It's Okay To Disconnect Quotes

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At the end of the day, the people we let in our space affect our ability to get to where we want to go, so if they're in the way of realizing your potential, it's okay to disconnect because you must choose yourself.
Jonathan Van Ness (Over the Top: A Raw Journey to Self-Love)
You make out with a boy because he’s cute, but he has no substance, no words to offer you. His mouth tastes like stale beer and false promises. When he touches your chin, you offer your mouth up like a flower to to be plucked, all covered in red lipstick to attract his eye. When he reaches his hand down your shirt, he stops, hand on boob, and squeezes, like you’re a fruit he’s trying to juice. He doesn’t touch anything but skin, does not feel what’s within. In the morning, he texts you only to say, “I think I left the rest of my beer at your place, but it’s cool, you can drink it. Last night was fun.” You kiss a girl because she’s new. Because she’s different and you’re twenty two, trying something else out because it’s all failed before. After spending six weekends together, you call her, only to be answered by a harsh beep informing you that her number has been disconnected. You learn that success doesn’t come through experimenting with your sexuality, and you’re left with a mouth full of ruin and more evidence that you are out of tune. You fall for a boy who is so nice, you don’t think he can do any harm. When he mentions marriage and murder in the same sentence, you say, “Okay, okay, okay.” When you make a joke he does not laugh, but tilts his head and asks you how many drinks you’ve had in such a loving tone that you sober up immediately. He leaves bullet in your blood and disappears, saying, “Who wants a girl that’s filled with holes?” You find out that a med student does. He spots you reading in a bar and compliments you on the dust spilling from your mouth. When you see his black doctor’s bag posed loyally at his side, you ask him if he’s got the tools to fix a mangled nervous system. He smiles at you, all teeth, and tells you to come with him. In the back of his car, he covers you in teethmarks and says, “There, now don’t you feel whole again.” But all the incisions do is let more cold air into your bones. You wonder how many times you will collapse into ruins before you give up on rebuilding. You wonder if maybe you’d have more luck living amongst your rubble instead of looking for someone to repair it. The next time someone promises to flood you with light to erase your dark, you insist them you’re fine the way you are. They tell you there’s hope, that they had holes in their chest too, that they know how to patch them up. When they offer you a bottle in exchange for your mouth, you tell them you’re not looking for a way out. No, thank you, you tell them. Even though you are filled with ruins and rubble, you are as much your light as you are your dark.
Lora Mathis
I don’t know what to say. It hurts. It’s a terrible relief, and I feel guilty about that. It’s sad and it’s sudden and it feels as if the earth has shifted beneath my feet, but I can’t see what that changes. Maybe it doesn’t change anything, but maybe it changes everything. I have no idea. I feel foggy and disconnected, but I’m okay.
Patti Callahan Henry (Coming Up for Air: A Novel)
Then the events leading up to her collapse came back to her in a flash. Her hands flew automatically to her belly and she was only partially reassured to feel the tight ball there. Was her baby okay? Was she herself okay? She blinked harder to bring the room more into focus. There was light shining through a crack in the bathroom door. A glance at the blinds told her that it was dark outside. Then her gaze fell on the chair beside her bed and she found Ryan staring at her, his gaze intense. She flinched away from the raw emotion shining in his blue eyes. “Hey,” he said quietly. “How are you feeling?” “Numb,” she answered before she could think better of it. “Kind of blank. My head doesn’t hurt anymore. Are my feet still swollen?” He carefully picked up the sheet and pushed it over her feet. “Maybe a little. Not as bad as they were. They’ve been giving you meds and they’re monitoring the baby.” “How is she?” Kelly asked, a knot of fear in her throat. “For now, she’s doing fine. Your blood pressure stabilized, but they might have to do a C-section if it goes back up or if the baby starts showing signs of distress.” Kelly closed her eyes and then suddenly Ryan was close to her, holding her, his lips pressed against her temple. “Don’t worry, love,” he murmured. “You’re supposed to stay calm. You’re getting the best possible care. I’ve made sure of it. They’re monitoring you round-the-clock. And the doctor said the baby has an excellent prognosis at thirty-four weeks’ gestation.” She sagged against the pillow and closed her eyes. Relief pulsed through her but she was so tired she couldn’t muster the energy to do anything more than lie there thanking God that her baby was okay. “I’m going to take care of you, Kell,” Ryan said softly against her temple. “You and our baby. Nothing will ever hurt you again. I swear it.” Tears burned her eyelids. She was emotionally and physically exhausted and didn’t have the strength to argue. Something inside her was broken and she had no idea how to fix it. She felt so…disconnected.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
It's okay not to reply to someone's text right away. It's okay not to accept an invitation to a party. It's okay not to give someone a rundown of what's happening in your life today. It's okay not to share your relationship status. It's okay not to give people explanations as to why you changed your job or your house. It's okay to take a break, gain some space, and keep your life private. You can disconnect with others to connect with yourself, as many times as you’d like. You don't need to feel bad about being unable to give yourself to people in the way they hoped to receive you. The right people will love and support you regardless of the space and time you take for yourself.
