Janis Ian Quotes

It's my birthday today. I'm not 17 anymore. The 17 Janis Ian sang about where one learns the truth. But what she failed to mention is that you keep on learning truths after 17 and I want to keep on learning truths till the day I die.

Do all of your rules pertain to books? I suppose I understand why, since your social shortcomings mean books are your closest friends." He momentarily seemed taken aback at his own rudeness. Jane narrowed her eyes. "Are you sure your true E∂ian form isn't a jackass?

The heart of a city Is the soul of a man It winds like a river Through the heart of the land They can tear down a building They can tear down a park They can strike at a symbol But they can't strike the heart

So remember those who win the game Lose the love they sought to gain In debitures of quality and dubious integrity Their small-town eyes will gape at you In dull surprise when payment due Exceeds accounts received at seventeen

Pythagoras felt that specific notes affected people to very minute gradations of feeling. And every songwriter, I think, knows that D is a great key for a long song. It just happens to work. And B flat is always a great jump key for jazz. ~ Janis Ian

A friend of mine once told me 'For people like us, the meaning is the search for the meaning.

JANIS ’Tis what you Plastics do with utmost skill: Ye think the world enamor’d of yourselves, When ’tis far truer ye are hated widely. Take Aaron Samuels, whom thou fawnest for— He broke with his Regina. Nonetheless, He still doth not regard thee with love’s eye. Then wherefore dost thou meddle with Regina? Here is the reason: thou a mean girl art— A wench, a strumpet, and a soulless rogue!

It was Buck’s first time ever on a stage, and he dealt with it the way so many other young punk musicians have dealt with it since: I drank a bottle of Olde English cider to calm the nerves… but it didn’t work as I puked up at the side of the stage! I know that we played ‘Anarchy In The UK’, ‘Janie Jones’, and ‘White Riot’, but I can’t remember much else!

each Shakespearean reference is taken from a specific Shakespearean character. These are the characters I paired together: Cady: Miranda in The Tempest. Miranda is an ingenue who has lived most of her life secluded with her father in a remote wilderness, not unlike Cady. (I broke this pairing once, when Cady uses lines borrowed from Hero in Much Ado About Nothing. The quote from Hero was so perfect for the moment that I had to use it. Can you find it?) Janis: Beatrice in Much Ado About Nothing. Beatrice has a caustic, biting wit and a fierce loyalty to her friends. Regina: Kate in Taming of the Shrew. Kate, the titular shrew, starts off the play as a harsh woman with a sharp tongue. Gretchen: Viola in Twelfth Night. Viola, dressing as a man, serves as a constant go-between and wears a different face with each character. Karen: Juliet in Romeo and Juliet. Juliet is the youngest of Shakespeare’s heroines. She is innocent and hopeful. Mrs. Heron: Cleopatra in Antony and Cleopatra. Cleopatra is the regal, intelligent woman who has come from Africa. Mrs. George: Lady Macbeth in Macbeth. Lady Macbeth is one of Shakespeare’s cruelest, most cunning villains. Yes, this is unfair to Amy Poehler’s portrayal of Mrs. George, who is nothing but positive and fun. My thought was that anyone who could raise Regina must be a piece of work. Ms. Norbury: Titania in A Midsummer Night’s Dream. There’s little textual connection here—I just love Tina Fey so much that I thought, “Who could represent her except a majestic fairy queen?