Ish Quotes

We've searched our database for all the quotes and captions related to Ish. Here they are! All 100 of them:

The vampire's eyes were open, and he was staring at her intently. It was as though he were trying to speak to her with simply the power of a glare. Alexia did not speak glare-ish.
Gail Carriger (Soulless (Parasol Protectorate, #1))
Shane? Thank God, somebody sane. Well, sane-ish.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Thinks that twitter is like facebook's slutty cousin. It does everything dumb and whore-ish you're too responsible to do
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
Bebek berjalan berbondong-bondong, akan tetapi burung elang terbang sendirian.
Sukarno (Indonesia Menggugat: Pidato Pembelaan Bung Karno di Muka Hakim Kolonial)
Silas?" I glanced from Ren to the mad-haired scholar. "He was your company?" "Still jealous?" Ren winked at me. "I was not jealous," I said. "Really?" Ren said. "So that harpy-ish tone was your normal speaking voice?
Andrea Cremer (Bloodrose (Nightshade, #3; Nightshade World, #6))
He laughed, tried to make it into a cough, inhaled at exactly the wrong moment, and then really did cough.
Robin McKinley (The Hero and The Crown)
Ish #19 "If your diet soda has zero calories, zero sugar and zero fat, what the hell are you drinking?
Regina Griffin
Intentions are nice, but ultimately intentions don't really matter because they only exist inside you.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
One more sign of how perfect Damen is—he keeps a pair of trunks in his car.
Alyson Noel (Evermore (The Immortals, #1))
Ish #153 "Artificial plants grow best in artificial light.
Regina Griffin
What we call chaos is just pat­terns we haven’t rec­og­nized. What we call ran­dom is just pat­terns we can’t de­ci­pher. What we can’t un­der­stand we call non­sense. What we can’t read we call gib­ber­ish.
Chuck Palahniuk (Survivor)
Since change is con­stant, you won­der if peo­ple crave death be­cause it’s the on­ly way they can get any­thing re­al­ly fin­ished.
Chuck Palahniuk (Survivor)
Fine." I glared at him and shook my head. Stubborn idiot. "But at least try to look a little more raider-ish, okay? We don't want to attract attention." Zeke's snort sounded suspiciously like laughter. "Allie, you're a beautiful, exotic-looking vampire girl with a katana. Trust me, if anyone is going to attract attention, it's not going to be me." I didn't answer as we crossed the flimsy, creaking bridge into the lair of the vampire king. If Zeke had asked, I would've said that I was thinking of how to find everyone, but that wasn't entirely true. I was thinking of the others and how I was going to get them out alive...but I kept being distracted by the thought that Zeke had called me beautiful.
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
A slightly modified version of the Serenity Prayer: Lord, grant me the serenity to ignore the assholes I cannot avoid; The luck to avoid the ones I can; And the self-awareness not to be one myself
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Self-love, self-respect, self-approval, and self-worth do not equal self-ish.
Mandy Hale (The Single Woman: Life, Love, and a Dash of Sass)
Thinking ish-ly allowed ideas to flow freely.
Peter H. Reynolds (Ish (Creatrilogy))
He can act a bit loner-ish, but I think he's some serial killer waiting to happen; he's just his own best company sometimes. And he's comfortable with that. I guess there's nothing wrong with that.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
But at least try to look a little more raider-ish, okay? We don't want to attract attention." Zeke's snort sounded suspiciously like laughter. "Allie, you're a beautiful, exotic-looking vampire girl with a katana. Trust me, if anyone is going to attract attention, it's not going to be me.
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
And you claim to be feeling this way. Floatish. Singsong-ish. About me.” She sighed. “Yes.” “That’s absurd.” “I know, but I can’t seem to stop it.
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
Be the kind of friend that you want to have. This is what it all boils down to. Listen when they bitch. Tell them they'll be okay. Go over and check in on their cat when they're on vacation. Call them on their birthday, or better yet bake a cake in the shape of their initial. Keep their secrets. Treat them like what they are--the rare person in this world who gives a fuck about you not because they have to, but because they want to. Give a fuck about them.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Meaning to send a thank-you note but then not doing it is exactly the same as never thinking to send one -- that person is still receiving zero thank you notes.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Ish #109 "If MapQuest says make a right, go straight. You'll get there quicker.
Regina Griffin
Ish #1 "It's not your mama's macaroni and cheese if you used spaghetti noodles.
Regina Griffin
Ish #303 "It's a street food vendor! Stop asking for the health score rating.
Regina Griffin
One of the most jolting days of adulthood comes the first time you run out of toilet paper. Toilet paper, up until this point, always just existed. And now it's a finite resource, constantly in danger of extinction, that must be carefully tracked and monitored, like pandas?
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
You're a grown-up, and you get to decide what behaviors affect you for five minutes versus what behaviors change you as a person.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Sure, I want to look like I’m worth the ef­fort. Washed but not ironed. Clean but not pol­ished. Con­fi­dent but hum­ble.
