Jeans And Heels Quotes

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It's time to shop high heels if your fiance kisses you on the forehead.
Amit Kalantri (Wealth of Words)
WHAT YOU WON’T FIND IN HER CLOSET * Three-inch heels. Why live life halfway? * Logos. You are not a billboard. * Nylon, polyester, viscose and vinyl will make you sweaty, smelly and shiny. * Sweatpants. No man should ever see you in those. Except your gym teacher – and even then. Leggings are tolerated. * Blingy jeans with embroidery and holes in them. They belong to Bollywood. * UGG boots. Enough said.
Anne Berest (How To Be Parisian: Wherever You Are)
Now, money, for the night is coming. Money for my hair, money for my teeth, money for shoes that won't deform my feet (it's not so easy now to walk around in cheap shoes with very high heels), money for good clothes, money, money. The night is coming.
Jean Rhys (Good Morning, Midnight)
She watched through a slight mist a party of people who had just come into the restaurant, the movements of arms taking off overcoats, of legs in light-coloured stockings and fee in low-heeled shoes walking over the wooden floor to hide themselves under the tablecloths.
Jean Rhys (Quartet)
I heard a low growl and realized it was coming from my own throat. Fuck the fear and fuck the insecurities. I was worth fighting for. Every woman was worth fighting for. Didn't matter if they were trash or addicts or rich or popular. Didn't matter if they dressed like a homeless waif, or in tight skirts and heels, or in jeans and flannel. No one deserved to feel hopeless and worthless the way this goddamn asshole wanted me to feel and, I had no doubt, made other girls feel.
Diana Rowland (How the White Trash Zombie Got Her Groove Back (White Trash Zombie, #4))
Where does the cub run, vampire, when the wolves snap at his heels? Who does the soldier cry out for, when he bleeds his last upon the field?' 'Mother,' Jean-François replied. 'Mother,' Gabriel nodded.
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
I scraped my heel against this black claw: I wanted to peel off some of the bark. For no reason at all, out of defiance, to make the bare pink appear absurd on the tanned leather: to play with the absurdity of the world. But, when I drew my heel back, I saw that the bark was still black.
Jean-Paul Sartre (Nausea)
To my surprise, Sloane pushed past Michael, wrapped dainty little hands around the barbell, and rocked back on her heels, angling it into place. Dean wiped his hands on his jeans, grabbed a nearby towel, and sat up. “Thanks,” he told Sloane. “Torque,” she said, instead of you’re welcome. “The role of the lever was played by my arms.
Jennifer Lynn Barnes (The Naturals (The Naturals, #1))
Henry: How does it feel? How does it feel? Sometimes it feels as though your attention has wandered for just an instant. Then, with a start, you realize that the book you were holding, the red plaid cotton shirt with white buttons, the favorite black jeans and the maroon socks with an almost-hole in one heel, the living room, the about-to-whistle tea kettle in the kitchen: all of these have vanished. You are standing, naked as a jaybird, up to your ankles in ice water in a ditch along an unidentified rural route. You wait a minute to see if maybe you will just snap right back to your book, your apartment, et cetera. After about five minutes of swearing and shivering and hoping to hell you can just disappear, you start walking in any direction, which will eventually yield a farmhouse, where you have the option of stealing or explaining. Stealing will sometimes land you in jail, but explaining is more tedious and time consuming and involves lying anyway, and also sometimes results in being hauled off to jail, so what the hell.
Audrey Niffenegger (The Time Traveler’s Wife)
This is the last time we’ll walk up this staircase together, Peter taking the stairs two at a time, me nipping at his heels, huffing and puffing to keep up. It’s the last day of school for seniors, the last day of my high school career. When we reach the top of the staircase, I say, “I feel like taking the stairs two at a time is just bragging. Have you ever noticed that only boys ever take stairs two at a time?” “Girls probably would if they were as tall.” “Margot’s friend Chelsea is five eleven, and I don’t think she does it.” “So what are you saying--boys brag more?” “Probably. Don’t you think?” “Probably,” he admits.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
God, what makes you such an expert on love? You’ve liked five guys in your life. One was gay, one lives in Indiana or Montana or some place, McClaren moved away before anything could actually happen, one was dating your sister. And then there’s me. Hmm, what do we all have in common? What’s the common denominator?” I feel all the blood rush to my face. “That’s not fair.” Peter leans in close and says, “You only like guys you don’t have a shot with, because you’re scared. What are you so scared of?” I back away from him, right into the wall. “I’m not scared of anything.” “The hell you’re not. You’d rather make up a fantasy version of somebody in your head than be with a real person.” I glare at him. “You’re just mad because I didn’t die of happiness because the great Peter Kavinsky said he liked me. Your ego really is that enormous.” His eyes flash. “Hey, I’m sorry I didn’t show up on your doorstep with flowers and profess my undying love for you, Lara Jean, but guess what, that’s not real life. You need to grow up.” That’s it. I don’t have to listen to this. I turn on my heel and walk away. Over my shoulder I say, “Enjoy the hot tub.” “I always do,” he calls back.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
From my heel to my toe is a measured space of 29.7 centimetres or 11.7 inches. This is a unit of progress and it is also a unit of thought. 'I can only meditate when I am walking,' wrote Jean-Jacques Rousseau in the fourth book of his 'Confessions', 'when I stop I cease to think; my mind only works with my legs.' Søren Kierkegaard speculated that the mind might function optimally at the pedestrian pace of three miles per hour, and in a journal entry describes going out for a wander and finding himself 'so overwhelmed with ideas' that he 'could scarcely walk'. Christopher Morley wrote of Wordsworth as 'employ[ing] his legs as an instrument of philosophy' and Wordsworth of his own 'feeling intellect'. Nietzsche was typically absolute on the subject - 'Only those thoughts which come from 'walking' have a value' - and Wallace Stevens typically tentative: 'Perhaps / The truth depends on a walk around the lake.' In all of these accounts, walking is not the action by which one arrives at knowledge; it is itself the means of knowing.
Robert Macfarlane (The Old Ways: A Journey on Foot)
Fucking hell, she was gorgeous. Her tight jeans hugged her legs in a way that made me envious of the goddamn denim. I was jealous of fabric. Christ, I needed an intervention. A couple of steps carried her around the desk, and I needed to swallow heavily at the picture she painted in those sexy-as-fuck heels and the huge gun strapped under her arm right beside her breast.
Tate James (Club 22 (Hades, #3))
VTM wist reeds bij aanvang dat ik enkel aan het spelletje zou deelnemen in de rol van clowneske rebel. Ik heb die rol naar behoren gespeeld en ben van mening dat het optreden in De Laatste Show en beide artikelen in Humo het programma heel wat meer kijkers hebben opgeleverd dan het hen heeft gekost, Ik zal dus op de gepaste manier reageren tegen deze onfaire houding van VTM'.
Jean Pierre Van Rossem
I really identify with being a bookworm. I love reading, learning and books. I mean, I have 1000 books, all catalogued, already in my specially made library my dad made me. Books are my friends. I live in sweat pants and workout gear or t-shirt and jeans. I dress more for comfort than for fashion. I dress up if I have to go out but I can’t wait to come home and take off the makeup, heels and scratchy clothing.
Tania Marshall (I Am Aspienwoman: The Unique Characteristics and Gifts of Adult Females on the Autism Spectrum)
Style” comes on and we all go crazy, screaming in each other’s faces and jumping up and down. Peter goes craziest of all. He keeps asking me if I’m having fun. He only asks out loud once, but with his eyes he asks me again and again. They are bright and hopeful, alight with expectation. With my eyes I tell him, Yes yes yes I am having fun. We’re starting to get the hang of slow dancing, too. Maybe we should take a ballroom-dancing class when I get to UVA so we can actually get good at it. I tell him this, and fondly he says, “You always want to take things to the next level. Next-level chocolate chip cookies.” “I gave up on those.” “Next-level Halloween costumes.” “I like for things to feel special.” At this, Peter smiles down at me and I say, “It’s just too bad we’ll never dance cheek to cheek.” “Maybe we could order you some dancing stilts.” “Oh, you mean high heels?” He snickers. “I don’t think there’s such a thing as ten-inch heels.” I ignore him. “And it’s too bad your noodle arms aren’t strong enough to pick me up.” Peter lets out a roar like an injured lion and swoops me up and swings me around, just like I knew he would. It’s a rare thing, to know someone so well, whether they’ll pivot left or right. Outside of my family, I think he might be the person I know best of all.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I went on endless moms’ nights out, where I put on tight jeans and trendy blouses and high heels like it mattered and went to the restaurant that was right next to the restaurant we went to with our families. (There were no dads’ nights out for my husband, because the supposition was that the men got to live life all the time, whereas we were caged animals who were sometimes allowed to prowl our local town bar and drink the blood of the free people.)
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Was it just a high school thing? Or worse, I imagined, is it just that I’m not and never will be a country girl? Is it that country girls have some wild sense of abandon that I wasn’t born with? A reckless side, a fun, adventurous side that makes them worthy of riding next to boys in pickups? Am I untouchable? Am I too prim? Too proper? I’m not! I’m really not! I’m fun and adventurous. Reckless, too! I have a pair of jeans: Anne Kleins! And I want to be Middle Seat Worthy.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I headed to the church at five-thirty, wearing jeans, flip-flops, and brick red lipstick. My mom, calm and cool as a mountain lake, carried my white dress--plain and romantic, with a bodice that laced up corset-style in the back and delicate sheer sleeves. I carted in my shoes…my earrings…my makeup…and my exfoliating scrub, in case my face decided to pull a last-minute sloughing. I wasn’t about to roll over and take a last-minute sloughing without a fight. Not on my wedding day.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Isn't she doing this too? Connecting and disconnecting. Facing grief then turning from it. One minute she is caught up in minutiae. Will her feet get sore standing in heels at the church? Have they made enough food? Will the kitten get scared by dozens of strangers in the house? Should she shut him in a room upstairs? The next moment she is weeping uncontrollably, taken over by pain so profound she can barely move. Then there was the salad bowl incident; her own fury scared her. But maybe these are different ways of dealing with events for all of them. Molly and Luke are infantile echos of her, their emotions paired down, their reactions simpler but similar. For if they have difficulty taking in what has happened, then so too does she. Why is she dressing up, for instance? Why can't she wear clothes to reflect the fact that she is at her lowest end? A tracksuit, a jumper full of holes, dirty jeans? Why can't she leave her hair a mess, her face unmade up? The crazed and grieving Karen doesn't care about her appearance. Yet she must go through with this charade, polish herself and her children to perfection. She, in particular, must hold it together. Oh, she can cry, yes, that's allowed. People expect that. They will sympathize. But what about screaming, howling, and hurling plates like she did yesterday? She imagines the shocked faces as she shouts and swears and smashes everything. But she is so angry, surely others must feel the same. Maybe a plate throwing ceremony would be a more fitting ritual than church, then everyone could have a go...smashing crockery up against the back garden wall.
Sarah Rayner (One Moment, One Morning)
Marlboro Man and I settled in together, soaking up the first days of married life on the ranch that was my new home. He spent his days working cattle; his evenings figuring out the business ramifications of the imploding financial situation in which he and Tim now found themselves. I, on the other hand, spent my days getting organized and washing his muddy clothes, failing miserably in my attempts to remove the greenish brown manure stains and making plans instead to order a hundred pairs of the jeans he wore so I could replace them every day. I saw no other alternative.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
My cold-weather gear left a lot to be desired: black maternity leggings under boot-cut maternity jeans, and a couple of Marlboro Man’s white T-shirts under an extra-large ASU sweatshirt. I was so happy to have something warm to wear that I didn’t even care that I was wearing the letters of my Pac-10 rival. Add Marlboro Man’s old lumberjack cap and mud boots that were four sizes too big and I was on my way to being a complete beauty queen. I seriously didn’t know how Marlboro Man would be able to keep his hands off of me. If I caught a glimpse of myself in the reflection of the feed truck, I’d shiver violently.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Then I saw the figure standing outside my car door: it was Marlboro Man, who’d come outside to greet me. His jeans were clean, his shirt tucked in and starched. I couldn’t yet see his face, though, which was what I wanted most. Getting out of the car, I smiled and looked up, squinting. The western sunset was a backdrop behind his sculpted frame. It was such a beautiful sight, a stark contrast to all the ugliness that had surrounded me that day. He shut the car door behind me and moved in for a hug, which provided all the emotional fuel I needed to continue breathing. Finally, in that instant, I felt like things would be okay.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Ik ontving pas nu de call sheet voor het programma "Sean Light Night". Aan de telefoon vertelde Sean me over 22h30, nu moet ik er plots vanaf 14h zijn en gebeuren de opnames om 17h15. Eerst komt Roos van Acker gedurende 20 minuten en als er dan nog 10 minuutjes over blijven dan kan Van Rossem nog heel eventjes komen. Helemaal te gek: Sean stuurde me de vragen EN OOK WAT IK MOET ANTWOORDEN!!!! Nog nooit gezien. In zo'n gekkenhuis speel ik onder geen beding mee. Ze vinden wel één of andere sul die daar 3h of meer zijn tijd zit te verbeuzelen om nadien voorgekauwde antwoorden te geven op voorgekauwde vragen. Ik wil Sean Dhondt bellen dat ik onder geen beding kom, maar op zijn mails vind ik wel een waslijst van email adressen maar nergens een telefoon.
