Jelly Belly Quotes

We've searched our database for all the quotes and captions related to Jelly Belly. Here they are! All 35 of them:

Love can change us beyond recognition, we become love-sick, soft-eyed jelly-bellied fools.
Cecelia Ahern (One Hundred Names)
He stopped to rest at a cart selling nuts and candy, bought himself some Jelly Belly's, flirted just enought with the Mexican cutie working there to convince her pull out the banana-flavored one. Although he liked his Jelly Belly's mixed up, he didn't like banana, but, since it took too much effort to pull them out himself, he generally tried to talk someone else into doing it. If that didn't work, he just ate 'em. - Kenny Traveler
Susan Elizabeth Phillips (Lady Be Good (Wynette, Texas, #2))
I am a great soft jelly thing. Smoothly rounded, with no mouth, with pulsing white holes filled by fog where my eyes used to be. Rubbery appendages that were once my arms; bulks rounding down into legless humps of soft slippery matter. I leave a moist trail when I move. Blotches of diseased, evil gray come and go on my surface, as though light is being beamed from within. Outwardly: dumbly, I shamble about, a thing that could never have been known as human, a thing whose shape is so alien a travesty that humanity becomes more obscene for the vague resemblance. Inwardly: alone. Here. Living under the land, under the sea, in the belly of AM, whom we created because our time was badly spent and we must have known unconsciously that he could do it better. At least the four of them are safe at last. AM will be all the madder for that. It makes me a little happier. And yet ... AM has won, simply ... he has taken his revenge ... I have no mouth. And I must scream.
Harlan Ellison (I Have No Mouth & I Must Scream)
I scoop a clattering cascade of green apple Jelly Bellys into the white paper bag and remember when we were seven. I got stung by a jellyfish. Tim cried because his mother, and mine, wouldn’t let him pee on my leg, which he’d heard was an antidote to the sting.
Huntley Fitzpatrick (My Life Next Door)
Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!
Clement Clarke Moore (The Night Before Christmas)
She's an old, close-to-the-ground, jelly-belly woman with bald patches showing through her wispy grey hair. It doesn't seem like she's got a lot going for her, but she's still smiling. Been around the sunflowers too long, I'd say.
Bill Condon (A Straight Line to My Heart)
Catching him off guard felt like a good sign. He had a million walls. Maybe if I just started talking, he wouldn't have time to build up a new one.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Poems are bullshit unless they are teeth or trees or lemons piled on a step. Or black ladies dying of men leaving nickel hearts beating them down. Fuck poems and they are useful, wd they shoot come at you, love what you are, breathe like wrestlers, or shudder strangely after pissing. We want live words of the hip world live flesh & coursing blood. Hearts Brains Souls splintering fire. We want poems like fists beating niggers out of Jocks or dagger poems in the slimy bellies of the owner-jews. Black poems to smear on girdlemamma mulatto bitches whose brains are red jelly stuck between ‘lizabeth taylor’s toes. Stinking Whores! we want “poems that kill.
Amiri Baraka
It was a total catch-22, like a contradiction in terms.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Curse the blasted, jelly-boned swines, the slimy, the belly-wriggling invertebrates, the miserable soddingrotters, the flaming sods, the sniveling, dribbling, dithering, palsied, pulse-less lot that make up England today. They've got white of egg in their veins, and their spunk is that watery it's a marvel they can breed.
D.H. Lawrence
Why did it have to be Sir McHotpants? Why couldn’t they have sent Colonel Mustard le Mustache or Lady Jelly O’Belly?
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Daddy’s earlobes are funny. Don’t you think?” Crunch, crunch, crunch. “Funny like how?” Luna asked. “I don’t know.” Hallie stuck something in her mouth and spoke around it. “They’re just so big and lobey.” Luna giggled. “Yeah.” More crackling of the bag. More crunching. And if I wasn’t mistaken, I felt some crumbs drop onto my chest. “Hallie, look what you did. You got Cheetos in Daddy’s chest hair.” I felt someone blowing on me. “Now they’re gone.” “No. You missed some. Right there, it’s orange. See?” “Be careful, Luna. You’re gonna drip.” That’s when I felt a cold splat on my belly. I opened my eyes and saw a purple blob at the top of my abs. “What the hell is that?” “It’s jelly from my toast.” Luna leaned over and slurped it up like an anteater. “Sorry.
