J G Ballard Quotes

We've searched our database for all the quotes and captions related to J G Ballard. Here they are! All 200 of them:

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I believe in the power of the imagination to remake the world, to release the truth within us, to hold back the night, to transcend death, to charm motorways, to ingratiate ourselves with birds, to enlist the confidences of madmen.
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J.G. Ballard
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Perhaps the future belongs to magic, and it's we women who control magic.
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J.G. Ballard (Rushing to Paradise)
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Civilised life, you know, is based on a huge number of illusions in which we all collaborate willingly. The trouble is we forget after a while that they are illusions and we are deeply shocked when reality is torn down around us.
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J.G. Ballard
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In a totally sane society, madness is the only freedom.
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J.G. Ballard (Running Wild)
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I wanted to rub the human race in its own vomit, and force it to look in the mirror.
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J.G. Ballard (Crash)
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Maybe you are a poet and a dreamer, but don't you realize that those two species are extinct now?
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J.G. Ballard
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After being bombarded endlessly by road-safety propaganda it was almost a relief to find myself in an actual accident.
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J.G. Ballard (Crash)
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Unhappy parents teach you a lesson that lasts a lifetime.
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J.G. Ballard
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I would sum up my fear about the future in one word: boring. And that's my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again ... the future is just going to be a vast, conforming suburb of the soul
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J.G. Ballard
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The human race sleepwalked to oblivion, thinking only of the corporate logos on it's shroud.
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J.G. Ballard (Kingdom Come)
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Fiction is a branch of neurology: the scenarios of nerve and blood vessels are the written mythologies of memory and desire.
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J.G. Ballard
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Sooner or later, everything turns into television.
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J.G. Ballard
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Art exists because reality is neither real nor significant.
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J.G. Ballard
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Sooner or later, all games become serious.
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J.G. Ballard (Super-Cannes)
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Science is the ultimate pornography, analytic activity whose main aim is to isolate objects or events from their contexts in time and space. This obsession with the specific activity of quantified functions is what science shares with pornography.
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J.G. Ballard (The Atrocity Exhibition)
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Deserts possess a particular magic, since they have exhausted their own futures, and are thus free of time. Anything erected there, a city, a pyramid, a motel, stands outside time. It's no coincidence that religious leaders emerge from the desert. Modern shopping malls have much the same function. A future Rimbaud, Van Gogh or Adolf Hitler will emerge from their timeless wastes.
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J.G. Ballard (The Atrocity Exhibition)
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In the post-Warhol era a single gesture such as uncrossing one's legs will have more significance than all the pages in War and Peace.
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J.G. Ballard (The Atrocity Exhibition)
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The suburbs dream of violence. Asleep in their drowsy villas, sheltered by benevolent shopping malls, they wait patiently for the nightmares that will wake them into a more passionate world.
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J.G. Ballard (Kingdom Come)
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Surrender to a logic more powerful than reason.
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J.G. Ballard
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Let the psychotics take over. They alone understood what was happening.
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J.G. Ballard (High-Rise)
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A kind of banalization of celebrity has occurred: we are now offered an instant, ready-to-mix fame as nutritious as packet soup.
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J.G. Ballard (The Atrocity Exhibition)
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They thrived on the rapid turnover of acquaintances, the lack of involvement with others, and the total self-sufficiency of lives which, needing nothing, were never dissapointed.
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J.G. Ballard (High-Rise)
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Put a higher value on yourself. Being hyper-realistic about everything is too simple a get-out.
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J.G. Ballard (Cocaine Nights)
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If their work is satisfying people don't need leisure in the old-fashioned sense. No one ever asks what Newton or Darwin did to relax, or how Bach spent his weekends. At Eden-Olympia work is the ultimate play, and play the ultimate work.
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J.G. Ballard (Super-Cannes)
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In a sense life in the high-rise had begun to resemble the world outside - there were the same ruthlessness and agression concealed within a set of polite conventions.
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J.G. Ballard (High-Rise)
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Au revoir, jewelled alligators and white hotels, hallucinatory forests, farewell.
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J.G. Ballard
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Everything is becoming science fiction. From the margins of an almost invisible literature has sprung the intact reality of the 20th century.
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J.G. Ballard
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The American Dream has run out of gas. The car has stopped. It no longer supplies the world with its images, its dreams, its fantasies. No more. It's over. It supplies the world with its nightmares now: the Kennedy assassination, Watergate, Vietnam...
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J.G. Ballard
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All over the world major museums have bowed to the influence of Disney and become theme parks in their own right. The past, whether Renaissance Italy or Ancient Egypt, is re-assimilated and homogenized into its most digestible form. Desperate for the new, but disappointed with anything but the familiar, we recolonize past and future. The same trend can be seen in personal relationships, in the way people are expected to package themselves, their emotions and sexuality, in attractive and instantly appealing forms.
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J.G. Ballard (The Atrocity Exhibition)
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this was an environment built, not for man, but for man's absence.
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J.G. Ballard (High-Rise)
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Sex is now a conceptual act, it's probably only in terms of the perversions that we can make contact with each other at all.
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J.G. Ballard (The Atrocity Exhibition)
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Science and technology multiply around us. To an increasing extent they dictate the languages in which we speak and think. Either we use those languages, or we remain mute.
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J.G. Ballard
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It was an excess of fantasy that killed the old United States, the whole Mickey Mouse and Marilyn thing, the most brilliant technologies devoted to trivia like instant cameras and space spectaculars that should have stayed in the pages of Science Fiction . . . some of the last Presidents of the U.S.A. seemed to have been recruited straight from Disneyland.
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J.G. Ballard
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The twentieth century ended with its dreams in ruins. The notion of the community as a voluntary association of enlightened citizens has died forever. We realize how suffocatingly humane we've become, dedicated to moderation and the middle way. The suburbanization of the soul has overrun our planet like the plague.
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J.G. Ballard (Super-Cannes)
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Deep assignments run through all our lives; there are no coincidences.
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J.G. Ballard (The Atrocity Exhibition)
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Yet she felt an impostor, and already the mask had begun to bite into her face.
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J.G. Ballard
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First she would try to kill him, but failing this give him food and her body, breast-feed him back to a state of childishness and even, perhaps, feel affection for him. Then, the moment he was asleep, cut his throat. The synopsis of the ideal marriage.
