Itchy Girl Quotes

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Ages fourteen to eighteen, a girl needs something to kill all that time, that endless itchy waiting, every hour, every day for something — anything — to begin.
Megan Abbott (Dare Me)
That's what life is, pretty much: full of holes and tangles and ways to get stuck. Uncomfortable and itchy. A present you never asked for, never wanted, never chose. A present you're supposed to be excited to wear, day after day, even when you'd rather stay in bed and do nothing.
Lauren Oliver (Vanishing Girls)
Or maybe Ravi Singh’s itchy head was the equivalent of Pip’s useless facts: armour and shield when the knight inside was squirming.
Holly Jackson (A Good Girl's Guide to Murder (A Good Girl's Guide to Murder, #1))
He was tall in the bed and I could see the silver through his eyelids. His soul sat up. It met me. Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places. This one was sent out by the breath of an accordion, the odd taste of champagne in summer, and the art of promise-keeping. He lay in my arms and rested. There was an itchy lung for a last cigarette and an immense, magnetic pull toward the basement, for the girl who was his daughter and was writing a book down there that he hoped to read one day.
Markus Zusak (The Book Thief)
There was an itchy lung for a last cigarette and an immense, magnetic pull toward the basement, for the girl who was his daughter and was writing a book down there he hoped to read one day. Liesel. His soul whispered it as I carried him. But there was no Liesel in that house. Not for me, anyway.
Markus Zusak (The Book Thief)
The funny thing about almost-dying is that afterward everyone expects you to jump on the happy train and take time to chase butterflies through grassy fields or see rainbows in puddles of oil on the highway. It’s a miracle, they’ll say with an expectant look, as if you’ve been given a big old gift and you better not disappoint Grandma by pulling a face when you unwrap the box and find a lumpy, misshapen sweater. That’s what life is, pretty much: full of holes and tangles and ways to get stuck. Uncomfortable and itchy. A present you never asked for, never wanted, never chose. A present you’re supposed to be excited to wear, day after day, even when you’d rather stay in bed and do nothing. The truth is this: it doesn’t take any skill to almost-die, or to almost-live, either.
Lauren Oliver (Vanishing Girls)
Ages fourteen to eighteen, a girl needs something to kill all that time, that endless itchy waiting, every hour, every day for something—anything—to begin.
Megan Abbott (Dare Me)
Now that you know the wishing ways, you'll feel the wishes around you. They'll make you itchy, 'cause you know you can do something about them, but that ain't always the best idea.
Sarah Zettel (Dust Girl (The American Fairy, #1))
When you feel a snake slither down your spine and your nipples are itchy, when your armpits tingle and your mouth is dry when you see him, that's first love.
Chloe Thurlow (The Secret Life of Girls)
Girls fantasize about being tied up and bent over a broad pair of knees. Girls dream of being dominated and worshipped. Girls adore dressing up, role play, changing roles. Yes, that's right, perfidious submissives are itchy to switch to the Domme and grab the whip handle.
Chloe Thurlow (Katie in Love)
You were the girl who read through football games, weren’t you?” “No, I was the girl playing the trumpet in the itchy band uniform.” “You play trumpet?” “Not anymore.” I unwrap the sandwich. Ooh, turkey and bacon. “Of course, if you ask my band instructor, I didn’t play it back then either.
Dot Hutchison (The Vanishing Season (The Collector, #4))
I’ve been able to make totally insane associations. I can transform a simple toothache into maxillary cancer. An itchy elbow becomes an urticarial eruption, and a simple sneeze, pneumonia. That’s why I have already thought about joining a help group, like HA – Hypochondriacs Anonymous" Amanda Loeb
Drica Pinotti (My Crazy (Sick) Love)
Everyone would wear the same clothes every day and they would be made from soft grey fabric that felt good against the skin, not itchy, scratchy or harsh. At school, you could choose what to do. If you didn’t like art or PE, you could read instead. Every day the library was stocked with new books. No one shouted or raised their voices. If you ever broke a rule a proper grown-up explained why it was a rule and why it mattered and then you were simply told – kindly – not to do it again.