Melanie Harlow (Ignite (Cloverleigh Farms, #6))
Taking the ring from her, Sebastian slid it onto his own hand. His hands were so much larger that the circlet would only fit the tip of his smallest finger. Grasping her chin in an intractable hold, he glared into her eyes. “I’ll take your bet,” he said grimly. “I’m going to win it. And in three months, I’m going to put this back on your finger, and take you to bed, and do things to you that are outlawed in the civilized world.” Evie’s resolve did not shield her from the heart-thumping alarm that any rational woman would feel upon hearing such an ominous statement. Nor did it prevent her knees from turning to jelly as he jerked her against his body and fitted his mouth to hers. Her hands, suspended in mid-air, went to his head in a trembling butterfly descent. The texture of his hair, the locks so cool and thick on the surface, so warm and damp at the roots, was too alluring to resist. She slid her fingers into the gleaming golden layers and pulled him even closer, helplessly reveling in the urgent pressure of his mouth. Their tongues mated, slid, stroked, and with each slippery-sweet caress inside the joined cavern of their mouths, she felt a hot coiling deep in her belly… no, deeper than that… in the tightening, liquefying core where she had once taken his invading flesh. It shocked her to realize how much she wanted him there again. She whimpered as he pulled away from her, while frustration washed over them both. “You didn’t say that I couldn’t kiss you,” Sebastian said, his eyes bright with devil-fire. “I’m going to kiss you as long and as often as I like, and you’re not to utter a word of protest. That’s the concession you’ll give in return for my celibacy. Damn you.” Giving her no time either to agree or to object, he released her and strode to the door. “And now, if you’ll excuse me… I’m going to go kill Joss Bullard.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
You’re fast. Like, inhumanly fast,” I hissed at him, ripping open a box of Jelly Belly’s. “Keep your voice down,” he admonished me, scooping up bags of gummies to slide onto pegs. “My voice is down,” I shot back in a harsh whisper. “And you’re avoiding.” “I just wanted to make sure you were all right. I shouldn’t have left you alone like that when you could have been in shock.” “I’m fine,” I told him quietly, the rage slowly escaping. “But, I want answers.” He sighed, leaning his head briefly against the metal shelf. “This is not the place.” Pausing for a moment to take in my surroundings, a laugh bubbled up, catching us both by surprise. Sobering immediately, I shot him a sharp look. “Name the right place, then. We’re going to have a real talk.” Closing his eyes, he took a deep breath and I realized he was as riled up as I was. “After work,” he finally responded, spinning on a heal to exit the aisle, leaving a half empty box of skittles in his wake.
Ana Ban (Night Shift (The Gifted, #3))
A – Appy Chappy Noodle B – Booboo Belly Bubbles C – Captain Cheeky Chips D – Dizzy Doopsy Doodle E – Etsy Petsy Tootsie F – Furry Tickle Tilly G – Gummy Bunny Buttercup H – Hippy Wibbly Wobbly I – Iggy Biggy Baloo J – Jelly Jolly Jumbo K – Kissy Missy Munchkin L – Lazy Pippin Pupcake M – Moody Minty Monster N – Nutty Noodle Ninja O – Otty Chotty Chip P – Pickled Pepper Pin Q – Quinkle Choco Chap R – Rosy Nosy Muffin S – Silly Sugar Snaps T – Twinkle Tummy Tickle U – Upsy Nupsy Pumpkin V – Vanilla Clumsy Cookie W – Wiggly Wobbly Jelly X – Xippy Chip Cherry Y – Yummy Pummy Peach Z – Zinky Pinky Plum
Angela Sweet (Cute Funny Jokes - PUPPY JOKES RIDDLES for Kids)
My mind is curiously alert; it's as though my skull had a thousand mirrors inside it. My nerves are taut, vibrant! the notes are like glass balls dancing on a million jets of water. I've never been to a concert before on such an empty belly. Nothing escapes me, not even the tiniest pin falling. It's as though I had no clothes on and every pore of my body was a window and all the windows open and the light flooding my gizzards. I can feel the light curving under the vault of my ribs and my ribs hang there over a hollow nave trembling with reverberations. How long this lasts I have no idea; I have lost all sense of time and place. After what seems like an eternity there follows an interval of semiconsciousness balanced by such a calm that I feel a great lake inside me, a lake of iridescent sheen, cool as jelly; and over this lake, rising in great swooping spirals, there emerge flocks of birds of passage with long slim legs and brilliant plumage. Flock after flock surge up from the cool, still surface of the lake and, passing under my clavicles, lose themselves in the white sea of space. And then slowly, very slowly, as if an old woman in a white cap were going the rounds of my body, slowly the windows are closed and my organs drop back into place.
