James Mcbride Quotes

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God is the color of water. Water doesn't have a color.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
I asked her if I was black or white. She replied "You are a human being. Educate yourself or you'll be a nobody!
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
It was always so hot, and everyone was so polite, and everything was all surface but underneath it was like a bomb waiting to go off. I always felt that way about the South, that beneath the smiles and southern hospitality and politeness were a lot of guns and liquor and secrets.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
Whatever he believed, he believed. It didn’t matter to him whether it was really true or not. He just changed the truth till it fit him. He was a real white man.
James McBride (The Good Lord Bird)
Light is only possible through dialogue between cultures, not through rejection of one or the other.
James McBride (The Heaven & Earth Grocery Store)
He was like everybody in war. He believed God was on his side. Everybody got God on their side in a war. Problem is, God ain’t tellin’ nobody who He’s for.
James McBride (The Good Lord Bird)
You can forever remember the wrongs done to you as long as you live,” she said. “But if you forget ’em and go on living, it’s almost as good as forgiving.
James McBride (The Heaven & Earth Grocery Store)
There's such a big difference between being dead and alive, I told myself, the greatest gift that anyone can give anyone else is life. And the greatest sin a person can do to another is to take away that life. Next to that, all the rules and religions in the world are secondary; mere words and beliefs that people choose to believe and kill and hate by. My life won't be lived that way, and neither, I hope, will my children's.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
Whatever you is, Onion," he said, "be it full.
James McBride (The Good Lord Bird)
My parents were nonmaterialistic. They believed that money without knowledge was worthless, that education tempered with religion was the way to climb out of poverty in America, and over the years they were proven right.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
A man who doesn't trust cannot be trusted
James McBride (Deacon King Kong)
Life is a series of calculated risks, James. I happen to think that this one is worth it.
Lish McBride (Necromancing the Stone (Necromancer, #2))
God was forever generous with His gifts: hope, love, truth, and the belief in the indestructability of the good in all people.
James McBride (Deacon King Kong)
Nothing in this world happens unless white folks says it happens. The lies they tell each other sound better to them than the truth does when it comes out of our mouths.
James McBride (Deacon King Kong)
God gived you the seed. But the watering and caring of that seed is up to you.
James McBride (The Good Lord Bird)
terrible burden to pretend you know everything.
James McBride (The Heaven & Earth Grocery Store)
But pretending to know everything and acting like you’re better than you know you are puts a terrible strain on a body. It makes you a stumbling stone to your own justice.
James McBride (The Heaven & Earth Grocery Store)
He’s a drunk. One of those guys who dies at twenty and is buried at eighty.
James McBride (Deacon King Kong)
But at the end of the day, there are some questions that have no answers, and then one answer that has no question: love rules the game. Every time. All the time. That’s what counts.
James McBride (The Color of Water)
Some things in this world just ain't mean to be, not in the times we want 'em to, and the heart has to hold it in this world as a remembrance, a promise for the world that's to come. There's a prize at the end of all of it, but still, that's a heavy load to bear.
James McBride (The Good Lord Bird)
See, a marriege needs love. And God. And a little money. That's all.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
Sometimes it seemed like the truth was a bandy-legged soul who dashed from one side of the world to the other and I could never find him.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
It occurred to me then that you is everything you are in this life at every moment. And that includes loving somebody. If you can't be your own self, how can you love somebody? How can you be free? That pressed on my heart like a vise right then. Just mashed me down.
James McBride (The Good Lord Bird)
There ain't no time for foolishness now. You in it now. You got to stay in it.
James McBride (Song Yet Sung)
And when James asked what color God was, she said, God is the color of water.
James McBride
But American history is not meant to be pretty. It is plain. It is simple. It is strong and truthful. Full of blood.
James McBride (The Heaven & Earth Grocery Store)
I was so sorry, deep in my heart I was sorry, but all your "sorrys" are gone when a person dies. She was gone. Gone. That's why you have to say all your "sorrys" and "I love yous" while a person is living, because tomorrow isn't promised.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
Whatever’s back there don’t matter. It’s what’s ahead of you that counts. Don’t
James McBride (The Heaven & Earth Grocery Store)
Thank you, Monkey Pants.
James McBride (The Heaven & Earth Grocery Store)
Chona had never been one to play by the rules of American society. She did not experience the world as most people did. To her, the world was not a china closet where you admire this and don’t touch that. Rather, she saw it as a place where every act of living was a chance for tikkun olam, to improve the world.
