It's Getting Warmer Quotes

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My dear Reaper," Vlad said, still laughing. 'Did you just check out our-' 'No!' I interrupted at once, almost lunging toward the staircase. 'I'm tired and still dazed from the Remanats and ... fuck it, I'm taking a shower. I mean, not a cold shower, because I don't need that.' -oh Jesus I was only making this worse- 'because I am cold already, and I need to get hot. I mean, warmer. Oh just shut up!' " -Pg 280
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. ... After a while I rest my head against his shoulder. Feel his hand caress my hair. "Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again." I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says. My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it. Everithing. That's what Peeta wants me to take from him. ... "No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss. I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down. This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I don't remember you being this reasonable before, " Lissa said. "It's because everyone has different definitions of 'reasonable. ' Mine's just misunderstood, that's all. " Christian's voice was lofty. "I think you must be misunderstood a lot, " she laughed. His eyes held hers, and the smile on his face transformed into something warmer and softer. "Well, I hope this isn't misunderstood. Otherwise, I might get punched. " Leaning over, he brought his lips to hers. Lissa responded with no hesitation or thought whatsoever, losing herself in the sweetness of the kiss.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
War seems like a fine adventure, the greatest most of them will ever know. Then they get a taste of battle. For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they’ve been gutted by an axe. They see the lord who led them there cut down, and some other lord shouts that they are his now, They take the wound, and when that’s still half-healed they take another. There is never enough to eat, their shoes fall to pieces from marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. If they want new boots or a warmer cloak or maybe a rusted iron half helm, they need to take them from a corpse, and before long they are stealing from the living too, from the small folk whose land they’re fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it’s just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don’t know where they are or how to get back home and the lord they’re fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad in all steel, and the iron thunder of their charge seems to fill the world. And the man breaks.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
We now know I can do it, but I feel like hell," I went on. "I'm so cold, my teeth would chatter if they still could. And I'm hungry enough that both of you are starting to looking really, really good." Vlad's lips curled. "Is this the part where I'm supposed to remind you that this is just the leftover power talking and you don't really want to cheat on Hones?" "Not that kind of hungry!" I gasped, eyes bulging that Vlad thought I'd just casually thrown out that I wanted him and Mencheres to double-team me. "I meant hungry like drinking you guys' blood. Not hungry for... you know." Without thought, my gaze flew to the areas in question before skipping away once I realized what I was doing. Then my cheeks actually tingled with mortification as Vlad let out a long, hearty laugh. Mencheres, more courteous, pretended to suddenly find something fascinating in the door frame, but I saw his lips twitch. "My dear Reaper," Vlad said, still laughing. "Did you just check out our--" "No!" I interrupted at once, almost lunging toward the staircase. "I'm tired and still dazed from the Remnants and... fuck it, I'm taking a shower. I mean, not a cold shower, because I don't need that"--Oh Jesus, I was only making this worse--"because I am cold already, and I need to get hot. I mean, warmer. Oh, just shut up!
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
I don’t know if I’ve learned anything yet! I did learn how to have a happy home, but I consider myself fortunate in that regard because I could’ve rolled right by it. Everybody has a superficial side and a deep side, but this culture doesn’t place much value on depth — we don’t have shamans or soothsayers, and depth isn’t encouraged or understood. Surrounded by this shallow, glossy society we develop a shallow side, too, and we become attracted to fluff. That’s reflected in the fact that this culture sets up an addiction to romance based on insecurity — the uncertainty of whether or not you’re truly united with the object of your obsession is the rush people get hooked on. I’ve seen this pattern so much in myself and my friends and some people never get off that line. But along with developing my superficial side, I always nurtured a deeper longing, so even when I was falling into the trap of that other kind of love, I was hip to what I was doing. I recently read an article in Esquire magazine called ‘The End of Sex,’ that said something that struck me as very true. It said: “If you want endless repetition, see a lot of different people. If you want infinite variety, stay with one.” What happens when you date is you run all your best moves and tell all your best stories — and in a way, that routine is a method for falling in love with yourself over and over. You can’t do that with a longtime mate because he knows all that old material. With a long relationship, things die then are rekindled, and that shared process of rebirth deepens the love. It’s hard work, though, and a lot of people run at the first sign of trouble. You’re with this person, and suddenly you look like an asshole to them or they look like an asshole to you — it’s unpleasant, but if you can get through it you get closer and you learn a way of loving that’s different from the neurotic love enshrined in movies. It’s warmer and has more padding to it.
