Jetty Quotes

We've searched our database for all the quotes and captions related to Jetty. Here they are! All 100 of them:

Most true is it that 'beauty is in the eye of the gazer.' My master’s colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth, — all energy, decision, will, — were not beautiful, according to rule; but they were more than beautiful to me; they were full of an interest, an influence that quite mastered me, — that took my feelings from my own power and fettered them in his. I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously arrived, green and strong! He made me love him without looking at me.
Charlotte Brontë (Jane Eyre)
My grandma Ruthie, Jettie's sister, had been married four times, so many times I started calling every old man I saw at the grocery store Grandpa.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
Mama Ginger came calling, to set the alarm on my biological clock. Oh, and to remind me that there’s no point to me being a woman if I never have children.” “Well, if that’s true, I wasted a hell of a lot of money on panty hose and lipstick.” Jettie snorted.
Molly Harper (Nice Girls Don't Date Dead Men (Jane Jameson, #2))
But he wishes the people really knew who they were mourning: the Isabel he had met on the jetty, so full of life and daring and mischief. His Izzy. His other half of the sky.
M.L. Stedman (The Light Between Oceans)
I look like Barbara Bush in drag." Aunt Jettie
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
I am the saint at prayer on the terrace like the peaceful beasts that graze down to the sea of Palestine. I am the scholar of the dark armchair. Branches and rain hurl themselves at the windows of my library. I am the pedestrian of the highroad by way of the dwarf woods; the roar of the sluices drowns my steps. I can see for a long time the melancholy wash of the setting sun. I might well be the child abandoned on the jetty on its way to the high seas, the little farm boy following the lane, its forehead touching the sky. The paths are rough. The hillocks are covered with broom. The air is motionless. How far away are the birds and the springs! It can only be the end of the world ahead.
Arthur Rimbaud
Don't grow up...It's a trap.
Jettie
Aunt Jettie: "yes, i'm wandering the earth seeking revenge on ben & jerry for giving me the fat a$$ and coronary & I give out love advice to the tragically lonely." jane: "Is that an ironic eternal punishment for the lady who died an eighty-one year old spinster." jettie: "single by choice you twirp." jane: "banshee." jettie: "bloodsucker.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
I love you, Morgan," Drew whispered to my lips. "I hope so, we've been married for eight years," I teased. He wasn't laughing. "I mean it, Morgan. I love you more than I ever thought possible, and no matter what happens, I'm telling you now, how sorry I am while you love me too.
Jettie Woodruff (Underestimated (Underestimated, #1))
Politicians could talk about building walls and changing laws to keep people out, but in the end they were just symbols. Neither would stop the tide any more than the rock jetties at the mouth of the port did. Nothing could stop the tide of hope and desire. Bosch
Michael Connelly (The Wrong Side of Goodbye (Harry Bosch, #19; Harry Bosch Universe, #29))
Grandma Ruthie and her sister Jettie hadn't spoken a civil word in about fifteen years. Their last exchange was Ruthie's leaning over Jettie's coffin and whispering, "If you'd married and had children, there would be more people at your funeral." Of course, at the reading of Aunt Jettie's will, Grandma Ruthie was handed an enveloped containing a carefully folded high-resolution picture of a baboon's butt. That pretty much summed up their relationship.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
Before we knew it, we were walking along the breakwater until the whole city, shining with silence, speak out at our feet like the greatest mirage in the universe, emerging from the pool of the harbor waters. We sat on the edge of the jetty to gaze at the sight. "This city is a sorceress, you know, Daniel? It gets under your skin and steals your soul without you knowing it.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
She's your mother. I asked, Plus, you do look a bit like her. When you're angry, you both get these tense lines around your mouth...Look, there they are.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
One morning I fell to sketching a face: what sort of a face it was to be, I did not care or know. I took a soft black pencil, gave it a broad point, and worked away. Soon I had traced on the paper a broad and prominent forehead and a square lower outline of visage: that contour gave me pleasure; my fingers proceeded actively to fill it with features. Strongly-marked horizontal eyebrows must be traced under that brow; then followed, naturally, a well-defined nose, with a straight ridge and full nostrils; then a flexible-looking mouth, by no means narrow; then a firm chin, with a decided cleft down the middle of it: of course, some black whiskers were wanted, and some jetty hair, tufted on the temples, and waved above the forehead. Now for the eyes: I had left them to the last, because they required the most careful working. I drew them large; I shaped them well: the eyelashes I traced long and sombre; the irids lustrous and large. "Good! but not quite the thing," I thought, as I surveyed the effect: "they want more force and spirit;" and I wrought the shades blacker, that the lights might flash more brilliantly--a happy touch or two secured success. There, I had a friend's face under my gaze; and what did it signify that those young ladies turned their backs on me? I looked at it; I smiled at the speaking likeness: I was absorbed and content. Is that a portrait of some one you know?" asked Eliza, who had approached me unnoticed. I responded that it was merely a fancy head, and hurried it beneath the other sheets. Of course, I lied: it was, in fact, a very faithful representation of Mr. Rochester. But what was that to her, or to any one but myself? Georgiana also advanced to look. The other drawings pleased her much, but she called that 'an ugly man.