James McBride (The Heaven & Earth Grocery Store)
The greatest gift that anyone can give anyone is LIFE. And the greatest sin a person can do is to take away that life. NEXT to that, all rules and religions in the worldare secondary, mere words and beliefs that people CHOOSE to believe and KILL and HATE by.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
This is what happens when a boy becomes a man. You get stupider.
James McBride (The Good Lord Bird)
A man ain’t got to stand in church every Sunday to do God’s work.
James McBride (Deacon King Kong)
You ain’t got to worry about your skin.” “I do worries about my skin. It covers my body.
James McBride (Deacon King Kong)
You have to choose between what the world expects of you and what you want for yourself,” my sister Jack told me several times. “Put yourself in God’s hands and you can’t go wrong.
James McBride (The Color of Water)
Rather, she saw it as a place where every act of living was a chance for tikkun olam, to improve the world. The tiny woman with the bad foot was all soul. Big.
James McBride (The Heaven & Earth Grocery Store)
I come to the understanding that maybe what was on the inside was more important, and that your outer covering didn't count so much as folks thought it did, colored or white, man or woman.
James McBride (The Good Lord Bird)
I was ashamed of my mother, but see, love didn't come natural to me until I became a Christian.- Ruth McBride
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
I had no idea what I was paying James, but based on his picnic-assembling skills alone, he needed a raise.
Lish McBride (Necromancing the Stone (Necromancer, #2))
Being a Negro’s a lie, anyway. Nobody sees the real you. Nobody knows who you are inside. You just judged on what you are on the outside whatever your color. Mulatto, colored, black, it don’t matter. You just a Negro to the world.
James McBride (The Good Lord Bird)
The Good Lord Bird don't run in a flock. He Flies alone. You know why? He's searching. Looking for the right tree. And when he sees that tree, that dead tree that's taking all the nutrition and good things from the forest floor. He goes out and he gnaws at it, and he gnaws at it till the thing gets tired and it falls down. And the dirt from it raises other trees. It gives them good things to eat. It makes 'em strong. Gives 'em life. And the circle goes 'round.
James McBride (The Good Lord Bird)
He felt like a radio tuning in to a new channel, one that was beginning to fuzz into range, slowly coming in clear, proper, the way his Hettie had always wanted him to be. The new feeling humbled him.
James McBride (Deacon King Kong)
The man was the finest preacher. He could make a frog stand up straight and get happy with Jesus.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
You could see him coming from a distance, appearing out of nowhere like an angel, his silhouette seeming to rise from the ground in the simmering heat . . .
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
It occurred to me then that you is everything you are in this life at every moment.
James McBride (The Good Lord Bird)
How could a man get ahead if he had crap dropping on him all the time?
James McBride (The Heaven & Earth Grocery Store)
Son, a blessing favors them that needs it. Don’t matter how it comes. It just matters that it does.
James McBride (Deacon King Kong)
You’ve got to be strong to get old.
James McBride (Deacon King Kong)
kneydlach, gefilte fish, kugl, chopped liver, and
James McBride (The Color of Water)
a solitary middle-aged man in the August of life looking for a few more Aprils, an
James McBride (Deacon King Kong)
...but all your 'sorrys' are gone when a person dies... That's why you have to say all your 'sorrys' and 'I love yous' while a person is living, because tomorrow isn't promised.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
Sometimes without conscious realization, our thoughts, our faith, out interests are entered into the past. We talk about other times, other places, other persons, and lose our living hold on the present. Sometimes we think if we could just go back in time we would be happy. But anyone who attempts to reenter the past is sure to be disappointed. Anyone who has ever revisited the place of his birth after years of absence is shocked by the differences between the way the place actually is, and the way he has remembered it. He may walk along old familiar streets and roads, but he is a stranger in a strange land. He has thought of this place as home, but he finds he is no longer here even in spirit. He has gone onto a new and different life, and in thinking longingly of the past, he has been giving thought and interest to something that no longer really exists.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
This was fresh, rich, heavenly, succulent, soft, creamy, kiss-my-ass, cows-gotta-die-for-this, delightfully salty, moo-ass, good old white folks cheese, cheese to die for, cheese to make you happy, cheese to beat the cheese boss, cheese for the big cheese, cheese to end the world,
James McBride (Deacon King Kong)
Why we got to have the police around every time we has a simple party? Ya'll don't watch out for us. Y'all watch over us. I don't see y'all out there standing over the white folks in Park Slope when they has their block parties
James McBride (Deacon King Kong)
Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought.
