Jacket Season Quotes

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You can never want too much. That’s how they silence us,” I said. “They told us we were lucky to be in the penal colony instead of the æther. Lucky to be murdered with NiteKind, not the noose. Lucky to be alive, even if we weren’t free. They told us to stop wanting more than what they gave us, because what they gave us was more than we deserved.” I picked up my jacket. “You’re not a prisoner any more, Arcturus.” Warden looked at me in silence. I left him in that ruined hall with the music echoing above him.
Samantha Shannon (The Mime Order (The Bone Season, #2))
A tall man of no age in faded, pegged jeans and a denim jacket. His pockets were stuffed with fifty different kinds of conflicting literature—pamphlets for all seasons, rhetoric for all reasons.
Stephen King
The mellow autumn came, and with it came The promised party, to enjoy its sweets. The corn is cut, the manor full of game; The pointer ranges, and the sportsman beats In russet jacket;—lynx-like is his aim; Full grows his bag, and wonderful his feats. Ah, nutbrown partridges! Ah, brilliant pheasants! And ah, ye poachers!—'Tis no sport for peasants.
Lord Byron (Don Juan)
It was a time of hope – a time to shine. The best moment of my life awaited me, with the most loved person calling me to meet her. It was spring in November – it was a blossom in desolation. It was the month of my exams – and exams led to glory. It was the last few days with the best of friends before departing to chase our own dreams. It was the season of jackets and sweaters. And those meant warmth and protection and love. And I stood, with an evening of November promising to be something truly special.
Tshetrim Tharchen (A Play of the Cosmos: Script of the Stars)
I was born in Nature's wide domain! The trees were all that sheltered my infant limbs, the blue heavens all that covered me. I am one of Nature's children. I have always admired her. She shall be my glory: her features, her robes, and the wreath about her brow, the seasons, her stately oaks, and the evergreen — her hair, ringlets over the earth — all contribute to my enduring love of her. And wherever I see her, emotions of pleasure roll in my breast, and swell and burst like waves on the shores of the ocean, in prayer and praise to Him who has placed me in her hand. It is thought great to be born in palaces, surrounded with wealth — but to be born in Nature's wide domain is greater still! I
Kent Nerburn (The Wisdom of the Native Americans: Including The Soul of an Indian and Other Writings of Ohiyesa and the Great Speeches of Red Jacket, Chief Joseph, and Chief Seattle)
It's getting cold. Some of you will put on the jackets from the last season. Check your pockets. You might as well find a forgotten, unfulfilled wish
Ljupka Cvetanova (The New Land)
It is the nature of love to create, and no matter what we do to creation, that love is still there, creating; in the young man who is holding his jacket closed across his chest; in you; in me.
Madeleine L'Engle (The Crosswicks Journals: A Circle of Quiet, The Summer of the Great-Grandmother, The Irrational Season, and Two-Part Invention)
And though I smile as he kisses my temple before he walks us out, making sure to grab my jacket on the way, I can’t help but feel like this is a terrible decision. But I’m out of time. The clock hit midnight and I didn’t confess and now my fairy tale will crumble around me. And whatever happens next, I deserve it because I played a good man to get revenge on a shit one who didn’t even deserve that effort.
Morgan Elizabeth (Tis the Season for Revenge (Seasons of Revenge, #1))
I was from Texas. We had two seasons: fifty weeks of summer and two weeks of something between a semi-brutal winter and a crappy spring. If it were less than seventy degrees, you would never see me without a jacket on.
Mariana Zapata (Rhythm, Chord & Malykhin)
November evenings are often cold and dry. It is a season of loss and a season of despair. The world is brown and yellow and naked. The bears had hibernated and the migrants from the north had moved to the south. It was a time of no harvest – and a time of no plantation. All that the people around knew were to sit around the warmth of the bukharis and spend family time with their loved ones. It was the beginning of the spell of despondency. It was the parallel of summer and the heart the autumn-winter transitions. It was a season of sweaters and yathras and jackets. The earth around was cold and barren.
