Jacks Fitness Quotes

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If you feel like you don't fit into the world you inherited it is because you were born to help create a new one.
Ross Caligiuri (Dreaming in the Shadows)
But they need to worry and betray time with urgencies false and otherwise, purely anxious and whiny, their souls really won't be at peace unless they can latch to an established and proven worry and having once found it they assume facial expressions to fit and go with it, which is, you see, unhappiness, and all the time it all flies by them and they know it and that too worries them no end.
Jack Kerouac (On the Road)
Jack Peyton is HOT!" someone from the audience yelled. "Toby Klein is HOTTER" a male voice argued, and I almost went into an epileptic fit of disgust at both the words and the tone. "Now, now," Jack said, raising his hands. "Don't be ridiculous. Mr. Corkin is clearly the hottest
Jennifer Lynn Barnes (Killer Spirit (The Squad, #2))
The first theft marked Buck as fit to survive in the hostile Northland environment. It marked his adaptability, his capacity to adjust himself to changing conditions, the lack of which would have meant swift and terrible death. It marked, further, the decay or going to pieces of his moral nature, a vain thing and a handicap in the ruthless struggle for existence.
Jack London (The Call of the Wild)
Goody Two-shoes Evie Greene got herself pickled, for true. If I'd known you were such a juvenile delinquent, I might've asked for a new history podna." "Juvenile delinquent? Hmm. Aren't your initials J.D.? If the shoe fits...
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
There were only the two of us left standing in a star-filled sky oblivious to anything but the way our bodies fit together like constellations. He was my match in all ways.
Kerri Maniscalco (Hunting Prince Dracula (Stalking Jack the Ripper, #2))
Just as it did in the nineteenth century, the notion that the victims were 'only prostitutes' seeks to perpetuate the belief that there are good women and bad women; madonnas and whores. It suggests that there is an acceptable standard of female behaviour and those that deviate from it are fit to be punished. Equally, it assists in reasserting the double standard , exonerating men from wrongs committed against such women. These attitudes may not feel as prevalent as they were in 1888, but they persist - not proffered in general conversation... but, rather integrated subtly into the fabric of our social norms.
Hallie Rubenhold (The Five: The Lives of Jack the Ripper's Women)
Then Jack takes me in his arms, and although I am still distraught, I cannot help but notice how well I fit in them, my head perfectly right for the crook of his neck.
Alex Flinn (A Kiss in Time)
If intelligence and capability are not criteria for the possession of rights, why would animals -who have the capacity to feel fear and pain- be excluded from our moral consideration?
Jack Norris (Vegan for Life: Everything You Need to Know to Be Healthy and Fit on a Plant-Based Diet)
Fairy tales begin with conflict because we all begin our lives with conflict. We are all misfit for the world, and somehow we must fit in, fit in with other people, and thus we must invent or find the means through communication to satisfy as well as resolve conflicting desires and instincts.
Jack D. Zipes (The Irresistible Fairy Tale: The Cultural and Social History of a Genre)
Now you just dig them in front. They have worries, they’re counting the miles, they are thinking about where to sleep tonight, how much money for gas, the weather, how they’ll get there- and all the time they’ll get there any way, you see. But they need to worry and betray time with urgencies false and otherwise, purely anxious and whiny, their souls really won’t be at peace unless they can latch on to an established and proven worry and having once found it they assume facial expressions to fit and go with it, which is, you see, unhappiness, and all the time it all flies by them and they know it and that too worries them no end
Jack Kerouac
Anecdotally his fitness reports rated him well above average in the classroom, excellent in the field, fluently bilingual in English and French, passable in Spanish, outstanding on all man-portable weaponry, and beyond outstanding at hand-to-hand combat. Susan knew what that last rating meant. Like having a running chainsaw thrown at you
Lee Child (61 Hours (Jack Reacher, #14))
Now it happens that I am a fluid sort of an organism, with sufficient kinship with life to fit myself in 'most anywhere.
Jack London (The Road)
It was like the imminent arrival of Gargantuan preparations had to be made to widen the gutters of Denver and foreshorten certain laws to fit his suffering bulk and bursting ecstasies.
Jack Kerouac (On the Road)
You entered, Abrupt like “Take it!”, Mauling suede gloves, you tarried, And said: “You know,- I’m soon getting married.” Get married then. It’s all right, I can handle it. You see - I’m calm, of course! Like the pulse Of a corpse. Remember? You used to say: “Jack London, Money, Love and ardour,”-- I saw one thing only: You were La Gioconda, Which had to be stolen! And someone stole you. Again in love, I shall start gambling, With fire illuminating the arch of my eyebrows. And why not? Sometimes, the homeless ramblers Will seek to find shelter in a burnt down house! You’re mocking me? “You’ve fewer emeralds of madness than a beggar kopecks, there’s no disproving this!” But remember Pompeii came to end thus When somebody teased Vesuvius! Hey! Gentlemen! You care for Sacrilege, Crime And war. But have you seen The frightening terror Of my face When It’s Perfectly calm? And I feel- “I” Is too small to fit me. Someone inside me is getting smothered.
Vladimir Mayakovsky
There are species that can run faster, climb higher, dig deeper, or hit harder, but humans are special because we can run, climb, dig, and hit. The phrase jack of all trades, master of none fits us perfectly. If life on earth were like the Olympic Games, the only event that humans would ever win is the decathlon. (Unless chess became an Olympic sport.)
Nathan H. Lents (Human Errors: A Panorama of Our Glitches, from Pointless Bones to Broken Genes)
God does not choose those who are fit. He outfits those whom He chooses.
Jack Hyles
Sometimes I doubt that anyone with a philosophical turn of mind is fit to judge anyone. He never comprehends the concept of guilt.
Jack Henry Abbott (In the Belly of the Beast: Letters From Prison)
The heart never fits the journey. Always one ends first.
Jack Gilbert (Collected Poems)
I checked my appearance, to make sure I was fit for public consumption.
Lee Child (Personal (Jack Reacher, #19))
Jack complained “I could really go for some bubble and squeak or some bangers. Do you kids think you could cook up some steak-and-kidney pie for me?” The girls stared “I hear noises coming from his mouth but they don’t sound like words,” Daphne said. “Maybe he is having some kind of fit” Sabrina said.
Michael Buckley (The Fairy-Tale Detectives (The Sisters Grimm, #1))
Jack was the only person she knew with an imagination, at least a real one. The only tea parties he’d have were ones in Wonderland, or the Arctic, or in the darkest reaches of space. He was the only person who saw things for what they could be instead of just what they were. He saw what lived beyond the edges of the things your eyes took in. And though they eventually grew out of Wonderland Arctic space-people tea parties, that essential thing remained the same. Hazel fit with Jack.
Anne Ursu (Breadcrumbs)
The fusty showman fumbles, must Fit in a particle of dust The universe, for fear it gain Its freedom from my cube of brain. Yet dust bears seeds that grow to grace Behind my crude-striped wooden face As I, a puppet tinsel-pink Leap on my springs, learn how to think— Till like the trembling golden stalk Of some long-petalled star, I walk Through the dark heavens, and the dew Falls on my eyes and sense thrills through.
Edith Sitwell
I'm not blond or super fit or perfect. Not romantic, not "an individual," and definitely not a genius. So what am I? I'll tell you what : a bridesmaid.
Tamara Summers (Save the Date)
This first theft marked Buck as fit to survive in the hostile Northland environment. It marked his adaptability, his capacity to adjust himself to changing conditions, the lack of which would have meant swift and terrible death. It marked, further, the decay or going to pieces of his moral nature, a vain thing and a handicap in the ruthless struggle for existence.
Jack London (The Call of the Wild)
DUMBLEDORE: No. I was protecting you. I did not want to hurt you . . . DUMBLEDORE attempts to reach out of the portrait — but he can’t. He begins to cry but tries to hide it. But I had to meet you in the end . . . eleven years old, and you were so brave. So good. You walked uncomplainingly along the path that had been laid at your feet. Of course I loved you . . . and I knew that it would happen all over again . . . that where I loved, I would cause irreparable damage. I am no fit person to love . . . I have never loved without causing harm. A beat. HARRY: You would have hurt me less if you had told me this then. DUMBLEDORE (openly weeping now): I was blind. That is what love does. I couldn’t see that you needed to hear that this closed-up, tricky, dangerous old man . . . loved you. A pause. The two men are overcome with emotion. HARRY: It isn’t true that I never complained. DUMBLEDORE: Harry, there is never a perfect answer in this messy, emotional world. Perfection is beyond the reach of humankind, beyond the reach of magic. In every shining moment of happiness is that drop of poison: the knowledge that pain will come again. Be honest to those you love, show your pain. To suffer is as human as to breathe.
Jack Thorne (Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8))
The Brinktown jail is one of the most ingenious ever propounded by civic authorities. It must be remembered that Brinktown occupies the surface of a volcanic butte, overlooking a trackless jungle of quagmire, thorn, eel-vine skiver tussock. A single road leads from city down to jungle; the prisoner is merely locked out of the city. Escape is at his option; he may flee as far through the jungle as he sees fit: the entire continent is at his disposal. But no prisoner ever ventures far from the gate; and, when his presence is required, it is only necessary to unlock the gate and call his name.
