Jacket Style Quotes

He looks sexy in a black army jacket - brass buttons and braids - over a white shirt. I have to admit, he's got style. I can only hope it's not gay style.

His white admiral's jacket gleamed with medals, nut Loki wasn't exactly wearing it regulation-style. It was open over a black T-shirt featuring Jack Nicholson's face from The Shinnig. The caption read: HEEEERE'S LOKI!

So exiled have even basic questions of freedom become from the political vocabulary that they sound musty and ridiculous, and vulnerable to the ultimate badge of shame-'That's so 60's!'-the entire decade having been mocked so effectively that social protest seems outlandish and 'so last century,' just another style excess like love beads and Nehru jackets. No, rebellion won't pose a problem for this social order.

I was stuck back on “you can’t have two maids of honor” and therefore fighting back hyperventilation at the same time flashing pictures filled my head of a commando-style wedding; Hawk in black cargos, me in a white flak jacket festooned with lace. The picture of me carrying a bouquet of flowers and Hawk carrying an automatic weapon. The picture of me admiring Hawk’s huge-ass hunting knife. The picture of Hawk carrying me out of the reception in a fireman’s hold while bullets flew and flames caused by Molotov cocktails danced on the dance floor.

Then he realized that Salander was in costume. Usually her style was sloppy and rather tasteless. Blomkvist had assumed that she was not really interested in fashion, but that she tried instead to accentuate her own individuality. Salander always seemed to mark her private space as hostile territory, and he had thought of the rivets in her leather jacket as a defense mechanism, like the quills of a hedgehog. To everyone around her it was as good a signal as any: Don't try to touch me—it will hurt.

Do you have a leather jacket? One for a ten-year-old boy?" I asked the man selling leather jackets and gloves in Covent Garden, London. "Yes, I have one right here!" And the man dug out a fine leather jacket that looked styled and tailored for a young boy. "I'm buying this for my son" I said to him. "I love this jacket, it's perfect, I think I will just come back for it tomorrow, though! I'll be back tomorrow, okay?" And the man reached his arms above his head, and said with a big smile upon his face "You only have one life to live! What is the difference if you do something today, or if you do it tomorrow?" I thought about the man's words. And I bought the jacket. He was right, there is no difference, really, between doing something today and doing something tomorrow, when you only have one life to live! Afterall, tomorrow may never come! All you really have is today!

He's wearing black jeans and an amazingly hot black biker jacket over a white T-shirt.His normally casual bedhead is not perfectly styled bedhead. He also has light blue skin, but his tattoo are understated, just dots in a straight line that go ear from ear, crossing the bridge of his nose. He props himself against the doorway, and my head goes blank. "I like the viney things you have going on there." I clear my throat because it has suddenly gone dry. "Thanks. You look very..." I trail off because i almost said elf-a-licious

Hey. Do you want a cracker?" a velvet voice asked me. I didn't look up, I wasn't sure if he was even talking to me. Why would an attractive senior be talking to me? "Hey, I'm talking to you," he said, a chuckle in his voice. I slowly lifted my head peering at him from under my long lashes. His dark brown hair swept across his forehead, and his deep blue eyes made me gasp. He wore the ultimate laid back style, a white t-shirt and jeans. All he needed was a black leather jacket, and he would be the bad boy from my book. The smile on his face was breathtaking and I found myself unable to speak.

What about his style?" asked Dalgliesh who was beginning to think that his reading had been unnecessarily restricted. "Turgid but grammatical. And, in these days, when every illiterate debutante thinks she is a novelist, who am I to quarrel with that? Written with Fowler on his left hand and Roget on his right. Stale, flat and, alas, rapidly becoming unprofitable..." "What was he like as a person?" asked Dalgliesh. "Oh, difficult. Very difficult, poor fellow! I thought you knew him? A precise, self-opinionated, nervous little man perpetually fretting about his sales, his publicity or his book jackets. He overvalued his own talent and undervalued everyone else's, which didn't exactly make for popularity." "A typical writer, in fact?" suggested Dalgliesh mischievously.

There’s nothing about me on the jacket because I have no credentials. I majored in English at school, but I only took one creative writing class. I think I got a B. And I never really thought about getting an MFA. I’m too spiteful to take criticism constructively and I’m only comfortable being honest about people behind their backs, so workshops or group critiques were never what I was looking for. For years I just wrote in journals and didn’t really worry about turning any of it into stories or stuff for other people to read, so I guess I developed my writing style by talking to myself, like some homeless people do. Only I used a pen and paper instead of just freaking out on the street. If they switched to a different medium they might be better off. It would probably help if they had someplace to live too.

Seventies macho was both a look – moustache, jeans, leather jacket – and an attitude – cool, heartless, virile – that were reactions against the old-style homosexuality of too much art and too much emotion.