Joni Mitchell
Why?" He asked. " because it was the closest I could get to doing this." He reached out and pulled me to him, one hand on my waist and the other behind my neck. He tipped my head up and lowered his lips on mine. I closed my eyes and melted as my whole body was consumed in that kiss. I was nothing. I was everything. Chills ran over my skin, and fire burnt inside me. His body pressed closer to mine, and I wrapped my arms around his neck. His lips were warmer and softer than anything I could have imagined, yet fierce and powerful at the same time. Mine responded hungrily, and I tightened my hold on him. His fingers slid down the back of my neck, tracing its shape, and every place they touched was electric. But perhaps the best part of all that was that I, Sydney Katherine Sage, guilty of constantly analyzing the world around me, well, I stopped thinking. And it was glorious. At least, it was until I started thinking again.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Lockwood didn’t speak until everything was quiet again. “I know you’re worrying about me, Luce,” he said. “But you really mustn’t. These things happen when you’re an agent. You’ve been snared by ghosts in the past, haven’t you? There was the one that made the bloody footprints, and the thing in the tunnels below the Aickmere Brothers store. But it’s fine, because I helped you then, and you’ve helped me now. We’re there to help each other. If we do that, we’ll get through.” Which was a lovely thing to say, and it made me feel a little warmer. I just had to hope it was true.
Jonathan Stroud (The Empty Grave (Lockwood & Co., #5))
is a broken man an outlaw?" "More or less." Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world... "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
George R.R. Martin
The days draw out, the weather gets warmer, and it's what we call summer, with a bitter laugh when we've said it.
Stan Barstow (A Kind of Loving)
Don’t let me die here. I want to be somewhere warm when I go.” “Yeah, better ease into those warmer temperatures. It’ll get a lot hotter once you arrive at your destination.
Sarah Hogle (You Deserve Each Other)
There are times the lies get to me, times I weary of battering myself against the obstacles of denial, hatred, fear-induced stupidity, and greed, times I want to curl up and fall into the problem, let it sweep me away as it so obviously sweeps away so many others. I remember a spring day a few years ago, a spring day much like this one, only a little more sun, and warmer. I sat on this same couch and looked out this same window at the same ponderosa pine. I was frightened, and lonely. Frightened of a future that looks dark, and darker with each passing species, and lonely because for every person actively trying to shut down the timber industry, stop abuse, or otherwise bring about a sustainable and sane way of living, there are thousands who are helping along this not-so-slow train to oblivion. I began to cry. The tears stopped soon enough. I realized we are not so outnumbered. We are not outnumbered at all. I looked closely, and saw one blade of wild grass, and another. I saw the sun reflecting bright off the needles of pine trees, and I heard the hum of flies. I saw ants walking single file through the dust, and a spider crawling toward the corner of the ceiling. I knew in that moment, as I've known ever since, that it is no longer possible to be lonely, that every creature on earth is pulling in the direction of life--every grasshopper, every struggling salmon, every unhatched chick, every cell of every blue whale--and it is only our own fear that sets us apart. All humans, too, are struggling to be sane, struggling to live in harmony with our surroundings, but it's really hard to let go. And so we lie, destroy, rape, murder, experiment, and extirpate, all to control this wildly uncontrollable symphony, and failing that, to destroy it.
Derrick Jensen
YOU THINK, MAYBE, YOU NEED to be someone else. You’re not sure who. Previous yous have been stronger and colder, or warmer and weaker; either set of qualities is better suited to getting you through the mess you’re in. Right now you’re cold and weak, and that helps no one. You could become someone new, maybe. You’ve done that before; it’s surprisingly easy. A new name, a new focus, then try on the sleeves and slacks of a new personality to find the perfect fit. A few days and you’ll feel like you’ve never been anyone else. But.
N.K. Jemisin (The Fifth Season)
All I had to do was die a little, and you get a new planet!" I expected her to laugh, or at least smile. I did not expect her to slap my arm. "You stupid idiot!" she says, smacking me again. "I don't want the new planet without you!" Her eyes round as she realizes what she just said. Anytime we'd gotten this close to talking about us before, Amy has shied away from the topic. But now, instead of drawing away from me, she leans closer. Her hair spills over her shoulders, brushing my chest as she leans down. Her fiery joy at learning about the planet is replaced with something else, something warmer like a slow-burning but steady flame. "It wouldn't be worth it without you," she says, her voice low.
Beth Revis (A Million Suns (Across the Universe, #2))
...but instead of the can-do spirit we now have the can-do-with-some-government-funding spirit. And it's hard to get an inspirational heart-warmer out of that.
Mark Steyn (After America: Get Ready for Armageddon)
It was getting warmer. The dirty snow was pockmarked from the warm rain, and melting in patches to expose the slimy, yellowed grass beneath it; icicles cracked and plunged like daggers from the sharp peaks of the roofs.
