Jackets Written Quotes

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I made myself an “I Love Jennifer” jacket out of my old “I Love Jenn” jacket. Two girls, one continuous love. The I Love Jennifer is a little off-center, but then so am I. Better than being self-centered, as my clone would probably say.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
I believed in all the things written within me, I’d just somehow along the way stopped believing in my book jacket.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
Personally, I think it deplorable to place the words and opinions of others on the book jacket. I want the first words read by the reader of my book to be written by me.
Jhumpa Lahiri (The Clothing of Books)
Sally lent Meg and me some proper winter fleece jackets, however. Mine was blue, with the word BLOFIS written inside the neckline. Perhaps that was an arcane ward against evil spirits.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
Miss La Trobe was pacing to and fro between the leaning birch trees. One hand was deep stuck in her jacket pocket; the other held a foolscap sheet. She was reading what was written there. She had the look of a commander pacing his deck. The leaning graceful trees with black bracelets circling the silver bark were distant about a ship’s length.
Virginia Woolf (Between the Acts)
Monk might have even written a message on the cloth, using the AG-7 astronaut pen he always carried in his jacket. But I didn’t need a message. I knew.
Hy Conrad (Mr. Monk Helps Himself)
What about his style?" asked Dalgliesh who was beginning to think that his reading had been unnecessarily restricted. "Turgid but grammatical. And, in these days, when every illiterate debutante thinks she is a novelist, who am I to quarrel with that? Written with Fowler on his left hand and Roget on his right. Stale, flat and, alas, rapidly becoming unprofitable..." "What was he like as a person?" asked Dalgliesh. "Oh, difficult. Very difficult, poor fellow! I thought you knew him? A precise, self-opinionated, nervous little man perpetually fretting about his sales, his publicity or his book jackets. He overvalued his own talent and undervalued everyone else's, which didn't exactly make for popularity." "A typical writer, in fact?" suggested Dalgliesh mischievously.
P.D. James (Unnatural Causes (Adam Dalgliesh, #3))
Then Aldo was standing beside me, pulling something from inside his jacket, and handing me a sealed envelope with my name scrawled across the front in a messy hand. Did Kage write this? After all we’d done, I still didn’t know what his handwriting looked like. I tore open the very end, careful not to damage the writing. Inside was a sheet of notebook paper with one sentence written on it. “That ass is mine.”   With
Maris Black (Kage (Kage Trilogy, #1))
One in particular—the younger, named, he told us, Dahar Jaris, not the man Dhatt menaced, but a boy in a battered denim jacket with NoMeansNo written on the back in English print that made me suspect it was the name of a band, not a slogan—had a voice that was familiar.
China Miéville (The City & The City)
It's just that even though I'm totally old and unhip,I remember what boys in high school were like.Especially the kind like Jack Caputo." "What kind is that?" "The kind that doesn't even walk a girl to the door." I rolled my eyes. "Well,he would have, but he had to go drop off his other dates. There were three of us." My dad finally cracked a smile. "Good night,old man," I said,giving him a hug. "Wait a sec,honey.Did I do that okay?" I pulled back. "Do what okay?" It hit me then that this was my first dance since my mom died.I felt a little guilty that I hadn't realized it before. It was just that the night was so perfect. Before he could explain, I said, "Yes.You did great." "Night,Nikki." The next morning,I found a note in my jacket pocket.I unfolded it and read two words, written in Jack's handwriting. Ever Yours.