Henry Miller (Tropic of Cancer (Tropic, #1))
But here through the dusk comes one who is not glad to be at rest. He is a workman on the ranch, an old man, an immigrant Italian. He takes his hat off to me in all servility, because, forsooth, I am to him a lord of life. I am food to him, and shelter, and existence. He has toiled like a beast all his days, and lived less comfortably than my horses in their deep-strawed stalls. He is labour-crippled. He shambles as he walks. One shoulder is twisted higher than the other. His hands are gnarled claws, repulsive, horrible. As an apparition he is a pretty miserable specimen. His brain is as stupid as his body is ugly. "His brain is so stupid that he does not know he is an apparition," the White Logic chuckles to me. "He is sense-drunk. He is the slave of the dream of life. His brain is filled with superrational sanctions and obsessions. He believes in a transcendent over-world. He has listened to the vagaries of the prophets, who have given to him the sumptuous bubble of Paradise. He feels inarticulate self-affinities, with self-conjured non-realities. He sees penumbral visions of himself titubating fantastically through days and nights of space and stars. Beyond the shadow of any doubt he is convinced that the universe was made for him, and that it is his destiny to live for ever in the immaterial and supersensuous realms he and his kind have builded of the stuff of semblance and deception. "But you, who have opened the books and who share my awful confidence—you know him for what he is, brother to you and the dust, a cosmic joke, a sport of chemistry, a garmented beast that arose out of the ruck of screaming beastliness by virtue and accident of two opposable great toes. He is brother as well to the gorilla and the chimpanzee. He thumps his chest in anger, and roars and quivers with cataleptic ferocity. He knows monstrous, atavistic promptings, and he is composed of all manner of shreds of abysmal and forgotten instincts." "Yet he dreams he is immortal," I argue feebly. "It is vastly wonderful for so stupid a clod to bestride the shoulders of time and ride the eternities." "Pah!" is the retort. "Would you then shut the books and exchange places with this thing that is only an appetite and a desire, a marionette of the belly and the loins?" "To be stupid is to be happy," I contend. "Then your ideal of happiness is a jelly-like organism floating in a tideless, tepid twilight sea, eh?
Jack London (John Barleycorn)
O my body! I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, (and that they are the soul,) I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man’s, woman’s, child’s, youth’s, wife’s, husband’s, mother’s, father’s, young man’s, young woman’s poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one’s body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul!
