Jan Morris Quotes

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Book lovers will understand me, and they will know too that part of the pleasure of a library lies in its very existence.
Jan Morris
Few conversations, at any time of life, are more stimulating, more spontaneous and more genuinely original than those long ridiculous talks we all have, when we are very young, late at night about the meaning of life.
Jan Morris
In a Kenya game park once I saw a family of wart-hogs waddling ungainly and in a tremendous hurry across the grass. Contemptuous though I am of those who find animals comic…still I could not help laughing at this quaint spectacle. My African companion rightly rebuked me. “You should not laugh at them,” he said. “They are beautiful to each other.
Jan Morris (Conundrum)
The language itself, whether you speak it or not, whether you love it or hate it, is like some bewitchment or seduction from the past, drifting across the country down the centuries, subtly affecting the nations sensibilities even when its meaning is forgotten.
Jan Morris (Wales: The First Place)
It was an American who said that while a Frenchman's truth was akin to a straight line, a Welshman's truth was more in the nature of a curve, and it is a fact that Welsh affairs are entangled always in parabola, double-meaning and implication. This makes for a web-like interest....
Jan Morris (Wales: The First Place)
Movement was the essence of Manhattan. It had always been so, and now its sense of flow, energy, openness, elasticity as Charles Dickens had called it, was headier than ever. Half the city’s skill and aspirations seemed to go into the propagation of motion.
Jan Morris (Manhattan '45)
Dublin was an English city, one of the loveliest. The most Irish thing about it was the shifting drab flow of the poor people
Jan Morris (Pax Britannica: The Climax of an Empire)
I never did think that my own conundrum was a matter either of science or of social convention. I thought it was a matter of the spirit, a kind of divine allegory, and that explanations of it were not very important anyway. What was important was the liberty of us all to live as we wished to live, to love however we wanted to love, and to know ourselves, however peculiar, disconcerting or unclassifiable, at one with the gods and angels.
Jan Morris (Conundrum)
Certainly Delhi is unimaginably antique, and age is a metaphysic, I suppose. Illustrations of mortality are inescapable there, and do give the place a sort of nagging symbolism. Tombs of emperors stand beside traffic junctions, forgotten fortresses command suburbs, the titles of lost dynasties are woven into the vernacular, if only as street names.
Jan Morris
Most people liked it best in the early spring, when the woods down to the river seemed to shift almost before one’s eyes from snowdrop white to daffodil yellow to the shimmer of bluebells—when the rooks cawed furiously in the beeches, the garden woke to life in a splurge of rhododendrons, and the young lambs caught their heads five times a day in the fencing down the drive. I shall always remember it with the profoundest gratitude, though, as it was that May, that last May, in the last of my old summers.
Jan Morris (Conundrum)
Delhi is not just a national capital, it is one of the political ultimates, one of the prime movers. It was born to power, war and glory. It rose to greatness not because holy men saw visions there but because it commanded the strategic routes from the northwest, where the conquerors came from, into the rich flatlands of the Ganges delta. Delhi is a soldiers' town, a politicians' town, journalists', diplomats' town. It is Asia's Washington, though not so picturesque, and lives by ambition, rivalry and opportunism.
Jan Morris
Shaggy existentialists in frayed sandals, dilettantes by the score, spies by the portfolio.
Jan Morris
One of the prizes of old age is its release from competition.
Jan Morris (Allegorizings)
God and the Soldier all men adore, In time of trouble and no more, For when war is over And all thing righted, God is neglected, And the Old Soldier slighted.
Jan Morris (Pax Britannica: The Climax of an Empire)
There are people everywhere who form a Forth World, or a diaspora of their own. They are the lordly ones. They come in all colours. They can be Christians or Hindus or Muslims or Jews or pagans or atheists. They can be young or old, men or women, soldiers or pacifists, rich or poor. They may be patriots, but are never chauvinists. They share with each other, across all the nations, common values of humour and understanding. When you are among them you will not be mocked or resented, because they will not care about your race, your faith, your sex or your nationality, and they suffer fools if not gladly, at least sympathetically. They laugh easily. They are easily grateful. They are never mean. They are not inhibited by fashion, public opinion or political correctness. They are exiles in their own communities, because they are always in a minority, but they form a mighty nation, if they only knew it. It is the nation of nowhere, and I have come to believe that its natural capital is Trieste.