Jack Vance (The Star King (Demon Princes, #1))
But the kid could think, too. He wasn’t academic like Joe, but he was practical. His IQ was probably about the same, but it was a get-the-job-done type of street smart IQ, not any kind of for-the-sake-of-it cerebral indulgence. Reacher liked facts, for sure, and information too, but not theory. He was a real-world character. Stan had no idea what the future held for the guy. No idea at all, except he was going to be too big to fit inside a tank or an airplane cockpit. So it was going to have to be something else.
Lee Child (Second Son (Jack Reacher, #0.1))
Ren crossed his arms over his chest. "is it LoJacked?" "Of course," Andy said indignantly. "That's my baby. I even have a kill switch on her." "Then stop the engine." Andy appeared downright horrified by Ren's suggestion. "Are you out of your mind? What if someone hits it for stalling? I had that thing on order for over a year. Custom hand built. The epitome of German engineering. I even paid extra for the paint on her. Ain't no way I'm going to chance someone denting my baby. Or, God forbid, totaling it." Jess rolled his eyes at the boy's hissy fit. If he kept that up, he'd be putting Andy back in diapers. He turned to Ren. "You take the air. I'll get a bike." Then he focused his attention on Andy again. "And you-" Andy held his cell phone out to him. "Have an app. Track her down, get my car back, and beat the hell out of her...in that precise order.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
The lonesome dark. That's what Jack called a night like this. When you were distanced from everything and everybody. Out on your own and there was nobody to care if you were happy or sad. If you lived or died. The lonesome dark hadn't existed in the old days. That was something people invented. Like time. Parcel up the days, parcel up the seasons. Add a minute here, a day there when it doesn't quite fit. Trim the square peg so that you could slide it into the round hole. In the old days the night was as open as the day. It wasn't a better place to hide because there was nothing to hide from. You weren't outside because there was no in.
Charles de Lint (Someplace to Be Flying (Newford, #5))
And after a refreshing sleep filled with cobwebby dreams of my past life in the East I got up, washed in the station men’s room, and strode off, fit and slick as a fiddle, and got me a rich thick milkshake at the roadhouse to put some freeze in my hot, tormented stomach.
Jack Kerouac (On the Road)
She had six months at most left to live. She had cancer, she hissed. A filthy growth eating her insides away. There was an operation, she'd been told. They took half your stomach out and fitted you up with a plastic bag. Better a semicolon than a full stop, some might say.
Helen Hodgman (Blue Skies And Jack And Jill)
khan’s mobile unit of doctors and pharmacists served him a tea made from orange peel, kudzu flowers, ginseng, sandalwood, and cardamom. Sipped on an empty stomach, the tea was guaranteed to overcome a hangover and make the khan fit for another day of hunting, eating, and drinking.
Jack Weatherford (Genghis Khan and the Making of the Modern World)
She took a puff, put the cigarette in the ashtray and stared at it. Without looking up, she said, But do you believe in love, Mr Evans? She rolled the cigarette end around in the ash tray. Do you? Outside, he thought, beyond this mountain and its snow, there was a world of countless millions of people. He could see them in their cities, in the heat and the light. And he could see this house, so remote and isolated, so far away, and he had a feeling that it once must have seemed to her and Jack, if only for a short time, like the universe with the two of them at its centre. And for a moment he was at the King of Cornwall with Amy in the room they thought of as theirs—with the sea and the sun and the shadows, with the white paint flaking off the French doors and with their rusty lock, with the breezes late of an afternoon and of a night the sound of the waves breaking—and he remembered how that too had once seemed the centre of the universe. I don’t, she said. No, I don’t. It’s too small a word, don’t you think, Mr Evans? I have a friend in Fern Tree who teaches piano. Very musical, she is. I’m tone-deaf myself. But one day she was telling me how every room has a note. You just have to find it. She started warbling away, up and down. And suddenly one note came back to us, just bounced back off the walls and rose from the floor and filled the place with this perfect hum. This beautiful sound. Like you’ve thrown a plum and an orchard comes back at you. You wouldn’t believe it, Mr Evans. These two completely different things, a note and a room, finding each other. It sounded … right. Am I being ridiculous? Do you think that’s what we mean by love, Mr Evans? The note that comes back to you? That finds you even when you don’t want to be found? That one day you find someone, and everything they are comes back to you in a strange way that hums? That fits. That’s beautiful. I’m not explaining myself at all well, am I? she said. I’m not very good with words. But that’s what we were. Jack and me. We didn’t really know each other. I’m not sure if I liked everything about him. I suppose some things about me annoyed him. But I was that room and he was that note and now he’s gone. And everything is silent.
Richard Flanagan (The Narrow Road to the Deep North)
inquiry of Jack Cardigan: ‘What’s the use of keepin’ fit?’ or, more simply, to the fact that he was a foreigner, or alien as it was now called.
John Galsworthy (The Forsyte Saga (The Forsyte Chronicles, #1-3))
she was so upset by the report of the murder that she retired to her kitchen and fell down in a fit. After briefly regaining consciousness two days later she died on Wednesday 12th.
Philip Sugden (The Complete History Of Jack The Ripper)
You had the privilege of carrying the prince a ways, and that's that. Whatever we see fit to give you in recompense, be it a coin or a kick in the teeth, you'll take it and be grateful.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
[Lizzie Bennington to a reporter who has asked for her opinion about Jack Archer's celebrated thighs.] “When you come back from a set down and bring the match to a final set tiebreak and are a point away from winning the match, only to have what looks like an extremely fit player call a time out because of a cramp and then watch that player sit back and casually converse and laugh while you do your best to keep your mental focus and your body moving so you don’t grow cold and cramp yourself, I hardly think you’d concern yourself with his burgeoning manhood, let alone his thighs!
A.G. Starling (It's a Love Game)
There are species that can run faster, climb higher, dig deeper, or hit harder, but humans are special because we can run, climb, dig, and hit. The phrase jack of all trades, master of none fits us perfectly.
Nathan H. Lents (Human Errors: A Panorama of Our Glitches, from Pointless Bones to Broken Genes)
Now you just dig them in front. They have worries, they're counting the miles, they're thinking about where to sleep tonight, how much money for gas, the weather, how they'll get there-and all the time they'll get there anyway, you see. But they need to worry and betray time with urgencies false and otherwise, purely anxious and whiny, their souls really won't be at peace unless they can latch on to an established and proven worry and having once found it they assume facial expressions to fit and go with it, which is, you see, unhappiness, and all the time it all flies by them and they know it and that too worries them no end. Listen! Listen!
Jack Kerouac (On the Road)
This first theft marked Buck as fit to survive in the hostile Northland environment. It marked his adaptability, his capacity to adjust himself to changing conditions, the lack of which would have meant swift and terrible death. It marked, further, the decay or going to pieces of his moral nature, a vain thing and a handicap in the ruthless struggle for existence. It was all well enough in the Southland, under the law of love and fellowship, to respect private property and personal feelings; but in the Northland, under the law of club and fang, whoso took such things into account was a fool, and in so far as he observed them he would fail to prosper.
Jack London (The Call of the Wild)
When they turned off, it was still early in the pink and green fields. The fumes of morning, sweet and bitter, sprang up where they walked. The insects ticked softly, their strength in reserve; butterflies chopped the air, going to the east, and the birds flew carelessly and sang by fits. They went down again and soon the smell of the river spread over the woods, cool and secret. Every step they took among the great walls of vines and among the passion-flowers started up a little life, a little flight. 'We’re walking along in the changing-time,' said Doc. 'Any day now the change will come. It’s going to turn from hot to cold, and we can kill the hog that’s ripe and have fresh meat to eat. Come one of these nights and we can wander down here and tree a nice possum. Old Jack Frost will be pinching things up. Old Mr. Winter will be standing in the door. Hickory tree there will be yellow. Sweet-gum red, hickory yellow, dogwood red, sycamore yellow.' He went along rapping the tree trunks with his knuckle. 'Magnolia and live-oak never die. Remember that. Persimmons will all get fit to eat, and the nuts will be dropping like rain all through the woods here. And run, little quail, run, for we’ll be after you too.' They went on and suddenly the woods opened upon light, and they had reached the river. Everyone stopped, but Doc talked on ahead as though nothing had happened. 'Only today,' he said, 'today, in October sun, it’s all gold—sky and tree and water. Everything just before it changes looks to be made of gold.' ("The Wide Net")
Eudora Welty (The Collected Stories)
Enough, Aunt Josephine," Jack said, cutting her off, ignoring the stubborn light in her eyes. Oh, she was a Tremont all right, and one of the "mad" Tremonts at that, but she was no longer in charge of this house. He was. And it was about time he took the reins of this manor and ran it as he saw fit. "There will be no next time," he told her. "But Jack, my dear boy--" He rose from Miranda's side. "There will be no next time. For any of you. I have had enough of seeing my friends, my family, let alone the woman I love risk life, limb, and for what?" He paced the room. "There will never be an end to this if something isn't done, so I am ending it. Here and now." "But Jack--" Miranda protested. He swung around on her. "And not a word from you. Do you think I want my wife risking her life on such an improper fashion?" "You love me?" she whispered. "Yes," he barked at her. She grinned up at him. "You want to marry me?" "Should have years ago." He paced back and forth. "I lost you once, Miranda, I shall not lose you again." He crossed his arms over his chest and glared at everyone in the room, daring them to defy him.
