β
The cure for anything is salt water: sweat, tears or the sea.
β
β
Isak Dinesen (Seven Gothic Tales)
β
Do you know a cure for me?"
"Why yes," he said, "I know a cure for everything. Salt water."
"Salt water?" I asked him.
"Yes," he said, "in one way or the other. Sweat, or tears, or the salt sea.
β
β
Karen Blixen (Seven Gothic Tales)
β
You know you are truly alive when youβre living among lions.
β
β
Karen Blixen (Out of Africa)
β
The cure for anything is salt water β sweat, tears, or the salt sea.
β
β
Karen Blixen
β
Perhaps he knew, as I did not, that the Earth was made round so that we would not see too far down the road.
β
β
Karen Blixen (Out of Africa)
β
When you have a great and difficult task, something perhaps almost impossible, if you only work a little at a time, every day a little, suddenly the work will finish itself.
β
β
Karen Blixen
β
Write a little every day, without hope, without despair.
β
β
Karen Blixen
β
God made the world round so we would never be able to see too far down the road.
β
β
Karen Blixen
β
Difficult times have helped me to understand better than before how infinitely rich and beautiful life is in every way, and that so many things that one goes worrying about are of no importance whatsoever.
β
β
Karen Blixen
β
All sorrows can be borne if you can put them into a story.
β
β
Karen Blixen
β
I had a farm in Africa, at the foot of the Ngong Hills.
β
β
Karen Blixen (Out of Africa)
β
Through all the world there goes one long cry from the heart of the artist: Give me a chance to do my best.
β
β
Karen Blixen (Babette's Feast and Other Anecdotes of Destiny)
β
Of all the idiots I have met in my life, and the Lord knows they have not been few or little, I think that I have been the biggest.
β
β
Karen Blixen
β
If I know a song of Africa, of the giraffe and the African new moon lying on her back, of the plows in the fields and the sweaty faces of the coffee pickers, does Africa know a song of me? Will the air over the plain quiver with a color that I have had on, or the children invent a game in which my name is, or the full moon throw a shadow over the gravel of the drive that was like me, or will the eagles of the Ngong Hills look out for me?
β
β
Karen Blixen
β
It's an odd feeling-farewell-there is some envy in it. Men go off to be tested for courage and if we're tested at all, it's for patience, for doing without, for how well we can endure loneliness.
β
β
Karen Blixen
β
A visitor is a friend, he brings news, good or bad, which is bread to the hungry minds in lonely places. A real friend who comes to the house is a heavenly messenger, who brings the panis angelorum.
β
β
Karen Blixen (Out of Africa)
β
We must leave our mark on life while we have it in our power.
β
β
Karen Blixen
β
Here I am, where I ought to be.
β
β
Karen Blixen (Out of Africa)
β
our longing is our pledge, and blessed are the homesick, for they shall come home.
β
β
Karen Blixen (Babette's Feast and Other Anecdotes of Destiny)
β
All sorrows can be borne if you put them into a story or tell a story about them.
β
β
Isak Dinesen
β
A great artist is never poor.
β
β
Karen Blixen
β
People who dream when they sleep at night know of a special kind of happiness which the world of the day holds not, a placid ecstasy, and ease of heart, that are like honey on the tongue. They also know that the real glory of dreams lies in their atmosphere of unlimited freedom. It is not the freedom of the dictator, who enforces his own will on the world, but the freedom of the artist, who has no will, who is free of will. The pleasure of the true dreamer does not lie in the substance of the dream, but in this: that there things happen without any interference from his side, and altogether outside his control. Great landscapes create themselves, long splendid views, rich and delicate colours, roads, houses, which he has never seen or heard of...
β
β
Karen Blixen (Out of Africa)
β
When in the end, the day came on which I was going away, I learned the strange learning that things can happen which we ourselves cannot possibly imagine, either beforehand, or at the time when they are taking place, or afterwards when we look back on them.
β
β
Karen Blixen (Out of Africa / Shadows on the Grass)
β
I start with a tingle, a kind of feeling of the story I will write. Then come the characters, and they take over, they make the story.
β
β
Karen Blixen
β
One does not travel by plane. One is merely sent, like a parcel.
β
β
Karen Blixen
β
The Cicada sing an endless song in the long grass, smells run along the earth and falling stars run over the sky, like tears over a cheek. You are the privileged person to whom everything is taken. The Kings of Tarshish shall bring gifts.
β
β
Karen Blixen (Out of Africa)
β
It is a good thing to be a great sinner. Or should human beings allow Christ to have died on the Cross for the sake of our petty lies and our paltry whorings
β
β
Isak Dinesen
β
The cure for anything is salt waterβsweat, tears, or the sea. βISAK DINESEN
β
β
Trish Doller (Float Plan (Beck Sisters, #1))
β
through the loveliness and power of her dream world she was now, in her old frock and botched shoes, very likely the loveliest, mightiest and most dangerous person on earth
β
β
Karen Blixen (Winter's Tales)
β
All the sorrows of life are bearable if only
we can convert them into a story.
β
β
Isak Dinesen
β
I have read true piety defined as: loving oneβs destiny unconditionally β and there is something in it. That is to say: I think that in a way this sort of βreligiousnessβ is the condition for real happiness.
β
β
Karen Blixen (Letters from Africa, 1914-1931)
β
Life and death are like two locked caskets, each of which contains the key to the other.