Jan Morris (Trieste and The Meaning of Nowhere)
I believe in Kindness. Well, you may retort, who doesn't? But I believe in it rather as religious people believe in God. I think it is the answer to almost all of our problems: from the miseries of divorce to nuclear proliferation. If humanity learnt to gauge its every action by the simple criterion of kindness - always to ask if it is, on balance, the kindest thing to do? - the world would be much happier.
Jan Morris (The Kindness of Strangers (Lonely Planet Travel Literature))
There are people everywhere who form a Fourth World, or a diaspora of their own. They are the lordly ones! They come in all colors. They can be Christians or Hindus or Muslims or Jews or pagans or atheists. They can be young or old, men or women, soldiers or pacifists, rich or poor. They may be patriots, but they are never chauvinists. They share with each other, across all the nations, common values of humor and understanding. When you are among them you know you will not be mocked or resented, because they will not care about your race, your faith, your sex or your nationality, and they suffer fools if not gladly, at least sympathetically. They laugh easily. They are easily grateful. They are never mean. They are not inhibited by fashion, public opinion, or political correctness. They are exiles in their own communities, because they are always in a minority, but they form a mighty nation, if they only knew it. It is the nation of nowhere.
Jan Morris
Orthodox Greeks, after a few generations of Venetian Catholic rule, frequently welcomed the arrival of the Muslim Turks – who, if they had unappealing weaknesses for mass slaughter, arson and disembowelment, at least did not despise their subjects as bumpkin schismatics.
Jan Morris (The Venetian Empire: A Sea Voyage)
Paul Theroux on Blogging, Travel Writing, and Three Cups of Tea Speaking of books that contain an element of travel, Greg Mortenson's bestseller about Central Asia was in the news recently. Were you surprised by the allegations that Three Cups of Tea contained fabrications? No, I wasn't. One of the things The Tao of Travel shows is how unforthcoming most travel writers are, how most travelers are. They don't tell you who they were traveling with, and they're not very reliable about things that happened to them. For example, everyone loved John Steinbeck's book Travels With Charley. Turns out he didn't travel alone, his wife kept meeting him, yet she was never mentioned in the book. Steinbeck didn't go to all the places he mentioned, nor did he meet all the people he said he met. In other words, Travels With Charley is fiction, or at least half-fiction. As for Three Cups of Tea, I think that philanthropists and humanitarians are even less forthcoming about what they do. I guess this guy did build a couple of schools in Afghanistan, but a self-promoting humanitarian is not someone I have a great deal of trust or belief in. I lived for six years in Africa and I've been to Africa numerous times since then. People build schools for their own reasons—not to improve a country. The people I've known who've done great things of that type—you know, building hospitals, running schools—are very humble people. They give their lives to the project. Missionaries get a bad rap, but I've known missionaries in Africa who were very self-sacrificing and humble and who did great things. They ran schools, hospitals, libraries; they helped people. Some wrote dictionaries and translated languages that hadn't been written down. I saw a lot of missionaries in Africa that were doing that, and you would never know their names; they came and did their work, and now they're buried there. Are there travel books out there that feel especially honest to you? Many of the books I quote in The Tao of Travel feel honest. One of them, really the most heartfelt, is Christ Stopped at Eboli by Carlo Levi. Peter Matthiessen's The Snow Leopard is a very honest book. Jan Morris has written numerous books, and you can take what she says to the bank. But there are some that just don't feel right. Bruce Chatwin never rang true to me. Bill Bryson said that he would take a couple of people and make them into one composite character. Well, that's what novelists do. If you're a travel writer you have to stick to the facts.