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J.G. Ballard (High-Rise)
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Elaborate burial customs are a sure sign of decadence.
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J.G. Ballard (The Complete Short Stories)
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The enormous energy of the twentieth century, enough to drive the planet into a new orbit around a happier star, was being expended to maintain this immense motionless pause.
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J.G. Ballard (Crash)
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I accepted that a new kind of hate had emerged, silent and disciplined, a racism tempered by loyalty cards and PIN numbers. Shopping was now the model for all human behaviour, drained of emotion and anger.
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J.G. Ballard (Kingdom Come)
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Remember, the police are neutral - they hate everybody.
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J.G. Ballard (Millennium People)
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These days even reality has to look artificial.
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J.G. Ballard (Kingdom Come)
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The marriage of reason and nightmare that dominated the 20th century has given birth to an ever more ambiguous world. Across the communications landscape move the spectres of sinister technologies and the dreams that money can buy. Thermo-nuclear weapons systems and soft-drink commercials coexist in an overlit realm ruled by advertising and pseudo-events, science and pornography. Over our lives preside the great twin leitmotifs of the 20th century – sex and paranoia…In a sense, pornography is the most political form of fiction, dealing with how we use and exploit each other, in the most urgent and ruthless way.
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J.G. Ballard
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A visit to Père Lachaise in Paris adds a year to one's life
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J.G. Ballard (The Atrocity Exhibition)
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The bourgeois novel is the greatest enemy of truth and honesty that was ever invented.
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J.G. Ballard (J.G. Ballard Conversations)
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He walked into the bathroom, wincing at himself in the mirror, that always more tired older brother.
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J.G. Ballard (The Atrocity Exhibition)
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The endless newsreel clips of nuclear explosions that we saw on TV in the 1960s (were) a powerful incitement to the psychotic imagination, sanctioning *everything*.
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J.G. Ballard (The Atrocity Exhibition)
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...the arts and criminality have always flourished side by side.
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J.G. Ballard (Cocaine Nights)
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Our neighbours had happy childhoods to a man and still feel angry. Perhaps they resent never having had a chance to become perverse …
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J.G. Ballard (High-Rise)
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We're building prisons all over the world and calling them luxury condos.
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J.G. Ballard (Cocaine Nights)
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In a sense, these people were the vanguard of a well-to-do and well-educated proletariat of the future, boxed up in these expensive apartments with their elegant furniture and intelligent sensibilities, and no possibility of escape.
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J.G. Ballard (High-Rise)
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When Armageddon takes place, parking is going to be a major problem.
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J.G. Ballard (Millennium People)
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I suspect that many of the great cultural shifts that prepare the way for political change are largely aesthetic
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J.G. Ballard
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The ultimate concept car will move so fast, even at rest, as to be invisible.
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J.G. Ballard
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The advanced societies of the future will not be governed by reason. They will be driven by irrationality, by competing systems of psychopathology.
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J.G. Ballard (J.G. Ballard: Quotes: Does the Future Have a Future?)
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The 90’s map the decades to come – full of invisible technologies that will β€˜sub-contract’ many of the functions of the central nervous system.
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J.G. Ballard
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One needs a great deal of idle time to feel really sorry for oneself.
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J.G. Ballard (Cocaine Nights)
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Given that external reality is a fiction, the writer's role is almost superfluous. He does not need to invent the fiction because it is already there.
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J.G. Ballard
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We live in a world ruled by fictions of every kindβ€”mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.
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J.G. Ballard (Crash)
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The only truly alien planet is Earth.
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J.G. Ballard
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There is a British pop group called God. At a recent book signing the lead singer introduced himself and gave me a cassette. I have heard the voice of God.
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J.G. Ballard (The Atrocity Exhibition)
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Togetherness is beating up an empty elevator.
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J.G. Ballard (High-Rise)
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The world was beginning to flower into wounds.
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J.G. Ballard
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He methodically basted the dark skin of the Alsatian, which he had stuffed with garlic and herbs. "One rule in life", he murmured to himself. "If you can smell garlic, everything is all right".
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J.G. Ballard (High-Rise)
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Once it gets off the ground into space, all science fiction is fantasy.
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J.G. Ballard
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Each man is an island unto itself" - Strangman
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J.G. Ballard (The Drowned World)
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Within half an hour almost all the women were drunk, a yardstick Laing had long used to measure the success of a party.
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J.G. Ballard (High-Rise)
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This isn't just a shopping mall. It's more like..." "A religious experience?" "Exactly! It's like going to church...
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J.G. Ballard (Kingdom Come)
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Not for the first time Laing reflected that he and his neighbors were eager for trouble as the most effective means of enlarging their sex lives.
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J.G. Ballard (High-Rise)
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Even their insistence on educating their children, the last reflex of any exploited group before it sank into submission, marked the end of their resistance.
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J.G. Ballard (High-Rise)
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Idealists can be quite a problem when they get disgusted with themselves.
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J.G. Ballard (Super-Cannes)
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The house was silent, but somewhere in the garden was a swimming pool filled with unsettled water.
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J.G. Ballard (Super-Cannes)
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the ragged skyline of the city resembled the disturbed encephalograph of an unresolved mental crisis.
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J.G. Ballard
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I am looking into a silent world.
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J.G. Ballard (The Complete Short Stories)
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Without knowing it, he had constructed a gigantic vertical zoo, its hundreds of cages stacked above each other. All the events of the past few months made sense if one realised that these brilliant and exotic creatures had learned to open the doors.
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J.G. Ballard (High-Rise)
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A new social type was being created by the apartment building, a cool, unemotional personality impervious to the psychological pressures of high-rise life, with minimal needs for privacy, who thrived like an advanced species of machine in the neutral atmosphere. This was the sort of resident who was content to do nothing but sit in his over-priced apartment, watch television with the sound turned down, and wait for his neighbours to make a mistake.
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J.G. Ballard (High-Rise)
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This dreamlike logic hung over the entire afternoon.
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J.G. Ballard (Crash)
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The trouble with you people is that you've been here for thirty million years and your perspectives are all wrong. You miss so much of the transitory beauty of life.
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J.G. Ballard (The Drowned World)
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She referred to the high-rise as if it were some kind of huge animate presence, brooding over them and keeping a magisterial eye on the events taking place.
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J.G. Ballard (High-Rise)
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At the logic of fashion, such once-popular perversions as pedophilia and sodomy will become derided cliches, as amusing as pottery ducks on suburban walls.