Brodi Ashton (Everneath (Everneath, #1))
Bucket had started his criminal career in Braas, not far from when Allan and his new friends now found themselves. There he had gotten together with some like-minded peers and started the motorcycle club called The Violence. Bucket was the leader; he decided which newsstand was to be robbed of cigarettes next. He was the one who has chosen the name- The Violence, in English, not swedish. And he was the one who unfortunately asked his girlfriend Isabella to sew the name of the motorcycle club onto ten newly stolen leather jackets. Isabella had never really learned to spell properly at school, not in Swedish, and certainly not in English. The result was that Isabella sewed The Violins on the jackets instead. As the rest of the club members had had similar academic success, nobody in the group noticed the mistake. So everyone was very surprised when one day a letter arrived for The Violins in Braas from the people in charge of the concert hall in Vaxjo. The letter suggested that, since the club obviously concerned itself with classical music, they might like to put in am appearance at a concert with the city’s prestigious chamber orchestra, Musica Viate. Bucket felt provoked; somebody was clearly making fun of him. One night he skipped the newsstand, and instead went into Vaxjo to throw a brick through the glass door of the concert hall. This was intended to teach the people responsible lesson in respect. It all went well, except that Bucket’s leather glove happened to follow the stone into the lobby. Since the alarm went off immediately, Bucket felt it would be unwise to try to retrieve the personal item in question. Losing the glove was not good. Bucket had traveled to Vaxjo by motorbike and one hand was extremely cold all the way home to Braas that night. Even worse was the fact that Bucket’s luckless girlfriend had written Bucket’s name and adress inside the glove, in case he lost it." For more quotes from the novel visit my blog: frommybooks.wordpress.com
Jonas Jonasson (The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared (The Hundred-Year-Old Man, #1))
The easier question wasn’t what she liked about Elle, but what she didn’t. Because Elle wasn’t perfect, there were things about her that drove Darcy up the wall, like how she never wore a jacket and would sometimes drop off in the middle of a sentence when a new thought flitted through her mind, but listing the things she loved about Elle was like asking her to count the stars in the sky. They’d be there all night and even then, it wouldn’t be enough time. “Her eyes
Alexandria Bellefleur (Written in the Stars (Written in the Stars #1))
The easier question wasn’t what she liked about Elle, but what she didn’t. Because Elle wasn’t perfect, there were things about her that drove Darcy up the wall, like how she never wore a jacket and would sometimes drop off in the middle of a sentence when a new thought flitted through her mind, but listing the things she loved about Elle was like asking her to count the stars in the sky. They’d be there all night and even then, it wouldn’t be enough time. “Her eyes are my new favorite color and if you make fun of me for saying that I’ll
Alexandria Bellefleur (Written in the Stars (Written in the Stars #1))
The day came: a Monday at the end of September. The night before he had realized that it was almost exactly a year since the beating, although he hadn’t planned it that way. He left work early that evening. He had spent the weekend organizing his projects; he had written Lucien a memo detailing the status of everything he had been working on. At home, he lined up his letters on the dining room table, and a copy of his will. He had left a message with Richard’s studio manager that the toilet in the master bathroom kept running and asked if Richard could let in the plumber the following day at nine – both Richard and Willem had a set of keys to his apartment – because he would be away on business. He took off his suit jacket and tie and shoes and watch and went to the bathroom. He sat in the shower area with his sleeves pushed up. He had a glass of scotch, which he sipped at to steady himself, and a box cutter, which he knew would be easier to hold than a razor. He knew what he needed to do: three straight vertical lines, as deep and long as he could make them, following the veins up both arms. And then he would lie down and wait. He waited for a while, crying a bit, because he was tired and frightened and because he was ready to go, he was ready to leave. Finally he rubbed his eyes and began. He started with his left arm. He made the first cut, which was more painful than he had thought it would be, and he cried out. Then he made the second. He took another drink of the scotch. The blood was viscous, more gelatinous than liquid, and a brilliant, shimmering oil-black. Already his pants were soaked with it, already his grip was loosening. He made the third. When he was done with both arms, he slumped against the back of the shower wall. He wished, absurdly, for a pillow. He was warm from the scotch, and from his own blood, which lapped at him as it pooled against his legs – his insides meeting his outsides, the inner bathing the outer. He closed his eyes. Behind him, the hyenas howled, furious at him. Before him stood the house with its open door. He wasn’t close yet, but he was closer than he’d been: close enough to see that inside, there was a bed where he could rest, where he could lie down and sleep after his long run, where he would, for the first time in his life, be safe.
Hanya Yanagihara (A Little Life)
Fame', he (Orlando) said, 'is like .. a braided coat which hampers the limbs; a jacket of silver which curbs the heart; a painted shield which covers a scarecrow,' etc. etc. .. While fame impedes and constricts, obscurity wraps about a man like a mist; obscurity is dark, ample and free; obscurity lets the mind take its way unimpeded. Over the obscure man is poured the merciful suffusion of darkness. None knows where he goes or comes. He may seek the truth and speak it; he alone is free; he alone is truthful; he alone is at peace. .. Sunk for a long time in profound thoughts as to the value of obscurity, and the delight of having no name, but being like a wave which returns to the deep body of the sea; thinking how obscurity rids the mind of the irk of envy and spite; how it sets running in the veins the free waters of generosity and magnanimity; and allows giving and taking without thanks offered or praise given; which must have been the way of all great poets, he supposed, .. for, he thought, Shakespeare must have written like that, and the church builders built like that, anonymously, needing no thanking or naming, but only their work in the daytime and a little ale perhaps at night - 'What an admirable life this is,' he thought, stretching his limbs out under the oak tree. 'And why not enjoy it this very moment?