Paul Theroux
Sigmund Freud was also frustrated here. In a city that later embraced his ideas with particular zeal, being organically inclined towards neurosis, he himself found only failure. He came to Trieste on the train from Vienna in 1876, commissioned by the Institute of Comparative Anatomy at Vienna University to solve a classically esoteric zoological puzzle: how eels copulated. Specialist as he later became in the human testicle and its influence upon the psyche, Freud diligently set out to discover the elusive reproductive organs whose location had baffled investigators since the time of Aristotle. He did not solve the mystery, but I like to imagine him dissecting his four hundred eels in the institute's zoological station here. Solemn, earnest and bearded I fancy him, rubber-gloved and canvas-aproned, slitting them open one after the other in their slimy multitudes. Night after night I see him peeling off his gloves with a sigh to return to his lonely lodgings, and saying a weary goodnight to the lab assistant left to clear up the mess — "Goodnight, Alfredo", "Goodnight, Herr Doktor. Better luck next time, eh?" But the better luck never came; the young genius returned to Vienna empty-handed, so to speak, but perhaps inspired to think more exactly about the castration complex.
Jan Morris (Trieste and The Meaning of Nowhere)
There are people everywhere who form a Fourth World, or a diaspora of their own. They are the lordly ones. They come in all colours. They can be Christians or Hindus or Muslims or Jews or pagans or atheists. They can be young or old, men or women, soldiers or pacifists, rich or poor. They may be patriots, but they are never chauvinists. They share with each other, across all the nations, common values of humour and understanding. When you are among them you know you will not be mocked or resented, because they will not care about your race, your faith, your sex or your nationality, and they suffer fools if not gladly, at least sympathetically. They laugh easily. They are easily grateful. They are never mean. They are not inhibited by fashion, public opinion or political correctness. They are exiles in their own communities, because they are always in a minority, but they form a mighty nation, if they only knew it. It is the nation of nowhere, and I have come to think that its natural capital is Trieste.
Jan Morris (Trieste and The Meaning of Nowhere)
I did not know exactly where it was—in my head, in my heart, in my loins, in my dreams. Nor did I know whether to be ashamed of it, proud of it, grateful for it, resentful of it. Sometimes I thought I would be happier without it, sometimes I felt it must be essential to my being. Perhaps one day, when I grew up, I would be as solid as other people appeared to be; but perhaps I was meant always to be a creature of wisp or spindrift, loitering in this inconsequential way almost as though I were intangible. I
Jan Morris (Conundrum)
I write sourly, for disliking artificially conserved communites I have tended to see the salvation as more distressing than the threat: but in my more rational moments I do recognize that letting Venice sink, my own solution for her anxieties, is a counsel of perfection that cannot be pursued. She will be saved, never fear: it is only in selfish moments of fancy that I see her still obeying her obvious destiny, enfolded at last by the waters she espoused, her gilded domes and columns dimly shining in the green, and at very low tides, perhaps, the angel on the summit of the Campanile to be seen raising his golden forefinger (for he stands in an exhortatory, almost an ecological pose) above the mud-banks.
Jan Morris (Venice)
For some years, Trieste was a murky exchange for the commodities most coveted in the deprived societies of Hungary, Czechoslovakia, Bulgaria, Romania and Yugoslavia. Jeans, for example, were then almost a currency of their own, so terrific was the demand on the other side of the line, and the trestle tables of the Ponterosso market groaned with blue denims of dubious origin ("Jeans Best for Hammering, Pressing and Screwing", said a label I noted on one pair). There was a thriving traffic in everything profitably resellable, smuggleable or black-marketable - currencies, stamps, electronics, gold. Not far from the Ponterosso market was Darwil's, a five-storey jewellers' shop famous among gold speculators throughout central Europe. Dazzling were its lights, deafening was its rock music, and through its blinding salons clutches of thick-set conspiratorial men muttered and wandered, inspecting lockets through eye-glasses, stashing away watches in suitcases, or coldly watching the weighing of gold chains in infinitesimal scales.
Jan Morris (Trieste and The Meaning of Nowhere)
I accept the idea of helping men, and of being cherished by them. I’ve always had that feeling. If I could have my life over I suppose I would have been happiest being someone’s second-in-command. Lieutenant to a really great man – that’s my idea of happiness.
Jan Morris
There are people everywhere who form a Fourth World, or a diaspora of their own. They are the lordly ones! They come in all colours. They can be Christians or Hindus or Muslims or Jews or pagans or atheists. They can be young or old, men or women, soldiers or pacifists, rich or poor. They may be patriots, but they are never chauvinists. They share with each other, across all the nations, common values of humour and understanding. When you are among them you know you will not be mocked or resented, because they will not care about your race, your faith, your sex or your nationality, and they suffer fools if not gladly, at least sympathetically. They laugh easily. They are easily grateful. They are never mean. They are not inhibited by fashion, public opinion or political correctness. They are exiles in their own communities, because they are always in a minority, but they form a mighty nation, if they only knew it. It is the nation of nowhere, and I have come to think that its natural capital is Trieste.