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J.G. Ballard (The Atrocity Exhibition)
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Nothing is real until you put it in the VCR.
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J.G. Ballard
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Consumerism is the one thing that gives us our sense of values. Consumerism is honest, and teaches us that everything good has a barcode.
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J.G. Ballard (Kingdom Come)
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Sport is the big giveaway. Wherever sport plays a big part in people's lives you can be sure they're bored witless and just waiting to break up the furniture.
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J.G. Ballard (Kingdom Come)
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One rule in life", he murmured to himself. "If you can smell garlic, everything is alright.
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J.G. Ballard (High-Rise)
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At the sales counter, the human race's greatest confrontation with existence, there were no yesterdays, no history to be relived, only an intense transactional present.
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J.G. Ballard (Kingdom Come)
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Dissembling was so large a part of middle-class life that honesty and frankness seemed the most devious stratagem of all. The most outright lie was the closest one came to truth.
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J.G. Ballard (Kingdom Come)
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Later, as he sat on his balcony eating the dog, Dr Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months.
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J.G. Ballard
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Looking up at the endless tiers of balconies, he felt uneasily like a visitor to a malevolent zoo where terraces of vertically mounted cages contained creatures of random and ferocious cruelty.
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J.G. Ballard (High-Rise)
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The brief span of an individual life is misleading. Each one of us is as old as the entire biological kingdom, and our bloodstreams are tributaries of the great sea of its total memory. The uterine odyssey of the growing foetus recapitulates the entire evolutionary past, and its central nervous system is a coded time scale, each nexus of neurones and each spinal level marking a symbolic station, a unit of neuronic time.
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J.G. Ballard (The Drowned World)
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On the morning after the storm the body of a drowned giant was washed ashore on the beach five miles to the north-west of the city.
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J.G. Ballard (The Complete Short Stories)
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I love the smell of male urine and the reek of his groin on my bath towels after he’d had a shower
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J.G. Ballard (Super-Cannes)
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I've been in several car accidents, but I can say that they did nothing for my libido.
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J.G. Ballard
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A terrorist bomb not only killed its victims, but forced a violent rift through time and space, and ruptured the logic that held the world together.
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J.G. Ballard
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The Kingdom of God might be at hand, but that hand was empty.
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J.G. Ballard
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After Freud's exploration within the psyche it is now the outer world of reality which must be quantified and eroticised
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J.G. Ballard
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The writer's task is to invent the reality.
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J.G. Ballard
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A car crash harnesses elements of eroticism, aggression, desire, speed, drama, kinesthetic factors, the stylizing of motion, consumer goods, status -- all these in one event. I myself see the car crash as a tremendous sexual event really: a liberation of human and machine libido (if there is such a thing).
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J.G. Ballard
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Trying to exhaust himself, Vaughan devised an endless almanac of terrifying wounds and insane collisions: The lungs of elderly men punctured by door-handles; the chests of young women impaled on steering-columns; the cheek of handsome youths torn on the chromium latches of quarter-lights. To Vaughan, these wounds formed the key to a new sexuality, born from a perverse technology. The images of these wounds hung in the gallery of his mind, like exhibits in the museum of a slaughterhouse.
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J.G. Ballard (Crash)
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J. G. Ballard reminded us that β€˜the suburbs dream of violence. Asleep in their drowsy villas, sheltered by benevolent shopping malls, they wait patiently for the nightmares that will wake them into a more passionate world.
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George Monbiot (Feral: Searching for Enchantment on the Frontiers of Rewilding)
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Look at the most religious areas of the world at present - the Middle East and the United States. These are sick societies, and they're going to get sicker. People are never more dangerous than when they have nothing left to believe in except God.
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J.G. Ballard (Kingdom Come)
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Electronic aids, particularly domestic computers, will help the inner migration, the opting out of reality. Reality is no longer going to be the stuff out there, but the stuff inside your head. It's going to be commercial and nasty at the same time.
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J.G. Ballard
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She glanced at her watch, reminding herself who she was.
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J.G. Ballard (Cocaine Nights)
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Jim knew that he was awake and asleep at the same time, dreaming of the war and yet dreamed of by the war.
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J.G. Ballard (Empire of the Sun)
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What's been happening?" "Nothing... It's already happened
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J.G. Ballard (High-Rise)
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They're listening to the sun, Charles. Waiting for a new kind of light.
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J.G. Ballard (Cocaine Nights)
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Mrs Wilder stood passively with her tray, unaware of Royal fondling her, partly because she had been molested by so many men during the past months, but also because the sexual assault itself had ceased to have any meaning.
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J.G. Ballard (High-Rise)
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Visiting his neighbours’ apartments, he would find himself physically repelled by the contours of an award-winning coffee-pot, by the well-modulated colour schemes, by the good taste and intelligence that, Midas-like, had transformed everything in these apartments into an ideal marriage of function and design.
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J.G. Ballard (High-Rise)
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In his mind World War III represents the final self-destruction and imbalance of an asymmetric world, the last suicidal spasm of the dextro-rotatory helix, DNA. The human organism is an atrocity exhibition at which he is an unwilling spectator . . .
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J.G. Ballard (The Atrocity Exhibition)
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Of course, from one point of view the unhappy events of our own century might be regarded as, say, demonstration ballets on the theme 'Hydrocarbon Synthesis' with strong audience participation.
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J.G. Ballard (The Atrocity Exhibition)
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These people were the first to master a new kind of late twentieth-century life. They thrived on the rapid turnover of acquaintances, the lack of involvement with others, and the total self-sufficiency of lives which, needing nothing, were never disappointed.
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J.G. Ballard
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We have annexed the future into our present as merely one of those manifold alternatives open to us
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J.G. Ballard
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Horns sounded from the trapped vehicles on the motorway, a despairing chorus.
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J.G. Ballard (Crash)
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...the look of a man who had made the devil's bargain and knew he had lost.
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J.G. Ballard (The Atrocity Exhibition)
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A vicious boredom ruled the world, for the first time in human history, interrupted by meaningless acts of violence.
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J.G. Ballard
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Consciousness is the central nervous system's gamble that it exists...
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J.G. Ballard
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The staircase was desertedβ€”the higher up the building the more reluctant were the residents to use the stairs, as if this in some way demeaned them.
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J.G. Ballard (High-Rise)
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...parking was well on the way to becoming the British population's greatest spiritual need.