Donna Tartt (The Secret History)
But you sent off that Flounder fellow," Loki said, and I rolled my eyes. "His name is Finn, and I know you know that," I said as I left the room. Loki grabbed the vacuum and followed me. "You called him by his name this morning." "Fine, I know his name," Loki admitted. We went into the next room, and he set down the vacuum as I started peeling the dusty blankets off the bed. "But you were okay with Finn going off to Oslinna, but not Duncan?" "Finn can handle himself," I said tersely. The bedding got stuck on a corner, and Loki came over to help me free it. Once he had, I smiled thinly at him. "Thank you." "But I know you had a soft spot for Finn," Loki continued. "My feelings for him have no bearing on his ability to do his job." I tossed the dirty blankets at Loki. He caught them easily before setting them down by the door, presumably for Duncan to take to the laundry chute again. "I've never understood exactly what your relationship with him was, anyway," Loki said. I'd started putting new sheets on the bed, and he went around to the other side to help me. "Were you two dating?" "No." I shook my head. "We never dated. We were never anything." I continued to pull on the sheets, but Loki stopped, watching me. "I don't know if that's a lie or not, but I do know that he was never good enough for you." "But I suppose you think you are?" I asked with a sarcastic laugh. "No, of course I'm not good enough for you," Loki said, and I lifted my head to look up at him, surprised by his response. "But I at least try to be good enough." "You think Finn doesn't?" I asked, standing up straight. "Every time I've seen him around you, he's telling you what to do, pushing you around." He shook his head and went back to making the bed. "He wants to love you, I think, but he can't. He won't let himself, or he's incapable. And he never will." The truth of his words stung harder than I'd thought they would, and I swallowed hard. "And obviously, you need someone that loves you," Loki continued. "You love fiercely, with all your being. And you need someone that loves you the same. More than duty or the monarchy or the kingdom. More than himself even." He looked up at me then, his eyes meeting mine, darkly serious. My heart pounded in my chest, the fresh heartache replaced with something new, something warmer that made it hard for me to breathe. "But you're wrong." I shook my head. "I don't deserve that much." "On the contrary, Wendy." Loki smiled honestly, and it stirred something inside me. "You deserve all the love a man has to give." I wanted to laugh or blush or look away, but I couldn't. I was frozen in a moment with Loki, finding myself feeling things for him I didn't think I could ever feel for anyone else. "I don't know how much more laundry we can fit down the chute," Duncan said as he came back in the room, interrupting the moment. I looked away from Loki quickly and grabbed the vacuum cleaner. "Just get as much down there as you can," I told Duncan. "I'll try." He scooped up another load of bedding to send downstairs. Once he'd gone, I glanced back at Loki, but, based on the grin on his face, I'd say his earlier seriousness was gone. "You know, Princess, instead of making that bed, we could close the door and have a roll around in it." Loki wagged his eyebrows. "What do you say?" Rolling my eyes, I turned on the vacuum cleaner to drown out the conversation. "I'll take that as a maybe later!" Loki shouted over it.
Amanda Hocking (Ascend (Trylle, #3))
Hey,” Cath said, rolling her eyes. She hadn’t thought he’d seen her. “Look at you. All sweatered up. What are those, leg sweaters?” “They’re leg warmers.” “You’re wearing at least four different kinds of sweater.” “This is a scarf.” “You look tarred and sweatered.” “I get it,” she said.
Rainbow Rowell (Fangirl)
She prefers the more dramatic shows where everyone's getting kidnapped or raped or shut up in a dark hole, and you aren't supposed to laugh at it. You're supposed to be upset, the way you'd be if it was happening to you. Being upset is a warmer, close-up feeling, not a chilly distant feeling like laughing at people.
Margaret Atwood (The Heart Goes Last)
Why would you do that? Why would you act like you didn’t know how to drive?” “Isn’t it obvious, Sage? No, of course it isn’t. I did it so I’d have a reason to be around you—one I knew you couldn’t refuse.” “But… why? Why would you want to do that?” “Why?” he asked. “Because it was the closest I could get to doing this.” He reached out and pulled me to him, one hand on my waist and the other behind my neck. He tipped my head up and lowered his lips to mine. I closed my eyes and melted as my whole body was consumed in that kiss. I was nothing. I was everything. Chills ran over my skin, and fire burned inside me. His body pressed closer to mine, and I wrapped my arms around his neck. His lips were warmer and softer than anything I could have ever imagined, yet fierce and powerful at the same time. Mine responded hungrily, and I tightened my hold on him. His fingers slid down the back of my neck, tracing its shape, and every place they touched was electric. But perhaps the best part of all was that I, Sydney Katherine Sage, guilty of constantly analyzing the world around me, well, I stopped thinking. And it was glorious.