“
I'd watch your mouth", he said, tilting his head as he looked at my ID."The last lunker who laughed at her picture spent the night in the emergency room with a drink umbrella jammed up his nose".
”
”
Kim Harrison
“
Last night we were noting, a freelance musician and an unemployed. But you know what we are now? ... Both unemployed?
”
”
Yahtzee Croshaw (Jam)
“
There is the staircase,
there is the sun.
There is the kitchen,
the plate with toast and strawberry jam,
your subterfuge,
your ordinary mirage.
You stand red-handed.
You want to wash yourself in earth, in rocks and grass
What are you supposed to do
with all this loss?
In the daylight we know
what's gone is gone,
but at night it's different.
Nothing gets finished,
not dying, not mourning;
the dead repeat themselves, like clumsy drunks
lurching sideways through the doors
we open to them in sleep;
these slurred guests, never entirely welcome,
even those we have loved the most,
especially those we have loved the most,
returning from where we shoved them
away too quickly:
from under the ground, from under the water,
they clutch at us, they clutch at us,
we won't let go.
”
”
Margaret Atwood
“
The Tomorrow Man theory. It’s pretty basic. Today, right here, you are who you are. Tomorrow, you will be who you will be. Each and every night, we lie down to die, and each morning we arise, reborn. Now, those who are in good spirits, with strong mental health, they look out for their Tomorrow Man. They eat right today, they drink right today, they go to sleep early today–all so that Tomorrow Man, when he awakes in his bed reborn as Today Man, thanks Yesterday Man. He looks upon him fondly as a child might a good parent. He knows that someone–himself–was looking out for him. He feels cared for, and respected. Loved, in a word. And now he has a legacy to pass on to his subsequent selves…. But those who are in a bad way, with poor mental health, they constantly leave these messes for Tomorrow Man to clean up. They eat whatever the hell they want, drink like the night will never end, and then fall asleep to forget. They don’t respect Tomorrow Man because they don’t think through the fact that Tomorrow Man will be them. So then they wake up, new Today Man, groaning at the disrespect Yesterday Man showed them. Wondering why does that guy–myself–keep punishing me? But they never learn and instead come to settle for that behavior, eventually learning to ask and expect nothing of themselves. They pass along these same bad habits tomorrow and tomorrow and tomorrow, and it becomes psychologically genetic, like a curse. Looking at you now, Maven, I can see exactly where you fall on this spectrum. You are a man constantly trying to fix today what Yesterday Man did to you. You make up your bed, you clean those dirty dishes from the night before, and pledge not to start drinking until six, thinking that’s the way to keep an even keel. But in reality you’re always playing catch-up. I know this because I’ve been there. The thing is–you can’t fix the mistakes of Yesterday. Yesterday Man is dead, he’s gone forever, and blame and atonement aren’t worth a damn. What you can do is help yourself today. Eat a vegetable. Read a book. Cut that hair of yours. Leave Tomorrow Man something more than a headache and a jam-packed colon. Do for Tomorrow Man what you would have wanted Yesterday Man to do for you.
”
”
Chuck Hogan
“
I think Bonzo died. I dreamed about it last night. I remembered the way he looked after I jammed his face with my head. I think I must have pushed his nose back into his brain. The blood was coming out of his eyes. I think he was dead right then.
”
”
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
“
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don't they? She's a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she's hosting the world's biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot.
”
”
Gillian Flynn (Gone Girl)
“
In keeping with the Laws of the Prophet Bubba and the Code of the UIL, as set forth in the Book of First Downs, as the sun sets on Friday nights the rites of the Texas state religion are celebrated: high school, smash-mouth football. ‘And lo, the children of Jim Bob do take to the roads in caravans and they do go up unto the stadium by tribes, the Indians of Groveton, the Panthers of Lufkin, the Mustangs of Overton, and the very Wildcats of Palestine, and who shall withstand the traffic jams thereof?’ Thus is it written, and so it is and shall be.
”
”
Markham Shaw Pyle
“
Amžina žmonijos scena: prievartos tarnai, jų auka, o greta - visada ir visais laikais - trečias, žiūrovas, kuris nepakelia rankos apginti auką ir nebando jos išvaduoti, nes bijosi dėl savęs. Ir kaip tik dėl to jam nuolatos gresia pavojus.
”
”
Erich Maria Remarque (The Night in Lisbon)
“
Malam adalah saat aku kembali padamu setelah hari yang melelahkan. Dan kau membuka pintu, menyambutku dengan senyum di wajah, lalu aku berpikir bahwa... belasan jam yang terlewat bukanlah apa-apa.
”
”
Yuli Pritania (Morning, Noon & Night)
“
Across the nation, in sleeping towns and villages, lights flashed on. Quiet streets suddenly filled with sound as radios were turned up. People woke their neighbors to tell them the news, and so many phoned friends and relatives that telephone switchboards were jammed. In Coffeyville, Kansas, men and women in their night attire knelt on porches and prayed.
”
”
Cornelius Ryan (The Longest Day: The Classic Epic of D-Day)
“
Jam njeri i semure... Jam edhe tip keqdashesi. Nuk bej pjese, nderkohe, ne simpatiket. Me duket se vuaj nga melçia, ndonese vete une gje prej gjeje nuk kuptoj nga semundjet, as qe e di me saktesi ç'me dhemb. Nuk kurohem e as jam kuruar ndonjehere, pavaresisht nga respekti qe kam per mjekesine (se i shkolluar une jam, por edhe bestyd jam). Me ka hipur ne kole, nuk dua te kurohem nga inati. Ju kete kushedi as edhe e kuptoni, kurse une e kuptoj, ndonese s'jam ne gjendje t'ua shpjegoj se kujt i bej dem me kete inat timin. E di fort mire, qe as mjekeve e askujt tjeter nuk i behet vone qe jam tip inatçori, e as vete per veten nuk e çaj koken, ndonese fort mire e di qe inati eshte dem i kokes. Ngado qe ta sjellesh e kam mbushur mendjen, e kam bere top: nuk dua qe nuk dua te kurohem. Me dhemb kjo e shkrete melçi, le te dhembe, nuk paska plasur!
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
In the morning they rose in a house pungent with breakfast cookery, and they sat at a smoking table loaded with brains and eggs, ham, hot biscuit, fried apples seething in their gummed syrups, honey, golden butter, fried steak, scalding coffee. Or there were stacked batter-cakes, rum-colored molasses, fragrant brown sausages, a bowl of wet cherries, plums, fat juicy bacon, jam. At the mid-day meal, they ate heavily: a huge hot roast of beef, fat buttered lima- beans, tender corn smoking on the cob, thick red slabs of sliced tomatoes, rough savory spinach, hot yellow corn-bread, flaky biscuits, a deep-dish peach and apple cobbler spiced with cinnamon, tender cabbage, deep glass dishes piled with preserved fruits-- cherries, pears, peaches. At night they might eat fried steak, hot squares of grits fried in egg and butter, pork-chops, fish, young fried chicken.
”
”
Thomas Wolfe (Look Homeward, Angel)
“
California, Labor Day weekend...early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Fricso, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur...The Menace is loose again, the Hell's Angels, the hundred-carat headline, running fast and loud on the early morning freeway, low in the saddle, nobody smiles, jamming crazy through traffic and ninety miles an hour down the center stripe, missing by inches...like Genghis Khan on an iron horse, a monster steed with a fiery anus, flat out through the eye of a beer can and up your daughter's leg with no quarter asked and non given; show the squares some class, give em a whiff of those kicks they'll never know...Ah, these righteous dudes, they love to screw it on...Little Jesus, the Gimp, Chocolate George, Buzzard, Zorro, Hambone, Clean Cut, Tiny, Terry the Tramp, Frenchy, Mouldy Marvin, Mother Miles, Dirty Ed, Chuck the Duck, Fat Freddy, Filthy Phil, Charger Charley the Child Molester, Crazy Cross, Puff, Magoo, Animal and at least a hundred more...tense for the action, long hair in the wind, beards and bandanas flapping, earrings, armpits, chain whips, swastikas and stripped-down Harleys flashing chrome as traffic on 101 moves over, nervous, to let the formation pass like a burst of dirty thunder...
”
”
Hunter S. Thompson (Hell's Angels)
“
I grew up poor among poor people in a poor town, but I never knew how poor I'd been until I moved to New York. These women with their fresh produce and diamonds and manicures. Even their skin was expensive. What got to me about them wasn't just the way they made me suddenly self-conscious about the ink under my fingernails or the haircut I gave myself in my own bathroom. It wasn't just that they'd spend more in one evening on chocolate, escarole, and jam than I did on the rice and beans and film and photo paper I needed for a week. What enraged me is that they didn't, couldn't, see me. I was less than a machine to them, less than a body. I did not even appear in their line of sight. I was nothing more than a couple of chanted phrases: Cash or charge? Paper or plastic? Thank you, have a nice night.
”
”
Rachel Lyon (Self-Portrait with Boy)
“
If you’re having fun, you’re sinning” was the message my parents drilled into my head at a very young age. Taught that my natural behavior was somehow wrong, I learned to censor and repress myself, and cried myself to sleep nearly every single night during my tween and teen years, with my face jammed into a pillow so nobody would hear.
”
”
Rachel Dolezal (In Full Color: Finding My Place in a Black and White World)
“
The dogs went crazy last night,” Gennie said. “Do you want me to tell you about it?” “Definitely,” Grace replied. “Start at the beginning. Leave nothing out. What are the dogs’ names?” “Bernie Sanders, Elliot Stabler, Olivia Benson, Sandra Day O’Connor, and RuPaul were the troublemakers,” Gennie said. “Unsurprising, with that group,” Grace said. “Go on.
”
”
Kate Canterbary (In a Jam (Friendship, RI Book 1))
“
Who filled an old jam jar with fireflies the night before he left for camp and told me he figured the lights came from all your ancestors in heaven, keeping watch over you.
”
”
Beatriz Williams (Husbands & Lovers)
“
Traffic in Moscow is so bad that wealthy Russians hire fake ambulances to beat the jams.
”
”
Tyler Backhause (1,000 Random Facts Everyone Should Know: A collection of random facts useful for the bar trivia night, get-together or as conversation starter.)
“
Until one morning, one of the coldest mornings of the year, when I came in with the book cart and found Jean Hollis Clark, a fellow librarian, standing dead still in the middle of the staff room.
"I heard a noise from the drop box," Jean said.
"What kind of noise?"
"I think it's an animal."
"A what?"
"An animal," Jean said. "I think there's an animal in the drop box."
That was when I heard it, a low rumble from under the metal cover. It didn't sound like an animal. It sounded like an old man clearing his throat.
Gurr-gug-gug. Gurr-gug-gug.
But the opening at the top of the chute was only a few inches wide, so that would be quite a squeeze for an old man. It had to be an animal. But what kind? I got down on my knees, reached over the lid, and hoped for a chipmunk.
What I got instead was a blast of freezing air. The night before, the temperature had reached minus fifteen degrees, and that didn't take into account the wind, which cut under your coat and squeezed your bones. And on that night, of all nights, someone had jammed a book into return slot, wedging it open. It was as cold in the box as it was outside, maybe colder, since the box was lined with metal. It was the kind of cold that made it almost painful to breathe.
I was still catching my breath, in fact, when I saw the kitten huddled in the front left corner of the box. It was tucked up in a little space underneath a book, so all I could see at first was its head. It looked grey in the shadows, almost like a little rock, and I could tell its fur was dirty and tangled. Carefully, I lifted the book. The kitten looked up at me, slowly and sadly, and for a second I looked straight into its huge golden eyes. The it lowered its head and sank back down into its hole.
At that moment, I lost every bone in my body and just melted.
”
”
Vicki Myron (Dewey the Library Cat: A True Story)
“
Letter to Myself, in Remission, from Myself, Terminal"
You'll come to hate your own poems,
read them as pretty wisps of colorful thinking,
all those images just a splash of colored oil
sloshed over a pool gone rancid. Admit it.
Atheists always scared you. And no wonder.
Those nights you switched on the fan so no one
could hear you scream into your pillow, weeping
and biting your own hands like a motherless
monkey,banded to a body that despised you,
a suit of coals with a jammed-shut zipper.
Instead of the truth, you took refuge in stories
and souls, wore the word survivor like a pink nimbus.
All the while, my dear, I waited, knowing
you'd catch up to me one day. I'm holding the black-
backed mirror to your face. Look into it.
”
”
Anya Krugovoy Silver
“
His theory is that in order to function, most people have to ignore reality, or at least most of it. Otherwise, all of the horrible things in life—child slavery, acts of war, the pesticides jam-packed into every other bite of food you put in your mouth, knowing that you’re a day closer to dying when you open your eyes each morning—would be so overwhelming that no one would ever get out of bed. “But for you, Libby,” said Paul, “the whole world is filled with kittens and rainbows and happy endings. It’s very cute and probably helps you sleep at night.
