Jack's Mask Quotes

We've searched our database for all the quotes and captions related to Jack's Mask. Here they are! All 56 of them:

The mask was a thing on it's own, behind which Jack hid, liberated from shame and self-conciousness.
William Golding (Lord of the Flies)
The violence of nature masks the beauty and joy that hide just beneath the surface.
Jack Borden (The Lost City: An Epic YA Fantasy Novel (The Tixie Chronicles Book 4))
While we are alive we should sit among colored lights and taste good wines, and discuss our adventures in far places; when we are dead, the opportunity is past.
Jack Vance
We tried to make a heaven of earth, But the earth is just a stage, a school, Where we wear our masks and play our roles And teach each other how to love.
Kate McGahan (JACK McAFGHAN: Reflections on Life with my Master)
Seeing the truth was never easy, especially when it revealed those closest to us could be monsters hidden in plain sight.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
At least we both know how shitty the world is. You wearing a beard as a mask to disguise it. I wearing my tired smile. I don't see how you do it. One hundred thousand university students marching with you. Toward A necessity which is not love but is a name.
Jack Spicer (My Vocabulary Did This to Me: The Collected Poetry)
Relationship building at a distance, through the filter of a computer, is ultimately ineffective for the sincere friend seeker, but it is ideally suited to the sociopath whose powers of manipulation are enhanced when he can operate not merely behind his usual masks but behind an electronic mask as well.
Jack Finney (Invasion of the Body Snatchers)
Afternoon,Caputo," Cole said. Jack's face remained a cool mask. "Hello, Cole.Becks." Cole froze at Jack's casual use of his real name. His arm dropped from my shoulders. I couldn't help but smile. Jack looked at me. "I'll see you in Mrs. Stone's room, Becks. You're coming, right? Mythology paper?" I nodded.Just before he sauntered away, Jack winked at me and slapped Cole hard on the shoulder. "See you around, Neal.
Brodi Ashton (Everneath (Everneath, #1))
Acting like a crowd of kids/ the mask was a thin thing on its own, behind which Jack hid, liberated from shame and self-consciousness/ He was safe from shame or self-consciousness behind the mask of his paint and could look at each of them in return/ They understood only too well the liberation into savagery that the concealing paint brought”《Lord of the Flies》
William Golding
The eyes themselves were of that baffling protean gray which is never twice the same; which runs through many shades and colorings like intershot silk in sunshine; which is gray, dark and light, and greenish gray, and sometimes of the clear azure of the deep sea. They were eyes that masked the soul with a thousand guises, and that sometimes opened, at rare moments, and allowed it to rush up as though it were about to fare forth nakedly into the world on some wonderful adventure -- eyes that could brood with the hopeless somberness of leaden skies; that could snap and crackle points of fire like those that sparkle from a whirling sword; that could grow chill as an arctic landscape, and yet again, that could warm and soften and be all adance with love-lights, intense and masculine, luring and compelling, which at the same time fascinate and dominate women till they surrender in a gladness of joy and of relief and sacrifice.
Jack London
It's Halloween! It's Halloween! The moon is full and bright and we shall see that can't be seen on any other night skeletons and ghosts and ghouls, grinning goblins fighting duels, werewolves rising from their tombs, witches on their magic brooms. In masks and gowns we haunt the street and knock on doors for trick or treat. tonight we are the king and queen, for oh tonight it's Halloween!
Jack Prelutsky (It's Halloween)
In the Queen’s dream she ran hazily through an emerald mist. Behind her trailed caricatures of elves. Their bodies were shadows, long and twisted. Just one of their strides covered two of hers. They were like harlequins, and their smiles gleamed white as they fired arrows that left bare trails in the Nixus. She looked over her shoulder just as an arrow sliced at her face and severed locks of her scarlet hair. Her bones made an unpleasant jolt as the Queen hit what felt like a wall. A great shadow towered over her, its face a porcelain white mask. Unlike the elves, however, the figure did not smile. Claws plucked her from the fog as if she were a child’s toy, and the shadow's mask flipped open, revealing a familiar face.
Simon (Plague Jack) Watts (Sins of a Sovereignty (Amernia Fallen, #1))
everyone was a monster and everyone wore a mask to hide the fact.