Elizabeth Boyle (This Rake of Mine (Bachelor Chronicles, #2))
Jack,” I said thoughtfully, “do you think of women as equals?” He fitted a support bar against the frame. “Yes.” “Do you ever let a woman pay for dinner?” “No.” “Is that why the room-service meal wasn’t on my hotel bill?” “I never let a woman pay for my food. I just said dinner was on you because I knew it was the only way you’d let me stay.” “If you think of women as equals, why didn’t you let me buy you dinner?” “Because I’m the man.” -Ella & Jack
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Paranoiac people suffer from megalomania, a need to dominate others, feelings of persecution, and a compulsion to falsify the past to fit their view of the world. Fascism, aggression, and anti-Semitism, then, were only symptoms of what ailed Nazi Germany.
Jack El-Hai (The Nazi and the Psychiatrist: Hermann Göring, Dr. Douglas M. Kelley, and a Fatal Meeting of Minds at the End of WWII)
The first part of being a good scientist was remaining open to studying all variables, even ones we don't necessarily understand. How little my mind would be if I dismissed a possibility without investigating it, simply because it didn't fit into a preconceived notion.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
The thing was,I knew exactly how I had survived.Mary had been on to something with her anchor theory,but she was a little unclear on the logistics. Jack told me he dreamed of me every night, and it was as if I were really there. I was in a dark place,and he helped me see. Now Jack was invading my dreams every night. Not a dream Jack,but the real thing. I know this because during one of the first dreams, he told me what the tattoo on his arm said. Ever Yours. The next morning,I rushed to draw the image from memory, and then I researched it. The symbols were artistic versions of ancient Sanskrit words.They stood for eternity and belonging. Ever Yours, just as Jack had said. There was no way my subconscious could have come up with that explanation on its own. I'd finally found the connection Meredith had longed for,the tether from an anchor that kept a Forfeit alive. They were bound together through their dreams,sustaining each other during sleep. When I was asleep,Jack would come to my bedroom and sit on the end of the mattress and face me.He came to me every night,talking about his uncle's cabin, the Christmas Dance, how my hair hides my eyes,how my hand fits in his, how he loves me.How he'll never leave. I spent the first few dreams saying "I'm sorry" over and over and over, until he threatened to stay away if I didn't stop.
Brodi Ashton (Everneath (Everneath, #1))
That explained a great many things he'd observed about Lilith Benton. No wonder she came near to throwing a blue fit every time he approached. He threatened to collapse the carefully respectablility she'd worked nonstop for six years to build. On the oter hand, he couldn't forget the way she'd responded to his kiss,, or the way she'd shivered at his light caresses. She liked being touched. She liked his touch. Jack gave a slight smile. Perhaps the angel secretly wondered what it would be like to be in the devil's embrace. The devil certainly wondered.
Suzanne Enoch (Stolen Kisses)
None of the guns we found at Charlie’s house fit those parameters. He had a couple twenty-twos under the couch cushion, a rifle, and two sawed-off shotguns. We have no idea if Joe owned any firearms since the house had been cleaned out.” Jack looked around the table. “Any comments?
C.M. Sutter (Greed (Amber Monroe Crime Thriller, #1))
We didn't know what to expect. "Where will he sleep? What's he going to eat? Are there any girls for him?" It was like the imminent arrival of Gargantua; preparations had to be made to widen the gutters of Denver and foreshorten certain laws to fit his suffering bulk and bursting exstasies.
Jack Kerouac (On the Road)
Plans are fucking useless because life will always jack that shit up. I speak from experience. Stop trying to force guys to fit your plans. Men are square pegs, and while they're all about the round hole, they're never going to stop being square. Either embrace the square or find a new one.
Kate Canterbary (Hard Pressed (Talbott's Cove, #2))
Now you just dig them in front. They have worries, they're counting the miles, they're thinking about where to sleep tonight, how much money for gas, the weather, how they'll get there - and all the time they'll get there anyway, you see. But they need to worry and betray time with urgencies false and otherwise, purely anxious and whiny, their souls really won't be at peace unless they can latch on to an established and proven worry and having once found it they assume facial expressions to fit and go with it, which is, you see, unhappiness, and all the time it all flies by them and they know it and that _too_ worries them no end.
Jack Kerouac (On the Road)
Could he have meant—hell, he must have meant the principle, that we were to affirm the principle on which the country was built and not the men, or at least not the men who did the violence. Did he mean say “yes” because he knew that the principle was greater than the men, greater than the numbers and the vicious power and all the methods used to corrupt its name? Did he mean to affirm the principle, which they themselves had dreamed into being out of the chaos and darkness of the feudal past, and which they had violated and compromised to the point of absurdity even in their own corrupt minds? Or did he mean that we had to take the responsibility for all of it, for the men as well as the principle, because we were the heirs who must use the principle because no other fitted our needs? Not for the power or for vindication, but because we, with the given circumstance of our origin, could only thus find transcendence? Was it that we of all, we, most of all, had to affirm the principle, the plan in whose name we had been brutalized and sacrificed—not because we would always be weak nor because we were afraid or opportunistic, but because we were older than they, in the sense of what it took to live in the world with others and because they had exhausted in us, some—not much, but some—of the human greed and smallness, yes, and the fear and superstition that had kept them running. (Oh, yes, they’re running too, running all over themselves.) Or was it, did he mean that we should affirm the principle because we, through no fault of our own, were linked to all the others in the loud, clamoring semi-visible world, that world seen only as a fertile field for exploitation by Jack and his kind, and with condescension by Norton and his, who were tired of being the mere pawns in the futile game of “making history”? Had he seen that for these too we had to say “yes” to the principle, lest they turn upon us to destroy both it and us?
Ralph Ellison (Invisible Man)
Jack was the kind of guy you could take into any situation and he would figure out how to fit in. Wayne, not so much. So they didn't really ever bond." "You know what we therapists say about people who fit in in every situation?" "What?" "They have no inherent genuine personality. They aren't themselves, they are only who they think the current audience expects them to be. Flawed though some of Wayne's actions may seem to you, at the end of the day he sounds like someone who isn't afraid to just be himself, all day, every day. That takes a fairly strong sense of self, to not go against your natural instincts, to not try to make yourself into something you aren't in order to be better liked or more homogenous." "I never thought about it that way." "Most people don't. But if you look at some of the truly great minds and artists of our history, they are often people who didn't necessarily fit, who were outside the norm. Some of them had actual disorders, many of the great minds are now presumed to have some level of Asperger's or low-level autistic tendencies, but a lot of them were just left of center." "Are you saying that Wayne is a secret genius? Do I have a Jobs or Spielberg or something on my hands?" "Of course not. I'm just saying that fitting in, or caring about fitting in, isn't necessarily in and of itself the world's most desirable trait.
Stacey Ballis (Out to Lunch)
Billie offers to dig the garbage pit but does so by digging a neat tiny coffinshaped grave instead of just a garbage hole—Even Dave Wain blinks to see it—It’s exactly the size fit for putting a little dead Elliott in it, Dave is thinking the same thing I am I can tell by a glance he gives me—We’ve all read Freud sufficiently to understand something there
Jack Kerouac (Big Sur)
She let him see the same in her. The hunger, the longing, the scars. The words she wrote but never sent. The shape of her soul that didn’t seem to fit anywhere. For once, she wasn’t afraid to surrender those pieces of herself, to let them twine with Jack. She let them all go because he was her home, her shelter. Her endless fire, burning through the dark.
Rebecca Ross (A Fire Endless (Elements of Cadence, #2))
You’re unhappy and you feel like a failure. PERFECT! Use that sad/angry/disappointed energy. Channel it into what you know, deep down in your heart, you love. Spend the next six months in a state of total obsession. Get up two hours earlier than usual and write before you go to work. Come home and exercise (not optional, sorry), then write for another hour. Read or watch the kind of comedy you love before bed. Don’t waste all your time socializing. Do a little socializing on weekends, but focus. Focus! Save your money. Research part-time work you could do for your company; use your slackness as a way to sell a new position where your boss would get your best from you every hour that you’re there. Pitch it as a win-win. Or pitch working from home half the time to cure your blahs and jack up your productivity. Then overproduce at work, but fit all of your work into a part-time schedule, and fill your prime working hours with writing/comedy. Almost any capable human with a not-that-taxing job can pull this off if they put their mind to it. If you’re a manager, investigate other roles or sell your boss on the fact that you’re managing via e-mail most of the time anyway.
Heather Havrilesky (How to Be a Person in the World: Ask Polly's Guide Through the Paradoxes of Modern Life)
Getting calcium from plants might seem a little strange in a society that is so focused on dairy foods as a source of calcium, but some research suggests that even omnivores get as much as 40 percent of their calcium from plant foods. While a strong dairy lobby has convinced many consumers that milk and other dairy foods are essential for a healthy diet, the ability to drink milk into adulthood is not the norm throughout the world. Normal development throughout most of the world involves a gradual loss of the enzyme needed to digest milk sugar after children are weaned from breast milk. We refer to the lack of this enzyme as “lactose intolerance.” But that’s definitely a western bias since this “intolerance” is not a lack or an abnormality; it’s part of normal human development in most people.
