Jar Of Hope Quotes

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Truth or Dare,” he says. He always knows the exact right thing to say. “Dare.” “Coward. Okay, I dare you to eat the entire jar of hot mustard I have in my fridge.” “I was hoping for a sexy dare.” “I’ll get you a spoon.” “Truth.
Sally Thorne (The Hating Game)
My husband, Andrius, says that evil will rule until good men or women choose to act. I believe him. This testimony was written to create an absolute record, to speak in a world where our voices have been extinguished. These writing may shock or horrify you, but that is not my intention. It is my greatest hope that the pages in this jar stir your deepest well of human compassion. I hope they prompt you to do something, to tell somone. Only then can we ensure that this kind of evil is never allowed to repeat itself.
Ruta Sepetys (Between Shades of Gray)
I had hoped, at my departure, I would feel sure and knowledgeable about everything that lay ahead -- after all, I had been "analyzed." Instead, all I could see were question marks.
Sylvia Plath (The Bell Jar)
I need more than anything right now what is, of course, most impossible, someone to love me, to be with me at night when I wake up in shuddering horror and fear of the cement tunnels leading down to the shock room, to comfort me with an assurance that no psychiatrist can quite manage to convey.
Sylvia Plath (The Journals of Sylvia Plath)
I picked up Pandora's jar. The spirit of Hope fluttered inside, trying to warm the cold container. "Hestia," I said, "I give this to you as an offering." The goddess tilted her head. "I am the least of the gods. Why would you trust me with this?" "You're the last Olympian," I said. "And the most important." "And why is that, Percy Jackson?" "Because Hope survives best at the hearth," I said. "Guard it for me, and I won't be tempted to give up again.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
The Shift hasn't happened yet, maybe it never will, but sometimes-just enough times to give me hope-my brain jars back into where it's supposed to be.
Ned Vizzini (It's Kind of a Funny Story)
What Pandora did not know was that, when she shut the lid of the jar so hastily, she for ever imprisoned inside one last daughter of Nyx. One last little creature was left behind to beat its wings hopelessly in the jar for ever. Its name was ELPIS, Hope.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
Hope your new boots are fast Bella. One little jar isn't going to keep a hungry bear occupied for long." "I only have to be faster than you.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
A song of despair The memory of you emerges from the night around me. The river mingles its stubborn lament with the sea. Deserted like the dwarves at dawn. It is the hour of departure, oh deserted one! Cold flower heads are raining over my heart. Oh pit of debris, fierce cave of the shipwrecked. In you the wars and the flights accumulated. From you the wings of the song birds rose. You swallowed everything, like distance. Like the sea, like time. In you everything sank! It was the happy hour of assault and the kiss. The hour of the spell that blazed like a lighthouse. Pilot's dread, fury of blind driver, turbulent drunkenness of love, in you everything sank! In the childhood of mist my soul, winged and wounded. Lost discoverer, in you everything sank! You girdled sorrow, you clung to desire, sadness stunned you, in you everything sank! I made the wall of shadow draw back, beyond desire and act, I walked on. Oh flesh, my own flesh, woman whom I loved and lost, I summon you in the moist hour, I raise my song to you. Like a jar you housed infinite tenderness. and the infinite oblivion shattered you like a jar. There was the black solitude of the islands, and there, woman of love, your arms took me in. There was thirst and hunger, and you were the fruit. There were grief and ruins, and you were the miracle. Ah woman, I do not know how you could contain me in the earth of your soul, in the cross of your arms! How terrible and brief my desire was to you! How difficult and drunken, how tensed and avid. Cemetery of kisses, there is still fire in your tombs, still the fruited boughs burn, pecked at by birds. Oh the bitten mouth, oh the kissed limbs, oh the hungering teeth, oh the entwined bodies. Oh the mad coupling of hope and force in which we merged and despaired. And the tenderness, light as water and as flour. And the word scarcely begun on the lips. This was my destiny and in it was my voyage of my longing, and in it my longing fell, in you everything sank! Oh pit of debris, everything fell into you, what sorrow did you not express, in what sorrow are you not drowned! From billow to billow you still called and sang. Standing like a sailor in the prow of a vessel. You still flowered in songs, you still brike the currents. Oh pit of debris, open and bitter well. Pale blind diver, luckless slinger, lost discoverer, in you everything sank! It is the hour of departure, the hard cold hour which the night fastens to all the timetables. The rustling belt of the sea girdles the shore. Cold stars heave up, black birds migrate. Deserted like the wharves at dawn. Only tremulous shadow twists in my hands. Oh farther than everything. Oh farther than everything. It is the hour of departure. Oh abandoned one!
Pablo Neruda
TB is like living with a bomb in your lungs. You just lie around very quietly hoping it won't go off
Sylvia Plath (The Bell Jar)
You know, I've learned that you can't make someone love you. All you can do is stalk them, hope they panic, and give in.
Allison Morgan (The Someday Jar)
Connor bangs his head back sharply against the wall, hoping to jar loose the bad thoughts clinging to his brain. This is not a good place to be alone with your thoughts. Perhaps that's why Hayden feels compelled to talk.
Neal Shusterman (Unwind (Unwind, #1))
The sight of all the food stacked in those kitchens made me dizzy. It's not that we hadn't enough to eat at home, it's just that my grandmother always cooked economy joints and economy meat loafs and had the habit of saying, the minute you lifted the first forkful to your mouth, "I hope you enjoy that, it cost forty-one cents a pound," which always made me feel I was somehow eating pennies instead of Sunday roast.
Sylvia Plath (The Bell Jar)
We are trained fighting machines. Peace is not an option for us. We’re jarheads. What the hell do we know about peace?
Jason Medina (No Hope For The Hopeless At Kings Park)
Have we not all, amid life's petty strife, Some pure ideal of a noble life That once seemed possible? Did we not hear The flutter of its wings, and feel it near, And just within our reach? It was. And yet We lost it in this daily jar and fret, And now live idle in a vague regret. But still our place is kept, and it will wait, Ready for us to fill it, soon or late: No star is ever lost we once have seen, We always may be what we might have been. Since Good, though only thought, has life and breath, God's life--can always be redeemed from death; And evil, in its nature, is decay, And any hour can blot it all away; The hopes that lost in some far distance seem, May be the truer life, and this the dream.
Adelaide Anne Procter (The Poems of Adelaide A. Procter)
Ask me for money, Peter.” I grabbed his wrists and pushed him against the wall. He looked everywhere but at me, no attempt to free himself. He was definitely stronger than I, but right that second I didn’t care if he was being patronizing. If it forced him to answer me, then patronizing I’d take. “No,” he murmured. “Ask me for money, goddamn you.” I punctuated it with a slam of his wrists, hard enough to jar, but not painful—I hoped. The next time my shirt wouldn’t be there to cushion it. I was that pissed. “I have!” He spat back, easily extricating his hands and pushing me away. I grabbed his arm, turning him around. “For Cai. For sex. Not for you. You’d rather go fuck a bunch of strangers—” “I don’t fuck anyone but Darryl anymore,” he denied. “It’s just a show for a bunch of voyeurs. No one gets hurt.” “I get hurt!” “I don’t have any other way, Austin.” “You have me. Ask me,” I said, hating the pleading sound in my voice. “No.” “Jesus Christ, why the fuck not?” “Because I don’t want you to be a fucking trick!” The shout was so loud I felt the vibrations along my spine.
Dani Alexander (Shattered Glass (Shattered Glass, #1))
Poor, poor Pandora. Zeus sends her off to marry Epimetheus, a not especially bright man she’s never even met, along with a mysterious covered jar. Nobody tells Pandora a word about the jar. Nobody tells her not to open the jar. Naturally, she opens the jar. What else has she got to do? How was she to know that all those dreadful ills would go whooshing out to plague mankind forevermore, and that the only thing left in the jar would be hope?
Liane Moriarty (The Husband's Secret)
my dreams, my works, must wait till after hell I hold my honey and I store my bread In little jars and cabinets of my will. I label clearly, and each latch and lid I bid, Be firm till I return from hell. I am very hungry. I am incomplete. And none can tell when I may dine again. No man can give me any word but Wait, The puny light. I keep eyes pointed in; Hoping that, when the devil days of my hurt Drag out to their last dregs and I resume On such legs as are left me, in such heart As I can manage, remember to go home, My taste will not have turned insensitive To honey and bread old purity could love.
Gwendolyn Brooks (Selected Poems)
I have no use for these other loves. Seal them shut in jars and place them in the pantry. A reserve of love. Thank them for their love. They are so kind. Perhaps store them in the fridge For others to take. They say love is a panacea. I know it is not. Flakes of snow, no two are alike. When I am down on my knees, hopeless and angry, for the world no longer makes sense, I won't look in the pantry or fridge. It is your hand pressing on my shoulder that makes me whole, makes me forget. What trouble? What world?