Chuck Palahniuk (Survivor)
As the Nazi emphasis on nonintellectual virtues (patriotism, loyalty, duty, purity, labor, simplicity, “blood,” “folk-ishness”) seeped through Germany, elevating the self-esteem of the “little man,” the academic profession was pushed from the very center to the very periphery of society. Germany was preparing to cut its own head off. By 1933 at least five of my ten friends (and I think six or seven) looked upon “intellectuals” as unreliable and, among these unreliables, upon the academics as the most insidiously situated. Tailor
Milton Sanford Mayer (They Thought They Were Free: The Germans, 1933-45)
Wie niet waagt, wint niet - helaas is er geen garantie dat wie wél waagt, niet verliest.
Ish Ait Hamou
Personally." My mother digs a smile into the side of her cheek. "I'm rooting for Logan." Logan produces a grin that suggests he's the cat that ate the canary, and suddenly I'm feeling rather canary-ish.
Addison Moore (Toxic Part One (Celestra, #7))
Maybe I’m weak for music men. Maybe I’m weak, period. But I couldn’t deny I was charmed by his arrogant, fool-ish guise.
Tiffanie DeBartolo (How to Kill a Rock Star)
Fuckyou-ish?” “The English dialect of the ancient language ‘fuckyou.’ Very old. Dignified even.
Celia Kyle (All Roar and No Bite (Grayslake, #2))
If we were all our most real and raw selves every moment of the day things would be just awful. The world would be full of man-size toddlers.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Velen kunnen je wel momenten bieden, maar slechts enkelen bezorgen je herinneringen die je voor altijd bijblijven
Ish Ait Hamou (Hard hart)
I love crafting. Knitting, decoupage, scrapbooking, any "lady-ish" art form, I'm a fan. For about six months each. Then I shove all the supplies in a closet, alongside the skeletons of long dead New Year's resolutions, like saber fencing, playing the ukulele, and Japanese brush painting.
Felicia Day (You're Never Weird on the Internet (Almost))
Your parents, presumably, love you very much and think you are perhaps the most adorable, talented thing ever to prance upon this earth. Your friends agree with them, as do your favorite teachers, as does your significant other. When there is a You Parade, these people will be the flag bearers, the drum majors and majorettes, so make sure you are always flag bearing and drum majoring for them, too. These people who think so highly of us are very special and precious, and we must treasure them. Because here is the truth: Most of the world doesn’t give a flying fuck about you.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Are you born again?" he asked, as we taxied down the runway. He was rather prim and tense, maybe a little like David Eisenhower with a spastic colon. I did not know how to answer for a moment. "Yes," I said. "I am." My friends like to tell each other that I am not really a born-again Christian. They think of me more along the lines of that old Jonathan Miller routine, where he said, "I'm not really a Jew -- I'm Jew-ish." They think I am Christian-ish. But I'm not. I'm just a bad Christian. A bad born-again Christian. And certainly, like the apostle Peter, I am capable of denying it, of presenting myself as a sort of leftist liberation-theology enthusiast and maybe sort of a vaguely Jesusy bon vivant. But it's not true. And I believe that when you get on a plane, if you start lying you are totally doomed. So I told the truth; that I am a believer, a convert. I'm probably about three months away from slapping an aluminum Jesus-fish on the back of my car, although I first want to see if the application or stickum in any way interferes with my lease agreement. And believe me, all this boggles even *my* mind. But it's true. I could go to a gathering of foot-wash Baptists and, except for my dreadlocks, fit right in. I would wash their feet; I would let them wash mine.
Anne Lamott
North-ish." A pause, and then: "Is that Terra for I'm lost-ish?
Justina Chen (North of Beautiful)
There is absolutely nothing feminine about the colour pink, or, anything bad-luck'ish about the colour black — in itself.
Mokokoma Mokhonoana
This is the most difficult and important thing to accept if you wish to be a grown-up: You are not a Special Snowflake.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Imagine rude people as jellyfish
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
I can't say I'm flourishing, exactly - my complexion is flour-ish and that's about it - but I'm surviving, and things could be a lot worse.
Jay Spencer Green (Breakfast at Cannibal Joe's)
What's this?" Dan said, pointing to a funny squiggly formation. Uh, an M," said Nellie. "Or if you look at it the other way, a W. Or sideways, kind of S-ish..." Maybe it's palm trees," Dan said. "Like in the movie It's a Mad, Mad, Mad, Mad World. You know? No? These guys need to find hidden money, and the only clue they have is it's under a big W? And no one sees what it means-but then, near the end of the movie, there's this grove of four palm trees rising up in the shape of... you-know-what! Classic!" Amy, Alistair, Natalie, Ian and Nellie all looked at him blankly. There is no W in the Korean language," Alistair replied. "Or palm trees in Korea. I might be maple trees..." Mrrp," said Saladin, rubbing his face against Dan's knee. I'll tell you the rest of the plot later," Dan whispered to the Mau.