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J.G. Ballard (Kingdom Come)
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If J.G. Ballard had been on Twitter, I doubt he'd have cat-posted. Wm. S. Burroughs, on the other hand, probably would have. He loved cats. I received Christmas cards from Burroughs. All were cute cat cards.
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William Gibson
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...reason rationalizes reality for him (Dr. Nathan) as it does for the rest of us, in the Freudian sense of providing a more palatable or convenient explanation, and there are so many subjects about which we should not be reasonable.
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J.G. Ballard (The Atrocity Exhibition)
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However, for all his affection and loyalty towards the animal, the dog would soon be leaving him - they would both be present at a celebratory dinner when they reached the roof, he reflected with a touch of gallows-humour, but the poodle would be in the pot.
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J.G. Ballard (High-Rise)
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I guessed that he was one of those ambitious young physicians who more and more fill the profession, opportunists with a fashionable hoodlum image, openly hostile to their patients. My brief stay at the hospital had already convinced me that the medical profession was an open door to anyone nursing a grudge against the human race.
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J.G. Ballard (Crash)
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Yes, we gave her drugs - we wanted to free her from those sinister clinics up in the hills, from those men in white coats who know best. Bibi needed to soar over our heads, dreaming her amphetamine dreams, coming off the beach in the evening and leading everyone into the cocaine night.
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J.G. Ballard (Cocaine Nights)
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The media landscape of the present day is a map in search of a territory. A huge volume of sensational and often toxic imagery inundates our minds, much of it fictional in content. How do we make sense of this ceaseless flow of advertising and publicity, news and entertainment, where presidential campaigns and moon voyages are presented in terms indistinguishable from the launch of a new candy bar or deodorant? What actually happens on the level of our unconscious minds when, within minutes on the same TV screen, a prime minister is assassinated, an actress makes love, an injured child is carried from a car crash? Faced with these charged events, prepackaged emotions already in place, we can only stitch together a set of emergency scenarios, just as our sleeping minds extemporize a narrative from the unrelated memories that veer through the cortical night. In the waking dream that now constitutes everyday reality, images of a blood-spattered widow, the chromium trim of a limousine windshield, the stylised glamour of a motorcade, fuse together to provide a secondary narrative with very different meanings.
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J.G. Ballard (The Atrocity Exhibition)
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After a few minutes Jim was forced to admit that he could recognize none of the constellations. Like everything else since the war, the sky was in a state of change. For all their movements, the Japanese aircraft were its only fixed points, a second zodiac above the broken land.
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J.G. Ballard (Empire of the Sun)
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The flies festered over the bodies, in some way aware that the war had ended and determined to hoard every morsel of flesh for the coming famine of the peace.
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J.G. Ballard
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The white faΓ§ades of the villas and apartment houses were like blocks of time that had crystallised beside the road.
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J.G. Ballard (Cocaine Nights)
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Beyond the silver span of the motor bridge lay basins of cracked mud the size of ballrooms - models of a state of mind, a curvilinear labyrinth.
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J.G. Ballard (The Atrocity Exhibition)
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Какая Π΄Π΅Ρ‚Π°Π»ΡŒ Ρ€Π°Π·Π±ΠΈΠ²Π°ΡŽΡ‰Π΅ΠΉΡΡ ΠΌΠ°ΡˆΠΈΠ½Ρ‹ ΠΏΠΎΡ†Π΅Π»ΠΎΠ²Π°Π»Π° этот пСнис Π½Π° свадьбС Π΅Π³ΠΎ ΠΎΡ€Π³Π°Π·ΠΌΠ° ΠΈ Ρ…Ρ€ΠΎΠΌΠΈΡ€ΠΎΠ²Π°Π½Π½ΠΎΠΉ Ρ€ΡƒΡ‡ΠΊΠΈ ΠΏΡ€ΠΈΠ±ΠΎΡ€Π°?
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J.G. Ballard (Crash)
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People no longer need enemies--in this millennium their great dream is to become victims. Only their psychopathies can set them free...
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J.G. Ballard (Super-Cannes)
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Religions emerged too early in human evolution β€” they set up symbols that people took literally, and they're as dead as a line of totem poles. Religions should have come later, when the human race begins to near its end. Sadly, crime is the only spur that rouses us. We're fascinated by that "other world" where everything is possible.
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J.G. Ballard (Cocaine Nights)
β€œ
The long triangular grooves on the car had been formed within the death of an unknown creature, its vanished identity abstracted in terms of the geometry of this vehicle. How much more mysterious would be our own deaths, and those of the famous and powerful?
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J.G. Ballard (Crash)
β€œ
After a heavy snowfall one night in early December the snow formed a thick quilt from which the old man's face emerged like a sleeping child's above an eiderdown. Jim told himself that he never moved because he was warm under the snow.
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J.G. Ballard
β€œ
Recently she had become intrigued by the admiring glances of other women. The admiration of her own sex existed on a higher and more intense plane than anything men could offer, like the romantic rivalries of sisters. Together, women formed a conspiracy of glances entirely exchanged behind the backs of their menfolk.
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J.G. Ballard (The Kindness of Women)
β€œ
the run-down nature of the high-rise was a model of the world into which the future was carrying them, a landscape beyond technology where everything was either derelict or more ambiguously recombined in unexpected but more meaningful ways
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J.G. Ballard (High-Rise)
β€œ
In the trenches between the burial mounds hundreds of dead soldiers sat side by side with their heads against the torn earth, as if they had fallen asleep together in a deep dream of war.
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J.G. Ballard
β€œ
We have annexed the future into the present, as merely one of those manifold alternatives open to us. Options multiply around us, and we live in an almost infantile world where any demand, any possibility, whether for life-styles, travel, sexual roles and identities, can be satisfied instantly.
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J.G. Ballard (Crash)
β€œ
No one could have imagined the effects the Internet would have: …there’s a vast new intimacy and accidental poetry, not to mention the weirdest porn. The entire human experience seems to unveil itself like the surface of a new planet." JG Ballard, 2004
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J.G. Ballard
β€œ
Miriam - I'll give you any flowers you want!' Rhapsodising over the thousand scents of her body, I exclaimed: 'I'll grow orchids from your hands, roses from your breasts. You can have magnolias in your hair...!' 'And in my heart?' 'In your womb I'll set a fly-trap!
