Ity Quotes

We've searched our database for all the quotes and captions related to Ity. Here they are! All 200 of them:

I believe the universe wants to be noticed. I think the universe is inprobably biased toward the consciousness, that it rewards intelligence in part because the universe enjoys its elegance being observed. And who am I, living in the middle of history, to tell the universe that it-or my observation of it-is temporary?
John Green (The Fault in Our Stars)
I’m here. I love you. I don’t care if you need to stay up crying all night long, I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and I am braver than Loneliness and nothing will ever exhaust me.
Elizabeth Gilbert (Eat, Pray, Love)
I wanted to tell you that I just--I miss you. And maybe that sounds ridiculous--like we barely know each other, but between the emails and texts and... everything else, I felt like we did. Like we do. and I miss--I don't know how else to say it--I miss both of you.
Tammara Webber (Easy (Contours of the Heart, #1))
I think I'm losing it—I don't know what's happening, what happened, but I look at you, I look at you, and I love you so much. Not because of anything you've said, or done, or anything at all. I look at you, and I just love you, and it terrifies me. It terrifies me what I would do for you.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
That's exactly it—I am crazy sad, and somewhere deep inside, all I want is to fly.
Jandy Nelson (The Sky Is Everywhere)
If a man has to make a woman the center of his love, why should he integrate animality into this sacred human emotion?...Is love incompelete without it?...Is love the name of physical excersize ?
Saadat Hasan Manto
I wondered how long it could last. Maybe someday, years from now.If the pain would decrease to the point where I could bear it.I would be able to look back on those few short months that would always be the best of my life.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
The depth of the feeling continued to surprise and threaten me, but each time it hit again and I bore it...I would discover that it hadn't washed me away.
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together. In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page: I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me. Tonight, this strange interior gesture of friendship—the lending of a hand from me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page. Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND… I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
Elizabeth Gilbert
and I love her in the dark. I mean, fuck it—I down and out love her in all spectrums of light, even the absence of it.
Jessa Hastings (Magnolia Parks (Magnolia Parks Universe, #1))
I’ve blamed her for all of this, for leaving, for ruining me. And maybe that was the seed of it, but from that one little seed grew this tumor of a flowering plant. And I’m the one who nurtures it. I water it. I care for it.I nibble from its poison berries. I let it wrap around my neck, choking the air right out of me. I’ve done that. All by myself. All to myself.
Gayle Forman (Where She Went (If I Stay, #2))
Dupa ce iti omori demonii, daca ai curajul sa o faci, e musai sa te intorci pe acelasi drum.
Tudor Chirilă (Exerciţii de echilibru)
I always thought you had you a bad case of head-up-your-ass-itis. -Kramisha
P.C. Cast (Burned (House of Night, #7))
you said you were going to kill rukia with your own hands...you make me sick...show me your bankai and I will crush it...I will make me beg for forgiveness on you knees...I will never let you say those words to Rukia again... ~Ichigo Kurosaki
Tite Kubo
Sa nu crezi niciodata ce iti spun. Sa crezi doar ce simti
Chris Simion (Ce ne spunem când nu ne vorbim)
It is easy, when you are young, to believe that what you desire is no less than what you deserve, to assume that if you want something badly enough , it is your God-given right to have it...I was a raw youth who mistook passion for insight and acted according to an obscure, gap-ridden logic. I thought climbing the Devils Thumb would fix all that was wrong with my life. In the end, of course, it changed almost nothing. But I came to appreciate that mountains make poor receptacles for dreams. And I lived to tell my tale.
Jon Krakauer (Into the Wild)
Later, as he plays and plays, as all the fog burns away, I think, he's right. That's exactly it--I am crazy sad, and somewhere deep inside, all I want is to fly.
Jandy Nelson (The Sky Is Everywhere)
Some of this book—perhaps too much—has been about how I learned to do it. Much of it has been about how you can do it better. The rest of it—and perhaps the best of it—is a permission slip: you can, you should, and if you're brave enough to start, you will. Writing is magic, as much the water of life as any other creative art. The water is free. So drink. Drink and be filled up.
Stephen King (On Writing A Memoir of the Craft)
But you hardley even know him"she said."He could be a serial killer" "I did have that thought.I checked the apartment out,but if his got an ice cooler full of arms in it,I havent seen it yet.Anyway he seems pretty since.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Being who you are for ever is the price you pay for im­mor­tal­ity.
Hannu Rajaniemi (The Fractal Prince (Jean le Flambeur, #2))
I took a breath and blurted everything out before I was too chickenshit to say any of it. “I wanted to tell you that I just—I miss you. And maybe that sounds ridiculous—like we barely know each other, but between the emails and texts and… everything else, I felt like we did. Like we do. And I miss—I don’t know how else to say it—I miss both of you.” He swallowed, closing his eyes and inhaling slowly. I knew he would be all rational and do-the-right-thing and he would push me away again, and I was determined not to give him that chance. But then his eyes flashed open and he said, “Fuck it,” pushing me against the door, slamming his forearms on either side of my head and kissing me more forcefully than I’d ever been kissed
Tammara Webber (Easy (Contours of the Heart, #1))
Death is a great tragedy…a profound loss…I don’t accept it…I think people are kidding themselves when they say they are comfortable with death.
Ray Kurzweil
Integrity is not everything, but it is the only thing that matters.
Jeffrey Fry
In my humble opinion, love is when a person believes that he, she or it can't live without some other he, she or it...I said believes. No one actually needs another person or another person's live to survive. Love, Lizzie, is when we have irrationally convinced ourselves that we do.
Gabrielle Zevin (Elsewhere)
An owl sound wandered along the road with me. I didn't hear it--I breathed it into my ears.
William Stafford
Don't miss out on the love of a good women,son. No matter what that old man of yours tells you,love is real.I'd have never had the success in my life without the women right there.She's been my backbone.She's been my reason for everything I've ever done.One day your drive to make a name for yourself will begin to drift away. It won't be that important anymore.But when you're doing it for someone else, someone you would move heaven and earth for then you never lose the desire to succeed.I can't imagine this world without her in it.I don't ever want to.
Abbi Glines (Twisted Perfection (Rosemary Beach, #5; Perfection, #1))
Westcliff thinks that St. Vincent is in love with you.” Evie choked a little and didn’t dare look up from her tea. “Wh-why does he think that?” “He’s known St. Vincent from childhood, and can read him fairly well. And Westcliff sees an odd sort of logic in why you would finally be the one to win St. Vincent’s heart. He says a girl like you would appeal to…hmm, how did he put it?…I can’t remember the exact words, but it was something like… you would appeal to St. Vincent’s deepest, most secret fantasy.” Evie felt her cheeks flushing while a skirmish of pain and hope took place in the tired confines of her chest. She tried to respond sardonically. “I should think his fantasy is to consort with as many women as possible.” A grin crossed Lillian’s lips. “Dear, that is not St. Vincent’s fantasy, it’s his reality. And you’re probably the first sweet, decent girl he’s ever had anything to do with.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
He whipped the chair around and actually split one of the things in half with the impact, spilling the spray of blood that was reflective, like mercury. John bellowed, "Anyone else want to donate blood to chair-ity?" He ducked into the the door and bashed one monster right in the wig, screaming, "There's some dessert! With a chair-y on top!
David Wong (John Dies at the End (John Dies at the End, #1))
Everybody has their shit to shovel,Callahan.Everybody.Now,yours is right up front where everybody can see it.I don't envy you that.But everybody has some,whether you can see it or not.
Sarina Bowen (The Year We Fell Down (The Ivy Years, #1))
You can chase love. If you are lucky enough to catch it…is it really yours?
Brian MacLearn
But the truth of the matter—as I’ve come to understand it—is that people will ignore every warning sign when blinded by their thirst for something. It’s better to not be thirsty.
Tarryn Fisher (Marrow)
I love it--I just love it.
Franklin D. Roosevelt
I sensed he may have occasionally strayed in some of his past relationships. It was something I felt but ignored, a rent in the fabric of an otherwise splendid garment I thought I could mend. I thought I could live with it—I thought, yes and I admit it, that I would be different. That at the very least, middle age and children would slow him down; however, they seemed to accelerate his pace.
Suzanne Finnamore (Split: A Memoir of Divorce)
First came bright Spirits, not the Spirits of men, who danced and scattered flowers. Then, on the left and right, at each side of the forest avenue, came youthful shapes, boys upon one hand, and girls upon the other. If I could remember their singing and write down the notes, no man who read that score would ever grow sick or old. Between them went musicians: and after these a lady in whose honour all this was being done. I cannot now remember whether she was naked or clothed. If she were naked, then it must have been the almost visible penumbra of her courtesy and joy which produces in my memory the illusion of a great and shining train that followed her across the happy grass. If she were clothed, then the illusion of nakedness is doubtless due to the clarity with which her inmost spirit shone through the clothes. For clothes in that country are not a disguise: the spiritual body lives along each thread and turns them into living organs. A robe or a crown is there as much one of the wearer's features as a lip or an eye. But I have forgotten. And only partly do I remember the unbearable beauty of her face. “Is it?...is it?” I whispered to my guide. “Not at all,” said he. “It's someone ye'll never have heard of. Her name on earth was Sarah Smith and she lived at Golders Green.” “She seems to be...well, a person of particular importance?” “Aye. She is one of the great ones. Ye have heard that fame in this country and fame on Earth are two quite different things.” “And who are these gigantic people...look! They're like emeralds...who are dancing and throwing flowers before here?” “Haven't ye read your Milton? A thousand liveried angels lackey her.” “And who are all these young men and women on each side?” “They are her sons and daughters.” “She must have had a very large family, Sir.” “Every young man or boy that met her became her son – even if it was only the boy that brought the meat to her back door. Every girl that met her was her daughter.” “Isn't that a bit hard on their own parents?” “No. There are those that steal other people's children. But her motherhood was of a different kind. Those on whom it fell went back to their natural parents loving them more. Few men looked on her without becoming, in a certain fashion, her lovers. But it was the kind of love that made them not less true, but truer, to their own wives.” “And how...but hullo! What are all these animals? A cat-two cats-dozens of cats. And all those dogs...why, I can't count them. And the birds. And the horses.” “They are her beasts.” “Did she keep a sort of zoo? I mean, this is a bit too much.” “Every beast and bird that came near her had its place in her love. In her they became themselves. And now the abundance of life she has in Christ from the Father flows over into them.” I looked at my Teacher in amazement. “Yes,” he said. “It is like when you throw a stone into a pool, and the concentric waves spread out further and further. Who knows where it will end? Redeemed humanity is still young, it has hardly come to its full strength. But already there is joy enough int the little finger of a great saint such as yonder lady to waken all the dead things of the universe into life.
C.S. Lewis (The Great Divorce)
Esti singur in vartejul suferintei tale si daca vrei sa iesi trebuie sa tragi aer in piept si sa te scufunzi pana se sfarseste. Mai degraba iubeste-o pana cand iubirea ti se face apa si se scurge prin toti porii. Iubeste-o in absenta. Va fi ca si cum te-ai arunca de nebun intr-un zid. De sute, de mii de ori. Neclintit, zidul iti va rupe oasele, pielea ti-o vei zdreli, iti vei sfasia hainele pana cand te vei fi prelins in praful de la baza lui. Un somn lung te va cuprinde, apoi te vei trezi ca dupa un cosmar pe care vei incerca sa-l rememorezi. Soarele diminetii nu-ti va da timp si vei uita. Cu fiecare zi care va trece vei mai fi uitat putin cate putin...Vindeca-te singur. E tot ce poti face pentru tine.
Tudor Chirilă (Exerciţii de echilibru)
I want the past back, no matter the cost. It doesn't matter that it won't come back, that it never even actually existed as I remember it—I want it back. I want things to be like they were, or like I remember them having been: Whole.
John Green (Turtles All the Way Down)
I believe it is possible to make magic every day.
Jeffrey Fry
I shan't mind if you don't," he agreed. "But I'll not let you go, Prudence. Til not pester you, but know this: I will wait until you choose to listen to your heart." "Pshaw." It was a feeble effort. She took a deep breath and tried again. "Humbug! How can you presume to know my heart?" He smiled a slow, devastating smile. "You are my heart." He lifted her hand and kissed it. "And our hearts beat in tune. I know it—I, who used not to believe in such things. And you know it.
Anne Gracie (The Perfect Rake (The Merridew Sisters, #1))
Usu­al­ly, very ear­ly in the morn­ing. Ger­man la­bor­ers were go­ing to work. They would stop and look at us with­out sur­prise. One day when we had come to a stop, a work­er took a piece of bread out of his bag and threw it in­to a wag­on. There was a stam­pede. Dozens of starv­ing men fought des­per­ate­ly over a few crumbs. The work­er watched the spec­ta­cle with great interest. Years later, I witnessed a sim­ilar spec­ta­cle in Aden. Our ship’s pas­sen­gers amused them­selves by throw­ing coins to the “natives,” who dove to retrieve them. An el­egant Parisian la­dy took great plea­sure in this game. When I no­ticed two chil­dren des­perate­ly fighting in the wa­ter, one try­ing to stran­gle the oth­er, I implored the la­dy: “Please, don’t throw any more coins!” “Why not?” said she. “I like to give char­ity…
Elie Wiesel (Night)
You and me, Lucy, we're like a fire: Hot and unpredictable, scary and mesmerizing all at once.We started with a spark and before i knew it,I was consumed.I love the way you burn me up from the inside out.