Wrong Planet people tend to dress slightly differently from Rag, Tag & Bobtail. My son, Kai, always used to say that I have my own swag, meaning that my style of clothing is different from a lot of people. Not radically so, I’m not completely outrageous – although I’ve probably had my moments – but my clothes are often quite different from everybody else’s, who for the most part socialise in the same kind of shirts they wear to work. I was wearing shirts or jackets 20 years ago that are only just starting to come into fashion nowadays. I can’t explain this, I’m hardly a trend-setter, just that I’ve always liked that style.

Everything I touched or did spoke to me of sadness. Each article of clothing—shirt, tie, jacket—felt cut out of different bolts of sadness, each a peculiar weave and shape and hang of sadness, as though sadness came in lots of styles.

They call each other ‘E.’ Elvis picks wildflowers near the river and brings them to Emily. She explains half-rhymes to him. In heaven Emily wears her hair long, sports Levis and western blouses with rhinestones. Elvis is lean again, wears baggy trousers and T-shirts, a letterman’s jacket from Tupelo High. They take long walks and often hold hands. She prefers they remain just friends. Forever. Emily’s poems now contain naugahyde, Cadillacs, Electricity, jets, TV, Little Richard and Richard Nixon. The rock-a-billy rhythm makes her smile. Elvis likes himself with style. This afternoon he will play guitar and sing “I Taste A Liquor Never Brewed” to the tune of “Love Me Tender.” Emily will clap and harmonize. Alone in their cabins later, they’ll listen to the river and nap. They will not think of Amherst or Las Vegas. They know why God made them roommates. It’s because America was their hometown. It’s because God is a thing without feathers. It’s because God wears blue suede shoes.

I throw him a smile and pull on my suit jacket and then my hat. “Come on, what would you do?” He pauses for a moment and then lets out a low chuckle. “Just go. Maybe you two can sing in the rain Frank!” he jests, eyeballing my fedora. I throw him a sly smirk. “You may be the better looking brother Kyle, but you know I’m the one with the killer style!

THE OLD ARE LIKE BOOKS The old are like books, crack-spined, Their foxed pages dogeared at favorite paragraphs While whole chapters have been forgotten. Each cover scuffed, dust-jackets lost, Titles alluding to something long out of style, Prose suffering from an overuse of footnotes, Occasional longueurs, over-repetitions of the main theme, But overall, unique and idiosyncratic tales. Of another era, but preface to this.

a gentleman should turn to a mirror with a sense of distrust. For rather than being tools of self-discovery, mirrors tended to be tools of self-deceit. How many times had he watched as a young beauty turned thirty degrees before her mirror to ensure that she saw herself to the best advantage? (As if henceforth all the world would see her solely from that angle!) How often had he seen a grande dame don a hat that was horribly out of fashion, but that seemed au courant to her because her mirror had been framed in the style of the same bygone era? The Count took pride in wearing a well-tailored jacket; but he took greater pride in knowing that a gentleman’s presence was best announced by his bearing, his remarks, and his manners. Not by the cut of his coat.

You don’t have to be here,” William offered with his trademark quiet solemnity. I shook my head but kept my eyes fixed on the closed doors at the end of the hall. “No. I wouldn’t miss it.” Would rather be home in my slippers watching Judge Judy, sure, but duty calls. That was my style of party these days. Throw in a slice of Battenberg and some Werther’s Originals and I could go wild on a sugar high. But no, today was William’s birthday, so I was going to try and keep my grumpy old man behavior to a minimum. Try being the operative word. No promises. My teammate, and the guest of honor for this particular party, tugged on the sleeve of my suit jacket and brought us to a stop. “Hey. Seriously. You’re eighteen months sober.” “Has it been eighteen months already?” I stroked the stubble on my chin and cracked a grin. “Time flies when you’re killing house plants.

The neighborhood’s only cheerful sound I usually sleep through: the morning coos of toddlers. A troop of them, round-faced and multilayered, walk to some daycare hidden even farther in the rat’s nest of streets behind me, each clutching a section of a long piece of rope trailed by a grown-up. They march, penguin-style, past my house every morning, but I have not once seen them return. For all I know, they troddle around the entire world and return in time to pass my window again in the morning. Whatever the story, I am attached to them. There are three girls and a boy, all with a fondness for bright red jackets—and when I don’t seen them, when I oversleep, I actually feel blue. Bluer. That’d be the word my mom would use, not something as dramatic as depressed. I’ve had the blues for twenty-four years. I couldn't get up, even when I heard the kids make their sleepy duckwalk past my house. I pictured them in big rubber rainboots, clomping along, leaving rounded footprints in the March muck, and I still couldn't move.

On Rossini's 'The Barber of Seville' - "Much has been written about the fiasco of the opera's first night on 20 February 1816, most of it true: the mockery of Rossini's Spanish-style hazel jacket, the rowdy animosity of the Paisiello lobby, the jeering and the catcalls, as one mishap succeeded another. Basilio sang his 'Calumny' aria with a bloodied nose after tripping over a trap door; then during the act 1 finale, a cat wandered onstage, declined to leave, and was forcibly flung into the wings. According to the Rosina, Gertrude Righetti Giorgi, Rossini left the theatre 'as though he had been an indifferent onlooker'... The second performance was a triumph, though Rossini was not there to witness it. He spent the evening pacing his room, imagining the opera's progress scene by scene. He retired early, only to be roused by a glow of torches and uproar in the street. Fearing that a mob was about to set fire to the building, he took refuge in a stable block. Garcia tried to summon him to acknowledge the adulation. 'F***' their bravos!' was Rossini's blunt rejoinder. 'I'm not coming out'.