”
”
Camille Pagán (Life and Other Near-Death Experiences)
“
He cocked his head and sent her a dimpled smile. "Where are you going in such a hurry?"
Where am I going? "I don't know. Probably the library."
"On a Friday night?" He made a show of horror. "What the heck are you going to do there?"
"Oh, what most people do at their local library—three way orgy, summon up the dead, if there's time, jam up the copy machine with Canadian quarters. Same old same old.
”
”
Jennifer Shirk (Wedding Date for Hire (Anyone But You, #2))
“
He felt her hand creep from her muff into his pocket as they walked the snowy streets to buy their Christmas tree; dusted the pollen off her nose after he had brought her the first king-cups. By the gay and gilded fountains of Peterhof they bandied preposterous names for their unborn child. At night, in their big wooden bed, he watched her spoon cherry jam into her tea and told her that her habits were disgusting, that he loved her more than life itself.
”
”
Eva Ibbotson (A Glove Shop in Vienna and Other Stories)
“
Nigger, you sure ought to be glad it was us you talked to that way. You’re a lucky bastard, ’cause if you’d said that to some other white man, you might’ve been a dead nigger now.” I was learning rapidly how to watch white people, to observe their every move, every fleeting expression, how to interpret what was said and what left unsaid. Late one Saturday night I made some deliveries in a white neighborhood. I was pedaling my bicycle back to the store as fast as I could when a police car, swerving toward me, jammed me into the curbing. “Get down, nigger, and put up your hands!” they ordered. I did. They climbed out of the car, guns drawn, faces set, and advanced slowly. “Keep still!” they ordered. I reached my hands higher. They searched my pockets and packages. They seemed dissatisfied when they could find nothing incriminating. Finally, one of them said: “Boy, tell your boss not to send you out in white neighborhoods at this time of
”
”
Richard Wright (Black Boy)
“
Mmm. You strike me as a jam-maker.'
'Really? Why?'
He grins down at me. up close, his eyes look almost black, especially shadowed as they are by long eyelashes. Right now, they shine with barely restrained mirth. 'Because you're so sweet.
”
”
Sabaa Tahir (An Ember in the Ashes / A Torch Against the Night / A Reaper at the Gates)
“
Give Me Back My Fingerprints
Give me back my fingerprints
My fingertips are raw
If I don't get my fingerprints
I'll have to call the law
I touched you once too often
I don't know who I am
My fingerprints were missing
When I wiped away the jam
I called my fingerprints all night
But they don't seem to care
The last time that I saw them
They were leafing through your hair
I thought I'd leave this morning
So I emptied out your drawer
A hundred thousand fingerprints
Floated to the floor
You hardly stooped to pick them up
You don't count what you lose
You don't even seem to know
Whose fingerprints are whose
When I had to say goodbye
You weren't there to find
You took my fingerprints away
So I would love your mind
I don't pretend to understand
Just what you mean by that
But next time I'll inquire
Before I scratch your back
I wonder if my fingerprints
Get lonely in the crowd
There are no others like them
And that should make them proud
But now you want to marry me
And take me down the aisle
And throw confetti fingerprints
You know that's not my style
Sure I'd like to marry
But I won't face the dawn
With any girl who knew me
When my fingerprints were on
”
”
Leonard Cohen
“
She'll bake bread and make jam, because she likes those made her way, but she says she cooked a good meal from scratch every night of her marriage, and now if she wants to live mainly off toasted sandwiches and ready meals, she has the right.
”
”
Tana French (The Hunter)
“
- Doni të dini me të vërtetë se kush jam?
- Po, këtë dua të di.
- Në kuptimin e mirëfilltë të fjalës?
- Po. Në kuptimin e mirëfilltë..
- Dijeni, pra: jam tip më vetë!
- Tip më vetë? - thirri vajza dhe kukurisi hareshem, shpenguar, si ata që kanë kohë që nuk kanë qeshur me gjithë shpirt. - Qënkeni i lezetshëm! Ulemi në këtë stolin këtu? Nuk kalon kush në këtë vend, s'na dëgjon njëri. Pa hë, tregoni tani për veten. Se, sado që thoni se nuk keni historira, nuk kam si e besoj, doni të më fshiheni... Po më parë më thoni se ç'do të thotë kjo: tip më vetë?
- Po ja, njeri origjinal, jo si të gjithë, qesharak njeri! - i thashë dhe ia krisa i pari të qeshurit, ashtu si bëri ajo pak më parë. - Punë karakteri është. Po ç'do të thotë ëndërrimtar, e dini?
- Ëndërrimtar? E si s'e ditkam? Unë jam vetë ëndërrimtare. Rri ulur pranë gjyshes dhe ç'nuk më shkon në kokë! Tjerr e tjerr histori në qejfin tim! Deri për martesen me princ kinez... S'është dhe aq keq të ëndërrosh! Ama, edhe këtë si ta marrësh, sepse në ke për ç'të mendosh në të vërtetë, ëndërrimet nuk kanë ç'të duhen, - shtoi mjaft serioze.
- E po, bukur fort! Në paskeni patur në ato ëndërrimet tuaja martese me princ kinez, del që më kuptoni si s'ka më mirë. Dëgjoni, atëherë... Por më parë emrin. Ju si quheni?
U kujtuat, më në fund! Më mirë vonë se kurrë!
- Vërtet! Keni të drejtë! Po ja qe edhe pa të e ndiej vetën aq mirë me ju!...
- Më quajne Nastenjka.
- Vetëm kaq?
- Po pse pak ju duket? S'u kënaqkeni kollaj ju!...
- Jo, s'më duket pak!... Nastenjka, qenkeni shpirt njeriu! Që me takimin e parë më jeni Nastenjka...
- Ashtu, de!
”
”
Fyodor Dostoevsky (White Nights)
“
They lost their sense of reality, the notion of time, the rhythm of daily habits. They closed the doors and windows again so as not to waste time getting undressed and they walked about the house as Remedios the Beauty had wanted to do and they would roll around naked in the mud of the courtyard, and one afternoon they almost drowned as they made love in the cistern. In a short time they did more damage than the red ants: they destroyed the furniture in the parlor, in their madness they tore to shreds the hammock that had resisted the sad bivouac loves of Colonel Aureliano Buendía and they disemboweled the mattresses and emptied them on the floor as they suffocated in storms of cotton. Although Aureliano was just as ferocious a lover as his rival, it was Amaranta ?rsula who ruled in that paradise of disaster with her mad genius and her lyrical voracity, as if she had concentrated in her love the unconquerable energy that her great-great-grandmother had given to the making of little candy animals. And yet, while she was singing with pleasure and dying with laughter over her own inventions, Aureliano was becoming more and more absorbed and silent, for his passion was self-centered and burning. Nevertheless, they both reached such extremes of virtuosity that when they became exhausted from excitement, they would take advantage of their fatigue. They would give themselves over to the worship of their bodies, discovering that the rest periods of love had unexplored possibilities, much richer than those of desire. While he would rub Amaranta ?rsula’s erect breasts with egg whites or smooth her elastic thighs and peach-like stomach with cocoa butter, she would play with Aureliano’s portentous creature as if it were a doll and would paint clown’s eyes on it with her lipstick and give it a Turk’s mustache with her eyebrow pencil, and would put on organza bow ties and little tinfoil hats. One night they daubed themselves from head to toe with peach jam and licked each other like dogs and made mad love on the floor of the porch, and they were awakened by a torrent of carnivorous ants who were ready to eat them alive.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
Having recently visited Las Vegas, my own latest vision of hell is that it is an endless slot-machine emporium, far removed from the variety of night and day, monotonously noisy with the repetitive clamor of meaningless jackpots, jammed with dull-eyed people spasmodically yet regularly yanking machines for all eternity.
”
”
M. Scott Peck (People of the Lie: The Hope for Healing Human Evil)
“
Children need practice dealing with other people. With people, practice never leads to perfect. But perfect isn’t the goal. Perfect is the goal only in a simulation. Children become fearful of not being in control in a domain where control is not the point. Beyond this, children use conversations with one another to learn how to have conversations with themselves. For children growing up, the capacity for self-reflection is the bedrock of development. I worry that the holding power of the screen does not encourage this. It jams that inner voice by offering continual interactivity or continual connection. Unlike time with a book, where one’s mind can wander and there is no constraint on time out for self-reflection, “apps” bring children back to the task at hand just when a child’s mind should be allowed to wander. So in addition to taking children away from conversation with other children, too much time with screens can take children away from themselves. It is one thing for adults to choose distraction over self-reflection. But children need to learn to hear their own voices.
”
”
John Brockman (What Should We Be Worried About?: Real Scenarios That Keep Scientists Up at Night (Edge Question))
“
I recalled phases of my life by what was on a plate: the crispy baked potatoes on seaside holidays in Devon, the lurid, sticky jam tarts of my tenth birthday, the roast chicken of every Sunday night, bathing the dread of the school week in gravy. No matter how terrible life became, no matter how blistering the pain, I was always sure I’d still have room for seconds.
”
”
Dolly Alderton (Everything I Know About Love: A Memoir)
“
Hey Alex!” Natalie’s voice calls out. “Nice clothes from last night.”
There’s no jamming with the band, no all-night music. Just me in my boots and bedhead, and the whole girls’ track team now knows I didn’t sleep in my room last night.
I want to yell back, “You know nothing!”
But she obviously knows something. She was there. At the club. And I’m the one who knows nothing.
”
”
Daisy Whitney (The Mockingbirds (The Mockingbirds, #1))
“
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
”
”
Gillian Flynn (Gone Girl)
“
Jacob thought about going home. He still had some American change, which he kept in an empty matchbox in his sock drawer, and one night, after he had finished his pancakes and jam, he took the coins out, spread them on the kitchen table, and admired the burnt sienna patina of one of the pennies, which in the candlelight was iridescent with violet and green where people’s touch had salted it. The portrait of Lincoln was ugly and noble, and Jacob took off his glasses to look more closely. On the other side, an erratic line of shrubbery was engraved beside the Lincoln monument’s steps. The idealism seemed to be in Lincoln rather than in the coin’s design, which was homely. It was so homely, in fact, that there was a kind of democratic grandeur to it. It was the most beautiful currency in the world. Jacob was on the verge of tears.
”
”
Caleb Crain (Necessary Errors)
“
He jams the pistol under his belt and takes from a pocket of his jeans the feather that had fallen to his hand as he’d pursued Justine. The soft barbs sprouting from the shaft to form the vane are glossy black, inky yet with a hint of midnight blue, as if the bird that shed it was an emissary of some ancient god of darkness and, in the name of its master, had stolen the color of the daytime sky to ensure eternal night.
”
”
Dean Koontz (Devoted)
“
Jason: That conversation was weird, huh?
Jason: For what it’s worth, you truly held your composure.
Jason: I wasn’t frightened at all.
Jason: Okay, throwing down some honesty. I was a little frightened.
Jason: Just a little, nothing like pissing my pants or anything like that.
Jason: Did you know you have a pulsing vein in your forehead when you’re angry?
Jason: I counted its pulse rate and I think you might have high blood pressure.
Jason: I’m not a nurse, I don’t know about blood pressure, but CVS has one of those arm-pressure-checker things. Want me to take you? #WorriedAboutYourHealth
Jason: #PulsingVein
Jason: #SerpentTongue
Jason: ^^ Oh shit that was for Knox.
Jason: I wasn’t saying you have a serpent tongue. I’m sure your tongue is normal. Not one ounce of evil in it.
Jason: Okay, I was talking about your tongue.
Jason: I feel like since you’re not texting back I might be digging myself an even bigger hole than before. Am I right?
Jason: I’m going to take your silence as a yes, which in that case, you don’t have a serpent tongue. Love that pulsing vein, and not once was I frightened. There. *Wipes forehead* Glad we cleared that up. Have a good night. #GodBless
Jason: P.S. Don’t know why I said God bless, just go with it. #PrayerHands
Jason: P.S.S. I’m wearing my flannel jam-jams. I like when they ride up in my crack. #FeelsNice
”
”
Meghan Quinn (The Lineup)
“
What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner.
Hang-gliding," I said, "accident."
Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser."
I don't remember how I changed the subject, but I did.
I was still telling myself that it wasn't Rikki who getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep.
I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had next printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser.
I knew what he did to them. He turned them into emblems, sigils on the map of his hustler' s life, navigation beacons he could follow through a sea of bars and neon. What else did he have to steer by? He didn't love money, in and of itself , not enough to follow its lights. He wouldn't work for power over other people; he hated the responsibility it brings. He had some basic pride in his skill, but that was never enough to keep him pushing.
So he made do with women.