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Anyway,” the agent said abruptly. “I just . . . wanted you to know that I’m sorry for everything. I want to help you and the rest of the Order in any way I can, so if there is anything you need, you know where I am.” “Chase,” Dante said as the male turned to leave the room. “Apology accepted, man. And for what it’s worth, I’m sorry too. I haven’t been fair to you either. Despite our differences, know that I respect you. The Agency lost a good one the day they cut you loose.” Chase’s smile was crooked as he acknowledged the praise with a short nod. Dante cleared his throat. “And about that offer of help . . .” “Name it.” “Tess was walking a dog when the Rogues attacked her tonight. Ugly little mutt, not good for much more than a foot-warmer, but it’s special to her. Actually, it was a gift from me, more or less. Anyway, the dog was running loose on its leash when I saw it a block or so away from Ben Sullivan’s place.” “You want me to go retrieve a wayward canine, is that where this is heading?” “Well, you did say anything, didn’t you?” “So I did.” Chase chuckled. “All right. I will.” Dante dug his keys to his Porsche out of his pocket and tossed them to the other vampire. As Chase turned to be on his way again, Dante added, “The little beast answers to the name Harvard, by the way.” “Harvard,” Chase drawled, shaking his head and throwing a smirk in Dante’s direction. “I don’t suppose that’s a coincidence.” Dante shrugged. “Good to see that Ivy League pedigree of yours comes in handy for something.” “Jesus Christ, warrior. You really were busting my ass since the minute I came on board, weren’t you?” “Hey, by all comparisons, I was kind. Do yourself a favor and don’t look too closely at Niko’s shooting target, unless you’re very secure about your manhood.” “Assholes,” Chase muttered, but there was only humor in his tone. “Sit tight, and I’ll be back in a few with your mutt. Anything else you’re gonna hit me up for now that I opened my big yap about wanting to get square with you?” “Actually, there might be something else,” Dante replied, his thoughts going sober when he considered Tess and any kind of future that might be deserving of her. “But we can talk about that when you get back, yeah?” Chase nodded, catching on to the turn in mood. “Yeah. Sure we can.
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
So the next time you are on a date and your woman says, “It is so cold in here,” that means she wants to go somewhere else, preferably a warmer place, but wants to follow your lead. When she says, “My feet hurt,” she is trying to tell you that she wants to sit down, take her shoes off, or get a foot massage — whatever seems appropriate for the current situation.
W. Anton (The Manual: What Women Want and How to Give It to Them)
As for the coronavirus, Trump remained in denial mode. The president repeatedly told the public that the outbreak was “totally under control,” that it would “miraculously” disappear on its own with warmer weather, that it “will go away,” that it was comparable to the ordinary flu, that the number of cases would go “down close to zero,” that a vaccine would be available soon, and that anyone who wanted to be tested could get a test.[21] None of it was true.
Peter Baker (The Divider: Trump in the White House, 2017-2021)
She settled into a sitting position, wincing. "Oh, my poor rear end. I hope you appreciate what I went through to get here." Alain watched her anxiously. "You have hurt your..." "My butt. Yeah." She returned his gaze, puzzled. "I'll survive. Why are you blushing?" "Blushing?" His face felt warm. What did that mean? "Yes." Mari laughed. Does talking about my butt embarrass you? I'm sorry. It's nothing special." "I..." His face felt even warmer. "I think it is." "You do, huh? Where have you been all my life?" This time he gave her a mystified look. "I sent almost all of it inside a Mage Guild Hall. The one in Ihris. You know this." Mari laughed again.
Jack Campbell (The Hidden Masters of Marandur (The Pillars of Reality, #2))
Jane, how do you feel about doing something slightly illegal and definitely distasteful?" Gansey asked. Ronan's back was already sticky with the heat. The bird man's corpse was in the BMW's trunk, and undoubtedly a dreadful scientific process was happening to it. Ronan was certain it was a process that was going to only get more odiferous as the day grew warmer. "It depends on if it involves a helicopter," Blue replied, standing in the doorway of 300 Fox Way. She scratched her calf with her bare foot. She wore a dress Ronan thought looked like a lampshade. Whatever sort of lamp it belonged on, Gansey clearly wished he had one. Ronan wasn't a fan of lamps.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
At Dinner One night, Malia asked me what I was going to do about tigers. "What do you mean, sweetie?" "Well, you know they're my favorite animal, right?" ... "Well," Malia continued, "I did a report about tigers for school, and they're losing their habitat because people are cutting down the forests. And it's getting worse, 'cause the planet's getting warmer from pollution. Plus, people kill them and sell their fur and bones and stuff. So tgers are going extince, which would be terrible. And since you're the president, you should try to save them." Sasha chimed in, "You should do something, Daddy." I looked at Michelle, who shrugged. "You are the president," she said.