Kealan Patrick Burke (Jack & Jill)
The scariest monsters have the best masks.
J.A. Konrath (Jack Daniels Boxset, #1-3 (Jack Daniels Mystery, #1-3))
Every instant a million events occur one iota past the edge of your awareness.
Jack Vance (Maske: Thaery)
Buffoons may have serious faces behind their mask!
Nelson Jack
I felt Thomas studying me but no longer had the urge to mask my expression as I used to. He opened his mouth, then shut it, causing me to puzzle over what he might have said. Perhaps he’d grown as weary of having the same debate. I didn’t wish to tell anyone of our eventual betrothal until we’d spoken to my father. Thomas saw it as hesitancy on my part, a notion so ridiculous I refused to acknowledge it at all. We simply did not have the luxury of time to visit with Father and inform him of our intentions while we raced to the ship, as much as I wanted to. There wasn’t any part of me that didn’t long to be with him forever. After everything we’d been through over the last month, I thought he’d know that. A moment later, he wrapped an arm around my shoulders and tugged me near, safe in his indiscretion, since we were alone on the freezing deck. I relaxed into his embrace, letting the warmth of his body and the scent of his cologne comfort me. “I cannot promise all will be well, Audrey Rose.
Kerri Maniscalco (Escaping from Houdini (Stalking Jack the Ripper, #3))
Mexican Loneliness" And I am an unhappy stranger grooking in the streets of Mexico- My friends have died on me, my lovers disappeared, my whores banned, my bed rocked and heaved by earthquake - and no holy weed to get high by candlelight and dream - only fumes of buses, dust storms, and maids peeking at me thru a hole in the door secretly drilled to watch masturbators fuck pillows - I am the Gargoyle of Our Lady dreaming in space gray mist dreams -- My face is pointed towards Napoleon ------ I have no form ------ My address book is full of RIP's I have no value in the void, at home without honor, - My only friend is an old fag without a typewriter Who, if he's my friend, I'll be buggered. I have some mayonnaise left, a whole unwanted bottle of oil, peasants washing my sky light, a nut clearing his throat in the bathroom next to mine a hundred times a day sharing my common ceiling - If I get drunk I get thirsty - if I walk my foot breaks down - if I smile my mask's a farce - if I cry I'm just a child - - if I remember I'm a liar - if I write the writing's done - - if I die the dying's over - - if I live the dying's just begun - - if I wait the waiting's longer - if I go the going's gone if I sleep the bliss is heavy the bliss is heavy on my lids - if I go to cheap movies the bedbugs get me - Expensive movies I can't afford - if I do nothing nothing does
Jack Kerouac
Is everything okay?" "Yeah, yeah, probably. I just wanted to mention--and it's probably no big deal--but there's a guy hanging out near the gas station staring at me." "Nothing illegal about staring." "Yeah, you're right. It's just that, well, he's wearing a mask." "It is Halloween, you know." "You're right. It's just that, he's standing out in the rain wearing this long blue raincoat." "That's what raincoats are for." "Yeah, I guess you've got a good point. It's just that, he's really creeping me out and I think he's like eight feet tall and his arms go down to his knees." There was a short pause on the other line. Then, "That's not illegal.
Jack Townsend (Tales from the Gas Station: Volume One (Tales from the Gas Station, #1))
Good old Crazy Jack Dirker. You just couldn’t rattle the man. He could talk about dismembering a baby same way he talked about trimming his toenails. That chiseled face was incapable of emotion. It knew not hate or anger, love nor happiness. Only the eyes were alive in that mask. Course, last time Cabe had seen him, he was wearing the dark blue sack coat and Jeff Davis hat of a Union Army lieutenant. Cabe
Tim Curran (Skin Medicine)
Libraries are medieval forests masking opportunity and danger; every aisle is a path, every catalog reference a clue to the location of the Holy Grail. It is here that I become privy to the sacred songs of kings and the ballads of rogues. Here are tales of life-and-death struggles of other wayfarers as they battle personal dragons and woo fair maidens. Walking down this hallway, I am a knight entering the forest in search of the truth...