Walt Whitman (I Sing the Body Electric)
the rhythm which was barely intricate to most ears in the commons was to him painful because it was timed to the processes of his body, to jar and strike against them…and she was surprised he had held up this long. “All right, Cord, to be lord of this black barrack, Tarik’s, you need more than jackal lore, or a belly full of murder and jelly knees. Open your mouth and your hands. To understand power, use your wit, please. Ambition like a liquid ruby stains your brain, birthed in the cervixed will to kill, swung in the arc of death’s again, you name yourself victim each time you fill with swill the skull’s cup lipping murder. It predicts your fingers’ movement toward the blade long laid against the leather sheath cord-fixed to pick the plan your paling fingers made; you stayed in safety, missing worlds of wonder, under the lithe hiss of the personafix inflicting false memories to make them blunder while thunder cracks the change of Tarik. You stick pins in peaches, place your strange blade, ranged with a grooved tooth, while the long and strong lines of my meaning make your mind change from fulgent to frangent. Now you hear the wrong cord-song, to instruct you. Assassin, pass in…
Samuel R. Delany (Babel-17)
Chris accompanied me to most of the exams as we got ready to have the baby. At one critical point, the doctor offered to do a test that would screen for developmental problems. People sometimes use the result of that test to decide whether to go ahead with the birth. We looked at each other as she said that. “Do you want to know?” I asked Chris. “I mean, what difference would it make if something was wrong with the baby?” “It won’t change anything. I’m going to love the baby, one way or another.” “Me, too. That’s our baby, no matter how it comes out.” We decided not to do the test, leaving the outcome to God. But we weren’t willing to leave everything unknown, or at least Chris didn’t: he wanted to know whether it was a boy or girl. A few checkups later, the sonogram proclaimed loudly, “It’s a boy!” I can still see myself lying on my back, belly covered with jelly, and Chris beaming next to me. He’d been sure the baby would be a girl-so many other Team guys were having girls that it seemed to be some sort of military requirement. I was very excited-and a little nervous. I hadn’t had a brother growing up. (Ten male cousins don’t count in this equation. Even if I love them all.” Talking to his mother, I mentioned that I had no idea what to expect with a boy. She, after all, was an expert-she’d had two, both of whom turned into fine young men. “I don’t know what to do with a boy,” I confessed. “You just chase them,” she replied. Boy, is that true.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Try Evan,” he suggests. “Apart from numbers and heaven, which gets old very quickly, there’s practically nothing.” “Numbers? Oh! Eleven…seven…” I furrow my brow. “Devon,” Kelly calls over. “That’s a county in England.” “Leaven,” I add. “You do it to bread.” Evan’s expression is comical, his blue eyes stretched as wide as they’ll go as he plucks a string and, in a singsong nursery-rhyme voice, intones: “From the age of seven to eleven Before he tragically went to heaven Evan leavened bread in Devon.” He throws his hands wide. “See? Not much to work with.” “At least you don’t have rude stuff that rhymes with you,” Kelly says gloomily. “They called me Smelly Jelly Belly at school for years.” “And Kendra isn’t that great either. It sort of sounds like bend-ya,” Kendra adds. I can’t help smiling that Kendra and Kelly are competitive in everything, even down to whose name rhymes with worse stuff. “Kendra,” Evan sings, playing a chord, “I would never bend ya, or lend ya or send ya… Oh, the words I can engender thinking about Kendra…” “‘Engender’!” Kelly exclaims. “That’s really good!” I pull myself out of the pool and walk over to a lounger, picking up a towel and wrapping it around myself; I sit on one side of Evan, Kelly on the other. Even cool-as-a-cucumber Kendra has sat up to watch Evan playing his guitar. “What about Paige?” I ask, looking over at his sister, the only one uninterested in her brother’s talent. She’s got a moisturizing pack on her hair--her head is wrapped in the special leopard-skin towel she uses when she’s doing a hair treatment--pink headphones on her ears, and a magazine in her hands as she reclines on her lounger. “Paige goes into a rage when you tell her she’s not yet legal drinking age--” Evan sings immediately, and Paige, who must have been listening after all, promptly throws her magazine at his head. He ducks easily, and it flies past and lands on the tiles.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
“Oh, Kelly, you make my legs weak like jelly. Oh, Kelly… I get butterflies in my belly. Oh, Kelly, uh, your perfume is so sweet and smelly, Kelly…” She’s giggling now. “Sorry,” Evan says, plucking a final chord. “Turns out even I can’t make smelly into a compliment.” “Two out of three isn’t bad,” I point out, very impressed with Evan’s skills. He can sketch out a tune really fast, and switch between styles; one moment he’s doing a blues song, then pop, and the one he made up for me was like something from a musical. As if he’s reading my mind, he echoes, turning to look at me, drawing out the syllables: “Don’t forget, Vio-let--Dive in!” This time he ends the line low and gentle, and it isn’t a musical number anymore. It’s almost a love song. “You mind if I work on that?” he asks, leaning on the guitar, looking at me. “That’s kinda nice. I could do something with that.” “Oh!” I don’t quite know what to say. “Sure,” I add. “Ooh! Evan’s writing Violet a love song!” Paige whoops, coming over and retrieving her magazine. “Evan and Violet sitting in a tree, K-I-S-S-I-N-G!” I expect Evan to look embarrassed, or to tell Paige to shut up, but he just grins again, bending over his guitar, starting to strum it again, quite unaffected by his sister. “Paige,” he sings to me, “needs to act her age… Such a shame She’s such a pain It’s a terrible strain…” I laugh and settle back on the lounger, watching him play, his hands moving with surprising lightness and dexterity on the strings.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
This book is dedicated to Prozac and Jelly Bellies. I couldn’t have done it without you.
