“
He sighed. "The clouds I can handle. But I can't fight with an eclipse.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
Well, I'm so sorry that I can't be the right kind of monster for you, Bella.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
Does it bother you, me being half naked all the time?
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
Did you seriously just stamp your foot? I thought girls only did that on TV.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
Of course, you’d warm up faster if you took your clothes off.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
You know I love you right?”
“I know,” he breathed, his arm tightening automatically around my waist. “You know how much I wish it was enough.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
The part that kills me is that you already know. I already told you everything!
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
You know, Jacob, if it weren’t for the fact that we’re natural enemies and that you’re also trying to steal away the reason for my existence, I might actually like you.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
Leave it to you, Bella. Anyone else would be better off when the vampires left town. But you have to start hanging out with the first monsters you can find.
”
”
Stephenie Meyer
“
Speak of the devil, and the devil shall appear.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
His skin was a pretty colour, it made me jealous.
Jacob noticed my scrutiny.
What?" he asked, suddenly self-conscious.
"Nothing. I just hadn't realised before. Did you know, you're sort of beautiful?"
Once the words slipped out, I worried that he might take my implusive observation the wrong way.
But Jacob rolled his eyes. "You hit your head pretty hard, didn't you?"
"I'm serious."
Well, then, thanks. Sort of."
I grinned. "You're sort of welcome.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
It’s not like love at first sight, really. It’s more like… gravity moves. When you see her, suddenly it’s not the earth holding you here anymore. She does. And nothing matters more than her. And you would do anything for her, be anything for her… You become whatever she needs you to be, whether that’s a protector, or a lover, or a friend, or a brother.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
Sorry if I can't be the right monster for you Bella.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
Nudity was an inconvenient but unavoidable part of pack life. We’d all thought nothing of it before Leah came along. Then it got awkward.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
As long as you like me the best. And you think I’m good-looking—sort of. I’m prepared to be annoyingly persistent.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
I don't have any leeches on my speed dial." — Jacob Black
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
I'm hotter than you!
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
But I’ll never see anyone else, Bella. I only see you. Even when I close my eyes and try to see something else. Ask Quil or Embry. It drives them all crazy
”
”
Stephenie Meyer
“
You should have seen his face when I started taking my clothes off. Priceless.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
The best part is coming."
"What's the best part? You swallowing an entire cow whole?"
"No. That's the finale.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
Did you know, you're sort of beautiful?'
'You hit your head pretty hard, didn't you?
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
Stop being so… optimistic. It’s getting on my nerves.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
Bella, there's a part of you that loves me.
”
”
Stephenie Meyer
“
I didn’t want to kill girls… even vampire girls. Though I might make an exception for that blonde.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
If this is how you’re going to react, I’ll freak out more often.
”
”
Stephenie Meyer
“
Do you like scary stories? he asked ominously.
Jacob Black
”
”
Stephenie Meyer (Twilight (The Twilight Saga, #1))
“
It's not what you are. It's what you do.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
no one had to tell me anything. I know what I am
”
”
Stephenie Meyer
“
But it's possible to love more than one person at a time, Bella. I've seen it in action.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
For one brief, never-ending second, an entirely different path expanded behind the lids of my tear-wet eyes. As if I were looking through the filter of Jacob's thoughts, I could see exactly what I was going to give up, exactly what this new self-knowledge would not save me from losing. I could see Charlie and Renée mixed into a strange collage with Billy and Sam and La Push. I could see years passing, and meaning something as they passed, changing me. I could see the enormous red-brown wolf that I loved, always standing as protector if I needed him. For the tiniest fragment of a second, I saw the bobbing heads of two small, black-haired children, running away from me into the familiar forest. When they disappeared, they took the rest of the vision with them.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
The clouds I can handle, but I can't fight with an eclipse.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
One of the many hazards of socializing with vampires. It makes you smell bad. A minor hazard, comparatively.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
Odd as this might sound, I suppose I'm glad you're here, Jacob.'
'You mean, 'as much as I'd love to kill you, I'm glad she's warm,' right?
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
So, how come Jacob Black gets to
give you a gift and I don't?
Because I have nothing
to give back to you.
Bella, you give me everything
just by breathing.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
Hey Jacob!" I felt an unfamiliar surge of enthusiasm at his smile. I realized that I was pleased to see him. This knowledge surprised me.