Cheryl McIntyre (Before Now (Sometimes Never, #2))
Din acest moment, nu iti mai cer nimic. O sa ajung la mal singura. Nu mai rezist in larg. Am inghetat si tu spui ca e cald
Chris Simion (Ce ne spunem când nu ne vorbim)
I wonder if that fear still creeps up on her now though she worked so hard to face it—I wonder if fears ever really go away, or if they just lose their power over us.
Veronica Roth (Allegiant (Divergent, #3))
Oh yeah, that’s the one who kept watching me as if she was waiting for me to grow fangs and try to eat her. I couldn’t help it—I used my claws to scratch my nose. Her eyes almost popped out of their sockets.
Nalini Singh (Tangle of Need (Psy-Changeling, #11))
You people have a religion of death that fills you with the joy and courage to confront it...I do not. I believe the only essential thing is to be alive.- Abrenucio
Gabriel García Márquez (Of Love and Other Demons)
I’m trying to find out where we are going. Olivia. I already know you love me.” I glared up at him in shock and he shrugged. “The fact that you can’t say it—is a problem. I love you.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
Were you feeling all right?" "No, not at all." "Bellyache?" "Yeah, a two-month bellyache called Vivian-itis. Symptoms include desperate longing and inability to do anything but feel like a douchebag. Patient can't do shit on the field but stand there like an ass, wondering what the fuck he's doing with his life. It's chronic. No known cure.
C.D. Reiss (HardBall)
By ignoring my fear, I learned that the fear was groundless. Over the years, I have met people who took what seemed the safer path and were the lesser for it...I had taken a risk, and that risk yielded that greatest reward...Always take a chance on better, even if it seems threatening.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
The DSM-IV-TR is a 943-page textbook published by the American Psychiatric Association that sells for $99...There are currently 374 mental disorders. I bought the book...and leafed through it...I closed the manual. "I wonder if I've got any of the 374 mental disorders," I thought. I opened the manual again. And instantly diagnosed myself with twelve different ones.
Jon Ronson (The Psychopath Test: A Journey Through the Madness Industry)
To Believe is something,and do not live it,is dishonest..
Mahatma Gandhi (Quotes of Gandhi)
She knows exactly what I like and what it does to me. She worships my body in its entirety and I allow it—I crave it.
A.R. Von (Lady's Destiny)
I realize we all walk around pretending we have some control over our fate, because to recognize the truth--that no matter what we do, the bottom will fall out when we least expect it--is just too unbearable to live with.
Julie Buxbaum (What to Say Next)
Tigers, except when wounded or when man-eaters, are on the whole very good-tempered...Occassionally a tiger will object to too close an approach to its cubs or to a kill that it is guarding. The objection invariably takes the form of growling, and if this does not prove effective itis followed by short rushes accompanied by terrifying roars. If these warnings are disregarded, the blame for any injury inflicted rests entirely with the intruder"- Jim Corbett
Jim Corbett
It...is for me?" "Aye. So what say you, lover mine.
J.R. Ward (Envy (Fallen Angels, #3))
if I was a painter, and was to paint the American Eagle, how should I do it?...I should want to draw it like a Bat, for its short-sightedness; like a Bantam. for its bragging; like a Magpie, for its honesty; like a Peacock, for its vanity; like an Ostrich, for putting its head in the mud, and thinking nobody sees it -' ...'And like a Phoenix, for its power of springing from the ashes of its faults and vices, and soaring up anew into the sky!
Charles Dickens (Martin Chuzzlewit)
And does man simply choose evil, or does he create it?...Is evil a force that swims in human blood, struggling to find its way into the heart, or is it an external possibility wanting to be formed?
Ted Dekker (Thr3e)
Music is endless and even though I've heard a whole bunch of music from so many different places and fallen in love countless times with all kinds of different music.There's still something about it,I guess it's called Freedom.
Jeff Buckley
What’s going on?” “Nothing.” She coughed, and released Talaith’s hand. “Except you have some powerful enemies.” “Tell me what I don’t know, witch.” “Powerful enemies who are gods.” For a moment, Annwyl was shocked beyond all reason…then she shrugged. “Now that I think of it—I don’t know why I would be surprised.
G.A. Aiken (About a Dragon (Dragon Kin, #2))
Travis clenched his eyes shut, and a sinking feeling settled over me. It was agonizing seeing him suffer, knowing that not only was I the cause of it…I was the only one that could take it away.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
The blaze from the trees spreads to tablecloths and crepe paper - a chain reaction so brilliantly spectacular and terrible, I ache to be a part of it...to devour and destroy,then relish in the plunder. I could do it.I could stand here amid the flames,let them lap at my skin,and laugh in a death-defying haze - because they belong to me. I could watch the world crumble and then dance,triumphant,in the snowfall of ash left behind. All I have to do is set the power free. Escape the chains of my humanity,let madness be my guide.
A.G. Howard (Unhinged (Splintered, #2))
As I stare at it,I can feel little invisible strings,silently tugging me toward it. I have to touch it. I have to wear it. It's the most beautiful thing I've ever seen.
Sophie Kinsella (Confessions of a Shopaholic (Shopaholic, #1))
Cum stii ca ai intalnit un inger? Simplu: iti cresc aripi si tie. I se mai zice iubire.
Teodor Burnar (Viata mea)
I didn’t steal it—I swear! Oh, as if things never fall into your pocket!
Kresley Cole (If You Deceive (MacCarrick Brothers, #3))
Nobody. Mr nobody. Mr bones and mr had enough and mr arthur itis. Now get out and leave me alone.
David Almond (Skellig (Skellig, #1))
iti aduc pe brate puiul d tigru cu colti tristi, intorsi. luna rade singura uitata pe-un horn. cateodata cainii au stele pe cerul gurii.
Monica Laura Rapeanu (Orbul de la Cină (The Blind Man at Dinner))
Some­times the more you know, the hard­er it is to en­joy life. It's like you lose cu­rios­ity or some­thing.
Katie Kacvinsky
Dav­el­lon may be a vil­lage, but the Dav­el­lon House can be any­thing you make it. No­bil­ity has to start some­where. It might as well start with you. Let no­body look down on you, for what­ever rea­son, My Lord. Ti­tles are granted or in­her­ited, no­bil­ity isn't. ~Tenaxos I to Landar Parmingh, Baron Davellon
Andrew Ashling (The Invisible Hands - Part 1: Gambit (Dark Tales of Randamor the Recluse, #4))
I’m… It’s—it’s like torture.” His voice was strained, hardly even a whisper. “I think I’m losing it—I don’t know what’s happening, what happened, but I look at you, I look at you, and I love you so much. Not because of anything you’ve said, or done, or anything at all. I look at you, and I just love you, and it terrifies me. It terrifies me what I would do for you. Please…you have to tell me…tell me I’m not crazy. Please just look at me.” My eyes drifted up to his, and it was over.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
Peo­ple are look­ing for how to put ev­ery­thing to­geth­er. They need a uni­fied field the­ory that com­bines glam­our and ho­li­ness, fash­ion and spir­itu­al­ity. Peo­ple need to rec­on­cile be­ing good and be­ing good-​look­ing.
Chuck Palahniuk (Survivor)
In other words, the universe itself—and the Mind behind it—is insane. Therefore someone in touch with reality is, by definition, in touch with the insane: infused by the irrational. In essence, Fat monitored his own mind and found it defective. He then, by the use of that mind, monitored outer reality, that which is called the macrocosm. He found it defective as well. As the Hermetic philosophers stipulated, the macrocosm and the microcosm mirror each other faithfully. Fat, using a defective instrument, swept out a defective subject, and from this sweep got back the report that everything was wrong.
Philip K. Dick (VALIS)
None but a fool or an infant could forget a father gone so far and cold. No. Lament is a pattern cut and fitted around my mind—like the bird who calls Itys! Itys! endlessly, bird of grief, angel of Zeus. O heartdragging Niobe, I count you a god: buried in rock yet always you weep.
Sophocles (Electra)
Believe it or not, Dimple–and I would believe it–I am just a regular person who has decided to be who I am in life. That's all. That's how you make your life magical–you take yourself into your own hands and rub a little. You activate your identity. And that's the only way to make, as they say, the world a better place; after all, what good are you to anyone without yourself?
Tanuja Desai Hidier (Born Confused (Born Confused #1))
Asking men to cut away their “feminine” traits asks them to cut away half their humanity, just as asking women to suppress their “masculine” traits asks them to deny their full autonomy. What makes us human is not one or the other—the fist or the open palm—it’s our ability to embrace both, and choose the appropriate action for the situation we’re in. Because to deny one half—to burn down the world or refuse to defend the world from those who would burn it—is to deny our humanity and become something less than human.
Kameron Hurley (The Geek Feminist Revolution)
Iti trebuie o pasiune mare pana la imbecilitate pentru a putea iubi o singura femeie.
Emil M. Cioran (On the Heights of Despair)
I haven't much to offer,my Prince,for I am unskilled,ill-epuipped,and unworthy....yet I offer myself to You.If there is something more to following You,then show me and I will see.Command me and I will obey.Lead me and I will follow.If my feeble life can be used by You,I give it.I am Yours,my King and my Prince.
Chuck Black (Sir Quinlan and the Swords of Valor (The Knights of Arrethtrae, #5))
Here’s the dead end of social media: after you’ve created your own bubble that reflects only what you relate to or what you identify with, after you’ve blocked and unfollowed people whose opinions and worldview you judge and disagree with, after you’ve created your own little utopia based on your cherished values, then a kind of demented narcissism begins to warp this pretty picture. Not being able or willing to put yourself in someone else’s shoes—to view life differently from how you yourself experience it—is the first step toward being not empathic, and this is why so many progressive movements become as rigid and as authoritarian as the institutions they’re resisting.
Bret Easton Ellis (White)
I will be­lieve that the bat­tle of fem­i­nism is over, and that the fe­male has reached a po­si­tion of equal­ity with the male, when I hear that a coun­try has al­lowed it­self to be turned up­side-down and led to the brink of war by its pas­sion for a to­tally bald woman writer.
Rebecca West (Black Lamb and Grey Falcon)
I think I'm losing it--I don't know what's happening, what happened, but I look at you, I look at you, and I love you so much. Not because of anything you've said, or done, or anything at all. I look at you, and I just love you, and it terrifies me. It terrifies me what I would do for you. Please...you have to tell me...tell me I'm not crazy. Please just look at me.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
You take your natural vices and call them virtues. Of which greed is the most despicable. That and betrayal of commonality. After all, whoever decided that competition is always and without exception a healthy attribute? Why that particular path to self-esteem? Your heel on the hand of the one below. This is worth something? Let me tell you, it’s worth nothing. Nothing lasting. Every monument that exists beyond the moment—no matter which king, emperor or warrior lays claim to it—is actually a testament to the common, to co-operation, to the plural rather than the singular.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
There’s that look again. It’s like she’s seeing straight through my many masks, tearing down my walls, stripping me bare with nothing but her gaze. I hate it—I love it. I feel free—I feel trapped. The thought that a single pair of blue eyes can leave me so vulnerable, so exposed, is alarming.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
Oh, all right,” she said balefully, beginning to shake all over. “I’ll admit it—I want you. There, are you satisfied? I want you.” “In what capacity? Lover, or husband?” Annabelle stared at him in shock. “What?” His arms slid around her, holding her quivering frame securely against his. He said nothing, only watched her intently as she tried to grasp the implications of the question. “But you’re not the marrying kind,” she managed to say weakly. He touched her ear, his fingertip tracing the fragile outer curve. “I’ve discovered that I am when it comes to you.” The subtle caress set fire to her blood, making it difficult to think. “We would probably kill each other within the first month.” “Probably,” Hunt conceded, his smiling mouth brushing over her temple. The warmth of his lips sent a rush of dizzying pleasure through her. “But marry me anyway, Annabelle. As I see things, it would solve most of your problems …and more than a few of mine.” His big hand slid gently down her spine, calming her tremors. “Let me spoil you,” he whispered. “Let me take care of you. You’ve never had anyone to lean on, have you? I’ve got strong shoulders, Annabelle.” A deep laugh rumbled in his chest. “And I may possibly be the only man of your acquaintance who’ll be able to afford you.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
I was only going to say," said Scrooge's nephew, "that the consequence of his taking a dislike to us, and not making merry with us, is, as I think, that he loses some pleasant moments, which could do him no harm. I am sure he loses pleasanter companions than he can find in his own thoughts, either in his mouldy old office or his dusty chambers. I mean to give him the same chance every year, whether he likes it or not, for I pity him. He may rail at Christmas till he dies, but he can't help thinking better of it—I defy him—if he finds me going there in good temper, year after year, and saying, 'Uncle Scrooge, how are you?' If it only puts him in the vein to leave his poor clerk fifty pounds, that's something.