Kamand Kojouri
I hope my message has at least jarred you into rethinking the standard and conventional approaches to living one’s life—get a good job, work hard through endless hours, and then retire in your sixties or seventies and live out your days in your so-called golden years. But I still ask you: Why wait until your health and life energy have begun to wane? Rather than just focusing on saving up for a big pot full of money that you will most likely not be able to spend in your lifetime, live your life to the fullest now: Chase memorable life experiences, give money to your kids when they can best use it, donate money to charity while you’re still alive. That’s the way to live life. Remember: In the end, the business of life is the acquisition of memories. So what are you waiting for?
Bill Perkins (Die with Zero: Getting All You Can from Your Money and Your Life)
Well, that's what everyone wants, isn't it? Even these people who go out and have their noses shaved down to pencil erasers, and who get implants, and fillers, and who Botox their faces into immobility, they're all in search of the miracle that's going to make them feel like..." She searched for the word. "Like themselves.
Beth Harbison (Hope in a Jar)
There are all sorts of families," Tom's grandmother had remarked, and over the following few weeks Tom became part of the Casson family, as Micheal and Sarah and Derek-from-the-camp had done before him. He immediately discovered that being a member of the family was very different from being a welcome friend. If you were a Casson family member, for example, and Eve drifted in from the shed asking, "Food? Any ideas? Or shall we not bother?" then you either joined in the search of the kitchen cupboards or counted the money in the housekeeping jam jar and calculated how many pizzas you could afford. Also, if you were a family member you took care of Rose, helped with homework (Saffron and Sarah were very strict about homework), unloaded the washing machine, learned to fold up Sarah's wheelchair, hunted for car keys, and kept up the hopeful theory that in the event of a crisis Bill Casson would disengage himself from his artistic life in London and rush home to help.
Hilary McKay (Indigo's Star (Casson Family, #2))
Hope is intrinsically positive in English, but in Greek (and the same with the Latin equivalent, spes) it is not. Since it really means the anticipation of something good or bad, a more accurate translation would probably be ‘expectation’. Before we can worry about whether it’s advantageous to us that it remains in the jar, we first have to decide if it is intrinsically good or bad. This is a genuinely complex linguistic and philosophical puzzle. No wonder it’s easier to just blame Pandora.
Natalie Haynes (Pandora's Jar: Women in the Greek Myths)
The eyes and faces all turned themselves towards me, and guiding myself by them, as by a magical thread, I stepped into the room.
Sylvia Plath (The Bell Jar)
Is everybody else sick too?' I asked with some hope.
Sylvia Plath (The Bell Jar)
As the love of him who is love transcends ours as the heavens are higher than the earth, so must he desire in his child infinitely more than the most jealous love of the best mother can desire in hers. He would have him rid of all discontent, all fear, all grudging, all bitterness in word or thought, all gauging and measuring of his own with a different rod from that he would apply to another's. He will have no curling of the lip; no indifference in him to the man whose service in any form he uses; no desire to excel another, no contentment at gaining by his loss. He will not have him receive the smallest service without gratitude; would not hear from him a tone to jar the heart of another, a word to make it ache, be the ache ever so transient.
George MacDonald (Hope of the Gospel)
Black Girl Magic is a wily cat to some. A unicorn of myth for others. But to those who can wrangle it into submission, it is hope found at the bottom of a jar of quarters. Use in case of an emergency.
N.D. Jones (The Color of My Resilience: A Guided Self-Care Journal for Black Women (Resilience, #2))
The failure of his mission is assured from the moment he undertakes it. There is something cripplingly true about this, isn’t there? That we are so often the authors of our own misfortunes because of the same qualities which makes us brave, or hopeful, or loving in the first place. This Orpheus hasn’t been gripped by madness, he has been afflicted by fear. And because the fear eventually overwhelms him, the thing he feared comes true.
Natalie Haynes (Pandora's Jar: Women in the Greek Myths)
Symbolic value of the pickling process: all the six hundred million eggs which gave birth to the population of India could fit inside a single, standard-sized pickle-jar; six hundred million spermatozoa could be lifted on a single spoon. Every pickle-jar (you will forgive me if I become florid for a moment) contains, therefore, the most exalted of possibilities: the feasibility of the chutnification of history; the grand hope of the pickling of time!
Salman Rushdie (Midnight’s Children)
I know the mall is just a lot of fake plants and fake food and people buying crap for too much money, and at Christmas people pay for their kids to talk to Santa, learning greed the way some kids learn piano. I know all that. I can hear the Muzak, smell the waffle fries. Like everybody else, I walk around stuck inside a cliche, like we're stars of some TV show we plan to watch later, if nothing else is on. But still, there's something hopeful about this place, too, and maybe it takes having a crazy mother to get that. People buy stuff, because they think they are going to need it, because they think their lives are going to keep skipping down the same old path, and I want so much for that to be true for them that it nearly makes me cry. The mall says, Nothing is terrible. The mall says, Life is small and adequate.
Heather Hepler (Jars of Glass)
I found the right (Valentine) card to send her. On the cover there were hearts, and it said, "Here's hoping you'll soon have something big and strong around the house to open those tight jar lids." Inside was a picture of a pipe wrench.
Barbara Kingsolver
All will go to plan, Paige. You should not give up hope." He looked at the stage. "Hope is the one thing that might still save us all." I followed his gaze. The bell jar and the lifeless flowers stood on a covered plinth. "Hope for what?" "Change.
Samantha Shannon
Longing is the absent chatting with the absent. The distant turning toward the distant. Longing is the spring’s thirst for the jar-carrying women, and vice versa. Longing allows distance to recede, as if looking forward, although it may be called hope, were an adventure and a poetic notion. The present tense is hesitant and perplexed, the past tense hangs from a cypress tree standing on its rooted leg behind a hill, enveloped in its dark green, listening intently to one sound only: the sound of the wind. Longing is the sound of the wind
Mahmoud Darwish (In the Presence of Absence)
Cliff says Sylvia Plath's work is very depressing to read, and that his own daughter had recently suffered through The Bell Jar because she is taking an American literature course at Eastern High School. "And you didn't complain to administration?" I asked. "About what?" "About your daughter being forced to read such depressing stories." "No. Of course not. Why would I?" "Because the novel teaches kids to be pessimistic. No hope at the end, no silver lining. Teenagers should be taught that--" "Life is hard, Pat, and children have to be told how hard life can be." "Why?" "So they will be sympathetic to others. So they will understand that some people have it harder than they do and that a trip through this world can be a wildly different experience, depending on what chemicals are raging through one's mind.
Matthew Quick (The Silver Linings Playbook)
It’s that time of the month again… As we head into those dog days of July, Mike would like to thank those who helped him get the toys he needs to enjoy his summer. Thanks to you, he bought a new bass boat, which we don’t need; a condo in Florida, where we don’t spend any time; and a $2,000 set of golf clubs…which he had been using as an alibi to cover the fact that he has been remorselessly banging his secretary, Beebee, for the last six months. Tragically, I didn’t suspect a thing. Right up until the moment Cherry Glick inadvertently delivered a lovely floral arrangement to our house, apparently intended to celebrate the anniversary of the first time Beebee provided Mike with her special brand of administrative support. Sadly, even after this damning evidence-and seeing Mike ram his tongue down Beebee’s throat-I didn’t quite grasp the depth of his deception. It took reading the contents of his secret e-mail account before I was convinced. I learned that cheap motel rooms have been christened. Office equipment has been sullied. And you should think twice before calling Mike’s work number during his lunch hour, because there’s a good chance that Beebee will be under his desk “assisting” him. I must confess that I was disappointed by Mike’s over-wrought prose, but I now understand why he insisted that I write this newsletter every month. I would say this is a case of those who can write, do; and those who can’t do Taxes. And since seeing is believing, I could have included a Hustler-ready pictorial layout of the photos of Mike’s work wife. However, I believe distributing these photos would be a felony. The camera work isn’t half-bad, though. It’s good to see that Mike has some skill in the bedroom, even if it’s just photography. And what does Beebee have to say for herself? Not Much. In fact, attempts to interview her for this issue were met with spaced-out indifference. I’ve had a hard time not blaming the conniving, store-bought-cleavage-baring Oompa Loompa-skinned adulteress for her part in the destruction of my marriage. But considering what she’s getting, Beebee has my sympathies. I blame Mike. I blame Mike for not honoring the vows he made to me. I blame Mike for not being strong enough to pass up the temptation of readily available extramarital sex. And I blame Mike for not being enough of a man to tell me he was having an affair, instead letting me find out via a misdirected floral delivery. I hope you have enjoyed this new digital version of the Terwilliger and Associates Newsletter. Next month’s newsletter will not be written by me as I will be divorcing Mike’s cheating ass. As soon as I press send on this e-mail, I’m hiring Sammy “the Shark” Shackleton. I don’t know why they call him “the Shark” but I did hear about a case where Sammy got a woman her soon-to-be ex-husband’s house, his car, his boat and his manhood in a mayonnaise jar. And one last thing, believe me when I say I will not be letting Mike off with “irreconcilable differences” in divorce court. Mike Terwilliger will own up to being the faithless, loveless, spineless, useless, dickless wonder he is.
Molly Harper (And One Last Thing ...)
What’s all them blue jars for?” I whisper, “Vicks VapoRub. Daddy uses it for everything. Colds, bug bites, cuts, bee stings, dry skin, bruises, headaches, sore muscles.