Jan Morris (Trieste And The Meaning Of Nowhere)
A sighting in Texas On my fourth day in the city I looked through the window and saw a dreamlike figure sauntering by. He had a sack over his arm, and a stick over his shoulder, and he wore a high-crowned hat and a cloak, I think, and he strolled past easy, insolent and amused. My heart leapt to see him. ‘Who was that?’ I cried, rushing to the window, ‘that man with the stick, and the high-crowned hat, and the sack on his arm?’ My hostess returned me reprovingly to our conversation. ‘I saw nobody,’ she sweetly and carefully said. ‘But tell me, have you had time to see our new Picasso in the Fine Arts Museum? And will you have an opportunity to meet with Mrs Oveta Culp Hobby?
Jan Morris (Contact!: A Book of Glimpses)
Could it be that racism is a sort of historical invention, a Satanic hoax?
Jan Morris (Trieste And The Meaning Of Nowhere)
A great city that has lost its purpose is like a specialist in retirement. He potters around the house. He tinkers with this hobby or that. He reads a little, watches television for half an hour, does a bit of gardening, determines once more that he really will read Midnight’s Children, get to know Beethoven’s late sonatas or try for a last time to get to grips with rock. But he knows that the real energy of his life, the fascination of his calling that has driven him with so much satisfaction for so many years, is never going to be resumed. He no longer reads the technical journals, because they make him feel out-dated. He no longer goes to professional conventions. The world forgetting, by the world forgot! What’s it all been for, he wonders? Sometimes he feels he is cracking up or fading out, and he avoids the newspaper obituaries because . . .
Jan Morris (Trieste And The Meaning Of Nowhere)
We hear now of the concept of “open marriage,” in which the partners are explicitly free to lead their own separate lives, choose their own friends if they wish, have their own lovers perhaps, restrained only by an agreement of superior affection and common concern. Ours was always such an arrangement. We were never dependent upon each other. For months at a time I would wander off across the world, and sometimes Elizabeth would travel in a different way, into preoccupations that were all her own. Though we were linked in such absences by a rapt concern with each other’s happiness, translated frequently, and at vast expense, into transatlantic telephone calls or weekend flights, still we never begrudged each other our separate lives, only finding our mutual affair more exciting when resumed.
Jan Morris (Conundrum)
the greatest pleasure I get from my Abyssinian cat Menelik is the feeling that I have, by the very magnetism of my affection, summoned him from some wild place, some forest or moorland, temporarily to sharpen his claws purring upon my knee.
Jan Morris (Conundrum)
As for the scenes we shared in the Piazza Unita that day in 1897, I can hear the music still, but all the rest is phantom. The last passenger liner sailed long ago. The schooners, steamboats and barges have disappeared. No tram has crossed the piazza for years. The Caffe Flora changed its name to Nazionale when the opportunity arose, and is now defunct. The Governor's Palace is now only the Palace of the Prefect and the Lloyd Austriaco headquarters, having metamorphosed into Lloyd Triestino when the Austrians left, are now government offices: wistfully the marble tritons blow their their horns, regretfully Neptune and Mercury linger upon their entablatures. Those silken and epauletted passengers, with all they represented, have vanished from the face of Europe, and I am left all alone listening to the band.
Jan Morris (Trieste and The Meaning of Nowhere)
I was three or perhaps four years old when I realized that I had been born into the wrong body, and should really be a girl (AS: I don't share that part of her feelings fully). I remember the moment well, and it is the earliest memory of my life.
Jan Morris (Conundrum)
This was my introduction to mountaineering, and clumsy indeed were my movements as we moved off.
Jan Morris (Coronation Everest)
Now nearly all the mysteries have gone, and there is scarcely an unknown country left to peer at.)