Laura James (Odd Girl Out: An Autistic Woman in a Neurotypical World)
The funny thing about almost-dying is that afterward everyone expects you to jump on the happy train and take time to chase butterflies through grassy fields or see rainbows in puddles of oil on the highway. It’s a miracle, they’ll say with an expectant look, as if you’ve been given a big old gift and you better not disappoint Grandma by pulling a face when you unwrap the box and find a lumpy, misshapen sweater. That’s what life is, pretty much: full of holes and tangles and ways to get stuck. Uncomfortable and itchy. A present you never asked for, never wanted, never chose. A present you’re supposed to be excited to wear, day after day, even when you’d rather stay in bed and do nothing. The truth is this: it doesn’t take any skill to almost-die, or to almost-live, either.
Lauren Oliver (Vanishing Girls)
We took a hike in Malibu and shared ice cream. I stayed with him while he had walking pneumonia, heating soup and pouring him glass after glass of ginger ale and feeling his fevered forehead as he slept. He warned me of the life that was coming for me if I wasn’t careful. Success was a scary thing for a young person, he said. I was twenty-four and he was thirty-three (“Jesus’s age,” he reminded me more than a few times). There was something tender about him, broken and gentle, and I could imagine that sex with him might be similar. I wouldn’t have to pretend like I did with other guys. Maybe we would both cry. Maybe it would feel just as good as sharing a bed. On Valentine’s Day, I put on lace underwear and begged him to please, finally, have sex with me. The litany of excuses he presented in response was comic in its tragedy: “I want to get to know you.” “I don’t have a condom.” “I’m scared, because I just like you too much.” He took an Ambien and fell asleep, arm over my side, and as I lay there, wide awake and itchy in my lingerie set, it occurred to me: this was humiliating, unsexy, and, worst sin of all, boring. This wasn’t comfort. This was paralysis. This was distance passing for connection. I was being desexualized in slow motion, becoming a teddy bear with breasts.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
And you?" My scalp tingled, and an ache began at the base of my spine, fear or eagerness, I did not know. "What would you ask of me?" His eyes held mine. "I would ask the impossible." I struggled to let the Goblin King hold my gaze as heat stained my cheeks. "Bear in mind that I am no saint," I said, "and cannot work miracles." His lips twitched. "Then I would ask for your friendship." Startled, I removed my hands from the table. "Oh, Elisabeth," he said. "I would ask that you remember me. Not as we are now, but as we were then." I frowned. I thought back to our Goblin Grove dances, to the simple wagers we had made when I was a little girl. I struggled to find the truth hidden within my past, but I was unsure which was memory and which was make-believe. "You do remember." He shifted closer in his seat. There was something like hope in his voice, and I could not bear it. The Goblin King lifted his hand. The table beneath us vanished, swallowed up by the earth once more. He placed a finger against my temple. "Somewhere within that remarkable mind of yours, you kept those memories safe. Too safe. Hidden away." Was the Goblin King the friend I had imagined- remembered- as a child? Or was he truly the Lord of Mischief, blurring the lines between fantasy and reality? I was restless and itchy within my own mind. He left his seat and kneeled before me. His hands rested on the armrests of my chair, but he was careful not to touch me. "All I ask, Elisabeth," the Goblin King said, "is that you remember." His words were a bass, their notes resonating in my bones. "Please, remember.
S. Jae-Jones (Wintersong (Wintersong, #1))
It was her house but it wasn’t her home. It didn’t smell right or look right. It wasn’t their furniture. It didn’t have the tatty leather chair that her dad used to sit in or the itchy old blanket that her mom wrapped her up in when she was ill. This was her house but it’d never be her home, not properly.
Katrina Kahler (Bullies! (Mean Girls #2))
Am I too fat or too thin? Am I too made up for work? Am I dressed okay for the party? Will I be judged “normal” or “unique” in the carpool line? That sweater is itchy, that face cream smells disgusting, that color hurts my eyes. Look at that pretty girl—the put-together woman—the self-confident friend. Oh, the worries, the self-doubt, the “who cares?” Yet the senses…oh, the senses… The conventional perception of acceptable appearances, especially for a girl.
Jennifer Hendrick
Laxatives were her major companion,” Itchie says. “When we were in Paris we made quite a scene in a pharmacy across the street from our hotel about her needing to buy more laxatives. I suggested natural food groups that might relieve her ‘constipation,’ but she always won those arguments.