Jack Cavanaugh (A Hideous Beauty (Kingdom Wars Series #1))
I'd tried so hard. Given my all to be the perfect Elsie he wanted and..." It almost hurts too much to say it. "You gave him a perfect version of you, and he still didn't want you," Jack says prosaically. Almost detached. Like I'm a gravitational singularity that can be explained, cataloged, predicted. I'm momentarily stunned by how right he is. Then I'm surprised that I'm even surprised. "And what you took away from it was that you had to try harder.
Ali Hazelwood (Love, Theoretically)
There are drafts of manuscripts spread over the floor where they slipped off the edge of the bed in the night. There is the unfinished canvas tacked to the wall and the scent of eucalyptus failing to mask the sickening smell of used turpentine and linseed oil. There are telltale drips of cadmium red staining the bathroom ­sink—along the edge of the ­baseboard—or splotches on the wall where the brush got away. One step into a living space and one can sense the centrality of work in a life. ­Half-­empty paper coffee cups. ­Half-­eaten deli sandwiches. An encrusted soup bowl. Here is joy and neglect. A little mescal. A little jacking off, but mostly just work..
Patti Smith (M Train)
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go. Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up. Impact tremors. Boom. Boom. Boom, boom, boom. Baba Yaga was coming. Baba Yaga was hunting him. Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down. Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide. Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.” He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong? Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit. Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now. “Who knows?” Jack panted. “Maybe she got annoyed and turned around.” An earth-shattering roar rocked the very walls of the cavern. Jack paled. Boom, boom, boom, boom! Boom, boom, boom, boomboomboomboom— Mother of God. The dragon had broken into a run. Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
There are drafts of manuscripts spread over the floor where they slipped off the edge of the bed in the night. There is the unfinished canvas tacked to the wall and the scent of the eucalyptus failing to mask the sickening smell of used turpentine and linseed oil. There are telltale drips of cadmium red staining the bathroom sink — along the edge of the baseboard — or splotches on the wall where the brush got away. One step into the living space and one can sense the centrality of work in a life. Half-empty paper coffee cups. Half-eaten deli sandwiches. An encrusted soup bowl. Here is joy and neglect. A little mescal. A little jacking off, but mostly just work. This is how I live, I am thinking.
Patti Smith (M Train)
May I ask you a question? If you have to hold your breath too long, what is it that makes you desperate to breathe again?” “I’m running out of oxygen, I guess.” “That’s the interesting fact. It isn’t the absence of oxygen. It’s the presence of carbon dioxide. Kind of the same thing, but not exactly. The point is, you could suck up any kind of gas, and as long as it wasn’t carbon dioxide, your brain would be happy. You could have a chest full of nitrogen, no oxygen at all, about to kill you stone dead, and your lungs would say, hey man, we’re cool, no carbon dioxide here, no need for us to start pumping again until we see some. Which they never will, because you’ll never breathe again. Because you’ll never need to. Because you have no carbon dioxide. And so on. So those folks started sniffing nitrogen, but you have to go to the welding shop and the cylinders are too heavy to lift, so then they tried helium from the balloon store, but you needed masks and tubes, and the whole thing still looks weird, so in the end most folks won’t be satisfied with anything less than the old-fashioned bottle of pills and the glass of scotch. Exactly like it used to be. Except it can’t be anymore. Those pills were most likely either Nembutal or Seconal, and both of those substances are tightly controlled now. There’s no way to get them. Except illegally, of course, way down where no one can see you. There are sources. The holy grail. Most of the offers are scams, naturally. Powdered Nembutal from China, and so on. Dissolve in water or fruit juice. Maybe eight or nine hundred bucks for a lethal dose. Some poor desperate soul takes the cash to MoneyGram and sends it off, and then waits at home, anxious and tormented, and never sees any powdered Nembutal from China, because there never was any. The powder in the on-line photograph was talc, and the prescription bottle was for something else entirely. Which I felt was a new low, in the end. They’re preying on the last hopes of suicidal people.
Lee Child (Make Me (Jack Reacher, #20))
The light from the moon—the red moon—was the last thing he saw before a Jack-o'-lantern leapt into the air and landed on top of his head like a mask, attaching itself to him in a weird, squeezing sensation.