Leah Weiss (All the Little Hopes)
It's a trap!
Jar-Jar Binks
But the woman unstopped the jar and let it all out, and brought grim cares upon mankind. Only Hope remained there..
Hesiod
I didn't plan it," she said. "I hoped that we would both just know when it was time... That we'd have one of those moments. Like in the movies, foreign movies, when something small happens, something almost imperceptible, and it changes everything. Like there's a man and a woman having breakfast... and the man reaches for the jam, and the woman says, "I thought you didn't like jam," and the man says, "I didn't. Once." "Or maybe it isn’t even obvious. Maybe he reaches for the jam, and she just looks at him like she doesn't know him anymore. Like, in the moment he reached for that jar, she couldn't recognize him. "After breakfast, he'll go for a walk, and she'll go to their room and pack a slim brown suitcase. She'll stop on the sidewalk and wonder whether she should say good-bye, whether she should leave a note. But she won't. She'll just get into the taxi and go. "He knows as soon as he turns onto their walk that she's gone. But he doesn't turn back. He doesn't regret a single day they spent together, including this one. Maybe he finds one of her ribbons on the stairs...
Rainbow Rowell (Attachments)
Sara gave her the scarf that it would be her last birthday? There were so many unanswered questions. Was Mama partial to the blue-and-black scarf because I gave it to her? Gulping in air and swallowing past the lump in her throat, Sara couldn’t hold back her tears any more than she could all the others she had shed since her mother’s death. Watching Mama slip away so fast had
Wanda E. Brunstetter (The Hope Jar, SAMPLE)
It sometimes seems to rub people the wrong way to say anything sympathetic about humanity, positive about our potential influence on Earth or hopeful about our future. How could you not be shocked and alarmed by our jarring, accelerating influence on this planet? We rightfully feel some deep regret, and some shame, at how we have (not) managed ourselves. However, our obligation now is to move beyond just lamenting the job we’ve done as reluctant, incompetent planet-shapers. We have to face the fact that we’ve become a planetary force, and figure out how to be a better one.
David Grinspoon (Earth in Human Hands: Shaping Our Planet's Future)
All Carolina folk are crazy for mayonnaise, mayonnaise is as ambrosia to them, the food of their tarheeled gods. Mayonnaise comforts them, causes the vowels to slide more musically along their slow tongues, appeasing their grease-conditioned taste buds while transporting those buds to a place higher than lard could ever hope to fly. Yellow as summer sunlight, soft as young thighs, smooth as a Baptist preacher's rant, falsely innocent as a magician's handkerchief, mayonnaise will cloak a lettuce leaf, some shreds of cabbage, a few hunks of cold potato in the simplest splendor, restyling their dull character, making them lively and attractive again, granting them the capacity to delight the gullet if not the heart. Fried oysters, leftover roast, peanut butter: rare are the rations that fail to become instantly more scintillating from contact with this inanimate seductress, this goopy glory-monger, this alchemist in a jar. The mystery of mayonnaise-and others besides Dickie Goldwire have surely puzzled over this_is how egg yolks, vegetable oil, vinegar (wine's angry brother), salt, sugar (earth's primal grain-energy), lemon juice, water, and, naturally, a pinch of the ol' calcium disodium EDTA could be combined in such a way as to produce a condiment so versatile, satisfying, and outright majestic that mustard, ketchup, and their ilk must bow down before it (though, a at two bucks a jar, mayonnaise certainly doesn't put on airs)or else slink away in disgrace. Who but the French could have wrought this gastronomic miracle? Mayonnaise is France's gift to the New World's muddled palate, a boon that combines humanity's ancient instinctive craving for the cellular warmth of pure fat with the modern, romantic fondness for complex flavors: mayo (as the lazy call it) may appear mild and prosaic, but behind its creamy veil it fairly seethes with tangy disposition. Cholesterol aside, it projects the luster that we astro-orphans have identified with well-being ever since we fell from the stars.
Tom Robbins (Villa Incognito)
When asked how much time she invested in taking care of her body, Edith Enders, married to an abusive husband, scrawled, “not as much as I would were I a free citizen or as I did before I was in bondage to a despot.
Kathy Peiss (Hope in a Jar: The Making of America's Beauty Culture)
...as hope comforts us, it becomes easier and easier to forget that it too was in the jar that Pandora carried. It's the one horror of the world that wasn't loosed when she opened the lid. It's the one horror that lives in us.
Dathan Auerbach (Bad Man)
I don't have anything as exotic as saffron. I hope a jar of blackberry jam will do. As you know, I write often about picking wild native blackberries. It's a chore since they're not easy game like the big purple bubbles that grow all over the sides of the road around here. Whenever I set out to hunt for a hidden patch in an old clear-cut, Francis accuses me of looking like a hobo with my canvas sunhat, khaki trousers, and Folgers cans tied over my shoulders. I don't care. When I'm in the brambles, I'm happy as a clam at high tide. Just writing to you about it makes me wish for July mornings. There's always a perfect moment when the sun strikes the bushes and a deep, sweet, earthy smell rises into the air.
Kim Fay (Love & Saffron)
I think of the beauty in the obvious, the way it forces us to admit how it exists, the way it insists on being pointed out like a bloody nose, or how every time it snows there is always someone around to say, “It’s snowing.” But the obvious isn’t showing off, it’s only reminding us that time passes, and that somewhere along the way we grow up. Not perfect, but up and out. It teaches us something about time, that we are all ticking and tocking, walking the fine line between days and weeks, as if each second speaks of years, and each month has years listening to forever but never hearing anything beyond centuries swallowed up by millenniums, as if time was calculating the sums needed to fill the empty belly of eternity. We so seldom understand each other. But if understanding is neither here nor there, and the universe is infinite, then understand that no matter where we go, we will always be smack dab in the middle of nowhere. All we can do is share some piece of ourselves and hope that it’s remembered. Hope that we meant something to someone. My chest is a cannon that I have used to take aim and shoot my heart upon this world. I love the way an uncurled fist becomes a hand again, because when I take notes, I need it to underline the important parts of you: happy, sad, lovely. Battle cry ballistic like a disaster or a lipstick earthquaking and taking out the monuments of all my hollow yesterdays. We’ll always have the obvious. It reminds us who, and where we are, it lives like a heart shape, like a jar that we hand to others and ask, “Can you open this for me?” We always get the same answer: “Not without breaking it.” More often than sometimes, I say go for it.
Shane L. Koyczan (Remembrance Year)
For instance, the headmistress, Miss Moore. I knew right away that she had come to Antigua from England, for she looked like a prune left out of its jar a long time and she sounded as if she had borrowed her voice from an owl. The way she said, "Now, girls. . ." When she was just standing still there, listening to some of the other activities, her gray eyes going all around the room hoping to see something wrong, her throat would beat up and down as if a fish fresh out of water were caught up inside.
Jamaica Kincaid (Annie John)
And I thought of how my mother and brother and friends would visit me, day after day, hoping I would be better. Then their visits would slacken off, and they would give up hope. They would grow old. They would forget me... The more hopeless you were, the further away they hid you.
Sylvia Plath (The Bell Jar)
—so much more opportunity now." Her voice trails off. "Hurrah for women's lib, eh?" "The lib?" Impatiently she leans forward and tugs the serape straight. "Oh, that's doomed." The apocalyptic word jars my attention. "What do you mean, doomed?" She glances at me as if I weren't hanging straight either and says vaguely, "Oh …" "Come on, why doomed? Didn't they get that equal rights bill?" Long hesitation. When she speaks again her voice is different. "Women have no rights, Don, except what men allow us. Men are more aggressive and powerful, and they run the world. When the next real crisis upsets them, our so-called rights will vanish like—like that smoke. We'll be back where we always were: property. And whatever has gone wrong will be blamed on our freedom, like the fall of Rome was. You'll see." Now all this is delivered in a gray tone of total conviction. The last time I heard that tone, the speaker was explaining why he had to keep his file drawers full of dead pigeons. "Oh, come on. You and your friends are the backbone of the system; if you quit, the country would come to a screeching halt before lunch." No answering smile. "That's fantasy." Her voice is still quiet. "Women don't work that way. We're a—a toothless world." She looks around as if she wanted to stop talking. "What women do is survive. We live by ones and twos in the chinks of your world-machine." "Sounds like a guerrilla operation." I'm not really joking, here in the 'gator den. In fact, I'm wondering if I spent too much thought on mahogany logs. "Guerrillas have something to hope for." Suddenly she switches on a jolly smile. "Think of us as opossums, Don. Did you know there are opossums living all over? Even in New York City." I smile back with my neck prickling. I thought I was the paranoid one. "Men and women aren't different species, Ruth. Women do everything men do." "Do they?" Our eyes meet, but she seems to be seeing ghosts between us in the rain. She mutters something that could be "My Lai" and looks away. "All the endless wars …" Her voice is a whisper. "All the huge authoritarian organizations for doing unreal things. Men live to struggle against each other; we're just part of the battlefield. It'll never change unless you change the whole world. I dream sometimes of—of going away—" She checks and abruptly changes voice. "Forgive me, Don, it's so stupid saying all this." "Men hate wars too, Ruth," I say as gently as I can. "I know." She shrugs and climbs to her feet. "But that's your problem, isn't it?" End of communication. Mrs. Ruth Parsons isn't even living in the same world with me.
