Ivory Throne Quotes

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Then I have an ivory chair high to sit upon, Almost like my father's chair, which is an ivory throne; There I sit uplift and upright, there I sit alone.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
I reached out my hand, England's rivers turned and flowed the other way... I reached out my hand, my enemies's blood stopt in their veins... I reached out my hand; thought and memory flew out of my enemies' heads like a flock of starlings; My enemies crumpled like empty sacks. I came to them out of mists and rain; I came to them in dreams at midnight; I came to them in a flock of ravens that filled a northern sky at dawn; When they thought themselves safe I came to them in a cry that broke the silence of a winter wood... The rain made a door for me and I went through it; The stones made a throne for me and I sat upon it; Three kingdoms were given to me to be mine forever; England was given to me to be mine forever. The nameless slave wore a silver crown; The nameless slave was a king in a strange country... The weapons that my enemies raised against me are venerated in Hell as holy relics; Plans that my enemies made against me are preserved as holy texts; Blood that I shed upon ancient battlefields is scraped from the stained earth by Hell's sacristans and placed in a vessel of silver and ivory. I gave magic to England, a valuable inheritance But Englishmen have despised my gift Magic shall be written upon the sky by the rain but they shall not be able to read it; Magic shall be written on the faces of the stony hills but their minds shall not be able to contain it; In winter the barren trees shall be a black writing but they shall not understand it... Two magicians shall appear in England... The first shall fear me; the second shall long to behold me; The first shall be governed by thieves and murderers; the second shall conspire at his own destruction; The first shall bury his heart in a dark wood beneath the snow, yet still feel its ache; The second shall see his dearest posession in his enemy's hand... The first shall pass his life alone, he shall be his own gaoler; The second shall tread lonely roads, the storm above his head, seeking a dark tower upon a high hillside... I sit upon a black throne in the shadows but they shall not see me. The rain shall make a door for me and I shall pass through it; The stones shall make a throne for me and I shall sit upon it... The nameless slave shall wear a silver crown The nameless slave shall be a king in a strange country...
Susanna Clarke (Jonathan Strange & Mr. Norrell)
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion. He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table. So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers. “You eat like a fine lady,” she told him. His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water. The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly. “You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason. “Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.” Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty. She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed. Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Dorian looked down at the book. "This isn't one of the books that I sent you! I don't even own books like these!" She laughed weakly and took the tea from the servant as she approached. "Of course you don't, Dorian. I had the maids send for a copy today." "Sunset's Passions," he read, and opened the book to a random page to read aloud. "'His hands gently caressed her ivory, silky br-'" His eyes widened. "By the Wyrd! Do you actually read this rubbish? What happened to Symbols and Power and Eyllwe Customs and Culture?" She finished her drink, the ginger tea easing her stomach. "You may borrow it when I'm done. If you read it, you literary experience will be complete. And," she added with a coy smile, "it will give you some creative ideas of things to do with your lady friends." He hissed through his teeth. "I will not read this." She took the book from his hands, leaning back. "Then I suppose you're just like Chaol." "Chaol?" he asked, falling into the trap. "You asked Chaol to read this?" "He refused, of course," she lied. "He said it wasn't right for him to read this sort of material if I gave it to him." Dorian snatched the book from her hands. "Give me that, you demon-woman. I'll not have you matching us against each other." He glanced once more at the novel, then turned it over, concealing the title. She smiled, and resumed watching the falling snow.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Let us suppose we are confronted with a desperate thing – say Pimlico. If we think what is really best for Pimlico we shall find the thread of thought leads to the throne of the mystic and the arbitrary. It is not enough for a man to disapprove of Pimlico; in that case he will merely cut his throat or move to Chelsea. Nor, certainly, is it enough for a man to approve of Pimlico; for then it will remain Pimlico, which would be awful. The only way out of it seems to be for somebody to love Pimlico; to love it with a transcendental tie and without any earthly reason. If there arose a man who loved Pimlico, then Pimlico would rise into ivory towers and golden pinnacles… If men loved Pimlico as mothers love children, arbitrarily, because it is theirs, Pimlico in a year or two might be fairer than Florence. Some readers will say that this is mere fantasy. I answer that this is the actual history of mankind. This, as a fact, is how cities did grow great. Go back to the darkest roots of civilization and you will find them knotted round some sacred stone or encircling some sacred well. People first paid honour to a spot and afterwards gained glory for it. Men did not love Rome because she was great. She was great because they had loved her.