Jean Pierre Van Rossem
What are you doing?” “Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on. I started getting ready at three. I showered, shaved, powdered, perfumed, brushed, curled, and primped for two whole hours--throwing on a light pink shirt and my favorite jeans--all in an effort to appear as if I’d simply thrown myself together at the last minute. It worked. “Man,” Marlboro Man said when I opened the door. “You look great.” I couldn’t focus very long on his compliment, though--I was way too distracted by the way he looked. God, he was gorgeous. At a time of year when most people are still milky white, his long days of working cattle had afforded him a beautiful, golden, late-spring tan. And his typical denim button-down shirts had been replaced by a more fitted dark gray polo, the kind of shirt that perfectly emphasizes biceps born not from working out in a gym, but from tough, gritty, hands-on labor. And his prematurely gray hair, very short, was just the icing on the cake. I could eat this man with a spoon. “You do, too,” I replied, trying to will away my spiking hormones. He opened the door to his white diesel pickup, and I climbed right in. I didn’t even ask him where we were going; I didn’t even care. But when we turned west on the highway and headed out of town, I knew exactly where he was taking me: to his ranch…to his turf…to his home on the range. Though I didn’t expect or require a ride from him, I secretly loved that he drove over an hour to fetch me. It was a throwback to a different time, a burst of chivalry and courtship in this very modern world. As we drove we talked and talked--about our friends, about our families, about movies and books and horses and cattle.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Welcome to Fool’s Gold,” Elaine said with a smile. Instead of her usual suit and high heels, Maya wore jeans, a long-sleeved shirt and boots. Her blond hair was pulled back in a braid. “You look like a local,” Phoebe said. “Speaking of locals,” Maya began, a note of warning in her voice. “Oh, shit,” Zane said before she could continue. Phoebe looked toward the bus and immediately saw why Zane’s face had gone a little ashen. The two crazy old women who had cornered her at his truck in town had just gotten off the bus. Eddie and Gladys, if she remembered right. The skinny one was wearing stiff, dark blue jeans and a plaid Western shirt with pearly snaps along the front. The plump one, who still looked as if she had asked for one of everything at the cosmetic counter, was wearing jeans, too, and leather chaps with fringe along the sides. They both had cowboy hats perched atop their white curls. Besides her Zane muttered under his breath. She caught a handful of words. Something about being old, broken bones and a reference to hanging Chase from the lightning rod in the middle of a storm.
Susan Mallery (Kiss Me (Fool's Gold, #17))
When she was finished with the mailbox, Lisey trudged back down the driveway with her buckets in the long evening light. Breakfast had been coffee and oatmeal, lunch little more than a scoop of tuna and mayo on a scrap of lettuce, and dead cat or no dead cat, she was starved. She decided to put off her call to Woodbody until she had some food in her belly. The thought of calling the Sheriff's Office—anyone in a blue uniform, for that matter—hadn't yet returned to her. She washed her hands for three minutes, using very hot water and making sure any speck of blood was gone from under her nails. Then she found the Tupperware dish containing the leftover Cheeseburger Pie, scraped it onto a plate, and blasted it in the microwave. While she waited for the chime, she hunted a Pepsi out of the fridge. She remembered thinking she'd never finish the Hamburger Helper stuff once her initial lust for it had been slaked. You could add that to the bottom of the long, long list of Things in Life Lisey Has Been Wrong About, but so what? Big diddly, as Cantata had been fond of saying in her teenage years. "I never claimed to be the brains of the outfit," Lisey told the empty kitchen, and the microwave bleeped as if to second that. The reheated gloop was almost too hot to eat but Lisey gobbled it anyway, cooling her mouth with fizzy mouthfuls of cold Pepsi. As she was finishing the last bite, she remembered the low whispering sound the cat's fur had made against the tin sleeve of the mailbox, and the weird pulling sensation she'd felt as the body began, reluctantly, to come forward. He must have really crammed it in there, she thought, and Dick Powell once more came to mind, black-and-white Dick Powell, this time saying And have some stuffing! She was up and rushing for the sink so fast she knocked her chair over, sure she was going to vomit everything she'd just eaten, she was going to blow her groceries, toss her cookies, throw her heels, donate her lunch. She hung over the sink, eyes closed, mouth open, midsection locked and straining. After a pregnant five-second pause, she produced one monstrous cola-burp that buzzed like a cicada. She leaned there a moment longer, wanting to make absolutely sure that was all. When she was, she rinsed her mouth, spat, and pulled "Zack McCool"'s letter from her jeans pocket. It was time to call Joseph Woodbody.
Stephen King (Lisey's Story)
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
Hey,” I began, looking into his eyes. “I’m sorry I’ve been so…so pathetic since, like, the day we got married.” He smiled and took a swig of Dr Pepper. “You haven’t been pathetic,” he said. He was a terrible liar. “I haven’t?” I asked, incredulous, savoring the scrumptious red meat. “No,” he answered, taking another bite of steak and looking me squarely in the eye. “You haven’t.” I was feeling argumentative. “Have you forgotten about my inner ear disturbance, which caused me to vomit all across Australia?” He paused, then countered, “Have you forgotten about the car I rented us?” I laughed, then struck back. “Have you forgotten about the poisonous lobster I ordered us?” Then he pulled out all the stops. “Have you forgotten all the money we lost?” I refused to be thwarted. “Have you forgotten that I found out I was pregnant after we got back from our honeymoon and I called my parents to tell them and I didn’t get a chance because my mom left my dad and I went on to have a nervous breakdown and had morning sickness for six weeks and now my jeans don’t fit?” I was the clear winner here. “Have you forgotten that I got you pregnant?” he said, grinning. I smiled and took the last bite of my steak.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
What am I? Chopped liver? Is there some specific reason he never pulls me over close to him as we drive around the countryside? Why doesn’t he hook his right arm affectionately around my neck and claim me as the woman of his pickup? I never knew I had such a yearning to ride next to a man in a pickup, but apparently it had been a suppressed lifelong dream I knew nothing about. Suddenly, sitting in that pickup with Marlboro Man, I’d apparently never wanted anything so badly in my life. I couldn’t keep quiet about it any longer. “So…,” I began. Was it just a high school thing? Or worse, I imagined, is it just that I’m not and never will be a country girl? Is it that country girls have some wild sense of abandon that I wasn’t born with? A reckless side, a fun, adventurous side that makes them worthy of riding next to boys in pickups? Am I untouchable? Am I too prim? Too proper? I’m not! I’m really not! I’m fun and adventurous. Reckless, too! I have a pair of jeans: Anne Kleins! And I want to be Middle Seat Worthy. Please, Marlboro Man…please. I’ve never wanted anything this much. “So, um…why don’t you do it anymore?” I asked. “Bucket seats,” Marlboro Man answered, his hand still resting on my leg. Made sense. I settled in and relaxed a bit.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Marlboro Man’s call woke me up the next morning. It was almost eleven. “Hey,” he said. “What’s up?” I hopped out of bed, blinking and stumbling around my room. “Who me? Oh, nothing.” I felt like I’d been drugged. “Were you asleep?” he said. “Who, me?” I said again, trying to snap out of my stupor. I was stalling, trying my darnedest to get my bearings. “Yes. You,” he said, chuckling. “I can’t believe you were asleep!” “I wasn’t asleep! I was…I just…” I was a loser. A pathetic, late-sleeping loser. “You’re a real go-getter in the mornings, aren’t you?” I loved it when he played along with me. I rubbed my eyes and pinched my own cheek, trying to wake up. “Yep. Kinda,” I answered. Then, changing the subject: “So…what are you up to today?” “Oh, I had to run to the city early this morning,” he said. “Really?” I interrupted. The city was over two hours from his house. “You got an early start!” I would never understand these early mornings. When does anyone ever sleep out there? Marlboro Man continued, undaunted. “Oh, and by the way…I’m pulling into your driveway right now.” Huh? I ran to my bathroom mirror and looked at myself. I shuddered at the sight: puffy eyes, matted hair, pillow mark on my left cheek. Loose, faded pajamas. Bag lady material. Sleeping till eleven had not been good for my appearance. “No. No you’re not,” I begged. “Yep. I am,” he answered. “No you’re not,” I repeated. “Yes. I am,” he said. I slammed my bathroom door and hit the lock. Please, Lord, please, I prayed, grabbing my toothbrush. Please let him be joking. I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Early the next morning, I was driving westward toward the ranch. Marlboro Man had called the night before--a rare evening we’d spent apart--and had asked me to come out early. I’d just turned onto the highway that led out of my hometown when my car phone rang. It was dewy outside, foggy. “Hurry up,” Marlboro Man’s voice playfully commanded. “I want to see my future wife.” My stomach lurched. Wife. It would take me a while to get used to that word. “I’m coming,” I announced. “Hold your horses!” We hung up, and I giggled. Hold your horses. Heh-heh. I had a lifetime of these jokes ahead. This was going to be loads of fun. He met me at my car, wearing jeans, boots, and a soft, worn denim shirt. I climbed out of the car and stepped right into his arms. It was just after 8:00 A.M., and within seconds we were leaning against my car, sharing a passionate, steamy kiss. Leave it to Marlboro Man to make 8:00 A.M. an acceptable time to make out. I never would have known this if I hadn’t met him. “So…what are we gonna do today?” I asked, trying to remember what day it was. “Oh, I thought we’d drive around for a while…,” he said, his arms still grasping my waist, “and talk about where we might want to live.” I’d heard him mention before, in passing, that someday he wanted to move to a different spot on the ranch, but I’d never paid much attention to it. I’d never really cared much where he lived, just as long as he took his Wranglers with me. “I want it to be your decision, too.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
She clambered to the shoreline. Numb and shaken, she began to dress. It wasn’t easy as she fumbled with slick fingers to put dry clothes over wet skin. She instantly regretted her naked swim. She pulled on her long-sleeved white chemise first. She faced the forest, away from her rescuer. He quietly splashed to shore. His lifeblood burned into her back. He wasn’t far behind, but he stopped. She refused to look at him until she was fully clothed, not out of embarrassment of her nudity, but for what had just happened. He released a groan and mumbled under his breath about wet boots. His voice was not one of her father’s soldiers. When she put the last garment on, her brown wool work kirtle, she squeezed out her sopping hair and swept her hands through the knotty mess. She fastened her belt and tied the lacings up the front of the kirtle. Blood returned to her fingertips, and she regained her composure. Belated awareness struck her, and she leaned down and searched through her bag for her dagger. She spun around. She gasped as she saw the man sitting on the stone-covered shoreline, his wet boots off. Confusion and the hint of a scowl filled his strong-featured face. She staggered back, caught her heel on a stone, and fell, dropping the dagger. Dirt and pebbles stuck to her wet hands and feet, and she instinctively scrambled away from him. His glower, iridescent dark blue eyes, and disheveled black hair were not unfamiliar. Staring at her was the man she had seen in her dream – it was the man from the wood.
Jean M. Grant (A Hundred Kisses (The Hundred Trilogy, #2))
It was a Tuesday when I finally threw caution to the wind, when I decided, finally, to articulate the words I knew I so desperately felt but that, for whatever reason, I’d always been too scared to say. It was impromptu, unexpected. But there was something about the night. He’d greeted me at the car. “Hey, you,” he said as I closed the door behind me and, still out of habit, armed the theft alarm of my car. “Do you think you might ever get to a point where you’ll actually leave your car unlocked out here?” he asked with a chuckle. I hadn’t even noticed. “Oh,” I said, laughing. “I don’t know why I even do that!” My face turned red. Freakazoid. Marlboro Man smiled, wrapped his arms around my waist, and lifted me off the ground--my favorite move of his. “Hi,” he said, the right side of his mouth turned upward in a grin. “Hi,” I replied, smiling back. He looked so beautiful in his worn-out, comfortable jeans and his starched charcoal button-down shirt. God, did he look good in charcoal. Charcoal, the color, was created with Marlboro Man in mind. And then came the kiss--the kind usually reserved for couples who spend weeks and weeks apart and store up all their passions for the moment when they say hello again. For us, it had been less than twenty-four hours. At that moment, there was no one in the world but the two of us, and as closely as we were pressed together in our embrace, there weren’t really two of us at all anymore. My whole body tingled as we walked into the house. I was feeling the love that night.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The physical shape of Mollies paralyses and contortions fit the pattern of late-nineteenth-century hysteria as well — in particular the phases of "grand hysteria" described by Jean-Martin Charcot, a French physician who became world-famous in the 1870s and 1880s for his studies of hysterics..." "The hooplike spasm Mollie experienced sounds uncannily like what Charcot considered the ultimate grand movement, the arc de de cercle (also called arc-en-ciel), in which the patient arched her back, balancing on her heels and the top of her head..." "One of his star patients, known to her audiences only as Louise, was a specialist in the arc de cercle — and had a background and hysterical manifestations quite similar to Mollie's. A small-town girl who made her way to Paris in her teens, Louise had had a disrupted childhood, replete with abandonment and sexual abuse. She entered Salpetriere in 1875, where while under Charcot's care she experienced partial paralysis and complete loss of sensation over the right side of her body, as well as a decrease in hearing, smell, taste, and vision. She had frequent violent, dramatic hysterical fits, alternating with hallucinations and trancelike phases during which she would "see" her mother and other people she knew standing before her (this symptom would manifest itself in Mollie). Although critics, at the time and since, have decried the sometime circus atmosphere of Charcot's lectures, and claimed that he, inadvertently or not, trained his patients how to be hysterical, he remains a key figure in understanding nineteenth-century hysteria.
