β
What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I'm quite illiterate, but I read a lot.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I am always saying "Glad to've met you" to somebody I'm not at all glad I met. If you want to stay alive, you have to say that stuff, though.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I'm sick of just liking people. I wish to God I could meet somebody I could respect.
β
β
J.D. Salinger (Franny and Zooey)
β
I like it when somebody gets excited about something. It's nice.
β
β
J.D. Salinger (The Catcher in the Rye)
β
The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I'm sick of not having the courage to be an absolute nobody.
β
β
J.D. Salinger (Franny and Zooey)
β
It's funny. All you have to do is say something nobody understands and they'll do practically anything you want them to.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I don't exactly know what I mean by that, but I mean it.
β
β
J.D. Salinger (The Catcher in the Rye)
β
And I have one of those very loud, stupid laughs. I mean if I ever sat behind myself in a movie or something, I'd probably lean over and tell myself to please shut up.
β
β
J.D. Salinger (The Catcher in the Rye)
β
People are always ruining things for you.
β
β
J.D. Salinger (The Catcher in the Rye)
β
That's the thing about girls. Every time they do something pretty, even if they're not much to look at, or even if they're sort of stupid, you fall in love with them, and then you never know where the hell you are. Girls. Jesus Christ. They can drive you crazy. They really can.
β
β
J.D. Salinger (The Catcher in the Rye)
β
Certain things, they should stay the way they are. You ought to be able to stick them in one of those big glass cases and just leave them alone.
β
β
J.D. Salinger (The Catcher in the Rye)
β
Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior. You're by no means alone on that score, you'll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You'll learn from themβif you want to. Just as someday, if you have something to offer, someone will learn something from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry.
β
β
J.D. Salinger (The Catcher in the Rye)
β
Iβm just sick of ego, ego, ego. My own and everybody elseβs. Iβm sick of everybody that wants to get somewhere, do something distinguished and all, be somebody interesting. Itβs disgusting.
β
β
J.D. Salinger (Franny and Zooey)
β
when you're not looking, somebody'll sneak up and write "Fuck you" right under your nose.
β
β
J.D. Salinger (The Catcher in the Rye)
β
She wasn't doing a thing that I could see, except standing there leaning on the balcony railing, holding the universe together.
β
β
J.D. Salinger
β
All morons hate it when you call them a moron.
β
β
J.D. Salinger (The Catcher in the Rye)
β
If a girl looks swell when she meets you, who gives a damn if she's late?
β
β
J.D. Salinger (The Catcher in the Rye)
β
People never notice anything.
β
β
J.D. Salinger (The Catcher in the Rye)
β
Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody's around - nobody big, I mean - except me. And I'm standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff - I mean if they're running and they don't look where they're going I have to come out from somewhere and catch them. That's all I do all day. I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be.
β
β
J.D. Salinger
β
I'd just be the catcher in the rye and all. I know it's crazy, but that's the only thing I'd really like to be. I know it's crazy.
β
β
J.D. Salinger (The Catcher in the Rye)
β
People always clap for the wrong reasons.
β
β
J.D. Salinger (The Catcher in the Rye)
β
Make sure you marry someone who laughs at the same things you do.
β
β
J.D. Salinger (The Catcher in the Rye)
β
When you're dead, they really fix you up. I hope to hell when I do die somebody has sense enough to just dump me in the river or something. Anything except sticking me in a goddam cemetery. People coming and putting a bunch of flowers on your stomach on Sunday, and all that crap. Who wants flowers when you're dead? Nobody.
β
β
J.D. Salinger (The Catcher in the Rye)
β
And I can't be running back and fourth forever between grief and high delight.
β
β
J.D. Salinger (Franny and Zooey)
β
No. No, I don't believe you'd betray me with her. I don't believe you'd cheat on me. But I'm afraid, and I'm sick in my heart that you might look at her, then at me. And regret.
β
β
J.D. Robb (Innocent in Death (In Death, #24))
β
I'm the most terrific liar you ever saw in your life. It's awful. If I'm on my way to the store to buy a magazine, even, and somebody asks me where I'm going, I'm liable to say I'm going to the opera. It's terrible.