G.K. Chesterton (Orthodoxy)
Fully ten feet high despite a shambling, crouching attitude expressive of infinite cosmic malignancy, a monstrosity of unbelievable horror was shewn starting forward from a Cyclopean ivory throne covered with grotesque carvings.
H.P. Lovecraft (The Complete Works)
We want our Public Service to be public and a service,
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
And there—standing in a copse of thorns—was a white stag. Celaena’s breath hitched. She clenched the bars of the small window as the creature looked at them. His towering antlers seemed to glow in the moonlight, crowning him in wreaths of ivory. “Gods above,” one of the guards whispered. The stag’s enormous head turned slightly—toward the wagon, toward the small window. The Lord of the North.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Then he went straightway to the presence-chamber; and he spoke in the speech of men; and he told his lord of that frail wife's dishonor, and said, 'Arise I cast her off, and be strong as thou ever hast been.' But the king, mad with rage, would not hearken; he leaped down from his ivory throne, and drew bis dagger out from his girdle, and thrust it into the heart of Ilderiui. 'So serve I the foes of my angel!' he cried; and Ilderim fell at his feet. 'I forgive,' he said simply,—and died.
Ouida (Puck)
My visit to Her Highness was an agreeable surprise for me. Instead of being ushered into the presence of an over-decorated woman, sporting diamond pendants and necklaces, I found myself in the presence of a modest young woman who relied not upon jewels or gaudy dress for beauty but on her own naturally well formed features and exactness of manners. Her room was as plainly furnished as she was plainly dressed. Her severe simplicity became an object of my envy. She seemed to me an object lesson for many a prince and many a millionaire whose loud ornamentation, ugly looking diamonds, rings and studs and still more loud and almost vulgar furniture offend the taste and present a terrible and sad contrast between them and the masses from whom they derive their wealth.
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
If anyone had asked him that morning concerning his idea of Heaven, he never would have dreamed of describing a place of gold-paved streets, crystal pillars, jewelled gates, and thrones of ivory. These things were beyond the man's comprehension and he would not have admired or felt at home in such magnificence if it had been materialized for him. He would have told you that a floor of last year's brown leaves, studded with myriad flower faces, big, bark-encased pillars of a thousand years, jewels on every bush, shrub, and tree, and tilting thrones on which gaudy birds almost burst themselves to voice the joy of life, while their bright-eyed little mates peered questioningly at him over nest rims——he would have told you that Medicine Woods on a damp, sunny May morning was Heaven.
Gene Stratton-Porter (The Harvester)
That evening after tea the four children all managed to get down to the beach again and get their shoes and stockings off and feel the sand between their toes. But the next day was more solemn. For then, in the Great Hall of Cair Paravel--that wonderful hall with the ivory roof and the west door all hung with peacock’s feathers and the eastern door which opens right onto the sea, in the presence of all their friends and to the sound of trumpets, Aslan solemnly crowned them and led them onto the four thrones amid deafening shouts of, “Long Live King Peter! Long Live Queen Susan! Long Live King Edmund! Long Live Queen Lucy!” “Once a King or Queen in Narnia, always a King or Queen. Bear it well, Sons of Adam! Bear it well, Daughters of Eve!” said Aslan. And through the eastern door, which was wide open, came the voices of the mermen and the mermaids swimming close to the castle steps and singing in honor of their new Kings and Queens.
C.S. Lewis (The Chronicles of Narnia The Lion, the Witch & the Wardrobe)
Sovereign King of Detachment and Renunciation, Emperor of Death and Shipwreck, living dream that gradually wanders among the worlds ruins and wastes! Sovereign King of Despair amid splendours, grieving lord of palaces that don't satisfy, master of processions and pageants that never succeed in blotting out life! Sovereign King risen from the tombs, who came in the night by the light of the moon to tell your life to the living, royal page of lilies that have lost their petals, imperial herald of the coldness of ivory! Sovereign King Shepard of the Watches, knight errant of Anxieties traveling on moonlit roads without glory and without even a lady to serve, lord in the forest and on the slopes, a silent silhouette with visor drawn shut, passing through valleys, misunderstood in villages, ridiculed in towns, scorned in the cities! Sovereign King consecrated by Death to be her own, pale and absurd, forgotten and unrecognized, reigning amid worn-out velvets and tarnished marble on his throne at the limits of the Possible, surrounded by the shadows of his unreal court and guarded by the fantasy of his mysterious, solidierless army. (...) Your love for things dreamed was your contempt for things lived. Virgin King who disdained love, Shadow King who disdained light, Dream King who denied life! Amid the muffled racket of cymbals and drums, Darkness acclaims you Emperor!