Elissa Sussman (Once More with Feeling)
Pregnant: 5th Month Fishtail flutters stir the jelly Quickening the borders of her belly To realm of possibilities yet unseen Between her cervix and her spleen. Five months from conception’s roar A child’s been nurturing at her door From cells united in love’s passion Come hands, feet, and soon compassion. Vigilant is her husband’s wait Zipping coats, massaging fate Wondrous of her threefold girth, A kingly fortress that will yield to birth.
Beryl Dov
Deep Breathing First show children how to produce anxiety in themselves. Ask them to take many shallow breaths so that they are panting. They will have some of the same feeling that they have with anxiety. Then, show them how to fill up their bellies (diaphragms) with air. Have them blow out the scared feeling first, being careful to blow all of the air out. Next have them breathe in and hold the air. Then blow all of the way out again, and breathe in again. It is important that they are really filling their lungs, and slowing down their breathing. Children like being capable of stopping an anxious response. They also begin to recognize when their shoulders are up, and they are taking shallow little breaths. With non-verbal cues from parents, who gently push shoulders down, rub their backs, and take deep breaths with them, children can correct their breathing and take control of their anxiety. In time, they can do this for themselves. Many children are so anxious, that when asked to take a deep breath, they cannot get a deep breath in unless they blow out first. I work with children until they can get a “jelly belly” (a soft, relaxed tummy). It works well for some older children to have a timer on their watches which is set to go off on the hour. The timer reminds them to do diaphragmatic breathing throughout the day. This helps anxious children feel much better. With hyper-arousal reduced, they melt down less frequently.
Deborah D. Gray (Attaching in Adoption: Practical Tools for Today's Parents)
Her eyes grew wide, and she fanned her face. “Lots of lickable men, and I feel like a kid trapped in a candy store with entirely too many flavors of jelly bellies to choose from, my head is spinning. I don’t know where I should start, because damn it, I want to taste-test them all.” She sagged back against the door with a dramatic sigh.
C.A. Harms (Ryan's Love (Sawyer Brothers, #1))
She pushes up off her propped arm and lays that hand on my chest, her elbow digging into my belly as she looks at me. “Stop trying to impale me.” I grunt and adjust her elbow. But I don’t want her to move. I like having her this close. If this is all I can get, I’ll take it. I set my hand on her naked knee and draw swirls on it with my thumb. She
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
I thought this kissing thing would make him step up. But I guess he just doesn’t care as much as I thought he did.” “He cares,” Emily says. I shake my head. “He doesn’t.” “He does. He told Logan. Logan told me.” My belly flutters. “Logan must be hearing things.” Emily snorts again. “I mean…” “I know what you meant,” Emily says, smiling. “Logan can be pretty intuitive about some things. And he feels certain that Sean wants you. Bad. And Sean said as much.” Friday bites her lip, then adds, “I probably shouldn’t tell you this, but…” “What?” I ask. “You know how he got a new tattoo last week?” she asks. I didn’t know so I don’t answer. “What did he get?” I ask instead. She inhales, weighing her decision to tell me. Then she blurts out, “It’s a honeybee.” “Oh shit,” I say. “What?” Emily asks. “What did I miss?” “He calls me honey when he’s being all sweet.” Friday nods. “I blew it when I told him I just want to be friends.” “Logan
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
He reaches into his pocket and pops a handful of jelly beans into his mouth. Logan does the same. Logan points to Sean’s mouth. “Dude,” he says. “That color’s not great on you.” I look at Sean again, and my lipstick is smudged all over his lips. I laugh. I must look a sight if he looks like that. He wipes at the corners of my lips with his thumbs. “Next time, I’ll wear pink,” I whisper. “I don’t care what you wear,” he says. His gaze is hot, and my belly flips. “I’d like to see you wearing nothing.” He looks into my eyes, his expression full of longing. He presses his lips to mine briefly. “I can’t get used to the fact that I can kiss you whenever I want.” “Says who?” I taunt. “That’s what boyfriends do, Lacey,” he says, as if he needs to remind me. My stomach flutters again. I step onto my tiptoes and pull his head down to mine. I kiss him, holding onto the back of his neck, until we’re both breathless, and I’m whimpering. “Yea,” I agree. “That’s what boyfriends do.