Michelle Stacey (The Fasting Girl: A True Victorian Medical Mystery)
What does one wear to a ranch early in the morning? I wondered. I was stumped. I had enough good sense, thank God, to know my spiked black boots--the same boots I’d worn on basically every date with Marlboro Man thus far--were out of the question. I wouldn’t want them to get dirty, and besides that, people might look at me funny. I had a good selection of jeans, yes, but would I go for the dark, straight-leg Anne Kleins? Or the faded, boot-cut Gaps with contrast stitching? And what on earth would I wear on top? This could get dicey. I had a couple of nice, wholesome sweater sets, but the weather was turning warmer and the style didn’t exactly scream “ranch” to me. Then there was the long, flax-colored linen tunic from Banana Republic--one I loved to pair with a chunky turquoise necklace and sandals. But that was more Texas Evening Barbecue than Oklahoma Early-Morning Cattle Gathering. Then there were the myriad wild prints with sparkles and stones and other obnoxious adornments. But the last thing I wanted to do was spook the cattle and cause a stampede. I’d seen it happen in City Slickers when Billy Crystal fired up his cordless coffee grinder, and the results weren’t the least bit pretty. I considered cancelling. I had absolutely nothing to wear. Every pair of shoes I owned was black, except for a bright yellow pair of pumps I’d bought on a whim in Westwood one California day. Those wouldn’t exactly work, either. And I didn’t own a single shirt that wouldn’t loudly broadcast *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* *CLUELESS CITY GIRL!* I wanted to crawl under my covers and hide.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Open the so-called body and spread out all its surfaces: not only the skin with each of its folds, wrinkles, scars, with its great velvety planes, and contiguous to that, the scalp and its mane of hair, the tender pubic fur, nipples, nails, hard transparent skin under the heel, the light frills of the eyelids, set with lashes - but open and spread, expose the labia majora, so also the labia minora with their blue network bathed in mucus, dilate the diaphragm of the anal sphincter, longitudinally cut and flatten out the black conduit of the rectum, then the colon, then the caecum, now a ribbon with its surface all striated and polluted with shit ; as though your dress maker' s scissors were opening the leg of an old pair of trousers, go on, expose the small intestines' alleged interior, the jejunum, the ileum, the duodenum, or else, at the other end, undo the mouth at its corners, pull out the tongue at its most distant roots and split it, spread out the bats' wings of the palate and its damp basements, open the trachea and make it the skeleton of a boat under construction; armed with scalpels and tweezers, dismantle and lay out the bundles and bodies of the encephalon; and then the whole network of veins and arteries, intact, on an immense mattress, and then the lymphatic network, and the fine bony pieces of the wrist, the ankle, take them apart and put them end to end with all the layers of nerve tissue which surround the aqueous humours and the cavernous body of the penis, and extract the great muscles, the great dorsal nets, spread them out like smooth sleeping dolphins. Work as the sun does when you're sunbathing or taking grass.
Jean-François Lyotard (Libidinal Economy)
De Britse premier David Cameron, die ondertussen al ontslag heeft genomen, gaat straks de geschiedenis in als de kinkel die pokerde en verloor. De voorstanders van een brexit met een aantal racisten als voortrekkers (stijl Nigel Farage en Boris oh nson) hebben hun slag thuisgehaad waardoor het Verenigd Koninkrijk nooit nog kan terugkeren in de EU. De leuze "Storm is raging over het Channel, the continent is isoltated" heeft het gehaald. Het fiere Albion is teruggekeerd. Dat de Briiten Europa de rug toekeerden is al bij al verstaanbaar. De EU is een grijs en onaantrekkelijk Europa gedomineerd door bureaucraten en gekenmerkt door een groot democratisch deficit. Maar win werkelijkheid stemden de Britten over een heel ander pijnpunt, over de vreemdelingenkwestie. Misleid door alle leugens die de leavers schaamteloos voor waarheid verzwendelden. Het grootste nadeel van de exit is dat Europa nu niet langer nog kan dromen van een sterk Europees leger dan zich bewapent met Europese tuigen i.p.v. Amerikaanse, en dat het nu nog meer vastzit aan de Verenigde Staten voor zijn veiligheid. En als daar Donald Trump de presidentsverkiezingen wint dan wordt de wereld waarin wij leven op slag een flink stuk gevaarlijker dan die nu, met de islamfundamentalisten, al is. Ondertussen staan in het grijze Europa al andere racisten klaar - bijvoorbeeld Geert Wilders - om een exit uit Europa te eisen. De beurzen kleuren ondertussen bloedrood. Het Britse pond verloor 16 procent van zijn waarde. Wie à la baisse speculeerde op het pond heeft zijn inleg forst zien stijgen. Een oud klant van mij belde me zopas nog op dat hij 2,5 miljoen euro play money geriskeerd heeft en dat dit er nu 20,4 miljoen zijn geworden.
Jean Pierre Van Rossem
Hoe vaak hoorden we geen uitspraken in de zin van: “Wetenschappelijk onderzoek toonde aan dat …” of “Het is wetenschappelijk bewezen dat …” Daarbij neemt men aan dat wetenschap altijd waar is. Maar hoe betrouwbaar is wetenschap? Heel veel van wat we wetenschap noemen, en we als waar aanvaarden, is noch waar, noch onwaar, en behoort tot de metafysica. Gedurende een korte tijd (volgend op de publicatie van de Tractatus van Wittgenstein) zag het ernaar uit dat we een messcherp onderscheid konden maken tussen betrouwbare wetenschappelijke uitspraken en onbetrouwbare metafysische uitspraken. Maar Wittgenstein zette dat onderscheid zelf op de helling met de postume publicatie van zijn Philosophical Investigations. Nog later pakte de (overwegend Franse) postmoderne filosofie uit met de stelling dat er in de algehele wetenschap minder waarheid is vervat dan in een simpel literair gedicht. De tijd van betrouwbare algemene theorieën leek hopeloos voorbij. Is dat zo? Is cognitief denken onmogelijk geworden? Hierna volgt een reflectie. Het tijdgewricht waarin we leven, althans in de westerse wereld, noemt men de postmoderniteit. Het wordt gekenmerkt door grote onzekerheid en een gevoel van toenemende onveiligheid. Onzekerheid heerst rond onbeantwoorde vragen met betrekking tot de toekomst van de planeet, tot de duurzaamheid van de energievoorziening, tot de werkzekerheid, tot de stabiliteit van het gezin, tot de gedaalde sociale controle, tot de toename van het aantal asielzoekers, tot het bestaan van een god, enzovoort. Onveiligheid houdt verband met oorlog, met terrorisme, met criminaliteit. Het is de bedoeling al die fenomenen wetenschappelijk te bestuderen. Maar hoe zeker ben ik dat wetenschap nog steeds betrouwbaar is?
Jean Pierre Van Rossem (Postmoderniteit: Onzekerheid & Onveiligheid)
As we had agreed, I met Jack downstairs in the lobby. I was a few minutes late, having lingered to give a few last-minute instructions to Teena. “Sorry.” I quickened my stride as I walked toward Jack, who was standing by the concierge desk. “I didn’t mean to be late.” “It’s fine,” Jack said. “We still have plenty of—” He broke off as he got a good look at me, his jaw slackening. Self-consciously I reached up and tucked a lock of my hair behind my right ear. I was wearing a slim-fitting black suit made of summer-weight wool, and black high-heeled pumps with delicate straps that crossed over the front. I had put on some light makeup: shimmery brown eye shadow, a coat of black mascara, a touch of pink blush, and lip gloss. “Do I look okay?” I asked. Jack nodded, his gaze unblinking. I bit back a grin, realizing he had never seen me dressed up before. And the suit was flattering, cut to show my curves to advantage. “I thought this was more appropriate for church than jeans and Birkenstocks.” I wasn’t certain Jack heard me. It looked like his mind was working on another track altogether. My suspicion was confirmed when he said fervently, “You have amazing legs.” “Thanks.” I gave a modest shrug. “Yoga.” That appeared to set off another round of thoughts. I thought Jack’s color seemed a little high, although it was difficult to tell with that rosewood tan. His voice sounded strained as he asked, “I guess you’re pretty flexible?” “I wasn’t the most flexible in class by any means,” I said, pausing before adding demurely, “but I can put my ankles behind my head.” I repressed a grin when I heard a hitch in his breathing. Seeing that his SUV was out in front, I walked past him. He was at my heels immediately. -Ella & Jack
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
It’s not like I wasn’t busy. I was an officer in good standing of my kids’ PTA. I owned a car that put my comfort ahead of the health and future of the planet. I had an IRA and a 401(k) and I went on vacations and swam with dolphins and taught my kids to ski. I contributed to the school’s annual fund. I flossed twice a day; I saw a dentist twice a year. I got Pap smears and had my moles checked. I read books about oppressed minorities with my book club. I did physical therapy for an old knee injury, forgoing the other things I’d like to do to ensure I didn’t end up with a repeat injury. I made breakfast. I went on endless moms’ nights out, where I put on tight jeans and trendy blouses and high heels like it mattered and went to the restaurant that was right next to the restaurant we went to with our families. (There were no dads’ nights out for my husband, because the supposition was that the men got to live life all the time, whereas we were caged animals who were sometimes allowed to prowl our local town bar and drink the blood of the free people.) I took polls on whether the Y or the JCC had better swimming lessons. I signed up for soccer leagues in time for the season cutoff, which was months before you’d even think of enrolling a child in soccer, and then organized their attendant carpools. I planned playdates and barbecues and pediatric dental checkups and adult dental checkups and plain old internists and plain old pediatricians and hair salon treatments and educational testing and cleats-buying and art class attendance and pediatric ophthalmologist and adult ophthalmologist and now, suddenly, mammograms. I made lunch. I made dinner. I made breakfast. I made lunch. I made dinner. I made breakfast. I made lunch. I made dinner.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Well,that was fun," she said lightly as he maneuvered out of the lot. "I'm really glad you talked me into going out. My day was a blank page until seven." That long, quiet moment lingered in his mind even as it lingered in Shelby's. Alan shifted, hoping to ease the thudding in the pit of his stomach. "Always happy to help someone fill in a few empty spaces." Alan controlled the speed of the car through force of will. Holding her hadn't soothed him but rather had only served to remind him how much time had passed since he had last held her. "Actually you're an easy man to be with, Alan, for a politician." Easy? Shelby repeated to herself as she pressed the button to lower her window. Her blood was still throbbing from a meeting of eyes that had lasted less than ten seconds. If he was any easier, she'd be head over heels in love with him and headed for disaster. "I mean,you're not really pompous." He shot her a look, long and cool, that boosted her confidence. "No?" he murmured after a humming silence. "Hardly at all." Shelby sent him a smile. "Why,I'd probably vote for you myself." Alan paused at a red light, studying it thoughtfully before he turned to her. "Your insults aren't as subtle today, Shelby." "Insults?" Shelby gave him a bland stare. "Odd,I thought it was more flattery.Isn't a vote what it all comes down to? Votes, and that all-encompassing need to win." The light stayed green for five full seconds before he cruised through it. "Be careful." A nerve,she thought,hating herself more than a little. "You're a little touchy. That's all right." She brushed at the thigh of her jeans. "I don't mind a little oversensitivity." "The subject of my sensitivity isn't the issue,but you're succeeding in being obnoxious." "My,my,aren't we all Capitol Hill all of a sudden.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
