Jack And Sally Quotes

We've searched our database for all the quotes and captions related to Jack And Sally. Here they are! All 58 of them:

hello there, the angel from my nightmare. the shadow in the backgroung of the mourge. the unsuspecting victim of darkness in the valley. we could live like jack and sally if we want.
Blink-182
There’s a lot written about killers from the mortal age –monsters like Jack the Ripper, or Charlie Manson, or Cyber Sally –and the only difference between them and Goddard is that people let Goddard get away with it. The mortals knew how wrong it was, but somehow we’ve forgotten.
Neal Shusterman (Scythe (Arc of a Scythe, #1))
I was born in Dream Town, but I am also the Pumpkin Queen. I will fight for Jack. I will fight to set things right.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
I wonder if someday Jack and I will have our own pram filled with tiny skeletons and rag dolls. The scuttle of little feet through the house. Skeleton boys tumbling down the spiral stairs; little rag doll girls with their threads coming loose, always needing their fingers and toes stitched back together. A perfectly grim little family.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
After three weeks in this environment, Sally was probably doing the cutest curtsies in the history of Western Civilization. By this time the Palace staff was probably fighting for the right to look after her. Sally was a true daddy’s girl. The ability to manipulate the people around her came easily. She’d practiced on her father for years.
Tom Clancy (Patriot Games (Jack Ryan, #1))
At the crisp, inky hour of midnight, Jack and I are married atop Spiral Hill in the Death Door's Cemetery. Wind stirs the bone-dry leaves, and Jack takes my soft rag doll hands in his--the coolness of his fingers calming the flutter rippling across my stitched seams.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Jack pulls me back into his arms, as if he could absorb the pain and take it from me. And I know, I would do it all over again: I would leave Dream Town and never return a thousand times just to be here with Jack, to touch his face, to feel his ice-cold lips on mine, to have a life with him in this town. To stand beside him as Pumpkin Queen. This is the life I want. The one I'm willing to sacrifice everything for.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
He kisses me again, folding me in his arms--the place I want to stay for a thousand years. When I first discovered Dream Town, I wasn't sure where I belonged, where my true home was. But now I know. Sometimes home is a town, a house with four walls. Other times, it's two hollow eyes in a skull, a skeleton without a heartbeat. It's here---not in Dream Town or Halloween Town---but in Jack's arms. Folded against this hollow, skeleton chest is where I belong. I let the tears stream down my face, I let them bind us together, salt and water and fabric and bone. Woven parts of ourselves that become one.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Jack Kennedy brought an "intense concentration" and a "gently teasing humor" to the dinner table, along with what Katherine Graham called his habit of "vacuum cleaning your brain.
Sally Bedell Smith (Grace and Power: The Private World of the Kennedy White House)
Your curiosity will kill you, Dr. Finkelstein once told me. Maybe he was right. But instead of killing me, it's taken the man, the skeleton, I love.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Getting into scrubs reminded him of the only other time he’d done so, the night Sally was born. A
Tom Clancy (Patriot Games (Jack Ryan, #1; Jack Ryan Universe, #2))
Because right now I am simply a rag doll in a boat with a skeleton whom I love. Madly, Feverishly. Floating through a town where my title doesn't matter. Queen, queen, queen. Where no one knows who I am.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
He wipes away the tear streaming down my cotton cheekbone to my chin and looks at me like his own chest is about to fracture. And for a moment, I'm certain they should just bury us both here, at the center of the graveyard. Married and died on the same day. Unable to contain the unspeakable, awful, wondrous emotion breaking against our eyelids. The dreadful residents of Halloween Town applaud, tossing tiny dwarf spiders at our feet as we leave the cemetery, and the warmth in my chest feels like bats clamoring for a way out of my rib cage. Trying to break me apart. I am now Sally Skellington. The Pumpkin Queen. And I'm certain I will never again be as happy as I am right now.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
The guilt is a double-edged dagger, twisting inside me, breaking threads and tearing me apart. Can the fool of a story also be the hero? Doubtful. But I have loved Jack for too long to let him be fated to a life worse than death. A life spent in a nightmare he can't wake from. I would cross a thousand thresholds into a thousand different worlds for him.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
His motto is actually “write drunk and edit sober”—he’s got the words hanging on a plaque in bold black letters behind his desk right above an ever-present bottle of Jack Daniels—but I say nothing. Monday afternoon is not the best time to argue, much like every other day of the week. And unfortunately for me, I don’t have a pregnant wife at home to fall back on.