Charles Dickens (A Christmas Carol)
I love you.” I laugh. “You already said that.” “I’ve never said it before. I like it…I think I’ll keep saying it.
Miranda Kenneally (Breathe, Annie, Breathe (Hundred Oaks, #5))
Orisice in legatura cu Petre Barbu imi facea placere. Totul era sa pot vorbi despre el. Poate fiindca bolnavilor le place sa le iei in serios boala. Prefera sa le spui: "Sigur ca inteleg ce te doare... Ma intreb cum de poti suporta"... Dimpotriva ii enerveaza sa auda: "Nu ai nimic, e un fleac, nu poate sa fie chiar atat de dureros. Lasa, o sa iti treaca !"...
Cella Serghi (Pânza de păianjen)
Am crezut din totdeauna in iubire. Dar nu orice fel de iubire ci iubirea aceea de poveste, care dureaza. Nu mi-au placut iubirile pasagere, acelea care vin si pleaca si iti lasa un gust amar si un suflet pustiu.
Moise D. (Între cer şi pământ)
I wish we could erase all those—those atrocities,” she stammered, and was surprised by her father’s reply. “Never say that,” he insisted. “Say you want to make things right, to build a better future. But erasing the past—or worse, trying to rewrite it—is the tool of despots. Only by engaging with the past can we avoid repeating it.
Katharine McGee (American Royals (American Royals, #1))
I believed even then that if I could transform my experience into poetry I would give it the value and dignity it did not begin to possess on its own. I thought too that if I could write about it I could come to understand it; I believed that if I could understand my life—or at least the part my work played in it—I could embrace it with some degree of joy, an element conspicuously missing from my life.
Philip Levine
Sa fii mort e ca si cum ai dormi. Dar nu-ti asezi corpul in pat, ci in pamant. Apoi trebuie sa-i explici lui Dumnezeu de ce vrei mai bine sa fii mort decat viu. Daca nu-l convingi iti stinge creierul si trebuie sa iei viata de la capat. S.a.m.d. S.a.m.d. S.a.m.d. S.a.m.d. Etc.
Aglaja Veteranyi (De ce fierbe copilul în mămăligă)
Love is the force that transforms and improves the Soul of the World.When I first reached through to it,I thought the Soul of the World was perfect.But later I could see that it was like other aspects of creation,and had its own passions and wars.It is we who nourish the Soul of the World,and the world we live in will be either better or worse,depending on whether we become better or worse.And that's where the power of love comes in.Because when we love,we always strive to become better than we are.
Paulo Coelho (The Alchemist)
... e ca o bautura tare. Nu e usor sa traiesti cu el, dar cand traiesti cu un astfel de om, ceilalti iti par anosti, siroposi.
Cella Serghi
Life is what you make it...Is it not?
Robin Renee Ray (Damnation)
I did it—I who should have known better. I persuaded Reginald to go to the McKillops’ garden-party against his will. We all make mistakes occasionally.
Saki (Reginald)
We walked home in silence,which I guess was pretty normal, since he was a dog after all.When we arrived at the house, he wasn't impressed at all.In fact, he showed me just how unimpressed he was by growling at the walls for at least three straight hours. “Enough already. The wall is not gonna bark back, Mister Fancy Pants!” He growled at me.Maybe he didn’t like his name? “Don't pee on my carpet,no sniffing, no barking, and no chewing while I'm gone. Stay away from the coffee—touch it and you're gone.” He blinked at me and then snapped his head back at the walls and went back to circling them like a sentry—well,a growling, whining sentry. My cell phone rang, startling me, and I answered it.I winced as the dog continued to go off at the walls as if they would attack him. “Stop barking!” “What?” Ryder asked. “I'm not talking to you. I'm talking to Mister Fancy Pants.” I should seriously change his name. It was too long. “Who the fuck is Mister Fancy Pants?” I snickered as he said my dog's name. Coming out of his mouth, it really sounded bad.
Amelia Hutchins (Taunting Destiny (The Fae Chronicles, #2))
You look different." His words, normally crisp,are now sluggish. "So do you," I say.And he does-he looks more relaxed,younger. "What are you doing?" "Flirting with death," he replies with a laugh. "Drinking near the chasm. Probably not a good idea." "No,it isn't" I'm not sure I like Four this way.There's something unsettling about it. "Didn't know you had a tattoo," he says, looking at my collarbone. He sips the bottle. His breath smells thick and sharp.Like the factionless man's breath. "Right.The crows," he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds, "I'd ask you hang out with us, but you're not supposed to see me this way." I am tempted to ask him why he wants to hang out with him,but I suspect the answer has something to do with the bottle in his hand. "What way?" I ask. "Drunk? "Yeah...well,no." His voice softens. "Real,I guess." "I'll pretend I didn't." "Nice of you." He puts his lips next to my ear and says, "You look good, Tris." His words surprise me,and my heart leaps. I wish it didn't,because judging by the way his eyes slide over mine, he has no idea what he's saying. I laugh. "Do me a favor and stay away from the chasm,okay?" "Of course." He winks at me. I can't help it.I smile.Will clears his throat,but I don't want to turn away from Four,even when he walks back to his friends. Then Al rushes at me like a rolling boulder and throws me over his shoulder. I shriek,my face hot. "Come on,little girl," he says, "I'm taking you to dinner." I rest my elbows on Al's back and wave at Four as he carries me away.
Veronica Roth (Divergent (Divergent, #1))
E usor sa spui “Te iubesc”, si mult mai greu sa te tii de cuvant. Decat s-o zici, si pe urma sa dovedesti contrariul, mai bine iti ţii gura. Dragostea nu se declara, dragostea se probeaza.
Teodor Burnar (Viata mea)
[W]hat we also see in sex is a kind of submissiveness. But not a kind of submissiveness which is simply 'do what you like, I'm just here for you', but it...is, or can be, very manipulative. It is a way of getting the other person to exercise all his or her efforts towards pleasing you, and in that way controlling what they're thinking, and in particular what they're thinking of you.
Robert C. Solomon (No Excuses: Existentialism And The Meaning Of Life)
I held his gaze. “My mother once told me that diamonds were born of pressure, but I never understood what she meant until I met you.” His brows drew together, and his voice roughened. “For true?” “Jack, your past—and how you handled it—is why we’re both still breathing.
Kresley Cole (The Dark Calling (The Arcana Chronicles, #5))
De-ai sti cate locuri senine sunt in lume! De ce nu te duci sa cauti unul? Toate drumurile sunt libere! Du-te pe mare, in singuratatea ei o sa gasesti tocmai ce iti lipseste! Ai sa intalnesti alte intelesuri ale vietii, ai sa te vindeci de tot ce ti-a ranit sufletul aici!
Radu Tudoran (Un port la răsărit)
AFTER ALL, ONE OF THE DEFINING elements of a traumatic experience—particularly one that is so traumatic that one dissociates because there is no other way to escape from it—is a complete loss of control and a sense of utter powerlessness. As a result, regaining control is an important aspect of coping with traumatic stress.
Bruce D. Perry (The Boy Who Was Raised as a Dog: And Other Stories from a Child Psychiatrist's Notebook)
There has been a recent rash of authors and individuals fudging evidence in an attempt to argue that women have a higher sex drive than men. We find it bizarre that someone would want to misrepresent data merely to assert that women are hornier than men. Do those concerned with this difference equate low sex drives with disempowerment? Are their missions to somehow prove that women are super frisky carried out in an effort to empower women? This would be odd, as the belief that women’s sex drives were higher than men’s sex drives used to be a mainstream opinion in Western society—during the Victorian period, an age in which women were clearly disempowered. At this time, women were seen as dominated by their sexuality as they were supposedly more irrational and sensitive—this was such a mainstream opinion that when Freud suggested a core drive behind female self-identity, he settled on a desire to have a penis, and that somehow seemed reasonable to people. (See Sex and Suffrage in Britain by Susan Kent for more information on this.) If the data doesn’t suggest that women have a higher sex drive, and if arguing that women have a higher sex drive doesn’t serve an ideological agenda, why are people so dead set on this idea that women are just as keen on sex—if not more—as male counterparts? In the abovementioned study, female variability in sex drive was found to be much greater than male variability. Hidden by the claim, “men have higher sex drives in general” is the fun reality that, in general, those with the very highest sex drives are women. To put it simply, some studies show that while the average woman has a much lower sex drive than the average man, a woman with a high sex drive has a much higher sex drive than a man with a high sex drive. Perhaps women who exist in the outlier group on this spectrum become so incensed by the normalization of the idea that women have low sex drives they feel driven to twist the facts to argue that all women have higher sex drives than men. “If I feel this high sex drive,” we imagine them reasoning, “it must mean most women secretly feel this high sex drive as well, but are socialized to hide it—I just need the data to show this to the world so they don’t have to be ashamed anymore.” We suppose we can understand this sentiment. It would be very hard to live in a world in which few people believe that someone like you exists and people always prefer to assume that everyone is secretly like them rather than think that they are atypical.
Malcolm Collins (The Pragmatist's Guide to Sexuality)
Plastic should be a high value material... [It] should be in products that last a long time, and at the end of the life, you recycle it. To take oil or natural gas that took millions of years to produce and then to make a disposable product that last minutes or seconds, and then to just discard it--I think that's not a good way of using this resource. (Robert Haley)
Susan Freinkel (Plastic: A Toxic Love Story – An Engaging Analysis of Cultural Dependency and the Resulting Environmental Crisis)
-Iti spun un lucru. Ce este mai apropiat decat fratele de frate, mama de copil?Ce este mai apropiat decat mana de gura, gandul de minte? E viziunea, Roger. Nu ma astept ca tu sa intelegi asta... -Dar pricep,mai incape vorba! Jocelin isi inalta chipul si deodata zambi: -Chiar intelegi? -Dar vine clipa in care viziunea nu mai e decat jocul copilului de-a-sa-zicem. -Aha! Clatina din cap, incet, atent; si luminile plutira. -Atunci nu intelegi deloc. Deloc.
William Golding (The spire, William Golding : notes)
What I have now at your generous hands is infinitely precious to me. It would kill me to part with it,—I could not and I hope you could not. And I will be patient, patient without end, to see what, if anything, the future may have [in] store for me.
Erik Larson (Dead Wake: The Last Crossing of the Lusitania)
In her last weeks, she had mo­ments of lu­cid­ity, and I cher­ished them when I was around to talk to her. One of these con­ver­sa­tions hap­pened when it was just me and her in the hos­pi­tal room. ‘I sus­pect you will never have a hus­band,’ she said, look­ing at me in­tently from her bed. ‘Would you be up­set if that hap­pened?’ I asked. ‘Your mother would be,’ she said, then low­ered her voice. ‘But I think you would be wise not to.’ This sur­prised me as I had al­ways thought that she and my grand­fa­ther had been very happy to­gether. ‘Why do you say that?’ I asked. Her hand, spot­ted in soft-brown splodges, the rails of her bones pro­trud­ing, flapped gen­tly at me to take it. I cupped it in both of mine. ‘You have a home that is yours,’ she said. ‘And your own money. Don’t you?’ ‘I have a bit of money, yes.’ ‘And you have your ed­u­ca­tion. And you have your ca­reer.’ I nod­ded. ‘Then you have ev­ery­thing,’ she said.
Dolly Alderton (Good Material)
In music, recording, writing, photography, design, film-making and any other creative endeavour, it may be true that anyone can do it, but it is not quite as true as punk sometimes seemed to suggest that anyone can do it in a way that is appreciated by others. The key point is that, without determination and application, talent and ideas are just unrealised potential. That lesson-there for anyone who wishes to learn it-is perhaps punk's , and the Clash's, greatest legacy.
Marcus Gray
I realize we all walk around pretending we have some control over our fate, because to recognize the truth—that no matter what we do, the bottom will fall out when we least expect it—is just too unbearable to live with.
Julie Buxbaum (What to Say Next)
Hi" he said "Hi" "I'd like to kiss you" He waited a moment for my response, then added, "Or, if you rather, we can dance, as long as we can get you unstuck." "I think I'm in deep." "Me, too," he said, looking into my eyes. His head moved closer to mine. Then he lifted his hand, cupping my cheek ever so gently. His lips touched my lips, light as a butterfly, once, twice. The kisses were so lovely, so lovely I couldn't help it-I did a totally stupid, uncool thing. I sighed. I heard the laughter rumbling inside Nick and I started to pull away. But his arms wrapped around me. He held me close and pressed his lips against mine. A thrill went through me. I kissed him back-I didn't think about it, just kissed him with all that my heart felt.
Elizabeth Chandler (Don't Tell (Dark Secrets, #2))
I was right outside the NSA [on 9/11], so I remember the tension on that day. I remember hearing on the radio, 'the plane's hitting,' and I remember thinking my grandfather, who worked for the FBI at the time, was in the Pentagon when the plane hit it...I take the threat of terrorism seriously, and I think we all do. And I think it's really disingenuous for the government to invoke and sort-of scandalize our memories to sort-of exploit the national trauma that we all suffered together and worked so hard to come through -- and to justify programs that have never been shown to keep us safe, but cost us liberties and freedoms that we don't need to give up, and that our Constitution says we should not give up.