I mean, I’m definitely flattered. That you would like me all this time--it’s flattering, you know?” That’s enough. That’s plenty enough. “I don’t like you,” I say, loudly. “So there’s no reason you should feel flattered.” Now it’s Peter’s turn to look taken aback. He quickly looks around to see if anyone heard. He leans forward and whispers, “Then why did you kiss me?” “I kissed you because I don’t like you,” I explain, like this should be obvious. “See, my letters got sent out by someone. Not me.” “Wait a minute. ‘Letters’? How many of us are there?” “Five. And the guy I do like got one too--” Peter frowns. “Who?” Why should I tell him anything? “That’s…personal.” “Hey, I think I have a right to know, since you pulled me into this little drama,” Peter says with a pointed look. I suck in my top lip and shake my head and he adds, “If there even really is a guy.” “There is so a guy! It’s Josh Sanderson.” “Doesn’t he go out with your sister?” I nod. I’m surprised he even knows this. I didn’t think Josh and Margot would be on his radar. “They’re broken up now. But I don’t want him to know I have feelings for him…for obvious reasons. So…I told him you were my boyfriend.” “So you used me to save face?” “I mean, basically.” Basically exactly. “You’re a funny girl.” First I’m cute in a quirky way; now I’m a funny girl. I know what that means. “Anyway, thanks for going along with it, Peter.” I flash him what I hope is a winning smile and turn on my heel to go. “See ya!” Peter reaches out and grabs me by the backpack. “Wait--so Sanderson thinks I’m your boyfriend now, right? So what are you going to tell him?” I try to shrug him loose, but he won’t let go. “I haven’t figured that part out yet. But I will.” I lift my chin. “I’m quirky like that.” Peter laughs out loud, his mouth open wide. “You really are funny, Lara Jean.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Then I saw the figure standing outside my car door: it was Marlboro Man, who’d come outside to greet me. His jeans were clean, his shirt tucked in and starched. I couldn’t yet see his face, though, which was what I wanted most. Getting out of the car, I smiled and looked up, squinting. The western sunset was a backdrop behind his sculpted frame. It was such a beautiful sight, a stark contrast to all the ugliness that had surrounded me that day. He shut the car door behind me and moved in for a hug, which provided all the emotional fuel I needed to continue breathing. Finally, in that instant, I felt like things would be okay. I smiled and acted cheerful, following him into the kitchen and not at all letting on that my day had sucked about as badly as a day could have sucked. I’d never been one to wear my feelings on my sleeve, and I sure wasn’t going to let them splay out on what was merely my sixth date with the sexiest, most masculine man I’d ever met. But I knew I was a goner when Marlboro Man looked at me and asked, “You okay?” You know when you’re not okay, but then someone asks you if you’re okay, and you say you’re okay and act like you’re okay, but then you start realizing you’re not okay? Then you feel your nose start to tingle and your throat start to swell and your chin start to quiver and you tell yourself, In the name of all that is good and holy, do not do this. Do not do this…but you’re powerless to stop it? And you try to blink it away and you finally think you’ve just about got it under control? But then the cowboy standing in front of you smiles gently and says, “You sure?” Those two simple words opened up the Floodgates of Hell. I smiled and laughed, embarrassed, even as two big, thick tears rolled down both my cheeks. Then I laughed again and blew a nice, clear explosion of snot from my nose. Of all the things that had happened that day, that single moment might have been the worst.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Now, did you really mean that about not wanting to do this the rest of your life?” he asked. That familiar, playful grin appeared in the corner of his mouth. I blinked a couple of times and took a deep breath, smiling back at him and reassuring him with my eyes that no, I hadn’t meant it, but I did hate his horse. Then I took a deep breath, stood up, and dusted off my Anne Klein straight-leg jeans. “Hey, we don’t have to do this now,” Marlboro Man said, standing back up. “I’ll just do it later.” “No, I’m fine,” I answered, walking back toward my horse with newfound resolve. I took another deep breath and climbed back on the horse. As Marlboro Man and I rode back toward the thicket of trees, I suddenly understood: if I was going to marry this man, if I was going to live on this isolated ranch, if I was going to survive without cappuccino and takeout food…I sure wasn’t going to let this horse beat me. I’d have to toughen up and face things. As we rode, it became even more clear. I’d have to apply this same courage to all areas of my life--not just the practical, day-in and day-out activities of ranch life, but also the reality of my parents’ marital collapse and any other problems that would arise in the coming years. Suddenly, running off and getting married no longer seemed like the romantic adventures I was trying to convince myself it would be. Suddenly I realized that if I did that, if I ran away and said “I do” in some dark, hidden corner of the world, I’d never be able to handle the rigors and stresses of country life. And that wouldn’t be fair to Marlboro Man…or myself. As we started moving, I noticed that Marlboro Man was riding at my pace. “The horses need to be shod,” he said, grinning. “They didn’t need to trot today anyway.” I glanced in his direction. “So we’ll just go slow and easy,” he continued. I looked toward the thicket of trees and took a deep, calming breath, grabbing on to the saddle horn so firmly my knuckles turned pasty white.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Two years ago, having been walking towards La Nouvelle France, I turned to the left, and willing to extend my walk round Montmartre, crossed the village of Clignancourt. As I walked along, thoughtful, and regardless of the surrounding objects, I felt something clasp my knees, and immediately perceived it was a child of about five or six years old, clinging round them, who at the same time looked up so fondly and familiarly in my face, that I was greatly moved, saying to myself, "thus I should have been treated by my own." I took the child in my arms, and after having kissed it several times, in a kind of transport, continued my way. I felt as I walked on that something was wanting to complete my satisfaction, and this obliged me to return. I reproached myself with having quitted the child so soon, thinking I had discovered in its manner a kind of inspiration, which ought not to have been slighted. Giving into the temptation, I ran towards the child, embraced it again, and gave him money to buy some small Nanterre loaves, a man who sold them happening to be passing by. J began to make him talk; and on asking who's son he was? He pointed to a man that was hooping some barrels. I was just preparing to quit the child, in order to speak to the father, when I was prevented by seeing a man whisper him, who appeared to be one of those spies who are ever at my heels. While this person was speaking, I remarked that the cooper's eyes were fixed attentively on me, with no very friendly aspect: this sight contracted my heart in an instant, and I quitted both father and child, with greater expedition than I had returned to them; but with a sensation less agreeable, and which altered my whole chain of feelings. I have, notwithstanding, frequently felt these sentiments revive, and have often passed Clignancourt, in hopes of seeing this child again, but have never since met either with him or his father, and the only result of this encounter is, a lively remembrance, intermingled with that pleasing melancholy which is natural to me in all those emotions that penetrate my heart.
Jean-Jacques Rousseau (The Reveries of the Solitary Walker)
Mr. Morales sidles up to the bar and says, “May I have this dance, Lara Jean?” “You may,” I say. To John I warn, “Don’t you dare come close to me.” He throws his hands out like he’s warding me off. “Don’t you come close to me!” As Mr. Morales leads me in a slow dance, I press my face against his shoulder to hide my smile. I’m really quite good at this espionage thing. John McClaren is sitting on a love seat now, watching Stormy play and chatting with Alicia. I’ve got him right where I want him. I can’t even believe how lucky I am. I’d been planning on showing up at his next Model UN meeting, but this is so much better. I’m thinking I’ll come up from behind him, take him by surprise, when Stormy stands up and declares she needs a piano break, she wants to dance with her grandson. I go turn on the stereo and cue up the CD we decided on for her break. John is protesting: “Stormy, I told you I don’t dance.” He used to try and fake sick during the square-dancing unit in gym--that’s how much he hates dancing. Stormy doesn’t listen, of course. She pulls him off the love seat and starts trying to teach him how to fox-trot. “Put your hand on my waist,” she orders. “I didn’t wear heels to sit behind a piano all night.” Stormy’s trying to teach him the steps, and he keeps stepping on her feet. “Ouch!” she snaps. I can’t stop giggling. Mr. Morales is too. He dances us over closer. “May I cut in?” he asks. “Please!” John practically pushes Stormy into Mr. Morales’s arms. “Johnny, be a gentleman and ask Lara Jean to dance,” Stormy says as Mr. Morales twirls her. John gives me a searching look, and I have a feeling he’s still suspicious of me and whether or not I have his name. “Ask her to dance,” Mr. Morales urges, grinning at me. “She wants to dance, don’t you, Lara Jean?” I shrug a sad kind of shrug. Wistful. The very picture of a girl who is waiting to be asked to dance. “I want to see the young people dance!” Normal yells. John McClaren looks at me, one eyebrow raised. “If we’re just swaying back and forth, I probably won’t step on your feet.” I feign hesitation and then nod. My pulse is racing. Target acquired.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
It’s so weird that it’s Christmas Eve,” I said, clinking my glass to his. It was the first time I’d spent the occasion apart from my parents. “I know,” he said. “I was just thinking that.” We both dug into our steaks. I wished I’d made myself two. The meat was tender and flavorful, and perfectly medium-rare. I felt like Mia Farrow in Rosemary’s Baby, when she barely seared a steak in the middle of the afternoon and devoured it like a wolf. Except I didn’t have a pixie cut. And I wasn’t harboring Satan’s spawn. “Hey,” I began, looking into his eyes. “I’m sorry I’ve been so…so pathetic since, like, the day we got married.” He smiled and took a swig of Dr Pepper. “You haven’t been pathetic,” he said. He was a terrible liar. “I haven’t?” I asked, incredulous, savoring the scrumptious red meat. “No,” he answered, taking another bite of steak and looking me squarely in the eye. “You haven’t.” I was feeling argumentative. “Have you forgotten about my inner ear disturbance, which caused me to vomit all across Australia?” He paused, then countered, “Have you forgotten about the car I rented us?” I laughed, then struck back. “Have you forgotten about the poisonous lobster I ordered us?” Then he pulled out all the stops. “Have you forgotten all the money we lost?” I refused to be thwarted. “Have you forgotten that I found out I was pregnant after we got back from our honeymoon and I called my parents to tell them and I didn’t get a chance because my mom left my dad and I went on to have a nervous breakdown and had morning sickness for six weeks and now my jeans don’t fit?” I was the clear winner here. “Have you forgotten that I got you pregnant?” he said, grinning. I smiled and took the last bite of my steak. Marlboro Man looked down at my plate. “Want some of mine?” he asked. He’d only eaten half of his. “Sure,” I said, ravenously and unabashedly sticking my fork into a big chuck of his rib eye. I was so grateful for so many things: Marlboro Man, his outward displays of love, the new life we shared together, the child growing inside my body. But at that moment, at that meal, I was so grateful to be a carnivore again.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Two starving kids and tree-hugging vegetarians. I’m going to kill Chase.” Phoebe didn’t blame him. Despite her lack of experience in the cattle-drive department, even she could see the potential for trouble. Then a familiar figure standing beside the driver caught her attention, and she waved. Maya grinned and waved back. “It’s Maya,” Phoebe said. Zane turned and followed her gaze. “Just perfect,” he muttered as his ex-stepsister walked toward them. “You’re looking grim, Zane,” Maya said cheerfully when she joined them. “Who died?” She smiled. “Oh, I forgot. You’re just being your usual charming self.” She squeezed his arm. “You’ve missed me, I know.” Zane’s eyes narrowed. “Like foot fungus.” She laughed and turned to Phoebe. “You’re still alive. I see Zane didn’t bore you to death.” “Not even close.” Phoebe hugged her friend. Maya waved forward the bus driver, a pretty woman in her fifties. “Phoebe, this is Elaine Mitchell.” “You’re the one Maya worked for in high school?” Phoebe asked. “I am.” Maya put her arm around Phoebe’s shoulders. “And this is my BFF, Phoebe.” “Welcome to Fool’s Gold,” Elaine said with a smile. Instead of her usual suit and high heels, Maya wore jeans, a long-sleeved shirt and boots. Her blond hair was pulled back in a braid. “You look like a local,” Phoebe said. “Speaking of locals,” Maya began, a note of warning in her voice. “Oh, shit,” Zane said before she could continue. Phoebe looked toward the bus and immediately saw why Zane’s face had gone a little ashen. The two crazy old women who had cornered her at his truck in town had just gotten off the bus. Eddie and Gladys, if she remembered right. The skinny one was wearing stiff, dark blue jeans and a plaid Western shirt with pearly snaps along the front. The plump one, who still looked as if she had asked for one of everything at the cosmetic counter, was wearing jeans, too, and leather chaps with fringe along the sides. They both had cowboy hats perched atop their white curls. Besides her Zane muttered under his breath. She caught a handful of words. Something about being old, broken bones and a reference to hanging Chase from the lightning rod in the middle of a storm.