Amy Matayo (They Call Her Dirty Sally)
There is an entire orchard. Hidden, tucked away. Rows and rows of magical, uncharted trees. Doorways into old, long forgotten towns. Father Time. Old Man Winter. The Tooth Fairy. Multitudes of worlds, places we never knew existed. I smile, and Jack pulls me to him. A queen, and her king. And I know, with a certainty that is knitted in my linen bones, we will spend a lifetime---Jack and I, side by side---slipping through doorways that lead to other doorways, carved into ancient, gnarled trees. Lands to explore, adventures to be had. But always together. Because there is nothing quite so wasted as a life unlived. And I intend to live mine. Fully. Unbound by the rules of others. Queen or not, we all deserve these things. Freedom. Hope. A chance to find out who we really are.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
She glanced between the captain and the admiral. Just like her brother said, it all finally made sense. "Oooooh," Alex said. "I get it now. Auburn Sally is based on Goldilocks, and the admiral is based on Jack. 'Starboardia' is a love story! That's so sweet!" Conner grunted like his sister had just insinuated something very crude. "Excuse me," he said defensively. "'Starboardia' is a pirate adventure! It might have elements of love, but it is absolutely not a love story!" Alex raised an eyebrow at him. "Sure," she said mockingly.
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
In St. Patrick Town, we find the stubborn, sprightly residents all awake--the leprechaun I spoke to days before still in search of his lost pot of gold in the glen, rain clouds heavy in the distance, and rainbows gleaming above the treetops. In Valentine's Town, Queen Ruby is bustling through the streets, making sure the chocolatiers are busy crafting their confections of black velvet truffles and cherry macaroons, trying to make up for lost time, while her cupids still flock through town, wild and restless. The rabbits have resumed painting their pastel eggs in Easter Town. The townsfolk in Fourth of July Town are testing new rainbow sparklers and fireworks that explode in the formation of a queen's crown, in honor of the Pumpkin Queen who saved them all from a life of dreamless sleep. In Thanksgiving Town, everyone is preparing for the feast in the coming season, and the elves in Christmas Town have resumed assembling presents and baking powdered-sugar gingerbread cookies. And in Halloween Town, we have just enough time to finish preparations for the holiday: cobwebs woven together, pumpkins carved, and black tar-wax candles lit.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Capable, clever and with a natural gift for land and estate management, Anne had been the natural choice to take on the huge task of running Shibden. Not only had she impressed Uncle James with her abilities to deal with the renewal of leases and misbehaving tenants, he also knew that she would never marry and therefore the estate would not be broken up. In their conversations together, Anne had left him under no illusion that her emotional and sexual feelings for other women precluded the possibility of her ever entering into a marriage with a man, in which she stood to lose all that was hers. It was another four decades, on the passing of the Married Women’s Property Act in 1870 (thirty years after Anne’s death), before women would be able to keep hold of and inherit property following marriage. So, remarkable as it may seem to us now, it was Anne Lister’s lesbian sexuality (then with no name or legal recognition), which played a crucial role in helping her to keep control of her wealth at a time when it was thought that it was impossible for a woman to do so. That Uncle James, in 1826, seemed to understand and recognise this is even more extraordinary.