Virginia Woolf (Orlando: A Biography)
but she would have traded them gladly for Mme Leroi’s permanent ability to be invited everywhere, just as, in a restaurant, a talented but unknown artist whose genius is written neither in the features of his diffident face nor in the outmoded cut of his threadbare jacket would readily change places with the young broker from the lowest ranks of society who is dining with two actresses at a neighboring table, and upon whom, in an obsequious and incessant bustle, owner, manager, waiters, pages dance attention; even the kitchen staff file out of the kitchen to salute him, as in fairy tales, while the sommelier comes forward, as dusty as his bottles, hobbling and dazed, as if, coming up from the cellar, he had twisted his foot before emerging into the light of day.
Marcel Proust (The Guermantes Way (In Search of Lost Time, #3))
On Rossini's 'The Barber of Seville' - "Much has been written about the fiasco of the opera's first night on 20 February 1816, most of it true: the mockery of Rossini's Spanish-style hazel jacket, the rowdy animosity of the Paisiello lobby, the jeering and the catcalls, as one mishap succeeded another. Basilio sang his 'Calumny' aria with a bloodied nose after tripping over a trap door; then during the act 1 finale, a cat wandered onstage, declined to leave, and was forcibly flung into the wings. According to the Rosina, Gertrude Righetti Giorgi, Rossini left the theatre 'as though he had been an indifferent onlooker'... The second performance was a triumph, though Rossini was not there to witness it. He spent the evening pacing his room, imagining the opera's progress scene by scene. He retired early, only to be roused by a glow of torches and uproar in the street. Fearing that a mob was about to set fire to the building, he took refuge in a stable block. Garcia tried to summon him to acknowledge the adulation. 'F***' their bravos!' was Rossini's blunt rejoinder. 'I'm not coming out'.
Richard Osborne (Rossini (Master Musicians Series))
He was the son of a very wealthy industrialist who was to play a rather important part in the organizing of the next International Exhibition. I was struck by how knowledgeable this young man and the other few male friends of the girls were in things like clothes, ways of wearing them, cigars, English drinks, horses—a form of erudition that in him was highly developed, which he wore with a proud infallibility, reminiscent of the scholar’s modest reticence—an expertise that was quite selfsufficient, without the slightest need for any accompanying intellectual cultivation. He could not be faulted on the appropriate occasions for wearing dinner jacket or pajamas, but he had no idea of how to use certain words, or even of the most elementary rules of good grammar. That disparity between two cultures must have been shared by his father, who, in his capacity as president of the Association of Property Owners of Balbec, had written an open letter to his constituents, now to be seen as a placard on all the walls, in which he said, “I was desirous of talking to the Mayor about this matter, however, he was of a mind to not hear me out on my just demands.” At the Casino, Octave won prizes in all the dancing competitions—the Boston dip, the tango, and so on—a qualification, if he should ever need one, for a good marriage, among seaside society, a milieu in which a young girl quite literally ends up married to her “partner.” He lit a cigar and said to Albertine, “If you don’t mind,” as one excuses oneself for going on with an urgent piece of work in the presence of someone. For he always “had to be doing something,” though in fact he never did anything. Just as a total lack of activity can eventually have the same effects as overwork, whether in the emotional domain or in the domain of the body and its muscles, the constant intellectual vacuum that resided behind the pensive forehead of Octave had had the result, despite his undisturbed air, of giving him ineffectual urges to think, which kept him awake at night, as though he were a metaphysician with too much on his mind.
Marcel Proust (In the Shadow of Young Girls in Flower)
Space is nearly empty. There is virtually no chance that one of the Voyagers will ever enter another solar system—and this is true even if every star in the sky is accompanied by planets. The instructions on the record jackets, written in what we believe to be readily comprehensible scientific hieroglyphics, can be read, and the contents of the records understood, only if alien beings, somewhere in the remote future, find Voyager in the depths of interstellar space. Since both Voyagers will circle the center of the Milky Way Galaxy essentially forever, there is plenty of time for the records to be found—if there's anyone out there to do the finding. We cannot know how much of the records they would understand. Surely the greetings will be incomprehensible, but their intent may not be. (We thought it would be impolite not to say hello.) The hypothetical aliens are bound to be very different from us—independently evolved on another world. Are we really sure they could understand anything at all of our message? Every time I feel these concerns stirring, though, I reassure myself. Whatever the incomprehensibilities of the Voyager record, any alien ship that finds it will have another standard by which to judge us. Each Voyager is itself a message. In their exploratory intent, in the lofty ambition of their objectives, in their utter lack of intent to do harm, and in the brilliance of their design and performance, these robots speak eloquently for us. But being much more advanced scientists and engineers than we—otherwise they would never be able to find and retrieve the small, silent spacecraft in interstellar space—perhaps the aliens would have no difficulty understanding what is encoded on these golden records. Perhaps they would recognize the tentativeness of our society, the mismatch between our technology and our wisdom. Have we destroyed ourselves since launching Voyager, they might wonder, or have we gone on to greater things? Or perhaps the records will never be intercepted. Perhaps no one in five billion years will ever come upon them. Five billion years is a long time. In five billion years, all humans will have become extinct or evolved into other beings, none of our artifacts will have survived on Earth, the continents will have become unrecognizably altered or destroyed, and the evolution of the Sun will have burned the Earth to a crisp or reduced it to a whirl of atoms. Far from home, untouched by these remote events, the Voyagers, bearing the memories of a world that is no more, will fly on.