Nida Awadia (Not Broken, Becoming.: Moving from Self-Sabotage to Self-Love.)
Speaking truth to bullshit and practicing civility start with knowing ourselves and knowing the behaviors and issues that both push into our own BS or get in the way of being civil. If we go back to BRAVING and our trust checklist, these situations require a keen eye on: 1. Boundaries. What’s okay in a discussion and what’s not? How do you set a boundary when you realize you’re knee-deep in BS? 2. Reliability. Bullshitting is the abandonment of reliability. It’s hard to trust or be trusted when we BS too often. 3. Accountability. How do we hold ourself and others accountable for less BS and more honest debate? Less off-loading of emotion and more civility? 4. Vault. Civility honors confidentiality. BS ignores truth and opens the door to violations of confidentiality. 5. Integrity. How do we stay in our integrity when confronted with BS, and how do we stop in the midst of our own emotional moment to say, “You know what, I’m not sure this conversation is productive” or “I need to learn more about this issue”? 6. Nonjudgment. How do we stay out of judgment toward ourselves when the right thing to do is say, “I actually don’t know much about this. Tell me what you know and why it’s important to you.” How do we not go into “winner/loser” mode and instead see an opportunity for connection when someone says to us, “I don’t know anything about that issue”? 7. Generosity. What’s the most generous assumption we can make about the people around us? What boundaries have to be in place for us to be kinder and more tolerant? I know that the practice of speaking truth to bullshit while being civil feels like a paradox, but both are profoundly important parts of true belonging. Carl Jung wrote, “Only the paradox comes anywhere near to comprehending the fullness of life.” We are complex beings who wake up every day and fight against being labeled and diminished with stereotypes and characterizations that don’t reflect our fullness. Yet when we don’t risk standing on our own and speaking out, when the options laid before us force us into the very categories we resist, we perpetuate our own disconnection and loneliness. When we are willing to risk venturing into the wilderness, and even becoming our own wilderness, we feel the deepest connection to our true self and to what matters the most.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
I call an ambulance and do a mini-intake over the phone but they will not come to help when they hear his background. He is a felon, they say. You have to call the police. I beg. Please help us. This isn’t a criminal matter. They refuse. They disconnect the line. My mother and I go back and forth and decide we have no other choice. I call the local law enforcement office and explain everything. I beg them to go slow. I tell them Monte’s history with police because by now I know how he was beaten and tortured by LA County sheriffs. Two rookies arrive and they are young as fuck. I meet them downstairs. I ask them, What will you do if my brother gets violent? Monte’s never been violent but I am trying to prepare for anything. I’m—we’re—in a place we’ve never been. We’ll just taser him, one responds. No! My God! Absolutely not! I refuse to let them past me until they promise me they won’t hurt him, and when they finally do, I lead them into the apartment, explaining to Monte as I walk through the door, It’s okay. It’s okay. They’re just here to help. And my brother. My big, loving, unwell, good-hearted brother, my brother who has rescued small animals and my brother who has never, never hurt another human being, drops to his knees and begins to cry. His hands are in the air. He is sobbing. Please don’t take me back. Please don’t take me back. I stop cold. I tell the police they have to leave and they do and I get down on the floor. I curl up next to Monte. I hold him as much as he’ll allow.