Charlotte Brontë (Jane Eyre)
Why couldn’t I just have him for everyday life and Drew at bedtime?
Jettie Woodruff (Underestimated (Underestimated, #1))
Stupid little fish
Jettie Woodruff (Slut (The Twin Duo, #2))
As I envisage it, landscape projects into us not like a jetty or peninsula, finite and bounded in its volume and reach, but instead as a kind of sunlight, flickeringly unmappable in its plays yet often quickening and illuminating. We are adept, if occasionally embarrassed, at saying what we make of places -- but we are far less good at saying what place makes of us. For some time now it has seemed to me that the two questions we should ask of any strong landscape are these: firstly, what do I know when I am in this place that I can know nowhere else? And then, vainly, what does this place know of me that I cannot know of myself?
Robert Macfarlane (The Old Ways: A Journey on Foot)
So you’ll leave with what you came with when you were ten. Surely you have some Pokémon cards or something?
Jettie Woodruff (Underestimated Too (Underestimated, #2))
...sometimes I wait for you at the exact edge of the jetty where we left each other. Sometimes I disappear into an unconscious hole and lie there silted up in stories having nothing to do with the vigorous immediacy of our epic.
Hélène Cixous (The Book of Promethea)
I guess that depends on who you ask. There’s always three sides, mine, yours, and the truth.
Jettie Woodruff (Slut (The Twin Duo, #2))
A grieving woman could sit alone on a jetty in the early morning. But not with a book in her hands.
Pia Juul (The Murder of Halland)
My vantage point must have been somewhere between our little house and the steamer jetty. The sea was exceptionally calm. Lit up by a sun that you could have taken down and put in your knapsack. Everything: Mooring rings on the harbor wall, piles of timber, the arches of the houses, caiques, windows – all of them were faithful, in the way we describe a dog being faithful.
George Seferis
No footprints in the sand. Pebbles and bits of weed are strung in scalloped lines. Three outer islands bear low stone forts; a green lantern glows on the tip of a jetty. It feels appropriate somehow, to have reached the edge of the continent, to have only the hammered sea left in front of him.
Anthony Doerr (All the Light We Cannot See)
Our heroes have arrived, then," the stranger said, his voice a soft, bubbly murmur. "Excuse me?" Poison queries. The odd creature put down his rod in a little wooden cradle that rested next to him and got up from the edge of the jetty. He looked them over with his vast, yellowish eyes. "Hmm," he said gloomily. "You don't seem a bad bunch." He jostled past them and began to shuffle back towards his house. "At least you're not the typical muscle-bound warrior, beautiful sorceress, and amusing thief sidekick. By the waters, did that become stale fast.
Chris Wooding (Poison)
There are two types of pain; one that hurt you, and one that changes who you are.
Jettie Woodruff (Black Rain (Let it Rain, #1))
I'd have sunk in the car if Marcus Jetty hadn't been doing a little late-season beachcombing. Marcus runs Greenstone Salvage and Tinker, a famous local eyesore of bike frames, tube amps, hula poppers, oil drums, and knobs of driftwood. He was picking along the jagged strand in his raincoat, eye on a fat cork from somebody's herring net, when a car approached on the highway above. He later described the sounds of a whining V6 and thumping bass line before the barrier burst to shrapnel and the world for a moment muffled itself.
Leif Enger (Virgil Wander)
Everyone is dangerous in here, can’t you see that?” he warned.
Jettie Necole (The Vault)
Universe is a giant wave and mankind needs a giant breakwater: The science! It is the best jetty we ever have!
Mehmet Murat ildan
You’re my little girl. I’m going to take damn good care of you.” “Promise me, Daddy.” “I promise,” he said. “Daddy loves you, Jetty.
Margot Scott (Pretty, Dark and Dirty)
Thanks, for saving me.” “I didn’t have a choice,” he said softly. “Everyone has a choice.” “Then mine was easy.” “Easy?” He chuckled. “Olivia, my choice will always be simple when it comes to you...