Tshetrim Tharchen (A Play of the Cosmos: Script of the Stars)
Every once in a while at a restaurant, the dish you order looks so good, you don't even know where to begin tackling it. Such are HOME/MADE's scrambles. There are four simple options- my favorite is the smoked salmon, goat cheese, and dill- along with the occasional special or seasonal flavor, and they're served with soft, savory home fries and slabs of grilled walnut bread. Let's break it down: The scramble: Monica, who doesn't even like eggs, created these sublime scrambles with a specific and studied technique. "We whisk the hell out of them," she says, ticking off her methodology on her fingers. "We use cream, not milk. And we keep turning them and turning them until they're fluffy and in one piece, not broken into bits of egg." The toast: While the rave-worthiness of toast usually boils down to the quality of the bread, HOME/MADE takes it a step further. "The flame char is my happiness," the chef explains of her preference for grilling bread instead of toasting it, as 99 percent of restaurants do. That it's walnut bread from Balthazar, one of the city's best French bakeries, doesn't hurt. The home fries, or roasted potatoes as Monica insists on calling them, abiding by chefs' definitions of home fries (small fried chunks of potatoes) versus hash browns (shredded potatoes fried greasy on the griddle) versus roasted potatoes (roasted in the oven instead of fried on the stove top): "My potatoes I've been making for a hundred years," she says with a smile (really, it's been about twenty). The recipe came when she was roasting potatoes early on in her career and thought they were too bland. She didn't want to just keep adding salt so instead she reached for the mustard, which her mom always used on fries. "It just was everything," she says of the tangy, vinegary flavor the French condiment lent to her spuds. Along with the new potatoes, mustard, and herbs de Provence, she uses whole jacket garlic cloves in the roasting pan. It's a simple recipe that's also "a Zen exercise," as the potatoes have to be continuously turned every fifteen minutes to get them hard and crispy on the outside and soft and billowy on the inside.
Amy Thomas (Brooklyn in Love: A Delicious Memoir of Food, Family, and Finding Yourself (Mother's Day Gift for New Moms))
Ready to see your new home?” Kellan grinned back. “Yes.” He sighed. “My new home.” Vic helped him with the jacket and made a silent vow that he’d do everything in his power to keep Kellan safe and happy from then on. The young swan wasn’t the only one who never thought they’d find someone who cared that much about them
M.M. Wilde (A Swan for Christmas (Vale Valley Season One, #4))
To tell you the truth, I'm curious about this place now. I wouldn't mind exploring. What do you know about it?" "I haven't been in here in years," he said. "I liked coming here as a kid. There was always something to eat, always something interesting to look at, like a puzzle of bent nails or one of Magnus's boxes, things made of beeswax from the local hives." "Isabel said her grandmother used to be in charge of the shop." Gratefully she buried her nose in the fleecy lining of his jacket. 'I'm such a goner,' she thought, lost in the scent of him. "During the harvest season, it was a busy place. Eva sold produce from the orchards, local honey, baked goods, freshly pressed cider.... Man, I'll never forget her cider and homemade donuts.
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
Logan wore: A pale green suit, slim-cut, of thin spring cotton, a pair of burnt-orange arsekickers with a pronounced, bulbous toe, a ruffle-fronted silver shirt open at the neck, a purple neckscarf, a pallor of magnificently wasted elegance, and his hair this season swept back at the forehead and worn just slightly longer, so that it trailed past the ruff of his jacket. Also, a three-day stubble. Was the Long Fella's opinion that, if anything, his suffering made him even more gauntly beautiful. He had all the handsome poignancy of heartbreak.
Kevin Barry (City of Bohane)
Thank you, Target, for depressing us by stocking your store with adorable jackets, sweaters, and boots in August even though it’s still a hundred degrees outside and won’t even dip into the seventies until November. This seasonal tragedy is not your fault, but we don’t need cute knit legwarmers in September. We still need a swimsuit section. Please download a weather app and send it to your buyers. Sincerely, Every Fall-Loving Texan Crying in Her Tank Top at Halloween.
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
When I was young, men like my father would often come home and put on their smoking jacket over their perfectly ordinary trousers, as a way of relaxing in the evening.
