“
History, Stephen said, is a nightmare from which I am trying to awake.
”
”
James Joyce (Ulysses)
“
I fear those big words, Stephen said, which make us so unhappy.
”
”
James Joyce (Ulysses)
“
Be just before you are generous.
”
”
James Joyce (Ulysses)
“
You behold in me, Stephen said with grim displeasure, a horrible example of free thought.
”
”
James Joyce (Ulysses)
“
Curiosity will conquer fear more than bravery will.
”
”
James Stephens
“
Let the past be content with itself, for man needs forgetfulness as well as memory
”
”
James Stephens (Irish Fairy Tales)
“
Stephen jerked his thumb towards the window, saying:
— That is God.
Hooray! Ay! Whrrwhee!
— What? Mr Deasy asked.
— A shout in the street, Stephen answered, shrugging his shoulders.
”
”
James Joyce (Ulysses)
“
Originality does not consist in saying what no one has ever said before, but in saying exactly what you think yourself.
”
”
James Stephens
“
A friend came to visit James Joyce one day and found the great man sprawled across his writing desk in a posture of utter despair.
James, what’s wrong?' the friend asked. 'Is it the work?'
Joyce indicated assent without even raising his head to look at his friend. Of course it was the work; isn’t it always?
How many words did you get today?' the friend pursued.
Joyce (still in despair, still sprawled facedown on his desk): 'Seven.'
Seven? But James… that’s good, at least for you.'
Yes,' Joyce said, finally looking up. 'I suppose it is… but I don’t know what order they go in!
”
”
Stephen King
“
—Then, said Cranly, you do not intend to become a protestant?
—I said that I had lost the faith, Stephen answered, but not that I had lost self-respect. What kind of liberation would that be to forsake an absurdity which is logical and coherent and to embrace one which is illogical and incoherent?
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
Tell me your past, my beloved, for a man is his past, and is to be known by it.
”
”
James Stephens (Irish Fairy Tales)
“
—I mean, said Stephen, that I was not myself as I am now, as I had to become.
”
”
James Joyce (A Portrait of the Artist as a Young Man (Illustrated))
“
What the heart knows today the head will understand tomorrow
”
”
James Stephens (The Crock of Gold)
“
That is god... A shout in the street,' Stephen answered...
”
”
James Joyce (Ulysses)
“
I was raised to be charming, not sincere. I didn’t ask to be born a King, and I am not perfect. I am only human.
”
”
James Lapine (Into the Woods)
“
We got through all of Genesis and part of Exodus before I left. One of the main things I was taught from this was not to begin a sentence with And. I pointed out that most sentences in the Bible began with And, but I was told that English had changed since the time of King James. In that case, I argued, why make us read the Bible? But it was in vain. Robert Graves was very keen on the symbolism and mysticism in the Bible at that time.
”
”
Stephen Hawking (Black Holes and Baby Universes and Other Essays)
“
Do you know what Ireland is?' asked Stephen with cold violence. 'Ireland is the old sow that eats her farrow.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
INELUCTABLE MODALITY OF THE VISIBLE: AT LEAST THAT IF NO MORE, thought through my eyes. Signatures of all things I am here to read, seaspawn and seawrack, the nearing tide, that rusty boot. Snotgreen, bluesilver, rust: coloured signs. Limits of the diaphane. But he adds: in bodies. Then he was aware of them bodies before of them coloured. How? By knocking his sconce against them, sure. Go easy. Bald he was and a millionaire, maestro di color che sanno. Limit of the diaphane in. Why in? Diaphane, adiaphane. If you can put your five fingers through it, it is a gate, if not a door. Shut your eyes and see.
Stephen closed his eyes to hear his boots crush crackling wrack and shells. You are walking through it howsomever. I am, a stride at a time. A very short space of time through very short times of space. Five, six: the nacheinander. Exactly: and that is the ineluctable modality of the audible. Open your eyes. No. Jesus! If I fell over a cliff that beetles o'er his base, fell through the nebeneinander ineluctably. I am getting on nicely in the dark. My ash sword hangs at my side. Tap with it: they do. My two feet in his boots are at the end of his legs, nebeneinander. Sounds solid: made by the mallet of Los Demiurgos. Am I walking into eternity along Sandymount strand? Crush, crack, crick, crick. Wild sea money. Dominie Deasy kens them a'.
Won't you come to Sandymount,
Madeline the mare?
Rhythm begins, you see. I hear. A catalectic tetrameter of iambs marching. No, agallop: deline the mare.
Open your eyes now. I will. One moment. Has all vanished since? If I open and am for ever in the black adiaphane. Basta! I will see if I can see.
See now. There all the time without you: and ever shall be, world without end.
”
”
James Joyce (Ulysses)
“
It is by love alone that we understand anything
”
”
James Stephens (Irish Fairy Tales)
“
—What is a ghost? Stephen said with tingling energy. One who has faded into impalpability through death, through absence, through change of manners.
”
”
James Joyce (Ulysses)
“
the books I read were the dark kind—about scary things like disappearances and murders, especially the true ones. While other kids read J. K. Rowling, I read Stephen King. While other kids did history reports about the Civil War, I read about Lizzie Borden.
”
”
Simone St. James (The Sun Down Motel)
“
Must it all be either less or more,
Either plain or grand?