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J.G. Ballard (The Unlimited Dream Company)
β€œ
As Miriam released my hand I felt that she and Midwife Bell had returned to a more primitive world, where men never intruded and even their role in conception was unknown. Here the chain of life was mother to daughter, daughter to mother. Fathers and sons belonged in the shadows with the dogs and livestock, like the retriever growling at Midwife Bell's unfamiliar car from the window of my neighbours' living room.
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J.G. Ballard (The Kindness of Women)
β€œ
...I had a momentary vision of Brooklands' entire middle class, its prosperous lawyers, doctors and senior managers, being confined to their own ghetto, with nothing to do all day except groom their ponies and swing their croquet mallets.
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J.G. Ballard (Kingdom Come)
β€œ
The Thames Shouldered its way past Blackfriars Bridge, impatient with the ancient piers, no longer the passive stream that slid past Chelsea Marina, but a rush of ugly water that had scented the open sea and was ready to make a run for it.
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J.G. Ballard (Millennium People)
β€œ
Their period in the apartment together had been one of almost narcotic domesticity.
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J.G. Ballard (The Atrocity Exhibition)
β€œ
For all his youth, he seemed to be willing himself to the edge of an adult despair.
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J.G. Ballard
β€œ
In the future, violence would clearly become a valuable form of social cement.
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”
J.G. Ballard
β€œ
Sex Γ— Technology = the Future.
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”
J.G. Ballard
β€œ
It had not occurred to me that sexual games could be played with an unborn child.
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J.G. Ballard (The Kindness of Women)
β€œ
Their violence (the jungle wars of the '70s), and all violence for that matter, reflects the neutral exploration of sensation that is taking place, within sex as elsewhere and the sense that the perversions are valuable precisely because they provide a readily accessible anthology of exploratory techniques.
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J.G. Ballard (The Atrocity Exhibition)
β€œ
This was a place where it was impossible to borrow a book, attend a concert, say a prayer, consult a parish record or give to charity. In short, the town was an end state of consumerism.
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J.G. Ballard (Kingdom Come)
β€œ
Now and then, the slight lateral movement of the building in the surrounding airstream sent a warning ripple across the flat surface of the water, as if in its pelagic deeps an immense creature was stirring in its sleep.
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J.G. Ballard (High-Rise)
β€œ
Writing a novel is one of those modern rites of passage, I think, that lead us from an innocent world of contentment, drunkenness, and good humor, to a state of chronic edginess and the perpetual scanning of bank statements.
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J.G. Ballard
β€œ
The Chinese enjoyed the grim spectacle of death, Jim had decided, as a way of reminding themselves of how precariously they were alive. They liked to be cruel for the same reason, to remind themselves of the vanity of thinking that the world was anything else.
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J.G. Ballard
β€œ
Crime and vandalism are everywhere. You have to rise above these mindless thugs and the oafish world they inhabit. Insecurity forces you to cherish whatever moral strengths you have, just as political prisoners memorize Dostoevsky's House of the Dead, the dying play Bach and rediscover their faith, parents mourning a dead child do voluntary work at a hospice.
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J.G. Ballard (Cocaine Nights)
β€œ
Everywhere the air had become a vibrant yellow drum. A heavy sunlight freighted the foliage of the trees. Each leaf was a shutter about to swing back and reveal a miniature sun, one window in the immense advent calendar of nature.
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J.G. Ballard (The Unlimited Dream Company)
β€œ
He turned his back on his mother, but the dead battlefield surrounded him on everyside. Deliberately scuffing his polished shoes, he kicked the cartridge cases at the sleeping soldiers. I cupped my hands over my ears, trying to catch the sound that would wake them.
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J.G. Ballard (The Kindness of Women)
β€œ
Most known motives are so suspect these days that I doubt whether the hidden ones are any better. All the same,
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J.G. Ballard (The Drought)
β€œ
His unconscious was rapidly becoming a well-stocked pantheon of tutelary phobias and obsessions, homing onto his already over-burdened psyche like lost telepaths.
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J.G. Ballard (The Drowned World)
β€œ
But a lottery isn't meaningless. Someone has to win.
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J.G. Ballard
β€œ
Representative democracy had been replaced by the surveillance camera and the private police force.
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J.G. Ballard
β€œ
Curiously, there are many perfect short stories, but no perfect novels.
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J.G. Ballard (The Complete Short Stories: Volume 1)
β€œ
future that had already taken place, and was now exhausted.
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J.G. Ballard (High-Rise)
β€œ
The flash lights irritated the women's eyes, but in the sudden glare their faces, so empty of expression when they had sex, at last came alive, and I saw two bluecollar housewives who had ditched their husbands and aspired to the most bourgeois of lives.
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J.G. Ballard (The Kindness of Women)
β€œ
The ambiguous role of the car crash needs no elaborationβ€”apart from our own deaths, the car crash is probably the most dramatic event in our lives, and in many cases the two will coincide. Aside from the fact that we generally own or are at the controls of the crashing vehicle, the car crash differs from other disasters in that it involves the most powerfully advertised commercial product of this century, an iconic entity that combines the elements of speed, power, dream and freedom within a highly stylized format that defuses any fears we may have of the inherent dangers of these violent and unstable machines.
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J.G. Ballard (The Atrocity Exhibition)
β€œ
These people were content with their environment, and felt no particular objection to an impersonal steel and concrete landscape, no qualms about the invasion of their privacy by government agencies and organizations, and if anything welcoming these intrusions, using them for their own purposes. These people were the first to master a new kind of 20th century life. They thrived on the rapid turnover of acquaintances, the lack of involvement with others, and the total self-sufficiency of lives which, needing nothing, were never disappointed. Alternatively, their real needs might emerge later.
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J.G. Ballard (High-Rise)
β€œ
The core identity is Traven, a name taken consciously from B. Traven, a writer I've always admired for his extreme reclusivenessβ€”so completely at odds with the logic of our own age, when even the concept of privacy is constructed from publicly circulating materials. It is now almost impossible to be ourselves except on the world's terms.
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J.G. Ballard (The Atrocity Exhibition)
β€œ
In their eyes I must have appeared like some kind of nightmarish totem, a domestic idiot suffering from the irreversible brain damage of a motorway accident and now put out each morning to view the scene of his own cerebral death.