James Tiptree Jr.
I became convinced that I was being watched. Because self was still leaking everywhere, a part of me began to think it was Mizuko rather than a stranger. I hoped that there might still be a reunion. I hoped it in the shy, sly way hope comes out of the jar, the mistranslated box, last—after everything and everyone else has escaped.
Olivia Sudjic (Sympathy)
It's not that we hadn't enough to eat at home, it's just that my grandmother always cooked economy joints and economy meat loafs and had the habit of saying, the minute you lifted the first forkful to your mouth, 'I hope you enjoy that, it cost forty-one cents a pound,' which always made me feel I was somehow eating pennies instead of Sunday roast.
Sylvia Plath (The Bell Jar)
Modern dating is like hosting for a dinner that has been pushed back from 7pm to 9pm. You do not want to put the duck in the oven too early and you don't want to eat a full meal while you're waiting for your late dinner. But you also get hungry in the meantime. You decide to snack. You start out pretty healthy with some baby carrots, then decide those carrots need some ranch, shift to something more substantial like a hotpocket, and next thing you know you're eating nutella out of the jar. The demise in the quality of the food does not sit well with you and suddenly you're wondering why you decided to snack in the first place. Such is the life of the modern single who hopes to find love but not too soon.
Ty Tashiro (Awkward: The Science of Why We're Socially Awkward and Why That's Awesome)
Sons and daughters. The thought jarred him. As quickly as hopelessness had overtaken him, it disappeared. He glanced at Annabeth. She still looked like a misty corpse, but he imagined her true appearance--her gray eyes full of determination, her blond hair pulled back in a bandana, her face weary and streaked with grime, but as beautiful as ever. Okay, maybe monsters kept coming back forever. But so did demigods. Generation after generation, Camp Half-Blood had survived. Now, if the Greeks and Romans could come together, they would be even stronger. There was still hope. He and Annabeth had come this far. The Doors of Death were almost within reach. Sons and daughters. A ridiculous thought. An awesome thought. Right there in the middle of Tartarus, Percy grinned.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
Save for the accident of her low birth, Peg might have been a person of fashion; a vibrant beauty, painted by an academician in oils. Intending to make a quick end to it, I started mixing the lily green I had made especially from crushed flowers, hoping exactly to tint her eyes, rattling my tiny brush in the jar. Then I subjected her to my closest gaze. "Your eyes," I said, musingly. "They are a very unusual green; in different lights they reflect brown and blue. Do they perhaps reflect whatever light falls on them?" Peg replied that she couldn't say. "Do, please, sit very still." I looked very hard, then used my green with a wash of yellow ochre to tint the iris, and a ring of burnt umber. A pinprick of white titanium gave them startling life. I was happy with them; surely even Peg would admire her lively cat-like eyes.
Martine Bailey (A Taste for Nightshade)
The sight of all the food stacked in those kitchens made me dizzy. It’s not that we hadn’t enough to eat at home, it’s just that my grandmother always cooked economy joints and economy meat loafs and had the habit of saying, the minute you lifted the first forkful to your mouth, “I hope you enjoy that, it cost forty-one cents a pound,” which always made me feel I was somehow eating pennies instead of Sunday roast.
Sylvia Plath (The Bell Jar)
Lying there now he was all-in-all content. On the other hand-- and Brymmer had a headful of Other Hands (always reaching into the cookie jar and stealing all the Mallomars)--on that other hand, he was perfectly aware that contentment always existed in direct inverse proportion to his lack of expectation. Expecting nothing, Brymmer was content. It was only on the rare, blighted occasions when hope sprung, infernal, that Brymmer knew despair.
Walt Cody (Manhattan Roulette)
The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queen’s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athena’s goblet high and greeted all, but spoke in a beclouded mood: “In all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, man’s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my island’s newest sprouts, I drink not to the gods but to man’s dauntless mind.” All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hunger’s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.
Nikos Kazantzakis (The Odyssey: A Modern Sequel)
Hi, Auntie Sam,” Hope greets her with a smile. “I was hopin’ you’d be here. Me and Mama created a special auntie pie we’re gonna make just for you.” “You did?” Sam asks excitedly and carries Hope over to where Grace stands so she can hug her, too. “Yeah, it’s called Pain In The Ass Pie,” I say with a smirk, earning a glare from her. My mom smacks my shoulder. “Watch your mouth. Especially in front of the kids.” “Don’t worry, Grandma. We’ve heard him say much worse,” Parker tells her, throwing me under the bus. “Yeah,” Hope joins in. “We make a lot of money in the swear jar ’cause of him. Ain’t that right, Mama?
K.C. Lynn (Sweet Love (The Sweet, #1))
Greta's cedar hope chest Is full of pamphlets Glass shelves of romantic vignettes A journal laced with sedimentary prose Norma gathers and collects vintage photoplays Hair combs valentines Lillian allows the animals to scratch And the leather crack And the mail collect in the box as coatings peel Agnes veiled cathedral dweller Smiles with benevolent pain But it's Katrina's fair Tuesday morning As she with caution unlatches the flat door She alone cascades to the basement Careful not to spoil her Calico printed pinafore Composite traits and mannerists All others dissipate Marguerite vigilant She dwells upon frigid casements Sarah's thoughts in high velocity Accusations always pierce and pass Clara abandons her passions for distastes A Miss Lenora P. Sinclair Early for coffee in the pool "I'm resituating all your words" Capital Space Colon Paragraph Sylvia keeps beasts in jars labeled by Kingdom Phylum Class Order Family Genus Species But it's Katrina's fair Tuesday morning As she with caution unlatches the flat door She alone cascades to the basement Careful not to spoil her Calico printed pinafore Composite traits and mannerists All others dissipate Down the way a silk design This face is mine Tis I, Katrina! Katrina, I.
Natalie Merchant
Sometimes Christian good is hard to be around. It’s not of this world, and the juxtaposition jars. For example, Jean Vanier spent seven years in the British navy, starting in 1942. Later in life he noticed the way people with mental disabilities were mistreated and discarded by society into miserable asylums. He visited the asylums and noticed that nobody in them was crying. “When they realize that nobody cares, that nobody will answer them, children no longer cry. It takes too much energy. We cry out only when there is hope that someone may hear us.” He bought a little house near Paris and started a community for the mentally disabled. Before long there were 134 such communities in thirty-five countries. Vanier exemplifies a selflessness that is almost spooky. He thinks and cares so little of himself. He lives as almost pure gift. People who meet him report that this can have an unnerving effect. Vanier walked out of a society that celebrates the successful and the strong to devote his life purely to those who are weak. He did it because he understands his own weakness. “We human beings are all fundamentally the same,” he wrote. “We all belong to a common, broken humanity. We all have wounded, vulnerable hearts. Each one of us needs to feel appreciated and understood; we all need help.
David Brooks (The Second Mountain: The Quest for a Moral Life)
He wonders if it’s some sort of twisted joke the adults are having, shoving hormonal teens into tight quarters but making it impossible to do anything but breathe. “I wouldn’t mind suffocating if it was with you,” the girl says, which is flattering, but makes him even less interested in her. “There’ll be a better time,” he tells her, knowing that such a time will never come—at least not for her—but hope is a powerful motivator. Eventually they settle into a sort of symbiotic breathing rhythm. He breathes in when she breathes out, so their chests don’t fight for space. After a while, there’s a jarring motion. With his arm now around the girl, he holds her a little more tightly, knowing that easing her fear somehow eases his own.
Neal Shusterman (UnWholly (Unwind, #2))
Since most houses today have running water, the ease with which most Americans can give water to a guest obscures the point that everyone in the biblical culture understood: “cold water” came only from the town well or cistern because water in jars at home warmed up very quickly in the heat. Giving a cup of cold water meant inconveniencing yourself and walking to the town well carrying a container, perhaps waiting in line to draw the water, lifting the water up out of the ground, and then carrying the water back to the house—all so someone could quench his thirst. The fact that Christ connects giving cold water with rewards to be received in the future is a powerful testimony to the value of even the most seemingly mundane good works in the eyes of God.