Is it always “or”?
Is it never “and”?
”
”
James Lapine (Into the Woods)
“
Sitting in the study hall he opened the lid of his desk and changed the number pasted up inside from seventy-seven to seventy-six. But the Christmas vacation was very far away: but one time it would come because the earth moved round always.
-Stephen Dedalus-
”
”
James Joyce
“
Life seemed to him a gift; the statement ‘I am alive’ seemed to him to contain a satisfactory certainty and many other things, held up as indubitable, seemed to him uncertain.
”
”
James Joyce (Stephen Hero)
“
A poem is a revelation, and it is by the brink of running water that poetry is revealed to the mind.
”
”
James Stephens (Irish Fairy Tales)
“
We get wise by asking questions, and even if these are not answered we get wise, for a well-packed question carries its answer on its back as a snail carries its shell.
”
”
James Stephens (Irish Fairy Tales)
“
People like the way dreams have of sticking to the soul.
”
”
Stephen Schwartz (Pippin)
“
A learner rather"
Stephen's answer to Deasy who says "You were not born to be a teacher, I think. Perhaps I am wrong." (Episode 2, line 403 in the Gabler edition)
”
”
James Joyce (Ulysses)
“
James Hillman so eloquently put it, “It was only when science convinced us that nature was dead that it could begin its autopsy in earnest.” A living, aware, and soul-filled world does not respond well to autopsy.
”
”
Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
“
Kindle, isn’t it?” the waitress asked. “I got one for Christmas, and I love it. I’m reading my way through all of Jodi Picoult’s books.” “Oh, probably not all of them,” Wesley said. “Huh? Why not?” “She’s probably got another one done already. That’s all I meant.” “And James Patterson’s probably written one since he got up this morning!” she said, and went off chortling.
”
”
Stephen King (UR)
“
What proposal did Bloom, diambulist, father of Milly, somnambulist, make to Stephen, noctambulist?
”
”
James Joyce (Ulysses)
“
Sleep is an excellent way of listening to an opera.
”
”
James Stephens
“
Although how can you know Who you are till you know What you want, which you don’t? So then which do you pick:
”
”
James Lapine (Into the Woods)
“
The spirit of quarrelsome comradeship which he had observed lately in his rival had not seduced Stephen from his habits of quiet obedience. He mistrusted the turbulence and doubted the sincerity of such comradeship which seemed to him a sorry anticipation of manhood.
”
”
James Joyce (A Portrait of the Artist as a Young Man / Dubliners)
“
Stephen watched the three glasses being raised from the counter as his father and his two cronies drank to the memory of their past. An abyss of fortune or of temperament sundered him from them. His mind seemed older than theirs: it shone coldly on their strifes and happiness and regrets like a moon upon a younger earth. No life or youth stirred in him as it had stirred in them. He had known neither the pleasure of companionship with others nor the vigour of rude male health nor filial piety. Nothing stirred within his soul but a cold and cruel and loveless lust. His childhood was dead or lost and with it his soul capable of simple joys, and he was drifting amid life like the barren shell of the moon.
Art thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless...?
He repeated to himself the lines of Shelley's fragment. Its alternation of sad human ineffectiveness with vast inhuman cycles of activity chilled him, and he forgot his own human and ineffectual grieving.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
You suspect, Stephen retorted with a sort of a half laugh, that I may be important because I belong to the fauborgh Saint Patrice called Ireland for short.
—I would go a step farther, Mr Bloom insinuated.
—But I suspect, Stephen interrupted, that Ireland must be important because it belongs to me.
”
”
James Joyce (Ulysses)
“
A cloud began to cover the sun slowly, wholly, shadowing the bay in deeper green. It lay beneath him, a bowl of bitter waters. Fergus' song : I sang it alone in the house, holding down the long dark chords. her door was open : she wanted to hear my music. silent with aw and pity i went to her bedside. she was crying in her wretched bed for these words, Stephen : love's bitter mystery.
”
”
James Joyce (Ulysses)
“
Here’s something else I believe: if you’re going into a very dark place—like Wilf James’s Nebraska farmhouse in “1922”—then you should take a bright light, and shine it on everything. If you don’t want to see, why in God’s name would you dare the dark at all?
”
”
Stephen King (Full Dark, No Stars)
“
Stephen picks up on Armstrong's pier, and calls Kingstown pier "a disappointed bridge" (2.22). He's joking about the fact that Ireland wanted to be connected to continental Europe but ended up being extremely isolated.
”
”
James Joyce (Ulysses)
“
Surely the desired end product of high school U.S. history courses is graduates who can think clearly, distinguish evidence from opinion, and separate truth from what comedian Stephen Colbert famously called “truthiness.
”
”
James W. Loewen (Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong)
“
McVries seemed not to have heard.
"These things, they don't even bear the weight of conversation," he said, "J.D. Salinger...John Knowles...even James Kirkwood and that guy Don Bredes...they've destroyed being an adolescent, Garraty. If you're a sixteen-year-boy, you can't discuss the pains of adolescent love with any decency anymore. You just come off sounding like fucking Ron Howard with a hardon."
McVries laughed a little hysterically.