Pixel Ate (The Accidental Minecraft Family: Night of the Living Pumpkins: A Halloween Special (The Accidental Minecraft Family: Holiday Specials))
Aillas, constrained by a hundred heavy responsibilities, was somewhat more still and reflective than Dhrun. His status required that he mask his natural passion and intensity behind a face of polite indifference: to such an extent that the trait had become almost habitual. Similarly, he often used a mildness close upon diffidence to disguise his true boldness, which was almost an extravagance of bravado. His swordsmanship was superb; his wit danced and flickered with the same sure delicacy, coming in sudden flashes like sunlight bursting through the clouds. Such occasions transformed his face so that for a moment he seemed as youthful and jubilant as Dhrun himself.
Jack Vance (The Complete Lyonesse (Lyonesse, #1, #2 and #3))
I don’t know,’ Jack whispered, before kneeling beside a young woman, her blonde locks matted with dried blood. He could see that she had been shot in the side of her head, the back of her skull blown open by the bullet. ‘Their hands are tied,’ Jack said, as he looked down and saw that the woman’s arms had been bound behind her back with a length of rope. ‘They’ve been executed,’ Reg said, his face white as he looked at the bodies that had been laid out neatly on the floor. ‘A whole bloody family lined up and...’ He shook his head. A cry echoed from the street and Jack turned to where a window overlooked the road. He looked outside and saw a soldier stood in a doorway, the man waving his arm as he called out to where Fred was stood beside a shop. ‘What’s going on?’ the sergeant asked. ‘You’d best come and have a look,’ the man replied. Jack glanced down the street, his eyes staring at the deserted houses that lined the road. He felt a cold chill creep up his spine as he looked at the empty windows from which no lights shone. ‘Wait here,’ Jack said, before making his way out onto the road. He turned as a door swung open, his hand reaching for his rifle, before relaxing as Little stepped out onto the pavement, the corporal’s face a mask of wild anger. ‘The fucking pigs,’ he cursed, before kicking the wall in frustration. ‘Wait until I get my hands on ‘em.’ Jack glanced into the house that Little had searched, his throat catching as he saw the body of a woman on the floor. Beside her a baby lay on the hearth, the child motionless as it lay wrapped in a blanket. ‘The fucking animals,’ Little hissed, as he looked at the deserted houses. ‘Who could do such a thing?’ Ivor asked, his cheeks ashen as he stepped from the house. Jack shook his head, his eyes staring along the road as the men searched the buildings; the cry of alarm echoing along the street. ‘A whole bloody village.’ Jack turned and saw Fred pacing along the road, the battle hardened sergeant shaking his head in confusion as he looked at the houses as if unable to understand what he had seen. ‘What are we going to do?’ Jack asked. ‘Do?’ Little asked, his face possessed with rage. ‘I’m going to kill every fucking one of the evil bastards I can get my hands on.’ The men murmured in agreement, their eyes dark with anger. Jack stood in the street and watched as the first light of a new day shone above the rooftops, the sun casting a gentle warmth over the dead village as the men prepared to move once more.
Stuart Minor (Hitler's Winter (The Second World War Series Book 16))
For years, I’ve traced leads, putting the pieces together, uncovering what you’ve hidden. Do you want to know what I discovered?” No, no, no. “Jack didn’t kill Heather. But someone in this room did. One of you is a monster, hiding behind a mask.
Ashley Winstead (In My Dreams I Hold a Knife)
Mal backed away so quickly he slipped and fell. He tried to get up, but his feet couldn’t get any traction on the bloody floor. At the same time, he couldn’t look away from the Giggler, as Forenzi had called him during dinner. A masked demon who would mutilate himself… Which was when
Jack Kilborn (Haunted House (Afraid, #4))
predicted, the lid opened. As predicted, a monster sat up in the coffin. It wasn’t a vampire or mummy. It was some bizarre, bloody mannequin with a gas mask on. There were many gashes on its bare chest, glistening with stage blood. “Hee hee,” went the prop. Tom kept his Sig on it, then slowly walked past. It was creepier than the zombie in the breakfront, and the body bag on a conveyor track, but Tom was
Jack Kilborn (Haunted House (Afraid, #4))
feet, wearing a black rubber gas mask that obscured his face. His chest was bare, covered in dried blood. All he wore was stained white underwear, and combat boots, their laces untied.