Patrisse Khan-Cullors (When They Call You a Terrorist: A Black Lives Matter Memoir)
It's okay to be impatient. As long as you show your patience on the outside.
Lisa M. Cronkhite (Disconnected)
I could hear the wind. Feel the wind. Taste it even. But it took a moment for me to crack my eyes open and realize I was hanging outside the helicopter. Hanging outside the helicopter. The earth bobbed and whirled below us, trees and rock and water spinning into a blur. “Don’t look down!” I thought it was Daniel, but then realized Rafe was staring up at me. “I’ve got you!” I shouted. He smiled, this weirdly calm smile. “I know.” “Just hold on!” “I am.” “We’ll get you down.” “It’s okay, Maya.” His voice was as strangely calm as his smile. My heart was thudding so hard I could barely breathe, and he just kept smiling up at me, his gaze locked on mine. Calm washed through me, slowing my heart, as if I was feeling what he did, an oddly disconnected peacefulness. “It’s okay,” Rafe said again. “They’ve got you.” The helicopter spun, whipping us around. Pain shot through me as Rafe’s weight almost wrenched my shoulders out of their sockets, and my hold on his wrists broke. Corey lost his grip on my leg. I heard him shout and Daniel shout and the girls join in, and I kicked, trying to get my leg back up where someone could grab it. The helicopter tilted again. I started to slide, Daniel sliding with me. And I knew we were going to fall. Rafe, me, Daniel, we were all going to fall. “Hold on!” I shouted to Rafe. “It’s okay,” he said, and I wasn’t even sure he spoke aloud, didn’t see his lips moving. “It’s okay.” He let go.
Kelley Armstrong (The Calling (Darkness Rising, #2))
Does this car have Bluetooth?” Oliver chuckles. “Yes, Princess Estelle, is it up to par with your inspection?” I stop moving my hand over the dash and set it back on my lap, feeling a blush creep into my face. “I liked your old car better,” I say. Oliver’s eyebrows hike up and he turns to gape at me. “You like my beat-up Maxima better than this?” I shrug. “It was more cozy. This reminds me of the Batmobile, and there’s nothing wrong with the Batmobile, but I like cozy.” He shakes his head and mutters something under his breath, but starts to look for my phone to hook up to Bluetooth. He already knows it’s because I want to play my own music—I don’t even have to explain. I used to bring my own CD whenever I was in the car with him. Oliver listens to two things: heavy rock and rap, and while I’m okay with both, I prefer the classics. The Steve Miller Band hasn’t even gotten to the hook before they’re interrupted by a call from Mia. Oliver looks at me with a question in his eyes. “If you don’t mind,” I say. He presses the button, and before I say hello, Mia’s frantic voice comes through. “What underwear are you wearing?” she asks. My face goes hot for the second time this morning. From the corner of my eye, I see Oliver bite down on his lip. “What?” I ask. “Mia, you’re on speaker phone!” “I don’t care. This is an emergency. Do you not hear the shrill tone in my voice? What are you wearing under your clothes?” My eyes snap to the side of Oliver’s face, then out the front window, and finally, I pull my shirt slightly and look down, because I completely forgot what underwear I have on. “Can you disconnect the phone?” I say to Oliver, who shakes his head in refusal. “Please. This is like . . . monumentally embarrassing.” “Just answer,” he whispers. “Who’s that?” Mia asks. “Oliver. We’re in his car, and you’re on the fucking Bluetooth.” She laughs. “Oh my God! I am so sorry, Bean!” “What?” I shout. “He’s not the one being harassed!” “Oh, but now he is. So tell me—underwear?” “White lace bra and matching boy shorts,” I say, almost through my teeth, not missing the way Oliver’s eyes snap to me with an approving look. I want to slap him for it, but I know nothing good would come of that, so I just cross my arms over my chest like a petulant child.
