Isak Dinesen Quotes

Do you know a cure for me?" "Why yes," he said, "I know a cure for everything. Salt water." "Salt water?" I asked him. "Yes," he said, "in one way or the other. Sweat, or tears, or the salt sea.

The cure for anything is salt water: sweat, tears or the sea.

You know you are truly alive when you’re living among lions.

The cure for anything is salt water — sweat, tears, or the salt sea.

Perhaps he knew, as I did not, that the Earth was made round so that we would not see too far down the road.

When you have a great and difficult task, something perhaps almost impossible, if you only work a little at a time, every day a little, suddenly the work will finish itself.

Write a little every day, without hope, without despair.

God made the world round so we would never be able to see too far down the road.

Difficult times have helped me to understand better than before how infinitely rich and beautiful life is in every way, and that so many things that one goes worrying about are of no importance whatsoever.

All sorrows can be borne if you can put them into a story.

I had a farm in Africa, at the foot of the Ngong Hills.

Through all the world there goes one long cry from the heart of the artist: Give me a chance to do my best.

Of all the idiots I have met in my life, and the Lord knows they have not been few or little, I think that I have been the biggest.

If I know a song of Africa, of the giraffe and the African new moon lying on her back, of the plows in the fields and the sweaty faces of the coffee pickers, does Africa know a song of me? Will the air over the plain quiver with a color that I have had on, or the children invent a game in which my name is, or the full moon throw a shadow over the gravel of the drive that was like me, or will the eagles of the Ngong Hills look out for me?

It's an odd feeling-farewell-there is some envy in it. Men go off to be tested for courage and if we're tested at all, it's for patience, for doing without, for how well we can endure loneliness.

A visitor is a friend, he brings news, good or bad, which is bread to the hungry minds in lonely places. A real friend who comes to the house is a heavenly messenger, who brings the panis angelorum.

We must leave our mark on life while we have it in our power.

our longing is our pledge, and blessed are the homesick, for they shall come home.

Here I am, where I ought to be.

All sorrows can be borne if you put them into a story or tell a story about them.

People who dream when they sleep at night know of a special kind of happiness which the world of the day holds not, a placid ecstasy, and ease of heart, that are like honey on the tongue. They also know that the real glory of dreams lies in their atmosphere of unlimited freedom. It is not the freedom of the dictator, who enforces his own will on the world, but the freedom of the artist, who has no will, who is free of will. The pleasure of the true dreamer does not lie in the substance of the dream, but in this: that there things happen without any interference from his side, and altogether outside his control. Great landscapes create themselves, long splendid views, rich and delicate colours, roads, houses, which he has never seen or heard of...

A great artist is never poor.

When in the end, the day came on which I was going away, I learned the strange learning that things can happen which we ourselves cannot possibly imagine, either beforehand, or at the time when they are taking place, or afterwards when we look back on them.

I start with a tingle, a kind of feeling of the story I will write. Then come the characters, and they take over, they make the story.

One does not travel by plane. One is merely sent, like a parcel.

The Cicada sing an endless song in the long grass, smells run along the earth and falling stars run over the sky, like tears over a cheek. You are the privileged person to whom everything is taken. The Kings of Tarshish shall bring gifts.

It is a good thing to be a great sinner. Or should human beings allow Christ to have died on the Cross for the sake of our petty lies and our paltry whorings

The cure for anything is salt water—sweat, tears, or the sea. —ISAK DINESEN

through the loveliness and power of her dream world she was now, in her old frock and botched shoes, very likely the loveliest, mightiest and most dangerous person on earth

All the sorrows of life are bearable if only we can convert them into a story.

I have read true piety defined as: loving one’s destiny unconditionally – and there is something in it. That is to say: I think that in a way this sort of “religiousness” is the condition for real happiness.

Life and death are like two locked caskets, each of which contains the key to the other.

Much which is unworthy in human life might be avoided if people would only accustom themselves to talking in verse

Then Martine said: "So yuo will be poor now all your life, Babette?" Poor?" said Babette. She smiled as if to herself. "No, I shall never be poor. I told you that I am a great artist. A great artist, Mesdames, is never poor.We have something, Mesdames, of which other people know nothing.