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
It was like staring into the face of a familiar stranger. You know, that person you see in a crowd and swear you know, but you really don't? Now she was me - the familiar stranger. She had my eyes. They were the same hazel color that could never decide whether it wanted to be green or brown, but my eyes had never been that big and round. Or had they? She had my hair - long and straight and almost as dark as my grandma’s had been before hers had begun to turn silver. The stranger had my high cheekbones, long, strong nose, and wide mouth - more features from my grandma and her Cherokee ancestors. But my face had never been that pale. I’d always been olive-ish, much darker skinned than anyone else in my family. But maybe it wasn’t that my skin was suddenly so white ... maybe it just looked pale in comparison to the dark blue outline of the crescent moon that was perfectly positioned in the middle of my forehead. Or maybe it was the horrid fluorescent lighting. I hoped it was the lighting. I stared at the exotic-looking tattoo. Mixed with my strong Cherokee features it seemed to brand me with a mark of wildness ... as if I belonged to ancient times when the world was bigger ... more barbaric. From this day on my life would never be the same. And for a moment — just an instant—I forgot about the horror of not belonging and felt a shocking burst of pleasure, while deep inside of me the blood of my grandmother’s people rejoiced.
P.C. Cast
Maybe that’s why Jews are Jewish. It’s more vague and casts a wider net than other religions. “I’m a Hindu.” “I’m a Muslim.” “I’m Jew…ish.” Less commitment is involved when “ish” is in the mix.
Seth Rogen (Yearbook)
You’re wicked smart. And cool. And drama free, which is a huge deal. Drama free is at the top of my list these days. You can be intimidating.” “Me? But I’m a Hufflepuff.
Penny Reid (Dating-ish (Knitting in the City, #6))
Treat writing as a job. Be disciplined. Lots of writers get a bit OCD-ish about this. Graham Greene famously wrote 500 words a day. Jean Plaidy managed 5,000 before lunch, then spent the afternoon answering fan mail. My minimum is 1,000 words a day – which is sometimes easy to achieve, and is sometimes, frankly, like shitting a brick, but I will make myself stay at my desk until I've got there, because I know that by doing that I am inching the book forward. Those 1,000 words might well be rubbish–they often are. But then, it is always easier to return to rubbish words at a later date and make them better.
Sarah Waters
Payton grinned. “You must be Chase.” As she extended her hand in introduction, she took the opportunity to give him a more thorough once-over. He had dark wavy hair and warm brown eyes. Very Pat-rick Dempsey/McDreamy-esque. Good build, not terribly tall, maybe only five-ten-ish, but since Payton measured in at exactly five-three and one-third inch, she could work with this
Julie James (Practice Makes Perfect)
Dear Angry Older People, over 21-ish, anyone who considers themselves an adult, still bitter: Next time you're wondering what wrong with kids today, you might wanna check the examples you've been giving us to work with. Because if you ever want to make sense of us, you’ve got to make sense to us, without telling us you’re too old to walk that far. You’ve got to try to understand why we like looking like rag dolls, why we like looking like the way we feel, and why we keep our senses floored when it’s you behind the wheel. And if you ever really do want to understand why we seem so angry, well for one, you told us we could be anything we wanted to be, but right now, we’re a little busy dodging bombs.
Buddy Wakefield
Ish #21 "Stop saying the only meat you eat is chicken. It's still meat!
Regina Griffin
Ish #211 "Your child is your parental obligation, not friend.
Regina Griffin
Maybe he got tired of waiting and he'd gone without me though I doubted that was the case and decided he was probably doing something Max-ish. Chopping wood. Building a barn. Saving a child in distress or climbing a tree to rescue a cat. Stuff like that.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
Har­ri­son had start­ed out wor­ried that Cor­rie would shoot Mary Rose be­cause the wom­an was as crazy as ev­ery­one said she was, but by the time the one-​sid­ed con­ver­sa­tion was fin­ished, his con­cern had changed. Now he couldn't fig­ure out why Cor­rie didn't shoot her just to shut her up.
Julie Garwood (For the Roses (Rose, #1))
Maybe being wrong is not the same as being bad, I thought, not a sign your insides were rotten. Maybe you can still be a decent-ish person, a person with a personal mission statement, a person who aspires to be someone habitually good and highly effective, and fuck up.
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
This is all sounding pretty fairy tale-ish,” Conor said, suspiciously. You would not say that if you heard the screams of a man killed by a spear, said the monster. Or his cries of terror as he was torn to pieces by wolves. Now be quiet.
Patrick Ness (A Monster Calls)
Only you get to decide how you stand, what you stand for, and when you do it.
Penny Reid (Dating-ish (Knitting in the City, #6))
New Rule #1 – Don't date women who paint. Arty-farty doesn't just equal freaky in the sack, it also equals nasty genius revenge. I don't like genius when it's happening to me.