I smiled back, and something clicked silently into place, like two corresponding puzzle pieces. I'd forgotten how much I really liked Jacob Black.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings of a bunch of balloons. Everything that made me who I was - my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self - disconnected from me in that second - snip, snip, snip - and floated up into space.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
Ah, if he had ever been a slave he would have known how difficult it was to trust a white man.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Let's face it, I'm hotter than you." -Jacob Black
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
Don't worry about the bloodsucker,' Jacob suggested, and his tone was smug. 'He's just jealous.'
'Of course I am.' Edward's voice was velvet again, under control, a musical murmur in the darkness.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
He was right – she was beating herself up about hurting his feelings. The girl was a classic martyr. She’d totally been born in the wrong century. She should have lived back when she could have gotten herself fed to some lions for a good cause.
”
”
Stephenie Meyer
“
I knew I must be patient with Edward. It wasn’t that he was unreasonable, it was just that he didn’t understand. He had no idea how very much I owed Jacob Black—my life many times over, and possibly my sanity, too.
”
”
Stephenie Meyer (Eclipse (Twilight, #3))
“
Oh, hey, kettle, I’m pot and wow, you’re black.” - Owen
”
”
Olivia Cunning (Tie Me (One Night with Sole Regret, #5))
“
I pushed my legs faster, letting Jacob Black disappear behind me.
”
”
Stephenie Meyer
“
I can testify, from my own experience and observation, that slavery is a curse to the whites as well as to the blacks. It makes white fathers cruel and sensual; the sons violent and licentious; it contaminates the daughters, and makes the wives wretched.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl Written by Herself)
“
You love me, too. Not the same way, I know. But he’s not your whole life, either. Not anymore. Maybe he was once, but he left. And now he’s just going to have to deal with the consequence of that choice — me. Jacob Black.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
He shifted his weight, throwing his good leg off the bed as if he were going to try to stand.
“What are you doing?” I demanded through the tears. “Lie down, you idiot, you’ll hurt yourself!” I jumped to my feet and pushed his good shoulder down with two hands. He surrendered, leaning back with a gasp of pain, but he grabbed me around my waist and pulled me down on the bed, against his good side. I curled up there, trying to stifle the silly sobs against his hot skin.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
Promise me something. Anything. One day let me take pictures of you to show you just how beautiful you are. Let me show you how I see you.
”
”
F.L. Jacob (Have I Told You (Black Hollywood, #1))
“
Hot weather brings out snakes and slaveholders, and I like one class of the venomous creatures as little as I do the other. What a comfort it is, to be free to say so!
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Shiroyama’s heart stops. The earth’s pulse beats against his ear.
An inch away is a go clamshell stone, perfect and smooth …
… a black butterfly lands on the white stone, and unfolds its wings.
”
”
David Mitchell (The Thousand Autumns of Jacob de Zoet)
“
I 'spose free boys can get along here at the north as well as white boys."
I did not like to tell the sanguine, happy little fellow how much he was mistaken.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Sure as hell didn't se that one coming.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
That's going to be my last trip. This trading in n***ers is a bad business for a fellow that's got any heart.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Huh. I’m not sure how to respond to this. Is Alex Trebek black? He sure doesn’t look black. He looks pretty white to me. He looks like the quintessence, the very incarnation, of whiteness.
”
”
A.J. Jacobs (The Know-It-All)
“
You know the story in the Bible?', Jacob asked suddenly, still reading the blank ceiling. 'The one with the king and the two women fighting over the baby?'
'Sure. King Solomon.'
'That's right. King Solomon.' he repeated. 'And he said, cut the kid in half... but it was only a test. Just to see who would give-up their share to protect it.'
'Yeah. I remember.'
He looked back at my face. 'I'm not going to cut you in half anymore, Bella.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
I didn’t want to see this, didn’t want to think about this. I didn’t want to imagine him inside her. I didn’t want to know that something I hated so much had taken root in the body I loved.
Jacob Black, Breaking Dawn, Chapter 9, p.174
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
Accelerai il ritmo della corsa per fuggire da Jacob Black.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
When a man has his wages stolen from him, year after year, and the laws sanction and enforce the theft, how can he be expected to have more regard to honesty than the man who robs him?