Jack Kilborn (Haunted House (Afraid, #4))
The most important thing for you to do,” he’d said, “is to make your aura as benign as possible.” “My aura? You mean, what, like my chi or something? Give off warm vibes before I blow them all away?” “You laugh, but it's true. The best close-in killers are able to mask that predatory vibration they send out, the thing that tickles your animal hindbrain when you're on the receiving end and causes all the hairs on your neck to stand up, the old ancestral genetic early-warning radar that told you something had you zeroed in and was moving to make the kill.” “Are you saying they'll be able to sense I'm going to kill them?” I had asked. “If they are good at their jobs, yes. A good bodyguard, really anyone with true combat instincts, can tune in on that aggressive mental energy when it's pointed their way. For most people, it only works at a subconscious level - like instinctively moving out of the way of someone because they make you uneasy and you can't quite put your finger on why, or turning around for no reason and seeing that someone across the room is glaring at you. We all do it from time to time, but it's not conscious. But the real survivors, the operators who dodge those shots that should have taken them down, but they somehow avoid at the last millisecond, those people can use their inner threat radar actively, and can pick up on the predatory vibe coming their way.” “So you're saying I need to act casual, and not give them the stink-eye to keep from tipping them off.” “It’s more than that. You need to learn how to control that aggressive aura, make it work for you. A good killer can put themselves into stealth mode right up to when they pull the trigger, and then when all the innocent bystanders are getting in the way and slowing you down, milling about in a panic, you dial it up all the way and blast it out like the bow-wave on a ship running at flank speed. You can clear a path through the crowd; they'll get out of your way without even knowing why. I've made it work for me, and I’ve seen others do it as well. It's just another weapon in your arsenal.” And so, I did
Jack Badelaire (Killer Instincts)
What, what are you doing to me?” “I’m not going to do anything to you. But my friend is. I’m just going to video it and send it to all your police buddies. Or maybe I’ll just put it on the internet for all the perverts to jack off to.” He opened the door. It took every ounce of his discipline not to burst out laughing. “Tell me, Felipe, are you familiar with the expression, I’m going to make a playground out of your ass?” Mitch stood in the doorway wearing a gimp mask and a pair of cut-off denim shorts. His muscular, hairy chest was strapped into a harness with a steel ring in the middle. He was holding a giant black rubber dildo. “What the hell?” screamed the bound man. Bishop used his knife to cut the tape holding him to the chair. “It’s OK, Felipe. You seem to be already enjoying this.” The policeman looked down at his raging boner. “Nooo, you can’t do this. You can’t.
Jack Silkstone (PRIMAL Reckoning (PRIMAL #5))
Jack met Kwan’s eyes, glanced away, then looked back. Jack nodded once, kind of like saying hi, but Kwan did not respond. His lean face was all planes and angles, and as warm as a granite mask. He also had a split lip and a heavy purple bruise on his cheek from the guards. Jack
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
OK, so this is what’s going to happen, Felipe. You’re going to tell me exactly what I want to know or things are going to get… interesting.” He took a syringe out of his pocket and removed the safety cap. He showed it to the policeman then slid it into his arm and depressed the plunger. Felipe fought against the tape. “What the hell is that?” “Don’t worry, it’s nothing dangerous. Just a muscle relaxant and some Viagra.” Bishop leaned in close. “You can feel it can’t you? A warm fuzzy feeling, all your muscles relaxing, except one. But that’s not a muscle is it?” “What, what are you doing to me?” “I’m not going to do anything to you. But my friend is. I’m just going to video it and send it to all your police buddies. Or maybe I’ll just put it on the internet for all the perverts to jack off to.” He opened the door. It took every ounce of his discipline not to burst out laughing. “Tell me, Felipe, are you familiar with the expression, I’m going to make a playground out of your ass?” Mitch stood in the doorway wearing a gimp mask and a pair of cut-off denim shorts. His muscular, hairy chest was strapped into a harness with a steel ring in the middle. He was holding a giant black rubber dildo. “What the hell?” screamed the bound man. Bishop used his knife to cut the tape holding him to the chair. “It’s OK, Felipe. You seem to be already enjoying this.” The policeman looked down at his raging boner. “Nooo, you can’t do this. You can’t.” Already his voice was slurring as the drugs kicked in.