”
”
Stephen King (The Long Walk)
“
He read the verses backwards but then they were not poetry. Then he read the flyleaf from the bottom to the top till he came to his own name. That was he: and he read down the page again. What was after the universe?
Nothing. But was there anything round the universe to show where it stopped before the nothing place began?
It could not be a wall; but there could be a thin thin line there all round everything. It was very big to think about everything and everywhere. Only God could do that. He tried to think what a big thought that must be; but he could only think of God. God was God's name just as his name was Stephen.
”
”
James Joyce
“
In truth we do not go to Faery, we become Fairy, and in the beating of a pulse we may live for a year or a thousand years.
”
”
James Stephens (Irish Fairy Tales)
“
People make mistakes, Holding to their own, Thinking they’re alone.
”
”
James Lapine (Into the Woods)
“
The trees do not resent autumn nor
does any exemplary thing in nature resent its limitations.
”
”
James Joyce (Stephen Hero)
“
Art, said Stephen, is the human disposition of sensible or intelligible matter for an esthetic end.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
You could call T. rex the James Dean of dinosaurs: it lived fast and died young.
”
”
Stephen Brusatte (The Rise and Fall of the Dinosaurs: A New History of a Lost World: The Definitive Dinosaur Encyclopedia with Stunning Illustrations, Embark on a Prehistoric Quest!)
“
The sad quiet grey-blue glow of the dying day came through the window and the open door, covering over and allaying quietly a sudden instinct of remorse in Stephen's heart.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
Oh, if life were made of moments, Even now and then a bad one—! But if life were only moments, Then you’d never know you had one.
”
”
James Lapine (Into the Woods)
“
God was God's name just as his name was Stephen. Dieu was the French for God and that was God's name too; and when anyone prayed to God and said Dieu then God knew at once that it was a French person that was praying. But though there were different names for God in all the different languages in the world and God understood what all the people who prayed said in their different languages still God remained always the same God and God's real name was God.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
In all important transactions of life we have to take a leap in the dark.... If we decide to leave the riddles unanswered, that is a choice; if we waver in our answer, that, too, is a choice: but whatever choice we make, we make it at our peril. If a man chooses to turn his back altogether on God and the future, no one can prevent him; no one can show beyond reasonable doubt that he is mistaken. If a man thinks otherwise and acts as he thinks, I do not see that any one can prove that he is mistaken. Each must act as he thinks best; and if he is wrong, so much the worse for him. We stand on a mountain pass in the midst of whirling snow and blinding mist through which we get glimpses now and then of paths which may be deceptive. If we stand still we shall be frozen to death. If we take the wrong road we shall be dashed to pieces. We do not certainly know whether there is any right one. What must we do? ' Be strong and of a good courage.' Act for the best, hope for the best, and take what comes. . . . If death ends all, we cannot meet death better.
”
”
James Fitzjames Stephen (Liberty, Equality, Fraternity)
“
—Alone, quite alone. You have no fear of that. And you know what that word means? Not only to be separate from all others but to have not even one friend.
—I will take the risk, said Stephen.
—And not to have any one person, Cranly said, who would be more than a friend, more even than the noblest and truest friend a man ever had.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
As we, or mother Dana, weave and unweave our bodies, Stephen said, from day to day, their molecules shuttled to and fro, so does the artist weave and unweave his image. And as the mole on my right breast is where it was when I was born, though all my body has been woven of new stuff time after time, so through the ghost of the unquiet father the image of the unliving son looks forth. In the intense instant of imagination, when the mind, Shelley says, is a fading coal, that which I was is that which I am and that which in possibility I may come to be. So in the future, the sister of the past, I may see myself as I sit here now but by reflection from that which then I shall be.
”
”
James Joyce (Ulysses)
“
Ladies and Gentlemen! Silence please!" Every one was startled. They looked round-at each other, at the walls. Who was speaking? The Voice went on- a high clear voice.
You are charged with the following indictments:
Edward George Armstrong, that you did upon the 14th day of March, 1925, cause the death of Louisa Mary Clees.
Emily Caroline Brent, that upon the 5th November, 1931, you were responsible for the death of Beatrice Taylor.
William Henry Blore, that you brought about the death of James Stephen Landor on October 10th, 1928.
Vera Elizabeth Claythorne, that on the 11th day of August, 1935, you killed Cyril Ogilvie Hamilton.
Philip Lombard, that upon a date in February, 1932, you were guilty of the death of twenty-one men, members of an East African tribe.
John Gordon Macarthur, that on the 4th of January, 1917, you deliberately sent your wife's lover, Arthur Richmond, to his death.
Anthony James Marston, that upon the 14th day of November last, you were guilty of murder of John and Lucy Combes.
Thomas Rogers and Ethel Rogers, that on the 6th of May, 1929, you brought about the death of Jennifer Brady.
Lawrence John Wargrave, that upon the 10th day of June, 1930, you were guilty of the murder of Edward Seton.
Prisoners at the bar, have you anything to say in your defense?
”
”
Agatha Christie
“
How well they all knew each other now, he thought. In twelve weeks James felt he had come to know more about these three men than any of the so-called friends he'd known for twenty years. For the first time he understood why his father continually referred back to friendships formed during the war with men he normally would never have met. He realised how much he was going to miss Stephen when he returned to America. Success was, in fact, going to split them up.