When Rikki showed up, he needed one in the worst way. He was fading fast, and smart money was already whispering that the edge was off his game. He needed that one big score, and soon, because he didn't know any other kind of life, and all his clocks were set for hustler's time, calibrated in risk and adrenaline and that supernal dawn calm that comes when every move's proved right and a sweet lump of someone else's credit clicks into your own account.
”
”
William Gibson (Burning Chrome (Sprawl, #0))
“
Oh! I also made a late-late night dinner for us,” she exclaimed, reaching for the picnic basket.
Now, I don’t want you to be offended by how amazing my food is. I know you’re used to being the best chef in town, but I think I might have topped you with this one.” She reached into the basket and pulled out a container holding peanut butter and jelly sandwiches. I laughed.
“No way! You made this?”
"Fully from scratch. Except for the peanut butter, jam, and bread.
”
”
Brittainy C. Cherry (The Fire Between High & Lo (Elements, #2))
“
her legs growing tired. She feels a twinge in her left ankle, the one she sprained last fall when she was knocked over by someone’s Labrador on the village green. That injury was just the latest insult: the thumb jammed by a heavy carton of books, the rotator cuff torn while changing a light bulb, the plantar fasciitis in both feet just because, the compressed disk in her neck for the same unfair nothing of a reason. “What can I tell you?” the chiropractor said. “Welcome to middle age.
”
”
Chris Pavone (Two Nights in Lisbon)
“
The four solo careers unveiled previously hidden internal politics as each man packed and moved out from the cozy Beatle mansion. Lennon seemed closest to Ringo, and then George; neither Harrison nor Lennon ever appeared on a McCartney solo album or vice-versa, whereas Ringo played for all three. Of course, Lennon’s solo “career” had begun as early as 1968 with numbers like “What’s the New Mary Jane” and “Revolution 9” during the White Album sessions, and then his avant-garde projects with Ono. Casual jams reflected these affinities as well: John and Yoko appeared onstage with George Harrison, Eric Clapton, and the Bonnie and Delaney band in London in December of 1969. Harrison was slumming with the band after sitting in for a night and having rather too much fun; he appeared onstage anonymously until it got reported in the music press. Mostly they got away with two weeks of touring, with Clapton and Harrison sharing lead guitars almost before most audiences figured this out.
”
”
Tim Riley (Lennon)
“
While the triple wheel suspension gave a smoother ride, it also meant the interleaved wheels were susceptible to becoming fouled with mud and snow. If this clogging were allowed to freeze on the Eastern Front, it set like concrete and jammed up the wheels, leaving the Tiger completely immobilised. The Soviets soon discovered that the Tiger was vulnerable to the Russian winter and timed their attacks for the early hours, when they knew that enemy vehicles had been frozen solid during the night.
”
”
Anthony Tucker-Jones (Tiger I & Tiger II (Images of War Special))
“
It is no easy thing to be in your mid-twenties and realize that, holy shit, this is it, this is as good as it gets, and from here it's all downhill, the fun's over, the hijinks have jinked their last, nothing lies ahead but drudgery and toil and a sagging belly and death. It's harder yet when a stupid bitch, a numbfuck cunt, one of those horrible sweet-smelling OMG types who wouldn't talk to you in high school and sure as fuck won't talk to you now, takes position on your elbow with a cell phone jammed into her cheek, yammering away. Because who wants to listen to the stream of shit coming out of her mouth? Gossip about friends. Gossip about enemies. Gossip about celebrities. Gossip about gossip. Not a thought in her head. Not a fact. Nothing of interest. Nothing of worth. Just an avalanche of verbal rubbish. The Patriots took on the Redcoats, the Blue fought the Gray, the National Guard stormed the beaches of Normandy, so this submoronic cretin could stand here in her designer boots and talk about what happened at the club last night.
”
”
Miles Watson (A Fever In The Blood)
“
The Man With the Child in His Eyes’ – Kate Bush ‘Go Your Own Way’ – Fleetwood Mac ‘Sex and Drugs and Rock ‘n’ Roll’ – Ian Dury ‘David Watts’ – The Jam ‘Until the Night’ – Billy Joel ‘Rikki, Don’t Lose That Number’ – Steely Dan ‘Watching the Detectives’ – Elvis Costello ‘(I Am Always Touched by Your) Presence, Dear’ – Blondie ‘I Will Survive’ – Gloria Gaynor ‘Goodbye Girl’ – Squeeze ‘Make Me Smile (Come up and See Me)’ – Steve Harley ‘Girls Talk’ – Dave Edmunds ‘I Fought the Law’ – The Clash ‘Life in a Day’ – Simple Minds
”
”
Val McDermid (1979)
“
When I was very little, my dad would tell me stories about "Billy the Lucky Pup." Billy's doggie buddies were constantly getting in jams, careening toward the brink of something, and Billy would always, always come charging over the hill. With no more than a "ruff, ruff," he would signal that the cavalry had arrived - that Billy was on the case, and disaster had once again been avoided. In those months of relentless havoc, I'd arrive at an odd moment of consideration, and I would think, Where the fuck is that dog, anyway?
”
”
David Carr (The Night of the Gun)
“
Tatiasha, my wife, I got cookies from you and Janie, anxious medical advice from Gordon Pasha (tell him you gave me a gallon of silver nitrate), some sharp sticks from Harry (nearly cried). I’m saddling up, I’m good to go. From you I got a letter that I could tell you wrote very late at night. It was filled with the sorts of things a wife of twenty-seven years should not write to her far-away and desperate husband, though this husband was glad and grateful to read and re-read them. Tom Richter saw the care package you sent with the preacher cookies and said, “Wow, man. You must still be doing something right.” I leveled a long look at him and said, “It’s good to know nothing’s changed in the army in twenty years.” Imagine what he might have said had he been privy to the fervent sentiments in your letter. No, I have not eaten any poison berries, or poison mushrooms, or poison anything. The U.S. Army feeds its men. Have you seen a C-ration? Franks and beans, beefsteak, crackers, fruit, cheese, peanut butter, coffee, cocoa, sacks of sugar(!). It’s enough to make a Soviet blockade girl cry. We’re going out on a little scoping mission early tomorrow morning. I’ll call when I come back. I tried to call you today, but the phone lines were jammed. It’s unbelievable. No wonder Ant only called once a year. I would’ve liked to hear your voice though: you know, one word from you before battle, that sort of thing . . . Preacher cookies, by the way, BIG success among war-weary soldiers. Say hi to the kids. Stop teaching Janie back flip dives. Do you remember what you’re supposed to do now? Kiss the palm of your hand and press it against your heart. Alexander P.S. I’m getting off the boat at Coconut Grove. It’s six and you’re not on the dock. I finish up, and start walking home, thinking you’re tied up making dinner, and then I see you and Ant hurrying down the promenade. He is running and you’re running after him. You’re wearing a yellow dress. He jumps on me, and you stop shyly, and I say to you, come on, tadpole, show me what you got, and you laugh and run and jump into my arms. Such a good memory. I love you, babe.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
Orde-Lees wrote one night: “We want to be fed with a large wooden spoon and, like the Korean babies, be patted on the stomach with the back of the spoon so as to get in a little more than would otherwise be the case. In short, we want to be overfed, grossly overfed, yes, very grossly overfed on nothing but porridge and sugar, black currant and apple pudding and cream, cake, milk, eggs, jam, honey and bread and butter till we burst, and we’ll shoot the man who offers us meat. We don’t want to see or hear of any more meat as long as we live.
”
”
Alfred Lansing (Endurance: Shackleton's Incredible Voyage)
“
{Stockton, a playwright who performed plays about Robert Ingersoll, gives the four moments in Ingersoll's life that shaped him, first being the death of his father, who was a reverend}
Despite their opposing religious views, the old revivalist on his deathbed asked Bob to read to him from the black book clutched to his chest. Bob relented, took the book, and was surprised to discover that it wasn't the Bible. It was Plato describing the noble death of the pagan Socrates: a moving gesture of reconciliation between father and son in parting. The second event was Bob’s painful realization that his outspoken agnosticism not only invalidated his own political career but ended his brother Ebon’s career in Congress, as well. Third was the exquisite anguish of seeing his supportive wife Eva and his young daughters made to suffer for his right to speak his own mind. And fourth was the dramatic tension of having to walk out alone on public stages, in a glaring spotlight, time after time with death threats jammed in his tuxedo pocket informing him that some armed bigot in that night’s audience would see to it that he didn't leave the stage alive.
”
”
Richard F. Stockton
“
Which brings me to the final aspect of the problem of Industrial Tourism: the Industrial Tourists themselves. They work hard, these people. They roll up incredible mileages on their odometers, rack up state after state in two-week transcontinental motor marathons, knock off one national park after another, take millions of square yards of photographs, and endure patiently the most prolonged discomforts: the tedious traffic jams, the awful food of park cafeterias and roadside eateries, the nocturnal search for a place to sleep or camp, the dreary routine of One-Stop Service, the endless lines of creeping traffic, the smell of exhaust fumes, the ever-proliferating Rules & Regulations, the fees and the bills and the service charges, the boiling radiator and the flat tire and the vapor lock, the surly retorts of room clerks and traffic cops, the incessant jostling of the anxious crowds, the irritation and restlessness of their children, the worry of their wives, and the long drive home at night in a stream of racing cars against the lights of another stream racing in the opposite direction, passing now and then the obscure tangle, the shattered glass, the patrolman’s lurid blinker light, of one more wreck.
”
”
Edward Abbey (Desert Solitaire: A Season in the Wilderness)
“
People like Mrs. Lee were used to only one kind of Chinese wedding banquet—the kind that took place in the grand ballroom of a five-star hotel. There would be the gorging on salted peanuts during the interminable wait for the fourteen-course dinner to begin, the melting ice sculptures, the outlandish floral centerpieces, the society matron invariably offended by the faraway table she had been placed at, the entrance of the bride, the malfunctioning smoke machine, the entrance of the bride again and again in five different gowns throughout the night, the crying child choking on a fish ball, the three dozen speeches by politicians, token ang mor executives and assorted high-ranking officials of no relation to the wedding couple, the cutting of the twelve-tier cake, someone’s mistress making a scene, the not so subtle counting of wedding cash envelopes by some cousin,* the ghastly Canto pop star flown in from Hong Kong to scream some pop song (a chance for the older crowd to take an extended toilet break), the distribution of tiny wedding fruitcakes with white icing in paper boxes to all the departing guests, and then Yum seng!†—the whole affair would be over and everyone would make the mad dash to the hotel lobby to wait half an hour for their car and driver to make it through the traffic jam.
”
”
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
“
I know I will search for fireflies all the rest of my days, even though they dwindle a little bit more each year. I can’t help it. They blink on and off, a lime glow to the summer night air, as if to say: I am still here, you are still here, I am still here, you are still here, I am, you are, over and over again. Perhaps I can will it to be true. Perhaps I can keep those summer nights with my family inside an empty jam jar, with holes poked in the lid, a twig and a few strands of grass tucked inside. And for those unimaginable nights in the future, when I know I’ll miss my mother the most, I will let that jar’s sweet glow serve as a night-light to cool and cut the air for me.
”
”
Aimee Nezhukumatathil (World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments)
“
The ion and dust tails seemed to be pointing away from the crackling fire of the sun. Looking more closely, one tail was gray mixed with yellow and white and the second was blue fading into teal. The color change was softer than melting wax. A bright green coma glowed around the center. I felt as though I was seeing magic for the first time as the warmth from our great star heated up the comet, causing it to spew dust and gasses into a giant glowing head larger than most planets.
The comet’s magnificence and grandeur stirred me, much like a transcendent piece of music that envelops one’s soul. “I’ve never seen a comet before,” I confessed, my voice filled with a mix of wonder and emotion.
I could feel a tear form in my eye. I blinked it away. Bello, pulchram, bela, hermoso, yafah, ómorfi, Meilì. I could express the concept of beauty in numerous languages, but none of them truly captured the essence of my feelings as I gazed at the comet. It was a sight of indescribable beauty, as if musical notes had been sketched across the canvas of the night sky. I would never forget the comet—similar to Xuan, exciting, rare, and stunning.
“It’s the most beautiful thing I’ve ever seen,” Xuan whispered.
I looked at Xuan, but instead of looking at the sky, Xuan was staring at me. He stood, his hands jammed into his pockets, as he quickly turned his gaze to wander over the peaceful metropolis.