Barack Obama (A Promised Land)
If you touch me,” he said in a guttural voice, “I’m going to drag you back to that bed. And I won’t be responsible for what happens next.” Win stopped, plaiting her fingers. Eventually Merripen recovered his breath. And he gave her a glance that should have immolated her on the spot. “Next time,” he said flatly, “some advance warning of your arrival might be a good idea.” “I did send advance notice.” Win was amazed that she could even speak. “It must have been lost.” She paused. “That was a f-far warmer welcome than I expected, considering the way you’ve ignored me for the past two years.” “I haven’t ignored you.” Win took quick refuge in sarcasm. “You wrote to me once in two years.” Merripen turned and rested his back against the wall. “You didn’t need letters from me.” “I needed any small sign of affection! And you gave me none.” She stared at him incredulously as he remained silent. “For heaven’s sake, Kev, aren’t you even going to say that you’re glad I’m well again?” “I’m glad you’re well again.” “Then why are you behaving this way?” “Because nothing else has changed.” “You’ve changed,” she shot back. “I don’t know you anymore.” “That’s as it should be.” “Kev,” she said in bewilderment, “why are you behaving this way? I went away to get well. Surely you can’t blame me for that.” “I blame you for nothing. But the devil knows what you could want from me now.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Beneath the table, Ryder releases my hand and lays it open in my lap, palm up. And then I feel him tracing letters on my palm with his fingertip. I. L. O. V. E. Y.O.U. I can’t help myself--I shiver. I shiver a lot when Ryder’s around, it turns out. He seems to have that effect on me. “Are you cold, Jemma?” Laura Grace asks me. “Ryder, go get her a sweatshirt or something. You two are done eating, anyway. Go on. Take her into the living room and light the fire.” “Nah, I’m fine,” I say, just because I know the old Jemma would have argued. “Well, go work on your project, then. It’s warmer in the den.” “My room’s like an oven,” Ryder deadpans, and I have to stifle a laugh, pretending to cough instead.
Kristi Cook (Magnolia (Magnolia Branch, #1))
attachment is the first priority of living things. It is only when there is some release from this preoccupation that maturation can occur. In plants, the roots must first take hold for growth to commence and bearing fruit to become a possibility. For children, the ultimate agenda of becoming viable as a separate being can take over only when their needs are met for attachment, for nurturing contact, and for being able to depend on the relationship unconditionally. Few parents, and even fewer experts, understand this intuitively. “When I became a parent,” one thoughtful father who did understand said to me, “I saw that the world seemed absolutely convinced that you must form your children — actively form their characters rather than simply create an environment in which they can develop and thrive. Nobody seemed to get that if you give them the loving connection they need, they will flourish.” The key to activating maturation is to take care of the attachment needs of the child. To foster independence we must first invite dependence; to promote individuation we must provide a sense of belonging and unity; to help the child separate we must assume the responsibility for keeping the child close. We help a child let go by providing more contact and connection than he himself is seeking. When he asks for a hug, we give him a warmer one than he is giving us. We liberate children not by making them work for our love but by letting them rest in it. We help a child face the separation involved in going to sleep or going to school by satisfying his need for closeness. Thus the story of maturation is one of paradox: dependence and attachment foster independence and genuine separation. Attachment is the womb of maturation. Just as the biological womb gives birth to a separate being in the physical sense, attachment gives birth to a separate being in the psychological sense. Following physical birth, the developmental agenda is to form an emotional attachment wombfor the child from which he can be born once again as an autonomous individual, capable of functioning without being dominated by attachment drives.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
You need to get home, both of you. Louis, I’d like to keep the letters here, if you don’t mind. I want to go over them again.” I came to my feet. “And ask the stars about them?” Jesse nodded. Armand only shook his head, gloomy. There were bruises under his eyes that hadn’t been there yesterday. “Ask the-fine. Splendid. Keep them if you like. Burn them. Turn them to gold or silver or lead. In the morning I’ll wake up and none of this will have happened.” “No, lordling,” I said to him. “You’re never going to wake like that again, and you’re never going to be able to forget.” “Bugger you, waif.” “And you.” He walked past both of us without another glance or another word, opened the door, and disappeared into the night. I went to Jesse and wrapped my arms around him. After only a second’s hesitation, his arms lifted to embrace me, too. “I don’t want to go,” I whispered. I felt his chest expand beneath my cheek. “This is going to be much more difficult than I anticipated.” “Which part?” “All of it.” He brought a hand to my hair, his fingers weaving through. “Things are about to change rapidly now, Lora. He’ll come back to us stronger and stronger. He’s going to crave you more and more, and not having you will eat him raw.” I frowned up at him. “What do you mean?” Jesse tucked a strand behind my ear, his eyes emerald dark, his lashes tipped with candlelight. “It will be in his nature. He’ll feel compelled to claim you, and he won’t stop trying to do that. Ever. When that happens-“ “That is not bloody going to happen.” “When that happens,” he said again resolutely, “I want you to remember two things. One: I’ve loved you since before he even knew you lived. Two: Spare a little pity for him. This isn’t entirely his fault. He was born into his role, just as you and I were. But, Lora-of-the-moon-only a little pity, all right?” “My pity may reach as deep and wide as the ocean,” I answered. “But my heart is already claimed.” To prove it, I clutched his shirt and lifted myself to my toes and brought my lips to his. Sweeter than raspberry jam, warmer than candle flame, softer than bread. People often spoke with religious rapture of milk and honey, but if I had nothing but Jesse to consume for the rest of my days, I’d die a heathen beast, content.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