Sally Wainwright (Gentleman Jack: The Real Anne Lister)
A graveyard. It's the largest cemetery I've ever seen--a place Jack would surely love. A long rectangle of green lawn lined with rows and rows of old, moss-coated and weather-worn gravestones. Rain pounds the earth, and the cold tickle of air against my neck reminds me of the cemetery in Halloween Town. A feeling that exists in every cemetery, it seems. That hint of death. Of sorrow. Of lives brought to an end. But I don't have to go far before I find a small stone structure, an ornate mausoleum with spires along the roofline and a copper door, tarnished green from the rain. A tomb where the dead are placed to rest. I glance up the path, the cemetery glistening in the wet air. I have passed through many realms, all the way into the human world to a city made strangely silent, and now this mausoleum is my way home. My way back to Jack.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Apt Pupil 1 He looked like the total all-American kid as he pedaled his twenty-six-inch Schwinn with the apehanger handlebars up the residential suburban street, and that’s just what he was: Todd Bowden, thirteen years old, five-feet-eight and a healthy one hundred and forty pounds, hair the color of ripe corn, blue eyes, white even teeth, lightly tanned skin marred by not even the first shadow of adolescent acne. He was smiling a summer vacation smile as he pedaled through the sun and shade not too far from his own house. He looked like the kind of kid who might have a paper route, and as a matter of fact, he did—he delivered the Santo Donato Clarion. He also looked like the kind of kid who might sell greeting cards for premiums, and he had done that, too. They were the kind that come with your name printed inside—JACK AND MARY BURKE, OR DON AND SALLY, OR THE MURCHISONS. He looked like the sort of boy who might whistle while he worked, and he often did so.
Stephen King (Different Seasons: Four Novellas)
Se non si presentano io Connell lo ammazzo, dice Rachel. Ieri mi ha detto che venivano di sicuro. Marianne non dice niente. Rachel parla spesso di Connell in questi termini, alludendo a conversazioni private avvenute tra loro, come se avessero una confidenza speciale. Connell questo comportamento lo ignora, ma allo stesso modo ignora gli accenni di Marianne in proposito quando sono insieme. Probabilmente si stanno facendo il fondo da Rob, dice Lisa, Arriveranno qui già completamente marci, dice Karen. Marianne prende il telefono dalla borsa e scrive un messaggio a Connell: Qui animata discussione sulla vostra assenza. Pensate di venire? Lui risponde nel giro di trenta secondi: sì jack ha appena vomitato dappertutto per cui abbiamo dovuto metterlo su un taxi ecc. comunque tra poco partiamo. come va la socializzazione. Marianne risponde: Adesso sono la nuova ragazza di punta della scuola. Sono tutti qui che mi trascinano sulla pista scandendo il mio nome. Rimette il telefono in borsa. A questo punto niente la ecciterebbe di più di dire: Stanno per partire. Quale tremendo e sconcertante prestigio immediato ne ricaverebbe; quanto sarebbe destabilizzante, e distruttivo.
Sally Rooney (Normal People)
I decided to begin with romantic films specifically mentioned by Rosie. There were four: Casablanca, The Bridges of Madison County, When Harry Met Sally, and An Affair to Remember. I added To Kill a Mockingbird and The Big Country for Gregory Peck, whom Rosie had cited as the sexiest man ever. It took a full week to watch all six, including time for pausing the DVD player and taking notes. The films were incredibly useful but also highly challenging. The emotional dynamics were so complex! I persevered, drawing on movies recommended by Claudia about male-female relationships with both happy and unhappy outcomes. I watched Hitch, Gone with the Wind, Bridget Jones’s Diary, Annie Hall, Notting Hill, Love Actually, and Fatal Attraction. Claudia also suggested I watch As Good as It Gets, “just for fun.” Although her advice was to use it as an example of what not to do, I was impressed that the Jack Nicholson character handled a jacket problem with more finesse than I had. It was also encouraging that, despite serious social incompetence, a significant difference in age between him and the Helen Hunt character, probable multiple psychiatric disorders, and a level of intolerance far more severe than mine, he succeeded in winning the love of the woman in the end. An excellent choice by Claudia.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
There is always a price to pay when one tinkers with the truth.
Sally MacKenzie (Surprising Lord Jack (Duchess of Love, #2))
Overconfidence leads to carelessness, which leads just as surely to disaster.
Sally MacKenzie (Surprising Lord Jack (Duchess of Love, #2))
Caution is good, but sometimes courage is better.