Naomi Kramer (Dead[ish] (Deadish #1))
Wait, is this a nice-ish way of telling me we had sex and I was lousy? That's how you can tell I'm inexperienced? Because, if so, that's just rude. And what were you doing at Shenanigans? And how did you find me on the road?" Gabriel looked wounded. "To answer your questions in order: The only body fluid I exchanged with you is blood--" "That's very comforting, thank you.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
Whedon: Studios will tell you: A woman cannot headline an action movie. After The Hunger Games they might stop telling you that a little bit. Whatever you think of the movie, it’s done a great service. And after The Avengers, I think it’s changing. Johansson: A lot of the female superhero movies just suck really badly. Whedon: The suck factor is not small. Johansson: They are really not well made, and already you’re fighting against the tide. There are a couple [female-driven action movies] that have worked-ish, don’t you think? Hemsworth: Angelina Jolie tends to do it pretty well, as the dominant female. Jackson: They got to get The Pro to the screen! Whedon: [Groaning] See, that is the problem. Sam is the problem! Jackson: I love that book! Whedon: [Reluctantly] The Pro is hilarious. Jackson: The Pro’s hilarious. [To the group] You ever see or hear of it? Johansson: No, what’s The Pro? Jackson: It’s [a comic book] about a hooker who gets super powers! Johansson: [Pauses] That is exactly the problem right there. Whedon: That’s why I wasn’t going to bring up The Pro! (From an Entertainment Weekly interview)
Joss Whedon
A big part of being a well-adjusted person is accepting that you can’t be good at everything.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Hij wilde verdwalen met haar, bang zijn met haar, hij wilde elk werkwoord zijn zolang zij maar het onderwerp van de zin was.
Ish Ait Hamou (Hard hart)
I may appear stand off-ish but I'm not. I just let go of my attachment to things.
Turcois Ominek
Jellyfish do not respond to reason, they usually don’t respond to kindness, and they will always show up to ruin a fun party if possible.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
How have the dates been treating you?' 'Disgusting,' I said. 'Ah, too bad.' 'Each its own little death.' 'Funny,' he said. 'You're like a little death.' 'What?' I asked. 'You are. You're ... gloomy yet charming. I like it.' 'Well, no one has said that before.' 'You're gently death-ish. You know about death, you're aware of it, and most people aren't anymore. But you're not a killer. You're a soft darkness.
Melissa Broder (The Pisces)
Remember that, for better or for worse, you are in control of your physical self and surroundings
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Step 6: Stop enjoying things ironically. Just enjoy them Know what? I love Britney Spears and Forever 21. And I could pretend like it’s this whole meta thing where I’m not actually enjoying it but rather just making this esoteric statement on lowbrow culture, but (insert handjob motion here). The truth is that I love trashy dance pop and the garments that are its clothing equivalent. You don’t need to make your tastes a self-conscious statement about who you are. Just unapologetically like the things you like.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
U patme nisur U patme nisur un' e ti: Un' hijemvrejturi-ne-zi, Ti flokendritura-flori Dhe ikm'! e ikme perseri, Large - e me -large n'arrati, Prane - e me prane - e gji-per-gji. Dhe me nje vend nje bukuri, Dhe me nje ças nje shenjteri, Na zu nje mall, nje dashuri. S'ish dashuri, po fshehtesi S'ish fshehtesi, po llaftari S'ish llaftari, po çmenduri
Lasgush Poradeci
Let's take the gauntlet and make goodness attractive in this so-called next millennium. That's the real job that we have. I'm not talking about Pollyanna-ish kind of stuff. I'm talking about down-to-Earth actual goodness. People caring for each other in a myriad of ways rather than people knocking each other off all the time...What changes the world? The only thing that ever really changes the world is when somebody gets the idea that love can abound and can be shared.
Fred Rogers (Mister Rogers - Won't You Be My Neighbor)
It's not as though the world hates you- it just has no idea who you are
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Warmte heeft een geluid. Je kunt het niet beschrijven maar je hoort het onmiddellijk wanneer het er niet meer is.
Ish Ait Hamou (Het moois dat we delen)
I know it hurts, honey.” Mom flipped off the gas stove and wiped her hands on her apron, turning to face me fully. “And it’s okay to hurt. Hurting is just as much a part of life as joy, maybe even more important. Falling down teaches you how to stand up.
Penny Reid (Dating-ish (Knitting in the City, #6))
But when Marie laughed, when her mouth curved in a perfect arch, when her eyes became the combined colors of hydrogen on the visible light spectrum, when the manifestation of happiness as perfect music passed her lips, then time stopped.
Penny Reid (Dating-ish (Knitting in the City, #6))
Mother Goose will show newcomers to this world how astonishing, beautiful, capricious, dancy, eccentric, funny, goluptious, haphazard, intertwingled, joyous, kindly, loving, melodious, naughty, outrageous, pomsidillious, querimonious, romantic, silly, tremendous, unexpected, vertiginous, wonderful, x-citing, yo-heave-ho-ish, and zany it is.
Iona Opie (My Very First Mother Goose)
Here is what I’m trying to tell you: Adult isn’t a noun, it’s a verb. It’s the act of making correctly those small decisions that fill our day.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
remember that there was at least one person who thought Einstein was a colossal dick.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
...hoewel stilte geen taal is, zegt ze soms meer dan woorden.