Jack Norris (Vegan for Life: Everything You Need to Know to Be Healthy and Fit on a Plant-Based Diet)
Hitherto, Jack had been too busy working up his crew to pay much attention to the education of his midshipmen, but he had looked at yesterday's slips and they, with a very suspicious unanimity, had shown the Sophie in 39°2I'N, which was fair enough, but also in a longitude that she could only have reached by cleaving the mountain-range behind Valencia to a depth of thirty-seven miles. 'What do you mean by sending me this nonsense?' he asked them. It was not really an answerable question; nor were many of the others that he propounded, and they did not, in fact, attempt to answer them; but they agreed that they were not there to amuse themselves, nor for their manly beauty, but rather to learn their professions; that their journals (which they fetched) were neither accurate, full, nor up to date, and that the ship's cat would have written them better; that they would for the future pay the greatest attention to Mr Marshall's observation and reckoning; that they would prick the chart daily with him; and that no man was fit to pass for a lieutenant, let alone bear any command ('May God forgive me,' said Jack, in an internal aside) who could not instantly tell the position of his ship to within a minute – nay, to within thirty seconds. Furthermore, they would show up their journals every Sunday, cleanly and legibly written.
Patrick O'Brian (Master & Commander (Aubrey & Maturin, #1))
Wendre had appealed to Horn as no woman ever had. She had a man’s mind and a woman’s heart. She was self-reliant, proud, courageous. She grasped the situation quickly, accepted the odds, and did what had to be done without complaining. This was no spoiled child of empire, no sheltered darling of an all-powerful father; this was a woman fit to stand and fight beside any barbarian from the restless marches, made for love and ready to battle for it.
Jack Williamson (Star Bridge)
The rise of the western crews may have shocked eastern fans, but it delighted newspaper editors across the country in the 1930s. The story fit in with a larger sports narrative that had fueled newspaper and newsreel sales since the rivalry between two boxers—a poor, part-Cherokee Coloradoan named Jack Dempsey and an easterner and ex-Marine named Gene Tunney—had riveted the nation’s attention in the 1920s. The East versus West rivalry carried over to football with the annual East-West Shrine Game and added interest every January to the Rose Bowl—then the nearest thing to a national collegiate football championship. And it was about to have additional life breathed into it when an oddly put together but spirited, rough-and-tumble racehorse named Seabiscuit would appear on the western horizon to challenge and defeat the racing establishment’s darling, the king of the eastern tracks, War Admiral.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Turjan closed the book, forcing the spell back into oblivion. He robed himself with a short blue cape, tucked a blade into his belt, fitted the amulet holding Laccodel’s Rune to his wrist. Then he sat down and from a journal chose the spells he would take with him. What dangers he might meet he could not know, so he selected three spells of general application: the Excellent Prismatic Spray, Phandaal’s Mantle of Stealth, and the Spell of the Slow Hour.
Jack Vance (Tales of the Dying Earth: The Dying Earth, The Eyes of the Overworld, Cugel's Saga, Rhialto the Marvellous)
Jackson plotted a four-step, fool-proof process. Step One: Confess the mercy killing first. Step Two: Wait for Ryn to acclimate to Jackson’s ability to take another’s life. Step Three: Make her fall so deep in love with him that not even the assassin confession could drive her away. Step Four: Be prepared to gently hold her in captivity until she snaps out of her inevitable conniption fit because realistically there is no way Step Three would ever fly.
Jewel E. Ann (Dawn of Forever (Jack & Jill, #3))
He had many formal qualifications. He was rated expert on all small arms. He had won an inter-service thousand-yard rifle competition with a record score. Anecdotally his fitness reports rated him well above average in the classroom, excellent in the field, fluently bilingual in English and French, passable in Spanish, outstanding on all man-portable weaponry, and beyond outstanding at hand-to-hand combat. Susan knew what that last rating meant. Like having a running chain saw thrown at you.
Lee Child (61 Hours (Jack Reacher, #14))
taking it,’ he said as he fumbled for his wallet to pay for the bottle. With that, he grabbed June’s hand and practically lifted her up. ‘Come on, we’re going.’ June had another fit of the giggles. It was the longest mile for Pope. The valet was surprised to see them again so soon. They got into the elevator, only to have to wait ‘til they got back to the room before he could rip the dress off her. With them in the elevator car were a Chinese couple and their six-year-old son. Pope used June as a human shield to hide his erection, but to get even, he kept rubbing his hardness against her backside. She desperately tried to stop laughing but failed miserably, causing the family to wonder what was so funny. Thank God for magnetic keys, because if he’d had to fumble with a traditional key to open the door, he was certain that they would just have to do it right there. The rest of the evening was consumed with passion that was fiery, unreserved, and delirious. ‘I can’t remember having
Jack O. Daniel (Scorched)
Have you had a look at Ruth’s purse?” Jack’s dad asked him, indicating Dr. von Rohr’s rather large handbag; it was too big to fit under her chair. “More like a suitcase, if you ask me—more like an overnight bag,” William said, winking at Jack. His father was outrageously suggesting that Dr. von Rohr had prepared herself for the possibility of spending the night at the Hotel zum Storchen with Jack! “It’s not every day you meet a man who compliments a woman’s accessories,” Dr. von Rohr told Jack, smiling.
John Irving (Until I Find You)
Insisting that Jack the Ripper killed prostitutes also makes the story of a vicious series of murders slightly more palatable. Just as it did in the nineteenth century, the notion that the victims were “only prostitutes” perpetuates the belief that there are good women and bad women, madonnas and whores. It suggests that there is an acceptable standard of female behavior, and those who deviate from it are fit to be punished. Equally, it reasserts the double standard, exonerating men from wrongs committed against such women.
Hallie Rubenhold (The Five: The Untold Lives of the Women Killed by Jack the Ripper)
He had recently heard some chinless Tory fuckpuddle say that London was a world-class city being held back by the rest of the UK. Parlabane had reckoned that if he poured all his money and efforts into fitting out his toilet he could almost certainly have himself a truly world class shite-house. Obviously there would be little in the way of cash or other physical resources for the development and upkeep of the living room and the kitchen, etc... but if anyone asked, he could tell them he had a world-class bog and it was just a shame the rest of the house was holding it back.
Christopher Brookmyre (Dead Girl Walking (Jack Parlabane, #6))
ESTABLISHING A DAILY MEDITATION First select a suitable space for your regular meditation. It can be wherever you can sit easily with minimal disturbance: a corner of your bedroom or any other quiet spot in your home. Place a meditation cushion or chair there for your use. Arrange what is around so that you are reminded of your meditative purpose, so that it feels like a sacred and peaceful space. You may wish to make a simple altar with a flower or sacred image, or place your favorite spiritual books there for a few moments of inspiring reading. Let yourself enjoy creating this space for yourself. Then select a regular time for practice that suits your schedule and temperament. If you are a morning person, experiment with a sitting before breakfast. If evening fits your temperament or schedule better, try that first. Begin with sitting ten or twenty minutes at a time. Later you can sit longer or more frequently. Daily meditation can become like bathing or toothbrushing. It can bring a regular cleansing and calming to your heart and mind. Find a posture on the chair or cushion in which you can easily sit erect without being rigid. Let your body be firmly planted on the earth, your hands resting easily, your heart soft, your eyes closed gently. At first feel your body and consciously soften any obvious tension. Let go of any habitual thoughts or plans. Bring your attention to feel the sensations of your breathing. Take a few deep breaths to sense where you can feel the breath most easily, as coolness or tingling in the nostrils or throat, as movement of the chest, or rise and fall of the belly. Then let your breath be natural. Feel the sensations of your natural breathing very carefully, relaxing into each breath as you feel it, noticing how the soft sensations of breathing come and go with the changing breath. After a few breaths your mind will probably wander. When you notice this, no matter how long or short a time you have been away, simply come back to the next breath. Before you return, you can mindfully acknowledge where you have gone with a soft word in the back of your mind, such as “thinking,” “wandering,” “hearing,” “itching.” After softly and silently naming to yourself where your attention has been, gently and directly return to feel the next breath. Later on in your meditation you will be able to work with the places your mind wanders to, but for initial training, one word of acknowledgment and a simple return to the breath is best. As you sit, let the breath change rhythms naturally, allowing it to be short, long, fast, slow, rough, or easy. Calm yourself by relaxing into the breath. When your breath becomes soft, let your attention become gentle and careful, as soft as the breath itself. Like training a puppy, gently bring yourself back a thousand times. Over weeks and months of this practice you will gradually learn to calm and center yourself using the breath. There will be many cycles in this process, stormy days alternating with clear days. Just stay with it. As you do, listening deeply, you will find the breath helping to connect and quiet your whole body and mind. Working with the breath is an excellent foundation for the other meditations presented in this book. After developing some calm and skills, and connecting with your breath, you can then extend your range of meditation to include healing and awareness of all the levels of your body and mind. You will discover how awareness of your breath can serve as a steady basis for all you do.
Jack Kornfield (A Path with Heart: A Guide Through the Perils and Promises of Spiritual Life)
This is the worst idea ever,” Lend shouted from behind the closed door as Arianna finished pinning my hair under a brunette wig. “I’ve been having a lot of those lately, but one of us wouldn’t be here if it weren’t for my most recent one.” “Well, you look the part, at least,” Arianna said, standing back to admire her handiwork. I was in a fitted, sleek black pantsuit with a blouse underneath. The blouse was white. I hated it already. That, combined with the too-dark hair and colored eyebrows making my tragically pale skin even white, and I was not loving life. Still, sacrifices had to be made. Jack was lying on the bed with his head hanging over the side, his face slowly turning more and more red as the blood rushed to it. He looked phenomenally bored for someone about to break into a secret international high security facility. I slipped into my favorite stilettos, took one step, and fell over. “Ouch.” Shaking off the shoes, I rubbed at my still-tender feet. The stilettos were so not happening. That did it. If I didn’t already want to destroy the Dark Queen, the fact that she had ruined my ability to wear high heels put her at the very top of my hit list. She was so going down.