Susan Mallery (Kiss Me (Fool's Gold, #17))
My cold-weather gear left a lot to be desired: black maternity leggings under boot-cut maternity jeans, and a couple of Marlboro Man’s white T-shirts under an extra-large ASU sweatshirt. I was so happy to have something warm to wear that I didn’t even care that I was wearing the letters of my Pac-10 rival. Add Marlboro Man’s old lumberjack cap and mud boots that were four sizes too big and I was on my way to being a complete beauty queen. I seriously didn’t know how Marlboro Man would be able to keep his hands off of me. If I caught a glimpse of myself in the reflection of the feed truck, I’d shiver violently. But really, when it came right down to it, I didn’t care. No matter what I looked like, it just didn’t feel right sending Marlboro Man into the cold, lonely world day after day. Even though I was new at marriage, I still sensed that somehow--whether because of biology or societal conditioning or religious mandate or the position of the moon--it was I who was to be the cushion between Marlboro Man and the cruel, hard world. That it was I who’d needed to dust off his shoulders every day. And though he didn’t say it, I could tell that he felt better when I was bouncing along, chubby and carrying his child, in his feed truck next to him. Occasionally I’d hop out of the pickup and open gates. Other times he’d hop out and open them. Sometimes I’d drive while he threw hay off the back of the vehicles. Sometimes I’d get stuck and he’d say shit. Sometimes we’d just sit in silence, shivering as the vehicle doors opened and closed. Other times we’d engage in serious conversation or stop and make out in the snow. All the while, our gestating baby rested in the warmth of my body, blissfully unaware of all the work that awaited him on this ranch where his dad had grown up. As I accompanied Marlboro Man on those long, frigid mornings of work, I wondered if our child would ever know the fun of sledding on a golf course hill…or any hill, for that matter. I’d lived on the ranch for five months and didn’t remember ever hearing about anyone sledding…or playing golf…or participating in any recreational activities at all. I was just beginning to wrap my mind around the way daily life unfolded here: wake up early, get your work done, eat, relax, and go to bed. Repeat daily. There wasn’t a calendar of events or dinner dates with friends in town or really much room for recreation--because that just meant double the work when you got back to work. It was hard for me not to wonder when any of these people ever went out and had a good time, or built a snowman. Or slept past 5:00 A.M.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Their eyes met. For a split second she caught a glimpse of heat in his eyes. Then Jake banked the flame and broke out of her embrace. Marnie felt a hot blush rise from her toes to her nose. It took a moment for her eyes to focus and her brain to function. Bewildered, she looked up to find him watching her. His heavy-lidded eyes held a strange desperation as he reached back and unhooked the vice of her ankles from around his wiast. Her legs dropped. Her heels thumped against the cabinet. Beneath his hawklike gaze she felt stripped bare and vulnerable. He studied her face, seeming to see more than her features. He seemed to delve into her mind, to touch things deep and frightening—parts of herself Marnie was still exploring. The muscles in his jaw knotted and unknotted. After a moment he stepped back and casually, but with difficulty, adjusted his jeans Heat flooded her cheeks. Legs splayed, nipples peaked to his clinical gaze, she’d never experienced such acute embarrassment in her life. Her breath hitched as she jumped off the counter, tugging her top down and her pants up. At a loss for hers, she half laughed. “I have absolutely no idea what to say.” Which was a reasonable start, she guessed. It was rare for her to be speechless. But then, this was a day of firsts. “I told you you weren’t my type.” The brass button on his jeans closed like the clasp of a miser’s purse. Other than a faint flush on the ridge of his cheekbones and what looked like a painful erection, he seemed totally unaffected by what had just happened. She stared at him. “Not your t—What do you call what just happened?” Marnie was confused. It was out of character for her to be sexually aggressive. But now that she’d done it, she wasn’t sorry. “What part of ‘I don’t want you’ didn’t you understand?” He’d wanted her. He might lie about it, but his body had been honest. He was as hard as petrified wood. “Then what”—she pointed—“is that?” He ignored the bulge in his jeans. “Just because I have it doesn’t mean I intend to use it.” Marnie stepped forward and touched his arm. He jerked away from her as if she’d used a cattle prod. “Was it something I said?” she asked quietly, dropping her hand to her side. “Look, I have a tendency to sort of speak without running the words through my brain first. But I know I didn’t give out mixed signals just now. I wanted to make love with you. It was very good. No, darn it, it was excellent. So if you have some sort of medical condition, let’s talk about i—” He moved backward, almost tripping over Duchess sprawled on the floor. The dog rose to hover anxiously between them. Jake’s eyes turned as he said, “I do not have a medical condition.” Marnie backed up—mentally as well as physically. Her hip bumped the counter. “Good.” He scowled and swore under his breath. “That is good, isn’t it?” she asked tentatively.
Cherry Adair (Kiss and Tell (T-FLAC, #2; Wright Family, #1))
So…,” I began. Was it just a high school thing? Or worse, I imagined, is it just that I’m not and never will be a country girl? Is it that country girls have some wild sense of abandon that I wasn’t born with? A reckless side, a fun, adventurous side that makes them worthy of riding next to boys in pickups? Am I untouchable? Am I too prim? Too proper? I’m not! I’m really not! I’m fun and adventurous. Reckless, too! I have a pair of jeans: Anne Kleins! And I want to be Middle Seat Worthy. Please, Marlboro Man…please. I’ve never wanted anything this much. “So, um…why don’t you do it anymore?” I asked. “Bucket seats,” Marlboro Man answered, his hand still resting on my leg. Made sense. I settled in and relaxed a bit. But I had another question I’d been mulling over. “Mind if I ask you another question?” I said. “Go ahead,” he replied. I cleared my throat and sat up straight in my seat. “How come…how come it took you so long to call me?” I couldn’t help but grin. It was one of the most direct questions I’d ever asked him. He looked in my direction, then back toward the road. “You don’t have to tell me,” I said. And he didn’t. But I’d wondered more than a handful of times, and as long as he was coming clean about bucket seats and other important matters, I thought it would be a good time to ask him why four months had passed between the first night we’d met in the smoky bar and the night he’d finally called to invite me to dinner. I remembered being knocked over by his magnetism that night during Christmas vacation. What had he thought of me? Had he forgotten me instantly, then remembered me in a flash that April night after my brother’s wedding? Or had he intentionally waited four months to call? Was it some kind of country boy protocol I didn’t know about? I was a girl. I simply had to know. “I was…,” he began. “Well, I was dating someone else.” I’ll kill her with my bare hands. “Oh,” I said in return. It was all I could muster. “Plus, I was running a herd of cows in Nebraska and having to drive up there every week,” he continued. “I just wasn’t here enough to break things off with her in the right way…and I didn’t want to call you and ask you out until that was all resolved.” I repeated myself. “Oh.” What was her name? She’s dead to me. “I liked you, though,” he said, flashing me a smile. “I thought about you.” I couldn’t help but smile back. “You did?” I asked quietly, still wondering what the girl’s name was. I wouldn’t rest till I knew. “I did,” he said sweetly, stroking my leg with his hand. “You were different.” I stopped short of interrogating him further, of asking him to specify what he meant by “different.” And it didn’t take much imagination to figure it out. As he drove me around his familiar homeland, it was obvious what he would have considered “different” about me. I didn’t know anything about the country.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
You’re…you’re what? Where?” I stood up and glimpsed myself in the mirror. I was a vision, having changed into satin pajama pants, a torn USC sweatshirt, and polka-dotted toe socks, and to top it off, my hair was fastened in a haphazard knot on the top of my head with a no. 2 Ticonderoga pencil. Who wouldn’t want me? “I’m outside,” he repeated, throwing in a trademark chuckle just to be extra mean. “Get out here.” “But…but…,” I stalled, hurriedly sliding the pencil out of my hair and running around the room, stripping off my pathetic house clothes and searching in vain for my favorite faded jeans. “But…but…I’m in my pajamas.” Another trademark chuckle. “So?” he asked. “You’d better get out here or I’m comin’ in…” “Okay, okay…,” I replied. “I’ll be right down.” Panting, I settled for my second-favorite jeans and my favorite sweater of all time, a faded light blue turtleneck I’d worn so much, it was almost part of my anatomy. Brushing my teeth in ten seconds flat, I scurried down the stairs and out the front door. Marlboro Man was standing outside his pickup, hands inside his pockets, his back resting against the driver-side door. He grinned, and as I walked toward him, he stood up and walked toward me, too. We met in the middle--in between his vehicle and the front door--and without a moment of hesitation, greeted each other with a long, emotional kiss. There was nothing funny or lighthearted about it. That kiss meant business. Our lips separated for a short moment. “I like your sweater,” he said, looking at the light blue cotton rib as if he’d seen it before. I’d hurriedly thrown it on the night we’d met a few months earlier. “I think I wore this to the J-bar that night…,” I said. “Do you remember?” “Ummm, yeah,” he said, pulling me even closer. “I remember.” Maybe the sweater had magical powers. I’d have to be sure to hold on to it. We kissed again, and I shivered in the cold night air. Wanting to get me out of the cold, he led me to his pickup and opened the door so we could both climb in. The pickup was still warm and toasty, like a campfire was burning in the backseat. I looked at him, giggled like a schoolgirl, and asked, “What have you been doing all this time?” “Oh, I was headed home,” he said, fiddling with my fingers. “But then I just turned around; I couldn’t help it.” His hand found my upper back and pulled me closer. The windows were getting foggy. I felt like I was seventeen. “I’ve got this problem,” he continued, in between kisses. “Yeah?” I asked, playing dumb. My hand rested on his left bicep. My attraction soared to the heavens. He caressed the back of my head, messing up my hair…but I didn’t care; I had other things on my mind. “I’m crazy about you,” he said. By now I was on his lap, right in the front seat of his Diesel Ford F250, making out with him as if I’d just discovered the concept. I had no idea how I’d gotten there--the diesel pickup or his lap. But I was there. And, burying my face in his neck, I quietly repeated his sentiments. “I’m crazy about you, too.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
You okay?” Marlboro Man called out. I didn’t answer. I just kept on walking, determined to get the hell out of Dodge. It took him about five seconds to catch up with me; I wasn’t a very fast walker. “Hey,” he said, grabbing me around the waist and whipping me around so I was facing him. “Aww, it’s okay. It happens.” I didn’t want to talk about it. I didn’t want to hear it. I wanted him to let go of me and I wanted to keep on walking. I wanted to walk back down the hillside, start my car, and get out of there. I didn’t know where I’d go, I just knew I wanted to go. I wanted away from all of it--riding horses, saddles, reins, bridles--I didn’t want it anymore. I hated everything on that ranch. It was all stupid, dumb…and stupid. Wriggling loose of his consoling embrace, I squealed, “I seriously can’t do this!” My hands trembled wildly and my voice quivered. The tip of my nose began to sting, and tears welled up in my eyes. It wasn’t like me to display such hysteria in the presence of a man. But being driven to the brink of death had brought me to this place. I felt like a wild animal. I was powerless to restrain myself. “I don’t want to do this for the rest of my life!” I cried. I turned to leave again but decided instead to give up, choosing to sit down on the ground and slump over in defeat. It was all so humiliating--not just my rigid, freakish riding style or my near collision with the ground, but also my crazy, emotional reaction after the fact. This wasn’t me. I was a strong, confident woman, for Lord’s sake; I don’t slump on the ground in the middle of a pasture and cry. What was I doing in a pasture, anyway? Knowing my luck, I was probably sitting on a pile of manure. But I couldn’t even walk anymore; my knees were even trembling by now, and I’d lost all feeling in my fingertips. My heart pounded in my cheeks. If Marlboro Man had any sense, he would have taken the horses and gotten the hell out of there, leaving me, the hysterical female, sobbing on the ground by myself. She’s obviously in the throes of some hormonal fit, he probably thought. There’s nothing you can say to her when she gets like this. I don’t have time for this crap. She’s just gonna have to learn to deal with it if she’s going to marry me. But he didn’t get the hell out of there. He didn’t leave me sobbing on the ground by myself. Instead he joined me on the grass, sitting beside me and putting his hand on my leg, reassuring me that this kind of thing happens, and there wasn’t anything I did wrong, even though he was probably lying. “Now, did you really mean that about not wanting to do this the rest of your life?” he asked. That familiar, playful grin appeared in the corner of his mouth. I blinked a couple of times and took a deep breath, smiling back at him and reassuring him with my eyes that no, I hadn’t meant it, but I did hate his horse. Then I took a deep breath, stood up, and dusted off my Anne Klein straight-leg jeans. “Hey, we don’t have to do this now,” Marlboro Man said, standing back up. “I’ll just do it later.” “No, I’m fine,” I answered, walking back toward my horse with newfound resolve.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I took a shower after dinner and changed into comfortable Christmas Eve pajamas, ready to settle in for a couple of movies on the couch. I remembered all the Christmas Eves throughout my life--the dinners and wrapping presents and midnight mass at my Episcopal church. It all seemed so very long ago. Walking into the living room, I noticed a stack of beautifully wrapped rectangular boxes next to the tiny evergreen tree, which glowed with little white lights. Boxes that hadn’t been there minutes before. “What…,” I said. We’d promised we wouldn’t get each other any gifts that year. “What?” I demanded. Marlboro Man smiled, taking pleasure in the surprise. “You’re in trouble,” I said, glaring at him as I sat down on the beige Berber carpet next to the tree. “I didn’t get you anything…you told me not to.” “I know,” he said, sitting down next to me. “But I don’t really want anything…except a backhoe.” I cracked up. I didn’t even know what a backhoe was. I ran my hand over the box on the top of the stack. It was wrapped in brown paper and twine--so unadorned, so simple, I imagined that Marlboro Man could have wrapped it himself. Untying the twine, I opened the first package. Inside was a pair of boot-cut jeans. The wide navy elastic waistband was a dead giveaway: they were made especially for pregnancy. “Oh my,” I said, removing the jeans from the box and laying them out on the floor in front of me. “I love them.” “I didn’t want you to have to rig your jeans for the next few months,” Marlboro Man said. I opened the second box, and then the third. By the seventh box, I was the proud owner of a complete maternity wardrobe, which Marlboro Man and his mother had secretly assembled together over the previous couple of weeks. There were maternity jeans and leggings, maternity T-shirts and darling jackets. Maternity pajamas. Maternity sweats. I caressed each garment, smiling as I imagined the time it must have taken for them to put the whole collection together. “Thank you…,” I began. My nose stung as tears formed in my eyes. I couldn’t imagine a more perfect gift. Marlboro Man reached for my hand and pulled me over toward him. Our arms enveloped each other as they had on his porch the first time he’d professed his love for me. In the grand scheme of things, so little time had passed since that first night under the stars. But so much had changed. My parents. My belly. My wardrobe. Nothing about my life on this Christmas Eve resembled my life on that night, when I was still blissfully unaware of the brewing thunderstorm in my childhood home and was packing for Chicago…nothing except Marlboro Man, who was the only thing, amidst all the conflict and upheaval, that made any sense to me anymore. “Are you crying?” he asked. “No,” I said, my lip quivering. “Yep, you’re crying,” he said, laughing. It was something he’d gotten used to. “I’m not crying,” I said, snorting and wiping snot from my nose. “I’m not.” We didn’t watch movies that night. Instead, he picked me up and carried me to our cozy bedroom, where my tears--a mixture of happiness, melancholy, and holiday nostalgia--would disappear completely.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He removed his hand from his worn, pleasantly snug jeans…and it held something small. Holy Lord, I said to myself. What in the name of kingdom come is going on here? His face wore a sweet, sweet smile. I stood there completely frozen. “Um…what?” I asked. I could formulate no words but these. He didn’t respond immediately. Instead he took my left hand in his, opened up my fingers, and placed a diamond ring onto my palm, which was, by now, beginning to sweat. “I said,” he closed my hand tightly around the ring. “I want you to marry me.” He paused for a moment. “If you need time to think about it, I’ll understand.” His hands were still wrapped around my knuckles. He touched his forehead to mine, and the ligaments of my knees turned to spaghetti. Marry you? My mind raced a mile a minute. Ten miles a second. I had three million thoughts all at once, and my heart thumped wildly in my chest. Marry you? But then I’d have to cut my hair short. Married women have short hair, and they get it fixed at the beauty shop. Marry you? But then I’d have to make casseroles. Marry you? But then I’d have to wear yellow rubber gloves to do the dishes. Marry you? As in, move out to the country and actually live with you? In your house? In the country? But I…I…I don’t live in the country. I don’t know how. I can’t ride a horse. I’m scared of spiders. I forced myself to speak again. “Um…what?” I repeated, a touch of frantic urgency to my voice. “You heard me,” Marlboro Man said, still smiling. He knew this would catch me by surprise. Just then my brother Mike laid on the horn again. He leaned out of the window and yelled at the top of his lungs, “C’mon! I am gonna b-b-be late for lunch!” Mike didn’t like being late. Marlboro Man laughed. “Be right there, Mike!” I would have laughed, too, at the hilarious scene playing out before my eyes. A ring. A proposal. My developmentally disabled and highly impatient brother Mike, waiting for Marlboro Man to drive him to the mall. The horn of the diesel pickup. Normally, I would have laughed. But this time I was way, way too stunned. “I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Carter studied Jacey from the corner of his vision while he dug in his pockets for his keys. He caught glimpses of her throughout the day, but she was busy talking with potential fans. Up close, he was fascinated. In her business suits and heels, she always came across as professional and sexy as well, but in jeans, a Sinners’ T-shirt and sneakers, she looked innocent and feminine and so much… smaller.