β
β
J.D. Salinger (The Catcher in the Rye)
β
If you do something too good, then, after a while, if you don't watch it, you start showing off. And then you're not as good any more.
β
β
J.D. Salinger (The Catcher in the Rye)
β
An artist's only concern is to shoot for some kind of perfection, and on his own terms, not anyone else's.
β
β
J.D. Salinger (Franny and Zooey)
β
Almost every time somebody gives me a present, it ends up making me sad.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I'm a kind of paranoiac in reverse. I suspect people of plotting to make me happy.
β
β
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
β
I canβt explain what I mean. And even if I could, Iβm not sure Iβd feel like it.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I was trying to feel some kind of good-bye. I mean Iβve left schools and places I didnβt even know I was leaving them. I hate that. I donβt care if itβs a sad good-bye or a bad good-bye, but when I leave a place I like to know Iβm leaving it. If you donβt you feel even worse.
β
β
J.D. Salinger (The Catcher in the Rye)
β
It was that kind of a crazy afternoon, terrifically cold, and no sun out or anything, and you felt like you were disappearing every time you crossed a road.
β
β
J.D. Salinger (The Catcher in the Rye)
β
The fact is always obvious much too late, but the most singular difference between happiness and joy is that happiness is a solid and joy a liquid.
β
β
J.D. Salinger (Nine Stories)
β
I can be quite sarcastic when I'm in the mood.
β
β
J.D. Salinger (The Catcher in the Rye)
β
Grand. There's a word I really hate. It's a phony. I could puke every time I hear it.
β
β
J.D. Salinger (The Catcher in the Rye)
β
If you had a million years to do it in, you couldn't rub out even half the "Fuck you" signs in the world. It's impossible.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I am a greaser. I am a JD and a hood. I blacken the name of our fair city. I beat up people. I rob gas stations. I am a menace to society. Man do I have fun!
β
β
S.E. Hinton (The Outsiders)
β
I don't know what good it is to know so much and be smart as whips and all if it doesn't make you happy.
β
β
J.D. Salinger (Franny and Zooey)
β
Poets are always taking the weather so personally. They're always sticking their emotions in things that have no emotions.
β
β
J.D. Salinger (Nine Stories)
β
I love you to pieces, distraction, etc.
β
β
J.D. Salinger (Franny and Zooey)
β
Goddam money. It always ends up making you blue as hell.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I think that one of these days," he said, "you're going to have to find out where you want to go. And then you've got to start going there. But immediately. You can't afford to lose a minute. Not you.
β
β
J.D. Salinger (The Catcher in the Rye)
β
It's everybody, I mean. Everything everybody does is so β I don't know β not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and β sad-making. And the worst part is, if you go bohemian or something crazy like that, you're conforming just as much only in a different way.
β
β
J.D. Salinger (Franny and Zooey)
β
Sleep tight, ya morons!
β
β
J.D. Salinger (The Catcher in the Rye)
β
It's partly true, too, but it isn't all true. People always think something's all true.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I'll read my books and I'll drink coffee and I'll listen to music and I'll bolt the door.
β
β
J.D. Salinger (A Boy in France (Babe Gladwaller, #2))
β
Ask her if she still keeps all her kings in the back row.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I have scars on my hands from touching certain peopleβ¦Certain heads, certain colours and textures of human hair leave permanent marks on me.
β
β
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
β
You've got no sense of humor."
"I'm going to laugh really hard after I kick your ass.
β
β
J.D. Robb (Imitation in Death (In Death, #17))
β
You don't know how to talk to people you don't like. Don't love, really. You can't live in the world with such strong likes and dislikes.
β
β
J.D. Salinger (Franny and Zooey)
β
I donβt give a damn, except that I get bored sometimes when people tell me to act my age. Sometimes I act a lot older than I am - I really do - but people never notice it. People never notice anything.
β
β
J.D. Salinger (The Catcher in the Rye)
β
Life is filled with unanswered questions, but it is the courage to seek those answers that continues to give meaning to life. You can spend your life wallowing in despair, wondering why you were the one who was led towards the road strewn with pain, or you can be grateful that you are strong enough to survive it.