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J.G. Ballard
β€œ
In the talcum on the floor around him he could see the imprints of his mother's feet. She had moved from side to side, propelled by an over-eager partner, perhaps one of the Japanese officers to whom she was teaching to tango. Jim tried out the dance steps himself, which seemed far more violent than any tango he had ever seen, and managed to fall and cut his hand on the broken mirror.
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J.G. Ballard
β€œ
We live in a world ruled by fictions of every kind β€” mass-merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the pre-empting of any free or original imaginative response to experience by the television screen.
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J.G. Ballard
β€œ
Massive cerebral damage and abdominal bleeding in automobile accidents could be imitated within half an hour, aided by the application of suitable coloured resins. Convincing radiation burns required careful preparation, and might involve some three to four hours of makeup. Death, by contrast, was a matter of lying prone.
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J.G. Ballard (The Atrocity Exhibition)
β€œ
Already it was clear that the lower floors were doomed. Even their insistence on educating their children, the last reflex of any exploited group before it sank into submission, marked the end of their resistance.
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J.G. Ballard
β€œ
His mother and father were agnostics, and Jim respected devout Christians in the same way that he respected people who were members of the Graf Zeppelin Club or shopped at the Chinese department stores, for their mastery of an exotic foreign ritual. Besides, those who worked hardest for others, like Mrs. Philips and Mrs. Gilmour and Dr. Ransome, often held beliefs that turned out to be correct.
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J.G. Ballard (Empire of the Sun)
β€œ
All around them were the bodies of dead Chinese soldiers. They lined the verges of the roads and floated in the canals, jammed together around the pillars of the bridges. In the trenches between the burial mounds hundreds of dead soldiers sat side by side with their heads against the torn earth, as if they had fallen asleep together in a deep dream of war.
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J.G. Ballard (Empire of the Sun)
β€œ
But it held a deeper meaning for me, the sense that reality itself was a stage set that could be dismantled at any moment, and that no matter how magnificent anything appeared, it could be swept aside into the debris of the past.
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J.G. Ballard (Miracles of Life: Shanghai to Shepperton: An Autobiography)
β€œ
Wilder went into his sons' bedroom. Glad to see Wilder, they banged their empty feeding-bowls with their plastic machine-pistols. They were dressed in miniature paratroopers' camouflage suits and tin helmets -- the wrong outfit, Wilder reflected, in light of what had been taking place in the high-rise. The correct combat costume was stockbrokers' pin-stripe, briefcase and homburg.
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J.G. Ballard (High-Rise)
β€œ
Just before dawn, when the pain became unbearable, he took one of the morphine tablets and fell off into a loud, booming sleep, in which the great sun expanded until it filled the entire universe, the stars themselves jolted by each of its beats.
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J.G. Ballard (The Drowned World)
β€œ
The dead were buried above ground, the loose soil heaped around them. The heavy rains of the monsoon months softened the mounds, so that they formed outlines of the bodies within them, as if this small cemetery beside the military airfield were doing its best to resurrect a few of the millions who had died in the war. Here and there an arm or a foot protruded from the graves, the limbs of restless sleepers struggling beneath their brown quilts.
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J.G. Ballard (Empire of the Sun)
β€œ
To his surprise he felt a moment of regret, of sadness that his quest for his mother and father would soon be over. As long as he searched for them he was prepared to be hungry and ill, but now that the search had ended he felt saddened by the memory of all he had been through, and of how much he had changed. He was closer now to the ruined battlefields and this fly-infested truck, to the nine sweet potatoes in the sack below the driver's seat, even in a sense to the detention center, than he would ever be again to his house in Amherst Avenue.
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J.G. Ballard (Empire of the Sun)
β€œ
The crystal trees among them were hung with glass-like trellises of moss. The air was markedly cooler, as if everything was sheathed in ice, but a ceaseless play of light poured through the canopy overhead. The process of crystallization was more advanced. The fences along the road were so encrusted that they formed a continuous palisade, a white frost at least six inches thick on either side of the palings. The few houses between the trees glistened like wedding cakes, white roofs and chimneys transformed into exotic miniarets and baroque domes. On a law of green glass spurs, a child’s tricycle gleamed like a Faberge gem, the wheels starred into brilliant jasper crowns.
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J.G. Ballard (The Crystal World)
β€œ
Work dominates life in Eden-Olympia, and drives out everything else. The dream of a leisure society was the great twentieth-century delusion. Work is the new leisure. Talented and ambitious people work harder than they have ever done, and for longer hours. They find their only fulfillment through work. The men and women running successful companies need to focus their energies on the task in front of them, and for every minute of the day. The last thing they want is recreation.
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J.G. Ballard
β€œ
A lifetime's experience urges me to utter a warning cry: do anything else, take someone's golden retriever for a walk, run away with a saxophone player. Perhaps what's wrong with being a writer is that one can't even say 'good luck'--luck plays no part in the writing of a novel. No happy accidents as with the paint pot or chisel. I don't think you can say anything, really. I've always wanted to juggle and ride a unicycle, but I dare say if I ever asked the advice of an acrobat he would say, 'All you do is get on and start pedaling'.
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J.G. Ballard
β€œ
When he had first met her, Royal had taken for granted her absolute self-confidence, but in fact the reverse was true - far from being sure of herself, Anne needed constantly to re-establish her position on the top rung of the ladder. By comparison, the professional people around her, who had achieved everything as a result of their own talents, were models of self-assurance
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J.G. Ballard (High-Rise)
β€œ
With its passive and unobtrusive despotism, the camera governed the smallest spaces of our lives. Even in the privacy of our own homes we had all been recruited to play our parts in what were little more than real-life commercials. As we cooked in our kitchens we were careful to follow the manufacturer's instructions, as we made love in our bedrooms we embraced within a familiar repertoire of gestures and affections. The medium of film had turned us all into minor actors in an endlessly running daytime serial. In the future, airliners would crash and presidents would be assassinated within agreed conventions as formalised as the coronation of a tsar.
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J.G. Ballard (The Kindness of Women)
β€œ
Strangman shrugged theatrically. "It might," he repeated with great emphasis. "Let's admit that. It makes it more interestingβ€”particularly for Kerans. 'Did I or did I not try to kill myself?' One of the few existential absolutes, far more significant than 'To be or not to be?', which merely underlines the uncertainty of the suicide, rather than the eternal ambivalence of his victim." He smiled down patronisingly at Kerans as the latter sat quietly in his chair, sipping at the drink Beatrice had brought him. "Kerans, I envy you the task of finding outβ€”if you can.