Katie Kenyhercz (On the Fly (Las Vegas Sinners, #1))
We didn’t believe when we first heard because you know how church folk can gossip. Like the time we all thought First John, our head usher, was messing around on his wife because Betty, the pastor’s secretary, caught him cozying up at brunch with another woman. A young, fashionable woman at that, one who switched her hips when she walked even though she had no business switching anything in front of a man married forty years. You could forgive a man for stepping out on his wife once, but to romance that young woman over buttered croissants at a sidewalk café? Now, that was a whole other thing. But before we could correct First John, he showed up at Upper Room Chapel that Sunday with his wife and the young, hip-switching woman—a great-niece visiting from Fort Worth—and that was that. When we first heard, we thought it might be that type of secret, although, we have to admit, it had felt different. Tasted different too. All good secrets have a taste before you tell them, and if we’d taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season. But we didn’t. We shared this sour secret, a secret that began the spring Nadia Turner got knocked up by the pastor’s son and went to the abortion clinic downtown to take care of it. She was seventeen then. She lived with her father, a Marine, and without her mother, who had killed herself six months earlier. Since then, the girl had earned a wild reputation—she was young and scared and trying to hide her scared in her prettiness. And she was pretty, beautiful even, with amber skin, silky long hair, and eyes swirled brown and gray and gold. Like most girls, she’d already learned that pretty exposes you and pretty hides you and like most girls, she hadn’t yet learned how to navigate the difference. So we heard all about her sojourns across the border to dance clubs in Tijuana, the water bottle she carried around Oceanside High filled with vodka, the Saturdays she spent on base playing pool with Marines, nights that ended with her heels pressed against some man’s foggy window. Just tales, maybe, except for one we now know is true: she spent her senior year of high school rolling around in bed with Luke Sheppard and come springtime, his baby was growing inside her. — LUKE SHEPPARD WAITED TABLES at Fat Charlie’s Seafood Shack, a restaurant off the pier known for its fresh food, live music, and family-friendly atmosphere. At least that’s what the ad in the San Diego Union-Tribune said, if you were fool enough to believe it. If you’d been around Oceanside long enough, you’d know that the promised fresh food was day-old fish and chips stewing under heat lamps, and the live music, when delivered, usually consisted of ragtag teenagers in ripped jeans with safety pins poking through their lips.
Brit Bennett (The Mothers)
A little while later, I found myself waking, groggy and nauseated, from a deep sleep in a regular hospital room. Disoriented, I glanced around the room and finally found Marlboro Man, who was quietly parked in a comfortable chair in the corner and holding our flannel-wrapped little bundle. He was wearing faded jeans and a white T-shirt--the best he could manage the night before, when my unexpected labor had yanked us both out of bed. His muscular arms holding our baby were almost too much for me to take. Just as I sat up to take a closer look, the baby stretched out her two arms and made a series of tiny gurgling sounds. I was not in Kansas anymore. “Hey, Mama,” Marlboro Man said, smiling. I smiled back, unable to take my eyes off the sight in front of me. Those Hallmark commercials weren’t kidding. A man holding a newborn baby was a beautiful thing to behold.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I want to get some fresh air,” I say, and move around him, stepping off onto the stone slabs and promptly sinking with one heel into the narrow space between them. “Oops!” I say idiotically, ignoring the hand that Luca is stretching out to help me. The last thing I need right now is to touch him, for all sorts of reasons. I keep walking, pulling my heel out from between the paving stones; mercifully, it comes out without catching or ripping off. I honestly think that even if it did, I would keep going; I’d walk on a sandal without a heel all night, balance on my toes, pretend nothing had happened, and think it a fair price to pay for my flight into the comparative darkness of the chill-out area, where Luca can’t see the sweat on my face. He’s following me. I can hear his leather-soled shoes on the stone. And I have no idea where I’m going. I feel ridiculous. Luckily, ahead of me I see a terrace with tables, and I walk toward it as if I’d planned to head there all along. “You want a drink?” he asks. He gestures over to the right, and I see the white gleam of the long bar, the translucent milky-white pillars shining as if we’re underwater. I don’t need to drink any more alcohol tonight. Especially in the company of Luca. “Maybe some water. I’m really thirsty.” He nods, turns, and walks toward the bar. I watch him go. Tall, lean, with a nice firm bum in his black jeans. Exactly what I like in a boy. And then I feel my face flaming, because this isn’t just some boy at an airport, or viewed from a car. This is real. He’s real. He’ll be back in just a few minutes, and I won’t have the faintest idea what to say to him…
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
De toename van het aantal niet-westerse vreemdelingen – meer specifiek van de moslims onder hen – leidt in heel Europa tot de wijd verspreide perceptie dat het er veel meer zijn dan er in werkelijkheid zijn. Het onderzoeksbureau Ipsos Mori publiceert jaarlijks de zogenaamde Index of Ignorance. Daaruit blijkt dat mensen behoorlijk last hebben om een aantal fenomenen die typisch zijn voor de postmoderniteit correct in te schatten. Op de vraag hoeveel immigranten er in hun land zijn antwoorden Italianen dat het om 30 procent gaat, terwijl het er slechts 7 procent zijn. (Met “migranten” bedoelen de onderzoekers personen met een vreemde nationaliteit, niet de etnische afkomst.) De Amerikanen zitten er 19 procent naast: ze denken dat het om 32 procent gaat terwijl het er in werkelijkheid slechts 13 procent zijn. Van de ondervraagden uit 14 landen zitten de Belgen er als derde het verst naast. In België hadden op 1 januari 2015 1,26 miljoen of 11,20 procent van de bevolking een vreemde nationaliteit (dus niet verwarren met de etnische herkomst, want dan gaat het om 1,8 miljoen of 16 procent van de bevolking). De ondervraagde Belgen dachten dat het om 29 procent ging en zaten er dus bijna 18 procent naast. Australiërs en Zweden zaten het minst fout, maar toch ook met een overschatting van 7 procent. Op de vraag hoeveel procent moslims er in hun land zijn zaten de Belgen er het verst naast. Ze dachten dat het om 29 procent ging, terwijl het er in werkelijkheid net geen 5 procent zijn, een fout van 24 procent. De Fransen maakten een fout van 23 procent, de Britten en Italianen van 16 procent, de Amerikanen van 14 procent. Minst slecht scoorden de Polen met een overschatting van 5 procent en de Japanners met een overschatting van 4 procent. De onderzoekers concludeerden: “People (…) massively overestimate the proportion of Muslims.
Jean Pierre Van Rossem
Shallow. Harmless. A little bit stupid. Crazy in love with you. Needs access to every part of the house. Let’s see . . . Who am I? Well, Roman’s trophy wife, of course. I am pretty, elegant, and extremely snobbish. I love wearing expensive clothes, just the best labels. I’m not really into dresses unless the occasion requires it. I much more prefer designer jeans, paired with silky blouses. The heels are a must.
Neva Altaj (Painted Scars (Perfectly Imperfect, #1))
We don’t want your stupid birth right,” Roxy muttered bitterly before trying to jerk her hand out of my grip. But she was going to have to try harder than that if she expected to break free of a Dragon's strength and I smirked at her before tugging her right back. She gasped as I knocked her off balance in her towering heels and in the next moment, her ass landed in my lap and the beast in me raised its head in contentment as I claimed the treasure I'd been aching for. Mine. Caleb met my gaze with an irritated scowl and I gave him a taunting grin as I wound an arm around her waist and repositioned her so that her ass was firmly seated on my crotch and her side pressed to my chest. I laughed as she gripped my thigh in an attempt to balance herself better and her back arched against me at the sound, giving me even more ideas I shouldn't have been indulging in over her. But that was damn hard with her round ass currently grinding against my cock and giving it plenty of encouragement. “Drink with us,” I insisted, moving my mouth to her ear and feeling her shiver as my stubble grazed her neck. I waved at the bartender through the glass window beside us and the girl who had assigned herself as our personal bartender for the night nodded to show she'd seen me. “I swear we won’t lay a finger on you unless you want us to," I added to Roxy in a low voice, letting my mouth graze against her ear for the briefest moment and loving the way I felt her body react to that despite her trying to hide it. “Well I didn’t want you to drag me into your lap but that didn’t seem to stop you,” she muttered, but she wasn't going anywhere and I wasn't holding her tight enough to force her to stay if she didn't want to. I laughed again and she glanced up at me from beneath dark lashes like she wasn't sure what to make of me when I wasn't scowling and working to intimidate her. I could feel Caleb's attention still on us and I suppressed a growl as he moved closer to us, reaching out to brush his fingers against her arm, despite the fact that I'd clearly beat him to claiming her tonight. Asshole. “I’ll even promise not to bite you tonight if you want?” he offered and I scowled at him while he flipped me off behind her back where no one else could see. I was going to punch him for that later. Roxy looked across the table to her sister, the two of them entering into some kind of silent twin communication and I took the opportunity to slip my Atlas from my pocket and shoot Lance a quick message. Darius: The Vegas just showed up here looking terrified and saying something was chasing them. They said they heard a rattle too. Lance: Stay with them. Keep them safe and I'll scout the area with Francesca. I wasn't going to complain about staying as close as I needed to to the girl currently perched on my ever more solid cock, so I slipped my Atlas back in my pocket and turned my attention back to the girls. “I guess we could stay for one drink,” Gwen said hesitantly as Max stroked her arm, his gifts pushing against all of us as he worked to make them feel amenable to the idea. I shifted Roxy on my lap before she got a really clear idea about how much I wanted her to stay from the feeling of my cock trying to punch a hole in the ass of her jeans and she released a shaky breath as my skin brushed against hers. “One drink then,” she agreed finally and I relaxed as I got what I wanted just as easily as that. The bartender appeared with a smile and a notepad ready to take our order and Seth perked up with a look in his eyes which promised he would be getting utterly shit faced tonight. “Better make it a big one then if you’ll only stay for one,” Seth said as he ordered for all of us. I leaned back in my chair, pulling Roxy closer so that I could steal a moment with her for myself and brushing her hair away from her ear so that I could speak to her alone.(Darius POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
Every girl needs to make an entrance. It’s part of her signature. My hot pink high heels hit the sidewalk and I straightened. My blue jean skirt was brand new and had a bunch of totally rad colorful ruffles on it. My neon green top was spandex and fit like a glove.