After a few moments of silence, he said, "Why don't you come over here? More comfortable than the chair. Warmer, too, closer to the radiator." "I'm fine." "Hard to talk to you over there, across the room." He moved down to the end of the couch, though there'd already been plenty of room. He put his arm along the back. He tried for a smile and didn't really manage it, but my heart still did a little flip. He’s sorry, Chloe. He really is a sweet guy. Don’t be a bitch about this. And don’t screw it up. Just go over there. Give him a chance and, in no time, you’ll forget everything else. And that’s exactly why I stayed in my chair. I didn’t want to forget everything else, or the next thing I knew, he’d be back on that roof, putting his life in danger. “You don’t get to do this,” I said finally. “Do what?” He asked the question innocently enough, but his gaze dipped slightly. “I”m sorry. That’s what I’m trying to say, Chloe. That I’m sorry.” “For what?” He looked up, confused. “Making you mad.”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
Do you believe in God, Evan?” “Sure I do.” “I don’t. I mean, I don’t know. I did before the Others came. Or thought I did, when I thought about it at all. And then they came and…” I have to stop for a second to collect myself. “Maybe there’s a God. Sammy thinks there is. But he also thinks there’s a Santa Claus. Still, every night I said his prayer with him, and it didn’t have anything to do with me. It was about Sammy and what he believed, and if you could have seen him take that fake soldier’s hand and follow him onto that bus…” I’m losing it, and it doesn’t matter to me much. Crying is always easier in the dark. Suddenly my cold hand is blanketed by Evan’s warmer one, and his palm is as soft and smooth as the pillowcase beneath my cheek. “It kills me,” I sob. “The way he trusted. Like the way we trusted before they came and blew the whole goddamned world apart. Trusted that when it got dark there would be light. Trusted that when you wanted a fucking strawberry Frappuccino you could plop your ass in the car, drive down the street, and get yourself a fucking strawberry Frappuccino! Trusted…
Rick Yancey (The 5th Wave (The 5th Wave, #1))
The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)
Elinor Wylie
I know you're a chocolate lover. I can always tell. I'm about to temper the chocolate. I have my own method; want to watch?" "Could I?" Inside my head, a little voice was reminding me that I had to get back to the office, but it was drowned out by the scent of chocolate, which flooded all my senses with a heady froth of cocoa and coffee, passion fruit, cinnamon and clove. I closed my eyes, and for one moment I was back in Aunt Melba's kitchen with Genie. I opened them to find Kim dancing with a molten river of chocolate. I stood hypnotized by the scent and the grace of her motions, which were more beautiful than any ballet. Moving constantly, she caressed the chocolate like a lover, folding it over and over on a slab of white marble, working it to get the texture right. She stopped to feed me a chocolate sprinkled with salt, which had the fierce flavor of the ocean, and another with the resonant intensity of toasted saffron. One chocolate tasted like rain, another of the desert. I tried tracking the flavors, pulling them apart to see how she had done it, but, like a magician, she had hidden her tricks. Each time I followed the trail, it vanished, and after a while I just gave up and allowed the flavors to seduce me. Now the scent changed as Kim began to dip fruit into the chocolate: raspberries, blackberries, tiny strawberries that smelled like violets. She put a chocolate-and-caramel-covered slice of peach into my mouth, and the taste of summer was so intense that I felt the room grow warmer. I lost all sense of time.
Ruth Reichl (Delicious!)
In spite of the cold I took a seat at one of the sidewalk tables. It felt like a slab of ice under my butt. I shivered,but stuck it out. "Hey, Loco Girl!" Shout out "Hey, Gorgeous!" or "Einstein," and I don't budge. But this one had me at "Loco." Go figure. I looked across the sidewalk to see Daniel's face, so much like Frankie's, framed in the window of his Jeep. I felt a sad little tug in my chest. "You are aware it's only forty degrees out there,aren't you?" he asked. I shrugged. "Meeting someone?" "No," I admitted. "Then get in.Your hands look like wax. It's seriously creepy." I looked down at the hand gripping the blindingly cheerful cup.He was right. He also got out to open the passenger's-side door for me. I was a little charmed, until he pointed at my partially eaten cheesesteak in its wilted paper wrapper. "You are not bringing that thing into my car. It's an abomination." I eyed the cigarette he'd dropped in the gutter. He did his teeth-baring thing. I tossed my cold meal in the trash, knowing I wouldn't have eaten it anyway. The inside of the Jeep wasn't all that much warmer than out. "Here." Daniel took off his black leather jacket and held it out for me. It was heavy and smelled a little bit like a burned cookie. It went on over my own coat; the sleeves went past my fingertips. "You look like frozen-" "Don't say it," I muttered as I settled into the battered seat. "You have no idea what I was going to say," he shot back, grinning. "Something rotten in the state of Marino?" "And you ask that because...?" "Really? It's four in the afternoon, and instead of being with Sadie and my brother or at home, eating something colorful, you're sitting outside by yourself here.Not exactly rocket science.
