“
Leeds, Massachusetts lived in Gaspar Bantam’s memory as a city of perpetual gloaming, of eternal October. In every memory, in every dream, the faces of jack-o’-lanterns flickered from cornhusk-garlanded porches, treetops glowed orange and red under a sky of charcoal clouds, leaves crunched under your shoes like the snaps and cracks of radio static. The baskets at the farmer’s market spilled over with red and yellow peppers curled like beckoning fingers, and bulbs of garlic hung from knotted strings like clustered nests of pupae. You’d pull the comforter around you for warmth in the mornings but throw your jacket over the bike rack in the sun-seared afternoons before playing Pirates of the Woods. The whole village thrummed and hummed to the constant soundtrack of the peepers and the crickets and the whoosh of trucks on the rush and rumble Interstate. Autumn is said to solemnly herald a kind of dying, but in Leeds, in that shadowy little city tucked into a curve of the mighty Connecticut River, the season is an ecstatic celebration of the fury of death’s rebirth.
”
”
Matthew M. Bartlett (Creeping Waves)