”
”
Jeffrey Archer (Not a Penny More, Not a Penny Less)
“
He had spoken himself into boldness. Stephen, shielding the gaping wounds which the words had left in his heart, said very coldly:
--I am not thinking of the offence to my mother.
”
”
James Joyce (Ulysses)
“
Why do you live on the bank of a river?' was one of these questions.
'Because a poem in a revelation, and it is by the brink of running water that poetry is revealed to the mind.
”
”
James Stephens (Irish Fairy Tales)
“
--History, Stephen said, is a nightmare from which I am trying to awake.
”
”
James Joyce (Ulysses)
“
The origin of the name is an enigmatic quotation from James Joyce: “Three quarks for Muster Mark!
”
”
Stephen Hawking (A Brief History of Time)
“
Stephen looked coldly on the oblong skull beneath him overgrown with tangled twine-coloured hair.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
It has occurred to me, brother, that wisdom may not be the end to everything. Goodness and kindness are, perhaps, beyond wisdom. Is it not possible that the ultimate end is music and gaiety and a dance of joy? Wisdom is the oldest of all things. Wisdom is all head and no heart.Behold, brother, you are being crushed under the weight of your head. You are dying of old age while you are yet a child.
”
”
James Stephens (The Crock of Gold)
“
After a lie truth bursts out, and it is no longer the radiant and serene goddess knew or hoped for—it is a disease, it is a moral syphilis and will ravage until the body in which it can dwell has been purged.
”
”
James Stephens (The Insurrection in Dublin)
“
When a demand for intelligent sympathy goes unanswered he is a
too stern disciplinarian who blames himself for having offered a
dullard an opportunity to participate in the warmer movement of a more
highly organised life.
”
”
James Joyce (Stephen Hero)
“
Could it be that he, Stephen Dedalus, had done those things? His conscience sighed in answer. Yes, he had done them, secretly, filthily, time after time, and, hardened in sinful impenitence, he had dared to wear the mask of holinesss before the tabernacle itself while his soul within was a living mass of corruption.
”
”
James Joyce (A Portrait of the Artist as a Young Man (Case Studies in Contemporary Criticism))
“
It is a symbol of Irish art. The cracked lookingglass of a servant.
”
”
James Joyce (Stephen Hero)
“
Originalitatea nu constă în a spune ce nu a mai spus nimeni, ci în a spune exact ceea ce gândești tu însuți.
”
”
James Stephens
“
The good writers are Henry James, Stephen Crane, and Mark Twain. That’s not the order they’re good in. There is no order for good writers.” Green Hills of Africa, p. 22
”
”
Larry W. Phillips (Ernest Hemingway on Writing)
“
Stephen, Stephen, Stephen. My name is Stephen.
”
”
James Dashner (The Fever Code (The Maze Runner #5))
“
- Then, said Cranly, you do not intend to become a protestant?
- I said that I had lost the faith, Stephen answered, but not that I had lost self-respect
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
We have lost, as James Hillman once put it, the response of the heart to what is presented to the senses.
”
”
Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
“
Stephen Dedalus, displeased and sleepy, leaned his arms on the top of the staircase and looked coldly at the shaking gurgling face that blessed him,
”
”
James Joyce (Ulysses and Dubliners)
“
There are more worlds than one, and in many ways they are unlike each other. But joy and sorrow, or, in other words, good and evil,are not absent in their degree from any of the worlds, for wherever there is life there is action, and action is but the expression of one or other of these qualities.
”
”
James Stephens (Irish Fairy Tales (Facsimile classics series))
“
olemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains. Then, catching sight of Stephen Dedalus, he bent towards him and made rapid crosses in the air, gurgling in his throat and shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms on the top of the staircase and looked coldly at the shaking gurgling face that blessed him, equine in its length, and at the light untonsured hair, grained and hued like pale oak.
”
”
James Joyce (Ulysses)
“
—You're not a believer, are you? Haines asked. I mean, a believer in the narrow sense of the word. Creation from nothing and miracles and a personal God. —There's only one sense of the word, it seems to me, Stephen said.
”
”
James Joyce (Ulysses and Dubliners)
“
Only God could do that. He tried to think what a big thought that must be; but he could only think of God. God was God's name just as his name was Stephen. DIEU was the French for God and that was God's name too; and when anyone prayed to God and said DIEU then God knew at once that it was a French person that was praying. But, though there were different names for God in all the different languages in the world and God understood what all the people who prayed said in their different languages, still God remained always the same God and God's real name was God.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
The only mainstream American household I know well is the one I grew up in, and I can report that my father, who was not a reader, nevertheless had some acquaintance with James Baldwin and John Cheever, because Time magazine put them on its cover and Time, for my father, was the ultimate cultural authority. In the last decade, the magazine whose red border twice enclosed the face of James Joyce has devoted covers to Scott Turow and Stephen King. These are honorable writers; but no one doubts it was the size of their contracts that won them covers. The dollar is now the yardstick of cultural authority, and an organ like Time, which not long ago aspired to shape the national taste, now serves mainly to reflect it.
”
”
Jonathan Franzen (How to Be Alone: Essays)
“
—The ballad of joking Jesus, Stephen answered.
—O, Haines said, you have heard it before?