Jettie Necole (The Vault)
Two free days like an open mouth. They drank beer all day in the sun and passed out, and when she woke, she was burnt all over, and it was sunset, and Lotto had started building something enormous with sand, already four feet high and ten feet long and pointing toward the sea. Woozy, standing, she asked what it was. He said, 'spiral jetty.' She said, ''In sand?' He smiled and said, 'That's its beauty.' A moment in her bursting open, expanding. She looked at him. She hand't seen it before, but there was something special here. She wanted to tunnel inside him to understand what it was. There was a light under the shyness and youth, a sweetness, a sudden surge of the old hunger in her to take a part of him into her and make him briefly hers. Instead, she bent and helped, they all did. And deep into the morning, when it was done, they sat in silence, huddled against the cold wind and watched the tide swallow it whole. Everything had changed somehow
Lauren Groff (Fates and Furies)
We like to build on the edge, don’t we? Right on the edge of disaster. Because if we don’t, it leaves room for someone else to build between us and whatever it is we desire. We’re all like Icarus in that way.” Ness points toward the natural jetty to the south. “Let’s walk the shell line this way.
Hugh Howey (The Shell Collector)
It's like the world's gravitational pull has just lessened tenfold. Everything trapped in me, rushing in and out like the ocean against a jetty - pounding over and over, trying to crush the breaker wall with each rhythmic explosion - has finally been taken away. I cry for that and I'm not sure what else.
Nic Sheff (Tweak: Growing Up On Methamphetamines)
. . . the first leg of their journey from humanity to cattle; with sorting and feeding and starvation and suffocation and pestilence and death; with slave ship stenches and mutinies of crew and cargo; with the jettying of cargoes before the guns of British cruisers; with auction blocks and sales and profits and losses
Zora Neale Hurston (Barracoon: The Story of the Last "Black Cargo")
And what was she like?” “Tall, fine bust, sloping shoulders; long, graceful neck: olive complexion, dark and clear; noble features; eyes rather like Mr. Rochester’s: large and black, and as brilliant as her jewels.  And then she had such a fine head of hair; raven-black and so becomingly arranged: a crown of thick plaits behind, and in front the longest, the glossiest curls I ever saw.  She was dressed in pure white; an amber-coloured scarf was passed over her shoulder and across her breast, tied at the side, and descending in long, fringed ends below her knee.  She wore an amber-coloured flower, too, in her hair: it contrasted well with the jetty mass of her curls.
Charlotte Brontë (Jane Eyre)
Did I write to you about the storm I watched not long ago? The sea was yellowish, especially close to the shore. On the horizon a streak of light and above it immensely large dark grey clouds, from which one could see the rain coming down in slanting streaks. The wind blew the dust from the little white path among the rocks into the sea and shook the hawthorn bushes in bloom and the wallflowers that grow on the rocks. To the right, fields of young green corn and in the distance the town, which, with it’s towers, mills, slate roofs, Gothic-style houses and the harbour below, between two jetties sticking out into the sea, looked like the towns Albert Durer used to etch.
Vincent van Gogh
We’re in an underground vault, and here’s my first order: You’re going to do everything I tell you to do.
Jettie Necole (The Vault)
Things are different here. There will be rules and regulations that you are not used to. You will have to follow them. All of them.
Jettie Necole (The Vault)
Cupid had struck his heart to the core but had forgotten to put even a mere scratch on his beloved's.
Jettie Necole (Ruby (Tree of Blood Book 1))
Olivia responded with confidence, “You’re the military. You’re in charge. Why would I be scared?
Jettie Necole (The Vault)
She’d been caught up in that image, that flash, man’s nuclear stamp, and had not really understood what happened after.
Jettie Necole (The Vault)
I was always the quiet one, the one who followed suit, doing what others told me to do.
Jettie Woodruff (Suit (The Twin Duo, #1))
I was in heaven, married to the devil.
Jettie Woodruff (Suit (The Twin Duo, #1))
I love plans. Checklists, spreadsheets, timelines. I am literally passionate about that stuff.
Claire Kingsley (Must Be Love: Nicole and Ryan (Jetty Beach, #1))
What are you doing?" I ask. "Giving you a minute to calm the fuck down," she says. "Do you talk to your students with that mouth?" I ask. "In my head, I do," she says.
Claire Kingsley (Must Be Love: Nicole and Ryan (Jetty Beach, #1))
You need to stop, Gabriella. You don’t talk. You shut your fuckhole and do what you’re told. Do you understand me?” I
Jettie Woodruff (Suit (The Twin Duo, #1))
Tell me you love me.