Para ser feliz, hace falta coraje.

But by the time I had nothing left, I myself was the lightest thing of all for fate to get rid of.

Truth, like time, is an idea arising from, and dependent upon, human intercourse.

After a little while you became aware of how still it was out here. Now, looking back on my life in Africa, I feel like it might altogether be described as the existence of a person who had come from a rushed and noisy world, into a still country.

Camping-places fix themselves in your mind as if you had spent long periods of your life in them. You will remember the curve of your waggon track in the grass of the plain, like the features of a friend.

After being told that the Professor “found it possible to believe for a moment in the existence of God,” Isak thought, “Has it been possible to God, at Mount Elgon, to believe for a moment in the existence of Professor Landgreen?

Women, when they are old enough to have done with the business of being women, and can let loose their strength, must be the most powerful creatures in the whole world.

As writer Isak Dinesen put it, “All sorrows can be borne if we put them in a story or tell a story about them.

People work much in order to secure the future; I gave my mind much work and trouble, trying to secure the past.

It is when people are told their own thoughts that they think they are being insulted. But why should not their own thoughts be good enough for other people to tell them?

Truth, like time, is an idea arising from, and dependent upon, human intercourse. — The Roads Round Pisa

Der kom en vederkvægende ro, en dyb fred og fryd over mig, det var som når en feber ophører. "Her," tænkte jeg, "kan jeg blive.

I have read or been told that in a book of etiquette of the seventeenth century the very first rule forbids you to tell your dreams to other people, since they cannot possibly be of interest to them.

Grace, my friends, demands nothing from us but that we shall await it with confidence and acknowledge it in gratitude. Grace, brothers, makes no conditions and singles out none of us in particular; grace takes us all to its bosom and proclaims general amnesty. See! That which we have chosen is given us, and that which we have refused is, also and at the same time, granted us. Ay, that which we have rejected is poured upon us abundantly. For mercy and truth have met together, and righteousness and bliss have kissed one another!

It is an alarming experience to be, in your person, representing Christianity to the natives.

Coffee, according to the women of Denmark, is to the body what the word of the Lord is to the soul.

The tight place, the dark pit in which I am now lying, of what bird is it the talon? When the design of my life is completed, shall I, shall other people see a stork?

Very old families will sometimes feel upon them the shadow of annihilation.

I have been with you every day of my life. You know, do you not, that is has been so? And, I shall be with you every day that is left to me. Every evening I shall sit down, if not in flesh, which means nothing, in spirit, which is all, to dine with you, just like tonight. For tonight I have learned that in this world anything is possible.

Dr Sass…maintained that in paradise, until the time of the fall, the whole world was flat, the back-curtain of the Lord, and that it was the devil who invented a third dimension. Thus are the words ‘straight’, ‘square’, and ‘flat’ the words of noblemen, but the apple was an orb, and the sin of our first parents, the attempt at getting around God. I myself much prefer the art of painting to sculpture

The plan which I had formed in the beginning, to give in in all minor matters, so as to keep what was of vital importance to me, had turned out to be a failure. I had consented to give away my possessions one by one, as a kind of ransom for my own life, but by the time that I had nothing left, I myself was the lightest thing of all, for fate to get rid of.

Natives dislike speed, as we dislike noise, it is to them, at the best, hard to bear. They are also on friendly terms with time, and the plan of beguiling or killing it does not come into their heads. In fact the more time you can give them, the happier they are, and if you commission a Kikuyu to hold your horse while you make a visit, you can see by his face that he hopes you will be a long, long time about it. He does not try to pass the time then, but sits down and lives.

But the cultivation of race gets nowhere, for even its triumphal progress becomes a vicious circle. It cannot give and cannot receive.

A man's center of gravity, the substance of his being, consists in what he has executed and performed in his life; the woman's, in what she is.

Truth is for tailors and shoemakers. ... I, on the contrary, have always held that the Lord has a penchant for masquerades.

Everything that you saw made for greatness and freedom, and unequalled nobility.