Kiersten White (Endlessly (Paranormalcy, #3))
As she began to peel potatoes, he stood behind her and touched the tendrils of hair that had fallen from their clips and curled at the nape of her neck. Then he reached around her waist and leaned into her. All these years and still he was drawn to the smell of her skin, of sweet soap and fresh air. He whispered against her ear, “Dance with me.” “What?” “I said, let’s dance.” “Dance? Here, in the cabin? I do believe you’re the mad one.” “Please.” “There’s no music.” “We can remember some tune, can’t we?” and he began to hum “In the Shade of the Old Apple Tree.” “Here,” he said, and swung her around to face him, an arm still at her waist, her slight hand in his. He hummed louder and began to twirl them around the plank floor. “Hmmm, hmm, with a heart that is true, I’ll be waiting for you…” “… in the shade of the old apple tree.” She kissed him on the cheek, and he swept her back on his arm. “Oh, I’ve thought of one,” she said. “Let me think…” and she began to hum tentatively. Jack didn’t know it at first, but then it came to him and he began to sing along. “When my hair has all turned gray,” a swoop and a twirl beside the kitchen table, “will you kiss me then and say, that you love me in December as you do in May?” And then they were beside the woodstove and Mabel kissed him with her mouth open and soft. Jack pulled her closer, pressed their bodies together and kissed the side of her face and down her bare neck and, as she let her head gently lean away, down to her collarbone. Then he scooped an arm beneath her knees and picked her up. “What in heaven’s—you’ll break your back,” Mabel sputtered between a fit of laughter. “We’re too old for this.” “Are we?” he asked. He rubbed his beard against her cheek. She shrieked and laughed, and he carried her into the bedroom, though they had not yet eaten dinner.
Eowyn Ivey (The Snow Child)
Now you just dig them in front. They have worries, they’re counting the miles, they’re thinking about where to sleep tonight, how much money for gas, the weather, how they’ll get there—and all the time they’ll get there anyway, you see. But they need to worry and betray time with urgencies false and otherwise, purely anxious and whiny, their souls really won’t be at peace unless they can latch on to an established and proven worry and having once found it they assume facial expressions to fit and go with it, which is, you see, unhappiness, and all the time it all flies by them and they know it and that too worries them no end.
Jack Kerouac (On the Road)
Now you just dig them in front. They have worries, they're counting the miles, they're thinking about where to sleep tonight, how much money for the gas, the weather, how they'll get there - and all the time they'll get there anyway, you see. But they need to worry and betray time with urgencies false and otherwise, purely anxious and whiny, their souls really won't be at peace unless they can latch on to an established and proven worry and having once found it they assume facial expressions to fit and go with it, which is, you see, unhappiness, and all the time it flies by them and they know it and that too worries them no end.
Jack Kerouac (On the Road)
Then he whispered, clutching my sleeve, sweating, “Now you just dig them in front. They have worries, they’re counting the miles, they’re thinking about where to sleep tonight, how much money for gas, the weather, how they’ll get there—and all the time they’ll get there anyway, you see. But they need to worry and betray time with urgencies false and otherwise, purely anxious and whiny, their souls really won’t be at peace unless they can latch on to an established and proven worry and having once found it they assume facial expressions to fit and go with it, which is, you see, unhappiness, and all the time it all flies by them and they know it and that too worries them no end.
Jack Kerouac (On the Road)
Then immediately came Mrs Barlow to go out again. She jumped on the window seat to see if it rained. I locked the door as usual, then lifted her down and placed her on my knee. By & by she said, ‘Is the door fast?’ I, forgetting, got up to see, then took her again on my knee & there she sat till four & threequarters, when Mlle de Sans sent to ask if I could receive. [I] told the maid I was sorry, I could not, I had got so bad a headache. The fact was I was heated & in a state not fit to see anyone. I had kissed & pressed Mrs Barlow on my knee till I had had a complete fit of passion. My knees & thighs shook, my breathing & everything told her what was the matter. She said she did me no good.
Anne Lister (No Priest but Love: The Secret Diaries of Miss Anne Lister, the Inspiration for Gentleman Jack)
Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s.
Lee Child (Make Me (Jack Reacher, #20))
Recently, a professor at Penn State told my son Joshua's class that during a trip to Africa, he had a mysterious encounter with a witch doctor of a tribe. He watched with horror as this witch doctor put a man into a trance and made the man put his face into burning coals and move them around with his nose on the ground. The man received no burns and wasn't even aware of the sensation of burning his flesh. The professor, being a committed naturalist, had no way to understand this obviously satanic phenomena. His scientific model didn't include any supernatural cause, whether it be godly or satanic. He admitted this fact to the class. He said that he saw what happened yet he did not believe it, because he couldn't fit it into what he called his scientific model . . . If their presuppositions rule out the supernatural, that is that! There is no more.
Jack Cuozzo (Buried Alive)
He hooks his finger into the soft cup of my bra and lowers it. His forehead presses against mine and he looks down, to the hard point of my nipple. “Jesus,” he mutters. “I can take it off—” “No.” He groans softly and thumbs the pebble back and forth. Pinches it just this side of too much, making me gasp. “I’m not going to fuck you, but God, I could.” His entire palm rubs against my breast, and my whimper is humiliating. This is going to feel good. Really, really good. It’s already much better than . . . than anything. Pulling embarrassing, unfortunate noises out of me. “What do I do?” he asks, fitting his fingers in the dips of my ribs. I look up at him, glossy-eyed, already a little dazed. “What?” “What do you like?” He’s looking down at my body like it’s a beautiful space oddity, something belonging to a minor goddess, to be investigated in filthy, methodical, obscene ways. His hand traces my flat stomach. Skims the place where my thigh highs transition into tender skin. Brushes reverently against the pod right above my panties, like this little thing my life depends on is as much a part of me as my navel. J.J. asked me to take it off, said he found it off-putting. Made bionic woman jokes. And then there’s Jack. Licking his lips and asking, “Where do I start?” I have no clue. “Um . . .” He kisses me again, this time slow and gentle, pulling back from that initial brink. He uncovers my other breast, and his fingers are back, playing with my nipple like it’s an instrument. Liquid warmth hooks low in my belly. “Trial and error, then.” “What do you do with other girls?” “Other girls?” “Normal girls.” He laughs into my collarbone, then starts sucking on it. “Elsie.” “I just want to know. If I . . . if I weren’t me, what would you do?” “No.
Ali Hazelwood (Love, Theoretically)
The hotel was a chain, crisp and white on the outside, warm and beige on the inside, with green neon announcing its name and function. There was a small crowd in the lobby. Maybe nine people, not exactly in line for the desk, mostly just standing around, either talking on cell phones, or looking frustrated, or both. Two equipment failures earlier in the day had caused chaos. Reacher was not a frequent flier, but he recognized the signs. The clerk at the reception desk beckoned them closer. She was a young woman in a fitted jacket, with a scarf around her neck. There was some kind of secret urgency in her gesture. She said, “Sir, madam, I have one room left. If you need it, you should probably grab it now.” Chang said, “Only one room?” “Yes, ma’am, because the airlines had a problem today.” “Is there another hotel?” “Not in the airport.” Reacher said, “We’ll take the room.
Lee Child (Make Me (Jack Reacher, #20))
All the books I liked were basically about the same topic. White Niggers by Ingvar Ambjørnsen, Beatles and Lead by Lars Saabye Christensen, Jack by Alf Lundell, On the Road by Jack Kerouac, Last Exit to Brooklyn by Hubert Selby, Jr., Novel with Cocaine by M. Agayev, Colossus by Finn Alnæs, Lasso Round the Moon by Agnar Mykle, The History of Bestiality trilogy by Jens Bjørneboe, Gentlemen by Klas Östergren, Icarus by Axel Jensen, The Catcher in the Rye by J. D. Salinger, Humlehjertene by Ola Bauer and Post Office by Charles Bukowski. Books about young men who struggled to fit into society, who wanted more from life than routines, more from life than a family, in short, young men who hated middle-class values and sought freedom. They travelled, they got drunk, they read and they dreamed about their life's Great Passion or writing the Great Novel. Everything they wanted I wanted too.
Karl Ove Knausgård (Min kamp 4 (Min kamp, #4))
Hoping to settle the wheelchair matter once and for all, Graham dragged his chief of construction, his chief of architecture, and a film crew out to Dulles Airport, whose escalators were approximately the same width as those planned for Metro. There he produced a variety of braces and crutches. As the cameras rolled, Graham rode up and down the escalators using one aid after another, climaxing by riding both directions in a wheelchair, facing up each time. Graham clearly believed he had proved beyond doubt that 'it is entirely possible, easily and safely, for wheelchair travelers to use escalators.' His aides watched in disbelief; a fit and fearless major general in his fifties hardly represented the disabled population, whatever braces he strapped to his legs. All he had proved, concluded the WMATA architect Sprague Thresher, was that 'if everybody who had to use a wheelchair was Jack Graham, we wouldn't need elevators.