β
β
J.D. Stroube (Caged by Damnation (Caged, #2))
β
Who wants flowers when you're dead? Nobody.
β
β
J.D. Salinger (The Catcher in the Rye)
β
That's the whole trouble. When you're feeling very depressed, you can't even think.
β
β
J.D. Salinger (The Catcher in the Rye)
β
It's not too bad when the sun's out, but the sun only comes out when it feels like coming out.
β
β
J.D. Salinger (The Catcher in the Rye)
β
For once, he slept first. She lay in the dark, listening to him breathe, stealing a little of his warmth as her own body cooled. Since he was asleep, she stroked his hair.
"I love you," she murmured. "I love you so much, I'm stupid about it."
With a sigh, she settled down, closed her eyes, and willed her mind to empty.
Beside her, Roarke smiled into the dark.
He never slept first.
β
β
J.D. Robb (Ceremony in Death (In Death, #5))
β
She was not one for emptying her face of expression.
β
β
J.D. Salinger (Franny and Zooey)
β
Don't tell people what you are thinking, or you will miss them terribly when you are away.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I don't even know what I was running forβI guess I just felt like it.
β
β
J.D. Salinger (The Catcher in the Rye)
β
You're lucky if you get time to sneeze in this goddam phenomenal world.
β
β
J.D. Salinger (Franny and Zooey)
β
I used to think she was quite intelligent , in my stupidity. The reason I did was because she knew quite a lot about the theater and plays and literature and all that stuff. If somebody knows quite a lot about all those things, it takes you quite a while to find out whether they're really stupid or not.
β
β
J.D. Salinger (The Catcher in the Rye)
β
A cop? You married a bloody cop?"
"I married a bloody criminal," Eve muttered, "but nobody ever thinks of that.
β
β
J.D. Robb (Vengeance in Death (In Death, #6))
β
I know he's dead! Don't you think I know that? I can still like him, though, can't I? Just because somebody's dead, you don't just stop liking them, for God's sake β especially if they were about a thousand times nicer than the people you know that're alive and all.
β
β
J.D. Salinger (The Catcher in the Rye)
β
This is a people shooting hat," I said. "I shoot people in this hat.
β
β
J.D. Salinger (The Catcher in the Rye)
β
Anyway, I'm sort of glad they've got the atomic bomb invented. If there's ever another war, I'm going to sit right the hell on top of it. I'll volunteer for it, I swear to God I will.
β
β
J.D. Salinger (The Catcher in the Rye)
β
If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddamn place. You're the only reason I'm around, practically.
β
β
J.D. Salinger (The Catcher in the Rye)
β
It always smelled like it was raining outside, even if it wasn't, and you were in the only nice, dry, cosy place in the world.
β
β
J.D. Salinger (The Catcher in the Rye)
β
Do little pink fairies sing and dance in your world, Peabody?"
"Sometimes, when it's very quiet and no one else can see.
β
β
J.D. Robb (Promises in Death (In Death, #28))
β
I privately say to you, old friend... please accept from me this unpretentious bouquet of early-blooming parentheses: (((()))).
β
β
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
β
Lord, Give me the strength not to bitch slap this woman.
β
β
J.D. Robb
β
Sometimes I see me dead in the rain.
β
β
J.D. Salinger (Franny and Zooey)
β
I mean they don't seem able to love us just the way we are. They don't seem able to love us unless they can keep changing us a little bit. They love their reasons for loving us almost as much as they love us, and most of the time more.
β
β
J.D. Salinger (Nine Stories)
β
We're standing here, beat to shit, walking away from a crime scene where either or both of us could have bought it, and you're asking me to marry you?"
"Perfect timing.
β
β
J.D. Robb (Glory in Death (In Death, #2))
β
I think, even, if I ever die, and they stick me in a cemetery, and I have a tombstone and all, it'll say 'Holden Caulfield' on it, and then what year I was born and what year I died, and then right under that it'll say 'Fuck you.' I'm positive, in fact.