Julian Fellowes (Downton Abbey Script Book Season 3: The Complete Scripts)
Inside it looks like a nineteenth century palace, given the attention to detail and the elegance of the furniture: there are two carpets on the floor, more paintings in gilt frames, wooden furniture along the walls, and a large table with a flower arrangement in the center. All lit with spotlights. Andrea feels like he’s in another era and another season; it doesn’t look like a home in the mountains and there's no summer heat. He expects some nobility to appear. Indeed, standing next to the table is Ian. And he’s watching them. Andrea gasps silently. "Here we are," says Carlotta. "We’re very sorry for making you wait, Count." "Don’t worry, Carlotta," he says politely, moving closer. Ian’s wearing a white top with a black satin jacket and pants, also satin, with a stripe down the side. It creates a strange Casual Count effect that both stuns and disturbs Andrea. Always ambiguous, Ian doesn’t seem to want to adapt to anything. Not even a normal style. Was he not sure whether to go for a stroll or to a party? Andrea feels his brain smoking so much that it must be on fire. "These inconveniences can happen." He smiles at her and she blushes to the point of melting. Her knees buckle and she touches her face, embarrassed. Typical! Andrea grunts. "Can you introduce your friend to me?" says Ian. "Of course. He’s the guy.....," she stops. "Nearest to our Maicol." Ian looks at him and pretends not to know him. Andrea does the same. "Exactly," says Carlotta.
Key Genius (Heart of flesh)
He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire. “Your hands are cold,” he said, looking at her fingers. She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands. “So…” she said. “I suppose we know our scene, more or less,” he said. Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt. “We should probably return. Curtain, or bedsheet, I should say, is in two hours.” “Right. Of course,” he said, though he seemed a little sorry. The evening had pulled down over them, laying chill like morning dew on her arms, right through her clothes and into her bones. Though she was wearing her wool pelisse, she shivered as they walked back to the house. He gave her his jacket. “This theatrical hasn’t been as bad as you expected,” Jane said. “Not so bad. No worse than idle novel reading or croquet.” “You make any entertainment sound like taking cod liver oil.” “Maybe I am growing weary of this place.” He hesitated, as though he’d said too much, which made Jane wonder if the real mad had spoken. He cleared his throat. “Of the country, I mean. I will return to London soon for the season, and the renovations on my estate will be completed by summer. It will be good to be home, to feel something permanent. I tire of the guests who come and go in the country, their only goal to find some kind of amusement, their sentiments shallow. It wears on a person.” He met her eyes. “I may not return to Pembrook Park. Will you?” “No, I’m pretty sure I won’t.” Another ending. Jane’s chest tightened, and she surprised herself to identify the feeling as panic. It was already the night of the play. The ball was two days away. Her departure came in three. Not so soon! Clearly she was swimming much deeper in Austenland waters than she’d anticipated. And loving it. She was growing used to slippers and empire waists, she felt naked outside without a bonnet, during drawing room evenings her mouth felt natural exploring the kinds of words that Austen might’ve written. And when this man entered the room, she had more fun than she had in four years of college combined. It was all feeling…perfect.
Shannon Hale (Austenland (Austenland, #1))
was speaking to hospitality associates at the Four Seasons Hotel in Miami, Florida, when one very young, very skinny, and very brave associate stood up. He said, “I didn’t have a father, so I don’t know how to properly button my jacket. Do I leave the last button open? When I need help with things like this, I don’t know where to look for answers.” After that tug at my heart, I wrote this career reference book specifically directed at hospitality associates globally. Hospitality Management: People Skills and Manners On and Off the Job covers just about every area of the hospitality associate’s professional and personal life.
Lyn Pont (Hospitality Management: People Skills and Manners on and off the Job)
When the dead girl’s mother attended the last game of the season wearing her daughter’s letter jacket, the cheerleaders performed through hot tears.