Claire Contreras (Kaleidoscope Hearts (Hearts, #1))
I take my phone out of my pocket and scroll to Sky’s number. It’s late, but I want to hear her voice. It’s stupid, I know. But it is what it is. “Hello,” she says, her voice hesitant. I lean against the building because my knees wobble when I talk to her. It makes me giddy. “Hi,” I say quietly. “Hi,” she breathes back. “Were you asleep?” “No, I was just thinking.” “About what?” “You,” she admits. My heart starts to beat harder. “Good thoughts?” I ask. I can almost hear her smile through the phone. “Very good.” “I just wanted to say good night.” It sounds stupid aloud. “I’m glad you called,” she replies. “Really glad.” “Can I call you tomorrow?” She laughs. “You better.” “Good night, Sky,” I say. “’Night, Matt.” I disconnect the call and put my phone in my pocket. No one is up when I get home. I’m not even sure if Paul is home. I go into my bedroom and get ready for bed. Just as I slide between the sheets, my phone rings. I see that it’s her number. “Sky?” “Yeah,” she admits. “You okay?” “I just wanted to tell you good night,” she says quietly. “I think you already did that.” But inside, my heart is beating like a tattoo gun. “Oh,” she says quietly. She laughs. “Sorry.” “You tired?” I ask. “Not at all.” So we talk late into the night. We talk until my eyes are droopy, and I still don’t want to hang up the phone.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Hi, Dale, it’s Gabby...Clay’s girlfriend.”  It felt weird giving myself that title, but I pushed it aside.  Bigger issues to deal with.  “If he’s there, can I talk to him?” Dale chuckled.  “Sure, but I don’t imagine it’d be much of a conversation.” I heard him call out to Clay.  A moment later, a husky voice said, “Hello?” After not talking to me for so long, hearing his voice startled and annoyed me slightly.  He would talk to a perfect stranger, but not me?  I opened my mouth to say something about it, but the pain in my head insistently prodded me to get on with the important news. “Clay, I did it again.  I’m at the diner where we had breakfast.  I need you to come get me before it gets worse.” He didn’t say anything for so long that I looked at the phone to see if I still had a signal.  The screen said disconnected.  Would it have killed him to say “Okay” or maybe even “Bye” before hanging up?  His hello had been too shocking to recall the sound of his voice. I sighed and put my cell away.  With Sam’s frequent calls and Rachel’s occasional texts, my remaining minutes dipped into the double digits.  I needed to adjust my budget to buy more airtime.  Did life really need to throw me this many curveballs?  And all at once? I forced myself to eat more of my mostly untouched meal so the waitress wouldn’t bother me as I waited. The last of the waves hit me.  Only determination and a hand over my mouth kept me from whimpering.  After about ten minutes, I settled the bill and watched out the window for Clay, barely checking the need to curl into a ball and lie down on the padded bench.  The waitress kept a close eye on me, probably thinking she would need to clean up barf soon.  She might. Dale’s huge tow truck pulled into the parking lot.  Clay opened his door and leapt out while it still rolled to a stop.  Through the window, he spotted me.  His eyes never left me as he strode in and Dale pulled away. Clay still wore his greasy coveralls, and with his hair pulled back, he looked like an angel—a grimy one—coming to save me.  Again. “Hi,
Melissa Haag (Hope(less) (Judgement of the Six #1))
He slotted some ice, connected the construct, and jacked in. It was exactly the sensation of someone reading over his shoulder. He coughed. "Dix? McCoy? That you man?" His throat was tight. "Hey, bro," said a directionless voice. "It's Case, man. Remember?" "Miami, joeboy, quick study." "What's the last thing you remember before I spoke to you, Dix?" "Nothin'." "Hang on." He disconnected the construct. The presence was gone. He reconnected it. "Dix? Who am I?" "You got me hung, Jack. Who the fuck are you?" "Ca--your buddy. Partner. What's happening, man?" "Good question." "Remember me being here, a second ago?" "No." "Know how a ROM personality construct works?" "Sure, bro, it's a firmware construct." "So I jack it into the bank I'm using, I can give it sequential real-time memory?" "Guess so," said the construct. "Okay, Dix,. You are a ROM construct. Got me?" "If you say so," said the construct. "Who are you?" "Case." "Miami," said the voice, "joeboy, quick study.