Sally MacKenzie (Surprising Lord Jack (Duchess of Love, #2))
Special Agent Jack Hunter stood there with his gun aimed at vampire Sally,
Cynthia Fridsma (Volume 5: The End Game (Hotel of Death))
Think about what pleases you, not just them." She paused, then added softly. "Even the Pumpkin King has a right to be happy." Jack nodded slowly, for a moment seeming lost in thought. Then he gave her a shy smile. "You know," he said thoughtfully. "We should talk more often, you and I." Sally's breath caught in her throat as Jack met her eyes with his own. She'd never seen them so close up, she realized wildly. Or noticed how dark and deep they were. She felt a shiver down her back, not entirely unpleasant. "I'd like that," she replied, her voice barely over a whisper. "I'd like that a lot." They fell into silence. Not an awkward silence, like the kind that came when she was having dinner with Dr. Finkelstein and ran out of polite things to say, but rather something almost comforting. As if they were somehow sharing a precious moment beyond words, side by side, under the bright orange Halloween moon. It was funny, Sally thought. If someone had told her yesterday she'd be out here on Halloween night, staring into the eyes of the Pumpkin King, she'd never have believed it. Up until now, they'd seemed worlds apart. But she'd seen another side of Jack tonight. And for two people who were so very different, they were more alike than she could have ever imagined.
Mari Mancusi (Sally's Lament)
After all, I'm Jack Skellington, the Pumpkin King. And you're Scary Sally, the doll who can single-handedly frighten away an entire town just by using her head." He bared his teeth menacingly. "They have no idea who they're dealing with." A chill spun down Sally's back as she caught the fierce look on Jack's face. It was the kind of swagger he usually reserved for Halloween night, and she had always been enthralled by it. That confidence! That conviction! That look that told her he seriously believed he could achieve anything--- if he just put his mind to it. And maybe Sally could, too.
Mari Mancusi (Sally's Lament)
But first I have to sew my leg back on. Properly this time, so it doesn't come apart again." She reached for her leg, her hands still shaking from residual adrenaline after their near escape. She hoped she'd be able to thread her needle. Jack placed a hand over her arm. "Allow me," he said, and Sally's eyes widened as he carefully aligned her lower leg with the stub of her knee. "I can do that---" she started. But Jack put a finger to her lips. "I know you can," he said, meeting her eyes with his own. "But right now your hands are still trembling from trying to help me up and I don't want you to hurt yourself. So why don't you just rest for a second? Allow me to make myself useful for once." He wagged a playful finger at her. "You don't get to save the day every time, you know." Sally tried to laugh, but it came out more like a choke as grateful tears began to well in her eyes. A part of her still wanted to argue, to insist she could do it herself. But then, Jack already knew that, didn't he? Even in the darkness she could see his confidence in her, reflected in his dark eyes. Sally had always hated when Dr. Finkelstein had sewed her back together. It made her feel weak. Helpless. Yet another thing he didn't trust her to do on her own. Another way to retain control. But Jack wasn't trying to control her, she realized. He was trying to help her. And wasn't it nice, sometimes, to lean on another? To trust that someone cared enough to do the job right?
Mari Mancusi (Sally's Lament)
If you want people to believe in you, you have to know your own worth.
Mari Mancusi (Sally's Lament)
This is why I needed you to come with me. Imagine if I had discovered this place all by myself. Who knows how much damage I'd have managed to do?" "I can't even imagine," Sally said. "Good thing you have me to keep you in line." "Good thing indeed," Jack said, reaching across the table and placing his hand over hers. His expression turned serious and when he met her eyes with his own, Sally's breath hitched. "Thank you for bringing me here," he said softly. "This was exactly what I needed." Sally nodded, not trusting herself to speak. She couldn't believe she'd almost chickened out and stayed behind. Missed out on this special day with Jack. Seeing the light in his eyes. Hearing the joy in his voice. Just the two of them together. No one knew where they were. No one knew what they were doing. And the only thing that mattered was that they were doing it together. Maybe she needed to face her fears more often...