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
And I'll have you know that if you hurt my son again, if he so much as sighs sadly over his coffee, I will hire a man, a Russian, probably, to hunt you down and rip all that shiny black hair from your head, then break your skinny arms and legs, and set you on fire, and then put you out with a hammer. And should there be children from your beastly rutting, I shall have the Russian man cut them to tiny pieces and feed them to Madame Jacob's dog. because, although he may be only a worthless, simpleminded, libertine artist, Lucien is my favorite, and I will not have him hurt. Do you understand?
”
”
Christopher Moore (Sacre Blue)
“
She stooped for a stone and dropped it down.
'Fancy being where that is now,' she said, peering into the blackness; 'fancy going round and round like a mouse in a pail, clutching at the slimy sides, with the water filling your mouth, and looking up to the little patch of sky above.'
'You had better come in,' said Benson, very quietly. 'You are developing a taste for the morbid and horrible.' ("The Well")
”
”
W.W. Jacobs (Ghost Stories (Haunting Ghost Stories))
“
I admit that the black man is inferior. But what is it that makes him so? It is the ignorance in which white men compel him to live;
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl Written by Herself)
“
At the south, a gentleman can have a shoal of colored children without any disgrace, but if he is known to purchase them, with the view of setting them free, the example is thought to be dangerous to their "peculiar institution," and he becomes unpopular.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
I cannot say, with truth, that the news of my old master's death softened my feelings towards him. There are wrongs which even the grave does not bury. The man was odious to me while he lived, and his memory is odious now.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
My mistress had taught me the precepts of God's word. "Thou shalt love thy neighbor as thyself." "Whatsoever ye would that men should do unto you, do ye even so unto them." But I was her slave, and I suppose she did not recognize me as her neighbor.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
If the silence in my head lasted, I would never go back. I wouldn’t be the first one to choose this form over the other. Maybe, if I ran far enough away, I would never have to hear again… I pushed my legs faster, letting Jacob Black disappear behind me.
”
”
Stephenie Meyer
“
In other news, Aang dominates on “Are You Smarter Than the Fire Nation”. Bella Swan becomes engaged to her boyfriend of one year, Edward Cullen, and unceremoniously sends Jacob Black to the “friend zone”. Pop star Candy Cane trades her controversial career for being a housewife (which was a move that is very unpopular with many of her young fans), and Jacquel Rassenworth is still the Internet’s biggest fame-nut (cue APPLAUSE).
”
”
Jacquel Chrissy May (The Summer of Our Discontent (The Green Hill Manor Mystery, #1))
“
After the alarm caused by Nat Turner's insurrection had subsided, the slaveholders came to the conclusion that it would be well to give the slaves enough of religious instruction to keep them from murdering their masters.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
I see that you can't live without him now. It's too late. But I would have been healthier for you. Not a drug; I would have been the air, the sun.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
I was too familiar with slavery not to know that promises made to slaves, though with kind intentions, and sincere at the time, depend on many contingencies for their fulfillment.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Thus far I had outwitted him, and I triumphed over it. Who can blame slaves for being cunning? They are constantly compelled to resort to it. It is the only weapon of the weak and oppressed against the strength of their tyrants.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
I can testify, from my own experience and observation, that slavery is a curse to the whites as well as to the blacks. It makes white fathers cruel and sensual; the sons violent and licentious; it contaminates the daughters, and makes the wives wretched. And as for the colored race, it needs an abler pen than mine to describe the extremity of their sufferings, the depth of their degradation.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
But I do earnestly desire to arouse the women of the North to a realizing sense of the condition of two millions of women at the South, still in bondage, suffering what I suffered, and most of them far worse. I want to add my testimony to that of abler pens to convince the people of the Free States what Slavery really is. Only by experience can any one realize how deep, and dark, and foul is that pit of abominations.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
I reminded him that he had just joined the church. "Yes, Linda," said he. "It was proper for me to do so. I am getting in years, and my position in society requires it, and it puts an end to all the damned slang. You would do well to join the church, too, Linda."
"There are sinners enough in it already," rejoined I.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
It's just that, I know how you're unhappy a lot. And, maybe it doesn't help anything, but I wanted you to know that I'm always here. I won't ever let you down–I promise that you can always count on me. Wow, that does sound corny. But you know that, right? That I would never, ever hurt you?