Randy L. Schmidt (Little Girl Blue: The Life of Karen Carpenter)
KAREN’S DISASTER of a marriage only served to exacerbate her mental illness and physical descent. “You expect a marriage to go through its ups and downs,” says Phil Ramone. “Unfortunately hers read exactly like the solo album, but it was her life. Its failure was exactly the same. That’s too much for any human being to take. Any way you look at it, that disaster was the final nail.” According to Itchie, “Karen tried to put a smile on her face all the time. No one wants to own up to having been deceived, especially with her life in the spotlight. Her wedding had been the centerfold of People. In truth, her marriage didn’t really last more than about three months.
Randy L. Schmidt (Little Girl Blue: The Life of Karen Carpenter)
His soul sat up. It met me. Those kinds of souls always do—the best ones. The ones who rise up and say, “I know who you are and I am ready. Not that I want to go, of course, but I will come.” Those souls are always light because more of them have been put out. More of them have already found their way to other places. This one was sent out by the breath of an accordion, the odd taste of champagne in summer, and the art of promise-keeping. He lay in my arms and rested. There was an itchy lung for a last cigarette and an immense, magnetic pull toward the basement, for the girl who was his daughter and was writing a book down there that he hoped to read one day.
Anonymous
Even at a distance, he recognized Emma sprawled headlong in the street, and he broke into a run. The road was empty, so was the boardwalk. He knelt beside her and helped her sit up. “Emma . . . honey, are you okay?” Tears streaked her dusty cheeks. “I-I lost my Aunt Kenny, and”—she hiccupped a sob—“m-my mommy’s gone.” Her face crumpled. “Oh, little one . . . come here.” He gathered her to him, and she came without hesitation. He stood and wiped her tears, and checked for injuries. No broken bones. Nothing but a skinned knee that a little soapy water—and maybe a sugar stick—would fix right up. “Shh . . . it’s okay.” He smoothed the hair on the back of her head, and her little arms came around his neck. A lump rose in his throat. “I won’t let anything happen to you.” Her sobs came harder. “Clara fell down too, Mr. Wyatt.” She drew back and held up the doll. “She’s all dirty. And she stinks.” Wyatt tried his best not to smile. Clara was indeed filthy. And wet. Apparently she’d gone for a swim in the same mud puddle Emma had fallen in. Only it wasn’t just mud, judging from the smell. “Here . . .” He gently chucked her beneath the chin. “Let’s see if we can find your Aunt Kenny. You want to?” The little girl nodded with a hint of uncertainty. “But I got my dress all dirty. She’s gonna be mad.” Knowing there might be some truth to that, he also knew Miss Ashford would be worried sick. “Do you remember where you were with Aunt Kenny before you got lost?” Emma shook her head. “I was talkin’ to my friend, and I looked up . . .” She sniffed and wiped her nose with the back of her hand. “And Aunt Kenny was gone.” Wyatt knew better than to think it was McKenna Ashford who had wandered away. “We’ll find her, don’t you worry.” “Clara’s dress is dirty like mine, huh?” She held the doll right in front of his face. Wyatt paused, unable to see it clearly. Easily supporting Emma’s weight, he took Clara and did his best to wipe the dirt and mud from the doll’s dress and its once-yellow strands of hair. His efforts only made a bigger mess, but Emma’s smile said she was grateful. “She likes you.” Emma put a hand to his cheek, then frowned. “Your face is itchy.” Knowing what she meant, he laughed and rubbed his stubbled jaw. He’d bathed and shaved last night in preparation for church this morning, half hoping he might see McKenna and Emma there. But they hadn’t attended. “My face is itchy, huh?” She squeezed his cheek in response, and he made a chomping noise, pretending he was trying to bite her. She pulled her hand back, giggling. Instinctively, he hugged her close and she laid her head on his shoulder. Something deep inside gave way. This is what it would have been like if his precious little Bethany had lived. He rubbed Emma’s back, taking on fresh pain as he glimpsed a fragment of what he’d been denied by the deaths of his wife and infant daughter so many years ago. “Here, you can carry her.” Emma tried to stuff Clara into his outer vest pocket, but the doll wouldn’t fit. Wyatt tucked her inside his vest instead and positioned its scraggly yarn head to poke out over the edge, hoping it would draw a smile. Which it did.