Obama benefited from Saul Alinsky’s transracial strategy to assemble an effective coalition. Alinsky’s goal was for the activist to reach America’s white middle class because, as he put it, “that is where the power is.” Alinsky had nothing but contempt for left-wing activists who treated the white middle class as a bunch of square, sexually uptight, gun-toting, small-minded racists. Yes, Alinsky wrote, the middle class is mighty screwed up. But it has become that way because it’s desperate; its economic condition is deteriorating and so people turn to guns and religion to give them consolation. (Sound familiar?) Alinsky advocated that a successful activist must not disdain the middle class but rather join it. Certainly he wasn’t calling for an embrace of the provincial values of the middle class. Rather, he urged that activists adopt the style and attitude of the middle class. If the middle class is “square,” then be square. Don’t wear the black leather jacket and the hippie bandana; wear a suit and tie. Don’t come across as an angry misfit; come across as a nice young man who is only upset because of manifest injustice. Smile a lot; smiles are a great way to disguise rage and contempt. In this way, Alinsky argued, the activist could build a rapport with ordinary Americans and mobilize them on behalf of radical causes.10

Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.

I'm sure the American Association of Dry Cleaners would hate me, but the harsh chemicals used in dry cleaning will break down fabrics in the finest garments over time. Fibers that are dyed navy blue, black, or dark gray are already dressed by holding the dye. Dry cleaning dies the fabric out, which is why suits cleaned in this manner begin to shine. Unless you happen to sweat profusely, suits can be cleaned by dipping a whisk broom in cool water and gently brushing the suit. Put outside in fresh air but not direct sunlight to dry. It is essential that a suit or jacket and trousers be allowed to air out immediately after a wearing. Unless you are a slob, you should only need to clean a suit twice a year if worn in regular rotation.

And Mrs. Orton had the seizure right after you applied the lipstick?" Reggie's voice was dead serious. Drea nodded. That little tidbit set off Cam's warning sirens. Not good. Reggie closed his notebook and deposited it in his inner jacket pocket. "Can you think of anything else?" Drea opened her mouth, then closed it and shook her head. Christ. So she had a possible motive, opportunity, means to kill Natasha Orton, and she was obviously holding something back. She may not be the only suspect, but even Cam had to admit she was a mighty good one.

Are we going to get killed?" Cam scoped out the dingy room. No doubt there was at least one shotgun behind the bar and a few armed patrons, but no one struck him as particularly dangerous. "Not likely." She kept her palm on the table and covertly pointed to a guy in a biker jacket with a large skull smoking a blunt. "But possible?" He shrugged. "It is Friday night.

Josie said. “We almost gave up several times,” Dora admitted, shaking her head.  “But maybe the quilt did keep us from going home earlier than we had planned.” “I like the name Rolling Stones,” Josie commented. “Hey, that’s kind of like us. We didn’t use wagons, but we managed to tour part of the country.” “You’re right. I believe we should just keep the quilt.” “Won’t it remind us of all the anxious moments?” “Maybe, but we showed courage and persevered,” Dora said, soundly.  “Hey, where’s the bonus they promised us?” “Well, I don’t know.” Dora searched the box and held up a blue envelope. “Let’s see.” Josie whipped it out of her hand. She broke the seal and took out two airplane tickets. “Airplane tickets?” Dora asked in disbelief. “What do we do with tickets?” “Here’s a note between the tickets.” Josie opened it.  “It says the tickets are for a quilt show in Philadelphia. Milton wants us to attend.  He says he will meet us there and answer more questions for us.” “But we’re afraid to fly,” Dora protested. “Could we send the tickets back?” Josie suggested. “I don’t think so. Milton will be out his money.” “When is it?” Dora took the tickets and examined them. “In September. Only a month away.” Josie tapped her chin in thought. “If we decided to do more touring, we could extend our trip from there to the New England States.” “We could see the autumn leaves,” Dora said, excitement rising in her voice. “Anthony wanted us to visit him in Iowa,” Josie reminded Dora. “How are we going to work all this in?” “I have no idea. Why does traveling have to be so complicated and so full of surprises?”   ______   MDora looped a bright red scarf around her neck while glancing out her bedroom  window. The wind swirled bits of trash down the sidewalk of their Hedge City, Nebraska, home. She sighed, wishing she could stay at home today and read.  Buzzie looked up at her and meowed, expressing the same sentiments. She reached down and patted her softly.  But she didn’t have that luxury today. She had agreed to substitute teach for the current English teacher who would be out for at least a week.  Josie called from the kitchen. “Want more coffee?” “Yes, please.  Fill my mug.  I’ll drink it on my way to school.” She reached into the closet and pulled out a beige sweater. A glance in the mirror confirmed the bright red scarf did wonders for the nondescript sweater’s color. Josie joined her at the door dressed in russet slacks and matching jacket and handed Dora her mug.  “A little blustery today.” “For sure.” Dora eyed Josie, wishing she had the sense of style Josie displayed. The sisters would walk together and then would split to their separate ways, Josie to fill in at the

The Italian-owned Benetton label, for example, manufactures its entire clothing line in white. Once the clothes are delivered to distribution centers, Benneton’s analysts assess what color or length is in vogue, at which point workers dye and cut the company’s shirts, jackets, pants and infant apparel to replicate the style and color preferences popular at the time.