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
And then another book, never read, long forgotten, catches his eye. The jacket is missing, the title on the spine practically faded. It’s a thick clothbound volume topped with decades-old dust. The ivory pages are heavy, slightly sour, silken to the touch. The spine cracks faintly when he opens it to the title page. The Short Stories of Nikolai Gogol. “For Gogol Ganguli,” it says on the front endpaper in his father’s tranquil hand, in red ballpoint ink, the letters rising gradually, optimistically, on the diagonal toward the upper right-hand corner of the page. “The man who gave you his name, from the man who gave you your name” is written within quotation marks. Underneath the inscription, which he has never before seen, is his birthday, and the year, 1982. His father had stood in the doorway, just there, an arm’s reach from where he sits now. He had left him to discover the inscription on his own, never again asking Gogol what he’d thought of the book, never mentioning the book at all. The handwriting reminds him of the checks his father used to give him all through college, and for years afterward, to help him along, to put down a security deposit, to buy his first suit, sometimes for no reason at all. The name he had so detested, here hidden and preserved—that was the first thing his father had given him.
Anonymous
With her purple hair, leather jacket with a decal of two dragons on the back, and tough-as-nails boots, Mal had trouble written all over her—which was precisely what she was going for. The bilious green spray paint spelled out LONG LIVE EVIL. Mal holstered her paint can, reveled in her work, and stepped into the bustling marketplace, where she was quickly swept up in the throng and blended into the sea of haggard, worn faces.
Walt Disney Company (Descendants Junior Novel)
He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire. “Your hands are cold,” he said, looking at her fingers. She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands. “So…” she said. “I suppose we know our scene, more or less,” he said. Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt. “We should probably return. Curtain, or bedsheet, I should say, is in two hours.” “Right. Of course,” he said, though he seemed a little sorry. The evening had pulled down over them, laying chill like morning dew on her arms, right through her clothes and into her bones. Though she was wearing her wool pelisse, she shivered as they walked back to the house. He gave her his jacket. “This theatrical hasn’t been as bad as you expected,” Jane said. “Not so bad. No worse than idle novel reading or croquet.” “You make any entertainment sound like taking cod liver oil.” “Maybe I am growing weary of this place.” He hesitated, as though he’d said too much, which made Jane wonder if the real mad had spoken. He cleared his throat. “Of the country, I mean. I will return to London soon for the season, and the renovations on my estate will be completed by summer. It will be good to be home, to feel something permanent. I tire of the guests who come and go in the country, their only goal to find some kind of amusement, their sentiments shallow. It wears on a person.” He met her eyes. “I may not return to Pembrook Park. Will you?” “No, I’m pretty sure I won’t.” Another ending. Jane’s chest tightened, and she surprised herself to identify the feeling as panic. It was already the night of the play. The ball was two days away. Her departure came in three. Not so soon! Clearly she was swimming much deeper in Austenland waters than she’d anticipated. And loving it. She was growing used to slippers and empire waists, she felt naked outside without a bonnet, during drawing room evenings her mouth felt natural exploring the kinds of words that Austen might’ve written. And when this man entered the room, she had more fun than she had in four years of college combined. It was all feeling…perfect.
Shannon Hale (Austenland (Austenland, #1))
Later, after Abby had lugged Fred back inside and was taking off his jacket, she heard a crinkling sound and reached into the pocket of her coat. Her hand closed around an envelope. She pulled it out and saw her name in neat printing. ABIGAIL. She waited until she was alone in her room to open it, and inside she found a card showing a girl and boy joyfully riding a giant bumblebee, the words Valentine, I’m abuzz over you trailing in the wake of the bee. She flipped the card open. Zander had written BEE MINE, ZANDER in the same neat handwriting. Abby frowned, then smiled, and added the card to the ones she’d received from Rose and Sarah the day before. She hadn’t dared to give Zander a Valentine.