Ish Ait Hamou (Hard hart)
Some people have blond hair. Some people are really good at baseball. Some people find nothing more pleasurable than organizing a drawer full of buttons. Some people are assholes. This is the human spectrum.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
I tried to compete with my ill-fitting Calvin Klein button-up shirts that I got at Ross and my imitation mini-ish skirts I got from the DEB. If you’re not familiar with DEB, it’s like the trashy stepsister of Forever 21 that takes F21 out for her twenty-first birthday, pumps her full of Jell-O shots, and convinces her to get a bald-eagle tattoo.
Grace Helbig (Grace & Style: The Art of Pretending You Have It)
Women!” he muttered. “Can't live with 'em, can't escape even by killing 'em.
Naomi Kramer (DEAD[ish] (DEAD[ish] #1))
Because here is the truth: Most of the world doesn’t give a flying fuck about you.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Pay attention to natural consequences, then learn to anticipate them
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
You don’t need to make your tastes a self-conscious statement about who you are. Just unapologetically like the things you like.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
People will come to care about you, but only if you give them a valid reason. Don’t assume they’ll give you love like your parents, emotional support like your best friend, and cheerful feedback like a soccer coach for seven-year-olds. Because they won’t, unless you give them good reason to. And even then, they still probably won’t.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
When I got to school the next morning I had stepped only one foot in the quad when he spotted me and nearly tackled me to the ground. “Jamie!” he hollered, rushing across the lawn without caring the least bit about the scene he was creating. The next thing I knew, my feet were off the ground and I was squished so tightly in Ryan’s arms that I could barely breathe. “Okay, Ryan?” I coughed in a hushed tone. “This is exactly the kind of thing that can get you killed.” “I don’t care, I’m not letting go. Don’t ever disappear like that again!” he scolded, but his voice was more relieved than angry. “It’s been days! You had your mother worried sick!” “My mother?” I questioned sarcastically. Ryan laughed as he finally set me back on my feet. “Okay, fine, me too.” He still wouldn’t let go of me, though. He was gripping my arms while he looked at me with those eyes, and that smile… You know, being all Ryan-ish. And then, when I got lost in the moment, he totally took advantage of how whipped I was and he kissed me. The jerk. He just pulled my face to his right then and there, in the middle of a crowded quad full of students, where I could have accidentally unleashed an electrical storm at any moment. And okay, maybe I liked it, and maybe I even needed it, but still! You can’t just go kissing Jamie Baker whenever you want, even if you are Ryan Miller! “Ryan!” I yelled as soon as I was able to pull away from him—which admittedly took a minute. “I’m sorry.” Ryan laughed with this big dopey grin on his face and then kissed me some more. I had to push him away from me. “Don’t be sorry, just stop!” I realized I was screaming at him when I felt a hundred different pairs of eyes on me. I tried to ignore the audience that Ryan seemed oblivious to and dropped the audio a few decibels. “I wasn’t kidding when I said this has to stop. Look, I will be your friend. I want to be your friend. But that’s it. We can’t be anything more. It’ll never work.” Ryan watched me for a minute and then whispered, “Don’t do that.” I was shocked to hear the sudden emotion in his voice. “Don’t give up.” It was hopeless. “Fine!” I snapped. “I’ll be your stupid girlfriend!” Big shocker, me giving Ryan his way, I know. But let’s face it—it’s just what I do best. I had to at least act a little tough, though. “But!” I said in the harshest voice I was capable of. “You can’t ever touch me unless I say. No more tackling me, and especially no more surprise kissing.” He actually laughed at my request. “No promises.” Stupid, cocky boyfriend. “You’re crazy. You know that, right?” Ryan got this big cheesy smile on his face and said, “Crazy about you.” “Ugh,” I groaned. “Would you be serious for a minute? Why do you insist on putting your life in danger?” “Because I like you.” His stupid grin was infectious. I wanted to be angry, but how could I with him looking at me like that? “I’m not worth it, you know,” I said stubbornly. “I have issues. I’m unstable.” “You’re cute when you’re unstable,” Ryan said, “and I like your issues.” The stupid boy was straight-up giddy now. But he was so cute that I cracked a smile despite myself. “You really are crazy,” I muttered.
Kelly Oram (Being Jamie Baker (Jamie Baker, #1))
Books do not per­ish like hu­mankind. Of course we com­mon­ly see them bro­ken in the hab­er­dash­er's shop when on­ly a few months be­fore they lay bound on the sta­tion­er's stall; these are not true works, but mere trash and new­fan­gle­ness for the vul­gar. There are thou­sands of such gew­gaws and toys which peo­ple have in their cham­bers, or which they keep up­on their shelves, be­liev­ing that they are pre­cious things, when they are the mere pass­ing fol­lies of the pass­ing time and of no more val­ue than pa­pers gath­ered up from some dunghill or raked by chance out of the ken­nel. True books are filled with the pow­er of the un­der­stand­ing which is the in­her­itance of the ages: you may take up a book in time, but you read it in eter­ni­ty.