Probably the best-known images of any Cherokee are those of Sequoyah, who is virtually always pictured wearing what appears to be a turban and blue jacket of European design. Both were, in fact, common clothing among Cherokee of that era, though not the tribe’s original dress. Although some have claimed the turban as evidence of pre-European contact by Arabs, the real origin of the outfit was more recent. When the first delegation of Cherokee visited England, the tattooed heads and bodies of the men were deemed too savage and frightening for their audience with the Royal Family. To cover up these markings, they were given English smoking jackets and turbans, such as those worn by the Muslim servants of the royal household. For whatever reason, these styles caught on among the people of the Five Civilized Tribes and continue to be part of cultural dress among the Cherokee.

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He’s wearing ripped skinny jeans, a white band tee with his leather jacket, and all black Converse. His hair is styled in an effortless way, with curly ringlets sitting in a perfect mess on his head.

The man was tall and thin, with ratty brown hair and pale skin. He had ochre eyes and a black clinical mask. What he didn't have was any taste in clothes, anyone with half a brain would know that purple and khaki green make an appalling combination, and those were the colours on his combat jacket with its feather boa-style collar. Even more weirdly he'd gone for a black dress shirt and silver tie beneath. Okay maybe now wasn't the time for Bakugou to judge the guy's dress sense. But it was fucking shitty.

Walk down Bond Street and laugh at the idiots who think shearling-lined Gucci loafers and fur-trimmed puffer jackets are the epitome of style and you’ll see what I mean.

Pride of place in my wardrobe is an Edwardian-style Norfolk Jacket in Derby Tweed. It is silk-lined with leather-clad buttons and has a smell that reminds me of wet moss and fallen leaves.

Inside it looks like a nineteenth century palace, given the attention to detail and the elegance of the furniture: there are two carpets on the floor, more paintings in gilt frames, wooden furniture along the walls, and a large table with a flower arrangement in the center. All lit with spotlights. Andrea feels like he’s in another era and another season; it doesn’t look like a home in the mountains and there's no summer heat. He expects some nobility to appear. Indeed, standing next to the table is Ian. And he’s watching them. Andrea gasps silently. "Here we are," says Carlotta. "We’re very sorry for making you wait, Count." "Don’t worry, Carlotta," he says politely, moving closer. Ian’s wearing a white top with a black satin jacket and pants, also satin, with a stripe down the side. It creates a strange Casual Count effect that both stuns and disturbs Andrea. Always ambiguous, Ian doesn’t seem to want to adapt to anything. Not even a normal style. Was he not sure whether to go for a stroll or to a party? Andrea feels his brain smoking so much that it must be on fire. "These inconveniences can happen." He smiles at her and she blushes to the point of melting. Her knees buckle and she touches her face, embarrassed. Typical! Andrea grunts. "Can you introduce your friend to me?" says Ian. "Of course. He’s the guy.....," she stops. "Nearest to our Maicol." Ian looks at him and pretends not to know him. Andrea does the same. "Exactly," says Carlotta.

I thumbed through the outfits and my hands grazed leather. A black leather jacket. I could dimly recall wearing it at some point. Must’ve been during my “Oh look, I’m tough!” days. I slipped it on and looked in the bedroom mirror. I looked like a bravo. And it was hot. Oh well. It was better than nothing. I took the jacket off, changed my T-shirt for a dark gray tank top, slipped on the tangle of the back sheath, and put the jacket on again. Thugs are us. Great. Just add a super-tight ponytail and loads of mascara, and I’d be ripe to play a supervillain’s evil mistress. Ve haf vays of making you gif us your DNA sample. I settled for my usual braid. Having rebraided by hair, I paused, considered the arsenal available to me, put on thin wristbands loaded with silver needles, and took nothing else except Slayer. To get clear of two hundred enraged shapechangers I’d need a case of grenades and air support. There was no reason to weigh myself down with extra weapons. Then again, maybe I should take a knife. One knife, as a backup. Okay, two. And that’s it. Armed and dressed to kill—or rather to die quickly but in style—I went to get the wolf-man and together we took the gloomy staircase down to the street.