Melissa Jensen (The Fine Art of Truth or Dare)
His eyes are so beautiful and dark and they do look like that dog’s—I mean, that wolf’s. They are kind and strong and a little bit something else and I like them. I like them a lot. No, I like them way too much. Something inside me gets a little warmer, edges closer to him. The fire crackles and I jump again, jittery, nervous, but I don’t jump away from Nick. I jump toward him. Nick in the firelight with just a blanket on is a little hard to resist, no matter how crazy he might be. His skin, deep with heat, seems to glisten. His muscles are defined and good but not all steroid bulky. He is so perfect. And beautiful. In a boy way. Not a monster way. Not a wolf way. “Are you going to kiss me?” My words tremble into the air. He smiles but doesn’t answer. “I’ve never kissed a werewolf before. Are were kisses like pixie kisses? Do they do something to you? Is that why you never kissed anybody?” He gives a little smile. “No. It’s just I never kissed anyone because I never thought I could be honest about who I am, you know? And I didn’t want anyone to get attached to me because . . .” “Because you’re a werewolf.” “Because I’m a werewolf,” he repeats softly. Watching his lips move makes me shiver; not in a scared way, in more of an oh-he-is-too-beautiful way. I put my hand against his skin. It is warm. It’s always been warm. He smells so good, like woods and safety. I swallow my fear and move forward, and my lips meet his, angel-light, a tiny promise. His lips move beneath mine. His hands move to my shoulders and my mouth feels like it will burst with happiness. My whole body shakes with it. “Wow,” I say. “Yeah,” he says. “Wow.” Our mouths meet again. It’s like my lips belong there . . . right there. One tiny part of me has finally found a place to fit.
Carrie Jones (Need (Need, #1))
I’m fine, Sierra. Really.” “No, you’re not fine. Brit, I’m your best friend. I’ll be here before and after your boyfriends. So spill your guts. I’m all ears.” “I loved him.” “No shit, Sherlock. Tell me something I don’t know.” “He used me. He had sex with me to win a bet. And I still love him. Sierra, I am pathetic.” “You had sex and didn’t tell me? I mean, I thought it was a rumor. You know, of the untrue kind.” I lean my head in my hands in frustration. “I’m just kidding. I don’t even want to know. Okay, I do, but only if you want to tell me,” Sierra says. “Forget about that now. I saw the way Alex always looked at you, Brit. That’s why I laid off you for liking him. There was no way he was acting. I don’t know who told you about a supposed bet--” I look up. “He did. And his friends confirmed it. Why can’t I let him go?” Sierra shakes her head, as if erasing the words I’ve said. “First things first.” She grabs my chin and forces me to look at her. “Alex had feelings for you, whether he admitted it to you or not, whether there was a bet or not. You know that, Brit, or you wouldn’t be clutching those hand warmers like that. Second of all, Alex is out of your life and you owe it to yourself, to his goofy friend Paco, and to me to keep plugging along even if it’s not easy.” “I can’t help but think he pushed me away on purpose. If I could only talk to him, I can get answers.” “Maybe he doesn’t have the answers. That’s why he left. If he wants to give up on life, to ignore what’s right in front of him, so be it. But you show him that you’re stronger than that.” Sierra is right. For the first time I feel I can make it through the rest of senior year. Alex took a piece of my heart that night we made love, and he’ll forever hold it. But that doesn’t mean my life has to be on hold indefinitely. I can’t run after ghosts. I’m stronger now. At least, I hope I am.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Beneath the table, Ryder releases my hand and lays it open in my lap, palm up. And then I feel him tracing letters on my palm with his fingertip. I. L. O. V. E. Y.O.U. I can’t help myself--I shiver. I shiver a lot when Ryder’s around, it turns out. He seems to have that effect on me. “Are you cold, Jemma?” Laura Grace asks me. “Ryder, go get her a sweatshirt or something. You two are done eating, anyway. Go on. Take her into the living room and light the fire.” “Nah, I’m fine,” I say, just because I know the old Jemma would have argued. “Well, go work on your project, then. It’s warmer in the den.” “My room’s like an oven,” Ryder deadpans, and I have to stifle a laugh, pretending to cough instead. “Take her up there, then, before she catches cold. Go. Scoot.” Laura Grace waves her hands in our direction. We rise from the table in unison, both of us trying to look as unhappy about it as possible. Silently, I follow him out. As soon as the door swings shut behind us, he reaches for my hand and pulls me close. “Shh, listen,” I say, cocking my head toward the door. “I still can’t believe it,” comes Laura Grace’s muffled voice. “The both of them, going off to school together, just like we always hoped they would. They’ll find their way into each other’s hearts eventually, just you wait and see.” I hear my mom’s tinkling laughter. “I guess their plan to escape each other didn’t work out so well after all, did it, now? I’m sure they never even imagined--” “I just hope they don’t kill each other,” Daddy interrupts. “They’ll be fine,” Mr. Marsden answers. “Well, I guess we won this round, didn’t we?” Mama says, her voice full of obvious delight. I glance up at Ryder, dressed for Sunday dinner--khakis, plaid button-down with a T-shirt beneath. His spiky hair is sticking up haphazardly, his dimples wide as he smiles down at me with so much love in those deep, dark chocolate eyes of his that it lights up his whole face. And me? I’m so happy when I’m with him that Nan says I glow, that a bright, shining light seems to radiate off the pair of us wherever we go. Despite their gloating, it’s easy to see that they didn’t win, our parents. Nope. We won.