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
I missed the rest of the conversation because, while the good actor was carefully cooking his sentences with criticisms spiced with kindness, another member of the group, a young man who looked Chinese, with a face like raspberry jelly, stumbled up to me. His naturally yellow complexion was complemented by bright threads of broken veins, more purple than red. He had thick hair, a receding brow, jutting cheekbones, narrow eyes whose dark pupils seemed more polished than alive, a barely visible moustache the color of dead leaves, a little salt and pepper beard that was worn out like an old carpet, a long neck with an Adam’s apple stuck in it like a huge walnut, and shoulders like a scrawny old horse which did not fit with his thick, short chest and his pot belly. He was knock-kneed and bowed legged, with kneecaps shaped like coconuts. He also borrowed Doctor Magne’s chair, blew cigarette smoke out his nose, and took his turn to tackle me. His language was less elegant than the other two; it was hard for him to speak, which you could put down to shyness. He was dull and awkward. He seemed horribly unhappy and sorry to have come over, but there he was. He had to march on—and he did so heroically!—death in his soul. “Monsieur—finally yes!... Monsieur… I don’t like to jaw about brothers… absolutely not! But I have to tell you that Desbosquets is a lot more… absolutely… oh, I’ll blurt it out… a lot more… absolutely cracked than our friend Magne. Absolutely yes!” He wanted to be frank, to open up, which he constantly regretted, because he knew that he would be clumsy and mocked; he felt ridiculous and it was killing him. But his need for some honest self-indulgence gnawed at him, and he spit out his slang and his absolutelys—‘absolutely yes!’ and ‘absolutely no!’— which made him think he was revealing the deepest depths of his soul. He continued. “Maybe they told you about me—yes! I know: bing, bang —mechanics! Absolutely yes! A hack, they must have told you…” (Aha! I thought. So it’s my colleague the poet!) “…and the worst trouble, right? That’s Leonard—yes! Ah! When I’m a little…bing, bang…mechanics! I guess—grumpy—I don’t say… but there’s not an ounce of meanness in me! Disgusting, this awful problem with talking, but the mechanics, you know—because it’s the mechanics—no way! Do you want me to tell you my name? Ah! Totally unknown, my name, but don’t want them to mangle it mechanically when quoting it to you: Oswald Norbert Nigeot. Don’t say Numskull—no!—Although my verses!... Ah! Damned mechanics!... A bonehead, a stupid bonehead, bitten by the morbid mania to write—and the slander of the old students of the Polytechnic! Oh! To write! Terrible trade for the poorly gifted like me who are… bing, bang, not mechanics! And angry at the mechanics of words. Polytechnic pigs manufacture words; so, poor hacks can’t use them. Ah! Even this is mechanics!... And drunk on it, Desbosquets too, very drunk! Obviously you see it: Cusenier, Noilly-Prat, why not Pernod? It’s awful for people like him and me! See, you know— liquids are scarce—but thanks to the guards’ hatred of Bid’homme… and thanks to old Froin, too good, don’t believe in any bad—but can you call that bad? He lives with the Heaven of…mechanics…of…bang…of derangements, no! I want arrangements, not derangements!” Mr. Nigeot seemed very proud of having successfully (?) completed such a long sentence propped up by only one “bang” and one “mechanics,” but in spite of his satisfaction, he was scared of continuing less elegantly and he got all tangled up in a run of bizarre expressions in which the hated Polytechnicians and the bings and bangs (not to mention the absolutelys) got so out of hand that I could not understand a word of what he said.