Jettie Woodruff (Slut (The Twin Duo, #2))
His lips met mine and just like the stupid little fish that I was, I sank my teeth right into the hook.
Jettie Woodruff (Slut (The Twin Duo, #2))
The perfect storm of two kinds of crazy. That was us.
Jettie Woodruff (Slut (The Twin Duo, #2))
Maybe. I liked you being afraid of me. I liked you doing everything I told you to do.
Jettie Woodruff (Slut (The Twin Duo, #2))
Paxton Pierce was an impossible man. One that no woman could please. Not even me.
Jettie Woodruff (Suit (The Twin Duo, #1))
Don’t look down when someone’s talking to you. You look them straight in the eyes. You’re bigger than that.
Jettie Woodruff (Suit (The Twin Duo, #1))
The summer we spent on the beach was all the sex education anyone needed.
Jettie Woodruff (Suit (The Twin Duo, #1))
It had been as if she’d talked to God, praising the universe through twinkling stars.
Jettie Woodruff (Suit (The Twin Duo, #1))
I hate the way you love me.
Jettie Woodruff (Slut (The Twin Duo, #2))
It’s not a war. It’s an annihilation,” he’d mumbled low for her ears only. She’d been unable to respond, only focusing on her own breath and marveling that she in fact was still breathing.
Jettie Necole (The Vault)
But that's the thing about depression. It sneaks in and waits, hiding in the shadows. When it senses weakness, it doesn't pounce. Instead of hitting hard and fast, out in the open, it slithers in through the cracks. It lodges itself in your vulnerable places and takes root. Before you know it, you're slogging through its depths, and it can be hard as fuck to pull yourself out.
Claire Kingsley (Jetty Beach Series Box Set 1-4 (Jetty Beach, #1-4))
I just wanted to leave it all behind and move forward, and that’s exactly what I did. I stopped worrying about my past and who I was before. All I could do was be a better person now. From this point forward.
Jettie Woodruff (Suit (The Twin Duo, #1))
When she met Knut it wasn’t a love story, not the way she had read it could feel, theirs was always more like a story of a child finding the perfect playmate. When Knut touched Estelle, right up to the end, it made her feel like climbing trees and jumping from jetties. Most of all she missed making him laugh so hard he spat his breakfast out. That sort of thing only got more fun with age, especially after he got false teeth.
Fredrik Backman (Anxious People)
Well, he replied, finally letting my hand go so that he could gesticulate with his; you don your khakis, schlep off to some jungle, hang out with the natives, fish and hunt with them, shiver from their fevers, drink strange brew fermented in their virgins’ mouths, and all the rest; then, after about a year, they lug your bales and cases down to the small jetty that connects their tiny world to the big one that they kind of know exists, but only as an abstract concept, like adultery for children; and, waving with big, gap-toothed smiles, they send you back to your study—where, khakis swapped for cotton shirt and tie, saliva-liquor for the Twinings, tisane or iced Scotch your housekeeper purveys you on a tray, you write the book: that’s what I mean, he said. Not just a book: the fucking Book. You write the Book on them. Sum their tribe up. Speak its secret name.
Tom McCarthy (Satin Island)
I looked, and had an acute pleasure in looking,—a precious yet poignant pleasure; pure gold, with a steely point of agony: a pleasure like what the thirst-perishing man might feel who knows the well to which he has crept is poisoned, yet stoops and drinks divine draughts nevertheless. Most true is it that “beauty is in the eye of the gazer.”  My master’s colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth,—all energy, decision, will,—were not beautiful, according to rule; but they were more than beautiful to me; they were full of an interest, an influence that quite mastered me,—that took my feelings from my own power and fettered them in his.  I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously arrived, green and strong!  He made me love him without looking at me. I
Charlotte Brontë (Jane Eyre)
No, we’ll live. I promise you that.” He’d said it in a way that she couldn’t doubt, the same way he’d snapped his soldiers back into their rank on the helicopter. His words had been soft yet firm, and she wanted to believe in him as his men had, with confidence.
Jettie Necole (The Vault)
She loaded 'Gypsy', her favorite Fleetwood Mac song, into the CD player and remembered dancing to the magical rhythms and harmonizing with her mother so long ago, virtually levitating as though the song lifted them, weightless as roof angels, above the living room floor.
Judy Keeslar Santamaria (Jetty Cat Palace Café)
Back then the towering gums marched down to the water and the area was sparsely populated with fibro weekenders - simple cottages and boat sheds - mainly owned by coal miners from the nearby Hunter Valley. My grandfather worked in the mines. He'd lend my family the one room boffy attached to his boasted almost every school holiday, and I have such vivid memories of jumping off his jetty and boiling crabs for dinner and fishing with a line wrapped around a piece of cork and playing in the rock pools and parking about in his tin runabout.