Ann M. Martin (Better to Wish (Family Tree #1))
Sure,’ Mary said, putting on a smile. ‘I have to get back. But please, feel free to look around as much as you’d like.’ Roper gave her a look that said, we don’t need your permission for that, but Jamie thanked her anyway and let her walk off.  He sucked on his teeth the way he did when he wanted a cigarette, and watched Mary go out of earshot. ‘Find anything?’ he asked, turning to Jamie. She let out a long breath. ‘Don’t know yet. Looks like Grace wasn’t as faithful to Ollie as she made out.’ ‘Lover’s tiff?’ ‘Could be.’ Jamie thought about it. ‘Spurned ex, maybe. Maybe it’s the drugs. Maybe something else entirely.’ She rubbed her eyes. It’d been a long morning and she needed to eat. ‘Come on. Let’s head back to HQ, get this written up. We’ll come back when Grace shows her face.’ Roper nodded without a word and headed for the door, already reaching for his cigarettes. Chapter 6 Jamie zipped up her jacket and dug her hands into her pockets, following Roper out the door. He’d sped on ahead so that he could light up before Jamie told him not to. She didn’t like that fresh stink in her car, and she definitely wouldn’t let him smoke in there anyway. And he definitely wasn’t above running out and doing it before she had time to protest. Her effort to make him quit by forcing him to stand in the cold obviously wasn’t working. He was a seasoned smoker and spent most nights standing outside pubs, come rain or shine, sucking down smoke.  That and the fact that he was far too stubborn to give in to such a weak ploy. It was like those goats that stand on the side of damns to lick the salt off. One missed step and it was guaranteed death. But they were single minded. And so was Roper. If she cared more she might have tried harder, but she knew from experience that when guys like Roper made a decision, they’d stick to it forever. As far as he was concerned, the drinking and the smoking was as much a part of him as his belly button was. It couldn’t be changed, and trying would only invite self-loathing. Guys like him had to hit rock bottom. Only then could they start coming back up. But sometimes they just stayed there, scraping the ground until they gouged a hole deep enough to die in.  She should call her mum. It had been a while. Outside, Roper was already two drags in by the time she reached the steps. A couple of the people outside had moved on and the guy in the sleeping bag had woken up and headed inside, though the urine stain that had seeped into the stone under him still remained. Jamie tried not to breathe through her nose as she hopped down the steps, her shin still throbbing from the morning’s bout with Cake.  She opened her mouth to tell Roper to hurry up when she almost got knocked over. A guy in his forties with an expensive suit and a long lambswool coat was rushing by, his head turned towards the steps. ‘Filthy fucking cretins,’ he almost yelled at the three homeless people still perched on the steps, before colliding with Jamie. He stumbled sideways, down into the roadway, shoving Jamie backwards.  ‘Get off!’ he shouted, flapping his arms. Jamie steadied herself and stared at him. Roper even stopped smoking his cigarette and came forward. ‘Hey!’ he called. ‘You’re not having any!’ the man yelled again, striding forward away from the shelter. ‘You should all be drowned. Wash this goddamn city clean!
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
HOUSEHOLD MAINTENANCE I’ve written the following list to help you with the maintenance tasks that will have the most impact on the longevity of your belongings. Every day Act fast to clean up spills on furniture or clothing. Update software as needed to avoid getting hacked. Every week Vacuum, dust, and clean the house and furniture. Condition regularly worn shoes. Clean clothes as necessary. Clean out the dishwasher filter. Every month Descale the coffee maker (see this page). Condition regularly used leather bags and shoes worn less often. Fix any garments in the mending pile. Every three months Oil wood cutting boards and spoons. Put frozen vinegar cubes in the garbage disposal. Check the smoke alarms. Check the water softener (if you have one). Every six months Deep clean the house. Turn and vacuum the mattress. Launder the pillows and duvet. Polish wood furniture. Deep clean the fridge. Clean the refrigerator coils. Put petroleum jelly on the fridge seals. Run the cleaning cycle of the dishwasher and washing machine. Inspect the gutters. Every year Take stock of the items in your life (see Chapter 8). Have any leather jackets professionally cleaned. Get the knives sharpened. Clean the filter in the kitchen hood fan. Check the grouting around the tiles in the kitchen and bathroom. Flush the hot-water system and have the boiler serviced. Inspect the roof and exterior of your home (best done in spring/summer). Fix any loose fixings or screws. Clean and consider repainting/resealing the exterior woodwork. Every two years Have a professional deep clean of your upholstery and carpets.