James McBride (The Heaven & Earth Grocery Store)
So he drinks and grows plants and goes to church,” Potts said. “So far, he sounds Catholic.
James McBride (Deacon King Kong)
a device that fed them their oppression disguised as free thought.
James McBride (The Heaven & Earth Grocery Store)
finger, that one solitary white finger, reaching out in friendship and solidarity, shone in his memory like a bright, shining star.
James McBride (The Heaven & Earth Grocery Store)
Her smile displayed a raw, natural beauty that caught Potts off guard. The woman, he thought, was all good handwriting.
James McBride (Deacon King Kong)
What hair she had looked like scrambled eggs in string form, in wild clumps and in single strands, giving her the appearance of a wired, harried, ancient, terrified professor.
James McBride (Deacon King Kong)
...for one thing you learns when you is a girl is that most women's hearts is full of secrets.
James McBride (The Good Lord Bird)
Just because you toast marshmallows with a kid on a camping trip doesn’t mean he’ll become a Boy Scout.
James McBride (Deacon King Kong)
Wonderful," he said. "Tell me. Which books in the Bible do you favor?" "Oh, I favors 'em all," Pa said. "But I mostly like Hezekiel, Ahab, Trotter, and Pontiff the Emperor." The Old Man frowned. "I don't recollect I have read those," he said.
James McBride (The Good Lord Bird)
He didn’t look mad, but he didn’t look like Martin Luther King neither.
James McBride (Five-Carat Soul)
when folks wanna believe something, the truth ain’t got no place in that compartment.
James McBride (The Good Lord Bird)
Chona, for her part, saw them not as Negroes but as neighbors
James McBride (The Heaven & Earth Grocery Store)
To not take sides was to take sides.
James McBride (Miracle at St. Anna)
There's such a big difference between being dead and alive, I told myself, and the greatest sin a person can do to another is to take away that life. Next to that, all the rules and religions in the world are secondary; mere words and beliefs that people choose to believe and kill and hate by. My life won't be lived that way, and neither, I hope, will my children's.
James McBride
while in Manhattan the buses ran on time, the lights never went out, the death of a single white child in a traffic accident was a page one story, while phony versions of black and Latino life ruled the Broadway roost, making white writers rich—West Side Story, Porgy & Bess, Purlie Victorious—and on it went, the whole business of the white man’s reality lumping together like a giant, lopsided snowball, the Great American Myth, the Big Apple, the Big Kahuna, the City That Never Sleeps, while the blacks and Latinos who cleaned the apartments and dragged out the trash and made the music and filled the jails with sorrow slept the sleep of the invisible and functioned as local color.
James McBride (Deacon King Kong)
Everybody went to jail in the Cause eventually. You could be the tiniest ant able to slip into a crack in the sidewalk, or a rocket ship that flew fast enough to break the speed of sound, it didn’t matter. When society dropped its hammer on your head, well, there it is.
James McBride (Deacon King Kong)
...since I was a little boy, she had always wanted me to go. She was always sending me off on a bus someplace, to elementary school, to camp, to relatives in Kentucky, to college. She pushed me away from her just as she'd pushed my elder siblings away when we lived in New York, literally shoving them out the front door when they left for college.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
Them fellers was dangerous, but for the simple reason they had a cause. Ain't no worse thing in the world than fronting up against one of those, for a man with a cause, right or wrong, has got plenty to prove, and will make you suck sorrow if you get in the way of 'em wrongly.
James McBride (The Good Lord Bird)
We found James standing in front of the crypt, leaning against the side nonchalantly, like it was no big deal—like he hung out in cemeteries every day. Of course, working for Douglas, he probably had.
Lish McBride (Necromancing the Stone (Necromancer, #2))
God I am looking for the one thing I have never felt but once, and I would walk through heaven and earth to find it, if he would but let me find him, so that I could feel it; and if I were to feel it again I would never leave that feeling, or him that gave it to me." - The Dreamer
James McBride (Song Yet Sung)
In that moment he realized that all the experience of thirty-two years in the NYPD and all the formal police training in the world was useless when the smile of someone you suddenly care about finds the bow that wraps your heart and undoes it.
James McBride (Deacon King Kong)
Isn’t it something,” Hettie said softly, “what ol’ New York really is? We come here to be free and find life’s worse here than back home. The white folks here just color it different. They don’t mind you sitting next to ’em on the subway, or riding the bus in the front seat, but if you asks for the same pay, or wants to live next door, or get so beat down you don’t wanna stand up and sing about how great America is, they’ll bust down on you so hard pus’ll come out your ears.