Edward Snowden
Can you expect me to be just when you've just killed me? Oh, I know I asked for it--I know it's good for me. Horrible things always are good for you, I suppose. After you've been killed a few times you don't mind it. But the first time one does--squirm. Go away, Dean. Don't come back for a week at least. The funeral will be over then." "Don't you believe I know what this means to you, Star?" asked Dean pityingly. "You can't--altogether. Oh, I know you're sympathetic. I don't want sympathy. I only want time to bury myself decently.
L.M. Montgomery (Emily's Quest (Emily, #3))
Cand cauti fericirea in lucruri materiale,acestea nu iti vor fi niciodata indeajuns. Priveste in jurul tau.Priveste in tine.
Nick Vujicic (Life Without Limits: Inspiration for a Ridiculously Good Life)
Realitatea i se paru plata si murdara; e de inteles sa nu iti placa sa o privesti dar atunci nici nu iti este ingaduit sa o judeci.
Stendhal
George Bush made a mistake when he referred to the Saddam Hussein regime as 'evil.' Every liberal and leftist knows how to titter at such black-and-white moral absolutism. What the president should have done, in the unlikely event that he wanted the support of America's peace-mongers, was to describe a confrontation with Saddam as the 'lesser evil.' This is a term the Left can appreciate. Indeed, 'lesser evil' is part of the essential tactical rhetoric of today's Left, and has been deployed to excuse or overlook the sins of liberal Democrats, from President Clinton's bombing of Sudan to Madeleine Albright's veto of an international rescue for Rwanda when she was U.S. ambassador to the United Nations. Among those longing for nuance, moral relativism—the willingness to use the term evil, when combined with a willingness to make accommodations with it—is the smart thing: so much more sophisticated than 'cowboy' language.
Christopher Hitchens (Christopher Hitchens and His Critics: Terror, Iraq, and the Left)
It's an invention, a fairy tale devoid of any sense, like all the legends in which good spirits and fortune tellers fulfill wishes. Stories like that are made up by poor simpletons, who can't even dream of fulfilling their wishes and desires themselves. I'm pleased you're not one of them, Geralt of Rivia. It makes you closer in spirit to me. If I want something, I don't dream of it—I act. And I always get what I want.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
Is it…is it possible to be best mates who fuck and kiss, but exclusively?” There was dead silence. Finally, Nick took Tyler’s chin in his hand and tipped his face up. Nick’s expression was a little pinched. “Are you looking for the word ‘boyfriend,’ maybe?” Tyler swallowed. “Do you want to be my boyfriend, Tyler?” Nick said, studying him. Tyler licked his dry lips, his face uncomfortably warm. Nick suddenly grinned, looking more relaxed and carefree than Tyler had seen him in months. “You totally do, don’t you? Look at that blush!” “Fuck off,” Tyler muttered, punching him in the chest a little.
Alessandra Hazard (Just a Bit Gay (Straight Guys #9))
Vezi tu , uneori Dumnezeu asteapta de la tine sa pui si tu umarul.Iti poti dori anumite lucruri.Poti visa.Poti spera.Dar trebuie sa si actionezi in directia acelor dorinte , visuri si sperante.Trebuie sa te intinzi dincolo de locul in care te afli ca sa poti ajunge acolo unde vrei sa fi.
Nick Vujicic (Life Without Limits: Inspiration for a Ridiculously Good Life)
Well, I think it's possible to love someone and still be curious about someone else. And I think you should be able to act on that impulse without impunity. But in our society, where monogamy rules despite all the evidence that it doesn't work, a person is demonized for wanting to break from that traditional model of relationships. I think you can love someone, truly love someone, and still be drawn to someone else. Enough to want to kiss that other person, just to see what it would be like. Or maybe to help confirm that what you've got is better than what else is out there. Because isn't the desire alone a form of betrayal? So what further harm does it do to put those thoughts into action? Ideally, you would be able just to go back to the person you love after you've kissed that other person and discovered it wasn't as interesting as you thought it would be, which I would imagine would be the case most of the time. And in the event that itis unexpectedly amazing, isn't it better to have experienced that moment of bliss rather than imagine what it could have been like?
Megan McCafferty (Charmed Thirds (Jessica Darling, #3))
My theory stands as firm as a rock; every arrow directed against it will return quickly to its archer. How do I know this? I have studied it…I have followed its roots, so to speak, to the first infallible cause of all created things. —GEORG CANTOR
Charles Seife (Zero: The Biography of a Dangerous Idea)
I had such a hard time giving all the glory to God when first accepting Him as Lord. Coming out of a theatre background where there were many applauds and accolades, I suffered from what I call "attention-itis" - the need for recognition. It took many years and much eating of crow before I became conscious of giving all praise to God for my accomplishments.
Sheryl Young (God, Am I Nobody?)
Social rejection—or fearing it—is one of the most common causes of anxiety. Feelings of inclusion depend not so much on having frequent social contacts or numerous relationships as on how accepted we feel, even in just a few key relationships.20 Small wonder that we have a hardwired system that is alert to the threat of abandonment, separation, or rejection: these were once actual threats to life itself, though they are only symbolically so today. Still, when we hope to be a You, being treated like an It, as though we do not matter, carries a particularly harsh sting.
Daniel Goleman (Social Intelligence)
It was An­tho­ny Marston who dis­agreed with the ma­jor­ity. 'A bit un­sport­ing, what?' he said. 'Ought to fer­ret out the mys­tery be­fore we go. Whole thing's like a de­tec­tive sto­ry. Pos­itive­ly thrilling.' The judge said acid­ly: 'At my time of life, I have no de­sire for "thrills," as you call them.' An­tho­ny said with a grin: 'The le­gal life's narrow­ing! I'm all for crime! Here's to it.' He picked up his drink and drank it off at a gulp. Too quick­ly, per­haps. He choked -​ choked bad­ly. His face contort­ed, turned pur­ple. He gasped for breath -​ then slid down off his chair, the glass falling from his hand.
Agatha Christie (And Then There Were None)
All right, my hope—but I am not saying the rest of it—I have something you need to feel.” She feigned the sound of outrage. “But we barely know each other, sir!” He laughed softly. “But you must hold it in your hand and feel it change,” he urged, in her ear. “I insist. I can wait no longer.” She knew they were on a serious subject, but the flutter of his breath on her skin, the low drawl of his words—heat raced along all her nerve endings. “Will I like it?” “Well, I do have to apologize for its size. It is rather small.” And with that, he pressed something rather small into her hand.
Sherry Thomas (The Perilous Sea (The Elemental Trilogy, #2))
The willingness to think what you think and feel what you feel—without necessarily believing that it is true, and without feeling compelled to act on it—is an effective strategy for treating anxiety, depression, food cravings, and addiction. As we consider the evidence for each, we’ll see that giving up control of our inner experiences gives us greater control over our outer actions.
Kelly McGonigal (The Willpower Instinct: How Self-Control Works, Why It Matters, and What You Can Do To Get More of It)
The night before, Paramedic (in Training) Lindsey Lee Wells had diagnosed him with moderate contusions and "sprained balls" after an exhaustive search of medical Web sites. She diagnosed TOC as suffering from 'I'm-an-asshole-and-Lindsey's-never-going-to-speak-to-me-again-itis'.
John Green (An Abundance of Katherines)
Sometimes it seems the universe wants to be noticed.’ “That’s what I believe. I believe the universe wants to be noticed. I think the universe is improbably biased toward consciousness, that it rewards intelligence in part because the universe enjoys its elegance being observed. And who am I, living in the middle of history, to tell the universe that it—or my observation of it—is temporary?
John Green (The Fault in Our Stars)
...daca iti era luata aceasta unica libertate, cea mai importanta dintre toate, si anume libertatea de a te izola la nevoie de ceilalti oameni, atunci toate celelalte libertati nu valorau nimic. Atunci viata nu mai avea rost.
Patrick Süskind
She knows. She always knows me, and I always know her, and it’s probably unhealthy and it’s probably fucked up because it’s not just that I can’t move past her, it’s that even if I could figure out how to do it—I wouldn’t anyway.
Jessa Hastings (Magnolia Parks (Magnolia Parks Universe #1))
I liked the thought of giving my life, my memories, to the next rycke, because Gage would live on in them forever. He would be a balm, a reprieve from all the darkness. A sweet, delicate bloom that stayed rooted deep in the earth in the eye of a swirling storm of death and rage. I would make sure of it—I would make sure that my memories of him were never lost. I would make them the brightest spot in my mind.
Lily Mayne (The Rycke (Monstrous, #3))
...occasionally I like carrying raw steel to remind myself of an important lesson. The blade's an extension of the hand, the agent--no pun intended--of my will. Most people understand this immediately of edged weapons... The trick--and few are subtle or sophisticated enough to master it--is to see that this is equally true... by implication, of all machines.
L. Neil Smith (The Nagasaki Vector (North American Confederacy #4))
Ember, the bad comes in with the good. And I want all of it—I want your secrets, your worry, your pain. I love you—you’re not alone in this life.
Laura Thalassa (The Vanishing Girl (The Vanishing Girl, #1))
Well, this is it...I choose you...Come what may, you are what I choose.
Ann Brashares (Sisterhood Everlasting (Sisterhood, #5))
Sweetheart, you don't even know the half of it.I envy you more than you could possibly understand.
J.M. Darhower (Extinguish (Extinguish, #1))
it—I was pretty much equipped, by experience and inclination, for mayhem.
Jim Butcher (Skin Game (The Dresden Files, #15))
What you must remember is that the magic itself is neither good nor bad, no more so than this ship might be used for right or wrong. It might be used by a fisherman to feed a village, for example. Or, the same vessel might be sailed by pirates to murder and pillage...the lumber, rope, nails, cotton, and everything that goes into it-is created by the True One. Humans decide how it is to be put together and how it is used.
Derek Donais (MetalMagic: Talisman)
It was true, I had always realized it—I hadn’t any “right” to exist at all. I had appeared by chance, I existed like a stone, a plant, a microbe. I could feel nothing to myself but an inconsequential buzzing. I was thinking…that here we are eating and drinking, to preserve our precious existence, and that there’s nothing, nothing, absolutely no reason for existing.
Jean-Paul Sartre (Nausea)
The PUAs have a name for this: They call it one-itis. It’s a disease AFCs get: They become obsessed with a girl they’re neither dating nor sleeping with, and then start acting so needy and nervous around her that they end up driving her away. The cure for one-itis, PUAs like to say, is to go out and have sex with a dozen other girls—and then see if this flower is still so special.
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
This society—what we call modern society, what we always think of as the most important time the world has ever known, simply because we are in it—is just the sausage made by grinding up history.
Ray Nayler (The Mountain in the Sea)
I am a bug, and I recognise in all humility that I cannot understand why the world is arranged as it is. Men are themselves to blame, I suppose; they were given paradise, they wanted freedom, and stole fire from heaven, though they knew they would become unhappy, so there is no need to pity them. With my pitiful, earthly, Euclidian understanding, all I know is that there is suffering and that there are none guilty; that cause follows effect, simply and directly; that everything flows and finds its level—but that's only Euclidian nonsense, I know that, and I can't consent to live by it! What comfort is it to me that there are none guilty and that cause follows effect simply and directly, and that I know it?—I must have justice, or I will destroy myself. And not justice in some remote infinite time and space, but here on earth, and that I could see myself. I have believed in it. I want to see it, and if I am dead by then, let me rise again, for if it all happens without me, it will be too unfair. Surely I haven't suffered simply that I, my crimes and my sufferings, may manure the soil of the future harmony for somebody else. I want to see with my own eyes the hind lie down with the lion and the victim rise up and embrace his murderer. I want to be there when everyone suddenly understands what it has all been for.
Fyodor Dostoevsky (The Brothers Karamazov)
That’s what I believe. I believe the universe wants to be noticed. I think the universe is improbably biased toward consciousness, that it rewards intelligence in part because the universe enjoys its elegance being observed. And who am I, living in the middle of history, to tell the universe that it—or my observation of it—is temporary?
John Green (The Fault in Our Stars)
Yes, he was found hanging in the third-floor cellar!” “It’s the ghost!” little Giry blurted, as though in spite of herself; but she at once corrected herself, with her hands pressed to her mouth: “No, no!—I didn’t say it!—I didn’t say it!——” All around her, her panic-stricken companions repeated under their breaths: “Yes—it must be the ghost!” Sorelli was very pale.