”
”
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
“
Old Dudley would get out his gun and take it apart and, as Rabie cleaned the pieces, would explain the mechanism to him. Then he’d put it together again. Rabie always marveled at the way he could put it together again. Old Dudley would have liked to have explained New York to Rabie. If he could have showed it to Rabie, it wouldn’t have been so big—he wouldn’t have felt pressed down every time he went out in it. “It ain’t so big,” he would have said. “Don’t let it get you down, Rabie. It’s just like any other city and cities ain’t all that complicated.” But they were. New York was swishing and jamming one minute and dirty and dead the next. His daughter didn’t even live in a house. She lived in a building—the middle in a row of buildings all alike, all blackened-red and gray with rasp-mouthed people hanging out their windows looking at other windows and other people just like them looking back. Inside you could go up and you could go down and there were just halls that reminded you of tape measures strung out with a door every inch. He remembered he’d been dazed by the building the first week. He’d wake up expecting the halls to have changed in the night and he’d look out the door and there they stretched like dog runs. The streets were the same way. He wondered where he’d be if he walked to the end of one of them. One night he dreamed he did and ended at the end of the building—nowhere.
”
”
Flannery O'Connor (The Complete Stories)
“
You need to get home, both of you. Louis, I’d like to keep the letters here, if you don’t mind. I want to go over them again.”
I came to my feet. “And ask the stars about them?”
Jesse nodded. Armand only shook his head, gloomy. There were bruises under his eyes that hadn’t been there yesterday.
“Ask the-fine. Splendid. Keep them if you like. Burn them. Turn them to gold or silver or lead. In the morning I’ll wake up and none of this will have happened.”
“No, lordling,” I said to him. “You’re never going to wake like that again, and you’re never going to be able to forget.”
“Bugger you, waif.”
“And you.”
He walked past both of us without another glance or another word, opened the door, and disappeared into the night.
I went to Jesse and wrapped my arms around him. After only a second’s hesitation, his arms lifted to embrace me, too.
“I don’t want to go,” I whispered.
I felt his chest expand beneath my cheek. “This is going to be much more difficult than I anticipated.”
“Which part?”
“All of it.” He brought a hand to my hair, his fingers weaving through. “Things are about to change rapidly now, Lora. He’ll come back to us stronger and stronger. He’s going to crave you more and more, and not having you will eat him raw.”
I frowned up at him. “What do you mean?”
Jesse tucked a strand behind my ear, his eyes emerald dark, his lashes tipped with candlelight. “It will be in his nature. He’ll feel compelled to claim you, and he won’t stop trying to do that. Ever. When that happens-“
“That is not bloody going to happen.”
“When that happens,” he said again resolutely, “I want you to remember two things. One: I’ve loved you since before he even knew you lived. Two: Spare a little pity for him. This isn’t entirely his fault. He was born into his role, just as you and I were. But, Lora-of-the-moon-only a little pity, all right?”
“My pity may reach as deep and wide as the ocean,” I answered. “But my heart is already claimed.”
To prove it, I clutched his shirt and lifted myself to my toes and brought my lips to his.
Sweeter than raspberry jam, warmer than candle flame, softer than bread.
People often spoke with religious rapture of milk and honey, but if I had nothing but Jesse to consume for the rest of my days, I’d die a heathen beast, content.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
A shorthand quickly developed among them, almost their own language. Watching it happen thrilled Herb Sargent, who in all his years in the business had never seen anything like it. “It’s like musicians jamming,” he thought. “They can come from all over the country and immediately sit down and play together because the level of their art is in the same place.” Everyone always seemed to be laughing, and a rushing, manic sense of hilarity took over. There was a constant, competitive throwing out of lines, all of them showing what they had, looking for openings, and timing their licks. A giggling group from the show poured into a crowded NBC elevator one day, and as they rode down Chevy put his arm around a balding executive standing next to him, turned to the others, and asked, “Have you met my wife?
”
”
Doug Hill (Saturday Night: A Backstage History of Saturday Night Live)
“
Having resisted repeated requests to evacuate Pripyat and the surrounding area by Legasov since his arrival, Scherbina relinquished on the evening of the 26th, and agreed that the population within 10km of the plant should be moved to a safe distance. However, even this decision was tainted. While the scientists favoured immediate compulsory evacuation, Scherbina decided not to inform the city’s residents until late the following morning, leaving them unaware of the perils faced by venturing outside for another night and almost no time to prepare for the evacuation. 1,100 buses in a convoy drove overnight from Kiev to transport the evacuees out of the area. Officials forbade residents from leaving in their personal cars out of concern that they would cause traffic jams and prevent a steady departure.
”
”
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
“
from her soul. “Jeff?” She touched his face. “Jeff? Goddamn it, Jeff—don’t you dare die on me.” He squeezed her hand. Blood trickled from his ear and nose. “Go. . . .” He was going to die. She knew it the same way she knew she’d never been destined for true happiness. She was tainted, one of life’s misfits, not deserving, unworthy. There was a dark corner of her mind that reminded her of these things, a voice that warned her and kept her from being surprised when something bad happened. She was the dog raised alone on a chain in a backyard with a clear view of the dog next door, the one that had never known a boot in the ribs or a night in the rain. “All right. I’m going.” She reached for the handle; the door was jammed. She climbed through the window and dropped to the sand. She caught her breath as pain shot through her body. Everything hurt, her head, her lungs, her knees, even her breast where the seat belt had lain across her chest.
”
”
Georgia Bockoven (The Year that Everything Changed)
“
Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession.
“We had a guest last night,” he told Elizabeth. “I slammed the door on him.”
“Who was it?”
“A Mr. Ian Thornton.”
Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!”
“Bentner,” Alex sputtered, “you are a treasure!”
“Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.”
“Yes, and he didn’t return for six months,” Bentner told Alex proudly.
“And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.”
“Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl.
“It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.”
Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.”
Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.”
Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.”
“And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.”
“There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“
“No,” Elizabeth said with finality.
“-lizards,” Bentner finished determinedly.
“Absolutely not,” his mistress returned.
“And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“
“Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.”
When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.”
“He must be afraid to close his eyes after reading such things,” Alex agreed.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Kaz had never been able to dodge the horror of that night in the Ketterdam harbor, the memory of his brother’s corpse clutched tight in his arms as he told himself to kick a little harder, to take one more breath, stay afloat, stay alive. He’d found his way to shore, devoted himself to the vengeance he and his brother were owed. But the nightmare refused to fade. Kaz had been sure it would get easier. He would stop having to think twice before he shook a hand or was forced into close quarters. Instead, things got so bad he could barely brush up against someone on the street without finding himself once more in the harbor. He was on the Reaper’s Barge and death was all around him. He was kicking through the water, clinging to the slippery bloat of Jordie’s flesh, too frightened of drowning to let go.
The situation had gotten dangerous. When Gorka once got too drunk to stand at the Blue Paradise, Kaz and Teapot had to carry him home. Six blocks they hauled him, Gorka’s weight shifting back and forth, slumping against Kaz in a sickening press of skin and stink, then flopping onto Teapot, freeing Kaz briefly—though he could still feel the rub of the man’s hairy arm against the back of his neck.
Later, Teapot had found Kaz huddled in a lavatory, shaking and covered in sweat. He’d pleaded food poisoning, teeth chattering as he jammed his foot against the door to keep Teapot out. He could not be touched again or he would lose his mind completely.
The next day he’d bought his first pair of gloves—cheap black things that bled dye whenever they got wet. Weakness was lethal in the Barrel. People could smell it on you like blood, and if Kaz was going to bring Pekka Rollins to his knees, he couldn’t afford any more nights trembling on a bathroom floor.
Kaz never answered questions about the gloves, never responded to taunts. He just wore them, day in and day out, peeling them off only when he was alone. He told himself it was a temporary measure. But that didn’t stop him from remastering every bit of sleight of hand wearing them, learning to shuffle and work a deck even more deftly than he could barehanded. The gloves held back the waters, kept him from drowning when memories of that night threatened to drag him under. When he pulled them on, it felt like he was arming himself, and they were better than a knife or a gun.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
The clouds had shifted, the moon was almost ripe, and her hair had turned to silver in its glaze.
He'd been glad she hadn't caught him staring. Lucky for Tom, she'd crouched on the ground and started digging about in the rubble. He went nearer, curious as to what had claimed her focus, and saw that somehow, in the jumble of London's broken streets, she'd found a tangle of honeysuckle, fallen to the ground after its fence rattlings were removed but growing still. She picked a sprig and threaded it through her hair, humming a strange and lovely tune as she did so.
When the sun had begun its rise and they'd climbed the stairs to his flat, she'd filled an old jam jar with water and put the sprig in it, on the sill. For nights after, as he lay alone in the warm and the dark, unable to sleep for thoughts of her, he'd smelled its sweetness. And it had seemed to Tom, as it still seemed now, that Juniper was just like that flower. An object of unfathomable perfection in a world that was breaking apart. It wasn't only the way she looked, and it wasn't only the things she said. It was something else, an intangible essence, a confidence, a strength, as if she were connected somehow to the mechanism that drove the world. She was the breeze on a summer's day, the first drops of rain when the earth was parched, light from the evening star.
”
”
Kate Morton (The Distant Hours)
“
The ion and dust tails seemed to be pointing away from the crackling fire of the sun. Looking more closely, one tail was gray mixed with yellow and white and the second was blue fading into teal. The color change was softer than melting wax. A bright green coma glowed around the center. I felt as though I was seeing magic for the first time as the warmth from our great star heated up the comet, causing it to spew dust and gasses into a giant glowing head larger than most planets.
The comet’s magnificence and grandeur stirred me, much like a transcendent piece of music that envelops one’s soul. “I’ve never seen a comet before,” I confessed, my voice filled with a mix of wonder and emotion.
I could feel a tear form in my eye. I blinked it away. Bello, pulchram, bela, hermoso, yafah, ómorfi, Meilì. I could express the concept of beauty in numerous languages, but none of them truly captured the essence of my feelings as I gazed at the comet. It was a sight of indescribable beauty, as if musical notes had been sketched across the canvas of the night sky. I would never forget the comet—similar to Xuan, exciting, rare, and stunning.
“It’s the most beautiful thing I’ve ever seen,” Xuan whispered.
I looked at Xuan, but instead of looking at the sky, Xuan was staring at me. He stood, his hands jammed into his pockets, as he quickly turned his gaze to wander over the peaceful metropolis.
”
”
Kayla Cunningham
“
He stared down at her for a moment, wanting to heal every
cut on her soft skin. But he couldn’t, not yet. He needed to get her,
and her car, far from this place so neither he nor Kate would be
implicated in any way with the gruesome murder site.
It also meant he would have to drive.
In all his years, he had never driven an automobile. The closest he
had come was watching various assistants through the years as they
chauffeured him. He wasn’t sure he could even remember how to
start the car, but right now he had no choice.
Grudgingly, he got into the driver’s seat, and finding the lever
underneath, he pushed it back so he sat comfortably behind the
wheel. After trying three different keys, he found one that slipped into
the ignition.
From what he had seen over the past hundred years, driving was
not a complex operation, and he was an immortal with reflexes far
more keen than a human man.
How difficult could it be?
He turned the key and nearly jerked the wheel off the steering
column when the car surprised him by lurching forward. The car went
silent. The engine wasn’t running. What was he doing wrong?
He stared at the gearshift, wondering if he should move it. His
frustration reared up, but his agitation would not make the car drive
itself. He had to keep a cool head.
Not knowing what else to try, he pushed one of the pedals at his
feet to the floor and turned the key again. This time the car didn’t
move, and it roared to life. Grasping the gearshift, he jammed it into
the first position and glanced over at Kate.
Why couldn’t she have owned a car with an automatic
transmission?
Shaking his head, he put some pressure on the gas pedal and
slowly released the clutch. Thankfully the car rolled a few feet, but
without warning it jumped forward. He pressed the clutch back to the
floor before the engine lost power again.
Calisto slammed his hand against the wheel, muttering under his
breath in Spanish. At this rate it would take him all night to drive her
home.
The faded yellow convertible pitched forward again, threatening
to stall as he continued out of the parking lot, thankful it was late. The
streets were fairly empty. At least he wouldn’t get into an accident
with another car. Her car staggered ahead, lurching each time he
tried to release the clutch, bouncing and jostling them both until Kate
finally stirred and woke up.
§
“Are we out of gas or something?”
Calisto watched her with a tight smile. “Not exactly.”
Kate winced in pain when she laughed. “You can’t drive a stickshift,
can you?”
“Does it show?” Calisto pulled over, finally allowing the engine to
stall.
She nodded her head slowly to avoid more pain. “Just a little.
What happened?”
“You don’t remember?”
“I remember being mugged. And I remember seeing you, but
everything after that is blank.” She watched his eyes as Calisto
reached over to brush her hair back from her face, and his touch sent
shivers through her body. This wasn’t how she had hoped she would
run into him, but she learned a long time ago fate didn’t always work
out the way you expected.