Tara Button (A Life Less Throwaway: The Lost Art of Buying for Life)
Jack walked out front, all eyes on him. He focused on the door and kept walking, his jacket in hand. It was freezing out, but he let the cold wash over him. Never again, he vowed as he crossed to his car. He opened the envelope and looked down at the picture inside. A rat-faced guy was posing to show off his new tattoo. Kevin Arnold. He’d have to run his background when he got home. On the back of the picture Marisa had written, “I’ll wait.” Next to it, she’d written the number 2614 and had drawn a heart around it. He remembered the new tattoo on Marisa’s back: a heart with a gold combination lock. He hadn’t made the connection before, but he did now. The combination
Christopher Greyson (Girl Jacked (Jack Stratton, #1))
THIS WHOLE story would have remained hidden under the starched cuff and sleeve of a jacket, if not for the Weekly Review. The Weekly Review came up with a questionnaire (Your favorite writer? Your average weekly earnings? Your goal in life?) and sent it out to all subscribers. Among the thousands of completed forms (the Review had a huge circulation), the sorters found one, Form No. 11111, which, wander as it would from sorter to sorter, could not be sorted: On Form No. 11111, opposite “Average Earnings,” the respondent had written “0,” and opposite “Goal in Life,” in clear round letters, “To bite my elbow.
Sigizmund Krzhizhanovsky (Autobiography of a Corpse)
In the shop window you have promptly identified the cover with the title you were looking for. Following this visual trail, you have forced your way through the shop past the thick barricade of Books You Haven't Read, which were frowning at you from the tables and shelves, trying to cow you. But you know you must never allow yourself to be awed, that among them there extend for acres and acres the Books You Needn't Read, the Books Made For Purposes Other Than Reading, Books Read Even Before You Open Them Since They Belong To The Category Of Books Read Before Being Written. And thus you pass the outer girdle of ramparts, but then you are attacked by the infantry of the Books That If You Had More Than One Life You Would Certainly Also Read But Unfortunately Your Days Are Numbered. With a rapid maneuver you bypass them and move into the phalanxes of the Books You Mean To Read But There Are Others You Must Read First, the Books Too Expensive Now And You'll Wait Till They're Remaindered, the Books ditto When They Come Out In Paperback, Books You Can Borrow From Somebody, Books That Everybody's Read So It's As If You Had Read Them, Too. Eluding these assaults, you come up beneath the towers of the fortress, where other troops are holding out: the Books Dealing With Something You're Working On At The Moment, the Books You Want To Own So They'll Be Handy Just In Case, the Books You Could Put Aside Maybe To Read This Summer, the Books You Need To Go With Other Books On Your Shelves, the Books That Fill You With Sudden, Inexplicable Curiosity, Not Easily Justified. Now you have been able to reduce the countless embattled troops to an array that is, to be sure, very large but still calculable in a finite number; but this relative relief is then undermined by the ambush of the Books Read Long Ago Which It's Now Time To Reread and the Books You've Always Pretended To Have Read And Now It's Time To Sit Down And Really Read Them. With a zigzag and a dash you shake them off and leap straight into the citadel of the New Books Whose Author or Subject Appeals To You. Even inside this stronghold you can make some breaches in the ranks of the defenders, dividing them into New (for you in general) and New Books By Authors Or On Subjects Completely Unknown (at least to you), and defining the attraction they have for you on the basis of your desires and needs for the new and the not new (for the new you seek in the not new and for the not new you seek in the new). All this means that, having rapidly glanced over the titles of the volumes displayed in the bookshop, you turn toward a stack of If on a winter’s night a traveler fresh off the press, you have grasped a copy, and you have carried it to the cashier so that your right to own it can be established. You cast another bewildered look at the books around you (or, rather: it was the books that looked at you, with the bewildered gaze of dogs who, from their cages in the city pound, see a former companion go off on the leash of his master, come to rescue him), and out you went. You derive a special pleasure from a just-published book, and it isn’t only a book you are taking with you but the novelty as well, which could also merely be that of an object fresh from the factory, the youthful bloom of new books, which lasts until the dust jacket begins to yellow, until a veil of smog settles on the top edge, until the bindings become dog-eared, in the rapid autumn of libraries. No, you hope always to encounter true newness, which having been new once, will continue to be so. Having read the freshly published book, you will take possession of this newness at the first moment, without having to pursue, to chase it. Will it happen this time? You can never tell. Let’s see how it begins.