John W. Schoenheit (The Christian's Hope: The Anchor of the Soul)
Ezra asked me to bring you this,' I said and handed him the jar. 'He said you would know what it was.' He took the jar and looked at it. Then he threw it at me. It struck me on the chest or the shoulder and rolled down the stairs. 'You son of a bitch,' he said. 'You bastard.' 'Ezra said you might need it,' I said. He countered that by throwing a milk bottle. 'You are sure you don't need it?' I asked. He threw another milk bottle. I retreated and he hit me with yet another milk bottle in the back. Then he shut the door. I picked up the jar which was only slightly cracked and put it in my pocket. 'He did not seem to want the gift of Monsieur Pound," I said to the concierge. 'Perhaps he will be tranquil now,' she said. 'Perhaps he has some of his own,' I said. 'Poor Monsieur Dunning,' she said. The lovers of poetry that Ezra organized rallied to Dunning's aid again eventually. My own intervention and that of the concierge had been unsuccessful. The jar of alleged opium which had been cracked I stored wrapped in waxed paper and carefully tied in one of an old pair of riding boots. When Evan Shipman and I were removing my personal effects from that apartment some years later the boots were still there but the jar was gone. I do not know why Dunning threw the milk bottles at me unless he remembered my lack of credulity the night of his first dying, or whether it was only an innate dislike of my personality. But I remember the happiness that the phrase 'Monsieur Dunning est monté sur le toit et refuse catégoriquement de descendre' gave to Evan Shipman. He believed there was something symbolic about it. I would not know. Perhaps Dunning took me for an agent of evil or of the police. I only know that Ezra tried to be kind to Dunning as he was kind to so many people and I always hoped Dunning was as fine a poet as Ezra believed him to be. For a poet he threw a very accurate milk bottle. But Ezra, who was a very good poet, played a good game of tennis too. Evan Shipman, who was a very fine poet and who truly did not care if his poems were ever published, felt that it should remain a mystery. 'We need more true mystery in our lives, Hem,' he once said to me. 'The completely unambitious writer and the really good unpublished poem are the things we lack most at this time. There is, of course, the problem of sustenance.
Ernest Hemingway (A Moveable Feast)
SN: how’s your day, Ms. Holmes? Me: Not bad. Yours? SN: good. been doing my homework in listicle form, because, you know, anything to make it more interesting. Me: Do you think college will actually be better? For real? SN: hope so. but then again, I just read about a guy who lost a ball in a frat hazing incident. Me: Seriously? What is wrong with people? SN: can you imagine wanting to be liked so badly that you’d give up one of your testicles? Me: I can neither imagine having testicles nor giving one up. SN: you won’t let me use emojis, but an ‘i heart my testes’ one would be appropriate right about now. Me: You know what I heart? Nutella. And pajama pants. And an awesomesauce book. Not necessarily in that order, but together. SN: awesomesauce? 2012 texted and wants its word back. btw, do you eat the Nutella right out of the jar with a spoon? Me: Used to. Now I share a kitchen with the Others, so I can’t. Wanted to label it, but my dad said that would be rude.
Julie Buxbaum (Tell Me Three Things)
They marched for the sake of the march. They plodded along slowly, dumbly, leaning forward against the heat, unthinking, all blood and bone, simple grunts, soldiering with their legs, toiling up the hills and down into the paddies and across the rivers and up again and down, just humping, one step and then the next and then another, but no volition, no will, because it was automatic, it was anatomy, and the war was entirely a matter of posture and carriage, the hump was everything, a kind of inertia, a kind of emptiness, a dullness of desire and intellect and conscience and hope and human sensibility. Their principles were in their feet. Their calculations were biological. They had no sense of strategy or mission. They searched the villages without knowing what to look for, not caring, kicking over jars of rice, frisking children and old men, blowing tunnels, sometimes setting fires and sometimes not, then forming up and moving on to the next village, then other villages, where it would always be the same.
Tim O'Brien (The Things They Carried)
Just don’t say anything at all, Hennessy told herself, but she’d never been good at listening to advice, even her own. “Dear old mum. What did she teach me? Mmm…Don’t leave cigarettes burning on the piano, never mix pills on a school night, stay single, die young.” Machkowsky’s mouth hardened; she didn’t look up from the art. She said, “I always wondered what it must have been like to be her daughter. So she was no different at home, then?” Hennessy hesitated. “I had hoped her behavior was more of an act,” Machkowsky said. “Performance art. I’m sorry. That must have been difficult.” It was unexpectedly jarring to be seen. Hennessy had not come here to be known. She had not come here for sympathy from a stranger, especially not for a childhood she’d thought only looked appalling from the inside. Did it matter, to know that someone had thought about her in her youthful suffering? She would have liked the answer to be no. It was simpler. But the way her breath felt all tangled up in her throat told her the answer was yes. It mattered.
Maggie Stiefvater (Greywaren (Dreamer Trilogy, #3))
Euterpe,” he blurted, and I stopped dead, jarred to the backbone. “What?” I whispered. “What?” “Lost,” he said, in a voice that wasn’t his own. “Lost. With all hands.” “No,” I said, trying for reason. “No, it’s not.” He looked at me directly then, for the first time, and seized me by the forearm. “Listen to me,” he said, and the pressure of his fingers terrified me. I tried to jerk away but couldn’t. “Listen,” he said again. “I heard it this morning from a naval captain I know. I met him at the coffeehouse, and he was recounting the tragedy. He saw it.” His voice trembled, and he stopped for a moment, firming his jaw. “A storm. He had been chasing the ship, meaning to stop and board her, when the storm came upon them both. His own ship survived and limped in, badly damaged, but he saw the Euterpe swamped by a broaching wave, he said—I have no notion what that is—” He waved away his own digression, annoyed. “She went down before his eyes. The Roberts—his ship—hung about in hopes of picking up survivors.” He swallowed. “There were none.
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
Are you sure you won’t be too bored here, waiting for us to come back? We don’t know how long our time with the Pythia will last; I hope you’ll find something to do.” “Of course I will,” I told him. “I’ll be exploring Delphi.” “No you won’t,” my brothers responded in perfect unison. Then they took turns telling me exactly why I couldn’t do what I wanted. “You wouldn’t be safe,” Castor said. “You’d get lost if you went wandering around the city on your own,” Polydeuces added. “It’s too big.” “Too noisy.” “Too confusing.” “Too busy.” “You could run into the wrong sort of people.” “Dangerous types.” “But sneaky enough so you couldn’t tell they’re dangerous until it’s too late.” “We’re responsible for your safety.” “We have to know where you are at all times.” “It’s not that we don’t trust you, Helen.” “It’s them.” “It’s for your own good.” I flopped down on my bed. “Fine. Go. I’ll stay here,” I told the ceiling. Castor and Polydeuces each grabbed one of my wrists and pulled me back to my feet. “I don’t think so,” Castor said, chuckling. “You’d stay here, all right. You’d stay here just until you saw us go into Apollo’s temple, and then you’d be a little cloud of dust sailing out through the gates.” “You don’t have to come with us,” Polydeuces said. “But if you want to tour this city, you’ll have to do it on our terms.” With that, he left me in Castor’s company. “Where’s he going?” I asked. “Probably to see if the priests of Apollo have an oil jar big enough to stuff you inside for safekeeping.” He winked at me. No matter how much I loved my brothers, I wasn’t in the mood for more teasing. “Aren’t you afraid you’ll insult the Pythia if you don’t go to see her right now? You were summoned. She could foretell terrible fates for the two of you if you keep her waiting.” Castor didn’t seem worried. “If she’s truly blessed with the gift of prophecy, she already knows we’re going to be delayed. And if she can’t foretell that, she’s as much of an oracle as I am, so why should I care what she predicts?” He laughed out loud, then added, “But don’t tell Polydeuces I said that. He’s the devout one.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
I wanted to complain that, no, I wasn’t even close to prepared. I looked at Pandora’s jar and for the first time, I had an urge to open it. Hope seemed pretty useless to me right now. So many of my friends were dead. Rachel was cutting me off. Annabeth was angry with me. My parents were asleep down in the streets somewhere while a monster army surrounded the building. Olympus was on the verge of falling, and I’d seen so many cruel things the gods had done: Zeus destroying Maria di Angelo, Hades cursing the last Oracle, Hermes turning his back on Luke even when he knew his son would become evil. Surrender, Prometheus’s voice whispered in my ear. Otherwise your home will be destroyed. Your precious camp will burn. Then I looked at Hestia. Her red eyes glowed warmly. I remembered the images I’d seen in her hearth – friends and family, everyone I cared about. I remembered something Chris Rodriguez had said: There’s no point in defending camp if you guys die. All our friends are here. And Nico, standing up to his father Hades: If Olympus falls, he said, your own palace’s safety doesn’t matter.