Nikki Gemmell (Why You Are Australian: A Letter to My Children)
The CSS Alabama’s captain, Rafael Semmes, was a devout Catholic who saw the Civil War as a religious struggle. He associated Northern Puritanism with narrow-minded bigotry and Catholicism with liberty and virtue. Nine months after Robert E. Lee had finally surrendered to the Union, the Confederate ship Shenandoah dropped anchor in the Mersey, mid-river between the jetties and Laird’s yard. Her captain, Lieutenant Commander James Waddell, lowered the Confederate flag for the last time and handed the vessel over to the Royal Navy on 6 November 1865.
Andrew Lees (Liverpool: The Hurricane Port)
If only he’d taken one look at her and seen that they were soul mates, swept her off her feet and taken her to Las Vegas to be married in the same little chapel where Britney Spears had been. She laughed to herself. It would probably have lasted just as long, once her mother found out.
Jettie Necole (The Vault)
Dad’s voice falters as he says goodbye. He is choking down his own grief to protect Mum, I know. He loves her deeply. I accept that he is incapable of expressing all this, and I am incapable of even saying the right thing, should he ever do so. And lurking deeper, is the knowledge that he has been here, himself. When I was aged about 5, his father—my grandfather—had cancer and took his own life by walking into the sea. My dad found his body under a jetty. What would it have been like to experience that tragedy? And then, to try and live, to go on raising a family, with those images haunting you?
Linda Collins (Loss Adjustment)
Most true is it that “beauty is in the eye of the gazer.” My master’s colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth—all energy, decision, will—were not beautiful, according to rule; but they were more than beautiful to me: they were full of an interest, an influence that quite mastered me—that took my feelings from my own power and fettered them in his. I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously revived, green and strong! He made me love him without looking at me.
Charlotte Brontë (Jane Eyre)
Most true is it that “beauty is in the eye of the gazer.” My master’s colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth,—all energy, decision, will,—were not beautiful, according to rule; but they were more than beautiful to me; they were full of an interest, an influence that quite mastered me,—that took my feelings from my own power and fettered them in his. I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously arrived, green and strong! He made me love him without looking at me.
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
As the Argo drew alongside the great rock at Methone which served as a jetty, Atalanta sprang aboard before anyone could prevent her, with a fir branch in her hand. “In the name of the maiden goddess,” she cried. Jason had no choice but to accept her as a member of the ship’s company. The silver fir is sacred to Artemis, who, though she has renounced her connexion with the Triple Goddess, and acknowledged herself as a daughter of Zeus, still keeps most of her former characteristics. It is more dangerous to offend her than almost any other deity, and Jason was relieved that she too favoured the expedition; he had feared that he might have offended her priestess Iphias by his curtness that morning.
Robert Graves (The Golden Fleece)
Rivers flood our tallest levees and break through our mightiest dams. Beaches keep moving, despite jetty walls and truckloads of imported sand. “Our domination of nature is a delusion,” Carol says. “We cannot exempt ourselves from nature’s ironclad laws. We cannot grow infinitely on a finite planet.” Mother Nature is a tough old broad. Like the humble tortoise lining up against the hotshot hare, she will outlast us. We can’t sustain our blustery sprint to the front of the pack. Our current reign has lasted fewer than ten thousand years—barely a blip in the earth’s four-billion-year history. Our supremacy is short-lived, and our species’ future is uncertain. Only one thing is for sure: we need Mother Nature a lot more than she needs us.
Will Harlan (Untamed: The Wildest Woman in America and the Fight for Cumberland Island)
I miss all our most ordinary things. Breakfast on the veranda. Weeds in the flower beds.” She takes a breath, then answers: “I miss the dawn. The way it stamped its feet at the end of the water, increasingly frustrated and impatient, until there was no more holding back the sun. The way it sparkled right across the lake, reached the stones by the jetty and came onto land, it’s warm hands in our garden, pouring gentle light into our house, letting us kick off the covers and start the day. I miss you then, darling sleepy you. Miss you there.” “We lived an extraordinarily ordinary life.” “An ordinarily extraordinary life.” She laughs. Old eyes, new sunlight, and he still remembers how it felt to fall in love. The rain hasn’t arrived yet. They dance on the shortcut until darkness falls.
