? How will you taste nutcakes? How will you walk on a beach at sunset and feel the sand and surf under your... hooves?*

I love you like an acoustic song. The words mean more. The emotions are magnified. It’s like the stars … during the day we don’t see them, but at night when the world around us feels stripped and bare, they shine so brightly.

Being idolized and being torn down felt oddly similar. They both made me feel alone. Friendship and trust should be earned, and when you're famous, people seem to want to give them to you whether you've earned them or not, and it felt dishonest to me. Fame was not real. It was all a projection—fame made me a blank canvas that people projected their love, lust, troubles, self-worth, and desire upon. Fame and power do not change us, they amplify us.

Fame and power do not change us; they amplify us. If we are insecure, we grow more so. If we are addictive, we become a greater addict and insatiable. If we are desirous of truth, we seek it more. If we are generous, we become more so. If we seek to fill holes through dishonest means, we have greater access to do so. Fame and power are masterful teachers.

Today they are still strong and self-sufficient, not wilting flowers waiting for a man to help. They shoe their own horses and peel logs and build homes and get anything done that needs doing. They are feminine and wild as a mountain meadow.

That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space. It was the Song of Eyllwe. Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps. And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan. When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage. The next morning, by royal decree, the theatre was shut down. No one saw those musicians or their conductor again.

Shall I ask again?” wondered Xaro. “No, I know that smile. It is a cruel queen who dices with men’s hearts. Humble merchants like myself are no more than stones beneath your jeweled sandals.” A single tear ran slowly down his pale white cheek.

Daughter, daughter, shining bright Precious jewel within mine sight Oh, if I could soar with thee As you seek your destiny. To see with you the caves and skies Vistas grand beneath your eyes Taking wing to horizons new Let us wonder who waits for you. A dragon bright? A dragon dark? Victor of duels with battle mark? A dragon strong? A dragon keen? Singer of honors and triumphs seen? Red, Gold, Bronze, and Blue To your lord you shall be true, Copper, Silver, Black, and White, Who will win your mating flight? For in your hearts our future rests To see our line with hatchlings blessed And for those who threaten clutch of flame, To feel the wrath of dragon-dame.

for flatboat barges. They would talk about the day Swan met a boatload of survivors from the destroyed land that had been called Russia, and nobody could understand their language, but she talked to them and heard them through the miraculous jeweled ring of glass that

We really become one—we might wear different clothes or have different sexual preferences or lifestyles than the person next to us, but really those are just details. The person inside is looking for the same thing as their neighbor—freedom, expression, acceptance, love.

Must you be in such haste to don your clothes, ser? I prefer you as you are. Abed, unclad, we are our truest selves, a man and a woman, lovers, one flesh, as close as two can be. Our clothes make us different people - I would sooner be flesh and blood than silks and jewels, and you... you are not your white cloak, ser.

Rebuffed from his fine feelings, Milkman matched her cold tone. "You loved those white folks that much?" "Love?" she asked. "Love?" "Well, what are you taking care of their dogs for?" "Do you know why she killed herself? She couldn't stand to see the place go to ruin. She couldn't live without servants and money and what it could buy. Every cent was gone and the taxes took whatever came in. She had to let the upstairs maids go, then the cook, then the dog trainer, then the yardman, then the chauffeur, then the car, then the woman who washed once a week. Then she started selling bits and pieces––land, jewels, furniture. The last few years we ate out of the garden. Finally she couldn't take it anymore. The thought of having no help, no money––well, she couldn't take that. She had to let everything go." "But she didn't let you go." Milkman had no trouble letting his words snarl. "No, she didn't let me go. She killed herself." "And you still loyal." "You don't listen to people. Your ear is on your head, but it's not connected to your brain. I said she killed herself rather than do the work I'd been doing all my life!" Circe stood up, and the dogs too. "Do you hear me? She saw the work I did all her days and died, you hear me, died rather than live like me. Now, what do you suppose she thought I was! If the way I lived and the work I did was so hateful to her she killed herself to keep from having to do it, and you think I stay on here because I loved her, then you have about as much sense as a fart!

The person inside is looking for the same thing as their neighbor- freedom, expression, acceptance, love.

The stealing began again with carrots, which apparently are the gateway vegetable, because soon it led to all manner of produce theft.

Reality wins, and I'd rather see the truth than stay in love with a fantasy.

Something my life has taught me is not to see things in black and white. People are neither all good nor all bad.

Something my life has taught me is not to see things in black and white. People are neither all good nor all bad.

