Jenkins Escape Quotes

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It’s funny. At first, I think you start getting high to dull your emotions, to escape from them. But after a while you realize that the drugs are what are making your life untenable, they are actually what are heightening every emotion you have. It’s making your heartbreak harder, your good times higher. So coming down really does start to feel like rediscovering sanity. And when you rediscover your sanity, it’s only a matter of time before you start to get an inkling of why you wanted to escape it in the first place.
Taylor Jenkins Reid (Daisy Jones & The Six)
Family histories repeat, Nina thought. For a moment, she wondered if it was pointless to try to escape it. Maybe our parents’ lives are imprinted within us, maybe the only fate there is is the temptation of reliving their mistakes. Maybe, try as we might, we will never be able to outrun the blood that runs through our veins.
Taylor Jenkins Reid (Malibu Rising)
When adults can’t speak to their discontent, when they can’t quite figure out what it is they’re wanting, they will try anything. They drink or commit adultery or quit their jobs or run away or live vicariously through their kids or stonewall their husbands. They knock things off the counter just to feel some control. They burn down their own house to escape it, without really knowing where else to go. This is the tragedy of being an animal with a mind. We are punching the walls to stop the ache in our chest.
Jedidiah Jenkins (Like Streams to the Ocean: Notes on Ego, Love, and the Things That Make Us Who We Are)
And when you rediscover your sanity, it’s only a matter of time before you start to get an inkling of why you wanted to escape it in the first place.
Taylor Jenkins Reid (Daisy Jones & The Six)
Some objects seem to disappear immediately while others never want to leave. Here is a small black plastic gizmo with a serious demeanor that turns up regularly, like a politician at public functions. It seems to be an "integral part," a kind of switch with screw holes so that it can be attached to something larger. Nobody knows what. This thing's use has been forgotten but it looks so important that no one is willing to throw it in the trash. It survives by bluff, like certain insects that escape being eaten because of their formidable appearance.
Louis Jenkins
The ME’s investigator and the crime-scene people began consulting about the removal of Peck’s body. The investigator told Virgil, “She didn’t eat him much, but she did crush his head like an English walnut.” Jenkins
John Sandford (Escape Clause (Virgil Flowers, #9))
She cried until the sun started to set, until the birds settled into their trees. She’d have to tell her siblings he was gone. She felt embarrassed, thinking of how excited she’d been to take them to Bora-Bora. She grew cold, sitting outside in Brandon’s underwear. And then she stood up and dried her eyes. And she thought of June. She’d lived this all before, of course. Watching her mother go through it. Family histories repeat, Nina thought. For a moment, she wondered if it was pointless to try to escape it. Maybe our parents’ lives are imprinted within us, maybe the only fate there is is the temptation of reliving their mistakes. Maybe, try as we might, we will never be able to outrun the blood that runs through our veins. Or. Or maybe we are free the moment we’re born. Maybe everything we’ve ever done is by our own hands.
Taylor Jenkins Reid (Malibu Rising)
It’s funny. At first, I think you start getting high to dull your emotions, to escape from them. But after a while you realize that the drugs are what are making your life untenable, they are actually what are heightening every emotion you have. It’s making your heartbreak harder, your good times higher. So coming down really does start to feel like rediscovering sanity.
Taylor Jenkins Reid (Daisy Jones & The Six)
If you’re not going to be the kind of wife who is going to make me breakfast, you can at least know how I like it.” He escaped to the bathroom. I was bothered but not entirely surprised. I had quickly learned that Don was only kind when he was happy, and he was only happy when he was winning. I had met him on a winning streak, married him as he was ascending. I was quickly learning that sweet Don was not the only Don.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Family histories repeat, Nina thought. For a moment, she wondered if it was pointless to try to escape it. Maybe our parents’ lives are imprinted within us, maybe the only fate there is is the temptation of reliving their mistakes. Maybe, try as we might, we will never be able to outrun the blood that runs through our veins. Or. Or maybe we are free the moment we’re born. Maybe everything we’ve ever done is by our own hands.
Taylor Jenkins Reid (Malibu Rising)
Family histories repeat, Nina thought. For a moment, she wondered if it was pointless to try to escape it. Maybe our parents' lives are imprinted within us, maybe the only fate there is is the temptation of reliving their mistakes. Maybe, try as we might, we will never be able to outrun the blood that runs through our veins. Or. Or maybe we are free the moment we're born. Maybe everything we've ever done is by our own hands.