Fredrik Backman (And Every Morning the Way Home Gets Longer and Longer)
She’d found that holding on to him was the easiest and simplest thing to do, not thinking about the bomb, not thinking about the people it killed, not thinking about her family, and not thinking about whether or not she would die. Instead, she’d held tightly around his neck, burying her face in his shoulder. She’d thought the entire world was coming to an end and holding on to him seemed to be the only thing she wanted to acknowledge as real.
Jettie Necole (The Vault)
Storm Island is a little south of here,” explained Frank, opening a chart. “It’s nothing but a pile of rocks in the sea, according to Worth. The light hasn’t been used in years, since there’s no more shipping from Larchmont.” They left the harbor and headed the boat south on the blue-green sea. The white dunes of the beach were far over to their right. The horizon was a line where the powder-blue sky met the darker hue of the ocean. Then a pile of jumbled rocks came into view. “Must be Storm Island,” Frank said briefly. As they came closer, they saw that the islet was indeed nothing but a mass of rock, about a hundred yards long. From its center rose a conical wooden tower with a black roof and gaping windows. They landed at a little stone jetty and tied up the boat, then mounted some stone steps that apparently led to a path to the lighthouse. Quickly the boys looked around for the gangling figure of the professor. No one was in sight.
Franklin W. Dixon (The Hidden Harbor Mystery (Hardy Boys, #14))
He whispered for her ears only as he listed off the facts: “Military are allowed a larger portion. Being second in command restricts me from no room and giving orders is what I’ve been hired to do. As far as ignoring you, that is not the case. I’ve checked up on you, and you are doing well. My intentions have never been to harm you or insult you. You actually are quite breathtaking in that dress and that is the problem, you need not draw attention to yourself. You are my responsibility and the answer to ‘why’ will always be because I have to.
Jettie Necole (The Vault)
A giant grin, accompanied by a slight chuckle, had been the grand finale to any of his most successful jokes, while the less impressive resulted in a raise of both his brows, which he followed with a semi-satisfied smirk. The least entertaining attempt at humor would get a shrug and a short grimace that reflected he too understood he’d just bombed. Olivia was acquainted with them all now, considering all the time they’d spent together, the most she’d spent with any other individual inside the vault. Olivia had become accustomed to his infectious humor, though it hadn’t always been so. Especially, when they’d first met.
Jettie Necole
In a very deliberate motion, he squared my shoulders in front of his and clasped my arms. “I know I could never ask you to leave River Oaks. It means a lot more to you than my family’s house means to me. Your aunt Jettie is there. It’s your home. I would like it to be my home, too. I want to make a life with you, and for most people, that means living in the same house.” Gabriel kissed me, as gentle as an angel’s wing brushing across my lips. “You’re my bloodmate in every sense of the word, the person I choose to spend the rest of my immortal life with, if you can stand me that long.” “That’s what that means?” My forehead wrinkled in concentration, and I tried to remember the first time I’d hear that word. “Wait, you told Missy the crazy Realtor that she’d suffer dire consequences if she hurt your ‘bloodmate.’ That was more than a year ago.” “I knew even then. You’re it for me, Jane. You’re my eternity.” “Well, why couldn’t you have told me?” I exclaimed. Gabriel shrugged. “You—” “I wasn’t ready to hear it yet,” I finished for him. “I’m sorry.” But as the enormity of what Gabriel had just said sunk in, a huge grin split my face. I brought it under control, so I could narrow my eyes at him. “So, you’re saying you will tell me everything now. You won’t try to protect me or keep me in the dark. You’ll trust me to make a rational decision about bad news after I have my inevitable, initial panic attack?” He nodded solemnly. “I will.” “And when I have my spastic fits of insecurity, when I make inappropriate jokes and wonder aloud why you love me, you’ll understand that this has nothing to do with you but years and years of conditioning by my mother?” He smirked. “I will.” “Will you agree never to accept invitations issued by my family unless you check with me first?” He nodded. “Absolutely.” I giggled, throwing my arms around him and kissing him deeply. “I love you.