”
”
Stephanie Myers
“
I remained abroad ten months, which was much longer than I had anticipated. During all that time, I never saw the slightest symptom of prejudice against color. Indeed, I entirely forgot it, till the time came for us to return to America....
We had a tedious winter passage, and from the distance spectres seemed to rise up on the shores of the United States. It is a sad feeling to be afraid of one's native country.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Sorry. I know you don't feel exactly the way I do, Bella. I swear I don't mind. I'm just so glad you're okay that I could sing–and that's something no one wants to hear
”
”
Stephanie Myers
“
The secrets of slavery are concealed like those of the Inquisition. My master was, to my knowledge, the father of 11 slaves... Did the mothers dare tell who was the father of their children? No, indeed! They knew too well the terrible consequences.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl by Harriet Jacobs)
“
Anyhow, whether undergraduate or shop boy, man or woman, it must come as a shock about the age of twenty—the world of the elderly—thrown up in such black outline upon what we are; upon the reality; the moors and Byron; the sea and the lighthouse; the sheep’s jaw with the yellow teeth in it; upon the obstinate irrepressible conviction which makes youth so intolerably disagreeable—“I am what I am, and intend to be it,” for which there will be no form in the world unless Jacob makes one for himself. The Plumers will try to prevent him from making it. Wells and Shaw and the serious sixpenny weeklies will sit on its head.
”
”
Virginia Woolf (Jacob's Room)
“
I knew it was too late. I knew she was dead. I knew it for sure because the pull was gone. I didn't feel any reason to be here beside her. She wasn't here anymore. So this body had no more draw for me. The senseless need to be near her had vanished. Or maybe moved was the better word. It seemed like I felt the pull from the opposite direction now. From down the stairs, out the door. The longing to get away from here and never, ever come back.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
I admit that the black man is inferior. But what is it that makes him so? It is the ignorance in which white men compel him to live; it is the torturing whip that lashes manhood out of him; it is the fierce bloodhounds of the South, and the scarcely less cruel human bloodhounds of the north, who enforce the Fugitive Slave Law. They do the work. Southern
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
I was twenty-one years in that cage of obscene birds. I can testify, from my own experience and observation, that slavery is a curse to the whites as well as to the blacks. It makes the white fathers cruel and sensual; the sons violent and licentious; it contaminates the daughters, and makes the wives wretched. And as for the colored race, it needs an abler pen than mine to describe the extremity of their sufferings, the depth of their degradation.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
I knew the houses were to be searched; and I expected it would be done by country bullies and the poor whites. I expected I knew nothing annoyed them so much as to see colored people living in comfort and respectability; so I made arrangements for them with especial care....
It was a grand opportunity for the low whites, who had no negroes of their own to scourge. They exulted in such a chance to exercise a little brief authority, and show their subserviency to the slaveholders; not reflecting that the power which trampled on the colored people also kept themselves in poverty, ignorance, and moral degradation.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Now I stand on the knoll before the grave of Jacob Kahn, the cypress tall against the blue morning sky and the wind warm on my face. It is the only sense left me, I hear him say. There are colors in the wind, Asher Lev. Find your demons again and return to your work. Colors wait for you in the wind. Things were too comfortable for you. An artist needs a broken world in order to have pieces to shape into art. Isn't that right, Asher Lev? Comfort is death to art. Asher Lev, artist. Asher Lev, troubler. Asher Lev, my future. His voice weaves through the wind, and I add to it the words of the psalmist, " 'Protect me, O God, for I seek refuge in You. I say to the Lord, Your are my benefactor; there is no one above You....' " The wind is red and black in the trembling cypress.
”
”
Chaim Potok (The Gift of Asher Lev)
“
Could you have seen that mother clinging to her child, when they fastened the irons upon his wrists; could you have heard her heart-rending groans, and seen her bloodshot eyes wander wildly from face to face, vainly pleading for mercy; could you have witnessed that scene as I saw it, you would exclaim, Slavery is damnable!