Jack Silkstone (PRIMAL Reckoning (PRIMAL #5))
Kurtz grabbed the front of the thug’s shirt and jerked him out of his seat. He dragged the wounded prisoner down the center of the helicopter, between the girls. Reaching the back of the chopper he punched the button that activated the clamshell doors. They swung open with a hiss and the wind whipped into the aircraft. No one could hear what Kurtz said to the prisoner; he held him by the front of his shirt, their faces inches apart. The Yakuza thug glanced over his shoulder at the ground racing by underneath. He turned back and said something in a panic, his face a mask of terror. Then he disappeared, dropped from the back of the helicopter. Kurtz hit the button for the doors and they closed with a snap, returning the cabin to a more tolerable level of noise. Then he walked between the two lines of stunned teenagers and sat back down next to Bishop. They stared at him in shock. “Mori-Kai,” Kurtz said flatly. “Does that mean anything to you?
Jack Silkstone (PRIMAL Fury (PRIMAL #4))
Most people don't understand what a library does for me and I've tried to explain it to them. All I know is that I feel energized when I'm in one. My pulse quickens when I walk through the the stacks. I feel like an explorer surveying an uncharted shore. Lost worlds are here waiting to be discovered. Ancient worlds; once glorious, not crumbled. Future worlds; no more substantial than the numbers or ideas or words of those who dream them. Mythical worlds. Worlds of limitless dimensions. Libraries are medieval forests masking opportunity and danger; every aisle is a path, every catalog reference a clue to the location of the Holy Grail.
Jack Cavanaugh
You bitch!”  He screamed. “You tricked me—just like Kevin!”  Lexy’s brain was screaming for her to run, but her legs felt like tree trunks rooted to the spot.  Jason’s eyes were wild, his face a mask of rage.  “No one crosses me,” he sputtered. “You saw what happened to Kevin when he tried it.  He got his and now you’ll get yours, too!  Jason lunged for Lexy, wrapping his hands around her throat, squeezing with all his might.  Lexy tried to fend him off, but her air supply was dwindling, stars swam before her eyes, everything was starting to turn black. She thought of Nans and Sprinkles.  What would they do without her? Jason’s face, only inches from hers, was screwed up in anger as he focused his energy on choking the life out of her.  With one last burst of strength, she reached into her purse. Her hand closed on a round cylinder. She brought her hand up in between their faces, pressed the button on the cylinder and sprayed.   Lexy heard Jason scream, then felt him release his hold on her neck.  She slumped to the floor gasping for air, but finding only the heavy mist of pepper spray, which her lungs violently coughed out again.   Hearing a thunderous crash and the sound of splintering wood, she peered through teary eyes toward the direction of the sound just in time to see Jack and several members of the BRPD come barreling through the door with their guns drawn.
Leighann Dobbs (Killer Cupcakes (Lexy Baker #1))
A shell splinter cut Rags’s left forepaw. Another caromed off his gas mask, mangling his right ear. A needle-like sliver was imbedded under his right eye. The terrier was dazed for a minute, Then he struggled to his feet. Donovan lay where he had fallen. His gas mask had been shot away; arms and legs were cat by shrapnel. Blood from a gash in his forehead was blinding him. Over all hung the burning tang of gas—thinned somewhat by a northwest breeze, but still strong enough to sear the throats of sergeant and terrier. Between wheezes and coughs Rags pawed the now useless mask from his head. He licked first the sergeant’s outflung hand, then his face. Donovan roused himself. He lengthened the wire that tied the message to the dog’s collar, so Rags could carry the paper in his mouth. It would be lost if the little terrier succumbed before delivering it. The Sergeant started the dog toward the guns. As near-by bursts intensified the gas, Donovan staggered to his feet and urged the dog to a run. The terrier, favoring his wounded paw as much as he could, moved at a limping trot. Donovan, stumbling along behind, saw the concussion of a nearby shell-blast turn the little terrier on his back.