Zachary M. Schrag (The Great Society Subway: A History of the Washington Metro (Creating the North American Landscape))
That afternoon, I went to Henry with a suggestion. Michael and Graham were still ill. But I was feeling almost fit again. “Why not let Geoffrey and me head up to camp two, so we can be in position just in case the typhoon heads away?” It was a long shot--a very long shot--but as the golfer Jack Nicklaus once said: “Never up, never in.” Sure as hell, I wasn’t going to stand any chance of the summit, sitting here at base camp twiddling my thumbs, waiting. In addition, at camp two, I could be a radio go-between from base camp (where Henry was) and the team higher up. That was the clincher. Henry knew that Michael and Graham weren’t likely to recover any time soon. He understood my hunger, and he recognized the same fire that he had possessed in his own younger days. His own mountaineering maxim was: “Ninety-nine percent cautiousness; one percent recklessness.” But knowing when to use that 1 percent is the mountaineer’s real skill. I stifled a cough and left his tent grinning. I was going up.
Bear Grylls (Mud, Sweat and Tears)
In the twilight and the night the rabbits came regularly and made a hearty meal. All day long the red squirrels came and went, and afforded me much entertainment by their manoeuvres. One would approach at first warily through the shrub oaks, running over the snow-crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his “trotters,” as if it were for a wager, and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were eyed on him—for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl—wasting more time in delay and circumspection than would have sufficed to walk the whole distance—I never saw one walk—and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch pine,
Henry David Thoreau (Walden)
My vision and lungs were clearing, yet my head and my heart still suffered, ’cause I knew I was running out of time to reach my girl. Urgency clawed at me, till I thought I’d go mad. Did she remember that it’d always be Evie and Jack? That even death—or Death—couldn’t keep us apart? Would she remember how perfect it’d been between us? With her, I’d known true peace for the first time in my life. Hadn’t she? As coo-yôn and I covered miles, I’d craved that cellphone—with its pictures of Evie—and her taped recording. When I’d been separated from her before, I’d used her voice like a drug. Now I was a junkie needing a fix, but my pack had been stolen early on. Gone forever. Matthew had sourced another one for me—up was down—but it was empty. Fitting. ’Cause I was starting over with nothing. From behind the wheel, coo-yôn said, “You need her.” “Tell me something I doan know.” He frowned, taking me literally. “You don’t know the future. I see far. I see an unbroken line that stretches through eternity—and back on itself.” “Uh-huh.” Just hold on, peekôn, I’m coming.
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s. He paused inside the door, and identified Chang instantly, because she was the only woman in the place. He slid in opposite, across the worn vinyl, and hauled his bag after him. He put his forearm on the table and said, “I assume your other colleague is still missing. Mr. Keever, was it?” Chang nodded and said, “We hit the wall, as far as he’s concerned. We’re dead-ended. We can trace him so far, but no further.
Lee Child (Make Me (Jack Reacher, #20))
There is no psychology in a fairy tale. The characters have little interior life; their motives are clear and obvious. If people are good, they are good, and if bad, they’re bad. Even when the princess in ‘The Three Snake Leaves’…inexplicably and ungratefully turns against her husband, we know about it from the moment it happens. Nothing of that sort is concealed. The tremors and mysteries of human awareness, the whispers of memory, the promptings of half-understood regret or doubt or desire that are so much part of the subject matter of the modern novel are absently entirely. One might almost say that the characters in a fairy tale are not actually conscious. They seldom have names of their own. More often than not they’re known by their occupation or their social position, or by a quirk of their dress: the miller, the princess, the captain, the Bearskin, Little Red Riding Hood. When they do have a name it’s usually Hans, just as Jack is the hero of every British fairy tale. The most fitting pictorial representation of fairy-tale characters seems to me to be found not in any of the beautifully illustrated editions of Grimm that have been published over the years, but in the little cardboard cut-out figures that come with the toy theatre.
Philip Pullman (Philip Pullman's Grimm Tales)
I can't figure you out," she said. "What do you want?" "What I want does not matter." He said it mechanically, if that description could ever fit a Mage, the words coming out as if they had been drilled into him. Remembering some of the harsher harassment she had endured in her Mechanics Guild apprenticeship, Mari wondered what things had been like for this Mage. What had been done to make him seem so inhuman? "Why can't you just act like everyone else?" He gave her an inscrutable look. "I am not like everyone else." For some reason that sounded sad to her. "I ask your pardon, Mage." The formal words almost stuck in her parched throat, but Mari forced them out, seeing real surprise flashing for a moment in the Mage's eyes in response. "I'm a Mechanic, but I'm not closed-minded." Which has gotten me in trouble already more times than I can count. "Thank you for your warning." The Mage shook his head. "Thank...you," he repeated, the words sounding almost rusty as they came out, an intentness again showing in his eyes. "Thank you," he repeated in a murmur to himself, a hint of understanding appearing in his voice. "I...remember. Asha." "Asha?" "Long ago. I do not remember what to say." He gave her a look in which no feeling could be seen. "What do I say?" "Um...you say...you're welcome," Mari replied, feeling oddly anguished by the Mage's reactions. "Yes." He inclined his head toward her. "You...are welcome, Master Mechanic Mari.
Jack Campbell (The Dragons of Dorcastle (The Pillars of Reality, #1))
If you give me the name of the contraceptive shot you had, I will source for more of them. I am keen that nothing interrupts our enjoyment of each other.” His tone indicated the understatement of the millennium. “It’s called Depo-Provera. It’s supposed to last three months or so, and Paul has a few more doses.” When he’d injected me, I’d said, “The idea of living another three months feels far-fetched right now.” He’d replied, “Better safe than sorry, huh?” Aric nodded. “I will be on the lookout for it.” Aric raised a brow at that. Then, seeming to make a decision, he eased me aside to get out of the bed. “I have something for you.” As he strode to our closet, I gawked at the sight of his flawless body. The return view was even more rewarding. He sat beside me and handed me a small jewelry box. “I want you to have this.” I opened the box, finding a gorgeous gold ring, engraved with runes that called to mind his tattoos. An oval of amber adorned the band. Beautiful. The warm color reminded me of his eyes whenever he was pleased. “My homeland was famous for amber—from pine.” He slipped the ring on my finger, and it fit perfectly. Holding my gaze, he said, “We are wed now.” First priest I find, I’m goan to marry you. Jack’s words. I recalled the love blazing from his gray gaze before I stifled the memory. “Aric, th-this is so beautiful. Thank you.” The symbol of his parents’ marriage had been derived from trees. Another waypoint.
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
Oh, man! man! man!" moaned Dean. "And it's not even the beginning of it-and now here we are at last going east together, we've never gone east together, Sal, think of it, we'll dig Denver together and see what everybody's doing although that matters little to us, the point being that we know what IT is and we know TIME and we know that everything is really FINE."Then he whispered, clutching my sleeve, sweating, "Now you just dig them in front. They have worries, they're counting the miles, they're thinking about where to sleep tonight, how much money for gas, the weather, how they'll get there-and all the time they'll get there anyway, you see. But they need to worry and betray time with urgencies false and otherwise, purely anxious and whiny, their souls really won't be at peace unless they can latch on to an established and proven worry and having once found it they assume facial expressions to fit and go with it, which is, you see, unhappiness, and all the time it all flies by them and they know it and that too worries them no end. Listen! Listen! 'Well now,' " he mimicked, " 'I don't know-maybe we shouldn't get gas in that station. I read recently in National Petroffious Petroleum News that this kind of gas has a great deal of O-Octane gook in it and someone once told me it even had semi-official high-frequency cock in it, and I don't know, well I just don't feel like it anyway . . .' Man, you dig all this." He was poking me furiously in the ribs to understand. I tried my wildest best. Bing, bang, it was all Yes! Yes! Yes! in the back seat and the people up front were mopping their brows with fright and wishing they'd never picked us up at the travel bureau. It was only the beginning, too.