—Three times a day, after meals, Stephen said drily.
—You're not a believer, are you? Haines asked . I mean, a believer in the narrow sense of the word. Creation from nothing and miracles and a personal God.
—There's only one sense of the word, it seems to me, Stephen said.
21
”
”
James Joyce (Ulysses)
“
What she discovered was mostly shelves of battered paperbacks, not exactly the insulation she’d had in mind, and when the dynamite bundle exploded in the room next door, she was pelted with Nora Roberts and James Patterson novels as the wall buckled.
”
”
Stephen King (Sleeping Beauties)
“
Those who have lost, as James Hillman put it, the response of the heart to what is presented to the senses, are sometimes so trained to believe that the objects outside them have no “feeling reality” to them that all feeling inflows of that sort are gated entirely.
”
”
Stephen Harrod Buhner (Plant Intelligence and the Imaginal Realm: Beyond the Doors of Perception into the Dreaming of Earth)
“
A poet, yes, but an Englishman too. Do you know what is the pride of the English? Do you know what is the proudest word you will ever hear from an Englishman's mouth? The seas' ruler. His seacold eyes looked on the empty bay: it seems history is to blame: on me and on my words, unhating. —That on his empire, Stephen said, the sun never sets. —Ba! Mr Deasy cried. That's not English. A French Celt said that.
”
”
James Joyce (Ulysses [Illustrated])
“
You behold in me, Stephen said with grim displeasure, a horrible example of free thought.
He walked on, waiting to be spoken to, trailing his ashplant by his side. Its ferrule followed lightly on the path, squealing at his heels. My familiar, after me, calling, Steeeeeeeeeeeephen! A wavering line along the path. They will walk on it tonight, coming here in the dark. He wants that key. It is mine. I paid the rent. Now I eat his salt bread. Give him the key too. All. He will ask for it. That was in his eyes.
--After all, Haines began ...
Stephen turned and saw that the cold gaze which had measured him was not all unkind.
--After all, I should think you are able to free yourself. You are your own master, it seems to me.
--I am a servant of two masters, Stephen said, an English and an Italian.
--Italian? Haines said.
A crazy queen, old and jealous. Kneel down before me.
--And a third, Stephen said, there is who wants me for odd jobs.
--Italian? Haines said again. What do you mean?
--The imperial British state, Stephen answered, his colour rising, and the holy Roman catholic and apostolic church.
--I can quite understand that, he said calmly. An Irishman must think like that, I daresay. We feel in England that we have treated you rather unfairly. It seems history is to blame.
The proud potent titles clanged over Stephen's memory the triumph of their brazen bells: ET UNAM SANCTAM CATHOLICAM ET APOSTOLICAM ECCLESIAM: the slow growth and change of rite and dogma like his own rare thoughts, a chemistry of stars.
”
”
James Joyce
“
Io credo che dentro ogni uomo ne viva un altro, un estraneo, un Mestatore. E credo che già nel marzo del '22, quando i cieli sulla contea di Hemingford erano bianchi e ogni campo era un pantano di neve e fanghiglia, il Mestatore che stava in Wilfred James, agricoltore, avesse giudicato mia moglie ed emesso la sentenza.
”
”
Stephen King (Full Dark, No Stars)
“
Yet because we can read the newspaper or Time or Stephen King without difficulty, we tend to think that we should be able to go directly into Homer or Henry James without any further preparation. And when we stumble, grow confused or weary, we take this as proof of our mental inadequacy: We’ll never be able to read the Great Books.
”
”
Susan Wise Bauer (The Well-Educated Mind: A Guide to the Classical Education You Never Had (Updated and Expanded))
“
What was after the universe? Nothing. But was there anything round the universe to show where it stopped before the nothing place began? It could not be a wall; but there could be a thin thin line there all round everything. It was very big to think about everything and everywhere. Only God could do that. He tried to think what a big thought that must be; but he could only think of God. God was God's name just as his name was Stephen. Dieu was the French for God and that was God's name too; and when anyone prayed to God and said Dieu then God knew at once that it was a French person that was praying. But, though there were different names for God in all the different languages in the world and God understood what all the people who prayed said in their different languages, still God remained always the same God and God's real name was God.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
Stephen watched the three glasses being raised from the counter as his father and his two cronies drank to the memory of their past. An abyss of fortune or of temperament sundered him from them. His mind seemed older than theirs: it shone coldly on their strifes and happiness and regrets like a moon upon a younger earth. No life or youth stirred in him as it had stirred in them. He had known neither the pleasure of companionship with others nor the vigour of rude male health nor filial piety. Nothing stirred within his soul but a cold and cruel and loveless lust.
”
”
James Joyce (A Portrait of the Artist as a Young Man)
“
Having to amuse myself during those earlier years, I read voraciously and widely. Mythic matter and folklore made up much of that reading—retellings of the old stories (Mallory, White, Briggs), anecdotal collections and historical investigations of the stories' backgrounds—and then I stumbled upon the Tolkien books which took me back to Lord Dunsany, William Morris, James Branch Cabell, E.R. Eddison, Mervyn Peake and the like. I was in heaven when Lin Carter began the Unicorn imprint for Ballantine and scoured the other publishers for similar good finds, delighting when I discovered someone like Thomas Burnett Swann, who still remains a favourite.