Cambria Hebert (1982: Maneater (Love in the 80s #3))
I must have fallen asleep on a rock. It’s digging into my shoulder blade. I scrunch up and start to roll over, but then freeze. It’s not just a single rock. It’s a giant one. Like concrete. I go numb as I realize what this means. It can’t be…I ease open my eye, and then in an instant I’m sitting upright and looking around. And all I see are cars. And people in blue jeans. And street signs. And I smell smog and I hear radios crackling in the passing cabs. I close my eyes for at least ten seconds and then open them again, but it’s all still there. The twenty-first century. I can’t stop my face from falling. I’m back. Just when I’d realized I don’t want this at all, I’m back. My shopping bags are strewn around me. I’m wearing jeans. A T-shirt. My heels. I glance back to realize the Prada shop is still a few yards behind me, just where I’d left it. I’m sitting in the exact spot I’d fallen down. I never left at all. I stay put for a few moments as a pounding headache fades. Alex. Emily. Even Victoria. They were all make-believe. Some figment of my banged-up brain. That means the kiss…God, I made it all up! Every single thing! I want to lie back down, close my eyes, and go back. I want horrible soup and stiff corsets and lump mattresses. I’ll trade it all to see Alex again. To go to Emily’s wedding. A man trips on my foot and then has the nerve to glare at me, even though he basically kicked me in the shin. Yes, I’m definitely in the twenty-first century. I scramble to my feet and wipe the dirt off my jeans and lean over to pick up my bags. And then I notice them. My heels. My beautiful, damaged heels. I glance over my shoulder. Yes, the Prada shop is definitely still behind me. I’ve gone maybe four steps from the door. Nowhere near enough to ruin the heels like this. They’re scuffed, dented, and scratched. I gather up the rest of my bags, my grin in full-force. It wasn’t fake. It wasn’t make-believe or a dream or anything. It happened. As sure as the mud on the heels, it happened. There’s even a dent where the front door of Harksbury bounced off the toe. I don’t know how or why or anything, but somehow, I was there. I danced with Alex and helped Emily. I played a piano for a duke and a countess, and I ate more exotic animals than I ever wanted to. But it happened. I don’t understand it; I only know that the last month was real, and it was the best of my life. I sling the bags over my shoulder and practically skip down the block. No matter what happens next, no matter what happens for the rest of my life, I have something no one else will ever have. An adventure to rival Indiana Jones. A crazy month that can never be replicated.
Mandy Hubbard (Prada & Prejudice)
It was the Easter Hat Parade, and the St. Angela’s mothers were out in force, dressed up in honor of Easter and the first truly autumnal day of the new season. Soft, pretty scarves looped necks, skinny jeans encased skinny and not-so-skinny thighs, spike-heeled boots tapped across the playground. It had been a humid summer, and the crispness of the breeze and the anticipation of a four-day, chocolate-filled weekend had put everyone in good moods. The mothers, sitting in a big double-rowed circle of blue fold-up chairs around the quadrangle, were frisky and high-spirited. The older children who weren’t taking part in the Easter
Liane Moriarty (The Husband's Secret)
He was extremely short, five feet in heels, wearing a khaki sport coat and blue jeans. His brown hair, with long straight bangs, hung very long in the back—a mullet, really. His black eyes were gerbil-like, as beady and opaque as marbles, and although he was diminutive he was stocky, built like a wrestler or a dwarf strongman. He was so low to the ground he'd be hard to knock off his base.
Adam Ross (Mr. Peanut)
I'm going out with him again tomorrow night," Emilie said after they'd finished eating. "He lives up in Baltimore, so we're going to meet after I'm done at the clinic." "What are your wearing?" Kelly asked, wiping her mouth with her napkin. "Just..." She shrugged and looked down at the white cardigan she wore over a pair of basic black slacks. "Work clothes". Kelly's eyes went wide. "Oh, no. No, no. Hottie McHotterson deserves more than work clothes. Hottie deserves a little black dress or a pair of fuck-hot jeans and a slinky little top. And heel - sexy, tall heels." She arched an eyebrow.
Laura Kaye (Hard to Come By (Hard Ink, #3))
Ad – Add               Ail – Ale               Air – Heir               Are - R               Ate - Eight               Aye - Eye - I                 B                            B – Be - Bee               Base - Bass               Bi – Buy - By – Bye               Bite - Byte               Boar - Bore               Board - Bored                 C               C – Sea - See               Capital – Capitol               Chord – Cord               Coarse - Course               Core - Corps               Creak – Creek               Cue – Q - Queue                 D               Dam - Damn               Dawg – Dog               Days – Daze               Dew – Do – Due               Die – Dye               Dual - Duel                 E               Earn – Urn               Elicit – Illicit               Elude - Illude               Ex – X                 F               Fat – Phat               Faze - Phase               Feat - Feet               Find – Fined               Flea – Flee               Forth - Fourth                 G               Gait – Gate               Genes – Jeans               Gnawed - Nod               Grate – Great                 H               Hair - Hare               Heal - Heel               Hear - Here               Heard - Herd               Hi - High               Higher – Hire               Hoarse - Horse               Hour - Our                 I               Idle - Idol               Ill – Ill               In – Inn               Inc – Ink               IV – Ivy                 J               Juggler - Jugular                 K               Knead - Need               Knew - New               Knight - Night               Knot – Naught - Not               Know - No               Knows - Nose                 L               Lead – Led               Lie - Lie               Light – Lite               Loan - Lone                 M               Mach – Mock               Made - Maid               Mane – Main               Meat - Meet               Might - Mite               Mouse - Mouth                 N               Naval - Navel               None - Nun                 O               Oar - Or – Ore               One - Won                 P               Paced – Paste               Pail – Pale                            Pair - Pear               Peace - Piece               Peak - Peek               Peer - Pier               Pray - Prey                 Q               Quarts - Quartz                 R               Rain - Reign               Rap - Wrap               Read - Red               Real - Reel               Right - Write               Ring - Wring                 S               Scene - Seen               Seas – Sees - Seize               Sole – Soul               Some - Sum               Son - Sun               Steal – Steel               Suite - Sweet                 T               T - Tee               Tail – Tale               Team – Teem               Their – There - They’re               Thyme - Time               To – Too - Two                 U               U - You                 V               Vale - Veil               Vain – Vane - Vein               Vary – Very               Verses - Versus                 W               Waive - Wave               Ware – Wear - Where               Wait - Weight               Waist - Waste               Which - Witch               Why – Y               Wood - Would                 X                 Y               Yoke - Yolk               Yore - Your – You’re                 Z
Gio Willimas (Hip Hop Rhyming Dictionary: The Extensive Hip Hop & Rap Rhyming Dictionary for Rappers, Mcs,Poets,Slam Artist and lyricists: Hip Hop & Rap Rhyming Dictionary And General Rhyming Dictionary)
But first a description: Clara Bowden was beautiful in all senses except maybe, by virtue of being black, the classical. Clara Bowden was magnificently tall, black as ebony and crushed sable, with hair plaited in a horseshoe which pointed up when she felt lucky, down when she didn’t. At this moment it was up. It is hard to know whether that was significant. She needed no bra – she was independent, even of gravity – she wore a red halterneck which stopped below her bust, underneath which she wore her belly button (beautifully) and underneath that some very tight yellow jeans. At the end of it all were some strappy heels of a light brown suede, and she came striding down the stairs on them like some kind of vision or, as it seemed to Archie as he turned to observe her, like a reared-up thoroughbred. Now, as Archie understood it, in movies and the like it is common for someone to be so striking that when they walk down the stairs the crowd goes silent. In life he had never seen it. But it happened with Clara Bowden. She walked down the stairs in slow motion, surrounded by afterglow and fuzzy lighting. And not only was she the most beautiful thing he had ever seen, she was also the most comforting woman he had ever met. Her beauty was not a sharp, cold commodity. She smelt musty, womanly, like a bundle of your favorite clothes. Though she was disorganized physically – legs and arms speaking a slightly different dialect from her central nervous system – even her gangly demeanour seemed to Archie exceptionally elegant. She wore her sexuality with an older woman’s ease, and not (as with most of the girls Archie had run with in the past) like an awkward purse, never knowing how to hold it, where to hang it or when to just put it down. ‘Cheer up, bwoy,’ she said in a lilting Caribbean accent that reminded Archie of That Jamaican Cricketer, ‘it might never happen.’ ‘I think it already has.’ Archie, who had just dropped a fag from his mouth which has been burning itself to death anyway, saw Clara quickly tread it underfoot. She gave him a wide grin that revealed possibly her one imperfection. A complete lack of teeth in the top of her mouth. ‘Man…dey get knock out,’ she lisped, seeing his surprise. ‘But I tink to myself: come de end of de world, d’Lord won’t mind if I have no toofs.’ She laughed softly.
Zadie Smith (White Teeth)
She came downstairs in black ripped skinny jeans, a tight blue shirt, a black leather jacket that hid her holster, and her high-heeled boots with spikes on the heels she always wears. I asked her why once, and she said it’s to remind these assholes they’re dealing with a woman of power that can still kick your ass in heels.
Ames Mills (Riches to Riches: Part One (Abbs Valley, #1))
There,” I dryly mutter while buttoning my jeans. “Now, let’s go.” Still on his knees, he sits back on his heels. “Are you fucking serious?” he asks, wiping away the drool from his chin with the back of his hand while glaring up at me. “I just gave you the best head of your goddamn life, and that’s what you say to me?
Molly Doyle (Bloodshed (Order of the Unseen #1))
I’m not a dress girl at all. I feel completely awkward and, honestly, not very beautiful wearing this purple dress and insanely high heels that Chloe and Rayne talked me into when we went dress shopping a few weeks ago. I really want to go home and throw on an old faded T-shirt and ripped jeans and curl up on the couch with a book or maybe watch a movie and binge on chocolate and ice cream.
Carian Cole (Torn (All Torn Up Book 1))
A little stocky man stood in the open doorway. He wore blue jean trousers, a flannel shirt, a black, unbuttoned vest and a black coat. His thumbs were stuck in his belt, on each side of a square steel buckle. On his head was a soiled brown Stetson hat, and he wore high-heeled boots and spurs to prove he was not a laboring man.
John Steinbeck (Of Mice and Men)
Ik rijd al heel mijn leven 300 kilometer per uur en kom nu een ongeval tegen met 30 per uur. Dat is toch godgeklaagd.
Jean Pierre Van Rossem
On the third morning, I made a strong cup of espresso, tugged on some faded jeans and an old sweater and headed for the door with Django practically bouncing at my heels. I wanted to go visit Jessica Stark. The contract I’d seen in Italy still stumped me. Maybe Jessica Stark knew why Turricci was so interested in the land.
Kristi Belcamino (City of the Dead (Gia Santella #1))
He catches some of his cum on his fingers. Scooping it from my tongue. His other hand undoes my jeans enough for him to guide his cum-covered fingers down to my cunt. He thrusts inside me. The heel of his palm grinds on my clit.
S. Massery (Secret Obsession)
Shallow. Harmless. A little bit stupid. Crazy in love with you. Needs access to every part of the house. Let’s see . . . Who am I? Well, Roman’s trophy wife, of course. I am pretty, elegant, and extremely snobbish. I love wearing expensive clothes, just the best labels. I’m not really into dresses unless the occasion requires it. I much more prefer designer jeans, paired with silky blouses. The heels are a must.” She pauses, opens her eyes, and turns toward me. “Are heels a must, do you think?” She scrunches her tiny nose. “Of course they are. Damn it. I hate wearing heels.” She closes her eyes again and continues. “The heels are a must, and I have dozens of them. Roman loves when I wear them, he says they make my butt look amazing. I’m also very self-conscious about my height, and wearing heels all the time makes me forget how short I am. My favorite pastime is shopping, and I buy a ton of clothes. My husband has to allocate one driver specifically for me and my shopping sprees.” Another pause and she turns toward me again. “Roman, I’ll need funds to support her addiction with clothes. She is an impulse buyer.” “You’ll get anything you need,” I laugh. She’s completely nuts. “My husband is crazy about me, and he allows me to do whatever I want with the house, like rearrange furniture, so the vibe of the house works better with the earth vibrations. The house feels terribly cold, so I buy a bunch of indoor plants and spread them everywhere. I also tour every single room because I want to make sure the unobstructed energy flows, so I rearrange paintings and mirrors. I also hate the dining room table, it’s so overstated, and I decide to swap it with a sleek glass one I found in an interior design magazine.” Another pause. “This woman is expensive, Roman. I hope you know what you’re getting yourself into.” “I’ll manage.” “Your funeral.” She shrugs and continues. “My husband doesn’t like it when he’s interrupted, but of course, that doesn’t apply to me. I often come into his office just to check up on him and exchange a few kisses. It annoys his men so much. They wonder what he sees in me and why he allows me so much freedom, and then decide he’s thinking with his dick. I’m always around, and they hate it.
Neva Altaj (Painted Scars (Perfectly Imperfect, #1))
I couldn't remember if jeans and heels and hoop earrings had always been my favorite combination on a woman, or whether it was only now my favorite combination because it was on her.