So you write to our congressmen With bleeding pens Of the sorrow within And in return they just send Tickets to the latest Tom Hanks show

One man came up to me at a taco stand and said, "I have no idea who you are, but I can see everyone is staring at you, so you must be somebody. I just wanted to tell you that you are not that special. You're no more special than me." I looked at him with a mouth full of food and managed to say, "Thanks. I agree," and promptly asked the waitress for a to go box.

The Song of the Defeated My master has bid me while I stand at the roadside, to sing the song of Defeat, for that is the bride whom He woos in secret. She has put on the dark veil, hiding her face from the crowd, but the jewel glows on her breast in the dark. She is forsaken of the day, and God's night is waiting for her with its lamps lighted and flowers wet with dew. She is silent with her eyes downcast; she has left her home behind her, from her home has come that wailing in the wind. But the stars are singing the love-song of the eternal to a face sweet with shame and suffering. The door has been opened in the lonely chamber, the call has sounded, and the heart of the darkness throbs with awe because of the coming tryst.

I need to talk to one of the Zuulaman Blood," Andulvar said. "They are gone," Draca replied. "From Terreille, yes. But there must be some who are demon-dead. You could arrange this." "They are gone," she repeated. "The Dark Realm wass purged of Zuulaman Blood." Andulvar grabbed one of the chairs that surrounded the table to keep himself upright. "You purged Hell ?" "No." "Then... ?" "The Prince of the Darknesss. The High Lord of Hell." Draca stared at him. "Grief wass the hammer they ussed to break hiss control. Rage wass the forge in which he sshaped hiss power into a weapon." "So there's no one left." "There's no one left," Geoffrey agreed. He looked at Draca. "If Saetan did what we think he did, there isn't a shard of pottery, a scrap of cloth, or a line from a poem, story, or song left that came from the Zuulaman people. There isn't any trace of them in any of the Realms." Including the islands they came from, Andulvar thought, feeling sick. "It's as if they never existed," Geoffrey said.

Sunny nodded approvingly. “Good choice. If it were me, I probably would have bitten my mate’s dick.” “Sunny!” “What?” She eyed me innocently. “That way anytime he looks at it he knows who it belongs to.

Before … everything.” She laughs a little. “Before I had the chance to fall in love. I dreamed of you. You didn’t have a face or a name. Your voice was simply a medley of my favorite love songs, the whisper in my head when reading my favorite poems about love. You were the reason I woke up two hours before school to do my hair and makeup in hopes that some boy would give me a second glance. It was you … the idea of you. The dream of you. The promise from my adoring mother that someday I would find my Romeo. When my brain managed to think about something other than hockey or boys … my heart was still thinking of you.

I learned years later that my gratitude practice actually helped me form new neural pathways. The hippie rituals of positive affirmations are not just baloney. Gratitude doesn’t exist only in your mind—you have to feel it in your whole being. Feelings are the shadows of thoughts. When we have negative thoughts, our emotions mirror them with anxiety. You can often see what you are thinking by reverse engineering and studying your feelings.

As children, we are taught what I call Emotional English. This is an emotional language we are taught in our homes, and just like our spoken language, the emotional language we speak most fluently as adults is the one we learned as children. What we are taught about interacting emotionally with each other and the world is modeled for us by our families, and is what we will grow up doing. No matter how frustrating , damaging, and frightening it is, we will perpetuate the examples of our parents and family -- unless we can learn new ones. The tricky thing is that a person can go to school to learn a new language, we can find classes anywhere, in any town, but how do we learn a new emotional way of relating to our lives, loved ones, and most important, to ourselves?

Forgiving someone doesn’t mean you condone or approve of what they did. Forgiveness is not for the other person at all. It has nothing to do with whether they deserve it or not. Forgiveness is an act of self-love. The best revenge really is a life well lived. While fantasizing about all kinds of revenge was fun for a while, I realized it would only perpetuate what I wanted to be free of, and it would keep me from healing. My advice to anyone struggling with betrayal is don’t let yourself be abused twice. First by the act committed against you, and second by believing it has ruined your ability to experience happiness, trust, or love. Forgive someone who has hurt you so they may receive that gift, and more important because you know it is the scissor that cuts the cord that binds you together. Remember that betrayal doesn’t happen to you so much as it happens by someone else. Forgiveness allows you to release anger. Carrying anger with you is like lighting your own house on fire to get rid of rats. The rats run to safety while you burn yourself down. Forgive. Let go. Heal.