James McBride (Deacon King Kong)
Like most Negroes in America, he lived in a nation with statutes and decrees that consigned him as an equal but not equal, his life bound by a set of rules and regulations in matters of equality that largely did not apply to him. His world, his wants, his needs were of little value to anyone but himself.
James McBride (The Heaven & Earth Grocery Store)
The difference was that the white man in the South spoke his hatred in clear, clean, concise terms, whereas the white man in the new country hid his hatred behind stories of wisdom and bravado, with false smiles of sincerity and stories of Jesus Christ and other nonsense that he tossed about like confetti in the Pottstown parade.
James McBride (The Heaven & Earth Grocery Store)
The gorgeous cacophony of humanity in wheelchairs, some wearing special eyeglasses, others in hearing aids, signing and gesturing, the winks and chortles and grunts of pleasure, the grimaces and shaking of heads and excited howling of those without 'normal' ability. It’s impossible to describe. But it all boils down to the same thing. Love.
James McBride (The Heaven & Earth Grocery Store)
It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy.
James McBride (The Heaven & Earth Grocery Store)
Chase looked 'round and seen Frederick's grave where we'd buried him. "Who's that?" "Don't know. We been hiding in this thicket while the Free Staters was scouting 'round here. I heard 'em say it was one of theirs." Chase pondered the grave thoughtfully. "It's a fresh grave. We ought to see if who'sever in there got on boots," he said.
James McBride (The Good Lord Bird)
Chona had never been one to play by the rules of American society. She did not experience the world as most people did. To her, the world was not a china closet where you admire this and don’t touch that. Rather, she saw it as a place where every act of living was a chance for tikkun olam, to improve the world. The tiny woman with the bad foot was all soul.
James McBride (The Heaven & Earth Grocery Store)
I know I'm a hard woman. I've made a few mistakes in my life. But I'm no worse than these other mothers out here who pray "Lord, let me child be wise and good" when they really mean "Let this child have more power and money than I have." I don't do that with my children. That's what our father did to us. He built things. The Jewish church, a lot of houses and buildings and things. He tried to build us, too. But he never finished. Maybe he wasn't building us the right way before he left this life. Maybe that's why we're like we are now.
James McBride (The Heaven & Earth Grocery Store)
The old face, crinkled and dented with canals running every which way, pushed and shoved up against itself for a while, till a big old smile busted out from beneath 'em all, and his grey eyes fairly glowed. It was the first time I ever saw him smile free. A true smile. It was like looking at the face of God. And I knowed then, for the first time, that him being the person to lead the colored to freedom weren't no lunacy. It was something he knowed true inside him. I saw it clear for the first time. I knowed then, too, that he knowed what I was - from the very first.
James McBride (The Good Lord Bird)
She laughed, and as she did, Potts felt as if he were watching a dark, silent mountain suddenly blink to life, illuminated by a hundred lights from a small, quaint village that had lived on the mountainside for a hundred years, the village appearing out of nowhere, all the lights aglow at once. Every feature of her face glowed. He found himself wanting to tell her every sorrow he ever knew,
James McBride (Deacon King Kong)
I had thoroughly been a girl so long by then that I'd grown to like it, got used to it, got used to not having to lift things, and have folks make excuses for me on account of me not being strong enough, or fast enough, or powerful enough like a boy, on account of my size. But that's the thing. You can play one part in life, but you can't be that thing. You just playing it. You're not real.
James McBride (The Good Lord Bird)
They produced a piece of jewelry, handed it to him, and asked what it was. A mezuzah, the old man said. It matches the one on the door, the cops said. Don’t these things belong on doors? The old man shrugged. Jewish life is portable, he said. The inscription on the back says “Home of the Greatest Dancer in the World.” It’s in Hebrew. You speak Hebrew? Do I look like I speak Swahili? Answer the question. You speak Hebrew or not? I bang my head against it sometimes.
James McBride (The Heaven & Earth Grocery Store)
powerless suckers who believed in the American dream scrambling to the suburbs because they, the big boys, wanted a bigger percentage. He felt it, or thought he felt it, as they stood by the front door. There was a connection: a man whose father was dead and a woman whose father was about to die, a sense of wanting to belong, standing in the warm vestibule, she in her farm-girl dress, with a job that paid taxes and drew no cops, no Joe Pecks, no complicated phone calls from complicated people trying to pick your pocket with one
James McBride (Deacon King Kong)
After practice on lazy summer afternoons, he’d gather the kids around and tell stories about baseball players long dead, players from the old Negro leagues with names that sounded like brands of candy: Cool Papa Bell, Golly Honey Gibson, Smooth Rube Foster, Bullet Rogan, guys who knocked the ball five hundred feet high into the hot August air at some ballpark far away down south someplace, the stories soaring high over their heads, over the harbor, over their dirty baseball field, past the rude, red-hot projects where they lived. The Negro leagues, Sport said, were a dream. Why, Negro league players had leg muscles like rocks.