Therefore does the world love the Swedes, because in the midst of their woes they can draw it all to their bosom and be so galant that they shine a long way away.

It is impossible that a town will not play a part in your life, it does not matter whether you have good or bad things to say of it, it draws your mind to it, by a mental law of gravitation.

From my journeys in southern Europe I have gained the impression that in our time the Virgin Mary is the only heavenly creature who is really beloved by millions. But I believe these millions would be uncomprehending and perhaps even offended if I were to tell them that the Virgin Mary had made a significant discovery, solved difficult mathematical problems, or masterfully organized and administered an association of housewives in Nazareth.

It is more than their land that you take away from the people, whose Native land you take. It is their past as well, their roots and their identity. If you take away the things that they have been used to see, and will be expecting to see, you may, in a way, as well take their eyes. This applies in a higher degree to the primitive people than to the civilized, and animals again will wander back a long way, and go through danger and sufferings, to recover their lost identity, in the surroundings that they know.

The true aristocracy and the true proletariat of the world are both in understanding with tragedy. To them it is the fundamental principle of God, and the key,—the minor key,—to existence. They differ in this way from the bourgeoisie of all classes, who deny tragedy, who will not tolerate it, and to whom the word of tragedy means in itself unpleasantness.

If a man can devote himself undisturbed to the work which is on his mind, he can, as far I have observed, completely ignore his surroundings--they disappear for him; he can sit in filth and disorder, draught and cold, and be completely happy. For most women it is insufferable to sit in a room if the color scheme displeases them.

The old lady continued, "We women, my child, are often very simple. But that any female would lack reason to such a degree that she would start reasoning with a man--that is beyond my comprehension! She has lost the battle, my dear child, she has lost the battle before it began! No, if a woman will have her way with a man she must look him square in the eye and say something of which it is impossible for him to make any sense whatsoever and to which he is at a loss to reply. He is defeated at once.

Books on one shelf, a small collection of old titles. Isak Dinesen, bound in leather. Alice in Wonderland, in an old illustrated edition. The kind of things someone kept to show visitors how smart they were. Accessories to identity. But one book—a copy of Cadillac Desert, old. He reached for it. “Don’t,” she said. “It’s a signed first.” Angel smirked. “ ’Course it is.” Then: “My boss makes all her new hires read that. She likes us to see this mess isn’t an accident. We were headed straight to Hell, and didn’t do anything about it.

And as he passed the boy gave the elder man a short glance and a smile, the haughty and arrogant smile which youth gives to ages.

Mercy and truth, my friends, have met together,' said the General. 'Righteousness and bliss shall kiss one another.

He was not dogmatic enough to believe that you must have boards and footlights to be within the theater; he carried the stage with him in his heart.

Is it not a sweet thing to think that, if only you have patience, all that has ever been, will come back to you?

...and do not think that I could ever really love a woman who had not, at some time or other, been up on a broomstick.

hornbill was another visitor to the farm, and came there to

The tales that white people tell you of their Native servants are conceived in the same spirit. If they had been told that they played no more important part in the lives of the Natives than the Natives played in their own lives, they would have been highly indignant and ill at ease.

Isak Dinesen said that life is no more than a process for turning healthy young puppies into mangy old dogs and man but an exquisite instrument for converting the red wine of Shiraz into urine.

A friend of mine who is working on a memoir says, I hate the idea of writing as some kind of catharsis, because it seems like that can't possibly produce a good book. You cannot hope to console yourself for your grief by writing, warns Natalia Ginzburg. Turn then to Isak Dinesen, who believed that you could make any sorrow bearable by putting it into a story or telling a story about it.

There are many highly intelligent people who have no answer at all in them. A conversation or a correspondence with such persons is nothing but a double monologue--you may stroke them or strike them, you will get no more echo from them than from a block of wood. And how, then, can you yourself go on speaking?

If I know a song of Africa,-I thought-, of the giraffe and the African new moon lying on her back, of the ploughs in the fields and the sweaty faces of the coffee-pickers, does Africa know a song of me? Would the air over the plain quiver with a color that I have had on, or the children invent a game in which my name was, or the full moon throw a shadow over the gravel of the drive that was like me, or would the eagles of Ngong look out for me?