Rick Riordan (Percy Jackson: The Complete Series (Percy Jackson and the Olympians, #1-5))
If loneliness or sadness or happiness could be expressed through food, loneliness would be basil. It’s not good for your stomach, dims your eyes, and turns your mind murky. If you pound basil and place a stone over it, scorpions swarm toward it. Happiness is saffron, from the crocus that blooms in the spring. Even if you add just a pinch to a dish, it adds an intense taste and a lingering scent. You can find it anywhere but you can’t get it at any time of the year. It’s good for your heart, and if you drop a little bit in your wine, you instantly become drunk from its heady perfume. The best saffron crumbles at the touch and instantaneously emits its fragrance. Sadness is a knobby cucumber, whose aroma you can detect from far away. It’s tough and hard to digest and makes you fall ill with a high fever. It’s porous, excellent at absorption, and sponges up spices, guaranteeing a lengthy period of preservation. Pickles are the best food you can make from cucumbers. You boil vinegar and pour it over the cucumbers, then season with salt and pepper. You enclose them in a sterilized glass jar, seal it, and store it in a dark and dry place. WON’S KITCHEN. I take off the sign hanging by the first-floor entryway. He designed it by hand and silk-screened it onto a metal plate. Early in the morning on the day of the opening party for the cooking school, he had me hang the sign myself. I was meaning to give it a really special name, he said, grinning, flashing his white teeth, but I thought Jeong Ji-won was the most special name in the world. He called my name again: Hey, Ji-won. He walked around the house calling my name over and over, mischievously — as if he were an Eskimo who believed that the soul became imprinted in the name when it was called — while I fried an egg, cautiously sprinkling grated Emmentaler, salt, pepper, taking care not to pop the yolk. I spread the white sun-dried tablecloth on the coffee table and set it with the fried egg, unsalted butter, blueberry jam, and a baguette I’d toasted in the oven. It was our favorite breakfast: simple, warm, sweet. As was his habit, he spread a thick layer of butter and jam on his baguette and dunked it into his coffee, and I plunked into my cup the teaspoon laced with jam, waiting for the sticky sweetness to melt into the hot, dark coffee. I still remember the sugary jam infusing the last drop of coffee and the moist crumbs of the baguette lingering at the roof of my mouth. And also his words, informing me that he wanted to design a new house that would contain the cooking school, his office, and our bedroom. Instead of replying, I picked up a firm red radish, sparkling with droplets of water, dabbed a little butter on it, dipped it in salt, and stuck it into my mouth. A crunch resonated from my mouth. Hoping the crunch sounded like, Yes, someday, I continued to eat it. Was that the reason I equated a fresh red radish with sprouting green tops, as small as a miniature apple, with the taste of love? But if I cut into it crosswise like an apple, I wouldn't find the constellation of seeds.
Kyung-ran Jo (Tongue)
We reached the bushes beside the porch without being seen. Crouched in the dirt, we were so close I could have reached up and grabbed Hannah’s ankle. To keep from giggling, Theo pressed his hands over his mouth. Sick with jealousy, I watched John put his arm around Hannah and draw her close. As his lips met hers, I felt Theo jab my side. I teetered and lost my balance. The bushes swayed, the leaves rustled, a twig snapped under my feet. “Be quiet,” Theo hissed in my ear. “Do you want to get us killed?” We backed out of the bushes, hoping to escape, but it was too late. Leaving John in the swing, Hannah strode down the porch steps, grabbed us each by an ear, and shook us like rats. “Can’t a body have a second of privacy?” Theo and I begged her to forgive us, but Hannah’s dander was up. If she hadn’t noticed the fireflies under our shirts, I don’t know what she would’ve done to us. Snatching my jar, she gazed at my captives. The flickering glow lit her face. I wanted to tell her she was beautiful, I wanted to tell her I’d love her forever, but all I could say was “These are for you, I caught them just for you, Hannah.” “Poor things,” she said softly, her temper gone without a trace. “I’ll have to let them go, Andrew. They’ll die if I don’t.” Before I could stop her, she removed the lid and held the jar high over her head. “Fly away, fly away,” she cried. Like sparks from a bonfire, the fireflies escaped in a sparkling green mist. Theo handed his jar to Hannah. “Set mine free too.” In moments, Theo’s fireflies rose and scattered across the dark sky. “They’re going to the moon,” Theo shouted. “They’re going to the stars!” “I wish I could send the pair of you with them,” Hannah muttered. “Maybe I’d have some peace and quiet then.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
A veritable pacifist when it comes to social guilds or luncheon clubs, I turn into something of a militant on the subject of the only true and living Church on the face of the earth. . . . Setting aside for a time the heavenly host we hope one day to enjoy, I still choose the church of Jesus Christ to fill my need to be needed--here and now, as well as there and then. When public problems or private heartaches come--as surely they do come--I will be most fortunate if in that hour I find myself in the company of Latter-day Saints. . . . When asked "What can I know?" a Latter-day Saint answers, "All that God knows." When asked "What ought I to do?" his disciples answer, "Follow the Master." When asked "What may I hope?" an entire dispensation declares, "Peace in this world, and eternal life in the world to come" (D&C 59:23), indeed ultimately for "all that [the] Father hath" (D&C 84:38). Depressions and identity crises have a hard time holding up under that response. . . . We cannot but wonder what frenzy the world would experience if a chapter of the Book of Mormon or a section of the Doctrine and Covenants or a conference address by President Spencer W. Kimball were to be discovered by some playful shepherd boy in an earthen jar near the Dead Sea caves of Qumran. The beneficiaries would probably build a special shrine in Jerusalem to house it, being very careful to regulate temperatures and restrict visitors. They would undoubtedly protect against earthquakes and war. Surely the edifice would be as beautiful as the contents would be valuable; its cost would be enormous, but its worth would be incalculable. Yet for the most part we have difficulty giving away copies of sacred scripture much more startling in their origin. Worse yet, some of us, knowing of the scriptures, have not even tried to share them, as if an angel were an every-day visitor and a prophet just another man in the street. We forget that our fathers lived for many centuries without priesthood power or prophetic leadership, and "dark ages" they were indeed.
Jeffrey R. Holland
You aren’t worried about tomorrow, are you?” “What do you think?” He propped himself up on his elbows and studied my face. “You told me last spring it was the easiest thing in the whole wide world. You could hardly wait to jump. Why, even when you got sick you worried you’d die without having a chance to do it.” “I must have been a raving lunatic,” I muttered. Theo scowled, but the sound of a Model T chugging up the driveway stopped him from saying more. Its headlamps lit the trees and washed across the house. “It’s John again,” Theo said. “Papa will start charging him room and board soon.” Hidden in the shadows, we watched John jump out of the car and run up the porch steps. Hannah met him at the door. From inside the house, their laughter floated toward us as silvery as moonlight, cutting into my heart like a knife. “Hannah has a beau.” Theo sounded as if he were trying out a new word, testing it for rightness. He giggled. “Do you think she lets him kiss her?” I spat in the grass, a trick I’d learned from Edward. “Don’t be silly.” “What’s silly about smooching? When I’m old enough, I plan to kiss Marie Jenkins till our lips melt.” Making loud smacking sounds with his mouth, Theo demonstrated. Pushing him away, I wrestled him to the ground and started tickling him. As he pleaded for mercy, we heard the screen door open. Thinking Mama was about to call us inside, we broke apart and lay still. It was Hannah and John. “They’re sitting in the swing,” Theo whispered. “Come on, let’s spy on them. I bet a million zillion dollars they start spooning.” Stuffing his jar of fireflies into his shirt, Theo dropped to his knees and crawled across the lawn toward the house. I followed him, sure he was wrong. Hannah wasn’t old enough for kissing. Or silly enough. We reached the bushes beside the porch without being seen. Crouched in the dirt, we were so close I could have reached up and grabbed Hannah’s ankle. To keep from giggling, Theo pressed his hands over his mouth. Sick with jealousy, I watched John put his arm around Hannah and draw her close. As his lips met hers, I felt Theo jab my side. I teetered and lost my balance. The bushes swayed, the leaves rustled, a twig snapped under my feet. “Be quiet,” Theo hissed in my ear. “Do you want to get us killed?” We backed out of the bushes, hoping to escape, but it was too late. Leaving John in the swing, Hannah strode down the porch steps, grabbed us each by an ear, and shook us like rats. “Can’t a body have a second of privacy?
Mary Downing Hahn (Time for Andrew: A Ghost Story)
I consider myself a student of colours and shades and hues and tints. Crimson lake, burnt umber, ultramarine … I was too clumsy as a child to paint with my moistened brush the scenery that I would have liked to bring into being. I preferred to leave untouched in their white metallic surroundings my rows of powdery rectangles of water-colours, to read aloud one after another of the tiny printed names of the coloured rectangles, and to let each colour seem to soak into each word of its name or even into each syllable of each word of each name so that I could afterwards call to mind an exact shade or hue from an image of no more than black letters on a white ground. Deep cadmium, geranium lake, imperial purple, parchment … after the last of our children had found employment and had moved out of our home, my wife and I were able to buy for ourselves things that had previously been beyond our means. I bought my first such luxury, as I called it, in a shop selling artists’ supplies. I bought there a complete set of coloured pencils made by a famous maker of pencils in England: a hundred and twenty pencils, each stamped with gold lettering along its side and having at its end a perfectly tapered wick. The collection of pencils is behind me as I write these words. It rests near the jars of glass marbles and the kaleidoscope mentioned earlier. None of the pencils has ever been used in the way that most pencils are used, but I have sometimes used the many-striped collection in order to confirm my suspicion as a child that each of what I called my long-lost moods might be recollected and, perhaps, preserved if only I could look again at the precise shade or hue that had become connected with the mood – that had absorbed, as it were, or had been permeated with, one or more of the indefinable qualities that constitute what is called a mood or a state of feeling. During the weeks since I first wrote in the earlier pages of this report about the windows in the church of white stone, I have spent every day an increasing amount of time in moving my pencils to and fro among the hollow spaces allotted to them in their container. I seem to recall that I tried sometimes, many years ago, to move my glass marbles from place to place on the carpet near my desk with the vague hope that some or another chance arrangement of them would restore to me some previously irretrievable mood. The marbles, however, were too variously coloured, and each differed too markedly from the other. Their colours seemed to vie, to compete. Or, a single marble might suggest more than I was in search of: a whole afternoon in my childhood or a row of trees in a backyard when I had wanted back only a certain few moments when my face was brushed by a certain few leaves. Among the pencils are many differing only subtly from their neighbours. Six at least I might have called simply red if I had not learned long ago their true names. With these six, and with still others from each side of them, I often arrange one after another of many possible sequences, hoping to see in the conjectured space between some or another unlikely pair a certain tint that I have wanted for long to see.