Italo Calvino (If on a Winter’s Night a Traveler)
Besides the local residents, Meraud frequently entertained visitors from other parts of the world. There was an extremely eccentric Spanish marquise, a royalist who had fled Franco and was plotting the return of the monarchy to Spain. She was an aggressive lesbian who seemed to expect Meraud to provide her with a female companion. Meraud balked at this, complaining that she had no intention of procuring for any of her guests. One day the marquise showed me the jacket of a book she had written about the Spanish War under a male pseudonym, featuring a photo of the marquise cross-dressed as a man, with a fake mustache to enhance the illusion.
Curtis Harrington (Nice Guys Don't Work in Hollywood: The Adventures of an Aesthete in the Movie Business)
The truth was I didn’t believe I was ever meant to be an insecure person, and that was because for the most part I wasn’t. I believed in my own intelligence; I believed in my own common sense; I believed that my personality, albeit quirky, was a good one; I believed that I was capable; I believed that I could do whatever I set my mind to. I wanted to believe that if someone didn’t like me, then that someone wasn’t worthy of my time. I believed in me. I believed in all the things written within me, I’d just somehow along the way stopped believing in my book jacket.
Samantha Young (Before Jamaica Lane (On Dublin Street, #3))
I stand there, shivering slightly in a jacket that isn’t warm enough for the amount of time I’ve been standing out on this porch. I hear raised voices inside the house—Tim and his mother arguing. I can only imagine what they’re saying to each other. He doesn’t want to see me. That much is clear. After what feels like an eternity, the door swings open again. And there he is. Tim Reese. The boy next door. The guy I thought I was falling in love with before I temporarily sent him to prison for murder. Oh boy. He doesn’t look great. I remember how I swooned a bit when I saw him standing outside the elementary school on Josh’s first day of school. But now he looks tired and pale and about fifteen pounds thinner. And pissed off as hell. “Brooke.” His eyes are like daggers. “What are you doing here?” He doesn’t invite me in. He doesn’t even budge from the doorway. “Um.” I wish I had planned something to say. I could have written down a little speech. Why oh why didn’t I write out a speech? “I wanted to say hi.” His eyebrows shoot up. “Hi?” “And welcome home,” I add. There isn’t even a hint of a smile on Tim’s lips. “No thanks to you.” “Look…” I squirm on the porch. “This hasn’t been easy for me either, you know—” “I was in prison, Brooke.” “Yeah, well.” I raise my eyes to meet his. “Josh’s dad tried to kill me. So, you know, it hasn’t been any picnic.” “No kidding.” Tim folds his arms across his chest. He’s wearing just a sweater, and I’m cold in my coat, so he’s got to be freezing, but he doesn’t look it. “I’d been telling you all along that Shane was dangerous. Didn’t I tell you? Didn’t I warn you repeatedly?” I hang my head. He absolutely did. “The guy stabbed me in the gut.” His fingers go to the area on his abdomen where he still has that scar. “I was practically bleeding to death, barely conscious, and I dragged myself off the floor when I saw you make a run for it. I grabbed that baseball bat off the floor and hit Shane as hard
Freida McFadden (The Inmate)
I take it you have some sort of plan going? Something that calls for you to be arrested?" "There, now, you see? I told Drake you'd grasp the gist of things right away, but he had his doubts." "Drake?" I straightened up. "Is Gabriel with him? Did he get my message?" "Of course he got your message. That's why I'm here. Is there no chair?" she asked, frowning around the empty room. "No. I hate to let down the team and all, but what exactly are you doing here? Is Gabriel going to be able to get me out of being sent to the Akasha? Is he going to appeal the conviction?" "Better than that," she said with smile, glancing around quickly before leaning in closely, her voice dropped to almost a whisper. "We're going to bust you out of here." "Bust me..." I closed my eyes for a moment. "You've been watching too many old westerns. No one conducts jailbreaks these days. Especially not when the jailers are the L'au-dela committee." "That's why this plan is so incredibly cunning," she said, giving my arm a little squeeze. "They're all expecting you to try to escape-they'll never expect us to break you out of here." "Oy," I said, sliding down the wall to the floor. "This has 'doomed from the start' written all over it. You didn't think up this plan yourself, did you?" I asked suspiciously. She looked offended. "No, I didn't, and you can stop being such a negative Nelly. Gabriel thought up the plan, and Drake and I are helping. I'm the decoy, you see." "Of course you are. What, exactly, is this grandiose escape plan?" Her mouth set in a prim manner. "I can't tell you." "Why not?" "There could be bugs. We don't want them to know our plans." "If they were listening in, you just told them there's a plan, so they'll be expecting something to happen," I pointed out. "Yes, but they won't know what," she said, pulling off her jacket. Her shirt followed almost immediately, as did her jeans, shoes, and the sparkly pink socks that she was so prone to wearing despite the fact they would look more at home on a twelve-year-old. I watched her striptease with confusion for a moment before a thought struck me. "You don't mean-" "Shhh," she said, waving a vague hand around as she pulled off the scarf she wore to confine her bangs. "Bugs, remember?" I bit back an obvious reply, thought for a moment, then decided that although the plan Gabriel had come up with was too I Love Lucy for words, I didn't have any alternative. I stripped.