This was before there was such a thing as a fantasy genre, when you'd be lucky to have one fantasy book published in a month, little say the hundreds per year we have now. I also found myself reading Robert E. Howard (the Cormac and Bran mac Morn books were my favourites), Lovecraft, Clark Ashton Smith and finally started reading science fiction after coming across Andre Norton's Huon of the Horn. That book wasn't sf, but when I went to read more by her, I discovered everything else was. So I tried a few and that led me to Clifford Simak, Roger Zelazny and any number of other fine sf writers.
These days my reading tastes remain eclectic, as you might know if you've been following my monthly book review column in The Magazine of Fantasy & Science Fiction. I'm as likely to read Basil Johnston as Stephen King, Jeanette Winterson as Harlan Ellison, Barbara Kingsolver as Patricia McKillip, Andrew Vachss as Parke Godwin—in short, my criteria is that the book must be good; what publisher's slot it fits into makes absolutely no difference to me.
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Charles de Lint
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Even the wind had ceased, and there seemed to be nothing in the world but the darkness and himself. In that gigantic blackness, in that unseen quietude and vacancy, the mind could cease to be personal to itself. It could be overwhelmed and merged in space, so that consciousness would be transferred or dissipated, and one might sleep standing; for the mind fears loneliness more than all else, and will escape to the moon rather than be driven inwards on its own being.
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James Stephens (Irish Fairy Tales)
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All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle
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Andrew Clements (The Losers Club)
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He read the verses backwards but then they were not poetry. Then he read the flyleaf from the bottom to the top till he came to his own name. That was he: and he read down the page again. What was after the universe? Nothing. But was there anything round the universe to show where it stopped before the nothing place began? It could not be a wall; but there could be a thin thin line there all round everything. It was very big to think about everything and everywhere. Only God could do that. He tried to think what a big thought that must be; but he could only think of God. God was God’s name just as his name was Stephen. Dieu was the French for God and that was God’s name too; and when anyone prayed to God and said Dieu then God knew at once that it was a French person that was praying. But, though there were different names for God in all the different languages in the world and God understood what all the people who prayed said in their different languages, still God remained always the same God and God’s real name was God.
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James Joyce (A Portrait of the Artist as a Young Man)
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―When you kick out for yourself, Stephen―as I daresay you will one of these days―rememer, whatever you do, to mix with gentlemen. When I was a young fellow I tell you I enjoyed myself. I mixed with fine decent fellows. Everyone of us could lo something. One fellow had a good voice, another fellow was a good actor, another could sing a good comic song, another was a good oarsman or a good racket player, another could tell a good story and so on. We kept the ball rolling anyhow and enjoyed ourselves and saw a bit of life and we were none the worse of it either. But we were all gentlemen, Stephen―at least I hope we were―and bloody good honest Irishmen too. That's the kind of fellows I want you to associate with, fellows of the right kidney. I'm talking to you as a friend, Stephen. I don't believe a son should be afraid of his father. No, I treat you as your grandfather treated me when I was a young chap. We were more like brothers than father and son. I`ll never forget the first day he caught me smoking. I was standing at the end of the South Terrace one day with some maneens like myself and sure we thought we were grand fellows because we had pipes stuck in the corners of our mouths. Suddenly the governor passed. He didn't say a word, or stop even. But the next day, Sunday, we were out for a walk together and when we were coming home he took out his cigar case and said:―By the by, Simon, I didn't know you smoked, or something like that.―Of course I tried to carry it off as best I could.―If you want a good smoke, he said, try one of these cigars. An American captain made me a present of them last night in Queenstown.
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James Joyce (A Portrait of the Artist as a Young Man)
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Before World War II, when physics was primarily a European enterprise, physicists used the Greek language to name particles. Photon, electron, meson, baryon, lepton, and even hadron originated from the Greek. But later brash, irreverent, and sometimes silly Americans took over, and the names lightened up. Quark is a nonsense word from James Joyce’s Finnegan’s Wake, but from that literary high point, things went downhill. The distinctions between the different quark types are referred to by the singularly inappropriate term flavor. We might have spoken of chocolate, strawberry, vanilla, pistachio, cherry, and mint chocolate chip quarks but we don’t. The six flavors of quarks are up, down, strange, charmed, bottom, and top. At one point, bottom and top were considered too risqué, so for a brief time they became truth and beauty.
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Leonard Susskind (The Black Hole War: My Battle with Stephen Hawking to Make the World Safe for Quantum Mechanics)
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There is a difference between this world and the world of Faery, but it is not immediately perceptible. Everything that is here is there, but the things that are there are better than those that are here. All things that are bright are there brighter. There is more gold in the sun and more silver in the moon of that land. There is more scent in the flowers, more savour in the fruit. There is more comeliness in the men and more tenderness in the women. Everything in Faery is better by this one wonderful degree, and it is by this betterness you will know that you are there if you should ever happen to get there.