Ronald Watkins (Against Her Will: The Senseless Murder of Kelly Ann Tinyes)
Sure,’ Mary said, putting on a smile. ‘I have to get back. But please, feel free to look around as much as you’d like.’ Roper gave her a look that said, we don’t need your permission for that, but Jamie thanked her anyway and let her walk off.  He sucked on his teeth the way he did when he wanted a cigarette, and watched Mary go out of earshot. ‘Find anything?’ he asked, turning to Jamie. She let out a long breath. ‘Don’t know yet. Looks like Grace wasn’t as faithful to Ollie as she made out.’ ‘Lover’s tiff?’ ‘Could be.’ Jamie thought about it. ‘Spurned ex, maybe. Maybe it’s the drugs. Maybe something else entirely.’ She rubbed her eyes. It’d been a long morning and she needed to eat. ‘Come on. Let’s head back to HQ, get this written up. We’ll come back when Grace shows her face.’ Roper nodded without a word and headed for the door, already reaching for his cigarettes. Chapter 6 Jamie zipped up her jacket and dug her hands into her pockets, following Roper out the door. He’d sped on ahead so that he could light up before Jamie told him not to. She didn’t like that fresh stink in her car, and she definitely wouldn’t let him smoke in there anyway. And he definitely wasn’t above running out and doing it before she had time to protest. Her effort to make him quit by forcing him to stand in the cold obviously wasn’t working. He was a seasoned smoker and spent most nights standing outside pubs, come rain or shine, sucking down smoke.  That and the fact that he was far too stubborn to give in to such a weak ploy. It was like those goats that stand on the side of damns to lick the salt off. One missed step and it was guaranteed death. But they were single minded. And so was Roper. If she cared more she might have tried harder, but she knew from experience that when guys like Roper made a decision, they’d stick to it forever. As far as he was concerned, the drinking and the smoking was as much a part of him as his belly button was. It couldn’t be changed, and trying would only invite self-loathing. Guys like him had to hit rock bottom. Only then could they start coming back up. But sometimes they just stayed there, scraping the ground until they gouged a hole deep enough to die in.  She should call her mum. It had been a while. Outside, Roper was already two drags in by the time she reached the steps. A couple of the people outside had moved on and the guy in the sleeping bag had woken up and headed inside, though the urine stain that had seeped into the stone under him still remained. Jamie tried not to breathe through her nose as she hopped down the steps, her shin still throbbing from the morning’s bout with Cake.  She opened her mouth to tell Roper to hurry up when she almost got knocked over. A guy in his forties with an expensive suit and a long lambswool coat was rushing by, his head turned towards the steps. ‘Filthy fucking cretins,’ he almost yelled at the three homeless people still perched on the steps, before colliding with Jamie. He stumbled sideways, down into the roadway, shoving Jamie backwards.  ‘Get off!’ he shouted, flapping his arms. Jamie steadied herself and stared at him. Roper even stopped smoking his cigarette and came forward. ‘Hey!’ he called. ‘You’re not having any!’ the man yelled again, striding forward away from the shelter. ‘You should all be drowned. Wash this goddamn city clean!
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
Leeds, Massachusetts lived in Gaspar Bantam’s memory as a city of perpetual gloaming, of eternal October. In every memory, in every dream, the faces of jack-o’-lanterns flickered from cornhusk-garlanded porches, treetops glowed orange and red under a sky of charcoal clouds, leaves crunched under your shoes like the snaps and cracks of radio static. The baskets at the farmer’s market spilled over with red and yellow peppers curled like beckoning fingers, and bulbs of garlic hung from knotted strings like clustered nests of pupae. You’d pull the comforter around you for warmth in the mornings but throw your jacket over the bike rack in the sun-seared afternoons before playing Pirates of the Woods. The whole village thrummed and hummed to the constant soundtrack of the peepers and the crickets and the whoosh of trucks on the rush and rumble Interstate. Autumn is said to solemnly herald a kind of dying, but in Leeds, in that shadowy little city tucked into a curve of the mighty Connecticut River, the season is an ecstatic celebration of the fury of death’s rebirth.
Matthew M. Bartlett (Creeping Waves)
The wardrobe of life has three coats: one with many colors symbolizing favor; wear it with humility; and the second woven with the threads of servitude, integrity, and honesty. It may feel heavy at times, but it shapes the strength of our character. The third coat, adorned with honor, recognition, and elevation, is earned through trials and perseverance; wear it with responsibility and gratitude. In every phase of life, our coats change—from the vibrant colors of favor to the sturdy fabric of integrity, and finally to the robe of honor, each teaching us invaluable lessons
Lucas D. Shallua
She grabbed her jacket, although the weatherman had promised a return to seasonable temperatures. But given his record, she saw no reason to trust him. What other occupation got to retain their jobs when they were right only half the time?
Kylie Brant (Deadly Dreams (Mindhunters, #5))
To those who actually practise it, morris dance has an elemental quality, an ancient ritual magic comparable to the whirling dervish dance of Sufism, the Native American ghost dance or the spiritual movements developed by G. I. Gurdjieff. Its gestures are designed to act as a lightning conductor for spiritual energies to unite the universe with the earth and replicate the seasonal cycles of growth, death and rebirth. Morris dancers’ tatter jackets act as symbolic antennae; clogs dash against the ground, awakening slumbering earth gods. The EFDSS had gentrified the dance in the 1930s and 40s, slowing the pace and draining its erotic vigour. More recently, morris has become the anvil round the revival’s neck, its boisterous moves, outlandish costumes and trite musical accompaniment treated as a national joke. To dive into the music of this much-ridiculed custom shows how giddily Ashley Hutchings had fallen under the spell of English traditional music. Morris was the last locked cupboard of the entire post-war folk revival. By unsealing it, he was prepared to stake a hard-won reputation and credibility on a music that appeared to be unredeemable.