Jack Kerouac (On the Road)
As we had agreed, I met Jack downstairs in the lobby. I was a few minutes late, having lingered to give a few last-minute instructions to Teena. “Sorry.” I quickened my stride as I walked toward Jack, who was standing by the concierge desk. “I didn’t mean to be late.” “It’s fine,” Jack said. “We still have plenty of—” He broke off as he got a good look at me, his jaw slackening. Self-consciously I reached up and tucked a lock of my hair behind my right ear. I was wearing a slim-fitting black suit made of summer-weight wool, and black high-heeled pumps with delicate straps that crossed over the front. I had put on some light makeup: shimmery brown eye shadow, a coat of black mascara, a touch of pink blush, and lip gloss. “Do I look okay?” I asked. Jack nodded, his gaze unblinking. I bit back a grin, realizing he had never seen me dressed up before. And the suit was flattering, cut to show my curves to advantage. “I thought this was more appropriate for church than jeans and Birkenstocks.” I wasn’t certain Jack heard me. It looked like his mind was working on another track altogether. My suspicion was confirmed when he said fervently, “You have amazing legs.” “Thanks.” I gave a modest shrug. “Yoga.” That appeared to set off another round of thoughts. I thought Jack’s color seemed a little high, although it was difficult to tell with that rosewood tan. His voice sounded strained as he asked, “I guess you’re pretty flexible?” “I wasn’t the most flexible in class by any means,” I said, pausing before adding demurely, “but I can put my ankles behind my head.” I repressed a grin when I heard a hitch in his breathing. Seeing that his SUV was out in front, I walked past him. He was at my heels immediately. -Ella & Jack
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Information or allegations reflecting negatively on individuals or groups seen less sympathetically by the intelligentsia pass rapidly into the public domain with little scrutiny and much publicity. Two of the biggest proven hoaxes of our time have involved allegations of white men gang-raping a black woman-- first the Tawana Brawley hoax of 1987 and later the false rape charges against three Duke University students in 2006. In both cases, editorial indignation rang out across the land, without a speck of evidence to substantiate either of these charges. Moreover, the denunciations were not limited to the particular men accused, but were often extended to society at large, of whom these men were deemed to be symptoms or 'the tip of the iceberg.' In both cases, the charges fit a pre-existing vision, and that apparently made mundane facts unnecessary. Another widely publicized hoax-- one to which the President of the United States added his sub-hoax-- was a 1996 story appearing in USA Today under the headline, 'Arson at Black Churches Echoes Bigotry of the Past.' There was, according to USA Today, 'an epidemic of church burning,' targeting black churches. Like the gang-rape hoaxes, this story spread rapidly through the media. The Chicago Tribune referred to 'an epidemic of criminal and cowardly arson' leaving black churches in ruins. As with the gang-rape hoaxes, comments on the church fire stories went beyond those who were supposed to have set these fires to blame forces at work in society at large. Jesse Jackson was quoted was quoted in the New York Times as calling these arsons part of a 'cultural conspiracy' against blacks, which 'reflected the heightened racial tensions in the south that have been exacerbated by the assault on affirmative action and the populist oratory of Republican politicians like Pat Buchanan.' Time magazine writer Jack White likewise blamed 'the coded phrases' of Republican leaders for 'encouraging the arsonists.' Columnist Barbara Reynolds of USA Today said that the fires were 'an attempt to murder the spirit of black America.' New York Times columnist Bob Herbert said, "The fuel for these fires can be traced to a carefully crafted environment of bigotry and hatred that was developed over the last century.' As with the gang-rape hoaxes, the charges publicized were taken as reflecting on the whole society, not just those supposedly involved in what was widely presumed to be arson, rather than fires that break out for a variety of other reasons. Washington Post columnist Dorothy Gilliam said that society in effect was 'giving these arsonists permission to commit these horrible crimes.' The climax of these comments came when President Bill Clinton, in his weekly radio address, said that these church burnings recalled similar burnings of black churches in Arkansas when he was a boy. There were more that 2,000 media stories done on the subject after the President's address. This story began to unravel when factual research showed that (1) no black churches were burned in Arkansas when Bill Clinton was growing up, (2) there had been no increase in fires at black churches, but an actual decrease over the previous 15 years, (3) the incidence of fires at white churches was similar to the incidence of fires at black churches, and (4) where there was arson, one-third of the suspects were black. However, retractions of the original story-- where there were retractions at all-- typically were given far less prominence than the original banner headlines and heated editorial comments.
Thomas Sowell (Intellectuals and Society)
They emerged from the tropical vegetation, greeted by a general cheer. Stephen advanced, carrying his hurly: he was feeling particularly well and fit; he had his land-legs again, and no longer stumped along, but walked with an elastic step. Jack came to meet him, and said in a low voice, 'Just keep your end up, Stephen, until your eye is in; and watch out for the Admiral's twisters,' and then as they neared the Admiral, 'Sir, allow me to name my particular friend Dr. Maturin, surgeon of the Leopard. 'How d'ye do, Doctor?' said the Admiral. 'I must beg your pardon, sir, for my late appearance: I was called away on -- ' 'No ceremony, Doctor, I beg,' said the Admiral, smiling: the Leopard's hundred pounds were practically in his pocket, and this man of theirs did not look very dangerous. 'Shall we begin?' 'By all means,' said Stephen. 'You go down to the other end,' murmured Jack, a chill coming over him in spite of the torrid sun. 'Should you like to be given a middle, sir?' called the umpire, when Stephen had walked down the pitch. 'Thank you, sir,' said Stephen, hitching at his waistband and gazing round the field, 'I already have one.' A rapacious grin ran round the Cumberlands: they moved much closer in, crouching, their huge crab-like hands spread wide. The Admiral held the ball to his nose for a long moment, fixing his adversary, and then delivered a lob that hummed as it flew. Stephen watched its course, danced out to take it as it touched the ground, checked its bounce, dribbled the ball towards the astonished cover-point and running still he scooped it into the hollow of his hurly, raced on with twinkling steps to mid-off, there checked his run amidst the stark silent amazement, flicked the ball into his hand, tossed it high, and with a screech drove it straight at Jack's wicket, shattering the near stump and sending its upper half in a long, graceful trajectory that reached the ground just as the first of La Fleche's guns, saluting the flag, echoed across the field.
Patrick O'Brian (The Fortune of War (Aubrey & Maturin, #6))
All day long the red squirrels came and went, and afforded me much entertainment by their manoeuvres. One would approach at first warily through the shrub-oaks, running over the snow crust by fits and starts like a leaf blown by the wind, now a few paces this way, with wonderful speed and waste of energy, making inconceivable haste with his “trotters,” as if it were for a wager, and now as many paces that way, but never getting on more than half a rod at a time; and then suddenly pausing with a ludicrous expression and a gratuitous somerset, as if all the eyes in the universe were fixed on him,—for all the motions of a squirrel, even in the most solitary recesses of the forest, imply spectators as much as those of a dancing girl,—wasting more time in delay and circumspection than would have sufficed to walk the whole distance,—I never saw one walk,— and then suddenly, before you could say Jack Robinson, he would be in the top of a young pitch-pine, winding up his clock and chiding all imaginary spectators, soliloquizing and talking to all the universe at the same time,—for no reason that I could ever detect, or he himself was aware of, I suspect. At length he would reach the corn, and selecting a suitable ear, frisk about in the same uncertain trigonometrical way to the top-most stick of my wood-pile, before my window, where he looked me in the face, and there sit for hours, supplying himself with a new ear from time to time, nibbling at first voraciously and throwing the half-naked cobs about; till at length he grew more dainty still and played with his food, tasting only the inside of the kernel, and the ear, which was held balanced over the stick by one paw, slipped from his careless grasp and fell to the ground, when he would look over at it with a ludicrous expression of uncertainty, as if suspecting that it had life, with a mind not made up whether to get it again, or a new one, or be off; now thinking of corn, then listening to hear what was in the wind. So the little impudent fellow would waste many an ear in a forenoon; till at last, seizing some longer and plumper one, considerably bigger than himself, and skilfully balancing it, he would set out with it to the woods, like a tiger with a buffalo, by the same zig-zag course and frequent pauses, scratching along with it as if it were too heavy for him and falling all the while, making its fall a diagonal between a perpendicular and horizontal, being determined to put it through at any rate;—a singularly frivolous and whimsical fellow;—and so he would get off with it to where he lived, perhaps carry it to the top of a pine tree forty or fifty rods distant, and I would afterwards find the cobs strewn about the woods in various directions.