Jon was still not certain how he felt about it. Robb a king? The brother he’d played with, fought with, shared his first cup of wine with? But not mother’s milk, no. So now Robb will sip summerwine from jeweled goblets, while I’m kneeling beside some stream sucking snowmelt from cupped hands.

She had finished her breakfast, so I permitted her to give a specimen of her accomplishments.  Descending from her chair, she came and placed herself on my knee; then, folding her little hands demurely before her, shaking back her curls and lifting her eyes to the ceiling, she commenced singing a song from some opera.  It was the strain of a forsaken lady, who, after bewailing the perfidy of her lover, calls pride to her aid; desires her attendant to deck her in her brightest jewels and richest robes, and resolves to meet the false one that night at a ball, and prove to him, by the gaiety of her demeanour, how little his desertion has affected her.

The air smelled of paper and dust and years. Jon plucked a scroll from a bin, blew off the worst of the dust. A corner flaked off between his fingers as he unrolled it. “Look, this one is crumbling,” he said, frowning over the faded script. “Be gentle.” Sam came around the table and took the scroll from his hand, holding it as if it were a wounded animal. “The important books used to be copied over when they needed them. Some of the oldest have been copied half a hundred times, probably.” “Well, don’t bother copying that one. Twenty-three barrels of pickled cod, eighteen jars of fish oil, a cask of salt . . .” “An inventory,” Sam said, “or perhaps a bill of sale.” “Who cares how much pickled cod they ate six hundred years ago?” Jon wondered. “I would.” Sam carefully replaced the scroll in the bin from which Jon had plucked it. “You can learn so much from ledgers like that, truly you can. It can tell you how many men were in the Night’s Watch then, how they lived, what they ate . . .” “They ate food,” said Jon, “and they lived as we live.” “You’d be surprised. This vault is a treasure, Jon.” “If you say so.” Jon was doubtful. Treasure meant gold, silver, and jewels, not dust, spiders, and rotting leather. “I do,” the fat boy blurted. He was older than Jon, a man grown by law, but it was hard to think of him as anything but a boy. “I found drawings of the faces in the trees, and a book about the tongue of the children of the forest . . . works that even the Citadel doesn’t have, scrolls from old Valyria, counts of the seasons written by maesters dead a thousand years . . .” “The books will still be here when we return.” “If we return . . .

You picked the lock.” The king was staring at her again. “Yes, Your Majesty.” He suddenly burst out laughing, then nodded. He leaned forward, staring at Lord Thornbeck. “She passed all your tests, better than the other ladies, did she not?” “Yes, sire.” “Would you say you found her to be the most noble of all the ladies who were here for your bride selection?” “I would.” “She is obviously very clever. She is the one you chose, and therefore I give you my blessing to marry her. And after all the clever, courageous things she has done, I shall commission my troubadours to write a song lauding the deeds of Avelina of Plimmwald, the wife of the Margrave of Thornbeck. She is a jewel among the women of the empire, and you could not do better, Thornbeck.” Had

Here Nanny had taken the biggest thing God ever made, the horizon—for no matter how far a person can go the horizon is still way beyond you—and pinched it in to such a little bit of a thing that she could tie it about her granddaughter’s neck tight enough to choke her. She hated the old woman who had twisted her so in the name of love. Most humans didn’t love one another nohow, and this mislove was so strong that even common blood couldn’t overcome it all the time. She had found a jewel down inside herself and she had wanted to walk where people could see her and gleam it around. But she had been set in the market-place to sell. Been set for still-bait. When God had made The Man, he made him out of stuff that sung all the time and glittered all over. Then after that some angels got jealous and chopped him into millions of pieces, but still he glittered and hummed. So they beat him down to nothing but sparks but each little spark had a shine and a song. So they covered each one over with mud. And the lonesomeness in the sparks make them hunt for one another, but the mud is deaf and dumb. Like all the other tumbling mud-balls, Janie had tried to show her shine.

Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that gray vault. The sea. The sea has locked them up. The sea is History. First, there was the heaving oil, heavy as chaos; then, likea light at the end of a tunnel, the lantern of a caravel, and that was Genesis. Then there were the packed cries, the shit, the moaning: Exodus. Bone soldered by coral to bone, mosaics mantled by the benediction of the shark's shadow, that was the Ark of the Covenant. Then came from the plucked wires of sunlight on the sea floor the plangent harp of the Babylonian bondage, as the white cowries clustered like manacles on the drowned women, and those were the ivory bracelets of the Song of Solomon, but the ocean kept turning blank pages looking for History. Then came the men with eyes heavy as anchors who sank without tombs, brigands who barbecued cattle, leaving their charred ribs like palm leaves on the shore, then the foaming, rabid maw of the tidal wave swallowing Port Royal, and that was Jonah, but where is your Renaissance? Sir, it is locked in them sea sands out there past the reef's moiling shelf, where the men-o'-war floated down; strop on these goggles, I'll guide you there myself. It's all subtle and submarine, through colonnades of coral, past the gothic windows of sea fans to where the crusty grouper, onyx-eyed, blinks, weighted by its jewels, like a bald queen; and these groined caves with barnacles pitted like stone are our cathedrals, and the furnace before the hurricanes: Gomorrah. Bones ground by windmills into marl and cornmeal, and that was Lamentations - that was just Lamentations, it was not History; then came, like scum on the river's drying lip, the brown reeds of villages mantling and congealing into towns, and at evening, the midges' choirs, and above them, the spires lancing the side of God as His son set, and that was the New Testament. Then came the white sisters clapping to the waves' progress, and that was Emancipation - jubilation, O jubilation - vanishing swiftly as the sea's lace dries in the sun, but that was not History, that was only faith, and then each rock broke into its own nation; then came the synod of flies, then came the secretarial heron, then came the bullfrog bellowing for a vote, fireflies with bright ideas and bats like jetting ambassadors and the mantis, like khaki police, and the furred caterpillars of judges examining each case closely, and then in the dark ears of ferns and in the salt chuckle of rocks with their sea pools, there was the sound like a rumour without any echo of History, really beginning.

Hello, I Love You" Hello, I love you Won't you tell me your name? Hello, I love you Let me jump in your game Hello, I love you Won't you tell me your name? Hello, I love you Let me jump in your game She's walking down the street Blind to every eye she meets Do you think you'll be the guy To make the queen of the angels sigh? Hello, I love you Won't you tell me your name? Hello, I love you Let me jump in your game Hello, I love you Won't you tell me your name? Hello, I love you Let me jump in your game She holds her head so high Like a statue in the sky Her arms are wicked, and her legs are long When she moves my brain screams out this song Sidewalk crouches at her feet Like a dog that begs for something sweet Do you hope to make her see, you fool? Do you hope to pluck this dusky jewel? Hello, Hello, Hello, Hello, Hello, Hello, Hello I want you Hello I need my baby Hello, Hello, Hello, Hello

Back when her name had been “Beauty,” Aggie’s grandmother had told her men were stronger than women, save one exception: women’s times of bleeding. Helen had said in the moon house women bled and watched the fire. They talked together. They sang together and told stories. To men, this place was a curse. Blood was a curse. A smelly stain on the thighs of the weak. Yet women knew the power of dark jewels. That the moon house was not for the cursed and the weak but for the strong and the blessed.

Fame was not real. It was all a projection -- fame made me a blank canvas that people projected their love, lust, troubles, self-worth, and desire upon. Fame and power do not change us; they amplify us. If we are insecure, we grow more so. If we are addictive, we become a greater addict and insatiable. If we are desirous of truth, we seek it more. If we are generous, we become more so. If we seek to fill holes through dishonest means, we have greater access to do so. Fame and power are masterful teachers.

The period of general neglect of Eliot's poetry was one in which a revolution was occurring in the theory of interpretation. Existentialist, phenomenologist, structuralist, psychoanalytic, feminist, and poststructuralist theories appeared and stimulated dazzling conversations about how texts mean. Bloom, Miller, Poulet, Gadamer, Foucault, Lacan, Kristeva, and Derrida are just a few of the critics who have contributed to these conversations. These studies have enormous value for critics interested in Eliot. In the first place, they have popularized insights about language which are central in Eliot poetry from "The Love Song of J. Alfred Prufrock" to Four Quartets. Anyone who doubts this should read Derrida "Structure, Sign, and Play in the Discourse of the Human Sciences" and follow up with a reading of part 5 of each of Four Quartets. In the second place, the studies in theory have created an audience that will be able to appreciate Eliot's dissertation and early philosophical work, an audience unthinkable a generation ago.