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James Stephens (Irish Fairy Tales)
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You were always grossly obese,' observed Stephen. 'Were you to walk ten miles a day, and eat half what you do in fact devour, with no butcher's meat and no malt liquors, you would be able to play at the hand-ball like a Christian rather than a galvanized manatee, or dugong. Mr Goodridge, how do you so, sir? I hope I see you well.' This to Jack's opponent, a former shipmate, the master of HMS Polychrest and a fine navigator, but one whose calculations had unfortunately convinced him that phoenixes and comets were one and the same thing - that the appearance of a phoenix, reported in the chronicles, was in fact the return of one or another of the various comets whose periods were either known or conjectured. He resented disagreement, and although in ordinary matters he was the kindest, gentlest of men, he was now confined for maltreating a rear-admiral of the blue: he had not actually struck Sir James, but he had bitten his remonstrating finger.
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Patrick O'Brian (The Reverse of the Medal (Aubrey/Maturin, #11))
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But approaching a holy and sovereign God in prayer is something we should prize and never take for granted. We are very needy of God. He created the universe from nothing by the power of His spoken word. We, on the other hand, have never created anything. He is perfect and maintains all authority in heaven and earth, while we stumble in many ways (Luke 9:23; James 3:2). God is dependent on nothing at all, while we are completely dependent on Him every second of every day (John 15:4–5). He knows every detail of everything in all places at all times (Psalm 139:1–18), while we don’t know what will happen tomorrow and are already forgetting what we did yesterday.
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Stephen Kendrick (The Battle Plan for Prayer: From Basic Training to Targeted Strategies)
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The idea that creative endeavor and mind-altering substances are entwined is one of the great pop-intellectual myths of our time. The four twentieth-century writers whose work is most responsible for it are probably Hemingway, Fitzgerald, Sherwood Anderson, and the poet Dylan Thomas. They are the writers who largely formed our vision of an existential English-speaking wasteland where people have been cut off from one another and live in an atmosphere of emotional strangulation and despair. These concepts are very familiar to most alcoholics; the common reaction to them is amusement. Substance-abusing writers are just substance abusers—common garden-variety drunks and druggies, in other words. Any claims that the drugs and alcohol are necessary to dull a finer sensibility are just the usual self-serving bullshit. I’ve heard alcoholic snowplow drivers make the same claim, that they drink to still the demons. It doesn’t matter if you’re James Jones, John Cheever, or a stewbum snoozing in Penn Station; for an addict, the right to the drink or drug of choice must be preserved at all costs. Hemingway and Fitzgerald didn’t drink because they were creative, alienated, or morally weak. They drank because it’s what alkies are wired up to do. Creative people probably do run a greater risk of alcoholism and addiction than those in some other jobs, but so what? We all look pretty much the same when we’re puking in the gutter.
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Stephen King (On Writing: A Memoir of the Craft)
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He turned abruptly his great searching eyes from the sea to Stephen's face.
--The aunt thinks you killed your mother, he said. That's why she won't let me have anything to do with you.
--Someone killed her, Stephen said gloomily.
--You could have knelt down, damn it, Kinch, when your dying mother asked you, Buck Mulligan said. I'm hyperborean as much as you. But to think of your mother begging you with her last breath to kneel down and pray for her. And you refused. There is something sinister in you . . .
He broke off and lathered again lightly his farther cheek. A tolerant smile curled his lips.
--But a lovely mummer, he murmured to himself. Kinch, the loveliest mummer of them all.
He shaved evenly and with care, in silence, seriously.
Stephen, an elbow rested on the jagged granite, leaned his palm against his brow and gazed at the fraying edge of his shiny black coat-sleeve. Pain, that was not yet the pain of love, fretted his heart. Silently, in a dream she had come to him after her death, her wasted body within its loose brown grave-clothes giving off an odour of wax and rosewood, her breath, that had bent upon him, mute, reproachful, a faint odour of wetted ashes.
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James Joyce
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If it were not for the thicket— RAPUNZEL’S PRINCE: A thicket’s no trick. Is it thick? CINDERELLA’S PRINCE: It’s the thickest. RAPUNZEL’S PRINCE: The quickest Is pick it Apart with a stick— CINDERELLA’S PRINCE: Yes, but even one prick— It’s my thing about blood. RAPUNZEL’S PRINCE: Well, it’s sick! CINDERELLA’S PRINCE: It’s no sicker Than your thing with dwarves. RAPUNZEL’S PRINCE: Dwarfs. CINDERELLA’S PRINCE: Dwarfs . . . RAPUNZEL’S PRINCE: Dwarfs are very upsetting. BOTH: Not forgetting The tasks unachievable, Mountains unscalable— If it’s conceivable But unavailable, Ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah— Agony!