There is no joy for a woman in putting a man in his place; it is no humiliation for a man to kneel before a woman. But it is humiliating for the women of a society not to be able to respect their men; it is humiliating for the men of a society not to be able to venerate their women.

By the time I got to high school, I had learned to be more cautious about revealing my dreams. I was reading—and therefore writing—adventure stories. This was before I’d read Isak Dinesen and Mikhail Bulgakov, before Ernest Hemingway and T. Coraghessan Boyle, before I’d read something and really felt it, when writing was still just a compulsion, and my teen-age brain was only bordering on sentience. I filled pages of white space with swashbuckling, rapier-wielding, sidekick-sacrificing, dragon-baiting romance. (from 'High-School Confidential' in the The New Yorker.)

You do not know', said the Princess of Augustenberg to Herr Gottingen, 'what a place this is for making you clean. That sea breeze has blown straight through my bonnet and my clothes, and through the very flesh and the bones of me, until my heart and spirit are swept, sun-dried, and salted.

The table was prettily decorated with camellias from the orangery, and upon the snow-white tablecloth, amongst the clear crystal glasses, the old green wineglasses threw delicate little shadows, like the spirit of a pine forest in summer. The Prioress had on a grey taffeta frock with a very rare lace, a white lace cap with streamers, and her old diamond eardrops and brooches. The heroic strength of soul of old women, Boris thought, who with great taste and trouble make themselves beautiful - more beautiful, perhaps, than they have ever been as young women - and who still can hold no hope of awakening any desire in the hearts of men, is like a righteous man working at his good deeds even after he has abandoned his faith in a heavenly reward.

The truth, my children, is that we are, all of us, act- ing in a marionette comedy. What is important more than anything else in a marionette comedy, is keeping the ideas of the author clear. This is the real happiness of life, and now that I have at last come into a marionette play, I will never go out of it again.

The great archetypal stories provide a framework or model for an individual's belief system. They are, in Isak Dinesen's marvelous expression, 'a serious statement of our existence.' The stories and tales handed down to us from the cultures that proceded us were the most serious, succinct expressions of the accumulated wisdom of those cultures. They were created in a symbolic, metaphoric story language and then hones by centuries of tongue-polishing to a crystalline perfection.... "And if we deny our children their cultural, historic heritage, their birthright to these stories, what then? Instead of creating men and women who have a grasp of literary allusion and symbolic language, and a metaphorical tool for dealing with the problems of life, we will be forming stunted boys and girls who speak only a barren language, a language that accurately reflects their equally barren minds. Language helps develop life as surely as it reflects life. It is the most important part of the human condition.

We fish rest quietly, on all sides supported, within an element which all the time accurately and unfailingly evens itself out. An element which may be said to have taken over our personal experience, in as much as, regardless of individual shape and whether we be flat fish or round fish, our weight and body and calculated according to the quantity of our surroundings which we displace...We run no risks. For our changing of place in existence never creates, or leaves after it, what man calls a way, upon which phenomenon - in reality no phenomenon but an illusion - he will waste inexplicable passionate deliberation. Man, in the end, is alarmed by the idea of time, and unbalanced by incessant wanderings between past and future.

March 12 ACCEPTANCE/MISTAKES/AMENDS Of all the idiots I have met in my life, and the Lord knows that they have not been few or little, I think that I have been the biggest. —Isak Dinesen One of the ways that I can reclaim my power and my person is to admit my mistakes. Sometimes it is helpful to sit down and make a list of people that I have wronged (including myself) and to make amends to those with whom it is possible and where it would not harm them to do so. What a clean feeling it is to accept and own my life and not beat myself up for the mistakes I have made! How good it feels to let those I have harmed know that I am aware of what I have done and that I genuinely wish to own and change my behavior, and do what I can to live

The propaganda that has here reached such a state of perfection covers all aspects of existence and constantly surprises one by finding new fields of endeavor. But once a new generation has grown up that has wholly emancipated itself from the tradition of a union between word and fact, the substance of the word will have been juggled out of it, and it will be like paper money which is nowhere backed by gold, and the propaganda itself will have lost its savor. "And with what shall it be salted? It will no longer be good for anything ... "(Matthew 5:13)

Nobody has seen the trekking birds take their way towards such warmer spheres as do not exist, or rivers break their course through rocks and plains to run into an ocean which is not to be found. For God does not create a longing or a hope without having a fulfilling reality ready for them. But our longing is our pledge, and blessed are the homesick, for they shall come home.