Jack Rohan (Rags: The Dog Who Went to War)
It occurred to me in that moment that this was the perfect opportunity to incapacitate Clare. Unfortunately, I didn't have a weapon, and the only thing in the room, aside from the coffin, was a wreath made of exotic flowers on a wire stand beside me. "Jack loved his flowers." I bent over as if to smell the flowers, grabbed the wreath, spun, and smashed it over Clare's head. Flowers scattered across the carpet and the wreath came apart in my hands. Stunned, Clare just stared, her hair adorned with a sea of pretty pink plumeria. "Simi, what are you doing?" Dad stood in the doorway, his face a mask of horror. "This is the woman who kissed Jack with a gun to his chest. She also tried to kill me. She tried to make it so I would never see you again. I still might have to leave you because of her." My hands tightened around the wire frame so hard my knuckles turned white. Dad's brow creased in a frown. "Use your fist like you did when you were playfighting with your brothers." "Pathetic." Clare grabbed the remains of the flower wreath out of my hands and threw it on the floor. "If you really wanted to hurt me, you'd pick something more substantial." I threw a hard right, grazing her cheekbone when she ducked to the side. "That's it," Dad called out. "A little higher." "What's going on?" Mom walked into the room with Nani. "Why is Simi hitting that woman beside Jack's coffin? We're at a funeral. It's disrespectful." "This is the woman who tried to break them up," Dad said. "She's the reason for all that talk of leaving us. She tried to kill our Simi." "Hit her harder." Mom held her fists in the air. "Give her a one-two punch.
Sara Desai ('Til Heist Do Us Part (Simi Chopra #2))
remember what Cindy said about starting middle school and making a statement. We both made statements all right, just very different ones.
Jack Cheng (The Many Masks of Andy Zhou)
Did you see anything amazing?” Annie asked Jack. They were standing on the warm, sunny shore of Frog Creek Lake, packing up their new swimming gear—flippers, masks, snorkels, and red life vests. “Not really,” said Jack. “Weeds and rocks.” “Same here,” said Annie. “How was your new mask?” “Cool,” said Jack as he put his glasses back on. “It didn’t leak or fog up at all.” “Great,” said Annie, pulling a tunic over her bathing suit.
Mary Pope Osborne (Shadow of the Shark (Magic Tree House, #53))
And so, I got by. Not by bringing my true self to the table, but by camouflaging who I was. Where is the harm in that, you might ask? Surely, we all have to mask aspects of our personality as we go through life, whether or not we have autism? To some extent, this is correct and research shows that neurotypical people also employ camouflaging strategies1. The harm appears to be related to the degree to which women with autism camouflage2,3,4. When you have autism, you are constantly adapting to a situation which inherently doesn’t work for you because it doesn’t make any room for your needs and wants. Consistently masking is exhausting, depressing and anxiety-provoking.
Claire Jack (Women with Autism: Accepting and Embracing Autism Spectrum Disorder as You Move Towards an Authentic Life)
Struggling to fit into the world, and denying your authentic self, can cause self-dislike and low self-esteem and there is a strong link between autism and mental health issues, including anxiety and depression5. Consistently masking your true self goes beyond putting on a cloak of normality in the company of others to a lack of self-acceptance which kicks in even when it’s just you on you. Is there a space where you can reveal and accept your true self to yourself, or have you reached a point where you devalue yourself, because you don’t seem to fit with a social norm? Have those messages from those around you reached a point where they have become your core beliefs? If your choices flow from this point, it’s difficult to be authentic even with yourself. Becoming authentic, then, isn’t just about revealing your true self to others, it is about learning to love and accept yourself as you are. It is about discovering what you love in life, what nurtures your mind, body and soul and having the conviction to pursue those things. It is about valuing yourself enough to meet your needs and wants.