Fernando Pessoa
Ahab stood for a while leaning over the bulwarks; and then, as had been usual with him of late, calling a sailor of the watch, he sent him below for his ivory stool, and also his pipe. Lighting the pipe at the binnacle lamp and planting the stool on the weather side of the deck, he sat and smoked. In old Norse times, the thrones of the sea-loving Danish kings were fabricated, saith tradition, of the tusks of the Narwhale. How could one look at Ahab then, seated on that tripod of bones, without bethinking him of the royalty it symbolized? For a Khan of the plank, and a king of the sea, and a great lord of Leviathans was Ahab. Some moments passed, during which the thick vapor came from his mouth in quick and constant puffs, which blew back again into his face. "How now," he soliloquized at last, withdrawing the tube, "this smoking no longer soothes. Oh, my pipe! hard must it go with me if thy charm be gone! Here have I been unconsciously toiling, not pleasuring, aye, and ignorantly smoking to windward all the while; to windward, and with such nervous whiffs, as if, like the dying whale, my final jets were the strongest and fullest of trouble. What business have I with this pipe? This thing that is meant for sereneness, to send up mild white vapors among mild white hairs, not among torn iron-grey locks like mine. I'll smoke no more" He tossed the still lighted pipe into the sea. The fire hissed in the waves; the same instant the ship shot by the bubble the sinking pipe made. With slouched hat, Ahab lurchingly paced the planks.
Herman Melville (Moby-Dick or, The Whale)
As a commentator in the Madras Mail noted in 1905, ‘we have the Brahmin interest, the Nair interest, the Syrian interest, the Ezhava interest etc., and … there are journals to support each one’s cause
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
Alan Millard (1981, 5-18), however, has made a thorough study of the use of gold and wealth in general in the ancient Near East, and his conclusions were that the descriptions of Solomon’s wealth and that of the temple are entirely in keeping with the use and accumulation of wealth in ancient times.  He wrote, “There are no grounds for dismissing Solomon’s glory as exaggeration or legend in the history and culture of the ancient world. Solomon could well have ruled in Jerusalem exactly as 1 Kings describes him, seated on his ivory throne, worshipping at the golden Temple.” (Millard, 1981, 17). 
Charles River Editors (King Solomon and the Temple of Solomon: The History of the Jewish King and His Temple)
The heavy hood concealed the stranger’s face in shadow, but Aelin glimpsed ivory skin, dark hair, and fine velvet gloves reaching into her cloak—for a weapon? “Start explaining,” Aelin said, leaning against the door frame, “or you’re rat meat.” The woman stepped back into the rain—not back, exactly, but toward the carriage, where Aelin noted the small form of a child waiting inside. Cowering. The woman said, “I came to warn you,” and pulled back her hood just enough to reveal her face. Large, slightly uptilted green eyes, sensuous lips, sharp cheekbones, and a pert nose combined to create a rare, staggering beauty that caused men to lose all common sense. Aelin stepped under the narrow awning and drawled, “As far as memory serves me, Lysandra, I warned you that if I ever saw you again, I’d kill you.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
The principle of [Malayali] law is that the whole [estate] property belongs to her and the [senior male] is simply the manager on her behalf
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
But then they rounded a corner and nearly collided with Kaltain Rompier. The assassin would have grimaced, but she forgot all about Kaltain as her eyes fell upon her companion. It was an Eyllwe woman. She was stunning, long and lean, each of her features perfectly formed and smooth. Her loose white dress contrasted with her creamy brown skin, and a three-plated gold torque covered much of her chest and neck. Bracelets of ivory and gold glimmered around her wrists, and her feet were sandaled beneath matching anklets. A thin circlet comprising dangling gold and jewels crowned her head. She had two male guards with her, armed to the teeth with an assortment of curved Eyllwe daggers and swords, both of them studying Chaol and Celaena closely—weighing the threat. The Eyllwe girl was a princess.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
While Gandhi and Rajagopalachari celebrated the proclamation, the all-India leader of the low-caste movement, Dr B.R. Ambedkar himself expressed a more lukewarm response. He was not, he made it clear, convinced that spirituality or emancipation were the real intentions of the Maharajah’s historic proclamation. Instead, it was knowledge that the ‘cessation of so large a community would be the death-knell to the Hindus’ and the fact that Ezhavas by their recent actions had ‘made the danger real’, that compelled the state to act in a substantial manner.125 If it were not for these political pressures, Travancore might never have changed.