William Gibson (Neuromancer (Sprawl, #1))
Don’t think about the past visits. You have cupcakes,” Julia said as if they were a magic cure-all, and then whispered, “Bye.” Before she disconnected, he heard her say in that over-the-top excited voice of hers, “Just my dad. He misses me. No, it’s—” “Happy Thanksgiving, Sheriff Landon. Chief Benson here. You might not remember me but we met last time you were in town.” Aidan was about to disconnect but the chief would probably think the call had dropped and hit redial. Thanks to Julia, Aidan was damned if he did and damned if he didn’t. If he lost his job because of her . . . He made a noncommittal sound into the phone. The chief seemed to buy it. “I just want you to know that you don’t have to worry about your little girl. I’m taking really good care of her.” Okay, how does Benson not get weirded out talking to a guy who is probably just a couple years older than him about his daughter? Aidan frowned. Wait a minute. Julia distinctly told him she wasn’t the chief’s girlfriend. So what was going on here? Maybe Benson didn’t get that no meant no. Aidan cleared his throat, deepened his voice and added what he thought of as Texan swagger. “Don’t you worry none about my daughter. She’s a bit of a thing and young, but she can take care of herself. She doesn’t need another daddy.” The chief didn’t respond. Aidan heard him talking to Julia, but their voices were muffled. And then they were unmuffled, and he clearly heard the chief say, “What do you mean it’s Aidan Gallagher and not your father?” He groaned, feeling like an idiot. He was going to kill her. “Gallagher, is that you?” the chief gritted out. Aidan pressed his forehead against the steering wheel, and the horn blasted, drowning out his yes. “My office tomorrow morning. Nine sharp.” He didn’t get a chance to respond. The line went dead. Seconds later, it came alive. I’ll fix it. I promise. She was lucky she didn’t add a happy face.
Debbie Mason (Sugarplum Way (Harmony Harbor #4))
My dad's always been horrified by it," I say. "He doesn't want me to define myself by my illness or whatever." Sasha widens his eyes. "Healthy people are so weird about that." "Right?" "I don't know how they've developed this fear of it," he says. "Was there an after school special they all saw? Like, at some point every healthy person saw some TV show about how you shouldn't let sick people define themselves by their illness, whatever the fuck that even means, and they were all sitting there taking notes like uh-huh, oh yes, very smart, thank you. I will not let them." "Well, okay," I say. "To be fair to healthy people -" "Ugh." "-you can define yourself by your illness...as long as you're an Olympic athlete who's overcoming it." "Yes! You either have to be overcoming it or you have to be completely disconnected from it. God forbid it be an important part of your identity that you're just living with. Why is that?" "It's because they can't imagine it," I say. "They think it's completely ridiculous that a person can just...have a sick life and be fine with it. So they have to build this story around you kicking the illness's ass. You can't coexist with it. You can't incorporate it into yourself. Because they don't. So you can't.