Who then," she continues, "tells a finer tale than any of us? Silence does. And where does one read a deeper tale than upon the most perfectly printed page of the most precious book? Upon the blank page. When a royal and gallant pen, in the moment of its highest inspiration, has written down its tale with the rarest ink of all -- where, then, may one read a still deeper, sweeter, merrier and more cruel tale than that? Upon the blank page.

be eternally and unswervingly loyal to the story," means no less than, Be loyal to life, don't create fiction but accept what life is giving you, show yourself worthy of whatever it may be by recollecting and pondering over it, thus repeating it in imagination; this is the way to remain alive. And to live in the sense of being fully alive had early been and remained to the end her only aim and desire. "My life, I will not let you go except you bless me, but then I will let you go." The reward of storytelling is to be able to let go: "When the storyteller is loyal ... to the story, there, in the end, silence will speak. Where the story has been betrayed, silence is but emptiness. But we, the faithful, when we have spoken our last word, will hear the voice of silence.

[W]here in the world did you get the ideathat the Lord wants the truth from us? It is a strange, a most orig- inal, idea of yours, My Lord [Cardinal]. Why, he knows it already, and may even have found it a little bit dull. Truth is for tailors and shoemakers, My Lord. I, on the contrary, have always held that the Lord has a penchant for masquerades. Do you not yourself tell us, my lords spiritual, that our trials are really blessings in disguise? And so they are. I, too, have found them to be so, at midnight, at the hour when the mask falls. But at the same time nobody can deny that they have been dressed up by the hand of an unrivaled expert. The Lord himself—with your permission—seems to me to have been masquerading pretty freely at the time when he took on flesh and dwelt amongst us.” ― The Deluge at Norderney

You know, Tembu," said Mira suddenly, after a pause, "that if, in planting a coffee tree, you bend the taproot, that tree will start, after a little time, to put out a multitude of small delicate roots near the surface. That tree will never thrive, nor bear fruit, but it will flower more richly than the others. Those fine roots are the dreams of the tree. As it puts them out, it need no longer think of its bent taproot. It keeps alive by them— a little, not very long. Or you can say that it dies by them, if you like. For really, dreaming is the well-mannered people's way of committing suicide.

To be so at one with one's own destiny that no one will be able to tell the dancer from the dance, that the answer to the question, Who are you? will be the Cardinal's answer, "Allow me ... to answer you in the classic manner, and to tell you a story," is the only aspiration worthy of the fact that life has been given us. This is also called pride, and the true dividing line between people is whether they are capable of being"in love with {their} destiny" or whether they "accept as success what others warrant to be so ... at the quotation of the day. They tremble, with reason, before their fate.

How beautiful were the evenings of the Masai Reserve when after sunset we arrived at the river or the water-hole where we were to outspan, travelling in a long file. The plains with the thorn trees on them were already quite dark, but the air was filled with clarity,—and over our heads, to the West, a single star which was to grow big and radiant in the course of the night was now just visible, like a silver point in the sky of citrine topaz. The air was cold to the lungs, the long grass dripping wet, and the herbs on it gave out their spiced astringent scent. In a little while on all sides the Cicada would begin to sing. The grass was me, and the air, the distant invisible mountains were me, the tired oxen were me. I breathed with the slight night-wind in the thorn trees.