Kristi Cook (Magnolia (Magnolia Branch, #1))
You only like white guys?” “Stop that,” I say through gritted teeth. “What?” he says, getting all serious. “It’s the truth, ain’t it?” Mrs. Peterson appears in front of us. “How’s that outline coming along?” she asks. I put on a fake smile. “Peachy.” I pull out the research I did at home and get down to business while Mrs. Peterson watches. “I did some research on the hand warmers last night. We need to dissolve sixty grams of sodium acetate and one hundred millimeters of water at seventy degrees.” “Wrong,” Alex says. I look up and realize Mrs. Peterson is gone. “Excuse me?” Alex folds his arms across his chest. “You’re wrong.” “I don’t think so.” “You think you’ve never been wrong before?” He says it as if I’m a ditzy blond bimbo, which sets my blood to way past boiling. “Sure I have,” I say. I make my voice sound high and breathless, like a Southern debutante. “Why, just last week I bought Bobbi Brown Sandwash Petal lip gloss when the Pink Blossom color would have looked so much better with my complexion. Needless to say the purchase was a total disaster,” I say. He expected to hear something like that come out of my mouth. I wonder if he believes it, or from my tone realizes I’m being sarcastic. “I’ll bet,” he says. “Haven’t you ever been wrong before?” I ask him. “Absolutely,” he says. “Last week, when I robbed that bank over by the Walgreens, I told the teller to hand over all the fifties he had in the till. What I really should have asked for was the twenties ‘cause there were way more twenties than fifties.” Okay, so he did get that I was putting on an act. And gave it right back to me with his own ridiculous scenario, which is actually unsettling because it makes us similar in some twisted way. I put a hand on my chest and gasp, playing along. “What a disaster.” “So I guess we can both be wrong.” I stick my chin in the air and declare stubbornly, “Well, I’m not wrong about chemistry. Unlike you, I take this class seriously.” “Let’s have a bet, then. If I’m right, you kiss me,” he says. “And if I’m right?” “Name it.” It’s like taking candy from a baby. Mr. Macho Guy’s ego is about to be taken down a notch, and I’m all too happy to be the one to do it.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Get used to it. The weather may feel like science fiction, but the science underlying it is very real and mundane. It takes only a small increase in global average temperatures to have a big effect on weather, because what drives the winds and their circulation patterns on the surface of the earth are differences in temperature. So when you start to change the average surface temperature of the earth, you change the wind patterns—and then before you know it, you change the monsoons. When the earth gets warmer, you also change rates of evaporation—which is a key reason we will get more intense rainstorms in some places and hotter dry spells and longer droughts in others. How can we have both wetter and drier extremes at the same time? As we get rising global average temperatures and the earth gets warmer, it will trigger more evaporation from the soil. So regions that are already naturally dry will tend to get drier. At the same time, higher rates of evaporation, because of global warming, will put more water vapor into the atmosphere, and so areas that are either near large bodies of water or in places where atmospheric dynamics already favor higher rates of precipitation will tend to get wetter. We know one thing about the hydrologic cycle: What moisture goes up must come down, and where more moisture goes up, more will come down. Total global precipitation will probably increase, and the amount that will come down in any one storm is expected to increase as well—which will increase flooding and gully washers. That’s why this rather gentle term “global warming” doesn’t capture the disruptive potential of what lies ahead. “The popular term ‘global warming’ is a misnomer,” says John Holdren. “It implies something uniform, gradual, mainly about temperature, and quite possibly benign. What is happening to global climate is none of those. It is uneven geographically. It is rapid compared to ordinary historic rates of climatic change, as well as rapid compared to the adjustment times of ecosystems and human society. It is affecting a wide array of critically important climatic phenomena besides temperature, including precipitation, humidity, soil moisture, atmospheric circulation patterns, storms, snow and ice cover, and ocean currents and upwellings. And its effects on human well-being are and undoubtedly will remain far more negative than positive. A more accurate, albeit more cumbersome, label than ‘global warming’ is ‘global climatic disruption.’ 
Thomas L. Friedman (Hot, Flat, and Crowded: Why We Need a Green Revolution--and How It Can Renew America)