They had to park the Jeep, load the engine parts into the dinghy, and row across the bar, so by the time they reached the Misty Day Spence was already there, leaning against the cradle, puffing on a cigarette. Mr. Jones frowned when he saw him. “How old are you?” he asked. “Sixteen,” said Spence. “Why?” “Do you know what your lungs are going to look like by the time you’re fifty?” Spence shrugged, then nodded toward the ever-present pipe that hung from Mr. Jones’s lip. “No worse than yours, I guess,” he said. Mr. Jones looked puzzled. “He means your pipe,” Denny prompted. “Yeah,” said Spence, “and don’t give me any of that crap about a pipe being not as bad as a cigarette. They’re all the same.” Mr. Jones took his pipe out of his mouth and looked at it thoughtfully. “You know,” he said, “you’ve got a point there. Kind of like the pot calling the kettle black, isn’t it?” Spence nodded. “Tell you what I’m going to do,” said Mr. Jones. “I’ll make you a little wager. I’ll bet I can give up smoking my pipe if you can give up your cigarettes.” Denny bit her lip to keep from smiling. Spence took another drag on his cigarette and stared at Mr. Jones skeptically. “Of course, if you don’t think you’ve got the willpower,” said Mr. Jones. Spence dropped his cigarette and crushed it into the ground. “I can quit anytime I want,” he said, then looked up. “But I don’t want to.” “Oh, sure,” said Denny. “That’s what they all say.” Spence looked at her and narrowed her eyes. “Who asked you?” he said. “You just don’t think you can do it,” Denny went on. “You’re afraid Mr. Jones is gonna show you up.” “Oh, yeah?” said Spence. He pulled his cigarettes out of his jacket pocket, smiled wryly at Denny, and tossed them basketball style into Mr. Jones’s trash barrel, then reached a hand out to Mr. Jones. “You got a deal, old man,” he said. Mr. Jones shook his hand and nodded, then stuck the pipe back in his mouth. “You don’t mind if I just kind of let it hang here, do you, for old times’ sake?” Spence shrugged. “Suit yourself,” he said, “as long as you don’t light up.” “I’m a man of my word,” said Mr. Jones. “No flame will ever touch this pipe again.” Spence nodded and stalked off toward the shed. Denny giggled. “You’re awful,” she said. Mr. Jones winked. “What’s awful?” he said. “I’m doing him a favor.

That photo made me feel embarrassed: I had no family. I was American too, according to my papers, but in essence I was really a Latin product. It was on my face – and the rest of me – with all that insistent melanin in my skin. And I wore a jacket from an outlet to top it off. Almost all of my clothes were from outlets. The styles that would definitely be in the no-no columns of fashion magazines.

Are you certain you’re unharmed?” he asked as the carriage surged into motion. “My nerves are a little rattled, as can be expected, but other than that, I’m fine.” She caught his eye. “I’m incredibly grateful that you and everyone else worked so hard to find me, and were able to rid me of Silas once and for all.” A smile tugged at her lips. “I’m sure after a few weeks have passed, or . . . maybe a few years, when it’s not so very fresh to me, I’ll be able to laugh about it and tell people I was able to participate in my very own gothic-style story, quite like one our favorite author, Mr. Grimstone, might pen.” The mention of Mr. Grimstone had him leaning forward. “We have much to discuss.” Lucetta immediately took to looking wary. “Why do I have the feeling we’re no longer talking about me and . . . my abduction?” “Because we need to talk about us, and talk about where we go from here before we get back to Abigail’s house and everyone distracts us.” Lucetta’s wariness immediately increased. “I’m not certain there’s any need for that, Bram. The danger to me has passed, which means I’m free to return to the theater, and . . . you and I are free to go on our merry ways—and our separate merry ways, at that.” Bram settled back against the carriage seat. “I never took you for a coward, Lucetta.” Temper flashed in her eyes. “I’m not a coward.” “Then why aren’t you willing to at least see where whatever this is between us leads?” “There’s nothing between us.” “Your lips said differently a few days ago, and . . . you enjoy my company—you can’t deny that.” “Perhaps I do enjoy your company, but we’ll leave my lips out of further discussion, if you please. The truth of the matter is that I don’t trust you, I don’t like secrets, which you’re obviously keeping, and . . . I have no desire to become attached to a gentleman who spends time in a dungeon, of all places, and has a mausoleum marking the entrance to his drive.” “Ah, well, yes, but you see, those are some of the things I’d like to discuss with you.” He sent her what he hoped was a most charming smile, but one that only had her arching a brow his way again. Clearing his throat, he sat forward. “To continue, I have to admit that I’ve thought out my explanation regarding all of the things I need to explain in a certain order. So . . . if you’ll humor me, I wrote down a list, and . . .” Digging a hand into his jacket pocket, he pulled out the list and read it through, nodding before he lifted his head. “First, I need to say that—” he blew out a breath—“I’ve bungled practically everything with you so far, starting when I almost drowned you in the moat, er . . . twice.” “You won’t get an argument from me on that.” “I neglected to warn you about my goat.” Her lips twitched right at the corners. “That might be being a little hard on yourself, Bram. You couldn’t have known someone would turn Geoffrey loose on me up in the tower room.” “True, but I should have mentioned that I owned a goat with a curious dislike for ladies in skirts.” “I don’t believe Geoffrey is really at the root of the issues I have with you and Ravenwood, Bram.” He caught her eye and nodded. “I’m at the root of your issues, Lucetta—me and all of my secrets—which is why . . .” He consulted his notes again before he lifted his head. “I’m going to tell you everything, and then . . . ” He glanced one last time at his notes before he looked her way. “After you hear me out, I’d greatly appreciate it if you’d consider allowing me to . . . court you.” “Court me?” She began inching toward the carriage door, which was rather disturbing considering the carriage was traveling at a fast clip down the road. Stiffening his resolve, and ignoring the disbelief in her eyes, he nodded. “It would be my greatest honor to court you, especially since I should have asked to court you before I kissed you, and certainly before I offered to marry you . . . twice.” “You