Mari Mancusi (Sally's Lament)
Did I hurt you?" he asked worriedly. She shook her head wordlessly. It did hurt a little, of course--- it always did. But so much less than when Dr. Finkelstein would carelessly jab his needle into her cloth, without caring how she was feeling or even if his stitches would hold for the long haul. But Jack was different. Meticulous. Gentle. And instead of feeling uncomfortable, she felt a strange warmth settle in her stomach.Soon Jack finished, giving her a shy smile as he tied off the last stitch. And from the look on his face, she realized he'd felt something, too. Maybe it wasn't exactly the same. Maybe not as strong. But something. Which made her feel even warmer.
Mari Mancusi (Sally's Lament)
She knew it too well, that terrible empty feeling that stemmed from loneliness. That desperate desire to be close to something--- someone. Someone who understood you. Someone who allowed you to be yourself without any strings attached. Perhaps, all along, it hadn't been freedom or adventure they'd truly craved that night in the graveyard, she thought suddenly. Perhaps it had been connection. She looked up, realizing Jack's face was near hers. He gave her a timid smile, reaching out to brush a lock of yarn from her eyes. Sally felt her leaves swirl, and her first instinct was to jerk away, laugh, break from the moment and make it all a joke. But no. That was the coward's way out. She needed to face her fears. To be the Sally she so desperately wanted to be. The Sally she saw reflected in Jack's dark eyes. "Jack..." she whispered. His name felt like a prayer on her lips. "Oh, Jack." "Sally..." Jack closed his eyes. Tilted his head. Began to lean closer.
Mari Mancusi (Sally's Lament)
She brought the hot chocolate slowly to her lips, breathing on it to cool it down before taking a sip. She sighed dreamily as the thick chocolate slid down her throat, sweet and delicious. "Yum," she said. "Try it again, Jack. You're going to like it." Jack did as he was told, this time taking a much smaller sip. His mouth curled to a grin as he set the cup back down. "Well, that's pretty good," he admitted. "It's like someone took a pile of Halloween candy and melted it down, then added milk." He sniffed the cup. "Thought it'd be better if they used the expired kind. Then we might get some actual curdles." He took another sip, managing to get a blob of whipped cream stuck in his fake beard. Sally giggled, then grabbed the rag to blot his face. "You're a mess," she teased. And he smiled back at her. "I know," he said. "But you love me anyway, right?" Sally felt her cheeks go red and she quickly grabbed her mug again, bringing it to her face to hide it. She knew Jack was just being silly. But the way he was smiling at her--- as if, in that very moment, she was the only other person in the world--- well, it felt far too lovely.
Mari Mancusi (Sally's Lament)
All those times she'd watched him waltz into town on Halloween night in all his pumpkin glory--- she'd always been so impressed. He'd been like a rock star to her, larger than life. But he was also just a simple guy, it turned out. With hopes and dreams and desires, just like everyone else. And she liked that Jack. Maybe even more than the illustrious Pumpkin King.
Mari Mancusi (Sally's Lament)
Oh, it is good to be home," he declared. And Sally agreed with him. There was so much she loved about Christmas Town. But Halloween Town was pretty great, too. And it was okay, she decided, to like both for what they were. If she learned anything from this adventure, it was that one thing didn't have to define you. You got to define yourself--- in any manner you saw fit.
Mari Mancusi (Sally's Lament)
No sabers to rattle, no uniform to hide his feelings behind, and Jack hated how bereft he felt doing nothing other than standing there, in the middle of a sitting room. Two ladies watching him, expecting for him to make conversation.
Sally Britton
So you really think these all represent different holiday lands?" he asked, pulling open the door with the large bird on it. "What do you think this one could be?" "A holiday to honor turkeys?" Sally guessed. Though somehow that didn't sound quite right. "Maybe," Jack mused. "But why would anyone want to honor a turkey? They're such dumb birds. Really, the only good thing to do is eat them." He closed the door, then headed over to the tree with the heart on it. "This one's probably Dissection Town," he decided. "They spend all year long harvesting organs, and one day a year they gather together to eat them." Sally made a face. "Or maybe it's Love Town?" she suggested. "And their holiday is filled with lots of romantic proclamations?" Jack looked disappointed by this idea. He moved on to the tree with the four-leafed plant. "Garden Town," he pronounced. "They're completely vegetarian. And they hate turkeys with a passion.