”
”
Lisa Kessler (Night Walker (Night, #1))
“
Open All Night"
(originally by Bruce Springsteen)
I had the carburetor cleaned and checked
With her line blown out, she's hummin' like a turbojet
Propped her up in the backyard on concrete blocks
For a new clutch plate and a new set of shocks
Took her down to the carwash, check the plugs and points
I'm goin' out tonight, I'm gonna rock that joint
Early north Jersey industrial skyline
I'm a all-set cobra jet creepin' through the nighttime
Gotta find a gas station, gotta find a payphone
This turnpike sure is spooky at night when you're all alone
Gotta hit the gas, baby, I'm runnin' late
This New Jersey in the mornin' like a lunar landscape
The boss don't dig me, so he put me on the nightshift
It takes me two hours to get back to where my baby lives
In the wee wee hours, your mind gets hazy
Radio relay towers, won't you lead me to my baby?
Underneath the overpass, trooper hits his party light switch
Goodnight, good luck, one two powershift
I met Wanda when she was employed
Behind the counter at the Route 60 Bob's Big Boy
Fried chicken on the front seat, she's sittin' in my lap
We're wipin' our fingers on a Texaco roadmap
I remember Wanda up on scrap metal hill
With them big brown eyes that make your heart stand still
5 A.M., oil pressure's sinkin' fast
I make a pit stop, wipe the windshield, check the gas
Gotta call my baby on the telephone
Let her know that her daddy's comin' on home
Sit tight, little mama, I'm comin' round
I got three more hours, but I'm coverin' ground
Your eyes get itchy in the wee wee hours
Sun's just a red ball risin' over them refinery towers
Radio's jammed up with gospel stations
Lost souls callin' long distance salvation
Hey Mr. DJ, won't you hear my last prayer?
Hey ho rock 'n' roll, deliver me from nowhere
Ryan Adams, Nebraska (2022)
”
”
Ryan Adams
“
Eastern Standard Time
Poetry speaks to all people, it is said,
but here I would like to address
only those in my own time zone,
this proper slice of longitude
that runs from pole to snowy pole
down the globe through Montreal to Bogota.
Oh, fellow inhabitants of this singular band,
sitting up in your many beds this morning—
the sun falling through the windows
and casting a shadow on the sundial—
consider those in other zones who cannot hear these words.
They are not slipping into a bathrobe as we are,
or following the smell of coffee in a timely fashion.
Rather, they are at work already,
leaning on copy machines,
hammering nails into a house-frame.
They are not swallowing a vitamin like us;
rather they are smoking a cigarette under a half moon,
even jumping around on a dance floor,
or just now sliding under the covers,
pulling down the little chains on their bed lamps.
But we are not like these others,
for at this very moment on the face of the earth,
we are standing under a hot shower,
or we are eating our breakfast,
considered by people of all zones
to be the most important meal of the day.
Later, when the time is right,
we might sit down with the boss,
wash the car, or linger at a candle-lit table,
but now is the hour for pouring the juice
and flipping the eggs with one eye on the toaster.
So let us slice a banana and uncap the jam,
lift our brimming spoons of milk,
and leave it to the others to lower a flag
or spin absurdly in a barber's chair—
those antipodal oddballs, always early or late.
Let us praise Sir Stanford Fleming
the Canadian genius who first scored
with these lines the length of the spinning earth.
Let us move together through the rest of this day
passing in unison from light to shadow,
coasting over the crest of noon
into the valley of the evening
and then, holding hands, slip into the deeper valley of night.
”
”
Billy Collins (The Trouble With Poetry - And Other Poems)
“
Suggestions to Develop Self-Help Skills Self-help skills improve along with sensory processing. The following suggestions may make your child’s life easier—and yours, too! DRESSING • Buy or make a “dressing board” with a variety of snaps, zippers, buttons and buttonholes, hooks and eyes, buckles and shoelaces. • Provide things that are not her own clothes for the child to zip, button, and fasten, such as sleeping bags, backpacks, handbags, coin purses, lunch boxes, doll clothes, suitcases, and cosmetic cases. • Provide alluring dress-up clothes with zippers, buttons, buckles, and snaps. Oversized clothes are easiest to put on and take off. • Eliminate unnecessary choices in your child’s bureau and closet. Clothes that are inappropriate for the season and that jam the drawers are sources of frustration. • Put large hooks inside closet doors at the child’s eye level so he can hang up his own coat and pajamas. (Attach loops to coats and pajamas on the outside so they won’t irritate the skin.) • Supply cellophane bags for the child to slip her feet into before pulling on boots. The cellophane prevents shoes from getting stuck and makes the job much easier. • Let your child choose what to wear. If she gets overheated easily, let her go outdoors wearing several loose layers rather than a coat. If he complains that new clothes are stiff or scratchy, let him wear soft, worn clothes, even if they’re unfashionable. • Comfort is what matters. • Set out tomorrow’s clothes the night before. Encourage the child to dress himself. Allow for extra time, and be available to help. If necessary, help him into clothes but let him do the finishing touch: Start the coat zipper but let him zip it up, or button all but one of his buttons. Keep a stool handy so the child can see herself in the bathroom mirror. On the sink, keep a kid-sized hairbrush and toothbrush within arm’s reach. Even if she resists brushing teeth and hair, be firm. Some things in life are nonnegotiable.
”
”
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
“
- Oh, Nastenjka, Nastenjka! Ju as që mund ta merrni me mend sa shumë po më ngazëlleni! Po më pajtoni me vetveten! Nuk kam për të menduar kurrë keq për veten, siç më ka ndodhur rëndomë më parë! Se ku i dihet, mua dhe brenga sfilitëse, që jam treguar armik i vetes, ndoshta do më daravitet! Se jo një herë ia kam nxitur vetes mendimin që jeta e jetuar ka qenë mëkatare dhe deri kriminale. Dhe mos pandehni që po i zmadhoj gjërat. Kam kaluar e jo pak çaste trishtimi të pangushëllueshëm!... Më ka rënduar si plumb në zemër vetëdija e pazotësisë për të jetuar me të tashmen, me realen; e kam katandisur veten deri në atë farë feje, sa e kam mallkuar fatin tim, e kam sikterisur veten... Se mua, Nastenjka, ja se ç'më ka ndodhur pas netëve të kaluar me fantazime: jam kthyer në realitet, ku gjërat shihen esëll. Gjendje e padurueshme! Sheh tollovinë njerëzore, sheh dhe dëgjon si pulson jeta, vë re që dhe jeta e të tjerëve nuk është e përsosur, e jetojnë ashtu si u vjen, kapen fort pas çdo të mire që kjo u ofron, e përballojnë, kur ju shtie me shkelma, vë re që përtërihen e mëkëmben pas fatkeqsive, deri dhe rilinden; habitesh që asnjë minutë e jetës nuk ngjason me të mëparshmet, ndërkohë që fantazimet janë mërzindjellëse në monotoninë e tyre, janë frikamane para pengesave, skllave të vegimeve dhe të hijeve, të ideve dhe të hamendjeve të nxehta, ato janë skllave të resë, që e mbulon befas diellin dhe e mbush me pikëllim zemrën e vërtetë petërburgase, e cila, ngaqë e çmon aq shumë ndaj dhe drithërohet po aq shumë, kur e sheh t'i fshihet. Se fantazia në pikëllim ngjizet e harbon! Mirëpo vjen një çast që e ndien si venitet, si kapitet e deri vdiret në tendosjen e saj të pandërprerë, pa të cilën s'ka si bën, e sheh këtë dhe bindesh që fantazimet nuk janë të pashtershme, pale që edhe vetë ti zë e burrërohesh, i braktis ëndërrimet dhe përsiatjet e dikurshme... Vjen një çast, që fantazia bëhet copë e çikë dhe, në mos paç tjetër jetë, s'ke nga ia mban, do s'do detyrohesh dhe sajon nga rrënojat, bashkon mbeturinat e së parës. E pra, shpirti të do një të re! Ëndërrimtari i gjorë më kot zë e rrëmon në hirin e fantazisë së shkrumuar, për të gjetur aty ndonjë kongjill të ndezur, që t'i fryjë e t'i fryjë, me shpresën mos ndizet zjarri i ri, ku të ngrohë zemrën e kallkanosur, dhe të rimëkëmbë atë që dikur ishte aq hamngjitëse dhe joshëse, që ia rrëmbente shpirtin dhe ia vlonte gjakun, ia rrëmbushte sytë, duke e mashtruar me aq marifet! Dhe e dini, Nastenjka, sa keq u katandisa? S'më mbeti tjetër veç të festoja përvjetorin e ndijimeve të para fantastike, të atyre që pandehja se i pata përjetuar, kurse në vërtetë nuk i pata përjetuar, sepse edhe vetë përvjetori si i tillë imagjinar ishte, pjellë fantazie qe. Iu drejtova përkujtimit, ngaqë më mungonin fantazi të reja, nuk kisha nga i shtrydhja! Se ëndërrimet shtrydhen, Nastenjka! Ma kishte fort ënda të vizitoja ato vende, që lidheshin me lumturinë time të dikurshme, ta përshtasja të tashmen në përputhje me të atëhershmen. U ënda në ato rrugë të zymta pa ndonjë synim apo qëllim real, të përcaktuar, u sorollata sa desha nëpër Petërburgun aspak gazmor dhe kujtova e kujtova sa u enjta të përjetuarat asohere. Shihja me sytë e mendjes si ecja i vetmuar në po atë trotuar, si më mbyste pikëllimi dhe angështia, i rënduar nga ato fantazime aq të lemerishme. Nuk them se atëherë isha në gjendje më të mirë shpirterore, ama më i qetë se tani isha. Atëherë jetohej më këndshëm, s'i kisha tërë ato mendime të zeza për të cilët sapo ju fola, por as këtë vrasje ndërgjegje që po provoj tani. Endesha në atë përvjetor dhe thosha me vetë: "Sa shpejt që fluturojnë vitet!" dhe pas gjithë kësaj, përsëri ajo pyetja brengë: "Po ti ç'je duke bërë, ndërkohe që vitet fluturojne? A po e jeton jetën? Se vitet ikin e shkojnë dhe të troket pleqeria, bashkë me të dhe pafuqia, po edhe lloj-lloj mënxyrash! Se bota e fantazisë një ditë prej ditësh do të vdiret, ëndërrimet do shuhen e fashiten, do bien në tokë si gjethet në vjeshtë!..." O Nastenjka! Sa
”
”
Fyodor Dostoevsky (White Nights)
“
Morning sweetheart," he said quietly, thinking it was Sarah who'd kissed him awake. "What time is it? I guess I better get up huh? We've got a long drive ahead of us today."
"From what I hear, you were up quite a bit last night," Tina said, smiling at him sweetly. He opened his eyes then and sat up quickly.
"Oh...hi, uh...good morning. Jeez I'm sorry, I thought you were Sarah," he said quickly. "Wait...you were kissing me again? God Tina, we can't keep doing that. If Sarah finds out...," he said, but he didn't get to finish.
"Sarah already knows," Sarah said, leaning against the door jam with her coffee in her hand, as well as a second cup that she'd brought for him. Jarrod actually fell out of bed he was so shocked by her sudden appearance. It was heartbreaking how incredibly guilty he looked.
"Oh god, sweetie I was asleep, I swear. I didn't do it on purpose," he said quickly.
"Didn't you? You mean you don't enjoy kissing her?" Sarah asked, really enjoying this little game.
"Well, yeah...I mean...oh jeez."
"You're not sure? Maybe you should kiss her again, and then you can decide," Sarah said. Tina just smiled and then pooched her lips out at him.
"Come on you guys, I just woke up. Please don't mess with me, it's too early for that."
"Tell me something," Sarah said. "Who did you have sex with last night?" Jarrod just stood there looking confused.
"Uh...you. You were here for it right?" he said finally.
"Yeah, I was, but it was really Tina you were doing all night, wasn't it? She looked damn good in that outfit, didn't she?"
That did it. Now his face turned beet red and he just stood there, naked and looking incredibly guilty.
"It's ok sweetie, I don't mind...really. Now here, drink your coffee and get ready. We have a big day ahead of us," she said as she handed him his coffee and gave him a kiss.
"Wait...what? God I'm so confused," he said.
"I would be too if I was standing in front of two girls naked with a cup of coffee in my hand. Careful you don't spill it. You might burn something you'll be needing later," Sarah laughed as both her and Tina walked out the door and headed back to the kitchen. Jarrod just stood there in a state of total confusion, wondering what the hell just happened.
”
”
Duane L. Martin (Exploration (Unseen Things, #3))
“
Sebastian encountered Cam in the hallway outside the reading room. “Where is he?” he demanded without preamble.
Stopping before him with an expressionless face, Cam said shortly, “He’s gone.”
“Why didn’t you follow him?” White-hot fury blazed in Sebastian’s eyes. This news, added to the frustration of his vow of celibacy, was the last straw.
Cam, who had been exposed to years of Ivo Jenner’s volcanic temper, remained unruffled. “It was unnecessary in my judgment,” he said. “He won’t return.”
“I don’t pay you to act on your own damned judgment. I pay you to act on mine! You should have dragged him here by the throat and then let me decide what was to be done with the bastard.”