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
His Highness is ever on his guard as though he has been carefully tutored beforehand and is afraid to say anything … Apparently this attitude is inculcated by Her Highness, his mother.
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
Cabral sacked an Arab vessel, provoking retaliation from Muslim merchants who burned down his warehouse and killed between fifty and seventy Portuguese men. Cabral took to the safety of the sea and looted every ship he could find and, in what was meant as a lesson to the Zamorin, bombarded Calicut from afar for an entire day, killing nearly 600 people.
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
Even after years of scientific strides academic enlightenment was still lacking. The fossilized scientists from yesteryear, with their avian noses, would cast down their deterministic gaze at the those who strayed too far from the ancient zeitgeist. Those in front of the blackboard, tossing out cash, would rather stick to what they knew, would rather maintain the world they helped create so that they may retain dominance, comfy in their ivory tower thrones. But at what cost? One can always remain on top of a mountain that never grows.
Larry Fort (Still Standing)
could go wrong on the way did—the plane was delayed
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
Mysore, one of the greatest princely states, was famously progressive and more industrialised than any other part of India. In Baroda, the British did its people a favour by deposing a Maharajah who spent his time commissioning carpets of pearls, and installing in his place a young prince who would earn the love and respect of his subjects by far-sighted policy. In the 1940s, the ruler of Jaipur imported a minister from Mysore and sought to replicate its successes in his desert principality, starting schools, abolishing purdah, and so on. And, of course, in the south there was Travancore, guided by a line of fairly enlightened rulers into the higher echelons of progressive governance, winning appreciation from all quarters.
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
their emergence was married to industrial successes in the two important districts of Alleppey and Shertallai in north Travancore, which also boasted the first trade union in the state, the Travancore Labour Association. By now it had transformed itself into the Coir Factory Workers’ Union, and with 7,400 fee-paying members, this was perhaps the biggest of fifty unions in the state; Shertallai alone had eleven with 15,000 out of 20,000 local workers registered.16 All of them, it became clear, were prepared to stand up to the Dewan and scotch his latest flirtations with the State Congress.
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
while the tide was flowing towards greater democratisation and ultimately to India’s independence, the royal family were blinded by their own autocracy, revelling in obsolete notions of prestige and glory and in pursuit of impotent emblems of princely greatness.77 Indeed, even five decades later, the Junior Maharani’s son would refer to the 7,600 sq. miles of land that was Travancore as a veritable ‘empire’.
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
I was wrapped up in lotus leaves, which served as a make-believe womb, and held against mother’s stomach. I presume our priests recommended this peculiar ‘remedy’ to the problem that I was born but wasn’t supposed to be born without permission! Anyway, I was packaged like that, and the Maharajah performed the ceremonies he was meant to do months before my birth. And then the leaves were opened and I was laid on the ground. The maids and women there were all instructed to come forth with these joyous ululations and loud exclamations, and so there was a great hoo-ha about my so-called ‘birth’. Then the Maharajah ‘recognised’ me and proceeded to the naming rituals. To her dying day mother couldn’t stop laughing when she told us this story, though on that day itself she was firmly instructed not to betray any emotion lest offence be taken.14
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
Dewan had even negotiated an agreement with Jinnah ‘for the supply of foodstuffs from Pakistan’ and ‘it had already been agreed to exchange representatives between Travancore and Pakistan. He would also send representatives to other countries, for example Turkey.
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
Travancore, an awkward entity created with the devoted assistance of Tamil Brahmins, went down also with one of the greatest Tamil Brahmins who ever lived. And its dynasty’s most loyal adherent became also its ultimate gravedigger.
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
After the end of the war, Princess Lalitha did the unthinkable: she moved out of the palace, in pursuit of her own freedom. ‘It sounds very simple now,’ tells her cousin, ‘but at the time it was an extraordinary thing to do. Most people aspired to live like princes, with servants and luxury and all that wealth, but here was this young woman running away from it; giving up her golden spoon for something much more ordinary.
Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)
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Manu S. Pillai (The Ivory Throne: Chronicles of the House of Travancore)