Gaston Leroux (The Phantom of the Opera)
We used to hang out all the time. St. Clair and me.But after you arrived,I hardly saw him. He'd sit next to you in class,at lunch,at the movies. Everywhere. And even though I was suspicious,I knew the first time I heard you call him Etienne-I knew you loved him.And I knew by his response-the way his eyes lit up every time you said it-I knew he loved you,too. And I ignored it,because I didn't want to believe it." The struggle rises inside me again. "I don't know if he loves me.I don't know if he does,or if he ever did.It's all so messed up." "It's obvious he wants more than friendship." Mer takes my shaking mug. "Haven't you seen him? He suffers every time he looks at you.I've never seen anyone so miserable in my life." "That's not true." I'm remembering he said the situation with his father is really terrible right now. "He has other things on his mind,more important things." "Why aren't the two of you together?" The directness of her question throws me. "I don't know.Sometimes I think there are only so many opportunies...to get together with someone.And we've both screwed up so many times"-my voice grows quiet-"that we've missed our chance." "Anna." Mer pauses. "That is the dumbest thing I've ever heard." "But-" "But what? You love him,and he loves you, and you live in the most romantic city in the world." I shake my head. "It's not that simple." "Then let me put it another way.A gorgeous boy is in love with you, and you're not even gonna try to make it work?
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I wish I could convey the perfection of a seal slipping into water or a spider monkey swinging from point to point or a lion merely turning its head. But language founders in such seas. Better to picture it in your head if you want to feel it...I spent more hours than I can count a quiet witness to the highly mannered, manifold expressions of life that grace our planet. It is something so bright, loud, weird and delicate as to stupefy the senses.
Yann Martel (Life of Pi)
In place of the term “realness” I have sometimes used the word “congruence.” By this I mean that when my experiencing of this moment is present in my awareness and when what is present in my awareness is present in my communication, then each of these three levels matches or is congruent. At such moments I am integrated or whole, I am completely in one piece. Most of the time, of course, I, like everyone else, exhibit some degree of incongruence. I have learned, however, that realness, or genuineness, or congruence—whatever term you wish to give it—is a fundamental basis for the best of communication.
Carl R. Rogers (A Way Of Being)
Ispita luciditatii care te indeamna sa afli de ce nu te mai iubeste cineva consta in faptul ca ai sentimentul acut, irezistibil ca, dupa ce vei afla, vei inceta sa suferi. Poate iti spui, ai facut vreo greseala care se poate repeta. Poate la mijloc e o neintelegere. Poate iubeste pe altcineva. Ei da, e un pahar care trebuie baut, il bei, te inconvoi de durere, pe urma te redresezi.
Marin Preda
I told Luke that most of me wants to hook up with him again. That’s not the case anymore. All of me wants it. Right here, right now—I’ve never wanted anything, or anyone, more. Goodbye, sexual confusion. Because confused is the last thing I’m feeling at the moment. There’s no other way around it—I like dudes.
Sarina Bowen (Top Secret)
Therefore it is to a practical mysticism that the practical man is here invited: to a training of his latent faculties, a bracing and brightening of his languid consciousness, an emancipation from the fetters of appearance, a turning of his attention to new levels of the world. Thus he may become aware of the universe which the spiritual artist is always trying to disclose to the race. This amount of mystical perception—this “ordinary contemplation,” as the specialists call it—is possible to all men: without it, they are not wholly conscious, nor wholly alive. It is a natural human activity, no more involving the great powers and sublime experiences of the mystical saints and philosophers than the ordinary enjoyment of music involves the special creative powers of the great musician.
Evelyn Underhill (Practical Mysticism; and, Abba: Meditations on the Lord's Prayer)
Believe me," he continued, "I want nothing more than to smite her out of existence.But I can't.Not until I have concrete evidence." Smiting sounded good to me,but, as much as I hated it,I knew he was right. "Man,politics suck," I muttered.
Rachel Hawkins (Demonglass (Hex Hall, #2))
I do... to this day, think that success is being able to look in the mirror and know that I'm alright on that day. I don't believe I've made it–I believe that I'm making it. I believe that I've found my past so that I can live in the present, it's the most important thing to me. The books and the plays and the touring and the gigs and the speeches and the cash...it all pales into insignificance when compared with knowing that I didn't do anything wrong, and I'm going to be okay now.
Lemn Sissay
Simon presses his lips against mine. This dance we share is as natural as breathing. But this isn't just a kiss. Our tongues mesh together, silently writing the opening lines of a novel and I feel it...I feel him on a completely different level.
B.L. Berry (An Unforgivable Love Story)
Will you pour out tea, Miss Brent?' The el­der wom­an replied: 'No, you do it, dear. That tea-​pot is so heavy. And I have lost two skeins of my grey knitting-​wool. So an­noy­ing.' Ve­ra moved to the tea-​ta­ble. There was a cheer­ful rat­tle and clink of chi­na. Nor­mal­ity returned. Tea! Blessed or­di­nary everyday af­ter­noon tea! Philip Lom­bard made a cheery re­mark. Blore re­spond­ed. Dr. Arm­strong told a hu­mor­ous sto­ry. Mr. Jus­tice War­grave, who or­di­nar­ily hat­ed tea, sipped ap­prov­ing­ly. In­to this re­laxed at­mo­sphere came Rogers. And Rogers was up­set. He said ner­vous­ly and at ran­dom: 'Ex­cuse me, sir, but does any one know what's become of the bath­room cur­tain?' Lom­bard's head went up with a jerk. 'The bath­room cur­tain? What the dev­il do you mean, Rogers?' 'It's gone, sir, clean van­ished. I was go­ing round draw­ing all the cur­tai­ns and the one in the lav -​ bath­room wasn't there any longer.' Mr. Jus­tice War­grave asked: 'Was it there this morn­ing?' 'Oh, yes, sir.' Blore said: 'What kind of a cur­tain was it?' 'Scar­let oil­silk, sir. It went with the scar­let tiles.' Lom­bard said: 'And it's gone?' 'Gone, Sir.' They stared at each oth­er. Blore said heav­ily: 'Well - af­ter all-​what of it? It's mad - ​but so's everything else. Any­way, it doesn't matter. You can't kill any­body with an oil­silk cur­tain. For­get about it.' Rogers said: 'Yes, sir, thank you, sir.' He went out, shut­ting the door.
Agatha Christie (And Then There Were None)
It's not good, is it?" Galen's reply was convincingly nonchalant. "I've seen worse." "Yes-on a dead man." Galen averted his eyes for a moment before giving a reply. "Don't talk like that." "Sorry." "Don't apologize, either." Steldor gave a wry laugh. "Would you mind telling me what I am allowed to do?" Galen couldn't suppress a smirk, thought it was laced with sadness, as he recognized the beginning of one of their classic bickering contests. "Sure-you can shut your trap." Steldor was smirking, too, then he grimaced, arching his back as unexpected pain shot through him, and new drops of sweat materialized on his forehead. "Steldor-" Galen started, humor lost, reaching toward him with undetermined intent. Steldor smacked his hand away with as much vigor as he could muster. "No," he growled, gritting his teeth. "Ignore it.I don't want to think about it." Galen nodded, thought he looked uneasy. "Just tell me what to do," he said in a small voice. "Tell me to shut my trap again.
Cayla Kluver (Allegiance (Legacy, #2))
Omul e un univers inchis cu legile-i proprii care-i comanda viata efemera, tot atat de departe de ceilalti oameni ca si un astru de ceilalti astri, fara niciun mijloc de comunicare reala cu nimeni.Iluzia comunitatii cu alti semeni te inseala numai pana in momentul unei mari zdruncinari sufletesti cand deodata iti dai seama ca nici parintii, nici fratii, nici prietenii, nimeni nu te poate nici ajuta, nici macar intelege...
Liviu Rebreanu (Jar)
This 'web of discourses' as Robyn called it...is as much a biological product as any of the other constructions to be found in the animal world. (Clothes too, are part of the extended phenotype of Homo Sapiens almost every niche inhabited by that species.An illustrated encyclopedia of zoology should no more picture Homo Sapiens naked than it should picture Ursus arctus-the black bear- wearing a clown suit and riding a bicycle.
Daniel C. Dennett (Consciousness Explained)
Do you think we make sad things into songs in order to hold on to the sadness or to banish it—I think it is to banish the sadness. So then if you write a happy song, is it not sadder than a sad song because by making it you have banished your own happiness into a song?
Sarah Ruhl (In the Next Room, or the Vibrator Play)
In short, work—and lots of it—is an indispensable component in a meaningful human life. It is a supreme gift from God and one of the main things that gives our lives purpose. But it must play its proper role, subservient to God. It must regularly give way not just to work stoppage for bodily repair but also to joyful reception of the world and of ordinary life.
Timothy J. Keller (Every Good Endeavor: Connecting Your Work to God's Work)
Actually, the “leap of faith”—to give it the memorable name that Soren Kierkegaard bestowed upon it—is an imposture. As he himself pointed out, it is not a “leap” that can be made once and for all. It is a leap that has to go on and on being performed, in spite of mounting evidence to the contrary. This effort is actually too much for the human mind, and leads to delusions and manias. Religion understands perfectly well that the “leap” is subject to sharply diminishing returns, which is why it often doesn’t in fact rely on “faith” at all but instead corrupts faith and insults reason by offering evidence and pointing to confected “proofs.” This evidence and these proofs include arguments from design, revelations, punishments, and miracles. Now that religion’s monopoly has been broken, it is within the compass of any human being to see these evidences and proofs as the feeble-minded inventions that they are.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
I'm not in love with someone!" he shouted at her, infuriated because she was right and he couldn't do a thing about it. "I'm in love with you, and damn it,I don't like it." "You've made that abundantly clear." She straightened her shoulders and lifted her chin. "Don't pull that regal routine on me," Grant began. Her eyes sharpened to dagger points. Her skin flushed majestically. Abruptly he began to laugh.When she tossed her head back in fury,he simply collapsed against her. "Oh,God,Gennie,I can't take it when you look at me as though you were about to have me tossed in the dungeon." "Get off me,you ass!" Incensed, insulted, she shoved against him, but he only held her tighter. Only quick reflexes saved him from a well-aimed knee at a strategic point.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
I wondered how long it could last. Maybe someday, years from now.If the pain would decrease to the point where I could bear it.I would be able to look back on those few short months that would always be the best of my life. And, if it were possible that the pain would ever soften enough to allow me to do that, I was sure that I would feel grateful for as much time as he'd given me. More than I'd asked for, more than I'd deserved. Maybe someday I'd be able to see it that way.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
So you were looking for a bathroom in the woods?” “Well, yes.” She swallowed. “Sort of. But then I heard a splash and saw you…” Her cheeks were practically purple now. I played dumb. “Saw me what?” “Saw you naked, OK?” she blurted, throwing her hands up. “I admit it—I saw you naked.” I had no hang-ups about nudity, but I was damn serious about my privacy, and about people sneaking up on me. But her embarrassment was funny. The two times I’d seen her before, she’d been so polished and poised. It felt good to put her in her place a little. “So you climbed a tree for a better view, is that it?
Melanie Harlow (After We Fall (After We Fall, #2))
Life is a constant series of lessons, Dain Alloway, and they are often wrought through failure. Inevitably, leaders will have the lion’s share of it—I, above all, should know. The most important thing is not how you feel about those failures, but what you do with them afterward. Failure has a way of preparing us for victory.
Micheline Ryckman (The Maiden Ship (The Maiden Ship, #1))
Service is the virtue that distinguished the great of all times and which they will be remembered by. It places a mark if nobility upon its disciples. It is the dividing line which separates the two great groups of the world—those who help and those who hinder, those who lift and those who lean, those who contribute and those who only consume. How much better it is to give than to receive. Service in any form is comely and beautiful. To give encouragement, to impart sympathy, to show interest, to banish fear, to build self confidence and awaken hope in the hearts if others, in short—to love them and to show it—is to render the most precious service.
Bryant S. Hinckley
Don’t look so worried. I’ve sailed the seven seas, and I’ve never had an unsuccessful adventure yet!” “Really? You’ve sailed all seven seas?” asked Darwin admiringly. “Every last one!” “What are the seven seas? I’ve always wondered.” “Aaarrr. Well, let’s see…” said the Pirate Captain, scratching his craggy forehead. “There’s the North Sea. And that other one, the one near Mozambique. And…what’s that one in Hyde Park?” “The Serpentine?” “That’s the one. How many’s that then? Three. Um. There’s the sea with all the rocks in it…I think they call it Sea Number Four. Then that would leave…uh…Grumpy and Sneezy…” Darwin was starting to look a little less impressed. “Would you look at that big seagull!” said the Pirate Captain, quickly ducking into a beach hut.
Gideon Defoe (The Pirates! In an Adventure with Scientists)
Tamlin smiled at me one last time. “I love you,” he said, and stepped away. I should say it—I should say those words, but they got stuck in my throat, because … because of what he had to face, because he might not find me again despite his promise, because … because beneath it all, he was an immortal, and I would grow old and die. And maybe he meant it now, and perhaps last night had been as altering for him as it had been for me, but … I would not become a burden to him. I would not become another weight pressing upon his shoulders. So I said nothing as the carriage moved. And I did not look back as we passed through the manor gates and into the forest beyond.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Dawn had passed and it was most of the way to morning when the baby emerged into the world, looked around, and burst into tears. “You get used to it,” the Sister told the infant, and handed the child to Marra, who stared at it with intense horror. It was bloody and wrinkly and reddish gray and looked like the sort of thing you would drive back to hell with holy water. “Um,” said Marra. “Is it…Is…” The mother was panting and could hardly breathe. “It cried. It’s alive, right?” “Oh, yes,” said Marra hurriedly. “Very alive.” She stared at it, trying to find something else to say. “Had arms and legs. And, uh…a head…” “That’s good,” said the mother, and began giggling with high, hysterical laughter. “Oh, that’s good. You want them to have heads.” “Lady of Grackles have mercy,” muttered the Sister Apothecary, but as she was saying this directly into the birth canal, no one but Marra heard.