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Notwithstanding my grandmother's long and faithful service to her owners, not one of her children escaped the auction block. These God-breathing machines are no more, in the sight of their masters, than the cotton they plant, or the horses they tend.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
I was born in the US and l have lived in Mexico since 1946. I believe that all these states of being have influenced my work and made it what you see today. I am inspired by Black people and Mexican people, my two peoples. My art speaks for both my peoples
”
”
Elizabeth Catlett (Elizabeth Catlett: An American Artist in Mexico (Jacob Lawrence Series on American Artists xx))
“
Being in servitude to the Anglo-Saxon race, I was not put into a "Jim Crow car," on our way to Rockaway, neither was I invited to ride through the streets on the top of trunks in a truck; but every where I found the same manifestations of that cruel prejudice, which so discourages the feelings, and represses the energies of the colored people.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
I thought I should be allowed to go to my father's house the next morning, but I was ordered to go for flowers, that my mistress's house might be decorated for an evening party. I spent the day gathering flowers and weaving them into festoons, while the dead body of my father was lying within a mile of me. What cared my owners for that? he was merely a piece of property.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
I once two beautiful children playing together. One was a fair white child; the other was her slave, and also her sister. When I saw them embracing each other, and heard their joyous laughter, I turned sadly away from the lovely sight. I foresaw the inevitable blight that would follow on the little slave's heart. I knew how soon her laughter would be changed to sighs. The fair child grew up to be a still fairer woman. From childhood to womanhood her pathway was blooming with flowers, and overarched by a sunny sky. Scarcely one day of her life had been clouded when the sun rose on her happy bridal morning.
How had those years dealt with her slave sister, the little playmate of her childhood? She, also, was very beautiful; but the flowers and sunshine of love were not for her. She drank the cup of sin, and shame, and misery, whereof her persecuted race are compelled to drink.
In view of these things, why are ye silent, ye free men and women of the north? Why do your tongues falter in maintenance of the right? Would that I had more ability! But my heart is so full, and my pen is so weak! There are noble men and women who plead for us, striving to help those who cannot help themselves. God bless them! God give them strength and courage to go on! God bless those, every where, who are laboring to advance the cause of humanity!
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Pity me, and pardon me, O virtuous reader! You never knew what it is to be a slave; to be entirely unprotected by law or custom; to have the laws reduce you to the condition of a chattel, entirely subject to the will of another. You never exhausted your ingenuity in avoiding the snares, and eluding the power of a hated tyrant; you never shuddered at the sound of his footsteps, and trembled within hearing of his voice. I know I did wrong. No one can feel it more sensibly than I do. The painful and humiliating memory will haunt me to my dying day. Still, in looking back, calmly, on the events of my life, I feel that the slave woman ought not to be judged by the same standard as others.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
No pen can give an adequate description of the all-pervading corruption produced by slavery. The slave girl is reared in an atmosphere of licentiousness and fear. The lash and the foul talk of her master and his sons are her teachers. When she is fourteen or fifteen, her owner, or his sons, or the overseer, or perhaps all of them, begin to bribe her with presents. If these fail to accomplish their purpose, she is whipped or starved into submission to their will. She may have had religious principles inculcated by some pious mother or grandmother, or some good mistress; she may have a lover, whose good opinion and peace of mind are dear to her heart; or the profligate men who have power over her may be exceedingly odious to her. But resistance is futile.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
I have myself seen the master of such a household whose head was bowed down in shame; for it was known in the neighborhood that his daughter had selected one of the meanest slaves on his plantation to be the father of his first grandchild. She did not make her advances to her equals, nor even to her father’s more intelligent servants. She selected the most brutalized, over whom her authority could be exercised with less fear of exposure. Her father, half frantic with rage, sought to revenge himself on the offending black man; but his daughter, foreseeing the storm that would arise, had given him free papers, and sent him out of the state.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
There I sat, in that great city, guiltless of crime, yet not daring to worship God in any of the churches. I heard the bells ringing for afternoon service, and, with contemptuous sarcasm, I said, "Will the preachers take for their text, 'Proclaim liberty to the captive, and the opening of prison doors to them that are bound'? or will they preach from the text, 'Do unto others as ye would they should do unto you'?" Oppressed Poles and Hungarians could find a safe refuge in that city; John Mitchell was free to proclaim in the City Hall his desire for "a plantation well stocked with slaves;" but there I sat, an oppressed American, not daring to show my face. God forgive the black and bitter thoughts I indulged on that Sabbath day! The Scripture says, "Oppression makes even a wise man mad;" and I was not wise.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Fine. I understand,” she said with a little shrug, turning her head slightly so he couldn’t see her eyes. “If it’s really that important to you, I’ll go have sex with a human male first. Then I’ll know what I’m talking about before I broach the matter with you again.”