β
β
J.D. Salinger (The Catcher in the Rye)
β
This fall I think you're riding forβit's a special kind of fall, a horrible kind. The man falling isn't permitted to feel or hear himself hit bottom. He just keeps falling and falling. The whole arrangement's designed for men who, at some time or other in their lives, were looking for something their own environment couldn't supply them with. Or they thought their own environment couldn't supply them with. So they gave up looking. They gave it up before they ever really even got started.
β
β
J.D. Salinger (The Catcher in the Rye)
β
There it was, Eve supposed. There was the answer to why people got tangled up with people. Because when you were down, when you were wallowing, someone you mattered to would ask if you were okay.
β
β
J.D. Robb (Promises in Death (In Death, #28))
β
If I were God, I certainly wouldn't want people to love me sentimentally. It's too unreliable.
β
β
J.D. Salinger (Nine Stories)
β
Do you think the penis ever gets tired?"
Whose?
Anybody's. I mean anybody with one. Does the penis ever just think: for God's sake pal, give it a rest? Or is it all: Woo-who!! Here we go again!
β
β
J.D. Robb (Fantasy in Death (In Death, #30))
β
She said she knew she was able to fly because when she came down she always had dust on her fingers from touching the light bulbs.
β
β
J.D. Salinger (Franny and Zooey)
β
I wouldn't exactly describe her as strictly beautiful. She knocked me out, though.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I knew it wasn't too important, but it made me sad anyway.
β
β
J.D. Salinger (The Catcher in the Rye)
β
Life is never as long as we want it to be, and wasted time can never be recovered.
β
β
J.D. Robb (Divided in Death (In Death, #18))
β
I know you love me, but I don't know why. I look at you and I just can't get why it's me. Every time I get my balance, I lose it again. Because it shouldn't be me, and I think it'd kill me if you ever figured that out.
β
β
J.D. Robb
β
The best thing, though, in that museum was that everything always stayed right where it was. Nobody'd move. You could go there a hundred thousand times, and that Eskimo would still be just finished catching those two fish, the birds would still be on their way south, the deers would still be drinking out of that water hole, with their pretty antlers and they're pretty, skinny legs, and that squaw with the naked bosom would still be weaving that same blanket. Nobody's be different. The only thing that would be different would be you. Not that you'd be so much older or anything. It wouldn't be that, exactly. You'd just be different, that's all. You'd have an overcoat this time. Or the kid that was your partner in line the last time had got scarlet fever and you'd have a new partner. Or you'd have a substitute taking the class, instead of Miss Aigletinger. Or you'd heard your mother and father having a terrific fight in the bathroom. Or you'd just passed by one of those puddles in the street with gasoline rainbows in them. I mean you'd be different in some wayβI can't explain what I mean. And even if I could, I'm not sure I'd feel like it.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I want to see you again." He stopped, took her face in his hands. "I need to see you again."
Her pulse jumped, as if it had nothing to do with the rest of her. "Roarke, what's going on here?"
"Lieutenant." He leaned forward, touched his lips to hers. "indications are we're having a romance.
β
β
J.D. Robb (Naked in Death (In Death, #1))
β
Then the carousel started, and I watched her go round and round...All the kids tried to grap for the gold ring, and so was old Phoebe, and I was sort of afraid she's fall off the goddam horse, but I didn't say or do anything. The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it is bad to say anything to them.
β
β
J.D. Salinger (The Catcher in the Rye)
β
If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete β that's what scares me. That's why I quit the Theatre Department. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a splash.
β
β
J.D. Salinger (Franny and Zooey)
β
I live in New York, and I was thinking about the lagoon in Central Park, down near Central Park South. I was wondering if it would be frozen over when I got home, and if it was, where did the ducks go? I was wondering where the ducks went when the lagoon got all icy and frozen over. I wondered if some guy came in a truck and took them away to a zoo or something. Or if they just flew away.
β
β
J.D. Salinger (The Catcher in the Rye)
β
She was terrific to hold hands with. Most girls if you hold hands with them, their goddam hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they'd bore you or something. Jane was different. We'd get into a goddam movie or something, and right away we'd start holding hands, and we wouldn't quit till the movie was over. And without changing the position or making a big deal out of it. You never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were.