Reacher and Neagley carried their copy to the door, where the wired-glass window let in some natural light. The American looked exactly like Klopp had described. The artist had done a fine job capturing his words. The wave of blond hair. The skin stretched tight over the skull beneath. The brow and the cheek bones, horizontal and parallel and close together, like two bars on an old-style football helmet, with the eyes flashing out from way behind. The mouth, like a gash. Plus two vertical lines, the nose like a blade, and a crease down the right cheek, as if the most the mouth ever moved was in a lopsided and sardonic smile. The guy was shown in a jacket like Reacher’s. Pale tan denim, authentic in every respect. Under it was a white T-shirt. His collar bones stood out, like his cheek bones. His neck was shown corded with sinew. A hardscrabble guy, no longer young. Neagley

The vibrations of an addict are of a very specific sort—they ricochet, out of control, mostly out of reach. The energy called up by the drug quickly disperses, leaving a void, a nothingness. Nature abhors a vacuum, so negative forces rush in, take up residence. The only immediate relief is more narcotics. It must be horrific. “Come in, come in. I’m Senator Jonathan Huffman. You’re welcome here,” said a man in his late sixties, with a booming, commanding voice. He was hale and hearty, a ruddy glow under an expensive haircut. Dressed in a navy blue jacket over khaki pants, he wore an honest-to-gosh ascot at his throat. He exuded wealth and privilege, innate confidence. And an overanxious need to be liked. He had one arm wrapped around a woman similar in age, who was fragile and birdlike, almost lost in her Nancy Reagan–style bright red ensemble. She nodded at us and smiled. “You’re friends of Oliver’s, I presume?” asked the senator. “Oh, hey, Gregory,” said Oliver with a

I'm sorry, sir, but we have a dress code," said the official. I knew about this. It was in bold type on the website: Gentlemen are required to wear a jacket. "No jacket, no food, correct?" "More or less, sir." What can I say about this sort of rule? I was prepared to keep my jacket on throughout the meal. The restaurant would presumably be air-conditioned to a temperature compatible with the requirement. I continued toward the restaurant entrance, but the official blocked my path. "I'm sorry. Perhaps I wasn't clear. You need to wear a jacket." "I'm wearing a jacket." "I'm afraid we require something a little more formal, sir." The hotel employee indicated his own jacket as an example. In defense of what followed, I submit the Oxford English Dictionary (Compact, 2nd Edition) definition of jacket:1(a) An outer garment for the upper part of the body. I also note that the word jacket appears on the care instructions for my relatively new and perfectly clean Gore-Tex jacket. But it seemed his definition of jacket was limited to "conventional suit jacket." " We would be happy to lend you one, sir. In this style." "You have a supply of jacket? In every possible size?" I did not add that the need to maintain such an inventory was surely evidence of their failure to communicate the rule clearly, and that it would be more efficient to improve their wording or abandon the rule altogether. Nor did I mention that the cost of jacket purchase and cleaning must add to the price of their meals. Did their customers know that they were subsidizing a jacket warehouse?

Gogol flips through the book. A single picture at the front, on smoother paper than the rest of the pages, shows a pencil drawing of the author, sporting a velvet jacket, a billowy white shirt and cravat. The face is foxlike, with small, dark eyes, a thin, neat mustache, an extremely large pointy nose. Dark hair slants steeply across his forehead and is plastered to either side of his head, and there is a disturbing, vaguely supercilious smile set into long, narrow lips. Gogol Ganguli is relieved to see no resemblance. True, his nose is long but not so long, his hair dark but surely not so dark, his skin pale but certainly not so pale. The style of his own hair is altogether different—thick Beatle-like bangs that conceal his brows. Gogol Ganguli wears a Harvard sweatshirt and gray Levi’s corduroys. He has worn a tie once in his life, to attend a friend’s bar mitzvah. No, he concludes confidently, there is no resemblance at all. For by now, he’s come to hate questions pertaining to his name, hates having constantly to explain. He hates having to tell people that it doesn’t mean anything “in Indian.” He hates having to wear a nametag on his sweater at Model United Nations Day at school. He even hates signing his name at the bottom of his drawings in art class. He hates that his name is both absurd and obscure, that it has nothing to do with who he is, that it is neither Indian nor American but of all things Russian. He hates having to live with it, with a pet name turned good name, day after day, second after second. He hates seeing it on the brown paper sleeve of the National Geographic subscription his parents got him for his birthday the year before and perpetually listed in the honor roll printed in the town’s newspaper. At times his name, an entity shapeless and