Jacob felt the statement the same way he had felt the blast of Elijah’s intervention the first night he had touched her. It slammed into him with breathtaking brutality, destroying his sense of direction and balance. Rage surged through him, turning his eyes into glistening black voids. The idea of another man touching that precious skin, kissing her sweet, delicious mouth, was more than he could stand. What she was suggesting this time was too much. Beyond too much.
“Over my dead body . . . over my obliterated soul will I ever allow such a thing.” The declaration was a cross between a growl and a soft roar. Bella could see him shaking from head to toe, could feel it vibrating through the door behind her. In all of an instant, the cool, sophisticated Jacob disappeared and a possessive beast reared its head in his place.
Now that’s more like it, Isabella mused, with a mental smile.
“But”—she blinked her wide eyes up at him in all innocence—“you just said—“
“I said forget it, Isabella!” the Enforcer exploded, the pressure of his hands on the door at her back making the wood pop and creak ominously. “No one is going to touch you, do you understand?
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
Now, tell me again why I’m freezing my ass off in the middle of the woods?”
Legna chuckled.
“Because it is tradition. Your mate must find you and then carry you to the altar. Seeking you out is symbolic of his desire to let nothing come between you. Bringing you to the altar is a reflection of how it is his duty to help you over obstacles so that you may reach moments of joy together.”
“It’s very romantic,” Isabella said, “if a little chauvinistic.”
“Not in the least. The sharing of responsibility within a joining is symbolized just as strongly. The bride must tie the handfasting ribbon around her mate’s wrist. The white ribbon symbolizes honesty and love and fidelity, and by allowing himself to be so tied means the groom must provide for her at all times, as she will provide for him. The black is a promise that they will forever do all in their power to protect their union, their children, and the perpetuation of the essentials of our culture.”
“But you’ve tied a red ribbon to the end of the black, Legna. What does thatmean?”
“Actually”—the Demon woman smiled—“there is no precedent for the red ribbon. However, I felt it only fair to have a physical reminder that you have a culture of your own and will have just as much right to perpetuate that within your children as Jacob does.”
“Legna,” Isabella giggled, giving her an admonishing look, “that is positively rebellious and feminist of you.”
“I never claimed to be an old-fashioned girl,” Legna confided with a wink.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
Some poor creatures have been so brutalized by the lash that they will sneak out of the way to give their masters free access to their wives and daughters. Do you think this proves the black man to belong to an inferior order of beings? What would you be, if you had been born and brought up a slave, with generations of slaves for ancestors? I admit that the black man is inferior. But what is it that makes him so? It is the ignorance in which white men compel him to live; it is the torturing whip that lashes manhood out of him; it is the fierce bloodhounds of the South, and the scarcely less cruel human bloodhounds of the north, who enforce the Fugitive Slave Law. They do the work.
Southern gentlemen indulge in the most contemptuous expressions about the Yankees, while they, on their part, consent to do the vilest work for them, such as the ferocious bloodhounds and the despised negro-hunters are employed to do at home. When southerners go to the north, they are proud to do them honor; but the northern man is not welcome south of Mason Dixon's line, unless he suppresses every thought and feeling at variance with their "peculiar institution." Nor is it enough to be silent. The masters are not pleased, unless they obtain a greater degree of subservience than that; and they are generally accommodated. Do they respect the northerner for this? I trow not. Even the slaves despise "a northern man with southern principles;" and that is the class they generally see. When northerners go to the south to reside, they prove very apt scholars. They soon imbibe the sentiments and disposition of their neighbors, and generally go beyond their teachers. Of the two, they are proverbially the hardest masters.
”
”
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
“
Valentine’s concept of introversion includes traits that contemporary psychology would classify as openness to experience (“thinker, dreamer”), conscientiousness (“idealist”), and neuroticism (“shy individual”).