[W]here in the world did you get the ideathat the Lord wants the truth from us? It is a strange, a most orig- inal, idea of yours, My Lord [Cardinal]. Why, he knows it already, and may even have found it a little bit dull. Truth is for tailors and shoemakers, My Lord. I, on the contrary, have always held that the Lord has a penchant for masquerades. Do you not yourself tell us, my lords spiritual, that our trials are really blessings in disguise? And so they are. I, too, have found them to be so, at midnight, at the hour when the mask falls. But at the same time nobody can deny that they have been dressed up by the hand of an unrivaled expert. The Lord himself—with your permission—seems to me to have been masquerading pretty freely at the time when he took on flesh and dwelt amongst us.

[W]here in the world did you get the ideathat the Lord wants the truth from us? It is a strange, a most orig- inal, idea of yours, My Lord [Cardinal]. Why, he knows it already, and may even have found it a little bit dull. Truth is for tailors and shoemakers, My Lord. I, on the contrary, have always held that the Lord has a penchant for masquerades. Do you not yourself tell us, my lords spiritual, that our trials are really blessings in disguise? And so they are. I, too, have found them to be so, at midnight, at the hour when the mask falls. But at the same time nobody can deny that they have been dressed up by the hand of an unrivaled expert. The Lord himself—with your permission—seems to me to have been masquerading pretty freely at the time when he took on flesh and dwelt amongst us.” --The Deluge at Norderney

The book I was reading was this book I took out of the library by mistake. They gave me the wrong book, and I didn't notice it till I got back to my room. They gave me Out of Africa, by Isak Dinesen. I thought it was going to stink, but it didn’t. It was a very good book. I’m quite illiterate, but I read a lot. My favorite author is my brother D.B., and my next favorite is Ring Lardner. My brother gave me a book by Ring Lardner for my birthday, just before I went to Pencey. It had these very funny, crazy plays in it, and then it had this one story about a traffic cop that falls in love with this very cute girl that's always speeding. Only, he's married, the cop, so he can't marry her or anything. Then this girl gets killed, because she's always speeding. That story just about killed me. What I like best is a book that’s at least funny once in a while. I read a lot of classical books, like The Return of the Native and all, and I like them, and I read a lot of war books and mysteries and all, but they don’t knock me out too much. What really knocks me out is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn’t happen much, though. I wouldn’t mind calling this Isak Dinesen up. And Ring Lardner, except that D.B. told me he’s dead. You take that book Of Human Bondage, by Somerset Maugham, though. I read it last summer. It’s a pretty good book and all, but I wouldn’t want to call Somerset Maugham up. I don’t know. He just isn’t the kind of a guy I’d want to call up, that’s all. I’d rather call old Thomas Hardy up. I like that Eustacia Vye.

I had now also got to deal with the fate of my horses and my dogs... In the end I decided to give them to my friends. I rode in to Nairobi on my favourite horse, Rouge, going very slowly and looking round to the North, and the South. It was a very strange thing to Rouge, I thought, to be going in by the Nairobi road, and not to be coming back. I installed him, with some trouble, in the horse-van of the Naivasha train, I stood in the van and felt, for the last time, his silky muzzle against my hands and my face. I will not let thee go, Rouge, except thou bless me. We had found together the riding-path down to the river amongst the Native shambas and huts, on the steep slippery descent he had walked as nimbly as a mule, and in the brown running river-water I had seen my own head and his close together. May you now, in a valley of clouds, eat carnations to the right and stock to the left.

And the social response to people who have suffered such life-transforming disclosures, well meaning as it is intended to be, is often less than supportive. Our culture may embrace the redeemed sinner, but the person victimized — not so much. Lack of control over their destiny makes people queasy. Friends often unconsciously blame the victim, asking whether the betrayed person really “knew at some level” what was going on and had just been “in denial” about it. But the betrayed are usually as savvy as the rest of us...But it’s not so easy to move on when there’s no solid narrative ground to stand on...it’s not the actions or betrayal that they most resent, it’s the lies. ...it’s often a painstaking process to reconstruct a coherent personal history piece by piece — one that acknowledges the deception while reaffirming the actual life experience. Yet it’s work that needs to be done. Moving forward in life is hard or even, at times, impossible, without owning a narrative of one’s past. Isak Dinesen has been quoted as saying “all sorrows can be borne if you put them in a story or tell a story about them.” Perhaps robbing someone of his or her story is the greatest betrayal of all.