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J.G. Ballard (The Drowned World)
β€œ
That wasn’t a true dream, but an ancient organic memory millions of years old. The innate releasing mechanisms laid down in your cytoplasm have been awakened. The expanding sun and rising temperatures are driving you back down to the spinal levels into the drowned seas of the lowest layers of your unconscious, into the entirely new zone of the neuronic psyche. This is the lumbar transfer, total psychic recall. We really remember these swamps and lagoons.
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J.G. Ballard (The Drowned World)
β€œ
Readers will recall that the little evidence collected seemed to point to the strange and confusing figure of an unidentified Air Force pilot whose body was washed ashore on a beach near Dieppe three months later. Other traces of his β€˜mortal remains’ were found in a number of unexpected places: in a footnote to a paper on some unusual aspects of schizophrenia published thirty years earlier in a since defunct psychiatric journal; in the pilot for an unpurchased TV thriller, β€˜Lieutenant 70’; and on the record labels of a pop singer known as The Him β€” to instance only a few. Whether in fact this man was a returning astronaut suffering from amnesia, the figment of an ill-organized advertising campaign, or, as some have suggested, the second coming of Christ, is anyone’s guess.
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J.G. Ballard (The Atrocity Exhibition)
β€œ
The sight of the freshly swept floors and neatly furled curtains unsettled Wilder. He pulled the drawers on to the floor, heaved the mattresses off the beds, and urinated into the bath. His burly figure, trousers open to expose his heavy genitalia, glared at him from the mirrors in the bedroom. He was about to break the glass, but the sight of his penis calmed him, a white club hanging in the darkness. He would have liked to dress it in some way, perhaps with a hair-ribbon tied in a floral bow.
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J.G. Ballard (High-Rise)
β€œ
All the way down the creek, perched in the windows of the office blocks and department stores, the iguanas watched them go past, their hard frozen heads jerking stiffly… Without the reptiles, the lagoons and the creeks of office blocks half-submerged in the immense heat would have had a strange dream-like beauty, but the iguanas and basilisks brought the fantasy down to earth. As their seats in the one-time board-rooms indicated, the reptiles had taken over the city. Once again they were the dominant form of life.
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J.G. Ballard (The Drowned World)
β€œ
All the evidence over several decades cast a critical light on the high-rise as a viable social structure, but cost-effectiveness in the area of public housing and the profitability in the private sector kept pushing these vertical townships into the sky, against the real needs of their occupants. The psychology of high-rise life had been exposed with damaging results. Living in high-rises required a special type of behavior, one that was acquiescent, restrained, even perhaps slightly mad. A psychotic would have a ball here.
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J.G. Ballard (High-Rise)
β€œ
Travers’s problem is how to come to terms with the violence that has pursued his life - not merely the violence of accident and bereavement, or the horrors of war, but the biomorphic horrors of our own bodies. Travers has at last realized that the real significance of these acts of violence lies elsewhere, in what we might term β€œthe death of affect”. Consider our most real and tender pleasures - in the excitements of pain and mutilation; in sex as the perfect arena, like a culture-bed of sterile pus, for all the veronicas of our own perversions, in voyeurism and self-disgust, in our moral freedom to pursue our own psychopathologies as a game, and in our ever greater powers of abstraction. What our children have to fear are not the cars on the freeways of tomorrow, but our own pleasure in calculating the most elegant parameters of their deaths. The only way we can make contact with each other is in terms of conceptualizations. Violence is the conceptualization of pain. By the same token psychopathology is the conceptual system of sex.
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J.G. Ballard (The Atrocity Exhibition)
β€œ
These are the oldest memories on earth, the time codes carried in every chromosome and gene. Every step we’ve taken in our evolution is a milestone inscribed with organic memories. From the enzymes controlling the carbon-dioxide cycle, to the organization of the brachial plexus and the nerve pathways of the pyramid cells of the mid-brain. Each is a record of a thousand decisions taken in a chemical crisis. Just as psychoanalysis reconstructs the original traumatic situation in order to release the repressed material, so we are now being plunged back into the archaeopsychic past, uncovering the ancient taboos and drives that have been dormant for epochs.
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J.G. Ballard (The Drowned World)
β€œ
The more arid and affectless life became in the high-rise, the greater the possibilities it offered. By its very efficiency, the high-rise took over the task of maintaining the social structure that supported them all. For the first time, it removed the need to suppress every kind of anti-social behavior and left them free to explore any deviant or wayward impulses. It was precisely in these areas where the most important and interesting aspects of their lives would take place. Secure within the shell of the high-rise, like passengers on board an automatically-piloted airliner, they were free to behave in any way they wished, explore the darkest corners they could find. In many ways, the high-rise was a model of all that technology had done to make possible the expression of a truly free psychopathology.
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J.G. Ballard (High-Rise)
β€œ
The relationship between the famous and the public who sustain them is governed by a striking paradox. Infinitely remote, the great stars of politics, film and entertainment move across an electric terrain of limousines, bodygurads and private helicopters. At the same time, the zoom lens and the interview camera bring them so near to us that we know their faces and their smallest gestures more intimately than those of our friends. Somewhere in this paradoxical space our imaginations are free to range, and we find ourselves experimenting like impresarios with all the possibilities that these magnified figures seem to offer us.
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J.G. Ballard
β€œ
The film festival measured a mile in length, from the Martinez to the Vieux Port, where sales executives tucked into their platters of fruits de mer, but was only fifty yards deep. For a fortnight the Croisette and its grand hotels willingly became a facade, the largest stage set in the world. Without realizing it, the crowds under the palm trees were extras recruited to play their traditional roles. As they cheered and hooted, they were far more confident than the film actors on display, who seemed ill at ease when they stepped from their limos, like celebrity criminals ferried to a mass trial by jury at the Palais, a full-scale cultural Nuremberg furnished with film clips of the atrocities they had helped to commit.
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J.G. Ballard (Super-Cannes)
β€œ
Below the bows of the Arrawa a child’s coffin moved onto the night stream. Its paper flowers were shaken loose by the wash of a landing craft carrying sailors from the American cruiser. The flowers formed a wavering garland around the coffin as it began its long journey to the estuary of the Yangtze, only to be swept back by the incoming tide among the quays and mud flats, driven once again to the shores of this terrible city (279).