A long line of poets, scientists, and philosophers have also tended to group these traits together. All the way back in Genesis, the earliest book of the Bible, we had cerebral Jacob (a “quiet man dwelling in tents” who later becomes “Israel,” meaning one who wrestles inwardly with God) squaring off in sibling rivalry with his brother, the swashbuckling Esau (a “skillful hunter” and “man of the field”). In classical antiquity, the physicians Hippocrates and Galen famously proposed that our temperaments—and destinies—were a function of our bodily fluids, with extra blood and “yellow bile” making us sanguine or choleric (stable or neurotic extroversion), and an excess of phlegm and “black bile” making us calm or melancholic (stable or neurotic introversion). Aristotle noted that the melancholic temperament was associated with eminence in philosophy, poetry, and the arts (today we might classify this as opennessto experience). The seventeenth-century English poet John Milton wrote Il Penseroso (“The Thinker”) and L’Allegro (“The Merry One”), comparing “the happy person” who frolics in the countryside and revels in the city with “the thoughtful person” who walks meditatively through the nighttime woods and studies in a “lonely Towr.” (Again, today the description of Il Penseroso would apply not only to introversion but also to openness to experience and neuroticism.) The nineteenth-century German philosopher Schopenhauer contrasted “good-spirited” people (energetic, active, and easily bored) with his preferred type, “intelligent people” (sensitive, imaginative, and melancholic). “Mark this well, ye proud men of action!” declared his countryman Heinrich Heine. “Ye are, after all, nothing but unconscious instruments of the men of thought.”
Because of this definitional complexity, I originally planned to invent my own terms for these constellations of traits. I decided against this, again for cultural reasons: the words introvert and extrovert have the advantage of being well known and highly evocative. Every time I uttered them at a dinner party or to a seatmate on an airplane, they elicited a torrent of confessions and reflections. For similar reasons, I’ve used the layperson’s spelling of extrovert rather than the extravert one finds throughout the research literature.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately.
“Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?”
“I was at prayer,” Elizabeth said, managing to look him straight in the eye.
Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen.
Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?”
Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.”
Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.”
“My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.”
“Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years.
“I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.”
Elizabeth gave him an innocent stare. “This is all I brought.”
“All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.”
“They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer.
“Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?”
Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided.
All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?”
“The mortal remains of Saint Jacob.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Next week is Beltane,” she reminded him. “Do you suppose we will make it through the wedding this time?”
“Not if Gideon says you cannot get out of this bed,” he countered sternly.
“Absolutely not!” she burst out, making him wince and cover the ear she’d been too close to. She immediately regretted her thoughtlessness, making a sad sound before reaching to kiss the ear she had offended with quiet gentleness.
Jacob extricated himself from her hold enough to allow himself to turn and face her.
“Okay, explain what you meant,” he said gently.
“I refuse to wait another six months. We are getting married on Beltane, come hell or . . . necromancers . . . or . . . the creature from the Black Lagoon. There is no way Corrine is going to be allowed to get married without me getting married, too. I refuse to listen to her calling me the family hussy for the rest of the year.”
“What does it matter what she says?” Jacob sighed as he reached to touch the soft contours of her face. “You and I are bonded in a way that transcends marriage already. Is that not what is important?”
“No. What’s important is the fact that I am going to murder the sister I love if she doesn’t quit. And she will not quit until I shut her up either with a marriage or a murder weapon. Understand?”
Clearly, by his expression, Jacob did not understand.
“Thank Destiny all I have is a brother,” he said dryly. “I have been inundated with people tied into knots over one sister or another for the past weeks.”
“You mean Legna. Listen, it’s not her fault if everyone has their shorts in a twist because of who her Imprinted mate is! Frankly, I think she and Gideon make a fabulous couple. Granted, a little too gorgeously ‘King and Queen of the Prom’ perfect for human eyes to bear looking at for long, but fabulous just the same.”
Jacob blinked in confusion as he tried to decipher his fiancée’s statement. Even after all these months, she still came out with unique phraseologies that totally escaped his more classic comprehension of the English language. But he had gotten used to just shrugging his confusion off, blaming it on the fact that English wasn’t his first, second, or third language, so it was to be expected.
“Anyway,” she went on, “Noah and Hannah need to chill. You saw Legna when she came to visit yesterday. If a woman could glow, she was as good as radioactive.” She smiled sweetly at him. “That means,” she explained, “that she looks as brilliantly happy as you make me feel.”