Rob Young (Electric Eden: Unearthing Britain's Visionary Music)
All my adult life I have been a guest in other people’s houses, following the sun and seasons like a migratory bird, an instinct in me, the rich man’s cunning feel for ripeness, some oyster-in-an-r-month notion working there which knows without reference to anything outside itself when to pack the tennis racket, when to bring along the German field glasses to look at a friend’s birds, the telescope to stare at his stars, the wet suit to swim in beneath his waters when the exotic fish are running. It’s not in the Times when the black dinner jacket comes off and the white one goes on; it’s something surer, subtler the delicate guidance system of the privileged, my playboy astronomy.
Stanley Elkin (The Making of Ashenden (Covent Garden Stories Number3))
These are the 57 PIECES FOR THE INITIAL BASIC WARDROBE IN TRANS-SEASONAL FABRIC (best if KNITTED with stretch) See the List below in linear order with Cycles. The 27 for Cycle 2 are starred [*] with details listed for each. Later you can add 2 more seasons to this INITIAL WARDROBE FOR YOUR WORK & FULL LIFESTYLE. 6 - (3 SETS) UNDER SHAPERS of stretch to hold the body tight. (Cycle 1) *2 - JACKET LONG AND LEAN, 2 for each season, plus Holiday and Resort. (Cycle 1 & 2) *2 - TROUSERS (easy fit) flattering on your shape either:fitted, flared or straight. 2 for each season plus Holiday and Resort (Cycles 1 & 2) *1 - PENCIL SKIRT or a fitted, flared, or stitched-down-pleats, flattering Silhouette. (Cycle 1 & 2) *1 - JEAN, dark navy denim or black knit, both with stretch. (Cycle 1 & 2) 7 - TANKS, for the bottom necessary layer (Cycle 1) *3 - TOPS/BLOUSES/SHIRTS (Cycle 1 & 2) *1 - DAY-DRESS (Cycle 1 & 2) 1 – L.B.D. (Cycle 1, then as needed) 1 - EVENING BLACK JERSEY GOWN (Cycle 1, then as needed) 2 - RAINCOAT WITH ZIP OUT LINING AND AN UMBRELLA THAT IS FOLDABLE (Cycle 1 = 2) then, a WINTER COAT (Cycle 2 = 1, other Cycles select a jacket/sweater coat/art piece coat)
Melody Edmondson (Book 15 - Inverted Triangle Body Shape with a Short-Waistplacement (Your Body Shape by Waistplacement))
Lake Placid was alive with cars and campers and people. It was still early spring yet it felt like an Ontario tourist town at the height of the season. Traffic barely moved, shoppers wove through the cars as if the street were a parking lot and the stoplights meaningless. It felt like summer to Travis after a winter of heavy boots and thick jackets and shoveling snow.
Roy MacGregor (Mystery at Lake Placid (Screech Owls, #1))
I like Fall, tending to prefer the transitional seasons, because they don’t have weather, just foreshadowing. It’s not cold yet, but it’s getting colder. You look hippest in this weather, dressed in your faux-proletariat thrift store jacket and long pants to hide your dorky knees. Fall seems pregnant with the possibility of simpler things, a straight-forward future.
Al Burian (Burn Collector: Collected Stories from One through Nine)
Anjo had no clue how serious I was when it came to how I was coming behind her. Give me the white straight jacket because all my control and common sense went out the window. Like Blaze said, it was all gas no sense behind the future Queen Inferno.
Jahquel J. (Quasim : King Inferno (Season Four: Inferno Gods Book 1))
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CROSSFIRE
The belief that young people are incompetent leaves us with only one binary choice: Do we want to be tough or nice? Either we’re a drill sergeant or a softy. We prioritize either self-reliance or self-esteem. Full Metal Jacket or Ted Lasso (in the first season, at least).
David Yeager (10 to 25: The Science of Motivating Young People: A Groundbreaking Approach to Leading the Next Generation—And Making Your Own Life Easier)