John-Antoine Nau (Enemy Force)
Attempting to condense the effect of serial offence is immense nonsense; the culprit cannot silence the law. He will face the consequence when sentence is passed. Residence in jail will be his lot where other convicts will burst his smelly jelly belly.
Vincent Okay Nwachukwu (Weighty 'n' Worthy African Proverbs - Volume 1)
Christmas banquet, served over two courses. The first course included: Oysters, brawn, mutton stew with marrow bone, a grand salad, capon pottage, breast of veal, boiled partridges, roast beef, mince pies, mutton in anchovy sauce, sweetbreads, roasted swan, venison pasties, a kid with a pudding in his belly, a steak pie, chickens in puff pastry, two geese (one roast, one larded) [covered with bacon or fat while cooking], roast venison, roast turkey stuck with cloves, two capons, and a custard. If guests had any room left after all that, the second course comprised: Oranges and lemons, a young Lamb or Kid, Rabbits, two larded, a pig sauced with tongues, ducks, some larded, two pheasants, one larded, a Swan or goose pie cold, partridges, some larded, Bologna sausages, anchovies, mushrooms, caviar, pickled oysters, teales, some larded, a gammon of Westphalia [smoked] bacon, plovers, some larded, a quince or warden pie, woodcocks, some larded, a tart in puff pastry, preserved fruit and pippins, a dish of larks, neats’ [ox] tongues, sturgeon and anchovies, and jellies.
Sara Read (Maids, Wives, Widows: Exploring Early Modern Women's Lives, 1540–1740)
Consume rarely or never Wheat products—wheat-based breads, pasta, noodles, cookies, cakes, pies, cupcakes, breakfast cereals, pancakes, waffles, pita, couscous; rye, bulgur, triticale, kamut, barley Unhealthy oils—fried, hydrogenated, polyunsaturated (especially corn, sunflower, safflower, grapeseed, cottonseed, soybean) Gluten-free foods—specifically those made with cornstarch, rice starch, potato starch, or tapioca starch Dried fruit—figs, dates, prunes, raisins, cranberries Fried foods Sugary snacks—candies, ice cream, sherbet, fruit roll-ups, craisins, energy bars Sugary fructose-rich sweeteners—agave syrup or nectar, honey, maple syrup, high-fructose corn syrup, sucrose Sugary condiments—jellies, jams, preserves, ketchup (if contains sucrose or high-fructose corn syrup), chutney
William Davis (Wheat Belly: Lose the Wheat, Lose the Weight, and Find Your Path Back to Health)
Ho, ho, ho! Merry Christmas!” Santa chuckled as his belly bounced up and down like a bowl full of jelly.
Herobrine Books (Herobrine Saves Christmas: Herobrine's Wacky Adventures Book 3 (An Unofficial Minecraft Book))
(Verse 1) Well, I woke up late on Christmas Eve, Heard a ruckus, couldn't believe. Tiptoed down, what did I see? Santa Claus dancin' 'round my Christmas tree. (Chorus) Oh, Santa's got the moves, he's got the groove, Shakin' his belly like a bowl full of jelly. Boots a-tappin', reindeer nappin', Santa Claus dancin' 'round my Christmas tree. (Verse 2) He had his hat tilted, boots all shined, Twistin' and turnin', havin' a good time. Rudolph's nose was blinkin' in sync, While Santa did the two-step, I couldn't even blink. (Chorus) Oh, Santa's got the moves, he's got the groove, Shakin' his belly like a bowl full of jelly. Boots a-tappin', reindeer nappin', Santa Claus dancin' 'round my Christmas tree. (Bridge) He did the ho-ho-hoedown, the jingle bell jive, I laughed so hard, I felt alive. He winked at me, said, "Join the fun," So I grabbed my hat, and we danced as one. (Chorus) Oh, Santa's got the moves, he's got the groove, Shakin' his belly like a bowl full of jelly. Boots a-tappin', reindeer nappin', Santa Claus dancin' 'round my Christmas tree. (Outro) Now every year, I wait and see, If Santa will come back to dance with me. It's a Christmas tradition, just him and me, Santa Claus dancin' 'round my Christmas tree.
James Hilton-Cowboy