Tamera Alexander (The Inheritance)
The biggest takeaway from my long-distance relationship with Floyd Byars was that I optioned an original screenplay he had co-written with his writing partner, Laurie. Another takeaway was a case of crabs picked up on our only vacation together in Zihuatanejo, Mexico. I noticed a crab in my eyelashes when I was in the airplane bathroom on my way back to JFK. I feared these little critters might be other places as well, so I spent the next four hours squirming in my seat, itchy and miserable. On the taxi ride home, I made the driver stop at an all-night pharmacy so I could buy a bottle of Kwell. But despite the footsies and the crabs, I liked the premise of his (their) Making Mr. Right script.
Susan Seidelman (Desperately Seeking Something: A Memoir About Movies, Mothers, and Material Girls)
The day before I'm supposed to be meeting Caroline for a drink, I develop all the text-book symptons of a crush: nervous stomach, long periods spent daydreaming, an inability to remember what she looks like. I can bring back the dress and the boots, and I can see a fringe, but her face is a blank, and I fill it in with some anonymous rent-a-cracker details - pouty red lips, even though it wax her well-scrubbed english clever-girl look that attracted me to her in the first place; almond-shaped eyes, even though she was wearing sunglasses most of the time; pale, perfect skin, even though I know there'll be an initial twinge of disappointment - this is what all that internal fuss is about? - and then I'll find something to get excited about again: the fact that she's turned up at all, a sexy voice, intelligence, wit, something. And between the second and the third meeting a whole new set of myths will be born. This time, something different happens, though. It's the daydreaming that does it. I'm doing the usual thing - imagining in tiny detail the entire course of the relationship, from first kiss, to bed, to moving in together, to getting married (in the past I have even organized the track listing of the party tapes), to how pretty she'll look when she's pregnant, to names of children - until suddenly I realize that there's nothing left to actually, like, happen. I've done it all, lived through the whole relationship in my head. I've watched the film on fast-forward; I know the whole plot, the ending, all the good bits. Now I've got to rewind and watch it all over again in real time, and where's the fun in that? And fucking... when it's all going to fucking stop? I'm going to jump from rock to rock for the rest of my life until there aren't any rocks left? I'm going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills... I've been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have shit for brains.
Nick Hornby (High Fidelity)
PROSTITUTION – AN ACT OF SEX (A POEM) BY E.T.H…AINA Hey young girl, Why do you want sex often and often? Oh! Dogs ate your placenta! And now your clitoris is always itchy. Hey little bro, why is your penis always nodding Like a read headed agama lizard? And you always want to insert it somewhere. Lemme open your eyes to some things. Girlie, to you, prostitution is just a practice Of engaging in sexual relations for payment or benefits. Hear this, prostitution is sexual harassment, Sexual exploitation, often worse. You become in your mind what your client does or says. It is internally damaging and disgraceful as he uses you to learn various sex patterns What he can’t do with the girl he truly loves. From Backstairs Boogy to Deep Impact, from the Head Game to Arc de Triomp And from Ladder Loving to the Pinwheel, from Electric Slide to Passion Propeller He uses you like a public convenience – a toilet After all, he pays for your ungodly service. After being used as a sex-slave, You’ll still suffer spiritually – what a pity. Girl, remember when the act of sex takes place, There is a spiritual union. Brotherly, hear this, he that has sex with a prostitute Becomes one body with her. He leaves a part of his DNA in her. Something a condom can’t protect you against. Back to you, young girl. You think sex is just pleasurable You moan – f**k me hard, give it to me, Baby Oh, I’m enjoying it. Oh, I’ve almost reached orgasm Then you cum and he cums – loba’tan! You think it’s over, right? You may not know – but he might be using you to enhance his wealth And your insufficient glory is depleting. Bro, you have done it, ten rounds. Champion! But what has gone out of you If only you have a spiritual eye – then you will be sober. Your sperm has been saved inside a black and red ritual calabash She will use it to boost her fame. Bro, it is finished! Wait, you think it is over, right? What if you contract diseases – chlamydia, HIV and AIDS If things fall apart, you tend to suffer on earth And fire will burn you in heaven. Na me talk ham – so, think ham oooo Copyright @2019 E.T.H…AINA All right reserved: no part of the publication may be reproduced, stored in a retrieval system, or transmitted in any forms or by any means, electronically, photocopy, recording or otherwise, without the prior written permission of the poet -E.T.H…AINA (hercules_temitope@yahoo.com)/+2348184171204
E.T.H...AIN