Henry David Thoreau (Walden or Life in the Woods)
There’s a tap on my shoulder. I turn around and get lost in a sea of blue. A Jersey-accented voice says, “It’s about time, kid,” and Frank Sinatra rattles the ice in his glass of Jack Daniel’s. Looking at the swirling deep-brown liquid, he whispers, “Ain’t it beautiful?” This is my introduction to the Chairman of the Board. We spend the next half hour talking Jersey, Hoboken, swimming in the Hudson River and the Shore. We then sit down for dinner at a table with Robert De Niro, Angie Dickinson and Frank and his wife, Barbara. This is all occurring at the Hollywood “Guinea Party” Patti and I have been invited to, courtesy of Tita Cahn. Patti had met Tita a few weeks previous at the nail parlor. She’s the wife of Sammy Cahn, famous for such songs as “All The Way,” “Teach Me Tonight” and “Only the Lonely.” She called one afternoon and told us she was hosting a private event. She said it would be very quiet and couldn’t tell us who would be there, but assured us we’d be very comfortable. So off into the LA night we went. During the evening, we befriend the Sinatras and are quietly invited into the circle of the last of the old Hollywood stars. Over the next several years we attend a few very private events where Frank and the remaining clan hold forth. The only other musician in the room is often Quincy Jones, and besides Patti and I there is rarely a rocker in sight. The Sinatras are gracious hosts and our acquaintance culminates in our being invited to Frank’s eightieth birthday party dinner. It’s a sedate event at the Sinatras’ Los Angeles home. Sometime after dinner, we find ourselves around the living room piano with Steve and Eydie Gorme and Bob Dylan. Steve is playing the piano and up close he and Eydie can really sing the great standards. Patti has been thoroughly schooled in jazz by Jerry Coker, one of the great jazz educators at the Frost School of Music at the University of Miami. She was there at the same time as Bruce Hornsby, Jaco Pastorius and Pat Metheny, and she learned her stuff. At Frank’s, as the music drifts on, she slips gently in on “My One and Only Love.” Patti is a secret weapon. She can sing torch like a cross between Peggy Lee and Julie London (I’m not kidding). Eydie Gorme hears Patti, stops the music and says, “Frank, come over here. We’ve got a singer!” Frank moves to the piano and I then get to watch my wife beautifully serenade Frank Sinatra and Bob Dylan, to be met by a torrent of applause when she’s finished. The next day we play Frank’s eightieth birthday celebration for ABC TV and I get to escort him to the stage along with Tony Bennett. It’s a beautiful evening and a fitting celebration for the greatest pop singer of all time. Two years later Frank passed away and we were generously invited to his funeral. A
Bruce Springsteen (Born to Run)
Hyphen This word comes from two Greek words together meaning ‘under one’, which gets nobody anywhere and merely prompts the reflection that argument by etymology only serves the purpose of intimidating ignorant antagonists. On, then. This is one more case in which matters have not improved since Fowler’s day, since he wrote in 1926: The chaos prevailing among writers or printers or both regarding the use of hyphens is discreditable to English education … The wrong use or wrong non-use of hyphens makes the words, if strictly interpreted, mean something different from what the writers intended. It is no adequate answer to such criticisms to say that actual misunderstanding is unlikely; to have to depend on one’s employer’s readiness to take the will for the deed is surely a humiliation that no decent craftsman should be willing to put up with. And so say all of us who may be reading this book. The references there to ‘printers’ needs updating to something like ‘editors’, meaning those who declare copy fit to print. Such people now often get it wrong by preserving in midcolumn a hyphen originally put at the end of a line to signal a word-break: inter-fere, say, is acceptable split between lines but not as part of a single line. This mistake is comparatively rare and seldom causes confusion; even so, time spent wondering whether an exactor may not be an ex-actor is time avoidably wasted. The hyphen is properly and necessarily used to join the halves of a two-word adjectival phrase, as in fair-haired children, last-ditch resistance, falling-down drunk, over-familiar reference. Breaches of this rule are rare and not troublesome. Hyphens are also required when a phrase of more than two words is used adjectivally, as in middle-of-the-road policy, too-good-to-be-true story, no-holds-barred contest. No hard-and-fast rule can be devised that lays down when a two-word phrase is to be hyphenated and when the two words are to be run into one, though there will be a rough consensus that, for example, book-plate and bookseller are each properly set out and that bookplate and book-seller might seem respectively new-fangled and fussy. A hyphen is not required when a normal adverb (i.e. one ending in -ly) plus an adjective or other modifier are used in an adjectival role, as in Jack’s equally detestable brother, a beautifully kept garden, her abnormally sensitive hearing. A hyphen is required, however, when the adverb lacks a final -ly, like well, ill, seldom, altogether or one of those words like tight and slow that double as adjectives. To avoid ambiguity here we must write a well-kept garden, an ill-considered objection, a tight-fisted policy. The commonest fault in the use of the hyphen, and the hardest to eradicate, is found when an adjectival phrase is used predicatively. So a gent may write of a hard-to-conquer mountain peak but not of a mountain peak that remains hard-to-conquer, an often-proposed solution but not of one that is often-proposed. For some reason this fault is especially common when numbers, including fractions, are concerned, and we read every other day of criminals being imprisoned for two-and-a-half years, a woman becoming a mother-of-three and even of some unfortunate being stabbed six-times. And the Tories have been in power for a decade-and-a-half. Finally, there seems no end to the list of common phrases that some berk will bung a superfluous hyphen into the middle of: artificial-leg, daily-help, false-teeth, taxi-firm, martial-law, rainy-day, airport-lounge, first-wicket, piano-concerto, lung-cancer, cavalry-regiment, overseas-service. I hope I need not add that of course one none the less writes of a false-teeth problem, a first-wicket stand, etc. The only guide is: omit the hyphen whenever possible, so avoid not only mechanically propelled vehicle users (a beauty from MEU) but also a man eating tiger. And no one is right and no-one is wrong.
Kingsley Amis (The King's English: A Guide to Modern Usage)
A category is defined by what is not included in it. And whats outside a given category, is in turn, part of a larger, more comprehensive category that exists outside of that. When someone is standing in front of me, I see a different aspect of that person depending on where I am standing. This holds true only when the other person and I are at the same level. If you are in an airplane in the sky and you look down at a person on the ground, that person looks like the same speck, no matter what angle you see him from. That's because he belongs now to a different category or level. Do you know why people are obsessed with categories? It's because they're afraid of what lies outside their own category. They're afraid of the fact that they are a mere speck. That's also why they simply consider everything outside their own category as alien and exclude it. Just as Procrustes did when he cut people to size in order to make them fit his bed. It is fear that drives Jack to chop down his own beanstalk, isn't it? And of course his fear ends up making him unable to climb up to the world beyond the clouds, ever again. Poor fellow! When people lock themselves into the category they call 'romance novels,' they end up reading Dostoyevsky as romance. Keep this in mind. The alien doesn't exist outside you, it's inside you.
Kim Gyeong-uk (God Has No Grandchildren (Library of Korean Literature))
I drove to the bar Theodosha had called from and parked on the street. The bar was a gray, dismal place, ensconced like a broken matchbox under a dying oak tree, its only indication of gaiety a neon beer sign that flickered in one window. She was at a table in back, the glow of the jukebox lighting her face and the deep blackness of her hair. She tipped a collins glass to her mouth, her eyes locked on mine. “Let me take you home,” I said. “No, thanks,” she replied. “Getting swacked?” “Merchie and I had another fight. He says he can’t take my pretensions anymore. I love the word ‘pretensions.’” “That doesn’t mean you have to get drunk,” I said. “You’re right. I can get drunk for any reason I choose,” she replied, and took another hit from the glass. Then she added incongruously, “You once asked Merchie what he was doing in Afghanistan. The answer is he wasn’t in Afghanistan. He was in one of those other God-forsaken Stone Age countries to the north, helping build American airbases to protect American oil interests. Merchie says they’re going to make a fortune. All for the red, white, and blue.” “Who is they?” But her eyes were empty now, her concentration and anger temporarily spent. I glanced at the surroundings, the dour men sitting at the bar, a black woman sleeping with her head on a table, a parolee putting moves on a twenty-year-old junkie and mother of two children who was waiting for her connection. These were the people we cycled in and out of the system for decades, without beneficial influence or purpose of any kind that was detectable. “Let’s clear up one thing. Your old man came looking for trouble at the club today. I didn’t start it,” I said. “Go to a meeting, Dave. You’re a drag,” she said. “Give your guff to Merchie,” I said, and got up to leave. “I would. Except he’s probably banging his newest flop in the hay. And the saddest thing is I can’t blame him.” “I think I’m going to ease on out of this. Take care of yourself, kiddo,” I said. “Fuck that ‘kiddo’ stuff. I loved you and you were too stupid to know it.” I walked back outside into a misting rain and the clean smell of the night. I walked past a house where people were fighting behind the shades. I heard doors slamming, the sound of either a car backfiring or gunshots on another street, a siren wailing in the distance. On the corner I saw an expensive automobile pull to the curb and a black kid emerge from the darkness, wearing a skintight bandanna on his head. The driver of the car, a white man, exchanged money for something in the black kid’s hand. Welcome to the twenty-first century, I thought. I opened my truck door, then noticed the sag on the frame and glanced at the right rear tire. It was totally flat, the steel rim buried deep in the folds of collapsed rubber. I dropped the tailgate, pulled the jack and lug wrench out of the toolbox that was arc-welded to the bed of the truck, and fitted the jack under the frame. Just as I had pumped the flat tire clear of the puddle it rested in, I heard footsteps crunch on the gravel behind me. Out of the corner of my eye, I saw a short, thick billy club whip through the air. Just before it exploded across the side of my head, my eyes seemed to close like a camera lens on a haystack that smelled of damp-rot and unwashed hair and old shoes. I was sure as I slipped into unconsciousness that I was inside an ephemeral dream from which I would soon awake.
James Lee Burke (Last Car to Elysian Fields (Dave Robicheaux, #13))
The guy with the revolver stayed at the door. He went into a crouch and pointed the weapon two- handed. At my head. The guy with the shotgun approached close. These were fit lean boys. Neat and tidy. Textbook moves. The revolver at the door could cover the room with a degree of accuracy. The shotgun up close could splatter me all over the window. The other way around would be a mistake. The revolver could miss in a close- quarters struggle and a long- range shotgun blast from the door would kill the arresting officer and the old guy in the rear booth as well as me. So far, they were doing it right. No doubt about that. They had the advantage. No doubt about that, either. The tight booth trapped me. I was too hemmed in to do much. I spread my hands on the table. The officer with the shotgun came near.
Lee Child (Killing Floor (Jack Reacher #1))
I not sure she’s in a fit state.
Ben Cheetham (Now She's Dead (Jack Anderson #1))
Having a character change during the course of the screenplay is not a requirement if it doesn't fit your character. But transformation, change, seems to be an essential aspect of our humanity, especially at this time in our culture. I think we're all a little like Melvin (Jack Nicholson) in As Good as it Gets. Melvin may be complex and fastidious as a person, but his dramatic need is expressed toward the end of the film when he says, 'When I'm with you I want to be a better person.' I think we all want that. Change, transformation, is a constant of life, and if you can impel some kind of emotional change within your character, it creates an arc of behavior and adds another dimension to who he/she is.
Syd Field (Screenplay: The Foundations of Screenwriting Paperback – November 29, 2005)