Jan Morris (Coronation Everest)
It is a fine thing to be independent in life, and a proud sensation to know yourself unique; but a person who stands all on his own, utterly detached from his fellows, may come to feel that reality itself is an illusion
Jan Morris (Conundrum)
Myth and history alike, I discovered, were full, if not of precedents, at least of parallels—men who lived as women, women who lived as men, hermaphrodites, transvestites, narcissists, not to speak of homosexuals or bisexuals. There is no norm of sexual constitution, and almost nobody has ever conformed absolutely to the conventional criteria of male and female
Jan Morris (Conundrum)
Other cultures too, ancient and contemporary, have freely recognized a no man’s land between male and female, and have allowed people to inhabit it without ignominy.
Jan Morris (Conundrum)
If to modern Westerners the idea of changing sex has seemed, at least until recently, monstrous, absurd, or ungodly, among simpler peoples it has more often been regarded as a process of divine omniscience, a mark of specialness. To stand astride the sexes was not a disgrace but a privilege, and it went often with supernatural powers and priestly functions.
Jan Morris (Conundrum)
And so I ask myself, in mercy, or in common sense, if we cannot alter the conviction to fit the body, should we not, in certain circumstances, alter the body to fit the conviction?
Jan Morris (Conundrum)
After all, my life was one long protest against the separation of fact from fantasy: fantasy was fact, I reasoned, just as mind was body, or imagination truth.
Jan Morris (Conundrum)
(...he llegado a considerarme una patriota de las minorías, tal vez una patriota cultural que cree que merece la pena preservar las características de un pueblo, una lengua, una tradici{on, un ideal, por muy insiginificantes que sean y por el propio bien de esa minoría.
Jan Morris
(...he llegado a considerarme una patriota de las minorías, tal vez una patriota cultural que cree que merece la pena preservar las características de un pueblo, una lengua, una tradición, un ideal, por muy insignificantes que sean y por el propio bien de esa minoría.
Jan Morris
No obstante, estos dos cuartos, uno encima del otro, son, sobre todo, una biblioeca, y también los libros son como acordes o tendones que nos vinculan a otras mentes, tiempos y lugares, fragmentos a su vez de una realidad virtual o un viaje en el tiempo.
Jan Morris
Todo es fruto de un azar deliberado, dictado por el gusto por la falsa simplicidad, esa especie de inocencia que encierra una extrema sofisticación. En primavera las campanillas de invierno, las prímulas y los narcisos brotan por todas partes, enmarañados con los rodoendros y las azaleas. Aquí y allá, las zarzamoras muestran signos de agresión. Los helechos proliferan no en las formas domesticadas que tanto gustaban a los victorianos, sino con una profusión casi embriagadora. La yedra y la flor de Virginia trepan amenazando con asfixiar la casa. Hay tanta vida bullendo aquí, tantas plantas, insectos y animalillos, que si fuera una poeta o filósofa exiliada por mis ideas, como Ovidio en Constanza, me contentaría con la idea de pasar aquí el resto de mi vida, contemplando estos pocos metros cuadrados de patio en Trefan Morys.
Jan Morris
No obstante, estos dos cuartos, uno encima del otro, son, sobre todo, una biblioteca, y también los libros son como acordes o tendones que nos vinculan a otras mentes, tiempos y lugares, fragmentos a su vez de una realidad virtual o un viaje en el tiempo.
Jan Morris
sometimes there have been moments when I have perfectly understood the self-portrait called Man Screaming which Egon Schiele painted after his return from Trieste to Vienna, and it has dawned upon me what a nightmare hiatus we all pass through, on the way from birth to death. Surely the only logical response would be to stand on a bridge and scream? But no, self-deception sees us through.
Jan Morris (Trieste And The Meaning Of Nowhere)
For a few years Trieste once more entered the world’s consciousness, as the Powers argued what to do with it. No longer one of the supreme ports of Europe, it became instead one of those places, like Danzig or Tangier, that have been argued about at international conferences, written about in pamphlets, questioned about in parliamentary debates, less as living cities than as political hypotheses. Winston Churchill, in a famous speech in America, warned the world that an iron curtain had been laid across Europe, dividing democracy and Communism “from Stettin to Trieste.” Abroad the statesmen endlessly parleyed; at home the Triestini of different loyalties, chanting slogans and waving their respective flags, surged about the place rioting. Finally in 1954 the disconsolate and bewildered seaport was given its solution, and Trieste has been what it has been ever since, a geographical and historical anomaly, Italian by sovereignty but in temperament more or less alone.