Peter Ackroyd (The House of Doctor Dee)
But the fact is people who always have at least a quarter tank of gas and refill the tank as soon as it dips below that line will never run out of gas on a backwoods mountain road and have to be rescued by a kindhearted trucker. Or murdered by a non-kindhearted trucker.
Kelly Williams Brown (Adulting: How to Become a Grown-up in 468 Easy(ish) Steps)
Maybe the answer is: Don’t be an asshole, think before you open your trap, take responsibility for your words. Meaning, apologize when you’re wrong and correct yourself moving forward—and don’t constantly look for reasons to be offended and police well-meaning people’s words. We want folks to talk to each other, right? Not just hang out with like-minded people all the time. Everyone is ignorant about something, and everyone is offended by something. If people can’t have a calm, respectful dialogue without being hurt by ignorance, or without offending with insensitivity, then what the hell are we supposed to do? Surround ourselves with robots who don’t challenge our ideas?
Penny Reid (Dating-ish (Knitting in the City, #6))
And it is in New York I have those strangest things of all: human friendships. Not many friendships and not of spent familiarities: for I don't like actual human beings too much around me. But yet friendships made of the edges of thoughts and vivid pathos and pregnant odds and ends of nervous human flesh and fire. It is in New York I go to the apartment of a Friend at the end of an afternoon. In the apartment are some persons having tea, men and women. The Friend greets me at the door. She wears maybe a dress of thin dark and light silk, shaped in the quaint outlandish fashion of the hour. And she has shrewd kindly eyes like a Rembrandt portrait, and a worn New-York-ish Latin-ish brain and heart both of which are made of steel, sparkle and the very plain red meat of living. She says, 'Hello-Mary-Mac-Lane,' and clasps my hand, and we exchange a glance of no real understanding at all but suggesting warmed challenge of personality, and an oblique sweet call of depth to depth, and of friendship which by mere force of preference and of our separate quality and calibre is true rather than false. So close and no closer may friendship be. And friendship with-all, is closer than any love. It is the closest human beings ever come to meeting.
Mary MacLane (I, Mary MacLane: A Diary of Human Days)
It's my latest recipe." She beamed. "Roast leaf." "It's gone off. That's not like any roast beef sandwich I've ever tasted." "No, no. Not roast beef. Roast leaf." He stared at her. "I'm a vegetarian," she explained. "I don't eat meat. So I create my own substitutions with vegetables. Roast leaf, for example. I start with whatever greens are in the market, boil and mash them with salt, then press them into a roast for the oven. According to the cookery book, it's every bit as satisfying as the real thing." "Your cookery book is a book if lies." To her credit, she took it gamely. "I'm still perfecting the roast leaf. Perhaps it needs more work. Try the others. The ones on brown bread are tuna-ish- brined turnip flakes in place of fish- and the white bread is sham. Sham is everyone's favorite. Doesn't the color look just like ham? The secret is beetroot.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
The boys broke off in private conversation, satisfied with their decision to move forward. Jennifer stared at them, through them, trepidation inching into her psyche. Is this the right decision? Are they mature enough to handle this? Do they seriously understand what they're sighing up for? Do I? She would be with them every step of the way. If there were any signs the litigation was harming her kids, she'd shut it down. Gerry Bartholomew! This bastard must pay—he must be stopped, We'll blow the lid off this whole affair . . . won't we?
Mark M. Bello (Betrayal of Faith (Zachary Blake Legal Thriller, #1))
Will you pour out tea, Miss Brent?' The el­der wom­an replied: 'No, you do it, dear. That tea-​pot is so heavy. And I have lost two skeins of my grey knitting-​wool. So an­noy­ing.' Ve­ra moved to the tea-​ta­ble. There was a cheer­ful rat­tle and clink of chi­na. Nor­mal­ity returned. Tea! Blessed or­di­nary everyday af­ter­noon tea! Philip Lom­bard made a cheery re­mark. Blore re­spond­ed. Dr. Arm­strong told a hu­mor­ous sto­ry. Mr. Jus­tice War­grave, who or­di­nar­ily hat­ed tea, sipped ap­prov­ing­ly. In­to this re­laxed at­mo­sphere came Rogers. And Rogers was up­set. He said ner­vous­ly and at ran­dom: 'Ex­cuse me, sir, but does any one know what's become of the bath­room cur­tain?' Lom­bard's head went up with a jerk. 'The bath­room cur­tain? What the dev­il do you mean, Rogers?' 'It's gone, sir, clean van­ished. I was go­ing round draw­ing all the cur­tai­ns and the one in the lav -​ bath­room wasn't there any longer.' Mr. Jus­tice War­grave asked: 'Was it there this morn­ing?' 'Oh, yes, sir.' Blore said: 'What kind of a cur­tain was it?' 'Scar­let oil­silk, sir. It went with the scar­let tiles.' Lom­bard said: 'And it's gone?' 'Gone, Sir.' They stared at each oth­er. Blore said heav­ily: 'Well - af­ter all-​what of it? It's mad - ​but so's everything else. Any­way, it doesn't matter. You can't kill any­body with an oil­silk cur­tain. For­get about it.' Rogers said: 'Yes, sir, thank you, sir.' He went out, shut­ting the door.