I went to the window, opening the pierced shutters to look out over the sleeping city. The moon was waxing and hung half-full like some exotic silver jewel just over the horizon. From the courtyard below rose the scent of jasmine on the cool night air. A slender vine had wound its way up to the balcony, and I reached out, pinching off a single creamy white blossom. I lifted it to my nose, drinking in the thick sweetness of it as it filled my head, sending my senses reeling. There was something narcotic about that jasmine, something carnal and ethereal at the same time. I crushed the petals between my fingers, taking the scent onto my skin. It was not a fragrance to wear alone. It was too rich, too heady, too full of sensuality and promise. It was a fragrance for silken cushions and damp naked flesh and moonlit beds. I rubbed at my fingers, but the scent clung tightly, keeping me company as I sat in the window, listening to a song I had almost forgot and thinking of Gabriel Starke and the five years that stretched barrenly between us.

What is a spirit? Is it a thing, like a glass that can crack or a cord of wood that can be split? There is no real explanation for what a spirit is, just a sense of it, but I know that a spirit cannot be broken any more than water can be broken, or any more than air can be split apart. It can only be perceived as broken. And believing that we are broken is the same as being broken. It means we experience ourselves that way. That perception shapes our reality. It is an illusion we must strive to avoid, as great misery comes from such a belief.

…She wanders with her sad mouth And the grand mystery of amber eyes, Across the night, toward forgetfulness Like a star, fugitive and white. Like a dethroned exotic queen With comely gestures and rare utterings. Her undereyes are violated horizons And her irises–two stars of amber– Open wet and weary and sad Like ulcers of light that weep. She is a grief which thrives and does not hope, She is a gray aurora rising From the shadowy bed of night, Exhausted, without splendor, without anxiousness. And her songs are like dolorous fairies Jeweled in teardrops…

Money depends on the scarcity of what props it up for its value, but isn’t that also an illusion? Rare and precious metals like diamonds are controlled by blood merchants who modulate their flow to keep the value at an acceptable level. And if gold is so rare, how are there enough gold bars to build a home for a family of two in Fort Knox alone? It doesn’t help that all things are constantly devalued. Before Gutenberg made type movable, only the wealthiest could afford books, and a Bible with tooled leather cover, gold-edged pages, and jewel-encrusted bindings was a symbol of not just piety but status, wealth, and taste. Within a few generations, the rabble were able to follow along in the hymnals from the cheap seats, forcing the wealthy to find another symbol to lord over the hoi polloi. ’Twas ever thus. The battle between the rich man and the poor man is fought on many battlefields, not all of them immediately obvious. Today the wealthy dress in sweatsuits and the homeless have iPhones. People with no discernible income buy flawless knockoff watches with one-letter misspellings to thwart copyright. And then wealthy people buy the same “Rulex” so their six-figure real watches won’t get stolen when they are out at dinner.

many ratty Kmart bras I needed to replace with ones that could actually hold my tits up; so many albums with actual liner notes to replace the ones my friends had dubbed for me. Finally, I could read the lyrics to all those Portishead songs I was kind of making up in my head! I wish I could say that I bought some fly shit and a fancy ride, but really I just bought a lot of Gap shirts and name-brand sodas. I’ma assume some broke people are reading this and you know what I mean. I was making it rain dollar bills as I worked my way through the aisles at the Jewel, filling my cart with grape Crush and DiGiorno pizzas and CINNAMON TOAST MOTHERFUCKING CRUNCH.

Yes...I love how the Irish are so comfortable with paradox that they revel in it. In fact, if you took it away from them, I suspect they would start gasping like fish out of water. No wonder their land's name, now removed from its Gaelic notions of abundance in 'eire,' evokes anger, or 'ire,' and yet also the rich, cooling green of a sea-colored jewel. A 'terrible beauty' indeed. They understand oppression and repression and explosion, but they remain a culture of faith-faith that creaks and groans and pulls, but is alive and never dull. And which urges them to art, to poetry, to song-these, too, are forms of action. Of passion. Of conviction. Yes, of love.

What would the poor and lowly do, without children?" said St. Clare, leaning on the railing, and watching Eva, as she tripped off, leading Tom with her. "Your little child is your only true democrat. Tom, now is a hero to Eva; his stories are wonders in her eyes, his songs and Methodist hymns are better than an opera, and the traps and little bits of trash in his pocket a mine of jewels, and he the most wonderful Tom that ever wore a black skin. This is one of the roses of Eden that the Lord has dropped down expressly for the poor and lowly, who get few enough of any other kind." "It's strange, cousin," said Miss Ophelia, "one might almost think you were a professor, to hear you talk.

He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.