Jan Morris (Trieste and The Meaning of Nowhere)
...nobody really knows how anybody else feels - you may think you are feeling as a woman, or as a man, but you may simply be feeling as yourself.
Jan Morris (Conundrum)
But if Everesters age and die, if Everest itself is tarnished rather, if Coronations are out of mode and news can be flashed instantaneously by satellite anywhere on earth - still that first ascent of 1953 remains, to my mind, one if the most honourable and innocent of the great adventures. It has not been diminished by the passing years. Mount Everest is littered now with the corpses of mountaineers of many nationalities, but not one of them lost their lives in 1953. None of the climbers vulgarly exploited their celebrity in the aftermath of success, and some have devoted their later years to the welfare of the Sherpa people. I thought them very decent men when I first met them, and essentially decent they remained.
Jan Morris (Coronation Everest)
It was only when he was in his sixties that he set about turning his youthful walk across Europe into a book. The first volume of the consequent work, A Time of Gifts, was published in 1977 and instantly recognised as a classic. This second volume, Between the Woods and the Water, appeared in 1986, and by then Leigh Fermor was seventy-one years old. So half a century separates the experience from the book, and the author is looking back at himself across a great gulf of experience and of history. The Second World War has changed Europe forever since Paddy hoisted his rucksack at the Hook of Holland, and his alter ego too has been weathered by a lifetime of travel and accomplishment. It really is almost as though Between the Woods and the Water is the work of two separate writers, coming to the task from opposite directions, but blending their talents in a display of intergenerational collaboration. And it is a triumph of this book that we, the readers, understand them both. We know what goes through both their minds, because the artistry of its author makes the boyish enthusiasm of the young man as immediate as the tempered experience of the old.
Jan Morris (Between the Woods and the Water (Trilogy, #2))
Robin Wall Kimmerer, Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of the Plants, Milkweed Editions, 2015 Marie Kondo, The Life-Changing Magic of Tidying Up, Vermilion, 2014 Clare Cooper Marcus, House as a Mirror of Self: Exploring the Deeper Meaning of Home, Hays, 2007 Tisha Morris, Mind, Body, Home: Transform Your Life One Room at a Time, Llewellyn, 2014 Mandy Paradise, Witches, Pagans, and Cultural Appropriation: Considerations & Applications for a Magical Practice, Anchor and Star, 2017 Kristin Petrovich, Elemental Energy: Crystal and Gemstone Rituals for a Beautiful Life, HarperElixir, 2016 Robert Simmons, The Pocket Book of Stones: Who They Are and What They Teach, North Atlantic Books, 2015 Jan Spiller and Karen McCoy, Spiritual Astrology: A Path to Divine Awakening, Touchstone, 2010 Esther M. Sternberg, MD, Healing Spaces: The Science of Place and Well-Being, Harvard University Press, 2010
Erica Feldmann (HausMagick: Transform Your Home with Witchcraft)
General Sir William Butler (1838–1910), and I remembered then what he thought about the misty manipulators of events in his time. It was, he wrote, not wild idealists, devious diplomats or ever-ambitious politicians, let alone soldiers in the field, who pulled the wires or inexplicably closed, as it were, the food counters of his day. No, says the dear old boy (and remember, he was writing in the 1830s), in the end we always find it is the distant financier behind the scenes, the man of many millions, the controller of vast enterprises, turning some nebulous proposition into a vital question of the hour, ‘whipping the whole pack together and letting loose the dogs of war’.
Jan Morris (Thinking Again: A Diary)
...that the simplest and easiest of virtues, Kindness, can offer all of us not only a Way through the imbroglio, but a Destination too.
Jan Morris (Thinking Again)
I spent half my life traveling in foreign places. I did it because I liked it, and to earn a living, and I have only lately come to see that incessant wandering as an outer expression of my inner journey. I have never doubted, though, that much of the emotional force, what the Welsh call hwyl, that men spend in sex, I sublimated in travel--perhaps even in movement itself, for I have always loved speed, wind, and great spaces [. . .] But it could not work forever [. . .] My manhood was meaningless.
Jan Morris (Conundrum)