Cam remained silent, sliding a quick, subtle glance at Evie, who was inwardly relieved by the turn of events. They were both aware that had Cam brought Bullard back to the club, there was a distinct possibility that Sebastian might actually have killed him— and the last thing Evie wanted was a murder charge on her husband’s head.
“I want him found,” Sebastian said vehemently, pacing back and forth across the reading room. “I want at least two men hired to look for him day and night until he is brought to me. I swear he’ll serve as an example to anyone who even thinks of lifting a finger against my wife.” He raised his arm and pointed to the doorway. “Bring me a list of names within the hour. The best detectives available— private ones. I don’t want some idiot from the New Police, who’ll foul this up as they do everything else. Go.”
Though Cam undoubtedly had a few opinions to offer on the matter, he kept them to himself. “Yes, my lord.” He left the room at once, while Sebastian glared after him.
Seeking to calm his seething temper, Evie ventured, “There is no need to take your anger out on Cam. He—”
“Don’t even try to excuse him,” Sebastian said darkly. “You and I both know that he could have caught that damned gutter rat had he wanted to. And I’ll be damned if I’ll tolerate your calling him by his first name— he is not your brother, nor is he a friend. He’s an employee, and you’ll refer to him as ‘Mr. Rohan’ from now on.”
“He is my friend,” Evie replied in outrage. “He has been for years!”
“Married women don’t have friendships with young unmarried men.”
“Y-you dare to insult my honor with the implication that… that…” Evie could hardly speak for the multitude of protests that jammed inside her. “I’ve done nothing to merit such a lack of tr-tr-trust!”
“I trust you. It’s everyone else that I hold in suspicion.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
In the year after Chris died, a friend organized a trip for the kids and me to use the time-share at Disney World in Florida. I felt exceptionally lonely the night we arrived in our rental car, exhausted from our flight. Getting our suitcases out, I mentioned something along the lines of “I wish we had Dad here.”
“Me, too,” said both of the kids.
“But he’s still with us,” I told them, forcing myself to sound as optimistic as possible. “He’s always here.”
It’s one thing to say that and another to feel it, and as we walked toward the building I didn’t feel that way at all. We went upstairs--our apartment was on the second floor--and went to the door.
A tiny frog was sitting on the door handle.
A frog, really? Talk about strange.
Anyone who knows the history of the SEALs will realize they trace their history to World War II combat divers: “frogmen” specially trained to infiltrate and scout enemy beaches before invasions (among other duties). They’re very proud of that heritage, and they still occasionally refer to themselves as frogmen or frogs. SEALs often feature frogs in various tattoos and other art related to the brotherhood. As a matter of fact, Chris had a frog skeleton tattoo as a tribute to fallen SEALs. (The term frogman is thought to derive from the gear the combat divers wore, as well as their ability to work both on land and at sea.)
But for some reason, I didn’t make the connection. I was just consumed by the weirdness--who finds a frog, even a tiny one, on a door handle?
The kids gathered round. Call me squeamish, but I didn’t want to touch it.
“Get it off, Bubba!” I said.
“No way.”
We hunted around and found a little tree branch on the grounds. I held it up to the doorknob, hoping it would hop on. It was reluctant at first, but finally it toddled over to the outside of the door jam. I left it to do whatever frogs do in the middle of the night. Inside the apartment, we got settled. I took out my cell phone and called my mom to say we’d arrived safely.
“There was one strange thing,” I told her. “There was a frog on the door handle when we arrived.”
“A…frog?”
“Yes, it’s like a jungle down here, so hot and humid.”
“A frog?”
“Yeah.”
“And you don’t think there’s anything interesting about that?”
“Oh my God,” I said, suddenly realizing the connection.
I know, I know: just a bizarre coincidence.
Probably.
I did sleep really well that night.
The next morning I woke up before the kids and went into the living room. I could have sworn Chris was sitting on the couch waiting for me when I came out.
I can’t keep seeing you everywhere.
Maybe I’m crazy.
I’m sorry. It’s too painful.
I went and made myself a cup of coffee. I didn’t see him anymore that week.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
Knock, knock. Who's there? A: Lettuce Q: Lettuce who? A: Lettuce in, it's freezing out here.. . 2. Q: What do elves learn in school? A: The elf-abet . 3. Q: Why was 6 afraid of 7? A: Because: 7 8 9 . . 4. Q. how do you make seven an even number? A. Take out the s! . 5. Q: Which dog can jump higher than a building? A: Anydog – Buildings can’t jump! . 6. Q: Why do bananas have to put on sunscreen before they go to the beach? A: Because they might peel! . 7. Q. How do you make a tissue dance? A. You put a little boogie in it. . 8. Q: Which flower talks the most? A: Tulips, of course, 'cause they have two lips! . 9. Q: Where do pencils go for vacation? A: Pencil-vania . 10. Q: What did the mushroom say to the fungus? A: You're a fun guy [fungi]. . 11. Q: Why did the girl smear peanut butter on the road? A: To go with the traffic jam! . 11. Q: What do you call cheese that’s not yours? A: Nacho cheese! . 12. Q: Why are ghosts bad liars? A: Because you can see right through them. . 13. Q: Why did the boy bring a ladder to school? A: He wanted to go to high school. . 14. Q: How do you catch a unique animal? A: You neak up on it. Q: How do you catch a tame one? A: Tame way. . 15. Q: Why is the math book always mad? A: Because it has so many problems. . 16. Q. What animal would you not want to pay cards with? A. Cheetah . 17. Q: What was the broom late for school? A: Because it over swept. . 18. Q: What music do balloons hate? A: Pop music. . 19. Q: Why did the baseball player take his bat to the library? A: Because his teacher told him to hit the books. . 20. Q: What did the judge say when the skunk walked in the court room? A: Odor in the court! . 21. Q: Why are fish so smart? A: Because they live in schools. . 22. Q: What happened when the lion ate the comedian? A: He felt funny! . 23. Q: What animal has more lives than a cat? A: Frogs, they croak every night! . 24. Q: What do you get when you cross a snake and a pie? A: A pie-thon! . 25. Q: Why is a fish easy to weigh? A: Because it has its own scales! . 26. Q: Why aren’t elephants allowed on beaches? A:They can’t keep their trunks up! . 27. Q: How did the barber win the race? A: He knew a shortcut! . 28. Q: Why was the man running around his bed? A: He wanted to catch up on his sleep. . 29. Q: Why is 6 afraid of 7? A: Because 7 8 9! . 30. Q: What is a butterfly's favorite subject at school? A: Mothematics. Jokes by Categories 20 Mixed Animal Jokes Animal jokes are some of the funniest jokes around. Here are a few jokes about different animals. Specific groups will have a fun fact that be shared before going into the jokes. 1. Q: What do you call a sleeping bull? A: A bull-dozer. . 2. Q: What to polar bears eat for lunch? A: Ice berg-ers! . 3. Q: What do you get from a pampered cow? A: Spoiled milk.
”
”
Peter MacDonald (Best Joke Book for Kids: Best Funny Jokes and Knock Knock Jokes (200+ Jokes) : Over 200 Good Clean Jokes For Kids)
“
I’m at my locker; the door is jammed, and I’m trying to yank it open. I finally get the door loose and there’s Josh, standing right there.
“Lara Jean…” He has this shell-shocked, confused expression on his face. “I’ve been trying to talk to you since last night. I came by, and nobody could find you…” He holds out my letter. “I don’t understand. What is this?”
“I don’t know…,” I hear myself say. My voice feels far away. It’s like I’m floating above myself, watching it all unfold.
“I mean, it’s from you, right?”
“Oh, wow.” I take a deep breath and accept the letter. I fight the urge to tear it up. “Where did you even get this?”
“It got sent to me in the mail.” Josh jams his hands into his pockets. “When did you write this?”
“Like, a long time ago,” I say. I let out a fake little laugh. “I don’t even remember when. It might have been middle school.” Good job, Lara Jean. Keep it up.
Slowly he says, “Right…but you mention going to the movies with Margot and Mike and Ben that time. That was a couple of years ago.”
I bite my bottom lip. “Right. I mean, it was kind of a long time ago. In the grand scheme of things.” I can feel tears coming on so close that if I break concentration even for a second, if I waver, I will cry and that will make everything worse, if such a thing is possible. I must be cool and breezy and nonchalant now. Tears would ruin that.
Josh is staring at me so hard I have to look away. “So then…Do you…or did you have feelings for me or…?”
“I mean, yes, sure, I did have a crush on you at one point, before you and Margot ever started dating. A million years ago.”
“Why didn’t you ever say anything? Because, Lara Jean…God. I don’t know.” His eyes are on me, and they’re confused, but there’s something else, too. “This is crazy. I feel kind of blindsided.”
The way he’s looking at me now, I’m suddenly in a time warp back to a summer day when I was fourteen and he was fifteen, and we were walking home from somewhere. He was looking at me so intently I was sure he was going to try to kiss me. I got nervous, so I picked a fight with him and he never looked at me like that again.
Until this moment.
Don’t. Just please, don’t.
Whatever he’s thinking, whatever he wants to say, I don’t want to hear it. I will do anything, literally anything, not to hear it.
Before he can, I say, “I’m dating someone.”
Josh’s jaw goes slack. “What?”
What?
“Yup. I’m dating someone, someone I really really like, so please don’t worry about this.” I wave the letter like it’s just paper, trash, like once upon a time I didn’t literally pour my heart onto this page. I stuff it into my bag. “I was really confused when I wrote this; I don’t even know how it got sent out. Honestly, it’s not worth talking about. So please, please don’t say anything to Margot about it.”
He nods, but that’s not good enough. I need a verbal commitment. I need to hear the words come out of his mouth. So I add, “Do you swear? On your life?” If Margot was to ever find out…I would want to die.
“All right, I swear. I mean, we haven’t even spoken since she left.”
I let out a huge breath. “Great. Thanks.” I’m about to walk away, but then Josh stops me.
“Who’s the guy?”
“What guy?”
“The guy you’re dating.”
That’s when I see him. Peter Kavinsky, walking down the hallway. Like magic. Beautiful, dark-haired Peter. He deserves background music, he looks so good. “Peter. Kavinsky. Peter Kavinsky!
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
The PEOPLE, SCHOOL, EVERYONE, and EVERYTHING is so FAKE AND GAY.'
'I shrieked, at the top of my voice fingers outspread and frozen in fear, unlike ever before in my young life; being the gentle, sweet, and shy girl that I am.'
'Besides always too timid to have a voice, to stand up for me, and forced not to, by masters.'
Amidst my thoughts racing ridiculously, 'I feel that it is all just another way for the 'SOCIETY' to make me feel inferior, they think, they are so 'SUPERIOR' to me, and who I am to them.'
'Nonetheless, every day of my life, I have felt like I have been drowning in a pool, with weights attached to my ankles.'
'Like, of course, there is no way for me to escape the chains that are holding me down.'
'The one and only person, that holds the key to my freedom: WILL NEVER LET ME GO! It's like there is within me, and has been deep inside me!'
'I now live in this small dull town for too damn long. It is an UNSYMPATHETIC, obscure, lonely, totally depressed, and depressing place, for any teenage girl to be, most definitely if you're a girl like me.'
'All these streets surrounding me are covered with filth, and born in the hills of middle western Pennsylvania mentalities of slow-talking and deep heritages, and beliefs, that don't operate me as a soul lost and lingering within the streets and halls.'
'My old town was ultimately left behind when the municipality neighboring made the alterations to the main roads; just to save five minutes of commuting, through this countryside village. Now my town sits on one side of that highway.'
'Just like a dead carcass to the rest of the world, which rushes by. What is sullen about this is that it is a historic town, with some immeasurable old monuments, and landmarks.'
'However, the others I see downright neglect what is here, just like me, it seems. Other than me, no one cares. Yet I care about all the little things.'
'I am so attached to all these trivial things as if they are a part of me. It disheartens me to see anything go away from me.'
'It's a community where the litter blows and bisects the road, like the tumble-wheats of the yore of times past.'
'Furthermore, if you do not look where you are going, you will fall in our trip, in one of the many potholes or heaved up bumps in the pavement, or have an evacuated structure masonry descending on your head.'
'Merely one foolproof way of simplifying the appearance of this ghost town.'
'There are still some reminders of the glory days when you glance around.'
'Like the town clock, that is evaporated black that has chipped enamel; it seems that it is always missing a few light bulbs.'
'The timepiece only has time pointing hands on the one side, and it nevermore shows the right time of day.'
'The same can be assumed for the neon signs on the mom-and-pop shops, which flicker at night as if they're in agonizing PAIN.'
'Why? To me is a question that is asked frequently.'
'It is all over negligence!'
'I get the sense and feeling most of the time, as they must prepare when looking around here at night.'
'The streetlamps do not all work, as they should. The glass in them is cracked.'