Taylor Jenkins Reid (Malibu Rising)
It's funny. At first, I think you start getting high to dull your emotions, to escape from them. But after a while you realize that the drugs are what are making your life untenable, they are actually what are heightening every emotion you have. It's making your heartbreak harder, your good times harder. So coming down really does start to feel like rediscovering sanity. And when you rediscover your sanity, its only a matter of time before you start to get an inkling of why you wanted to escape it in the first place.
Taylor Jenkins Reid (Daisy Jones & The Six)
Family histories repeat, Nina thought. For a moment, she wondered if it was pointless to try to escape it. Maybe our parents’ lives are imprinted within us, maybe the only fate there is is the temptation of reliving their mistakes. Maybe, try as we might, we will never be able to outrun the blood that runs through our veins. Or. Or maybe we are free the moment we’re born. Maybe everything we’ve ever done is by our own hands. Nina wasn’t sure. She just knew that, somehow, after everything that had happened in her life, she had ended up all alone on the front stoop, left behind by a man she had dared to trust.
Taylor Jenkins Reid (Malibu Rising)
You aren’t worried about tomorrow, are you?” “What do you think?” He propped himself up on his elbows and studied my face. “You told me last spring it was the easiest thing in the whole wide world. You could hardly wait to jump. Why, even when you got sick you worried you’d die without having a chance to do it.” “I must have been a raving lunatic,” I muttered. Theo scowled, but the sound of a Model T chugging up the driveway stopped him from saying more. Its headlamps lit the trees and washed across the house. “It’s John again,” Theo said. “Papa will start charging him room and board soon.” Hidden in the shadows, we watched John jump out of the car and run up the porch steps. Hannah met him at the door. From inside the house, their laughter floated toward us as silvery as moonlight, cutting into my heart like a knife. “Hannah has a beau.” Theo sounded as if he were trying out a new word, testing it for rightness. He giggled. “Do you think she lets him kiss her?” I spat in the grass, a trick I’d learned from Edward. “Don’t be silly.” “What’s silly about smooching? When I’m old enough, I plan to kiss Marie Jenkins till our lips melt.” Making loud smacking sounds with his mouth, Theo demonstrated. Pushing him away, I wrestled him to the ground and started tickling him. As he pleaded for mercy, we heard the screen door open. Thinking Mama was about to call us inside, we broke apart and lay still. It was Hannah and John. “They’re sitting in the swing,” Theo whispered. “Come on, let’s spy on them. I bet a million zillion dollars they start spooning.” Stuffing his jar of fireflies into his shirt, Theo dropped to his knees and crawled across the lawn toward the house. I followed him, sure he was wrong. Hannah wasn’t old enough for kissing. Or silly enough. We reached the bushes beside the porch without being seen. Crouched in the dirt, we were so close I could have reached up and grabbed Hannah’s ankle. To keep from giggling, Theo pressed his hands over his mouth. Sick with jealousy, I watched John put his arm around Hannah and draw her close. As his lips met hers, I felt Theo jab my side. I teetered and lost my balance. The bushes swayed, the leaves rustled, a twig snapped under my feet. “Be quiet,” Theo hissed in my ear. “Do you want to get us killed?” We backed out of the bushes, hoping to escape, but it was too late. Leaving John in the swing, Hannah strode down the porch steps, grabbed us each by an ear, and shook us like rats. “Can’t a body have a second of privacy?
Mary Downing Hahn (Time for Andrew: A Ghost Story)
Wow, you're quite a handful. You sure your parents didn't deliberately ship you off on that escape pod?' Much to his surprise, rather than a sarcastic retort his little charge locked huge, brown eyes on his like a frightened doe in the sights of his 30.06 and bit her lip as her eyes filled with tears. And at that very moment the term 'disarming' took on a whole new meaning and Jenkins knew he was toast.