Claire Jack (Women with Autism: Accepting and Embracing Autism Spectrum Disorder as You Move Towards an Authentic Life)
It was a beautiful fall day at the soccer fields when I met Stacy for the first time. The game had just begun when she arrived carrying homemade pumpkin spice muffins with cream cheese frosting for everyone, photos of the jack-o’-lantern she had elaborately carved earlier that morning into the shape of a witch stirring a bubbling cauldron with the rising steam spelling out the word “Boo,” enough material and glue for each of the siblings not playing soccer to make adorable “easy no-sew” bat wings as a fun craft to fill their time, as well as little gift bags for every mother full of Halloween-themed wine charms and sleep masks that were embroidered with “Sleeping for a spell.” Besides her generous gifts, she also looked terrific. She was wearing the perfect fall outfit with just the right number of layers and textures and cool boots. Her hair was beautifully twisted into a loose braid casually thrown over one shoulder. While everyone sat in their lawn chair and screamed at their kid to “attack the ball,” Stacy ran up and down the sidelines taking (no doubt fabulous) photos of her son and overseeing the siblings’ craft bonanza. At this point I should also mention, in case you don’t feel bad enough about yourself, that Stacy has a full-time job outside the home. Like a really important one. I’m not sure what she does exactly, but from the thirty seconds that she slowed down long enough to talk to me, I learned that she works fifty hours a week or so and travels around the country every few days and then comes home and makes her kids pancakes in the shape of clovers for breakfast, because it’s International Clover Day or some shit like that.
Jen Mann (People I Want to Punch in the Throat: Competitive Crafters, Drop-Off Despots, and Other Suburban Scourges)
Sebastien had raised Jack Priest, and for all his fey flighty affection, Garrett’s estimation of the young man was that he was a keenly trained observer, and one who knew that the most relevant clues were sometimes those that seemed incomprehensible at the time. And that that ostensible delicacy masked a galvanized will. She kept a terrier. She knew the type.
Elizabeth Bear (New Amsterdam (New Amsterdam, #1))
I love a girl with a head on her shoulders,” Rudy Jack Nicholsoned while Steve Martining—Rudy’s words; not even Danny could tell you fully what they meant, but it was the only way to accurately describe it. “I hate necks.” “There’s nothing more beautiful to me than a woman in a black evening gown, and a ski mask, with only her breasts and crotch exposed,” Yu exclaimed, characteristically offbeat with the entire conversation.
Kyle St Germain (Dysfunction)
The heart is the essence of a person, it’s who they are at the core, without the dressings, without the masks, without the persona they feel they need to be.
Jack Steen (The Asylum Confessions (The Asylum Confession Files, #1))
No I mean, I don't think I can pretend." "Of course you can. We all do it every day. We wear masks and hold back saying what we really feel because maybe...maybe we just don't want to destroy what little good we have.
Jack Hunt (All That Remains (Lone Survivor, #1))
She could not stop him. She did not want to stop him. She knew there would only be that night. She knew to whom she had surrendered herself and she held no illusions about the future. But it was a night for love. And she did love him. For despite everything, he was Jack. He was more than just a rake who seemed to feel it necessary to conquer any presentable female who came within his line of vision. He was witty and amusing, and he hid a very real person behind the mask of his wit. She had grown to like that person even if she did not know him well. She did not want to stop him. And she lost the power to do so after his mouth had claimed hers and his hands moved over her and held her to him. She wanted him to make love to her. More than anything else in life.
Mary Balogh (The Incurable Matchmaker)
He tied the surgical mask over his mouth and nose
Tom Clancy (The Cardinal of the Kremlin (Jack Ryan, #4; Jack Ryan Universe, #5))
Last time Father got this way, he’d made me wear a facial mask each time I left the house to avoid breathing contagions. While I’d like to fancy myself above things such as vanity, I’d hated the stares I’d received when venturing out. Going through that again would be torturous.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
Two other guests made their appearance. The first was the Star King, who strode to the far end of the room in a flutter of rich garments: an individual with skin dyed jet-black, eyes like ebony cabochons as black as his skin. He was taller than average height, and carried himself with consummate arrogance. Lusterless as charcoal, the skin dye blurred the contrast of his features, made his face a protean mask. His garments were dramatically fanciful: breeches of orange silk, a loose scarlet robe with white sash, a loose striped gray and black coif which hung rakishly down the right side of his head. Gersen inspected him with open curiosity. This was the first Star King he had observed as such, though popular belief had hundreds moving incognito through the worlds of man: cosmic mysteries since the first human visit to Lambda Grus.
Jack Vance (Demon Princes (Demon Princes #1-5))
If you can persist your originality at every situation without masking your face, undoubtedly you are an achiever!
Nelson Jack