James McBride (Deacon King Kong)
And how she regretted, watching his face locked in grief even as he slept, his lip trembling, that she’d frittered hours away reading about socialists and unions and progressives and politics and corporations, fighting about a meaningless flag that said “I’m proud to be an American,” when it should have said “I’m happy to be alive,” and what the difference was, and how one’s tribe cannot be better than another tribe because they were all one tribe. An extraordinary wisdom came upon her, one she had not imagined possible, and she wanted to share it with him in those first—or perhaps last—moments of her consciousness. But after seeing his lovely face, she felt yet again an enormous
James McBride (The Heaven & Earth Grocery Store)
لم تعد لدي دموع لأذرفها فقد نفدت منذ زمن طويل، ولكن ألماً جديداً ووعياً جديداً ولدا في داخلي. بدأ الغموض المتوطن في داخلي يتبخر، وزال الألم الذي شعر به الولد الصغير الذي حدق في المرآة. لقد استيقظت إنسانيتي الخاصة، وصعدت لتحييني بمصافحة، فيما راقبت بزوغ نور الشمس الأول فوق الأفق. قلت لنفسي إن هناك فرقاً كبيراً بين الموت والحياة، وأن أعظم هدية يمكن أن يعطيها الإنسان لشخص آخر هي الحياة، وأن أعظم خطيئة يمكن أن يرتكبها الإنسان بحق شخص آخر هي سلب هذه الحياة، إلى جانب ذلك، فإن جميع القوانين والأديان تصبح شيئاً ثانوياً .. مجرد كلمات ومعتقدات يختار الناس الإيمان بها والكره والقتل باسمها. لن أعيش حياتي على هذا النحو، وآمل أن أولادي لن يعيشوا كذلك أيضاً
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
My siblings had already instilled the notion of black pride in me. I would have preferred that Mommy were black. Now, as a grown man, I feel privileged to have come from two worlds. My view of the world is not merely that of a black man but that of a black man with something of a Jewish soul. I don’t consider myself Jewish, but when I look at Holocaust photographs of Jewish women whose children have been wrenched from them by Nazi soldiers, the women look like my own mother and I think to myself, There but for the grace of God goes my own mother—and by extension, myself.
James McBride (The Color of Water)
James Brown hid everything, and in the game of instant information he lost big-time, because the information machine turns a truth into a lie and a lie into the truth, transforms superstitions and stereotypes into fact with such ease and fluidity that after a while you get to believing as I do, that the media is not a reflection of the American culture but rather is teaching it. As long as James Brown was selling records he let that craziness run. He didn't care. The media worked in his favor and helped fuel his success. But it killed his public reputation and once the success was gone once the head disappeared, the body followed.
James McBride (Kill 'Em and Leave: Searching for James Brown and the American Soul)
But as a kid, I preferred the black side, and often wished that Mommy had sent me to black schools like my friends. Instead I was stuck at that white school, P.S. 138, with white classmates who were convinced I could dance like James Brown. They constantly badgered me to do the “James Brown” for them, a squiggling of the feet made famous by the “Godfather of Soul” himself, who back in the sixties was bigger than life. I tried to explain to them that I couldn’t dance. I have always been one of the worst dancers that God has ever put upon this earth.
James McBride (The Color of Water)
Moshe watched spellbound from the wings as Webb, a tiny man with a curved spine clad in a white suit, roared with laughter and enthusiasm as he played, egging his band on from the rear with his masterful drumming, the thunderous band shaking the floor with rip-roaring waves of gorgeous sound. That man, Moshe decided, was a joymaker. And Moshe could not help but notice that Webb, like his lovely Chona, had a physical disability. Though he was a hunchback of some kind, he moved with a certain feeling of joy, a lightness, as if every moment were precious.