Hannah Moskowitz (Sick Kids in Love)
beyond them. The Six Diseases If we want to look at how we practice all forms of rivalry, there are six diseases my father wrote about, all of which stem from the desire we have to win at all costs. These diseases rely on being in competition, which is typically where we go in a relationship the moment any discord pops up. When we relate to others in these ways, we are disconnecting from them and disconnecting from our true selves in order to access some form of outside validation. In other words, there is no relationship, no collaboration, no cocreation. There is only the victor and the loser. The Six Diseases are: The desire for victory I have to be the winner. If I don’t win, I’m a loser. If I win, everyone else is a loser. The desire to resort to technical cunning I rely on the power of my wits to show you how great I am. Who cares about people or their feelings as long as everyone can see how clever I am? The desire to display all that has been learned Check me out. I know lots of things. I can speak at length about anything. It doesn’t matter what anyone else has to say (especially if it’s dumb). The desire to awe the enemy I am a force to be reckoned with. Look out! I will wow you to get your approval even if I have to do something shocking and wild to get your attention. The desire to play the passive role I am so easy to get along with. Who wouldn’t like me? I am so unobtrusive and sweet. I will put anything that’s important to me aside to make sure that you see how likeable and wonderful I am. How could you not like me when I sacrifice everything just for you? The desire to rid oneself of whatever disease one is affected by I am not okay as I am. I will perform constant self-work and read as many books as I can and take so many classes to make myself good that you will see that I am always trying to be a good person even if I continue to do lots of shitty things. I know I’m not okay as I am. And I know you know that I know I’m not okay as I am, which makes it okay not to get truly better as long as it looks like I’m trying.
Shannon Lee (Be Water, My Friend: The Teachings of Bruce Lee)
All we know about the advances in addiction treatment arises out of our understanding of trauma. People often think that trauma is the bad things that happen to someone: trauma is that you were sexually abused, or that you were beaten, or your parents abandoned you, or died, or something like that. But trauma is the internal impact, which is fundamentally a disconnection from the self and from our bodies and our gut feelings. And the trauma is the discomfort, the inability to be in the present moment because the present moment is too painful. If, as I argue, addiction is rooted in trauma, then the treatment of addiction has to aim beyond just stopping the behavior. That’s where the addiction treatment falls down so miserably. Too often it’s all aimed at behavioral regulation or behavior reform, with the thought that if people stop the behavior, then they’re going to be okay. No, they’re not—and they won’t be fully okay until they deal with the fundamental issues. So the treatment has to aim at nothing less than the restoration of the individual to themselves and to their capacity to be with the present moment, whether the present moment is pleasant or not. That’s what’s too often missing from addiction treatment.
Gabor Maté
I had a conversation with a legislator that went something like this: “I don’t believe we can make judgments about the effectiveness of a teacher based only on test scores,” he said. “I don’t believe we should, either,” I responded. “We should look at teacher effectiveness through a variety of lenses. However, I think it’s critical that student achievement growth is a significant one of those factors.” He looked at me skeptically. So I continued: “When I came to Washington, D.C., public schools, eight percent of the eighth graders in the city’s schools were on grade level in mathematics. Eight percent! That means ninety-two percent of our kids did not have the skills and knowledge necessary to be productive members of society.” I told him that when I looked at the evaluations of the adults in the system at the same time, it turned out that 98 percent of teachers were being rated as doing a good job. How can you possibly have that kind of a disconnect? And I asked, “How can you have a functional organization in which all of your employees believe they’re doing a great job, but what they’re producing is 8 percent success?” “Well, that’s not the teacher’s fault,” the legislator said. “Exactly,” I said. “The teachers weren’t the ones who created this broken and bureaucratic system. They know the evaluation system isn’t good. They also know it needs to change.” “But I still don’t think we should look at test scores,” the legislator continued. “It just isn’t fair.” “Let me ask you a question,” I said. “Do you have children?” “Yes,” he said. “I have a daughter who is going into the fourth grade.” “Okay,” I said. “Let’s say that there are two fourth-grade teachers in your daughter’s school. You find out that for the last five years, students in one of the classes have consistently scored in the bottom five percent of the state on standardized test score. The other’s students have consistently scored in the top five percent of the state on the same test. What would you do?” “I’d make sure she was in the classroom of the person who had the high test scores,” he answered—without a hint of irony to his response. “What?” I responded. “But how could you do that? You made that decision solely on the basis of test scores! You didn’t even go into their classrooms!” He stared at me for a moment, confused. Then he smiled and said, “Okay, you got me.” “My point is that student academic achievement does matter,” I said. “It shouldn’t be everything. I think it’s important to consider a broad range of factors in a teacher’s evaluation. But how much students learn has to be a major piece of it.
Michelle Rhee (Radical: Fighting to Put Students First)