Agatha Christie (And Then There Were None)
Gnosticism is undeniably pre-Christian, with both Jewish and gentile roots. The wisdom of Solomon already contained Gnostic elements and prototypes for the Jesus of the Gospels...God stops being the Lord of righteous deed and becomes the Good One...A clear pre-Christian Gnosticism can be distilled from the epistles of Paul. Paul is recklessly misunderstood by those who try to read anything Historical Jesus-ish into it. The conversion of Paul in the Acts of the Apostles is a mere forgery from various Tanakh passages... [The epistles] are from Christian mystics of the middle of the second century. Paul is thus the strongest witness against the Historical Jesus hypothesis...John's Gnostic origin is more evident than that of the synoptics. Its acceptance proves that even the Church wasn't concerned with historical facts at all.
Arthur Drews
Soldier on guard says they've identified “someone on two legs a hundred metres from the outpost”. The other soldier, in the lookout, says “A girl about ten,” but by then they're already shooting. Girl's dead[...]The point is this use of code, on two legs, denoting human. It reminded me of that speech by their Prime Minister saying that we were beasts walking on two legs [...]The idea that having legs makes you human. I thought of adding a Primo Levi-ish dimension to it. Merging this two-legged idea with a sort of general question about what is a man, you know, linking it to “if this is a man who labours in the mud/ who knows no peace/ who fights for a crust of bread?” [...] my thesis being that the occupation, the closures, the siege have made amputees of all of us, crawling around in the mud. Legless in Gaza. The lot of us.
Selma Dabbagh (Out of It)
How much time, after this realization sank in and spread among consumers (mostly via phone, interestingly), would any micro-econometrist expect to need to pass before high-tech visual videophony was mostly abandoned, then, a return to good old telephoning not only dictated by common consumer sense but actually after a while culturally approved as a kind of chic integrity, not Ludditism but a kind of retrograde transcendence of sci-fi-ish high-tech for its own sake, a transcendence of the vanity and the slavery to high-tech fashion that people view as so unattractive in one another. In other words a return to aural-only telephony became, at the closed curve’s end, a kind of status-symbol of anti-vanity, such that only callers utterly lacking in self-awareness continued to use videophony and Tableaux, to say nothing of masks, and these tacky facsimile-using people became ironic cultural symbols of tacky vain slavery to corporate PR and high-tech novelty, became the Subsidized Era’s tacky equivalents of people with leisure suits, black velvet paintings, sweater-vests for their poodles, electric zirconium jewelry, NoCoat Lin-guaScrapers, and c.
David Foster Wallace (Infinite Jest)
This is arguably the besetting mistake of all naturalist thinking, as it happens, in practically every sphere. In this context, the assumption at work is that if one could only reduce one’s picture of the original physical conditions of reality to the barest imaginable elements—say, the “quantum foam” and a handful of laws like the law of gravity, which all looks rather nothing-ish (relatively speaking)—then one will have succeeded in getting as near to nothing as makes no difference. In fact, one will be starting no nearer to nonbeing than if one were to begin with an infinitely realized multiverse: the difference from non-being remains infinite in either case. All quantum states are states within an existing quantum system, and all the laws governing that system merely describe its regularities and constraints. Any quantum fluctuation therein that produces, say, a universe is a new state within that system, but not a sudden emergence of reality from nonbeing. Cosmology simply cannot become ontology. The only intellectually consistent course for the metaphysical naturalist is to say that physical reality “just is” and then to leave off there, accepting that this “just is” remains a truth entirely in excess of all physical properties and causes: the single ineradicable “super-natural” fact within which all natural facts are forever contained, but about which we ought not to let ourselves think too much.