Dons to me were sports-jacketed figures with pastel ties, reclining under the great chestnut-tree at Balliol in apparent indolence, but all the while razor-keen to detect inconsistencies in attitude or standpoint. I say 'attitude or standpoint' since formal argument held little appeal. I agreed...that some of the inconsistencies...could be approached ratiocinatively, and examined for logical contradiction; but the deeper kinds of awareness were to be reached intuitively rather than through rationalizations. This in fact constituted my justification for studying imaginative literature...rather than history or philosophy or psychology. I held that when one sensed (rather than 'detected') a defect of style, a false emphasis of rhythm, or an inadequate characterization, one was at that point gaining insight into the real subject of enquiry, through the gap between the thing made and its potentiality; and from that point one must go forward and into the work, not outward into analogy and speculation, however brilliant. What I was looking for was not a methodology but a way of life, one which would encourage and sustain a maximum receptivity to works of art.

Knowing people can mean so many things. It's like books: there are plenty of gradations between the books one has read and those one hasn't. There are the books one has heard of, those with a plot or style we already know by heart, those we can tell by their cover, those whose jacket copy we've read. Those we want to read and those we never will. One can also read a book and forget it -- in fact, that's my specialty -- or just skim through it. It's the same with people.

The smell of paper is comforting and the books absorb the sound of the traffic outside. I feel like I'm back in the school library, taking refuge from the popular girls who'd tease me about how pale and strange I was. Familiar friends sit on these shelves, many boasting new jackets in the latest styles. I say hello and silently apologise to the few that are now wearing movie poster covers. No book deserves that.

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I looked up, and it seemed to me that he was a vision of male perfection, dressed in a snow white silk shirt and a finely cut black velvet jacket, his curly black hair very properly and beautifully combed back over his ears and curling above his collar in the most lively and fetching style. I loved looking at him, rather as I loved looking at Merrick.

Conservatives, Marxists, post-modernists and pre-modernists have queued up to take a kick at the bruised ideas of the eighteenth century. The most vicious of these boot-boys is John Gray, professor of European thought at the London School of Economics, who has published dozens of increasingly apocalyptic books and articles on the need to end the Enlightenment project forthwith. Whereas MacIntyre seeks sanctuary in twelfth-century monasteries, for Gray our only hope of salvation is to embrace Eastern mysticism ... Taoism seems to be his favoured creed but it is hard to interpret Gray's prescriptions with any certainty, partly because of his scattergun style but mostly because he changes his mind so often. A line on the dust-jacket of Enlightenment's Wake (1995), which says that the book 'stakes out the elements of John Gray's new position' could just as well be appended to everything he writes.

Long had he believed that a gentleman should turn to a mirror with a sense of distrust. For rather than being tools of self-discovery, mirrors tended to be tools of self-deceit. How many times had he watched as a young beauty turned thirty degrees before her mirror to ensure that she saw herself to the best advantage? (As if henceforth all the world would see her solely from that angle!) How often had he seen a grande dame don a hat that was horribly out of fashion, but that seemed au courant to her because her mirror had been framed in the style of the same bygone era? The Count took pride in wearing a well-tailored jacket; but he took greater pride in knowing that a gentleman’s presence was best announced by his bearing, his remarks, and his manners. Not by the cut of his coat.

The portrait had been discovered in 1860 when Mr. William Oakes Hunt, the town clerk of Stratford, employed a visiting art expert named Simon Collins to examine a group of portraits long lodged inside the Hunt attic. These paintings were believed to have descended from the aristocratic Clopton family. Mr. Hunt recalled as a child using the portraits for archery practice, but by 1860 he’d become curious as to their value. When hired to appraise these attic portraits, Simon Collins had just finished the prestigious job of restoring Stratford’s world-famous funerary bust of Shakespeare that hovered like a putty-nosed wraith over the poet’s tomb in the chancel of Holy Trinity Church. Posed with pen and paper while sporting the pickdevant-styled pointy beard and up-brushed mustache popular from 1570 to 1600, the bust has long been championed as one of the most authentic likenesses of the poet; nevertheless, back in 1793 a curator named Edmond Malone had decided to whitewash the entire bust, which until then had been unique in portraying Shakespeare wearing a blood-red jerkin beneath a black sleeveless jacket.

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One can frequently recognize a woman of Real Society by the way she dresses. Real Society women’s clothes have a way of staying in style longer than other people’s because Real Society fashions do not change markedly from year to year. Neither the junior-cut mink coat nor the beaver jacket has gone through many transitions since the introduction of the designs, nor has the cut of the classic camel’s hair topper. The short-sleeved, round-collared McMullen blouse is ageless, and the hemline of the Bermuda short has hardly been known to fluctuate. What is more classic than a double strand of good pearls? The poplin raincoat is as suited to suburban shopping today as it was to the Smith campus in 1953.