Mari Mancusi (Sally's Lament)
A simple kiss between a rag doll and a Pumpkin King. And perhaps the beginning of their most amazing adventure yet. Not in another world far away this time, but right here, right now, just the two of them, silhouetted in the moonlight on top of Spiral Hill. As if it was simply meant to be.
Mari Mancusi (Sally's Lament)
She settled down on the coffin-shaped couch against the wall, folding her hands in her lap. Jack held up a bony finger and retreated into an adjoining--- the kitchen, she realized as she took a peek--- then returned a moment later with a steaming cup of what turned out to be rotten mushroom tea. She took it from him gratefully, breathing in the salty scent before taking a long, deep swig. "So good," she murmured after she'd swallowed, then took a second sip. She hadn't realized how hungry and thirsty she'd been. The sugary snacks she'd eaten earlier hadn't filled her up. But this was the kind of cauldron concoction that stuck to your bones (if you had any, that was).
Mari Mancusi (Sally's Lament)
In the meantime, you should head home. People have seen you with us now. And if we go down, I don't want to take you with us." Tammy looked at her for a moment, then gave a grudging snort. "You're a brave toy," she said. "I'll give you that." She paused, then added, "Just be careful, all right? A lot of people underestimate Christmas Town. But nightmares can lie in the dreamiest of places." "Well, that's good," Sally declared, flashing Jack a look. "Because it just so happens we have a lot of experience with nightmares.
Mari Mancusi (Sally's Lament)
When he died penniless in 1880, more than 30,000 people lined Market Street for his funeral procession. In the 1890s, the gauntlet passed to Mayor Adolph Sutro, who used his fortune from the Comstock Lode silver mine to build monuments to himself, including the Sutro Baths, an indoor swimming complex next to the Cliff House that was more elaborate than the fantasy pools in Hawaii. The Baths closed when I was a kid, but you can still see the ruins. Over the decades, other luminaries included beat poets Jack Kerouac and Allen Ginsberg, a stripper named Carol Doda who headlined the city’s first topless club a few blocks from where we were sitting, and a high-end madam named Sally Stanford who became a restauranteur and later the Mayor of Sausalito. The list would not be complete without mentioning flamboyant lawyers like Melvin Belli, Jake Ehrlich, Vincent Hallinan, Tony Serra, and Nate Cohn. Nick “the Dick” was one of San Francisco’s few
Sheldon Siegel (Felony Murder Rule (Mike Daley/Rosie Fernandez Mystery, #8))
Actually there are,” the President said, after a moment’s reflection. “The problem is that they never come here to work. You know who I learned that from? Cathy,” Jack told him. “She fucks up, somebody goes blind, but she can’t run away from making the call, can she? Imagine, you fuck up, and somebody loses his sight forever—or dies. The guys who work the emergency room are really on the ragged edge, like when Cathy and Sally went into Shock-Trauma. You blow the call, and somebody is gone forever. Big deal, George, bigger than trading equities like we used to do. Same thing with cops. Same thing with soldiers. You have to make the call, right now, or something really bad happens. But those kinds of people don’t come here to Washington, do they? And mainly that sort of guy goes to the place he—or she—has to be, where the real action is,” Ryan said, almost wistfully. “The really good ones go where they’re needed, and they always seem to know where that is.” “But the really good ones don’t like the bullshit. So they don’t come here?” Winston asked, getting his own course in Government 101, and finding Ryan a teacher of note. “Some do. Adler at State. Another guy over there I’ve discovered, name of Vasco. But those are the ones who buck the system. The system works against them. Those are the ones we have to identify and protect. Mostly little ones, but what they do isn’t little. They keep the system running, and mainly they go unnoticed because they don’t care much about being noticed. They care about getting it done, serving the people out there. You know what I’d really like to do?” Ryan asked, for the first time revealing something from the depths of his soul. He hadn’t even had the guts to say this to Arnie.