β
β
J.D. Salinger (The Catcher in the Rye)
β
A complete stranger has the capacity to alter the life of another irrevocably. This domino effect has the capacity to change the course of an entire world. That is what life is; a chain reaction of individuals colliding with others and influencing their lives without realizing it. A decision that seems miniscule to you, may be monumental to the fate of the world.
β
β
J.D. Stroube (Caged by Damnation (Caged, #2))
β
I donβt think it would have all got me quite so down if just once in a whileβjust once in a whileβthere was at least some polite little perfunctory implication that knowledge should lead to wisdom, and that if it doesn't, it's just a disgusting waste of time! But there never is! You never even hear any hints dropped on a campus that wisdom is supposed to be the goal of knowledge. You hardly ever even hear the word 'wisdom' mentioned!
β
β
J.D. Salinger (Franny and Zooey)
β
That's the whole trouble. You can't ever find a place that's nice and peaceful, because there isn't any. You may think there is, but once you get there, when you're not looking, somebody'll sneak up and write "Fuck you" right under your nose. Try it sometime. I think, even, if I ever die, and they stick me in a cemetery, and I have a tombstone and all, it'll say "Holden Caulfield" on it, and then what year I was born and what year I died, and then right under that it'll say "Fuck you." I'm positive, in fact.
β
β
J.D. Salinger (The Catcher in the Rye)
β
I figured I could get a job at a filling station somewhere, putting gas and oil in people's cars. I didn't care what kind of job it was, though. Just so people didn't know me and I didn't know anybody. I thought what I'd do was, I'd pretend I was one of those deaf-mutes. That way I wouldn't have to have any goddam stupid useless conversations with anybody. If anybody wanted to tell me something, they'd have to write it on a piece of paper and shove it over to me. They'd get bored as hell doing that after a while, and then I'd be through with having conversations for the rest of my life. Everybody'd think I was just a poor deaf-mute bastard and they'd leave me alone.
β
β
J.D. Salinger (The Catcher in the Rye)
β
There are people in the world, who are just wrong, and then there are the masses of population that are right, or at the very least they lie in the veil of between. I on the other hand, do not belong to any group. I donβt exist. Itβs not that I donβt have substance; I have a body like everyone else. I can feel the fire when it burns against my skin, the rain when it caresses my face and the breeze as it fingers my hair. I have all the senses that other people do. I am just empty, inside.
β
β
J.D. Stroube (Caged in Darkness (Caged, #1))
β
We all have our little solipsistic delusions, ghastly intuitions of utter singularity: that we are the only one in the house who ever fills the ice-cube tray, who unloads the clean dishwasher, who occasionally pees in the shower, whose eyelid twitches on first dates; that only we take casualness terribly seriously; that only we fashion supplication into courtesy; that only we hear the whiny pathos in a dogβs yawn, the timeless sigh in the opening of the hermetically-sealed jar, the splattered laugh in the frying egg, the minor-D lament in the vacuumβs scream; that only we feel the panic at sunset the rookie kindergartner feels at his motherβs retreat. That only we love the only-we. That only we need the only-we. Solipsism binds us together, J.D. knows. That we feel lonely in a crowd; stop not to dwell on whatβs brought the crowd into being. That we are, always, faces in a crowd.
β
β
David Foster Wallace (Girl with Curious Hair)
β
I thought what I'd do was, I'd pretend I was one of those deaf-mutes. That way I wouldn't have to have any goddam stupid useless conversations with anybody. If anybody wanted to tell me something, they'd have to write it on a piece of paper and shove it over to me. They'd get bored as hell doing that after a while, and then I'd be through with having conversations for the rest of my life. Everybody'd think I was just a poor deaf-mute bastard and they'd leave me alone . . . I'd cook all my own food, and later on, if I wanted to get married or something, I'd meet this beautiful girl that was also a deaf-mute and we'd get married. She'd come and live in my cabin with me, and if she wanted to say anything to me, she'd have to write it on a piece of paper, like everybody else
β
β
J.D. Salinger (The Catcher in the Rye)