The final day came, and I wore an outfit my mom and I put together from the $5 rack at a discount store. I had a Blossom-style derby hat, denim jacket, and a tie with pigs on it. (Remember, my cousin Sarah loved pigs, so I loved pigs.) It all made sense in 1993.

Wow," she whispered. The clothes definitely looked like something she would wear. Scoop-neck tops and slinky skirts, hipster flare jeans and a leopard camisole. Even the shoes were perfect. Mary Janes with thick, chunky soles, bungee sneakers, and boots. She slipped off her leather jacket, tore off the tag on a fuzzy hooded sweater, and pulled it over her head. She liked the way the sleeves came down to the tips of her fingers. Automatically she poked her thumbs through the weave and smiled.

the University of the South, a Tennessee liberal arts college with a handful of graduate students, known informally as Sewanee (because that’s the name of the town). The first thing you’ll notice on visiting Sewanee is that most of the men are wearing jackets and ties, while most of the women are wearing makeup and skirts. Forty years ago, most colleges had a similar dress code. Today, Sewanee is one of a handful. The majority of students pledge fraternities and sororities and social life revolves around a never-ending stream of “big-weekend” beer bashes. The biggest of them all is homecoming weekend, where students get a date and dress up for a huge see-and-be-seen fashion show that includes innumerable cocktail parties before and after. Conservative, well-heeled, and All-American, Sewanee is the perfect place for a carefree 1950s-style college education. In the words of one student, Sewanee has “the happiest college student body I have ever encountered.” No one would ever say such a thing about Bard College, a school of similar size about an hour north of New York City. Though the students may find happiness there, too, it is well hidden beneath a thick veneer of liberal artistic angst. Bard students, it seems, carry the weight of the world on their shoulders. If there is an oppressed group anywhere to be found, Bard students can be counted on to buy T-shirts, sell buttons, and organize protests on its behalf. As for clothes, you would be hard-pressed to find a Bard man who even owns a jacket and tie. Nor would the typical Bard woman be caught dead in a dress—unless it was paired with combat boots. Jewelry and makeup worn in traditional ways are nonexistent, but there is plenty of spiked hair, fluorescent hair, tattoos, and piercings protruding from every conceivable body part. As for football and fraternities? Take a wild guess. The biggest social event of the year at Bard is called Drag Race, where everyone dresses in drag and parties nonstop.

Over it all, I kept hearing people shouting out words I couldn’t quite make out. I cornered a woman, young, cornrowed hair that turned into ponytails with blue tips, wearing a bulky old leather jacket and leggings over runners’ legs. “Are you shouting out ‘Hufflepuff’?” As she nodded, I heard an answering call, “Hufflepuff,” and another girl, Latina, sparkly Chuck Taylors and a Ramones/Bernie Sanders mashup tee, emerged out of the crowd and gave the first girl a hug. I realized I could hear others calling “Slytherin” and “Gryffindor” and “Ravenclaw,” and other answering calls, groups self-assembling, hugging, showing their phones to each other, ignoring me. “Excuse me? What is this Harry Potter thing?” The girl grinned at me. “Dumbledore’s Army! It’s how we organize our affinity groups. That way you can always find people to get your back—the houses let us find the kind of people who share our tactics and style.” She tapped an enamel pin on her lapel, yellow and black diagonal stripes. “Don’t worry, we’re trans-inclusive. JKR won’t have a thing to do with us—we keep waiting for her to sue. You want to join? (less)

A rough comparison might be the distribution of colors when someone is wearing a suit: 60 percent comprises the jacket, pants, and vest. 30 percent is the shirt. 10 percent is the tie and pocket handkerchief.

They were dressed in leather like biker chicks. Serena had on platform boots, a tight-fitting motorcycle jacket, and a mini. Jimena wore studded ankle boots, a bareback leather halter top, and a hip-hugging matching skirt.

In the middle of the bobbing bodies, Vanessa moved sinuously against Toby. She wore a black leather skirt with a long slit up the side and a cropped leather jacket. Her midriff was bare and looked incredibly good with the gold chains that hung around her waist.

He has the sleeves of his jacket pushed up to his elbows, eighties’ style. That alone is enough for me to punch him.

In the vast majority of cultures—and throughout human history—parents don’t discuss with children what activity they’ll do next, or debate whether a child wants a peanut butter sandwich or pasta for lunch. Parents don’t ask “Do you want” questions: “Do you want butter or tomato sauce on your pasta?” “Do you want to go to the store with me?” “Do you want to take a bath?” Instead, the parent just takes action. The mom makes black beans for lunch; the dad grabs his jacket and heads out the door to the store; the grandma goes to the bathroom and draws water for bath time. I think this low-talk parenting style is a big reason kids in these cultures seem so calm. Fewer words create less resistance. Fewer words cause less stress.

Suddenly Guy appeared in the doorway. Emma was surprised to see he had his jacket on, a black leather biker-style one he wore with the self-consciousness of a girl in her first pre-teen bra.