Katie MacAlister (Playing With Fire (Silver Dragons, #1))
Thousands on the roads, the abandoned railtracks, tonight, bums on the outside, libraries inside. It wasn't planned, at first. Each man had a book he wanted to remember, and did. Then, over a period of twenty years or so, we met each other, traveling, and got the loose network together and set out a plan. [...] We' re nothing more than dust jackets for books, of no significance otherwise. Some of us live in small towns. Chapter One of Thoreau's Walden in Green River, Chapter Two in Willow Farm, Maine. Why, there's one town in Maryland, only twenty-seven people, no bomb'll ever touch that town, is the complete essays of a man named Bertrand Russell. Pick up that town, almost, and flip the pages, so many pages to a person. And when the war's over, some day, some year, the books can be written again, the people will be called in, one by one, to recite what they know and we'll set it up in type until another Dark Age, when we might have to do the whole damn thing over again. But that's the wonderful thing about man; he never gets so discouraged or disgusted that he gives up doing it all over again, because he knows very well it is important and worth the doing.
Ray Bradbury
The Beginning Sergeant Smelly was a normal man. He lived in a normal village, full of normal people and had a normal address. He lived at 1 Normall Street in the village of Normall Normall. The village was so normal they named it twice. His first name was eighty-three percent normal—Norman. Most people knew him as Normal Norman from Normall Normall; a rotund and jolly man who lived an exceedingly normal life. Well, normal, if appearing in court on exploding fart charges was normal. Normal, if producing fire from your butt was normal. All of his body parts were normal. Apart from one: his butt. His butt was abnormal. It used to be a normal butt, but everything changed in the blink of a fart. Sergeant Smelly's face glistened with sweat and his heartbeats quickened as the judge read out the charge. "Sergeant Smelly, you are here today because you could not control your soldiers, not to mention your bottom. You are hereby charged with the crime of producing exploding fire-farts. How do you plead?" asked Army Judge Mental. The stout sergeant considered the question and his thoughts transported him back to the day it all went smelly. One fateful morning, Sergeant Smelly lay in bed suffering from a horrible cold. Empty boxes lay scattered across the floor, and the bin overflowed with used tissues. He groaned as he pulled the last tissue from the box. A passer-by in the street below jumped as he heard the foghorn sound. He inspected the contents of the tissue (Sergeant Smelly, not the passer-by) and wished he had not. It was time for action. The suffering soldier dragged himself out of bed and got dressed. He wore a waterproof jacket on top of his uniform, as his army blazer was not snot-proof. Not that any of his other clothes were snot-proof. He trudged downstairs and made himself a hot lemon with honey, then switched on his laptop. After an extensive internet search, he found the best remedy to fix the cold was to feed it, so he plodded into town and searched for a place to eat. The first eatery he found had a ridiculous name, but the café was almost full. He watched the customers from the window as they tucked into their food. The plain wooden tables and basic white tablecloths oozed simplicity, but the gorgeous grub eclipsed the plain interior. Silence filled the air as customers tucked into delectable dishes and drifted off to food heaven.  But an odorous pong emanated from the café, and it was not the food. Sergeant Smelly did not smell the malodorous stench due to his blocked nose and cold. The cold was so bad it came alive. Colin the Cold smelled the awful pong and begged his owner to reconsider. He tried in vain to turn his attention to the sandwich shop, but Sergeant Smelly did not hear him. Colin the Cold saw disaster around the corner. Major Disaster walked around the corner and greeted him in a bright and cheery fashion. "Morning, Smelly," said Major Disaster in a bright and cheery fashion. Colin the Cold was correct and sensed nothing good would come of Sergeant Smelly eating at Café McPoo. It had Disaster Area written all over it, but the police apprehended the graffiti artist, and he was hard at work wiping the words ‘Disaster Area’ from the front of the café. Colin the Cold frowned and prepared himself for the worst. And so it began.
James Sharkey (Sergeant Smelly & Captain Chunder Save The Day)