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J.G. Ballard
β€œ
He dreamed of ambassadorial limousines crashing into jack-knifing butane tankers, of taxis filled with celebrating children colliding head-on below the bright display windows of deserted supermarkets. He dreamed of alienated brothers and sisters, by chance meeting each other on collision courses on the access roads of petrochemical plants, their unconscious incest made explicit in this colliding metal, in the heamorrhages of their brain tissue flowering beneath the aluminized compression chambers and reactions vessels.
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J.G. Ballard (Crash)
β€œ
Reluctantly, he knew that he despised his fellow residents for the way in which they fit so willingly into their appointed slots in the apartment buildings, for their overdeveloped sense of responsibility and lack of flamboyance. Above all, he looked down on them for their good taste. The building was a monument to good taste, to the well-designed kitchen, to sophisticated utencils and fabrics, to elegant and never ostentatious furnishings. In short, to that whole aesthetic sensibility which these well-educated, professional people had inherited from all the schools of industrial design, all the award-winning schemes of interior decoration institutionalized by the last quarter of the century. Royal detested this orthodoxy of the intelligent. Visiting his neighbors’ apartments, he would find himself physically repelled by the contours of an award-winning coffee pot, but the well-modulated color schemes, by the good taste and intelligence that, Midas-like, had transformed everything in these apartments into an ideal marriage of function and design. In a sense, these people were the vanguard of a well-to-do and well-educated proletariat of the future, boxed up in these expensive apartments with their elegant furniture, and intelligent sensibilities, and no possibility of escape.
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J.G. Ballard (High-Rise)
β€œ
Jim watched them eat, his eyes fixed on every morsel that entered their mouth. When the oldest of the four soldiers had finished he scraped some burnt rice and fish scales from the side of the cooking pot. A first-class private of some forty years, with slow, careful hands, he beckoned Jim forward and handed him his mess tin. As they smoked their cigarettes the Japanese smiled to themselves, watching Jim devour the shreds of fatty rice. It was his first hot food since he had left he hospital, and the heat and greasy flavour stung his gums. Tears swam in his eyes. The Japanese soldier who had taken pity on Jim, recognising that this small boy was starving, began to laugh good-naturedly, and pulled the rubber plug from his metal water-bottle. Jim drank the clear, chlorine-flavoured liquid, so unlike the stagnant water in the taps of the Columbia Road. He choked, carefully swallowed his vomit, and tittered into his hands, grinning at the Japanese. Soon they were all laughing together, sitting back in the deep grass beside the drained swimming-pool.
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J.G. Ballard (Empire of the Sun)
β€œ
Trick-cyclist or assuager of discontents, whatever his title, the psychiatrist had now passed into history, joining the necromancers, sorcerers and other practitioners of the black sciences. The Mental Freedom legislation enacted ten years earlier by the ultraconservative UW government had banned the profession outright and enshrined the individual’s freedom to be insane if he wanted to, provided he paid the full civil consequences for any infringements of the law. That was the catch, the hidden object of the MF laws. What had begun as a popular reaction against β€˜subliminal living’ and the uncontrolled extension of techniques of mass manipulation for political and economic ends had quickly developed into a systematic attack on the psychological sciences. Over-permissive courts of law with their condoning of delinquency, pseudo-enlightened penal reformers, β€˜Victims of society’, the psychologist and his patient all came under fierce attack. Discharging their self-hate and anxiety onto a convenient scapegoat, the new rulers, and the great majority electing them, outlawed all forms of psychic control, from the innocent market survey to lobotomy. The mentally ill were on their own, spared pity and consideration, made to pay to the hilt for their failings. The sacred cow of the community was the psychotic, free to wander where he wanted, drooling on the doorsteps, sleeping on sidewalks, and woe betide anyone who tried to help him.
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J.G. Ballard (The Complete Stories of J. G. Ballard)
β€œ
It is random discharges of this type, set off by the creation of anti-galaxies in space, which have led to the depletion of the time store available to the materials of our own solar system. Just as a super-saturated solution will discharge itself into a crystalline mass, so the super-saturation of our solar system leads to its appearance in a parallel spatial matrix. As more and more time leaks away, the process of super-saturation continues, the original atoms and molecules producing spatial replicas of themselves, substance without mass, in an attempt to increase their foothold upon existence. The process is theoretically without end, and it may be possible for a single atom to produce an infinite number of duplicates of itself, and so fill the entire universe, from which simultaneously all time is expired, an ultimate macrocosmic zero beyond the wildest dreams of Plato and Democritus.
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J.G. Ballard (The Crystal World)
β€œ
Kandinski looked up. 'Do you read science fiction?' he asked matter-of-factly. 'Not as a rule,' Ward admitted. When Kandinski said nothing he went on: 'Perhaps I’m too skeptical, but I can’t take it too seriously.' Kandinski pulled at a blister on his palm. 'No one suggests you should. What you mean is that you take it too seriously.' Accepting the rebuke with a smile at himself, Ward pulled out one of the magazines and sat down at a table next to Kandinski. On the cover was a placid suburban setting of snugly eaved houses, yew trees, and children’s bicycles. Spreading slowly across the roof-tops was an enormous pulpy nightmare, blocking out the sun behind it and throwing a weird phosphorescent glow over the roofs and lawns. 'You’re probably right,' Ward said, showing the cover to Kandinski. 'I’d hate to want to take that seriously.' ("The Venus Hunters")
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”
J.G. Ballard
β€œ
Dr. Ransome marked the exercises in the algebra textbook and gave him two strips of rice-paper bandage on which to solve the simultaneous equations. As he stood up, Dr. Ransome removed the three tomatoes from Jim's pocket. He laid them on the table by the wax tray. 'Did they come from the hospital garden?' 'Yes.' Jim gazed back frankly at Dr. Ransome. Recently he had begun to see him with a more adult eye. The long years of imprisonment, the constant disputes with the Japanese had made this young physician seem middle-aged. Dr. Ransome was often unsure of himself, as he was of Jim's theft. 'I have to give Basie something whenever I see him.' 'I know. It's a good thing that you're friends with Basie. He's a survivor, though survivors can be dangerous. Wars exist for people like Basie.' Dr. Ransome placed the tomatoes in Jim's hand. 'I want you to eat them, Jim. I'll get you something for Basie.
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J.G. Ballard (Empire of the Sun)