T. Kingfisher (Nettle & Bone)
We’re told we have a government by popular consent. At least in one sense that’s true. Every government always exercises the maximum amount of power its rulers feel the people will stand for without revolting. If this government—or an element within it—is drastically increasing its use of power, then the leaders either feel they have the popular support—or apathy—to get away with it, or they’re taking desperate chances because they’re being pressed to the wall.
J. Neil Schulman (Alongside Night)
Westcliff sees an odd sort of logic in why you would finally be the one to win St. Vincent’s heart. He says a girl like you would appeal to…hmm, how did he put it?…I can’t remember the exact words, but it was something like…you would appeal to St. Vincent’s deepest, most secret fantasy.” Evie felt her cheeks flushing while a skirmish of pain and hope took place in the tired confines of her chest. She tried to respond sardonically. “I should think his fantasy is to consort with as many women as possible.” A grin crossed Lillian’s lips. “Dear, that is not St. Vincent’s fantasy, it’s his reality. And you’re probably the first sweet, decent girl he’s ever had anything to do with.” “He spent quite a lot of time with you and Daisy in Hampshire,” Evie countered. That seemed to amuse Lillian further. “I’m not at all sweet, dear. And neither is my sister. Don’t say you have been laboring under that misconception all this time?
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Win interrupted me. "Stop," he said. "I love you, too." He paused. "You underestimate me, Annie. I'm not blind to your faults. You keep too many secrets, for one. You lie sometimes. You have trouble saying the things in your heart. You have an awful temper. You hold a grudge. And I'm not saying this one is your fault, but people who know you have a disturbing tendency to end up with bullets in them. You don't have faith in anyone, including me. You think I'm an idiot sometimes. Don't deny it--I can tell. And maybe I was an idiot a year ago, but a lot has happened since then. I'm different, Anya. You used to say I didn't know what love was. But I think I learned what it is. I learned it when I thought I had lost you over the summer. And I learned it when my leg ached something awful. And I learned it when you were gone and I didn't know if I'd ever see you again. And I learned it every night when I'd pray that you were safe even if I never got to see you again. I don't want to marry you. I'm just happy to be near you for a while, and for as long as you'll let me be. Because there's never been anyone else for me but you. There will never be anyone else for me but you. I know this. I do. Annie, my Annie, don't cry..." (Was I crying? Yes, I suppose I was. But I was still so awfully tired. You can't possibly hold this against me.) "I know that loving you is going to be hard, Annie. But I love you, come what may.
Gabrielle Zevin (Because It Is My Blood (Birthright, #2))
I don’t know how to cure the source-itis except to tell you that I can discover a good many possible sources myself for Wise Blood but I am often embarrassed to find that I read the sources after I had written the book. I have been exposed to Wordsworth’s “Intimation” ode but that is all I can say about it. I have one of those food-chopper brains that nothing comes out of the way it went in. The Oedipus business comes nearer home. Of course Haze Motes is not an Oedipus figure but there are the obvious resemblances. At the time I was writing the last of the book, I was living in Connecticut with the Robert Fitzgeralds. Robert Fitzgerald translated the Theban cycle with Dudley Fitts, and their translation of the Oedipus Rex had just come out and I was much taken with it. Do you know that translation? I am not an authority on such things but I think it must be the best, and it is certainly very beautiful. Anyway, all I can say is, I did a lot of thinking about Oedipus.
Flannery O'Connor (The Habit of Being: Letters of Flannery O'Connor)
A prepared mind is always made up; it knows what it thinks and why it thinks that. When it's time to change, it just makes itself up a different way. A really made-up mind--made up properly, knowing what it knows and on what basis it knows it--is open. People close an undecided mind because they're trying to protect those sore uncertainties from getting bumped and scraped.
John Barnese
It was revolting that I had been like that. Shameful. Disgraceful, in the old-time sense of the word. And what was even worse? That I could now see myself so wretchedly clearly. I had changed, I recognized bitterly.I hated that I could see myself as I was. What a terrible thing to know. I would never be able to not know it, to forget it.I didn't see how I could ever forgive River for that.
Cate Tiernan (Darkness Falls (Immortal Beloved, #2))
The care of babies involves education, and is entrusted only to the most fit,” she repeated. “Then you separate mother and child!” I cried in cold horror, something of Terry’s feeling creeping over me, that there must be something wrong among these many virtues. “Not usually,” she patiently explained. “You see, almost every woman values her maternity above everything else. Each girl holds it close and dear, an exquisite joy, a crowning honor, the most intimate, most personal, most precious thing. That is, the child-rearing has come to be with us a culture so profoundly studied, practiced with such subtlety and skill, that the more we love our children the less we are willing to trust that process to unskilled hands—even our own.” “But a mother’s love—” I ventured. She studied my face, trying to work out a means of clear explanation. “You told us about your dentists,” she said, at length, “those quaintly specialized persons who spend their lives filling little holes in other persons’ teeth—even in children’s teeth sometimes.” “Yes?” I said, not getting her drift. “Does mother-love urge mothers—with you—to fill their own children’s teeth? Or to wish to?” “Why no—of course not,” I protested. “But that is a highly specialized craft. Surely the care of babies is open to any woman—any mother!” “We do not think so,” she gently replied. “Those of us who are the most highly competent fulfill that office; and a majority of our girls eagerly try for it—I assure you we have the very best.” “But the poor mother—bereaved of her baby—” “Oh no!” she earnestly assured me. “Not in the least bereaved. It is her baby still—it is with her—she has not lost it. But she is not the only one to care for it. There are others whom she knows to be wiser. She knows it because she has studied as they did, practiced as they did, and honors their real superiority. For the child’s sake, she is glad to have for it this highest care.
Charlotte Perkins Gilman (Herland (The Herland Trilogy, #2))
His last word—to live with,' she murmured. 'Don't you understand I loved him—I loved him—I loved him!' "I pulled myself together and spoke slowly. "'The last word he pronounced was—your name.' "I heard a light sigh, and then my heart stood still, stopped dead short by an exulting and terrible cry, by the cry of inconceivable triumph and of unspeakable pain. 'I knew it—I was sure!' . . . She knew. She was sure. I heard her weeping; she had hidden her face in her hands. It seemed to me that the house would collapse before I could escape, that the heavens would fall upon my head. But nothing happened. The heavens do not fall for such a trifle. Would they have fallen, I wonder, if I had rendered Kurtz that justice which was his due? Hadn't he said he wanted only justice? But I couldn't. I could not tell her. It would have been too dark—too dark altogether. . . ." Marlow ceased, and sat apart, indistinct and silent, in the pose of a meditating Buddha. Nobody moved for a time. "We have lost the first of the ebb," said the Director, suddenly. I raised my head. The offing was barred by a black bank of clouds, and the tranquil waterway leading to the uttermost ends of the earth flowed somber under an overcast sky—seemed to lead into the heart of an immense darkness.
Joseph Conrad (Heart of Darkness)
I’m going to go out on a limb here and guess we’re going to a party.”Her mood suddenly lifts and she grins impishly. “What gave it away?”I eye her outfit and count down on my fingers.“Four things: leather shorts, pink highheels,knee high socks,and a sparkling top. ”She sticks out her hip and pops up her foot, striking a pose. “Come on, admit it,I look hot.”“You look like a—”She tosses a pillow at me.“Watch that dirty mouth of yours, Death Girl.
Jessica Sorensen
Our lives are shaped as profoundly by personality as by gender or race. And the single most important aspect of personality—the “north and south of temperament,” as one scientist puts it—is where we fall on the introvert-extrovert spectrum. Our place on this continuum influences our choice of friends and mates, and how we make conversation, resolve differences, and show love. It affects the careers we choose and whether or not we succeed at them. It governs how likely we are to exercise, commit adultery, function well without sleep, learn from our mistakes, place big bets in the stock market, delay gratification, be a good leader, and ask “what if.”* It’s reflected in our brain pathways, neurotransmitters, and remote corners of our nervous systems. Today introversion and extroversion are two of the most exhaustively researched subjects in personality psychology, arousing the curiosity of hundreds of scientists.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
Asa-zisa „psihologie pentru mase” bate intr-una moneda pe „asumarea responsabilitatii”, dar nu sunt decat vorbe goale: este extraordinar de greu, ba chiar terifiant, sa accepti ideea ca tu si numai tu esti acela care iti construiesti viata, felul in care o traiesti. Ca urmare, problema in psihoterapie consta intotdeauna in a sti cum sa treci de la o apreciere in plan intelectual, care se dovedeste ineficace, a unui adevar despre tine insuti la un mod saul altul de a-l simti in plan emotional. Abia din clipa in care terapia mobilizeaza emotii profunde, incepe sa devina o forta redutabila in favoarea schimbarii.
Irvin D. Yalom (Love's Executioner and Other Tales of Psychotherapy)
The encounter put me in the mood to shop...Babette and the kids followed me into the elevator, into the shops set along the tiers, through the emporiums and the department stores, puzzled but excited by my desire to buy. When I could not decide between two shirts, they encouraged me to buy both. When I said I was hungry they fed me pretzels, beer, souvlaki. The two girls scouted ahead, spotting things they thought I might want or need, running back to get me, to clutch my arms, to plead with me to follow. The...y were my guides to endless well-being...My family gloried in the event. I was one of them, shopping, at last. They gave me advice, badgered clerks on my behalf...We moved from store to store, rejecting not only items in certain departments, not only entire departments but whole stores, mammoth corporations that did not strike our fancy for one reason or another. There was always another store, three floors, eight floors...I shopped with reckless abandon. I shopped for immediate needs and distant contingencies. I shopped for its own sake, looking and touching, inspecting merchandise I had no intention of buying, then buying it...I began to grow in value and self-regard. I filled myself out, found new aspects of myself, located a person I'd forgotten existed. Brightness settled around me. I traded money for goods. The more money I spent, the less important it seemed. I was bigger than these sums. These sums poured off my skin like so much rain
Don DeLillo (White Noise)
DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was; but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium—the bitter lapse into every-day life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled luster by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodeled and inverted images of the gray sedge, and the ghastly tree stems, and the vacant and eye-like windows.
Edgar Allan Poe (The Best Short Stories of Edgar Allan Poe)
How did you find out?” he asked. I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.” He sighed and sat on the arm of my couch and stared into space. “That’s it? You have nothing else to say?” I asked. “I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.” “Were you ever going to tell me?” “Yeah...of course.” His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome. Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.” I sank down into the arm chair opposite him. “Then…then…what happened?” It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…” “Aroused? Horny? Lust-filled?” He grimaced. “Something like that. But, I don’t know. There was more to it than just that.” The tape in my mind rewound. “Did you say you were going to call Niphon?” “Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.” “Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath. “Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.” He tilted his head curiously. “What do you mean?” “This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.” A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response. “Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.” My hand froze on Aubrey’s back. “What are you saying?” “I…don’t have flings.” “Are you saying you want to start something with her?” He looked miserable. “I don’t know.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
Televiziunea, prietene Daniel, este Anticristul, si iti spun eu ca vor fi de-ajuns trei sau patru generatii pentru ca oamenii sa nu mai stie nici sa traga o basina pe cont propriu si pentru ca fiinta umana sa se intoarca la pestera, la barbaria medievala si la niste stadii de imbecilitate pe care si limaxul le-a depasit inca de prin Pleistocen. Lumea asta nu va muri de o bomba atomica, asa cum spun ziarele, ci va muri de ris, de banalitate, facand o gluma la tot si la toate si, in plus, o gluma proasta.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
It had been a damned nice thing - the nearest run thing you ever saw in your life. (Waterloo 18 June 1815) 'I hope to God,' he said one day,'that I have fought my last battle.It is a bad thing to be always fighting.While in the thick of it,I am much too occupied to feel anything;but it is wretched just after.It is quite impossible to think of glory.Both mind and feeling are exhausted.I am wretched even at the moment of victory,and I always say that next to a battle lost, the greatest misery is a battle gained.Not only do you lose those dear friends with whom you have been living,but you are forced to leave the wounded behind you.To be sure one tries to do the best for them,but how little that is!At such moments every feeling in your breast is deadened.I am now just beginning to retain my natural spirits,but I never wish for any more fighting.
Arthur Wellesley
And the rest of the world goes about its business; we eat, we drink, we sleep, we attend to our needs, and that’s it. Oh yes, we know people are fighting somewhere. How do you expect me to feel about it—I, who have everything I need. No, but really, people are dying of hunger out there, we say, while stuffing ourselves with every kind of dish imaginable. I want music, and I turn the wireless dial, tuning out the news and replacing it with Tino Rossi’s beautiful voice, cooing about Barcelona again. There, that’s better. Indifferent. We are completely indifferent. Eyes closed, naïve and innocent, we do nothing but talk—we shout—we fight and make up—and all that time, men are dying.