David Bentley Hart (The Experience of God: Being, Consciousness, Bliss)
Clowns.” Clowns? “Really?” I tried to imagine a tiny Aiden crying over men and women with overly painted faces and red noses, but I couldn’t. The big guy was still facing me. His expression clear and even, as he dipped his chin. “Eh.” God help me, he’d gone Canadian on me. I had to will my face not to react at the fact he’d gone with the one word he usually used only when he was super relaxed around other people. “I thought they were going to eat me.” Now imagining that had me cracking a little smile. I slid my palm under my cheek. “How old were you? Nineteen?” Those big chocolate-colored eyes blinked, slow, slow, slow. His dark pink lips parted just slightly. “Are you making fun of me?” he drawled. “Yes.” The fractures of my grin cracked into bigger pieces. “Because I was scared of clowns?” It was like he couldn’t understand why that was amusing. But it was. “I just can’t imagine you scared of anything, much less clowns. Come on. Even I’ve never been scared of clowns.” “I was four.” I couldn’t help but snicker. “Four… fourteen, same difference.” Based on the mule-ish expression on his face, he wasn’t amused. “This is the last time that I come over to save you from the boogeyman.” Shocked out of my mind for a split second, I tried to pretend like I wasn’t, but… I was. He was joking with me. Aiden was in bed joking around. With me. “I’m sorry. I’m sorry, I was just messing with you.” I scooted one more millimeter closer to him, drawing my knees up so that they hit his thighs. “Please don’t leave yet.” “I won’t,” he said, settling on his pillow with his hands under his cheek, his eyes already drifting to a close. I didn’t need to ask him to promise not to leave me; I knew he wouldn’t if he said so. That was just the kind of man he was. “Aiden?” I whispered. “Hmm?” he murmured. “Thank you for coming in here with me.” “Uh-huh.” That big body adjusted itself just slightly before he let out a long, deep exhale. Without turning around, I laid the flashlight down behind me and aimed the beam toward the wall. He didn’t ask if I was really going to leave the flashlight on all night—or at least however long the battery lasted—instead, I just smiled at him as I took my glasses off and set them on the unused nightstand behind me. Then I tucked my hands under my cheek and watched him. “Good night. Thank you again for staying with me.” Peeking one eye open, just a narrow slit, he hummed. “Shh.” That ‘shh’ was about as close to a ‘you’re welcome’ as I was going to get. I closed my eyes with a little grin on my face. Maybe five seconds later, Aiden’s spoke up. “Vanessa?” “Hmm?” “Why was I saved on your work phone as Miranda P.?” That had my eyes snapping open. I hadn’t deleted that entry off the contacts when I quit, had I? “It’s a long, boring story, and you should go to sleep. Okay?” The “uh-huh” out of him sounded as disbelieving as it should have. He knew I was full of shit, but somehow, knowing he knew, wasn’t enough to keep me from falling asleep soon after
Mariana Zapata (The Wall of Winnipeg and Me)
This is great. But what I’m grasping at is an idea about a subtler goal. This thinking owes a lot to conversations with Manjula Waldron of Ohio State University, an engineering professor who also happens to be a hospital chaplain. This feels embarrassingly Zen-ish for me to spout, being a short, hypomanic guy with a Brooklyn accent, but here goes: Maybe the goal isn’t to maximize the contrast between a low baseline and a high level of activation. Maybe the idea is to have both simultaneously. Huh? Maybe the goal would be for your baseline to be something more than the mere absence of activation, a mere default, but to instead be an energized calm, a proactive choice. And for the ceiling to consist of some sort of equilibrium and equanimity threading through the crazed arousal. I have felt this a few times playing soccer, inept as I am at it, where there’s a moment when, successful outcome or not, every physiological system is going like mad, and my body does something that my mind didn’t even dream of, and the two seconds when that happened seemed to take a lot longer than it should have. But this business about the calm amid the arousal isn’t just another way of talking about “good stress” (a stimulating challenge, as opposed to a threat). Even when the stressor is bad and your heart is racing in crisis, the goal should be to somehow make the fraction of a second between each heartbeat into an instant that expands in time and allows you to regroup. There, I have no idea what I’m talking about, but I think there might be something important lurking there. Enough said.
Robert M. Sapolsky (Why Zebras Don't Get Ulcers: The Acclaimed Guide to Stress, Stress-Related Diseases, and Coping)
Just because I’m a reporter doesn’t mean I don’t get to have an opinion about people.” “And your opinion of me is?” “Very low.” His eyes narrowed infinitesimally. “Is it my hair?” I flinched back, automatically checking out his hair. “No. There’s nothing wrong with your hair.” “You don’t like Star Wars?” He gestured to his shirt. “You’re a Trekkie? You should know, I’m an equal opportunity space drama aficionado, whether it be BattleSTAR Galactica, STAR Trek, or STAR—” “I get it, you like science fiction.” “Ah ha!” He lifted his index finger between us. “Ah ha, what?” “You’re a fantasy reader, aren’t you? That’s what’s going on. What’s your favorite TV show? Buffy the Vampire Slayer, right?” I lifted an eyebrow and crossed my arms, disliking that he’d guessed correctly. “What I read and watch isn’t the central issue.” “Have you received your Hogwarts letter?” he asked, and his tone was so serious, I almost mistook it for a real question
Penny Reid (Dating-ish (Knitting in the City, #6))
I’m gonna give you some unsolicited advice, okay?” Dan peered at me, as though making sure I knew to take his words seriously. “But it’s good advice, even though I’m tired as hell, so it might not make much sense.” “Sure. Go for it.” Even in my muddled state, I couldn’t help but smile at my friend. “You like that guy, you tell him flat out. You just lay what you want and everything out there. Don’t waste time not saying things that need to be said. He’ll always be in your mind, wrecking the possibility of things with other people, because your heart can’t move on until it knows for sure a door is closed.” I managed a reassuring smile. “Thanks for the ad—” “But then, if the door opens, make sure it’s the right door, not a different door. Because then you’ll be in the room, but it’s not the right room. And then you’re stuck in the room, you’ve committed to the room, and you’d be an asshole for trying a new door in the same house when you’re already in a room. And then your fucking heart won’t stop looking for a window.
Penny Reid (Dating-ish (Knitting in the City, #6))
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))