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James Lapine (Into the Woods)
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I don’t know how I didn’t see it for so many years of Bible reading, but I didn’t. Paul didn’t teach the Gentiles not to follow the law, he didn’t teach people not to have their sons circumcised (in fact he himself had Timothy circumcised in Acts 16:3). And Paul himself kept the law. Otherwise, James would have been telling Paul to lie about what he was doing. So we traded Christmas for Sukkot, the true birth of Messiah during the Feast of Tabernacles, which is a shadow picture of Him coming back to reign for a thousand years. When we keep that feast, we are making a declaration that we believe He was, is, and is coming. We keep Yom Kippur, which is a declaration that we believe that Yeshua is the salvation of the nation of Israel as a whole, that “all Israel shall be saved.” We keep Yom Teruah, the day of Trumpets, which occurs on “the day and hour that no man knows” at the sighting of the first sliver of the new moon during the 7th biblical month of Tishri. We traded Pentecost for Shavuot, the prophetic shadow picture of the spirit being poured out on the assembly, as we see in the book of Acts, just as the law was given at Mt Sinai to the assembly, which according to Stephen was the true birth of the church (Acts 7:38) – not in Jerusalem, but at Sinai. We also traded Easter for Passover, the shadow picture of Messiah coming to die to restore us to right standing with God, in order to obey Him when He said, “from now on, do this in remembrance of Me.” We traded Resurrection Sunday for First Fruits, the feast which served as a shadow of Messiah rising up out of the earth and ascending to be presented as a holy offering to the Father. In Leviticus 23, these are called the Feasts of the LORD, and were to be celebrated by His people Israel forever, not just the Jews, but all those who are in covenant with Him. Just like at Mt Sinai, the descendants of Jacob plus the mixed multitude who came out of Egypt. We learned from I John 3:4 that sin is defined as transgression of the law. I John 1:10 says that if we claim we do not sin we are liars, so sin still exists, and that was written long after the death of the other apostles, including Paul. I read what Peter said about Paul in 2 Peter 3:15-16 – that his writings were hard to understand and easily twisted. And I began to see that Peter was right because the more I understood what everyone besides Paul was saying, the more I realized that the only way I could justify what I had been doing was with Paul’s writings. I couldn’t use Yeshua (Jesus), Moses, John, Peter or any of the others to back up any of the doctrines I was taught – I had to ignore Yeshua almost entirely, or take Him out of context. I decided that Yeshua, and not Paul, died for me, so I had to
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Tyler Dawn Rosenquist (The Bridge: Crossing Over Into the Fullness of Covenant Life)
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Though all the Protestant denominations have historically condemned the veneration of holy objects (relics) and their use in healing, the Catholic church - until recently - preferred to depend entirely upon the magical qualities attributed to the possessions or actual physical parts of various saints and biblical characters for healing. The Vatican not only permitted but encouraged this practice, which entered history in the third century. Catholic churches and private collections still overflow with hundreds of thousands of items. Included are pieces of the True Cross (enough to build a few log cabins), bones of the children slain by King Herod, the toenails and bones of St. Peter, the bones of the Three Wise Kings and of St. Stephen (as well as his complete corpse, including another complete skeleton!), jars of the Virgin Mary’s milk, the bones and several entire heads and pieces thereof that were allegedly once atop John the Baptist, 16 foreskins of Christ, Mary Magdalene’s entire skeleton (with two right feet), scraps of bread and fish left over from feeding the 5,000, a crust of bread from the Last Supper, and a hair from Christ’s beard - not to mention a few shrouds, including the one at Turin.
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James Randi (The Faith Healers)
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Progressives today are quick to fault “America” for slavery and a host of other outrages. America did this, America did that. As we will see in this book, America didn’t do those things, the Democrats did. So the Democrats have cleverly foisted their sins on America, and then presented themselves as the messiahs offering redemption for those sins. It’s crazy, but it’s also ingenious. We have to give them credit for ingenuity. The second whitewash is to portray the Civil War entirely in terms of the North versus the South. The North is supposedly the anti-slavery side and the South is the pro-slavery side. A recent example is Ta-Nehisi Coates’s article about the Confederate battle flag in The Atlantic.3 Now of course there is an element of truth in this, in that the Civil War was fought between northern states and southern states. But this neat and convenient division ignores several important details. First, the defenders of the Confederate cause were, almost without exception, Democrats. Coates cites many malefactors from Senator Jefferson Davis to Senator James Henry Hammond to Georgia Governor Joseph Brown. Yet while identifying these men as southerners and Confederates, Coates omits to identify them as Democrats. Second, Coates and other progressives conveniently ignore the fact that northern Democrats were also protectors of slavery. We will see in this chapter how Stephen Douglas and other northern Democrats fought to protect slavery in the South and in the new territories. Moreover, the southerners who fought for the Confederacy cannot be said to have fought merely to protect slavery on their plantations. Indeed, fewer than one-third of white families in the South on the eve of the Civil War had slaves. Thus the rigid North-South interpretation of the Civil War conceals—and is intended to conceal—the active complicity of Democrats across the country to save, protect, and even extend the “peculiar institution.” As the Charleston Mercury editorialized during the secession debate, the duty of the South was to “rally under the banner of the Democratic Party which has recognized and supported . . . the rights of the South.”4 The real divide was between the Democratic Party as the upholder of slavery and the Republican Party as the adversary of slavery. All the figures who upheld and defended American slavery—Senators John C. Calhoun and Stephen Douglas, President James Buchanan, Supreme Court Chief Justice Roger Taney, architect of the Dred Scott decision, and the main leaders of the Confederacy—were Democrats. All the heroes of black emancipation—from the black abolitionists Sojourner Truth and Frederick Douglass, to the woman who organized the Underground Railroad, Harriet Tubman, to the leader whose actions finally destroyed American slavery, Abraham Lincoln—were Republicans. It is of the utmost importance to progressive propagandists to conceal or at least ignore this essential historical truth.
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Dinesh D'Souza (Hillary's America: The Secret History of the Democratic Party)