Gerald Murnane (Border Districts)
energy.” Reluctantly, I shifted my seat bone back a hair and Folly rewarded me with a large buck and a leap to the right that nearly tore my arms from their sockets, before surging into a canter. Even though it was terrifying and pretty much out of control, for a moment, I could feel why everyone thought Folly was a great horse. She propelled us forward across the area like a Pegasus, all power and wind and terrifying speed. If she hadn’t also been trying to kill me, it would have been amazing. Cole shouted some things I couldn’t hear, and I just concentrated on staying upright and keeping Folly turning in smaller figure eight circles in the hopes that she’d eventually tire herself out and stop. Every time we switched directions, she surged forward with her ears pinned into what was either a buck or a lead change, I couldn’t quite tell. All I knew was that when she eventually slowed to a jarring trot of her own accord, we were both covered in sweat and exhausted. Folly’s ears sagged to the sides and there were big strands of sweaty foam lathering her neck.
Genevieve Mckay (Defining Gravity (Defining Gravity #1))
You will never know who you can be unless you know where you came from lm
Mary Ellen Campbell (The Yellow Cookie Jar)
Here’s your suitcase, Sara,” Willis announced when he entered the room. He looked over at Mary Ruth.
Wanda E. Brunstetter (The Hope Jar, SAMPLE)
I guess I must have verbally expressed my disappointment over losing the online auction for my kickass boots, since Becca said, "You sure do swear a lot." I shrugged and pointed at the swear jar. "I'm supposed to put a dollar in it every time I curse. But I don't think I'm that bad." I didn't add that at the apartment my roommate, Gina, and I shared, she'd installed a swear jar, too. "You're that bad," Becca said. "You said the F-word, like, five times in a row." I tried not to sound indignant. "Swearing is a proven stress reliever. You should try it instead of doing that to yourself." I nodded toward her bandaged arm. "When I'm under a lot of stress, dropping a couple of f-bombs makes me feel a lot better." "What have you got to feel stressed about?" She looked around the office. "This doesn't seem like such a hard job." "Oh yeah? You don't know the half of it." My job wasn't the problem. It was my personal life that was currently going down the toilet. "I'm not even getting paid for this." "What?" Becca came out of her daze a little, seeming genuinely surprised, but not enough to let go of the horse pendant. "How come?" "Because there are, like, nine hundred applicants with way more experience than people my age for every job that comes available. We all have to work for free just to get some experience, so we can put it on our résumés so we can maybe get a paying job someday, but there's no guarantee we will. Oh, right, I forgot they don't mention this in high school. You''re still brimming with hope and joie de vivre.
Meg Cabot (Remembrance (The Mediator, #7))
Ivan and Willis, watching as Sadie panted, stood up, and then lay down again. “It won’t be long now.” Willis’s eyes sparkled. He was no doubt excited, even though this was probably old hat for him.
Wanda E. Brunstetter (The Hope Jar, SAMPLE)
treatment had begun, things were more advanced than anyone had suspected. It shook Sara to the core how quickly it all happened. Her mother never complained of any pain she might have had. When she started feeling under the weather, she made an appointment with the doctor, figuring it was only a virus.
Wanda E. Brunstetter (The Hope Jar, SAMPLE)
THE PASSING DESERT WARRIOR - AMINAT Bridled by the cries of her people, she lingered in thoughts seeing the poison her hasty swing could crush the praying heart. She bent in reverence to fate as hope hold no drop from its gold jar. Her majesty withered in the face of the beast, how low her lone fight had no justice. For once evil defeated good and a second chance is given to her time had gone and after 200 years good will rule again. For Queen Aminat Sulaiman (c) Victor UzihBen
Victor Vote
Let the soft, gentle magic created through our words and art touch your purple circled eyes. #TranslationsOfHope
Reena Doss
Prometheus tapped the lid of Pandora’s jar. “Only one spirit remained inside when Pandora opened it.” “Hope,” I said. Prometheus looked pleased. “Very good, Percy. Elpis, the Spirit of Hope, would not abandon humanity. Hope does not leave without being given permission. She can only be released by a child of man.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
The cleaning lady is green despite her blue eyes we love her beauty to death. we sniff unwashed since the beginning of the world lusting to know. and from too much knowledge we forgot that the intersection between giving and receiving the spring mist an empty sack gurgling not even French perfume makes it go away. we’re more organic exophthalmic eyes. muddy balloons. if we don’t want she chooses from what we have. what’s better more syrupy we keep searching our memories perhaps there’s a leftover slice of bread a good deed by mistake, a sprig of onion wide as a rope. we search through everything we have at least a sprinkle of kind words. an offering she wants us to stop for a moment to change our meaning. to make us at least leaves the kitchens of growing upward. what she puts us through what she doesn’t put us through. all that’s left is a baby the size of a baguette. who hopes and hopes. we’ve started thinning out and one who passed through the no. 9 mental hospital he says he’s a national security agent we that he’s a security guard. he isn’t sick he’s always right. a metal cup or maybe a jar that expands threateningly we don’t even curse him behind his back. not because of fear we think more positively when he’s around. it took us too long to understand that No, the nervous tic, with a question mark at the end of a sentence, is actually Yes. emotions jumped out of him like strings. he told us he wouldn’t have left that manelist diva. should’ve seen how he compared her to the woman he never had. he about smashed his phone. it wasn’t our fault he was the only man without a woman. (in english by Diana Manole)
Emil Iulian Sude (Paznic de noapte)
Anu concluded his tirade, explaining his plan. “But I bring new hope and change. I want to undo the separation, to erase the distinctions between creatures. I want to make all things into One.” Anu bent down and looked into one of the jars of fetuses on the shelf. “By combining my seed with human seed, I will fundamentally transform humankind. I will create man in my image rather than in Elohim’s image. I will give man his proper destiny. I will make man into a god.” All of Emzara’s words came flooding into Ham’s mind, causing doubts and fears. The prophecy of the Chosen Seed ending the rule of the gods and bringing the judgment of Elohim down upon their heads.
Brian Godawa (Noah Primeval (Chronicles of the Nephilim Book 1))
The Eyes Of Einstein Albert, you who stood modestly On the shoulder of a giant and saw Worlds beyond Sir Issac's vanishing point, we want your eyes! Eyes that read the Braille of a scarified universe with relative ease, you, Herr Professor, are the seeing eye companion for the dim 20th Century. Atomic pacifist, what patent is there for your dual vision? What fair price for your inner eyewitness Testimony that God is not a gambling man And the curvature of our Space-Time continuum is a grave matter indeed? Your eyes are going to the block soon. I hope the Smithsonian waves the winning paddle So you may, at long last, rest your weary eyes Near the glass jar that contains your Cyclops brain.
Beryl Dov
Neva found a place on the cellar shelves for every item friends and church members delivered during the day. At first she'd been uncertain about accepting the casseroles and hams and home-canned goods. So many people were struggling these days - should she take food meant for their families? But Lois Savage advised her to view the offerings in a different way. 'Please don't say no,' the younger woman had said, holding out a quart jar of applesauce and a basket of home-baked bread. 'You'll rob me of the opportunity to bless you.' When put into that perspective, Neva's guilt vanished and only appreciation remained.