Anne Berest (The Postcard)
I’d spent months carefully winding my gift into a tight spool, only letting it out by inches, and only when I needed it. The strain of keeping it bound up had been a steady, constant reminder that I had to work to keep the life I’d built for myself out here. It was a muscle I’d carefully toned to withstand nearly any pressure. Letting it all go felt like shaking a bottle of soda and ripping off the cap. It fizzed and flooded and swept out of me, searching for the connections waiting to be made. I didn’t guide it, and I didn’t stop it—I don’t know if I could have if I tried. I was the burning center of a galaxy of faces, memories, loves, heartbreaks, disappointments, and dreams. It was like living dozens of different lives. I was lifted and shattered by it, how strangely beautiful it was to feel their minds linked with my own. The spinning inside my head slowed with the movement around me. I felt time hovering nearby, waiting to resume its usual tempo. The darkness slid into the edges of my vision, seeping through my mind like a drop of ink in water. But I was in control of the moment, and there was one last thing that I needed to say to them, one last idea to imprint in their minds. “I’m Green.
Alexandra Bracken (In the Afterlight (The Darkest Minds, #3))
Fair?' the Emperor shouted, coming to stand over Gurgeh, blocking the view of the distant fire. 'Why does anything have to be fair? Is life fair?' He reached down and took Gurgeh by the hair, shaking his head. 'Is it? Is it?' Gurgeh let the apex shake him. The Emperor let go of his hair after a moment, holding his hand as though he'd touched something dirty. Gurgeh cleared his throat. 'No, life is not fair. Not intrinsically.' The apex turned away in exasperation, clutching again at the curled stone top of the battlements. 'It's something we can try to make it, though,' Gurgeh continued. 'A goal we can aim for. You can choose to do so, or not. We have. I'm sorry you find us so repulsive for that.
Iain M. Banks (The Player of Games (Culture, #2))
Of course, there has been a lot of speculation over the last couple of years that our wives must have married us bearded ugly ducklings because of our fame and fortune. The fact is that none of us had much at all when we met our wives, and our long, full beards came after we married them. Our crazy uncle Si likes to joke that our gift of gab--or “hot air,” as he puts it--is what helped woo our wives. Actually, our relationships were built on spiritual principles such as faith, hope, and love. Through our poverty, rugged appearances, and, at times, musty aromas, I learned that true joy doesn’t come from what you have or how you look but from what kind of man you are on the inside. On my second date with Missy, I explained to her my love for hunting and fishing, which often causes me to be gone for several days and sometimes weeks at a time. I figured my admission would rule out a third date, but I was surprised when she replied, “Okay.” I knew right then that Missy was a keeper, and she has become my spiritual soul mate and a wonderful mother to our three beautiful children.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
You're the whole focus of my world," he murmured. "After you left, I went crazy.I flew down to New Orleans, and-" "You did?" Stunned,she drew back to look at him. "You went after me?" "With various purposes in mind," he muttered. "First,I was going to strangle you,then I was going to crawl, then I was going to just drag you back and lock you upstairs." Smiling,she rested her head on his chest. "And now?" "Now." He kissed her hair. "We compromise. I'll let you live." "Good start." With a sigh,she closed her eyes. "I want to watch the sea in winter." He tilted her face to his. "We will." "There is something else..." "Before or after I make love to you?" Laughing,she pulled away from him. "It better be before.Since you haven't mentioned marriage yet,it falls to me." "Gennie-" "No,this is one time we'll do it all my way." She draw out the coin Serena had given her before she'd lef the Comanche. "And,in a way,it's a kind of compromise.Heads,we get married. Tails we don't." Grant grabbed her wrist before she could toss. "You're not going to play games with something like that, Genvieve, unless that's a two-headed coin." She smiled. "It certainly is." Surprise came first,then his grin. "Toss it.I like the odds.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
You know what I believe? I remember in college I was taking this math class, this really great math class taught by this tiny old woman. She was talking about fast Fourier transforms and she stopped midsentence and said, ‘Sometimes it seems the universe wants to be noticed.’ “That’s what I believe. I believe the universe wants to be noticed. I think the universe is improbably biased toward consciousness, that it rewards intelligence in part because the universe enjoys its elegance being observed. And who am I, living in the middle of history, to tell the universe that it—or my observation of it—is temporary?
John Green (The Fault in Our Stars)
I looked upon the scene before me—upon the mere house, and the simple landscape features of the domain—upon the bleak walls—upon the vacant eye-like windows—upon a few rank sedges—and upon a few white trunks of decayed trees—with an utter desperation of soul which I can compare to no earthly sensation more properly than to the afterdream of the reveller upon opium—the bitter lapse into everyday life—the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart—an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down—but with a shudder even more thrilling than before—upon the remodelled and inverted images of the grey sedge, and the ghastly tree-stems, and the vacant and eye-like windows.
Edgar Allan Poe (The Fall of the House of Usher)
We found out yesterday that Robert has won the Drama Desk Award for Possessed, a huge Broadway honor. Jeff—who is over the moon about it—is planning a fiftieth birthday party/award celebration. Of course I have to be there . . . and of course Calvin will be, too. No way am I going solo. I need major reinforcements, and nobody makes me laugh harder than Davis. “I know where this is going,” he says once I’ve explained the situation. He lets out a long sigh. “Does this mean I need to get a plane ticket and rent a tux?” “Well yeah, because I want my date to look hot.” “That is some Flowers in the Attic stuff, Holls. Don’t be weird.
Christina Lauren (Roomies)
... dar in "Pivnita de ceapa" a lui Schmuh nu se gasea nimic de mancare si cine voia sa manance ceva trebuia sa mearga in alta parte, la Fischl si nu in "Pivnita de ceapa", fiindca aici nu se taia decat ceapa. Si de ce asa? Pentru ca pivnita se numea astfel si ce era cu totul iesit din comun pentru ca aceasta ceapa, ceapa taiata, cand o privesti cu atentie... nu, clientii lui Schmuh nu mai vedeau nimic sau doar unii dintre ei nu mai vedeau nimic, li se scurgeau ochii, nu pentru ca aveau inimile prea pline; caci unde scrie ca daca ti-e inima plina, trebuie sa iti planga ochii, unora nu le reuseste niciodata asa ceva, mai ales in deceniile din urma, de aceea secolul nostru se va numi candva, in viitor, secolul lipsit de lacrimi, desi a fost multa suferinta - si tocmai din acest motiv, din cauza lipsei lacrimilor, oamenii, cei care isi puteau permite, se duceau la "Pivnita de ceapa", se lasau serviti de patron cu o scandura de tocat, cu un cutit de bucatarie si cu o ceapa ordinara de camp sau gradina care-i costa douasprezece marci, o taiau atat de marunt pana ce sucul reusea. Ce reusea? Reusea ceea ce lumea si suferinta acestei lumi nu reuseau sa produca: omeneasca lacrima rotunda. Si atunci se puneau pe plans. In sfarsit se punea lumea, din nou, pe plans. Se plangea serios, dezlantuit, in toata legea. Apa curgea si lua totul cu ea. Apoi venea ploaia. Apoi cadea roua... Si dupa acea calamitate naturala de douasprezece marci si optzeci de pfenigi, oamenii satui de plans incep sa vorbeasca. Inca ezitand, mirati de propria lor limba goala, dupa ce savureaza ceapa, clientii pivnitei se predau vecinilor lor, acolo, pe lazile incomode imbracate in iuta, se lasa intrebati, isi schimba felul de a fi cum iti intorci paltonul.
Günter Grass
Atata timp cat esti anesteziat si nu iti simti tragedia propriei vieti, poti supravietui. Cand iti revine limpezimea, cand iti este meticulos redata, te poate innebuni. memoria retrezita la viata te poate sminti, amintirea umilintei, a celor ce ti s-au intamplat fara stirea ta, a atator intruziuni, amintirea barbatilor. Nu un palat, ci un bordel al amintirilor, iar dincolo de aceste amintiri, constiinta faptului ca toti cei care te-au iubit sunt morti, ca nu exista nici o scapare. un asemenea gand te poate ridica in picioare, te poate face sa iti aduni fortele si sa o iei la goana. Daca fugi destul de tare poate vei scapa de trecut si de amintirea a tot ce ti s-a intamplat, si totodata de viitor, de intunericul inevitabil ce ti se intinde in fata.
Salman Rushdie (The Enchantress of Florence)
If one must have faith in order to believe something, or believe in something, then the likelihood of that something having any truth or value is considerably diminished. The harder work of inquiry, proof, and demonstration is infinitely more rewarding, and has confronted us with findings far more "miraculous" and "transcendent" than any theology. Actually, the "leap of faith"—to give it the memorable name that Soren Kierkegaard bestowed upon it—is an imposture. As he himself pointed out, it is not a "leap" that can be made once and for all. It is a leap that has to go on and on being performed, in spite of mounting evidence to the contrary. This effort is actually too much for the human mind, and leads to delusions and manias. Religion understands perfectly well that the "leap" is subject to sharply diminishing returns, which is why it often doesn't in fact rely on "faith" at all but instead corrupts faith and insults reason by offering evidence and pointing to confected "proofs." This evidence and these proofs include arguments from design, revelations, punishments, and miracles. Now that religion's monopoly has been broken, it is within the compass of any human being to see these evidences and proofs as the feeble-minded inventions that they are.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
For about five minutes, as I tried to get the Vespa to start, I fell in love with her. The oversized raincoat made her look about eight, as though she should have had matching Wellies with ladybugs on them, and inside the red hood were huge brown eyes and rain-spiked lashes and a face like a kitten’s. I wanted to dry her gently with a big fluffy towel, in front of a roaring fire. But then she said, “Here, let me—you have to know how to twist the thingy,” and I raised an eyebrow and said, “The thingy? Honestly, girls.” I immediately regretted it—I have never been talented at banter, and you never know, she could have been some earnest droning feminist extremist who would lecture me in the rain about Amelia Earhart. But Cassie gave me a deliberate, sideways look, and then clasped her hands with a wet spat and said in a breathy Marilyn voice, “Ohhh, I’ve always dreamed of a knight in shining armor coming along and rescuing little me! Only in my dreams he was good-looking.” What I saw transformed with a click like a shaken kaleidoscope. I stopped falling in love with her and started to like her immensely. I looked at her hoodie jacket and said, “Oh my God, they’re about to kill Kenny.” Then I loaded the Golf Cart into the back of my Land Rover and drove her home.
Tana French (In the Woods (Dublin Murder Squad #1))
Of course I can't complain, because everyone is always telling me to 'enjoy it'. What would they know? They haven't been here, I've done it all alone. Okay, it's been a small experience in its own way, and it will all blow over in a few months or years and no one will even remember me, thank God. But still I've had to do it, I've had to get through it on my own with no one to teach me how, and it has made me loathe myself to an almost unendurable degree. Whatever I can do, whatever insignificant talent I might have, people just expect me to sell it-I mean literallly, sell it for money, until I have a lot of money and no talent left. And then that's it, I'm finished, and the next flashy twenty-five-year-old with an impending psychological collapse comes along.
Sally Rooney (Beautiful World, Where Are You)
Totul incepe cu o umbrela. Prima ta umbrela de ploaie! Nu te invata nimeni sa infrunti ploaia ci doar sa te protejezi. Apoi afli ca iti trebuie o umbrela de soare. Prima ta umbrela de soare! Ca si in cazul ploii, inveti sa te protejezi nu sa te lupti. Ti se pare normal sa te aperi de orice cu o umbrela asa ca iti iei cate una pentru orice: impotriva tristetii, impotriva dezamagirii, impotriva prietenilor falsi, impotriva oricarui lucru care ti-ar putea provoca un disconfort. Aduni pe holul de la intrare un manunchi de umbrele inutile. De ce inutile? Pentru ca, evident, nu le poti cara pe toate zilnic cu tine! Asa ca in fiecare zi trebuie sa decizi ce umbrela sa iei: impotriva ploii,a tristetii, a dezamagirii...? Stii ce ar mai trebui? O umbrela impotriva deciziilor proaste! Iti vine uneori sa nu mai pierzi timpul cu umbrelele, dar, pielea ta a devenit prea sensibila pentru a putea lupta impotriva soarelui, imunitatea ta este mult prea scazuta pentru a lupta cu o raceala iar sufletul...face cu greu fata unei dezamagiri. Hai, mai ia o umbrela!
Moise D. (Poveşti despre lucruri mărunte)
That’s the thing of it—the really petty thing of it—I can’t help but feel like this wasn’t supposed to happen to me. I’ve never worried about finding a guy. In sixth grade, I dated the nicest cute boy in class. We talked on the phone twice over six months and held hands at an afternoon showing of Superman III. I always had a date, the right date, for every dance. I fell in love for the first time in the 10th grade with the guy I was supposed to fall in love with. I broke up with him after a year, and that was supposed to happen, too. I was pretty sure I would never have to worry about finding the right guy. I thought it would happen for me the way it happened for my parents and for my grandparents. They got to the right age, they found the right person, they got married, they had kids.