Dolly Alderton (Good Material)
Blue high heels, a timeless and enchanting accessory, have long held a special place in fashion. These stunning footwear pieces effortlessly blend sophistication with a dash of whimsy, making them a coveted addition to any fashion-conscious individual's wardrobe. In all its shades, the color blue has always been associated with a sense of calm, serenity, and depth. When translated into high heels, this color takes on a whole new dimension, turning a pair of shoes into a fashion statement that exudes confidence and charm. One of the most remarkable aspects of blue high heels is their versatility. Whether you opt for a classic navy, a vibrant royal blue, or an ethereal pastel shade, there's a blue heel to suit every occasion. Navy blue heels, for example, are an excellent choice for corporate settings, exuding professionalism and power. On the other hand, a pair of electric blue stilettos can add a playful pop of color to your evening ensemble, making you the center of attention at any event. Blue high heels also beautifully complement a wide range of outfits. They can elevate a simple jeans-and-blouse combo, add a touch of elegance to a cocktail dress, or provide a striking contrast to an all-black ensemble. Their ability to effortlessly blend into various styles and settings is a testament to their timeless appeal. In addition to their aesthetic charm, blue high heels offer the wearer a sense of empowerment. The elevation they provide not only increases height but also boosts confidence. Walking in heels requires poise and balance, qualities that further enhance one's self-assurance. Blue high heels are a must-have for anyone looking to infuse their wardrobe with elegance and style. These captivating footwear pieces offer versatility, empowerment, and a touch of sophistication, making them an indispensable accessory for fashion enthusiasts. Whether stepping into the boardroom, hitting the town, or simply looking to turn heads, blue high heels will always rise to the occasion, leaving a lasting impression wherever you go.
kokania
She was wearing a black sweater, jeans, heels.
Prince Harry (Spare)
Mijn klanten waren geen arme sukkels. Bij mij moest je niet afkomen met een miljoen frank, je moest meteen 10 miljoen dollar neertellen. Als je bij hen geld zou achterhouden, maken ze je af. M’n klanten waren vooral Joden. Een heel speciaal ras, die brengen je tien miljoen dollar en moeten niks op papier hebben. Achteraf viel mijn frank: als er iets met me gebeurde, was er ook geen link, begrijp je?
Jean Pierre Van Rossem
Je moet de superrijken hun tweede woning zwaar belasten. Ze kunnen nooit met hun villa onder de arm naar het buitenland vluchten. Vastgoed van meer dan 1 miljoen euro moet voor 50 procent belast worden. Dat is ook economisch noodzakelijk, want deze mensen hebben een heel lage consumptiequota. Hoe rijker ze zijn, hoe minder ze van hun hun inkomen verteren. Ze steken het in huizen of gaan beleggen. Een gewone bediende verteert bijna volledig z’n inkomen. De fiscus mag nu niet in de gewone man z’n portemonnee zitten, anders treffen ze de consumptie – en dus ook de economische groei – in het hart. Ze moeten het bij de rijken gaan halen, alleen moet je stevige kloten hebben om de haute finance aan te pakken. Dat zie ik broekventjes als Crombez niet doen. Die weet niet hoe de zakenwereld ineen zit. Hij kan die ingewikkelde financiële constructies niet ontrafelen.
Jean Pierre Van Rossem
Albert is een toffe gast. Ik zag hem dikwijls in mijn favoriete pianobar in Knokke. Ik denk dat ik hem zelfs ooit in het pokeren versloeg, al ben ik daar niet helemaal zeker van omdat ik toen heel veel dronk. Maar stel je eens voor dat die stijve Filip morgen koning wordt. Daar mag je toch niet aan denken? Mochten die Saksen-Coburgs alleen lintjes doorknippen, ik zou me er niet aan storen. Nu hebben ze gewoon teveel macht. Heb je Di Rupo zien uithuilen op de schouder van Albert? De koning maakte zich eens kwaad en een uur later stonden ze snel terug bij Elio op de stoep, volksverraders Beke en De Croo op kop! Hoe kan je nu de grootste partij van Vlaanderen de rug toekeren? De pretentie van Alexander De Croo grenst aan het ongelofelijke. Dan heb je de verkiezingen verloren en ga je nog eisen stellen. ‘De groenen mogen niet mee doen!’ zei hij, terwijl z’n partij net afgeslacht werd. Je moet het maar durven!
Jean Pierre Van Rossem
He pressed a finger to her carotid and swore. She was dead. His target. Dead. Not on his watch was she gonna stay that way. “You’re not dying today, lady.” He grabbed the switchblade knife from his jean’s back pocket, flicked it open, then cut down the front of her sweater. He pocketed the knife and clasped his hands together, then laced his fingers and pressed the heel of his hand to the middle of her sternum and began compressions.
Ashley Nikole (Fallout)
The next morning a squawking Fuzzbucket awoke Michele from her tossing and turning. Her head hurt from dreaming a series of chasing, getting-caught, getting-away dreams. She felt exhausted and not ready to hear about anymore crises from the three kids standing at the foot of her bed. "Michael! Move that drippy bottle," she grumbled. "It's a clue," Michael told her. "Big deal," Michele said, feeling ill at her brother and more ill at herself for taking it out on him. "Sorry, Mike," she added, reaching for the limp note he held out to her. She yawned. Rubbing the sleep from the corners of her eyes, she read the clue in a mumbled monotone: If not finding the head is what you fear, You'd better check out the Van . . ." "What the heck does this mean?" Michele asked irritably. "The rest of the word is washed away. It's just a smear of blue ink." She tossed the note back at them. "We know what it means!" Jo Dee squealed. "At least Brian does." Michele rubbed her tangled hair. The top of her head felt like a pile of pinestraw and she wasn't sure she liked Brian seeing her all messy. He just stood there in his neat jeans and tee shirt looking smart. "Oh, all right," she grumbled. "I give up. What does it mean?" "Well," said Brian. "I thought at first Van might be the beginning of the word "Vandyke" which is a pointy kind of beard like the artist Van Gogh wore." Michele yawned again and stretched back on her pillow as though she were bored and could doze off. "I know that," she barked. Brian sighed and turned on his heels. "C'mon, kids, let's leave Sleeping Ugly alone and start on this clue ourselves." "Wait!" Michele said, sitting upright. "I'm sorry. My head just hurts," she said, rubbing it dramatically as evidence. "Throbs—or rings?" Brian asked with a smile. "Clangs like a bell," Michele said, grinning back at him.
Carole Marsh (The Mystery of Blackbeard the Pirate (Real Kids! Real Places! Book 3))
Poison,” said Rose Jewell with a frown. “No thanks.” She was about forty years old and fearlessly attractive. The detective office had come to a standstill when she’d walked in—white cotton pullover, tight stonewashed jeans, high heels. Her hair was a wattage of blond unknown in Minnesota, the land of blondes. Even Rolvaag was slightly nervous.
Carl Hiaasen (Skinny Dip)
I say, I’d always figured those toga-wearing guys hung out around the same time. His smile is soft. You always know what poets wore. I say something like, Baudelaire tweezed his nose hairs and wore the floppy black satin bow. Dickinson wore white like a virgin bride. Warren Whitbread wore Brooks Brothers shirts, button-down, oxford-cloth. Jeans and khakis. He was long of limb and lean in a blue bathrobe. He says, And Mary Karr? Black black black. Plus loads of mascara. Spike heels. He reaches among the wrappings on the floor and holds up the eye-fryingly pink sweater his mother picked up for me in Bermuda, saying, You’re not ready for this yet? Grotesque as it looks, in some ways, I want nothing more than to look right occupying
Mary Karr (Lit)
After shaving and showering and throwing on fresh jeans and a white T-shirt, I left my trailer around 8:30 p.m. and headed towards the lake trail. The setting sun was a soft fiery red and the sky was streaked with purple gashes. The surface of the lake was perfect, pinkish-silver calm glass, and as I walked down to the edge of the lake I thought of Johnny’s comment about “our bench.” With the street lights sparkling uphill to my right, and the smooth lake surface on my left, and the brushed concrete trail under me, I felt like I was approaching an intersection point in the setting Johnny had created for Vermilion Lake. It took about ten minutes to see the bench in the distance and a person sitting there. As I got closer, I saw Johnny, but she looked different. She had come to the bench straight from a late meeting with Will New, and she was dressed in a formal dark-blue business suit with jacket and knee-length skirt. She was wearing a stark-white buttoned blouse and her bare legs were slipped into black high heels. Her red hair was up in an extremely formal looking bun without a strand free. I’d not seen her with glasses the night before and she looked very scholarly. She stood up as I approached, and said, “Hi Tom,” and gave me a gentle hug. As I held her for a second against my chest I could feel her soft breasts through the layers of her suit, and the scent of her hair was beautiful, and then she stepped back and said, “Please sit down. We’ve got a lot to discuss.” The whole scene felt very different from the previous night. And from this meeting onwards I wouldn’t quite know what to make of Johnny. She was about to become a character composed of incongruous pieces, sometimes strong, sometimes fragile—almost patient-like. It was as if she had fallen apart and some force was in the process of reassembling her as a beautiful mess.
Vic Cavalli (The Road to Vermilion Lake)
Jamie got back to her apartment in nineteen minutes and forty-nine seconds.  It wasn’t a personal best for a five-kilometre run, but it was still fast.  She showered and dressed, pulled on her boots, and was out the door in seventeen minutes flat. Which probably was close to a personal best.  She was wearing jeans she picked up from a supermarket. She liked them because they had a three percent lycra content woven into the denim, which stretched a little and meant that she could more easily crouch, walk, and kick someone in the side of the head if the situation called for it. It hadn’t yet, but she had a long career ahead of herself, she hoped.  She jumped into her car — a small and economical hybrid hatchback which squeezed around the city easily — and headed north towards the Lea.  It took nearly forty minutes to get there in rush hour traffic, and by the time she pulled up, Roper was leaning against the bonnet of his ten-year-old Volvo saloon, smoking a cigarette. He was tall with thinning, short hair, and a face that looked like he was always squinting into a stiff wind.  His long black coat was pinned to his right leg in the breeze and his shirt looked like it’d been pulled out of the laundry hamper rather than a clean drawer. He was perpetually single, and it showed. There was no one to hold him accountable when he decided it was okay to skip a morning shower for an extra ten minutes sleeping off his hangover. What she hated most about him, beyond the cigarette stink and the pissed-at-life attitude, was that she always had to look twice to make sure he wasn’t her father.  Her mother had dragged her away from him in Sweden, and now, she’d been thrown together with a guy who seemingly had inherited all his bad habits. Her mum said it was because all detectives were like it if they did the job long enough. They saw too much and didn’t talk about it enough. Which led inevitably to drink, and drugs, and other women. She’d spoken from experience of course. And Jamie knew she hadn’t exaggerated.  Though moving them both to Britain seemed like a bit of a dramatic reaction. But then again, her father had given her mother gonorrhoea and couldn’t say which woman he’d gotten it from. So Jamie figured it was reasonable.  He would have turned sixty-one this year. Roper pushed off the Volvo and ground out his cigarette under the heel of his battered Chelsea boot. Jamie looked at it, stopping short of his odour-radius. ‘You gonna just leave that there?’ He looked between his feet, rolling onto the outsides of them as he inspected the flattened butt. ‘It’ll wash away in the rain.’ ‘Into the ocean, yeah, where some poor fish is going to eat it,’ Jamie growled, coming to a stop in front of him.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
   She listened; she heard the dull thumping of her blood which seemed to be tramping on her with a heavy heel.    She passed her left hand across the night to feel the man's firm wrist, which was against her right hand. It was all knotted like a gnarled branch. It filled her left hand with warm flesh which was supple and finely nerved.    "I can't explain....They all have their women. Such a passion has seized the earth...such a passion!" 
Jean Giono (Regain)
Before they leave, Melia and Maggie go shopping for the trip. Melia tells her nobody dresses up in Hawaii. No heels, just nice sandals and loose, colorful clothes. Maggie buys flowing tops and skirts. There is, in particular, a turquoise tube top that is snug around her chest but pours out and hangs long. She could wear it as a dress, or as a top with a pair of jeans.
Lisa Taddeo (Three Women)
My clothes are burned, but wearable, if you ignore the burning garbage smell. I have on an ancient Germs T-shirt that my girlfriend lifted from a West Hollywood vintage shop for me, worn black jeans with holes in the knees, a pair of ancient engineer boots, and a battered leather motorcycle jacket, strategic points of which are held together with black gaffer’s tape. The heel of my right boot is loose from when I’d kicked the living Jesus out of some carjacking piece of shit after he dragged some screaming soccer mom to the pavement at a stoplight. I hate cops and I fucking hate goody-goody hero types, but there is some shit I will not put up with if it happens in front of me
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
The first truly autumnal day of the new season. Soft, pretty scarves looped necks, skinny jeans encased skinny and not-so-skinny thighs, spike-heeled boots tapped across the playground.
Liane Moriarty (The Husband's Secret)
Agh.” Locke’s voice was cracked. He and Jean were seated back to back in the blackness, leaning against each other for support, with their folded coats beneath them. Locke beat his heels against the stones of the floor, not for the first time. “Gods damn it!” Locke yelled. “Let us out. You’ve made your point!” “What point,” rasped Jean, “could that possibly be?” “I don’t know.” Locke coughed. “I don’t care. Whatever it is, they’ve damned well made it, don’t you think?
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
LUCAS GOT HOME, changed into jeans, a wool vest over a white dress shirt, and an Italian cotton sport coat, blue-black in color that would be excellent, he thought, for nighttime shoot-outs. It hadn’t yet been tested for that. When he got back downstairs, Flowers had come in, wearing a barn coat, jeans, and carrying a felt cowboy hat. His high-heeled cowboy boots made him an inch taller than Lucas. “There better not be a fuckin’ horse in my driveway,” Lucas said.
John Sandford (Silken Prey (Lucas Davenport #23))