Molly Harper (Nice Girls Don't Live Forever (Jane Jameson, #3))
The two men, unable to see each other, kept silent till the lighter, slipping before the fitful breeze, passed out between almost invisible headlands into the still deeper darkness of the gulf. For a time the lantern on the jetty shone after them. The wind failed, then fanned up again, but so faintly that the big, half-decked boat slipped along with no more noise than if she had been suspended in the air. ‘We are out in the gulf now,’ said the calm voice of Nostromo. A moment after he added, ‘Señor Mitchell has lowered the light.’ ‘Yes,’ said Decoud; ‘nobody can find us now.’ A great recrudescence of obscurity embraced the boat. The sea in the gulf was as black as the clouds above. Nostromo, after striking a couple of matches to get a glimpse of the boat-compass he had with him in the lighter, steered by the feel of the wind on his cheek. It was a new experience for Decoud, this mysteriousness of the great waters spread out strangely smooth, as if their restlessness had been crushed by the weight of that dense night. The Placido was sleeping profoundly under its black ponho. The main thing now for success was to get away from the coast and gain the middle of the gulf before day broke. The Isabels were somewhere at hand. ‘On your left as you look forward, señor,’ said Nostromo suddenly. When his voice ceased, the enormous stillness, without light or sound, seemed to affect Decoud’s senses like a powerful drug. He didn’t even know at times whether he were asleep or awake. Like a man lost in slumber, he heard nothing, he saw nothing. Even his hand held before his face did not exist for his eyes. The change from the agitation, the passions and the dangers, from the sights and sounds of the shore, was so complete that it would have resembled death had it not been for the survival of his thoughts. In this foretaste of eternal peace they floated vivid and light, like unearthly clear dreams of earthly things that may haunt the souls freed by death from the misty atmosphere of regrets and hopes. Decoud shook himself, shuddered a bit, though the air that drifted past him was warm. He had the strangest sensation of his soul having just returned into his body from the circumambient darkness in which land, sea, sky, the mountains, and the rocks were as if they had not been.
Joseph Conrad (Nostromo)
Past the projects, the land opened up and water came into view. The breeze carried rain and salt. Jetties and barrier walls supported the shore, which was stacked with crumbling brick warehouses. Out in the channel, the Statue of Liberty stood alone on her little island, her corroding flame held high in the air as the sun set over the industrial shoreline and skyways of New Jersey. Across the narrows, the bluffs of Staten Island wavered in the smoky light of dusk that turned the Verrazano into bronze. Faint light burnished water into busy with freighters and tug boats. A lone sail boat flitted in the distance. On the near shore, on a slip of water between a jetty and the land, a blood red barge bobbed on the tide.
Andrew Cotto (Outerborough Blues: A Brooklyn Mystery)
She opened her eyes to find a strange man above her. "Ahh," he sighed. "Your eyes are the color of jade. I imagined them to be dark, like your hair. How strange." She continued to stare at him without a word. His figure loomed over her, and he stared at her with large, black eyes, like those of a bird, she thought. His thin, black hair fell past his chin, making him appear delicate, almost beautiful. His lips curved to a smile. "I find you just as beautiful, my dear," he said. His statement shocked her; it was as if he'd read her thoughts. "Yes, I know what you think presently, but…." He paused for a moment. "Not all of them. You keep something hidden from me. Hmm, how strange. Very well. It seems you are more interesting than I first thought." "What is it that you want?" she spat out. "Oh, please do not start with that nonsense," he chided. "My plans are not for you to know. However, I will assure you that now I have seen you, I plan to keep you, at least for a while.
Jettie Necole (Ruby (Tree of Blood Book 1))
He rolled his neck, as if to relieve the stress of his shoulders. "Your body is encased in a strong spell. It will not open up to me," he said in frustration. "Who guards you?
Jettie Necole (Ruby (Tree of Blood Book 1))
In the realm of Ahura, there are two lands, one of light and one of dark. The land of light is where the mountain lay, and near its top is where the Zoroastrians dwell. They are the people of the land, and the chosen Twelve are their most powerful leaders and protectors. It is a beautiful sight, not like anything in mortal existence. The peak stretches up toward a sky of amber and blue. During certain hours, a purple hue explodes along the skyline, stretching out into the distance of one side of the mountain, extending farther than the eye can grasp. This is a constant. Never without light.
Jettie Necole (Ruby (Tree of Blood Book 1))
I did not think you would be this impressed with my visit. I should come to see you more often." "Oh Fredrick," she said, not amused. "I am so glad to see a familiar face." "Is that all? A familiar face?" He let out a sigh. "For a minute I thought you'd missed me." She let go of him and stood back to swat him playfully on the arm. "Do not play with me, Fredrick. Of course I missed you. You have been away from my company for far too long.
Jettie Necole (Ruby (Tree of Blood Book 1))
His disheveled appearance could not hide his attractive qualities. And at first sight she could have sworn she'd come upon a character from one of her books—the gallant prince turned pirate. Perhaps it was his tall, strong form and unshaven face that gave him such a roguish appearance. It also wasn't hard to look into his blue eyes, which peered out from beneath his lengthy wet mop of black hair.