James McBride (The Heaven & Earth Grocery Store)
As a boy, I never knew where my mother was from---where she was born, who her parents were. When I asked she'd say, "God made me." When I asked if she was white, she'd say, "I'm light-skinned," and change the subject. She raised twelve black children and sent us all to college and in most cases graduate school. Her children became doctors, professors, chemists, teachers---yet none of us even knew her maiden name until we were grown. It took me fourteen years to unearth her remarkable story---the daughter of an Orthodox Jewish rabbi, she married a black man in 1942---and she revealed it more as a favor to me than out of any desire to revisit her past. Here is her life as she told it to me, and betwixt and between the pages of her life you will find mine as well.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
Their fellow Pennsylvanians knew nothing about the shattered shtetls and destroyed synagogues of the old country; they had not set eyes on the stunned elderly immigrants starving in tenements in New York, the old ones who came alone, who spoke Yiddish only, whose children died or left them to live in charity homes, the women frightened until the end, the men consigned to a life of selling vegetables and fruits on horse-drawn carts. They were a lost nation spread across the American countryside, bewildered, their yeshiva education useless, their proud history ignored, as the clankety-clank of American industry churned around them, their proud past as watchmakers and tailors, scholars and historians, musicians and artists, gone, wasted. Americans cared about money.
James McBride (The Heaven & Earth Grocery Store)
The odd group of well-wishers slowly moved down the hallway as Moshe’s sobs cascaded up and down the walls, bouncing from one side to the other. The discourse on Doc Roberts was forgotten now as the group tromped forward, a ragtag assortment of travelers moving fifteen feet as if it were fifteen thousand miles, slow travelers all, arrivals from different lands, making a low trek through a country that claimed to be so high, a country that gave them so much yet demanded so much more. They moved slowly, like fusgeyers, wanderers seeking a home in Europe, or erú West African tribesmen herded off a ship on a Virginia shore to peer back across the Atlantic in the direction of their homeland one last time, moving toward a common destiny, all of them—Isaac, Nate, and the rest—into a future of American nothing. It was a future they couldn’t quite see, where the richness of all they had brought to the great land of promise would one day be zapped into nothing, the glorious tapestry of their history boiled down to a series of ten-second TV commercials, empty holidays, and sports games filled with the patriotic fluff of red, white, and blue, the celebrants cheering the accompanying dazzle without any idea of the horrible struggles and proud pasts of their forebears who had made their lives so easy. The collective history of this sad troupe moving down the hospital corridor would become tiny blots in an American future that would one day scramble their proud histories like eggs, scattering them among the population while feeding mental junk to the populace on devices that would become as common and small as the hot dog that the dying woman thought she smelled; for in death, Chona had smelled not a hot dog but the future, a future in which devices that fit in one’s pocket and went zip, zap, and zilch delivered a danger far more seductive and powerful than any hot dog, a device that children of the future would clamor for and become addicted to, a device that fed them their oppression disguised as free thought. Had the group of stragglers moping down the hallway seen that future, they would have all turned en masse and rushed from the hospital out into the open air and collapsed onto the lawn and sobbed like children. As it was, they moved like turtles toward Chona’s room as Moshe’s howl rang out. They were in no hurry. The journey ahead was long. There was no promise ahead. There was no need to rush now.
James McBride (The Heaven & Earth Grocery Store)
And there they stayed, a sole phenomenon in the Republic of Brooklyn, where cats hollered like people, dogs ate their own feces, aunties chain-smoked and died at age 102, a kid named Spike Lee saw God, the ghosts of the departed Dodgers soaked up all possibility of new hope, and penniless desperation ruled the lives of the suckers too black or too poor to leave, while in Manhattan the buses ran on time, the lights never went out, the death of a single white child in a traffic accident was a page one story, while phony versions of black and Latino life ruled the Broadway roost, making white writers rich—West Side Story, Porgy & Bess, Purlie Victorious—and on it went, the whole business of the white man’s reality lumping together like a giant, lopsided snowball, the Great American Myth, the Big Apple, the Big Kahuna, the City That Never Sleeps, while the blacks and Latinos who cleaned the apartments and dragged out the trash and made the music and filled the jails with sorrow slept the sleep of the invisible and functioned as local color.
James McBride (Deacon King Kong)
there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die. The sight of Beanie’s mother howling at her son’s coffin would haunt them all in the next few days. Next week, or next month some time, some other mother would take her place, howling her grief. And another after that. They saw the future, too, she could tell. It would continue forever. It was all so very grim. But then, she thought, every once in a while there’s a glimmer of hope. Just a blip on the horizon, a whack on the nose of the giant that set him back on his heels or to the canvas,
James McBride (Deacon King Kong)