'The parking meters are always jammed, or just completely broken off their posts altogether.'
'The same can be said, for the town sign that titles this area. It is not even here anymore, as it should be now moved to the town square or shortage of a park.
”
”
Marcel Ray Duriez (Walking the Halls (Nevaeh))
“
THIS IS MY ABC BOOK of people God loves. We’ll start with . . . A: God loves Adorable people. God loves those who are Affable and Affectionate. God loves Ambulance drivers, Artists, Accordion players, Astronauts, Airplane pilots, and Acrobats. God loves African Americans, the Amish, Anglicans, and Animal husbandry workers. God loves Animal-rights Activists, Astrologers, Adulterers, Addicts, Atheists, and Abortionists. B: God loves Babies. God loves Bible readers. God loves Baptists and Barbershop quartets . . . Boys and Boy Band members . . . Blondes, Brunettes, and old ladies with Blue hair. He loves the Bedraggled, the Beat up, and the Burnt out . . . the Bullied and the Bullies . . . people who are Brave, Busy, Bossy, Bitter, Boastful, Bored, and Boorish. God loves all the Blue men in the Blue Man Group. C: God loves Crystal meth junkies, D: Drag queens, E: and Elvis impersonators. F: God loves the Faithful and the Faithless, the Fearful and the Fearless. He loves people from Fiji, Finland, and France; people who Fight for Freedom, their Friends, and their right to party; and God loves people who sound like Fat Albert . . . “Hey, hey, hey!” G: God loves Greedy Guatemalan Gynecologists. H: God loves Homosexuals, and people who are Homophobic, and all the Homo sapiens in between. I: God loves IRS auditors. J: God loves late-night talk-show hosts named Jimmy (Fallon or Kimmel), people who eat Jim sausages (Dean or Slim), people who love Jams (hip-hop or strawberry), singers named Justin (Timberlake or Bieber), and people who aren’t ready for this Jelly (Beyoncé’s or grape). K: God loves Khloe Kardashian, Kourtney Kardashian, Kim Kardashian, and Kanye Kardashian. (Please don’t tell him I said that.) L: God loves people in Laos and people who are feeling Lousy. God loves people who are Ludicrous, and God loves Ludacris. God loves Ladies, and God loves Lady Gaga. M: God loves Ministers, Missionaries, and Meter maids; people who are Malicious, Meticulous, Mischievous, and Mysterious; people who collect Marbles and people who have lost their Marbles . . . and Miley Cyrus. N: God loves Ninjas, Nudists, and Nose pickers, O: Obstetricians, Orthodontists, Optometrists, Ophthalmologists, and Overweight Obituary writers, P: Pimps, Pornographers, and Pedophiles, Q: the Queen of England, the members of the band Queen, and Queen Latifah. R: God loves the people of Rwanda and the Rebels who committed genocide against them. S: God loves Strippers in Stilettos working on the Strip in Sin City; T: it’s not unusual that God loves Tom Jones. U: God loves people from the United States, the United Kingdom, and the United Arab Emirates; Ukrainians and Uruguayans, the Unemployed and Unemployment inspectors; blind baseball Umpires and shady Used-car salesmen. God loves Ushers, and God loves Usher. V: God loves Vegetarians in Virginia Beach, Vegans in Vietnam, and people who eat lots of Vanilla bean ice cream in Las Vegas. W: The great I AM loves will.i.am. He loves Waitresses who work at Waffle Houses, Weirdos who have gotten lots of Wet Willies, and Weight Watchers who hide Whatchamacallits in their Windbreakers. X: God loves X-ray technicians. Y: God loves You. Z: God loves Zoologists who are preparing for the Zombie apocalypse. God . . . is for the rest of us. And we have the responsibility, the honor, of letting the world know that God is for them, and he’s inviting them into a life-changing relationship with him. So let ’em know.
”
”
Vince Antonucci (God for the Rest of Us: Experience Unbelievable Love, Unlimited Hope, and Uncommon Grace)
“
The truth was that Mrs. Finnemore had not been home for the past two nights. April had been living alone, terrified, with all the doors and windows locked as tightly as possible; with a chair jammed against her bedroom door; with an old baseball bat across the end of her bed; with the phone close and ready to dial 911, and with no one in the world to talk to but Theodore Boone, who had vowed not to tell a soul. Her father was out of town with his band. Her mother was taking pills and losing her mind.
”
”
John Grisham (The Abduction (Theodore Boone #2))
“
live recording of Charles Mingus at Carnegie Hall on the turntable, chosen for the twenty-four-minute version of “C Jam Blues” on side 1. The 1974 concert was up-tempo, high energy, and largely improvisational, and just what Bosch needed for wading through case reports. The concert, including Bosch favorite John Handy on tenor sax, helped put him into the proper groove.
”
”
Michael Connelly (The Night Fire (Renée Ballard, #3; Harry Bosch, #22; Harry Bosch Universe, #33))
“
In my opinion, almost nothing improves a good carrot cupcake, but this recipe changed my mind. I tasted something similar at a small farmer's market; a young woman was selling dense carrot muffins along with her homemade saffron syrup and apricot-saffron jam. Her secret: infuse the eggs with the saffron the night before you want to bake. I don't usually organize my baking twenty-four hours in advance, so I tried adding saffron on the day and it still works wonders--- the subtle perfume infuses the cupcakes perfectly. These are terrific without the icing for breakfast or a lunchbox, but I have a love affair with cream-cheese frosting, so why not gild the lily.
”
”
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
“
When he heard Demont arrive opposite him, he fired two shots. He wanted to fire four but the crappy pistol jammed.
”
”
Inc. Thriller Writers (Thriller: Stories To Keep You Up All Night)
“
There’s an expectation that because of this new invention, things will get better, more efficient, safer, richer, faster. Which they do, in some respects. But then things also, invariably, go sideways. At one moment, social media is being hailed as something that will allow ordinary citizens to upend tyranny. And then in the next moment, social media is feared as the platform that will allow citizens to tyrannize one another. The automobile was supposed to bring freedom and mobility, which it did for a while. But then millions of people found themselves living miles from their workplaces, trapped in endless traffic jams on epic commutes. How is it that, sometimes, for any number of unexpected and random reasons, technology slips away from its intended path?
”
”
Malcolm Gladwell (The Bomber Mafia: A Dream, a Temptation, and the Longest Night of the Second World War)
“
One of the most important lessons I have ever learned was expressed in the words to the song I heard each night during Winter Jam. There is power in the name of Jesus. His name has power to break every type of bondage, and praying in His name you can gain victory over fear, just like I did.
”
”
Sadie Robertson (Live Fearless: A Call to Power, Passion, and Purpose)
“
You spend a restless night, your sleep is an intermittent, jammed flow, like the reading of the novel, with dreams that seem to you like the repetition of one dream always the same. You fight with dreams as with formless and meaningless life, seeking a pattern, a route that must surely be there, as when you begin to read a book and you don't yet know in which direction it will carry you. What you would like is the opening of an abstract and absolute space and time in which you could move, following an exact, taut trajectory; but when you seem to be succeeding, you realize you are motionless, blocked, forced to repeat everything from the beginning.
”
”
Italo Calvino (If on a Winter’s Night a Traveler)
“
You either have it, or want it Nothing else will fly. Do you know any songs? What can you play? Can you sing? Do you have a piano, tuba, or strings? . . . The musicians began vamping, What can this Rabbit cat do? Is he going to blow hot air Or fart in the rain? Rabbit turned his back to the band Like that genius Miles Davis Pulled out his stick He made a horn with his hands. This stick is so special, bragged Rabbit. As he turned back to the jam No one else has one like this. You’ve never heard it before. It’s called a sax-oh-oh-phone. Rabbit’s newborn horn made a rip in the sky It made old women dance, and girls fall to their knees It made singers of tricksters, it made tricksters of players It made trouble wherever it sang after that— The last time we heard Rabbit was for my cousin’s run for chief. There was a huge feed. Everyone showed up to eat. Rabbit’s band got down after the speeches. We danced through the night, and nobody fought. Nor did anyone show up the next day to vote. They were sleeping.
”
”
Joy Harjo (An American Sunrise)
“
The notion of making more free time has been gaining traction, but most people I know use that extra time to catch up on errands or email, or recharge their batteries through passive relaxation, such as binge-watching Netflix or online shopping. But the most joyful people I know manage to hold a space for play in their adult lives: a recreational sport, an improv-comedy hobby, a band they jam with on weekends, a family game night, or an hour a week set aside to dabble in watercolors.
”
”
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
“
My family’s leaving tomorrow,” Ned told Mariel at the bar. “But I’d love to take you out for coffee. Or maybe a beer. Or something else? Are you free tonight?” The two seconds awaiting her response became the most fertile pasture of possibilities he’d ever imagined. “Well, some friends and I are going to watch the fireworks by the lake,” she replied. “Would you like to come with?” Sadly, this was not a response he’d anticipated. If he had, he would’ve specified after the fireworks to Mariel, but now it was too late. The word “yes” rose from his heart, and was so big and meaningful it got jammed in his throat against what he was supposed to say. He was supposed to say he had plans with his family. They’d watched the fireworks out on their private dock together every year of his life. It was tradition, and there was no changing it. “Yes,” he said aloud, and he felt for the first time, in that moment, like a decisive man, capable of navigating an unpredictable future.
”
”
J. Ryan Stradal (Saturday Night at the Lakeside Supper Club)
“
Niekada iš tiesų nepažinsi vyro, kol nepasakysi jam, kad jo nemyli.
”
”
Louise Erdrich (The Night Watchman)
“
The night was clear, cold, and brittle as ice, the sky overhead jammed with a shotgun blast of sharp-edged stars
”
”
Archer Mayor (Chat (Joe Gunther #18))
“
There was an extraordinary flow of players and talent concentrated in that time and place, gathered around Woody’s record. George Harrison walked in one night. Rod Stewart would pop in occasionally. Mick came and sang on the record, and Mick Taylor played. After not hanging about much on the London rock-and-roll scene for a couple of years, it was nice to see everybody and not have to move. They’d come to you. There was always jamming. Ronnie and I hit it off straightaway, day in, day out, we had a load of good laughs. He said, I’m running short of songs, so I knocked up a couple of songs for him, “Sure the One You Need” and “We Got to Get Our Shit Together.” That’s where I first heard “It’s Only Rock ’n’ Roll,” in Ronnie’s studio. It’s Mick’s song and he’d cut it with Bowie as a dub. Mick had gotten this idea and they started to rock on it. It was damn good. Shit, Mick, what are you doing it with Bowie for? Come on, we’ve got to steal that motherfucker back. And we did, without too much difficulty. Just the title by itself was so beautifully simple, even if it hadn’t been a great song in its own right. I mean, come on. “It’s only rock and roll but I like
”
”
Keith Richards (Life)
“
Cherry Hill, like most local wineries, is on a peninsula that juts into the vast expanse of Lake Michigan’s northernmost curve. The vineyards sprawl across gently rolling hills on either side of the long gravel road that brings us to the winery itself, all sleek glass, balsa wood, and corrugated metal. The parking lot is jammed, the gardens that encircle it bursting with colorful blooms, all tinted pinkish by the setting sun. Out beyond the flowers and hedges, whitewashed tables dot a grassy stretch, customers milling from the bocce court on one end to a duck pond at the other, delicately stemmed glasses in hand. Globe lights hang over the seating area, just waiting for the falling night to give them the cue to light up.
”
”
Emily Henry (Funny Story)
“
Arin was in the still room, trying to soothe the anxiety of a woman who was saying that she had just preserved the jams, and must all of them be used for the banquet, every last one? She didn’t think the Dacrans appreciated ilea fruit. Why serve something they wouldn’t love as much as the Herrani did? It would be best, surely, to keep at least those jars for winter.
Trying to explain the politics of such lavish consumption tangled Arin up in frustrated half sentences, because it didn’t make much sense to him, either, to consume every edible thing in one night.
And then he heard Roshar’s accented voice in Herrani drifting down the hall from the ktichens.
“…you don’t understand. The piece of meat must be the finest, cut from the loin, seasoned with this spice, not that one…”
Arin excused himself, told the woman he’d discuss jams later, and followed the prince’s voice.
“…and it must be well roasted on the outside, almost charred, yet bloody inside. Bright pink. Listen. This is crucial. If anything goes wrong, the banquet will be ruined.”
Arin entered the main kitchen to find the prince haranguing the head cook, who slid a half-lidded look of annoyed sufferance at Arin.
“There you are.” Roshar beamed. “I need your help, Arin.”
“For the preparation of meat?”
“It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.”
“Because of meat.”
“It’s for his tiger,” said the cook.
Arin palmed his face, eyes squeezed shut. “Your tiger.”
“He’s very particular,” said Roshar.
“You can’t bring the tiger to the banquet.”
“Little Arin has missed me. I will not be parted from him.”