Kim Vogel Sawyer (Room for Hope)
What the fuck happened between you two?” Logan asks as soon as the door closes. I shrug. Logan is famous for his shrugs. He should accept mine. But he doesn’t. Instead, he punches me in the shoulder. Shit, that hurt. “What the fuck?” I ask. “What happened?” he asks. He looks straight into my eyes. “Nothing,” I say. I shake my head. “Not a fucking thing.” “Dude, you had a pillow shoved in your lap, and you were getting off her bed when we walked in. Something happened.” He shoves my shoulder, almost knocking me over. Logan’s a big boy. A little bigger than me, and I’m a big guy. “Not to mention that she looked like she’d just been fucked.” I stop and turn to face him. I lay both lands flat on his chest and shove him as hard as I can. “Don’t ever fucking talk about her like that again,” I warn. Logan takes a few steps back. Then he grins. “It’s about fucking time,” he says. He holds up a hand to high five me. “Fuck you,” I say instead, and I keep walking toward my dorm. I can’t get there fast enough. “Did you kiss her?” he asks. He grins at me again, and I feel a smile tugging at my own lips. But it doesn’t last for more than a minute. His joviality isn’t contagious. “I was about to…. Then you guys busted in,” I admit. “She wants you, man. She’s got it as bad as you do. Trust me.” I shake my head. “She doesn’t.” “She does.” He claps a hand on my shoulder. “She told Emily. Emily told me.” He pauses and then says, “You’re welcome.” “What did she say?” I ask. I probably don’t want to know. “She said she wants to have your babies.” He jumps back when I go to punch him, and he laughs. “Shut up,” I say. “This is serious.” “Why’s it so serious all of a sudden?” Logan asks.  “This shit’s been going on between you two for a long time. Why does it suddenly matter so much?” “The contest is today. They’re raffling off a kiss from her.” I heave a sigh. “One lucky winner is going to get to kiss the woman I love. In front of everybody.” “Oh, fuck,” Logan breathes. “That’s shit.” “I asked her not to go,” I confess. “So, go buy all the tickets,” he says with a shrug, as though he just solved world poverty or AIDS. “It doesn’t work like that. You have to guess the number of jelly beans in her jar. If you get the wrong number, you don’t get anything. If you get the right number, you get to kiss her.” “So, we need to figure out how many jelly beans are in her jar,” he says simply. He looks at me. “Did you see the jar?” I nod. “It’s a pickle jar.” I hold out my hands to show him the size. “The big kind.” “So we need a jar that size, and we need to fill it with jelly beans and then count them. At least then you can get close, right?” I scrub a hand down my face. “This is stupid. I’ll never get it. Every guess costs a dollar.” I reach into my pocket and pull out my wallet. It’s nearly empty. “You’re just going to let somebody else kiss her?” “If I’m not there, I won’t see it.” I shrug my shoulders, trying to hide the fact that I feel as if I’m being gutted. He stares at me. He doesn’t say anything. “If it were Emily, I’d buy every fucking pickle and every damn jelly bean in the state of New York. There’s no way my girl would kiss some asshole.” “You’re right,” I say. “We need to go to the store.” Hope swells inside me. Do I have a chance? I won’t know until I try, I guess. Logan
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
I hope you like pickles, dude, because we’re going to have to eat this whole jar so we can fill it with jelly beans.” I look at the jar. “I don’t like pickles that much. You?” Logan pops the top while we walk back to the dorm and starts eating. This is what friendship is all about. He crunches each bite over and over until he swallows, and then he reaches for a second one and passes it to me, taking another for himself. He stops a stranger on the street. “You want a pickle?” he asks. The stranger sidesteps him. “What?” he asks. “You act like it’s every day somebody offers you a free pickle.” The man keeps going. “Dude, I think he thought you mean a pickle.” I make air quotes when I say the word pickle. “How could I mean a pickle when I’m standing here holding a jar of pickles?” he asks. I shrug. “You didn’t look like his type anyway.” “I’m too pretty for him, right?” he asks. Logan’s all tatted up, on top of being huge. “That has to be it.” By
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
Sometimes, when your luck shifts, it does it so freaking loud that it jars your bones. I was determined not to get my hopes up crazy high, not about the barn and not about anything else either. But my bones? They fucking sang.
Eli Easton (Midwinter Night's Dream (Unwrapping Hank #2))
Have you lived here a very long time?” the young woman asked the man, who was wearing a fishing vest today. “I’m trying to get information about those statues out at Skeleton Point. Nobody seems to know how old they are or where they came from.” “Or where some parts of the statues are going,” the man told the young woman. “Lots of fool stories are going around about somebody--or something--damaging the statues. Stay away from them, I say. Those old statues have been out there forever--before I was born, anyway. Leave ‘em be. Why do you want to know?” The young woman hesitated, then stopped to read the label on a jar of honey. “Um…just curious.” With that, the young woman left the store without buying anything. “Newcomers!” the man told Benny and Violet when he saw them standing there. “Always asking questions. You’d think from that young lady that Shady Lake was nothing but old statues covered with moss. What about our fishing? Why, our trout are practically jumping out of the lake.” “They are?” Benny asked, hoping to find out where he could see some of these jumping trout. The man left without answering Benny. The Mystery at Skeleton Point
Gertrude Chandler Warner (The Boxcar Children Halloween Special (The Boxcar Children Mysteries))
The bin of flour was not used up, not did the jar of oil run dry, according to the word of the Lord, which He spoke to Elijah. 1 Kings 17:16 We
Jack Canfield (Chicken Soup for the Christian Soul 2: Stories of Faith, Hope and Healing)
Hullo, Aunt Jen!” “Bronwyn, hello. Please tell Scout not to knock anything over.” On the mantel, Timothy had come to attention, though he remained sitting. He hissed at the dog and added a low, menacing growl for good measure. “Scout, come.” The dog ignored his owner, another Windham grandchild, this one down from the North with St. Just and his countess. The scent of Elijah’s boots was apparently more compelling than the punishment for indifferent hearing. “Scout, come here this instant.” Bronwyn sounded like her papa, the former cavalry officer, but the dog had apparently never bought his colors. Elijah nudged the beast in the direction of the door with his knee. “Miss Winnie, was there something you were looking for? Something you wanted to tell us?” “Yes!” The dog walked over to the girl while Jenny steadied a jar of brushes his tail had nearly knocked to the floor. “I forget—oh, I remember. Aunt Eve is here. You have to come get kissed. She’s going to have a baby, and Papa says from the size of her he thinks it will be a baby horse.” Jenny hoped St. Just hadn’t said that within Eve’s hearing—though he probably had. “We’ll be along presently. You can tell everybody we’re coming.
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
Poor, poor Pandora. Zeus sends her off to marry Epimetheus, a not especially bright man she’s never even met, along with a mysterious covered jar. Nobody tells Pandora a word about the jar. Nobody tells her not to open the jar. Naturally, she opens the jar. What else has she got to do? How was she to know that all those dreadful ills would go whooshing out to plague mankind forevermore, and that the only thing left in the jar would be hope? Why wasn’t there a warning label? And then everyone’s like, Oh, Pandora. Where’s your willpower? You were told not to open that box, you snoopy girl, you typical woman with your insatiable curiosity; now look what you’ve gone and done. When for one thing it was a jar, not a box, and for another—how many times does she have to say it?—nobody said a word about not opening it!
Liane Moriarty (The Husband's Secret)
China: feeding the animals China bears are getting fat dining on headlines; but details feed the bulls. Yesterday China announced weak trade data. March exports fell a jarring 15 per cent year on year, when a solid increase was expected; imports dropped 12 per cent, a shade worse than hoped. Sceptics could only shake their heads as mainland China “A” and Hong Kong “H” share indices shrugged and continued their ascent. The explanation is familiar. China has made clear its intention to keep its economy growing, so weak data and low inflation signal more rate cuts ahead.
Anonymous
Don’t, Jar. There’s been enough killing.” “It’ll never be enough! They murdered Dad!
David Feintuch (Voices of Hope (The Seafort Saga Book 5))
Tracey hurriedly shut the door behind her to prevent the flames that had been licking hungrily at her caboose all the way down the corridor, from following her inside. Then, almost falling into one of the gravity couches, she hurriedly strapped herself into it before punching the emergency release. She hoped the escape system still worked. It did. The explosive dead-bolts fired, shaking the pod loose, dislodging it from the rapidly disintegrating wreck, just about shaking the crap out of her on its bone-jarring way into the great wide open.
Christina Engela (Prodigal Sun)
A cock is organic, living, and pulsing. A cock, more often than one would hope, disappointed, but there was life behind it. A cock could feel you back.
Valentine Glass (Jarring Sex)
Einstein's Brain'' I heard that they've got Einstein's brain just sitting in a jar. I don't know where they keep it, but I hope it isn't far. I need to go and borrow it to help me with this test. I've answered twenty questions but on every one I guessed. If someone asks you where I've gone, then kindly please explain I'll be right back; I've just gone out to look for Einstein's brain.
Kenn Nesbitt
Watching the old lady’s fingers, and hoping it wasn’t going to taste vile, May nodded. ‘Thank you.’ Having removed the stopper from the first jar, Primrose picked up a set of measuring spoons threaded onto a leather thong and searched for the one she wanted. Into a stone bowl, she then measured four quantities of what looked like dried leaves. From the second jar, she added a similar amount. To May’s eyes, the contents of both looked identical. Once stirred together, Granny Beer tipped them out on to a square of paper, folded the corners together and then twisted the top tightly closed. ‘Equal parts nettle and dandelion. Enough for a week. Nettles are rich in iron. Better than that, they contain all the vitamins needed to get it into your blood.’ May conveyed her understanding with a nod. ‘All right.’ ‘Nettle by itself is prone to being somewhat potent, which is why I’ve made it up with dandelion leaf, which will also help with getting it into your body.’ ‘I see.’ ‘Two teaspoons into a pot. You got a little teapot over yonder?’ ‘Um, actually…’ May pictured the contents of the dresser. There was really only the Brown Betty. ‘Here,’ Primrose went on, opening the door to another of her cupboards and bending to look inside. ‘Take this ’n.’ Into May’s hand, she pressed a small pot painted blue and white. ‘Two teaspoons in there, boiling water to fill it up, steep for five minutes with a stir halfway through. Strain it into a cup, let it cool a moment. No sense scalding your tongue. And then
Rosie Meddon (A Wartime Summer (The Sisters' War, #1))