Tom Clancy (Executive Orders (Jack Ryan, #8; Jack Ryan Universe #9))
The point being, everyone knows a celebratory redemption story, one where the person in question overcomes adversity and becomes the main character in an undeniably remarkable turnaround story. But there's nothing but ridicule for the ones who never turn things around. Like the socialite whose ex-husband was arrested on a money laundering charge and is now an outcast among her former upscale circle. Or the father who abandoned everything for his mistress and now lives an isolated existence in a run-down apartment with no mistress, ex-wife, or kids. Or the bank executive who embezzled money and lost it all only to wind up living under a forty-second street bridge with his close friend Jack Daniels. Or the beauty queen who fell victim to a botched facelift and now curses her existence behind two-inch thick, closed miniblinds. No one celebrates the fallen and discarded because no one wants to admit it could happen to them. But we're all just one misstep away from living an upside-down life while the rest of the world points out all the ways we deserve it.
Amy Matayo (They Call Her Dirty Sally)
Oh, Jack," she whispered, leaning longingly against the gravestone. "I know how you feel." Suddenly there was a shift beneath her--- the gravestone crumbling under her added weight. She cried out in surprise, trying to move, but only managed to lose her balance in the process. She was flung from her hiding spot, tumbling forward into a wide-open space. And when she managed to look up again? She found herself staring straight into the eyes of Jack Skellington.
Mari Mancusi (Sally's Lament)
We could try something else..." she suggested, not wanting to bruise his ego along with his backside. But Jack only shook his head, his dark eyes glistening. "Are you kidding?" he cried. "I'm not letting some silly ice skates defeat me!" Of course you won't, Sally thought fondly, watching him scramble to his feet again, wobbling a bit but somehow managing to stay upright this time. Jack didn't let anything defeat him. It was one of the things she'd always admired about him.
Mari Mancusi (Sally's Lament)
Jack weaves his fingers through mine, grinning curiously, like he's just sprung from a shadow and frightened a ghost back into the dark---one of his favorite pastimes---and we follow the winding path out of the forest, away from the grove of seven trees. I run my fingertips along the dusty pink poppies and vibrant bloodred roses that line the path, and when we finally step free of the dense forest, I peer up at a cloudless sky, shimmering a soft airy pink.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
Your father even wrote the first theories about daytime dreaming in this library." She smiles at Albert, a look of pride. "He invented daydreams, you know," she says, looking back to me. "A way for humans to dream up wild, unthinkable things right in the middle of the afternoon, without ever needing to go to sleep." I think back to my own daydreams, moments when I'd managed to lose myself in thought, especially in my old life: dreaming of a future with Jack, dreaming of who I might be if I ever escaped Dr. Finkelstein.
Shea Ernshaw (Long Live the Pumpkin Queen: Tim Burton’s The Nightmare Before Christmas)
It’s ironic that the first meal on this table will be Sally. This table just earned its sentimental value.
Rebecca Rennick (Her Favorite Jack-O-Lantern (Gummy Bear Orgy, #2))
Had I known coming home had meant finding Sally, I may have done it sooner. Because now that I have her, I’m never letting her go.
Rebecca Rennick (Her Favorite Jack-O-Lantern (Gummy Bear Orgy, #2))
You’re perfect just as you are, Sally. Don’t question my presence. I’m here because I want to be. I’m here for you and only you.
Rebecca Rennick (Her Favorite Jack-O-Lantern (Gummy Bear Orgy, #2))
heart
Sally Rippin (The Extra-Special Group (Hey Jack! #19))
Take that well-known phenomenon of "speaking while female". A range of studies confirms the truth of a common female perception: that men often have trouble hearing women when they speak. A typical example occurs in meetings where there are very few women present. You make a point or an observation during a discussion. No one comments or appears to notice. Other participants caryy on with the conversation. Then a man, often senior but not necessarily, makes teh exact same point that you just made. But the response this time is very different. "Great idea Jack!" or I agree with what Jack says. " Or I just want to build on Jacks point." Suddenly Jack owns the insight.
Sally Helgesen (How Women Rise: Break the 12 Habits Holding You Back from Your Next Raise, Promotion, or Job)
Anna,” he says, “I know you’re scared.” “Scared?” I snort, but then my vision starts to blur. I am scared. One thing about being a twin is that you get used to having someone right by your side whenever you want them. But in a moment, Jack’s going to leave. And I’m going to be alone.