“I see,” he chuckled. “Thank you for the translation.”
He reached his arms around her, drawing her body up to his as close as he could considering the small matter of a fetal obstacle. He kissed her inviting mouth until she was breathless and glowing herself.
“I thought I would be kind to you,” she explained with a laugh against his mouth.
“You, my love, are all heart.”
“And you are all pervert. Jacob!” She laughed as she swatted one of his hands away from intimate places, only to be shanghaied by another. “What would Gideon say?”
“He better not say anything, because if he did that would mean he was in here while you are naked. And that, little flower, would probably cost him his vocal chords in any event.”
“Oh. Well . . . when you put it that way . . .
”
”
Jacquelyn Frank (Gideon (Nightwalkers, #2))
“
INT. KAMA’S HIDEOUT—EVENING
The interior of KAMA’S hideout is pitch black. The sound of water dripping. A brief shaft of sunlight reveals TINA, sleeping lightly on the floor in her coat.
NEWT: Tina?
She wakes. A moment as NEWT and TINA stare at each other. Each has thought of the other daily for a year. With no sign of KAMA, it seems she has been rescued.
TINA (joyful, disbelieving): Newt!
TINA notices KAMA entering in the background and raising his wand. Her expression changes.
KAMA: Expelliarmus!
NEWT’S wand flies out of his hand into KAMA’S. Bars form across the door, imprisoning them.
KAMA (through the door): My apologies, Mr. Scamander! I shall return and release you when Credence is dead!
TINA: Kama, wait!
KAMA: You see, either he dies . . . or I do.
He claps a hand to his eye.
KAMA: No, no, no, no. Oh no. No, no, no.
He jerks convulsively and slides to the floor, unconscious.
NEWT: Well, that’s not the best start to a rescue attempt.
TINA: This was a rescue attempt? You’ve just lost me my only lead.
JACOB launches for the door, trying to break it down.
NEWT (innocent): Well, how was the interrogation going before we turned up?
TINA throws him a dark look. She strides to the back of the cave.
Pickett, who, unnoticed, has hopped out of NEWT’S pocket, successfully picks the lock, and the bars swing open.
JACOB: Newt!
NEWT: Well done, Pick.
(to TINA) You need this man, you say?
TINA: Yeah. I think this man knows where Credence is, Mr. Scamander.
As they bend over the unconscious KAMA, they hear an earth-shattering roar from somewhere above them. They look at each other.
NEWT: Well, that’ll be the Zouwu.
NEWT grabs his wand and Disapparates.
”
”
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
“
What, may I ask, does your one truck contain if not gowns?”
Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided.
All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?”
“The mortal remains of Saint Jacob.”
Lady Eloise and Lady Mortand screamed in unison, Sir William choked on his wine, and Sir Francis gaped at her in horror, but Elizabeth wasn’t quite finished. She saved the coup de grace until the meal was over. As soon as everyone arose she insisted they sit back down so a proper prayer of gratitude could be said. Raising her hands heavenward, Elizabeth turned a simple grace into a stinging tirade against the sins of lust and promiscuity that rose to crescendo as she called down the vengeance of doomsday on all transgressors and culminated in a terrifyingly lurid description of the terrors that awaited all who strayed down the path of lechery-terrors that combined dragon lore with mythology, a smattering of religion, and a liberal dash of her own vivid imagination. When it was done Elizabeth dropped her eyes, praying in earnest that tonight would loose her from her predicament. There was no more she could do; she’d played out her hand with all her might; she’d given it her all.
It was enough. After supper Sir Francis escorted her to her chamber and, with a poor attempt at regret, announced that he greatly feared they wouldn’t suit. Not at all.
Elizabeth and Berta departed at dawn the following morning, an hour before Sir Francis’s servants stirred themselves. Clad in a dressing robe, Sir Francis watched from his bedchamber window as Elizabeth’s coachman helped her into her conveyance. He was about to turn away when a sudden gust of wind caught Elizabeth’s black gown, exposing a long and exceptionally shapely leg to Sir Francis’s riveted gaze. He was still staring at the coach as it circled the drive; through its open window he saw Elizabeth laugh and reach up, unpinning her hair. Clouds of golden tresses whipped about the open window, obscuring her face, and Sir Francis thoughtfully wet his lips.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))