Marcha A. Fox (A Dark of Endless Days (Star Trails Tetralogy, #2))
Dannon was there, thirty feet away, pinned by the dazzling light like a frog on a tenth-grader’s dissection tray. Unlike those frogs . . . Jenkins shouted, “Freeze, freeze or we’ll shoot.” . . . Unlike those frogs, Dannon leaped sideways back into the swamp reeds and then, scrambling on his hands and knees, still clinging to his pistol, began running mindlessly through the brush. The cops all turned on their lights and played them through the brush, and caught flashes of Dannon, the movement of the swamp weeds and brush as he tore through them, and Lucas shouted, “Jenkins, Shrake, Del, go after him, take care, take care . . .” Lucas turned and in the light of his own flash, ran back up the dirt track toward the gravel road, pulled his handset and said, “Sarah, Jane, he’s coming right at you. Watch out, watch out, he’s on foot, I think he’s coming for the road. . . .” •   •   • NOTHING AT ALL WENT through Dannon’s head. He’d had some escape and evasion classes, and one of the basics was simply to put distance between yourself and your pursuer. Distance was always good; distance gave you options. He didn’t think about it, though, he just ran, fast and as hard as he could, and he was in good shape. Good shape or not, he fell three or four times—he wasn’t counting—and the small shrub and grasses tore at him and tried to catch his feet; he went knee-deep into a watery hole, pulled free, and ran on, looking back once. He was out of the light, now, he was gaining on them, he was almost there . . . And he broke free into the road. He couldn’t see it, except as a kind of dark channel in front of him. The lights were now a hundred yards back, but still coming, and he ran down the dark channel. When he got far enough out front, he’d cut across country again, and then maybe turn down toward the river. . . . He ran a hundred yards down the channel, heedless of the sounds of his footfalls, breathing hard. . . . •   •   • LUCAS WAS ON THE ROAD, moving faster than Dannon, but at the wrong angle—Dannon, though in the swamp, was cutting diagonally across the right angle of the gravel road and the dirt track. Lucas could tell more or less where he was because of the brilliant lights of the cops behind him, and the sound of Dannon’s thrashing in the brush. Then the thrashing stopped, and Lucas stopped, trying to figure out where he’d gone.
John Sandford (Silken Prey (Lucas Davenport #23))
Baybars hated Christians generally, but his loathing knew no bounds where Latin Europeans were concerned. When he captured Antioch in 1268, he wrote to the city’s crusader ruler that, had he not escaped, [y]ou would have seen the crosses in your churches smashed, the pages of false Testaments scattered, the patriarchs’ tombs overturned. You would have seen your Muslim enemy trampling over the place where you celebrate Mass, cutting the throats of monks, priests and deacons upon the altars, bringing sudden death to the patriarchs and slavery to the royal princes.
Philip Jenkins (The Lost History of Christianity: The Thousand-Year Golden Age of the Church in the Middle East, Africa, and Asia—and How It Died)
The fresher the corpse, the better the pay. This led to burking—the murderous practice of clapping a pitch plaster over a victim’s nose and mouth, ensuring a speedy death that left few or no signs of the violence responsible. It also produced the freshest corpse possible. Burking was named for William Burke, an Irish ne’er-do-well who, between 1827 and 1828, with his accomplice William Hare, murdered 16 people in Scotland and sold their bodies to an esteemed Edinburgh anatomist, Dr. Robert Knox. The doctor escaped prosecution, Hare turned King’s evidence, and Burke was hanged for the crimes in 1829. In a pitiless twist of lex talionis, Burke’s body was then dissected at the University of Edinburgh, and his skin was made into pocket-books and other macabre trophies. His skeleton still hangs in the college’s medical school today. Horrors
Mark Collins Jenkins (Vampire Forensics: Uncovering the Origins of an Enduring Legend)
I thank Robert Smalls’ family, including Dr. Helen Boulware Moore, Robert Smalls’ great-granddaughter; and her children, Michael Boulware Moore, the president and CEO of Charleston’s International African American Museum and Robin Moore Jenkins, for sharing their family stories and supporting this project.
Cate Lineberry (Be Free or Die: The Amazing Story of Robert Smalls' Escape from Slavery to Union Hero)
The fugitives would either move on into Canada or integrate themselves in the Beacon Hill community.” “Something else I never knew.” “It was a maritime escape route. Many fugitives found freedom that way.
Beverly Jenkins (To Catch a Raven (Women Who Dare, #3))
He's a frightened animal, trapped in a cycle of domesticity, enslaved by a series of circumstances and wrong choices. This isn't the life he'd wanted, and he has no idea how he's going to escape
Victoria Jenkins (Happily Married)