“Would you consider changing his name?”
“No.”
“What if I begged?”
“Not a chance.”
“Roshar, the tiger has grown.”
“And what a sweet big boy he is.”
“You can’t bring him into a dining hall filled with hundreds of people.”
“He’ll behave. He has the mien and manners of a prince.”
“Oh, like you?”
“I resent your tone.”
“I’m not sure you can control him.”
“Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--”
“Gods, Roshar, shut up.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Arin was in the still room, trying to soothe the anxiety of a woman who was saying that she had just preserved the jams, and must all of them be used for the banquet, every last one? She didn’t think the Dacrans appreciated ilea fruit. Why serve something they wouldn’t love as much as the Herrani did? It would be best, surely, to keep at least those jars for winter.
Trying to explain the politics of such lavish consumption tangled Arin up in frustrated half sentences, because it didn’t make much sense to him, either, to consume every edible thing in one night.
And then he heard Roshar’s accented voice in Herrani drifting down the hall from the ktichens.
“…you don’t understand. The piece of meat must be the finest, cut from the loin, seasoned with this spice, not that one…”
Arin excused himself, told the woman he’d discuss jams later, and followed the prince’s voice.
“…and it must be well roasted on the outside, almost charred, yet bloody inside. Bright pink. Listen. This is crucial. If anything goes wrong, the banquet will be ruined.”
Arin entered the main kitchen to find the prince haranguing the head cook, who slid a half-lidded look of annoyed sufferance at Arin.
“There you are.” Roshar beamed. “I need your help, Arin.”
“For the preparation of meat?”
“It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
earned fame and the Medal of Honor for the steel nerves and sheer guts he showed in turning back the Japs that night. Later, I read an interview where Basilone told how he did what seemed impossible against the charging Japs—not once but over and over again—with three machine guns and a pistol. “We kept firing and drove them back, but our ammunition was getting low,” he said, “so I left the guns and started running to the next outfit to get some more. Soon after I got back, a runner came in and told me that at the emplacements on the right, Japs had broken through . . . and the guns were jammed. “I took off up the trail to see what happened. . . . After that I came back to my own guns, grabbed one of them, and told the crew to follow me. Up the trail we went. I was carrying the machine gun by the tripod. We left six dead Japs on the trail. “While I fixed the jams on the other two guns up there, we started to set up. We were really pinned down. Bullets were smacking into the sandbags. “The Japs were still coming at us, and I rolled over from one gun to the other, firing them as fast as they could be loaded. . . . We all thought our end had come. “Some Japs would sneak through the lines and behind us. It got pretty bad because I’d have to stop firing every once in a while and shoot behind me with my pistol. “At dawn, our guns were just burnt out. Altogether we got rid of 26,000 rounds.” More
”
”
Jim McEnery (Hell in the Pacific: A Marine Rifleman's Journey From Guadalcanal to Peleliu)
“
There are many reasons why girls should not travel alone, and I won’t list them, because none of them are original reasons. Besides, there are more reasons why girls should. I have the utmost respect for girls who travel alone, because it’s hard work sometimes. But girls, we just want adventures. We want international best friends and hold-your-breath vistas out of crappy hostel windows. We want to discover moving works of art, sometimes in museums and sometimes in side-street graffiti. We want to hear soul-restoring jam sessions at beach bonfires and to watch celestial dawns spill over villages that haven’t changed since the Middle Ages. We want to fall in love with boys with say-that-again accents. We want sore feet from stay-up-all-night dance parties at just-one-more-drink bars. We want to be on our own even as we sketch and photograph the Piazza San Marco covered in pigeons and beautiful Italian lovers intertwined so that we’ll never forget what it feels like to be twenty-three and absolutely purposeless and single, but in love with every city we visit next. We want to be struck dumb by the baritone echoes of church bells in Vatican City and the rich, heaven-bound calls to prayer in Istanbul and to know that no matter what, there just has to be some greater power or holy magic responsible for all this bursting, delirious, overwhelming beauty in the great, wide, sprawling world. I tucked my passport into my bag. Girls, we don’t just want to have fun; we want a whole lot more out of life than that.
”
”
Nicole Trilivas (Girls Who Travel)
“
As I write this, I’m sitting in a café in Paris overlooking the Luxembourg Garden, just off of Rue Saint-Jacques. Rue Saint-Jacques is likely the oldest road in Paris, and it has a rich literary history. Victor Hugo lived a few blocks from where I’m sitting. Gertrude Stein drank coffee and F. Scott Fitzgerald socialized within a stone’s throw. Hemingway wandered up and down the sidewalks, his books percolating in his mind, wine no doubt percolating in his blood. I came to France to take a break from everything. No social media, no email, no social commitments, no set plans . . . except one project. The month had been set aside to review all of the lessons I’d learned from nearly 200 world-class performers I’d interviewed on The Tim Ferriss Show, which recently passed 100,000,000 downloads. The guests included chess prodigies, movie stars, four-star generals, pro athletes, and hedge fund managers. It was a motley crew. More than a handful of them had since become collaborators in business and creative projects, spanning from investments to indie film. As a result, I’d absorbed a lot of their wisdom outside of our recordings, whether over workouts, wine-infused jam sessions, text message exchanges, dinners, or late-night phone calls. In every case, I’d gotten to know them well beyond the superficial headlines in the media. My life had already improved in every area as a result of the lessons I could remember. But that was the tip of the iceberg. The majority of the gems were still lodged in thousands of pages of transcripts and hand-scribbled notes. More than anything, I longed for the chance to distill everything into a playbook. So, I’d set aside an entire month for review (and, if I’m being honest, pain au chocolat), to put together the ultimate CliffsNotes for myself. It would be the notebook to end all notebooks. Something that could help me in minutes but be read for a lifetime.
”
”
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
“
New York, in the late nineteenth century, was also an astonishingly dirty city for a variety of reasons. Only about half of New York’s families had bathrooms; the rest were served by outhouses. The Saturday-night bath had become a national ritual, but brushing one’s teeth was unheard of. By 1885, some 250,000 horses—pulling carts, carriages, trolleys and public omnibuses—jammed New York’s streets.
”
”
Stephen Birmingham (Life at the Dakota: New York's Most Unusual Address)
“
Did you pack our supper?" Paul asked.
She had indeed. For the trip, Sabine put 'Ma Cuisine' aside and filled the food hampers with luck and industry. She made little green pies of wild leeks that she'd found growing alongside the road on the way back from the hotel. A Joséphine salad was thrown together using leftovers and bits from the garden and pantry- chicken from the night before, curry powder, preserved lemons, and dried coconut. And for something sweet, she made curd tarts of lavender honey and lemon jam.
They were the recipes of her grand-mère, not of Escoffier. And as she made them they felt like a gift- not for the children and the interchangeable grandchildren and great-grandchildren- but for herself. She also placed a small cask of wine in the hamper, some soft cheese that she had made from goat's milk, and several bottles of lemonade.
”
”
N.M. Kelby (White Truffles in Winter)
“
They’re such little thoughts”—Matrona winced, fingers returning to her temples—“often passing as quickly as they came, or after a good night’s rest. Only, imagine if all those thoughts were . . . I don’t know, saved in a chest. Every single one. And every bad feeling you’ve ever had. Guilt over telling a lie, or shame from doing something wrong. All of it inside this chest. And then suddenly you’re in the room with the chest, and it opens, but someone’s jammed the door and you can’t get out—” “You’re rambling, Matrona.” Roksana clicked her tongue and resituated her heavy body, trying to get comfortable. “You sound almost poetic, in a sad, strange way.” “Just imagine it, Roksana!” Matrona cried, her hands jerking away from her temples and slamming fists into her pillow, making her friend jump. “Imagine how it would make you feel. What would you do, trapped with all of it around you?” Tears wet her eyes, and she blinked rapidly to banish them, her eyes still sore from the night’s weeping. “Tell me what to do.
”
”
Charlie N. Holmberg (The Fifth Doll)
“
Could it be possible?—as by the match with which Stuyvesant and I lighted our cigars, we saw my watch—ten o’clock!
“Stuyvesant,” I whispered, “we are in for an adventure sure enough. I don’t know exactly where we are, but the horses are about used up, and I’m frozen.”
He turned and boldly told the party our situation, trying to make it out as a jolly good joke. The ladies did not appreciate it, except little Lucy. She did not say much, but evidently thought it a most delightful experience of romantic reality. Adelaide and Mrs. Grayson were really alarmed, and I am pretty sure that as we drove on again, I heard Cousin Daisy repeating parts of Eastman’s Snow Storm:
“But cold and dead by the sunken log,
Are they who came from the town.”
We pushed on for another half hour, which seemed a whole night time, and then pulled up before a farmhouse, in which the inmates were a long while under blankets. A rascally cur screeched and yelped at us. That, however, and our united voices calling for about ten minutes, aroused someone, for we heard a sash frostily resist lifting, and a male nightmare full voice say, “What in the devil do you want?”
Stuyvesant asked for the necessary information, and we learned that we were twelve miles from our destination and four from the nearest village. The window dropped with a bang, but the word reached me, too, something like “jam,” or “slam,” or “ram.”
“Ho! Halloo!” sang out Stuyvesant in alarm, “where in the mischief are you driving, Earnest? Here we are over the runners in a drift.”
The fact is, I had my eyes on a dark, irregular building just ahead, and I was trying to make out if it was a poorhouse or a jail.
”
”
Philip van Doren Stern (The Civil War Christmas Album)
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Andrea lifted a black firearm, holding it as if it were covered with slime. “This is a Witness 45. It has a molding flaw on the grip right here, see? If you fire it, it will blister your hand.”
She picked up another gun. “This is a Raven 25. They haven’t made them since the early nineties. I didn’t even know they were still around. It’s a cheap junk gun. They used to call them Saturday Night Specials. You can’t put twenty rounds through it without it jamming, and the way this one looks, I wouldn’t even risk loading it. It might blow up in my hand. And this? This is a Hi-Point, otherwise known as Beemiller.”
“Is that supposed to tell me something?”
She stared at me. “It’s like the crappiest gun out there. Normal guns cost upward of half a grand. This costs like a hundred bucks. The slide is made out of zinc with aluminum.”
I looked at her.
“Look, I can bend it with my hand.”
I’d also seen her bend a steel rod with her hand, but now didn’t seem the best time to mention it.
Andrea put the Hi-Point on the desk. “Where did you get these again?”
“They’re surplus guns from the Pack. Confiscated, from what I understand.”
“Confiscated during violent altercations?”
“Yes.”
Andrea sagged into her chair. Her blue-tipped hair drooped in defeat. “Kate, if someone used a gun against the shapeshifters and now the shapeshifters have said gun, it wasn’t a very good gun, was it?”
“I’m not arguing with you. I didn’t have a choice. That’s what was here when I moved in.”
Andrea extracted a fierce-looking silver handgun from the box. Her eyes widened. She looked at it for a moment and tapped it on the corner of her desk. The gun responded with a dry pop.
She looked at me with an expression of abject despair. “It’s plastic.”
I spread my arms at her.
Andrea tossed the plastic gun to Grendel. “Here, chew on this.
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Ilona Andrews (Magic Slays (Kate Daniels, #5))
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Korsakov turned away, sighing heavily as he made his way toward his SUV. It had been the early winter of 1997, a dark night in Dagestan when he and Pavel had met, both of them part of a Spetsnaz team assigned to a tank base at Buinask. Led by foreign mujahideen, the Chechens had struck without warning, small-arms fire and RPGs coming through the wire. He’d lost friends that night — would have died himself, if not for Pavel coming to his aid when his AK-74 jammed
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Stephen England (Day of Reckoning (Shadow Warriors #2))
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Ula thought that unicorns might sleep in grassy glades with ferns for covering. In summer they might lie on a lawn. We walked round quietly on hands and feet, shaking imaginary horns. Ula pawed the air looking solemn; she made little humming sounds. Being fond of moonlight it was probable that they sang at night. They would eat rose petals with jam, and a little fruit in the summer months.
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Ursula Holden (Unicorn Sisters)
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The four officers had been zealous in their work, using their batons to break Rodney King’s cheekbone and ankle and eleven bones at the base of his skull, damaging his facial nerves and knocking the fillings out of his teeth. Each blow, said Rodney King, felt like “when you get up in the middle of the night and jam your toe on a piece of metal.” But the four cops were nonetheless now walking free. Freed by a jury in Ventura County, about an hour’s drive north of Florence and Normandie. Freed in Ventura’s Simi Valley, a then semirural, overwhelmingly white community, with a black population of 2 percent. Known as Cop Heaven by the cops themselves, Simi Valley, along with its sister city Thousand Oaks, had a population of about 4,000 active police officers, many of whom were part of the LAPD’s 7,900-member force. The
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Joe Domanick (Blue: The LAPD and the Battle to Redeem American Policing)