Rainbow Rowell (Attachments)
Any kind of art that seems to be just about normal people, it’s judged less by how good of a work of art it is, and more by how much the critic thinks that that is true to life. Which, you know, I think might be why something like Boyhood was so hugely praised, whereas something like Margaret was a little unfairly marginalized. There were people who said, “OK, well, I don’t relate to these characters,” or, “I think the way they speak is off from real-life” as opposed to saying, “Is what’s being expressed in it—is the emotional content true to life?” You can just look on Youtube and see clips into people’s real life very easily, so I’m actually more excited by that feeling of, I’m being immersed completely in this one guy’s view of the world. But, obviously, I get more excited talking about other people’s work than my own.
Adrian Tomine
Men have before hired bravos to transact their crimes, while their own person and reputation sat under shelter. I was the first that ever did so for his pleasures. I was the first that could plod in the public eye with a load of genial respectability, and in a moment, like a schoolboy, strip off these lendings and spring headlong into the sea of liberty. But for me, in my impenetrable mantle, the safety was complete. Think of it-I did not even exist! Let me but escape into my laboratory door, give me but a second or two to mix and swallow the draught that I had always standing ready; and whatever he had done, Edward Hyde would pass away like the stain of breath upon a mirror; and there in his stead, quietly at home, trimming the midnight lamp in his study, a man who could afford to laugh at suspicion, would be Henry Jekyll. The pleasures which I made haste to seek in my disguise were, as I have said, undignified; I would scarce use a harder term. But in the hands of Edward Hyde, they soon began to turn toward the monstrous. When I would come back from these excursions, I was often plunged into a kind of wonder at my vicarious depravity. This familiar that I called out of my own soul, and sent forth alone to do his good pleasure, was a being inherently malign and villainous; his every act and thought centered on self; drinking pleasure with bestial avidity from any degree of torture to another; relentless like a man of stone. Henry Jekyll stood at times aghast before the acts of Edward Hyde; but the situation was apart from ordinary laws, and insidiously relaxed the grasp of conscience. It was Hyde, after all, and Hyde alone, that was guilty. Jekyll was no worse; he woke again to his good qualities seemingly unimpaired; he would even make haste, where it was possible, to undo the evil done by Hyde. And thus his conscience slumbered.
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
Now you've done it." His tone was quietly playful. I couldn't help it.I looked up at him questioningly. "You've added a third word to your repitoire. Hi,thanks,and now yes." His lips turned up at the corners,and the heat rushed to my face. He noticed. "At least that much hasn't changed." I turned back to my notebook,my hands trembling. He leaned toward me. "Now that we have our first conversation out of the way, do you want to tell me where you've been?" From the way he spoke I knew his smile was gone. I could feel little beads of sweat form on my forehead. "You left me.Without a word," he said. He sounded tentative, as if he were trying to keep his voice even. I took in a deep breath,but I couldn't figure out what he was feeling. There wasn't one singular emotion that was stronger than the others. "Don't you have anything to say to me?" He waited. My heart felt like it would burst through my chest into a million little pieces,and I could see this wasn't going to work. I started to close my book. "Don't-" he blurted, and I froze. "Don't go.You don't have to talk to me.I'm the one who should go." His voice sounded achingly sad. I could hear him packing his bag. Say something.Say something. "Um..." Jack paused, as if further movement might stop my words. He was the reason I came back.I couldn't scare him off. As hard as it would be to talk to him,it would be much harder to watch him walk out that door. "No," I said. I took a shaky breath. "You don't...have to leave. Please." He took his book back out and put it on his desk. I followed,setting my own books out. "Thank you," Jack whispered. We didn't talk for the rest of the hour.
Brodi Ashton (Everneath (Everneath, #1))
I laid out my five expectations that first day [as FBI Director] and many times thereafter: I expected [FBI employees] would find joy in their work. They were part of an organization devoted to doing good, protecting the weak, rescuing the taken, and catching criminals. That was work with moral content. Doing it should be a source of great joy. I expected they would treat all people with respect and dignity, without regard to position or station in life. I expected they would protect the institution's reservoir of trust and credibility that makes possible all their work. I expected they would work hard, because they owe that to the taxpayer. I expected they would fight for balance in their lives. I emphasized that last one because I worried many people in the FBI worked too hard, driven by the mission, and absorbed too much stress from what they saw. I talked about what I had learned from a year of watching [a previous mentor]. I expected them to fight to keep a life, to fight for the balance of other interests, other activities, other people, outside of work. I explained that judgment was essential to the sound exercise of power. Because they would have great power to do good or, if they abused that power, to do harm, I needed sound judgment, which is the ability to orbit a problem and see it well, including through the eyes of people very different from you. I told them that although I wasn't sure where it came from, I knew the ability to exercise judgment was protected by getting away from the work and refreshing yourself. That physical distance made perspective possible when they returned to work. And then I got personal. "There are people in your lives called 'loved ones' because you are supposed to love them." In our work, I warned, there is a disease called "get-back-itis." That is, you may tell yourself, "I am trying to protect a country, so I will get back to" my spouse, my kids, my parents, my siblings, my friends. "There is no getting back," I said. "In this line of work, you will learn that bad things happen to good people. You will turn to get back and they will be gone. I order you to love somebody. It's the right thing to do, and it's also good for you.
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
Patriotism comes from the same Latin word as father. Blind patriotism is collective transference. In it the state becomes a parent and we citizens submit our loyalty to ensure its protection. We may have been encouraged to make that bargain from our public school education, our family home, religion, or culture in general. We associate safety with obedience to authority, for example, going along with government policies. We then make duty, as it is defined by the nation, our unquestioned course. Our motivation is usually not love of country but fear of being without a country that will defend us and our property. Connection is all-important to us; excommunication is the equivalent of death, the finality we can’t dispute. Healthy adult loyalty is a virtue that does not become blind obedience for fear of losing connection, nor total devotion so that we lose our boundaries. Our civil obedience can be so firm that it may take precedence over our concern for those we love, even our children. Here is an example: A young mother is told by the doctor that her toddler is allergic to peanuts and peanut oil. She lets the school know of her son’s allergy when he goes to kindergarten. Throughout his childhood, she is vigilant and makes sure he is safe from peanuts in any form. Eighteen years later, there is a war and he is drafted. The same mother, who was so scrupulously careful about her child’s safety, now waves goodbye to him with a tear but without protest. Mother’s own training in public school and throughout her life has made her believe that her son’s life is expendable whether or not the war in question is just. “Patriotism” is so deeply ingrained in her that she does not even imagine an alternative, even when her son’s life is at stake. It is of course also true that, biologically, parents are ready to let children go just as the state is ready to draft them. What a cunning synchronic-ity. In addition, old men who decide on war take advantage of the timing too. The warrior archetype is lively in eighteen-year-olds, who are willing to fight. Those in their mid-thirties, whose archetype is being a householder and making a mark in their chosen field, will not show an interest in battlefields of blood. The chiefs count on the fact that young braves will take the warrior myth literally rather than as a metaphor for interior battles. They will be willing to put their lives on the line to live out the collective myth of societies that have not found the path of nonviolence. Our collective nature thus seems geared to making war a workable enterprise. In some people, peacemaking is the archetype most in evidence. Nature seems to have made that population smaller, unfortunately. Our culture has trained us to endure and tolerate, not to protest and rebel. Every cell of our bodies learned that lesson. It may not be virtue; it may be fear. We may believe that showing anger is dangerous, because it opposes the authority we are obliged to appease and placate if we are to survive. This explains why we so admire someone who dares to say no and to stand up or even to die for what he believes. That person did not fall prey to the collective seduction. Watching Jeopardy on television, I notice that the audience applauds with special force when a contestant risks everything on a double-jeopardy question. The healthy part of us ardently admires daring. In our positive shadow, our admiration reflects our own disavowed or hidden potential. We, too, have it in us to dare. We can stand up for our truth, putting every comfort on the line, if only we can calm our long-scared ego and open to the part of us that wants to live free. Joseph Campbell says encouragingly, “The part of us that wants to become is fearless.” Religion and Transference Transference is not simply horizontal, from person to person, but vertical from person to a higher power, usually personified as God. When
David Richo (When the Past Is Present: Healing the Emotional Wounds that Sabotage our Relationships)
Layla!" Don bounded into her sight. The door behind her was still bolted. Where had he come from? The starshot tumbled from her hands and clattered to the floor. She snatched it up and slipped it back inside her dress. Bill was gone.But Don was-Daniel was right where she wanted him to be. "What are you doing here?" Her voice broke with the force of having to act surprised to see him. He didn't seem to hear it.He rushed toward her and wrapped her in his arms. "Saving your life." "How did you get in?" "Don't worry about that.No mortal man, no slab of stone can obstruct a love as true as ours. I will always find you." In his bare, bronzed arms, it was Luce's instinct to feel comforted. But she couldn't right then.Her heart felt ragged and cold.This easy happiness, these feelings of complete trust, every one of the lovely emotions Daniel had shown her how to feel in every life-they were torture to her now. "Fear not," he whispered. "Let me tell you, my love, what happens after this life.You come back,you rise again. Your rebirth is beautiful and real.You come back to me,again and again-" The light from the lamp flickered and made his violet eyes sparkle.His body was so warm against hers. "But I die again and again." "What?" He tilted his head.Even when his physique looked exotic to her, she knew his expressions so well-that bemused adoration when she expressed something he hadn't expected her to understand. "How do you-Never mind. It doesn't matter.What matters is that we will again be together.We will always find each other,always love each other, no matter what.I will never leave you." Luce fell to her knees on the stone steps. She hid her face in her hands. "I don't know how you can stand it.Over and over again,the same sadness-" He lifted her up. "The same ecstasy-" "The same fire that kills everything-" "The same passion that ignites it all again.You don't know.You can't remember how wonderful-" "I've seen it.I do know." How she had his attention. He didn't seem sure whether or not to believe her, but at least he was listening. "What if there's no hope of anything ever changing?" she asked. "There is only hope. One day, you will live through it.That absolute truth is the only thing that keeps me going. I will never give up on you. Even if it takes forever." He wiped away her tears with his thumb. "I'll love you with all my heart,in every life, through every death. I will not be bound by anything but my love for you." "But it's so hard.Isn't it hard for you? Haven't you ever thought,what if..." "One day,our love will conquer this dark cycle.That's worth everything to me.
Lauren Kate (Passion (Fallen, #3))
You’ve said, “You can lie or distort the story of the French Revolution as long as you like and nothing will happen. Propose a false theory in chemistry and it will be refuted tomorrow.” How does your approach to the world as a scientist affect and influence the way you approach politics? Nature is tough. You can’t fiddle with Mother Nature, she’s a hard taskmistress. So you’re forced to be honest in the natural sciences. In the soft fields, you’re not forced to be honest. There are standards, of course; on the other hand, they’re very weak. If what you propose is ideologically acceptable, that is, supportive of power systems, you can get away with a huge amount. In fact, the difference between the conditions that are imposed on dissident opinion and on mainstream opinion is radically different. For example, I’ve written about terrorism, and I think you can show without much difficulty that terrorism pretty much corresponds to power. I don’t think that’s very surprising. The more powerful states are involved in more terrorism, by and large. The United States is the most powerful, so it’s involved in massive terrorism, by its own definition of terrorism. Well, if I want to establish that, I’m required to give a huge amount of evidence. I think that’s a good thing. I don’t object to that. I think anyone who makes that claim should be held to very high standards. So, I do extensive documentation, from the internal secret records and historical record and so on. And if you ever find a comma misplaced, somebody ought to criticize you for it. So I think those standards are fine. All right, now, let’s suppose that you play the mainstream game. You can say anything you want because you support power, and nobody expects you to justify anything. For example, in the unimaginable circumstance that I was on, say, Nightline, and I was asked, “Do you think Kadhafi is a terrorist?” I could say, “Yeah, Kadhafi is a terrorist.” I don’t need any evidence. Suppose I said, “George Bush is a terrorist.” Well, then I would be expected to provide evidence—“Why would you say that?” In fact, the structure of the news production system is, you can’t produce evidence. There’s even a name for it—I learned it from the producer of Nightline, Jeff Greenfield. It’s called “concision.” He was asked in an interview somewhere why they didn’t have me on Nightline. First of all, he says, “Well, he talks Turkish, and nobody understands it.” But the other answer was, “He lacks concision.” Which is correct, I agree with him. The kinds of things that I would say on Nightline, you can’t say in one sentence because they depart from standard religion. If you want to repeat the religion, you can get away with it between two commercials. If you want to say something that questions the religion, you’re expected to give evidence, and that you can’t do between two commercials. So therefore you lack concision, so therefore you can’t talk. I think that’s a terrific technique of propaganda. To impose concision is a way of virtually guaranteeing that the party line gets repeated over and over again, and that nothing else is heard.
Noam Chomsky (On Anarchism)