Sally Hepworth (The Things We Keep)
may surprise you,’ he urged. Lily’s eyes no longer smiled. Now their licorice darkness reflected only bitterness. ‘It’s not a matter of me finding the courage, Jack. I know my parents. They won’t surprise me. They’re very predictable. They’re also traditional and as far as they’re concerned, I’m as good as engaged … no, married! And they approve of Jimmy.’ Her expression turned glum. ‘All that’s missing are the rings and the party.’ ‘Lily, risk their anger or whatever it is you’re not prepared to provoke but don’t do this.’ He stroked her cheek. ‘Forget me. I’m not important. I’m talking about the rest of your life, here. From what I can see of my friends and colleagues, marriage is hard enough without the kiss of death of not loving your partner.’ ‘It’s not his fault, Jack. You don’t understand. It’s complicated. And in his way, Jimmy is very charismatic.’ Jack didn’t know Professor James Chan, eminent physician and cranio-facial surgeon based at Whitechapel’s Royal London Hospital, but he already knew he didn’t much like him. Jack might be sleeping with Lily and loving every moment he could share with her, but James Chan had a claim on her and that pissed Jack off. Privately, he wanted to confront the doctor. Instead, he propped himself on one elbow and tried once more to reason with Lily. ‘It’s not complicated, actually. This isn’t medieval China or even medieval Britain. This is London 2005. And the fact is you’re happily seeing me … and you’re nearly thirty, Lily.’ He kept his voice light even though he felt like shaking her and cursing. ‘Are you asking me to make a choice?’ He shook his head. ‘No. I’m far more subtle. I’ve had my guys rig up a camera here. I think I should show your parents exactly what you’re doing when they think you’re comforting poor Sally. I’m particularly interested in hearing their thoughts on that rather curious thing you did to me on Tuesday.’ She gave a squeal and punched him, looking up to the ceiling, suddenly unsure. Jack laughed but grew serious again almost immediately. ‘Would it help if I —?’ Lily placed her fingertips on his mouth to hush him. She kissed him long and passionately before replying. ‘I know I shouldn’t be so answerable at my age but Mum and Dad are so traditional. I don’t choose to rub it in their face that I’m not a virgin. Nothing will help, my beautiful Jack. I will marry Jimmy Chan but we have a couple more weeks before I must accept his proposal. Let’s not waste it arguing and let’s not waste it on talk of love or longing. I know you loved the woman you knew as Sophie, Jack. I know you’ve been hiding from her memory ever since and, as much as I could love you, I am not permitted to because I’m spoken for and you aren’t ready to be in love again. This is not a happy-ever-after situation for us. I know you enjoy me and perhaps could love me but this is not the right moment for us to speak of anything but enjoying the time we have, because neither of us is available for anything beyond that.’ ‘You’re wrong, Lily.’ She smiled sadly and shook her head. ‘I have to go.’ Jack sighed. ‘I’ll drop you back.’ ‘No need,’ Lily said, moving from beneath the quilt, shivering as the cool air hit her naked body. ‘I have to pick up Alys from school. She’s very sharp and I don’t need her spotting you – especially as she’s had a crush on you since you first came into the flower shop.’ Suddenly she grinned. ‘If you hurry up, at least we can shower together!’ Jack leaped from the bed and dashed to the bathroom to turn on the taps. He could hear her laughing behind him but he felt sad. Two more weeks. It wasn’t fair – and then, as if the gods had decided to punish him further, his mobile rang, the ominous theme of Darth Vader telling him this was not a call he could ignore. He gave a groan. ‘Carry on without me,’ he called to Lily, reaching for the phone. ‘Hello, sir,’ he said, waiting for the inevitable apology
Fiona McIntosh (Beautiful Death (DCI Jack Hawksworth #2))
Today Jack is in a lonely mood. Billie is home
Rippin Sally (The Playground Problem (Hey Jack! Book 12))
She stuck her tongue out at him. “It’s the truth. She even made him laugh.” Katherine put a hand to her throat dramatically. “The man laughed? It is a miracle. Jack, you must wed her at once.
Sally Britton (A Gentleman for Lady Juniper (Clairvoir Castle Romances Book 6))