I loved to observe people.. I watched love and life play out in a million ways, but one of the best things I learned was this: You don't outrun pain.. I saw men and women in those barrooms all trying to outrun something, some pain in their life- and man, they had pain... I saw them all trying to bury that pain in booze, sex, drugs, anger, and I saw it all before I was able to indulge in many of those behaviors myself. I saw that no one outran their suffering; they only piled new pain upon their original pain.. I saw the pain pile up into insurmountable mountains, and I saw the price people paid who buried all that pain, and along with it their hope, joy, and chance at happiness. All because they were trying to outrun the pain rather than walk through it and heal.

my love thy hair is one kingdom the king whereof is darkness thy forehead is a flight of flowers thy head is a quick forest filled with sleeping birds thy breasts are swarms of white bees upon the bough of thy body thy body to me is April in whose armpits is the approach of spring thy thighs are white horses yoked to a chariot of kings they are the striking of a good minstrel between them is always a pleasant song. my love thy head is a casket of the cool jewel of thy mind the hair of thy head is one warrior innocent of defeat thy hair upon thy shoulders is an army with victory and with trumpets thy legs are the trees of dreaming whose fruit is the very eatage of forgetfulness thy lips are satraps in scariet in whose kiss is the combining of kings thy wrists are holy which are the keepers of the keys of thy blood thy feet upon thy ankles are flowers in vases of silver in thy beauty is the dilemma of flutes thy eyes are the betrayal of bells comprehended through incense

The black hole of the galaxy swallows the boiling energy of human fury. Soon my waning fume will be obscured forevermore, all insignia of my ionized essence tucked into the anonymous pleat of the universe’s billowing skirt. Until the coarse earth’s rank mustiness calls for me, can I take comfort living purposefully in the rhythms of an ordinarily life? Can I unabashedly absorb the scintillating jewels in the daily milieu? Can I savor an array of pleasantries with my tongue, ears, nose, eyes, lips, and fingertips? Can I take solace in the tenderness of the nights by singing out songs of love and heartache? Can I devote the dazzle of daylight and the vastness of the night’s starriness to investigate life, make a concerted effort to reduce imbedded ignorance, and penetrate layers of obdurate obliviousness? Can I conduct a rigorous search for wisdom irrespective of wherever this journey takes me? Can I make use of the burly pack of prior personal experiences to increase self-awareness? Can I aspire to go forward in good spirits and cheerfully accept all challenges as they come? Can I skim along the delicate surface of life with a light heart until greeting an endless sleep with a begrudging grin in the coolness of the ebbing light?

Awake ye muses nine, sing me a strain divine, Unwind the solemn twine, and tie my Valentine! Oh the Earth was made for lovers, for damsel, and hopeless swain, For sighing, and gentle whispering, and unity made of twain. All things do go a courting, in earth, or sea, or air, God hath made nothing single but thee in His world so fair! The bride, and then the bridegroom, the two, and then the one, Adam, and Eve, his consort, the moon, and then the sun; The life doth prove the precept, who obey shall happy be, Who will not serve the sovereign, be hanged on fatal tree. The high do seek the lowly, the great do seek the small, None cannot find who seeketh, on this terrestrial ball; The bee doth court the flower, the flower his suit receives, And they make merry wedding, whose guests are hundred leaves; The wind doth woo the branches, the branches they are won, And the father fond demandeth the maiden for his son. The storm doth walk the seashore humming a mournful tune, The wave with eye so pensive, looketh to see the moon, Their spirits meet together, they make their solemn vows, No more he singeth mournful, her sadness she doth lose. The worm doth woo the mortal, death claims a living bride, Night unto day is married, morn unto eventide; Earth is a merry damsel, and heaven a knight so true, And Earth is quite coquettish, and beseemeth in vain to sue. Now to the application, to the reading of the roll, To bringing thee to justice, and marshalling thy soul: Thou art a human solo, a being cold, and lone, Wilt have no kind companion, thou reap'st what thou hast sown. Hast never silent hours, and minutes all too long, And a deal of sad reflection, and wailing instead of song? There's Sarah, and Eliza, and Emeline so fair, And Harriet, and Susan, and she with curling hair! Thine eyes are sadly blinded, but yet thou mayest see Six true, and comely maidens sitting upon the tree; Approach that tree with caution, then up it boldly climb, And seize the one thou lovest, nor care for space, or time! Then bear her to the greenwood, and build for her a bower, And give her what she asketh, jewel, or bird, or flower — And bring the fife, and trumpet, and beat upon the drum — And bid the world Goodmorrow, and go to glory home!