Jettie Necole (Ruby (Tree of Blood Book 1))
Do I get a reward?" he asked as he brought her hand to his mouth for a kiss. Ruby darted her eyes away from him as she blushed with embarrassment. "For my rescue?" she dared. His eyes twinkled. "For rescuing each other." He placed his hand along her back and pulled her against his chest.
Jettie Necole (Ruby (Tree of Blood Book 1))
The boy continued with a desperate note. "You may have saved my life, but it is not my life any longer, it is yours.
Jettie Necole (Ruby (Tree of Blood Book 1))
At first glance, the ball seemed to be an elegant success. However, re-evaluation would allow an observer to see more than a graceful party. Many well-thought plans highlighted what this really was: a marriage market.
Jettie Necole (Ruby (Tree of Blood Book 1))
The party was at its peak and everyone was taking full advantage of the moment. Each lady had her eye on a certain marked beau. Elegant women conversed with eligible men, handsome and well bred. Ruby felt sorry for the under-endowed ladies and plain girls, who stood together in a small group with their mothers. Passing by the conniving little circle, she heard too clearly the strategies they had concocted. They were like vultures hunting for rotten meat. Mothers sent out their girls to meet the wealthiest and nearly deceased men of the ton.
Jettie Necole (Ruby (Tree of Blood Book 1))
His kiss was cold, and his tongue made her sick. She felt a sharp prick as he pulled her even closer. Her conflicting thoughts dissolved from her mind, every thought except surrendering to him. The heat returned and she desired more, more of what he had to offer, more of what he was doing. She could not deny him any longer. She wrapped her arms around his shoulders pulling him closer, holding on to his solid form.
Jettie Necole (Ruby (Tree of Blood Book 1))
We are great friends, Fredrick, and I do not want to lose you. Marriage is something I am not ready for, even if it were with my best friend. Can we not continue to love each other the way we always have?" His eyes scanned her face and his hands reunited with hers. "My dear lady, I love you more than that," Fredrick said tenderly.
Jettie Necole (Ruby (Tree of Blood Book 1))
Good evening, Lady Ruby," he answered. "What are you to dream of?" he asked again with a curious expression. Ruby's cheeks turned red as she met his warm blue eyes. Her feet felt heavy as bricks, and she did not know if she could walk. She had thought she'd never see him again, but here he was now before her. She thought of a crafty remark. "Not of you," she answered. But quickly she wondered if her protest made her sound like a silly, lovesick girl. She bit her lip. "I see," he said. "Well, we will have to change that." He gave her a grin, a flash of dark sensuality that sent a bolt of excitement through her.
Jettie Necole (Ruby (Tree of Blood Book 1))
It was quite apparent that he'd been bestowed all the charms of any handsomely clad rake. A demeanor to match, Ruby thought.
Jettie Necole (Ruby (Tree of Blood Book 1))
To be your companion." "Companion?" He said the word as if he were spitting a bad taste from his mouth. "I am a killer. A monster! Can you not see that?
Jettie Necole (Ruby (Tree of Blood Book 1))
There he was, her confidant—strong, solid, and unbending.
Jettie Necole (Ruby (Tree of Blood Book 1))
... The freshly devoured peppermint she loved lofted from her breath and up to his nose with her loud bellow of Father in his ear, and Caxton was sure that he could smell that scent now out in the crisp night air. "You demon!" he screamed with all his might. ...
Jettie Necole (Ruby (Tree of Blood Book 1))
... You make me feel as if I am a bird soaring in the sky. When you are not with me, I am bound to the ground." He touched her soft cheek. "I want you to marry me, Ruby. Will you?
Jettie Necole (Ruby (Tree of Blood Book 1))
Feris was taller than the average man and his looks were sinister in the form of long dark hair and deep-set eyes. He had an untouchable, magnetic quality that consumed any beholder whose gaze fell upon him as he spoke, and when he fell silent, his penetrating stare easily defied any predators.
Jettie Necole (Ruby (Tree of Blood Book 1))
The years passed. Untouched by age, he lived and did as his creator had suggested. Victim after victim, drink after drink, he tried to stop his hunger; however, it did not last for long. The tingling ache of emptiness crawled up from his gut until he could no longer stand it, and soon he would be out on the hunt all over again. He had never felt guilt for his murders. The power inside him reassured that he was above such emotions. Besides, he was the gate that opened their soul to his creator. He fed not only himself, but it.
Jettie Necole (Ruby (Tree of Blood Book 1))
The dream came again—three times in three nights and always at the first of the year.
Jettie Necole (Ruby (Tree of Blood Book 1))
He gave a nod. "My future lies in your hands." "Not your future, Gerard, but the path leading to it," she suggested
Jettie Necole (Ruby (Tree of Blood Book 1))