β
β
Isak Dinesen
β
Much which is unworthy in human life might be avoided if people would only accustom themselves to talking in verse
β
β
Karen Blixen (Babette's Feast and Other Anecdotes of Destiny)
β
Truth, like time, is an idea arising from, and dependent upon, human intercourse.
β
β
Isak Dinesen (Seven Gothic Tales)
β
Then Martine said: "So yuo will be poor now all your life, Babette?"
Poor?" said Babette. She smiled as if to herself. "No, I shall never be poor. I told you that I am a great artist. A great artist, Mesdames, is never poor.We have something, Mesdames, of which other people know nothing.
β
β
Karen Blixen
β
Para ser feliz, hace falta coraje.
β
β
Karen Blixen
β
But by the time I had nothing left, I myself was the lightest thing of all for fate to get rid of.
β
β
Isak Dinesen
β
As writer Isak Dinesen put it, βAll sorrows can be borne if we put them in a story or tell a story about them.
β
β
Sue Monk Kidd (The Invention of Wings)
β
After a little while you became aware of how still it was out here. Now, looking back on my life in Africa, I feel like it might altogether be described as the existence of a person who had come from a rushed and noisy world, into a still country.
β
β
Isak Dinesen
β
Camping-places fix themselves in your mind as if you had spent long periods of your life in them. You will remember the curve of your waggon track in the grass of the plain, like the features of a friend.
β
β
Isak Dinesen (Out of Africa)
β
Women, when they are old enough to have done with the business of being women, and can let loose their strength, must be the most powerful creatures in the whole world.
β
β
Isak Dinesen (Seven Gothic Tales)
β
After being told that the Professor βfound it possible to believe for a moment in the existence of God,β Isak thought, βHas it been possible to God, at Mount Elgon, to believe for a moment in the existence of Professor Landgreen?
β
β
Isak Dinesen (Out of Africa)
β
Coffee, according to the women of Denmark, is to the body what the word of the Lord is to the soul.
β
β
Isak Dinesen (Seven Gothic Tales)
β
Der kom en vederkvΓ¦gende ro, en dyb fred og fryd over mig, det var som nΓ₯r en feber ophΓΈrer. "Her," tΓ¦nkte jeg, "kan jeg blive.
β
β
Karen Blixen (Shadows on the Grass)
β
It is when people are told their own thoughts that they think they are being insulted. But why should not their own thoughts be good enough for other people to tell them?
β
β
Isak Dinesen (Anecdotes of Destiny and Ehrengard)
β
Truth, like time, is an idea arising from, and dependent upon, human intercourse.
β The Roads Round Pisa
β
β
Isak Dinesen
β
People work much in order to secure the future; I gave my mind much work and trouble, trying to secure the past.
β
β
Isak Dinesen (Shadows on the Grass)
β
Very old families will sometimes feel upon them the shadow of annihilation.
β
β
Isak Dinesen (Ehrengard)
β
I have been with you every day of my life. You know, do you not, that is has been so? And, I shall be with you every day that is left to me. Every evening I shall sit down, if not in flesh, which means nothing, in spirit, which is all, to dine with you, just like tonight. For tonight I have learned that in this world anything is possible.
β
β
Isak Dinesen (Babetteβs Feast)
β
I have read or been told that in a book of etiquette of the seventeenth century the very first rule forbids you to tell your dreams to other people, since they cannot possibly be of interest to them.
β
β
Isak Dinesen (Out of Africa: and Shadows on the Grass (Vintage International))
β
Grace, my friends, demands nothing from us but that we shall await it with confidence and acknowledge it in gratitude. Grace, brothers, makes no conditions and singles out none of us in particular; grace takes us all to its bosom and proclaims general amnesty. See! That which we have chosen is given us, and that which we have refused is, also and at the same time, granted us. Ay, that which we have rejected is poured upon us abundantly. For mercy and truth have met together, and righteousness and bliss have kissed one another!
β
β
Isak Dinesen (Babette's Feast and Other Anecdotes of Destiny)
β
It is an alarming experience to be, in your person, representing Christianity to the natives.
β
β
Isak Dinesen (Out of Africa)
β
The tight place, the dark pit in which I am now lying, of what bird is it the talon? When the design of my life is completed, shall I, shall other people see a stork?
β
β
Isak Dinesen (Out of Africa)
β
Natives dislike speed, as we dislike noise, it is to them, at the best, hard to bear. They are also on friendly terms with time, and the plan of beguiling or killing it does not come into their heads. In fact the more time you can give them, the happier they are, and if you commission a Kikuyu to hold your horse while you make a visit, you can see by his face that he hopes you will be a long, long time about it. He does not try to pass the time then, but sits down and lives.
β
β
Isak Dinesen (Out of Africa)
β
Dr Sassβ¦maintained that in paradise, until the time of the fall, the whole world was flat, the back-curtain of the Lord, and that it was the devil who invented a third dimension. Thus are the words βstraightβ, βsquareβ, and βflatβ the words of noblemen, but the apple was an orb, and the sin of our first parents, the attempt at getting around God. I myself much prefer the art of painting to sculpture
β
β
Karen Blixen
β
The plan which I had formed in the beginning, to give in in all minor matters, so as to keep what was of vital importance to me, had turned out to be a failure. I had consented to give away my possessions one by one, as a kind of ransom for my own life, but by the time that I had nothing left, I myself was the lightest thing of all, for fate to get rid of.
β
β
Isak Dinesen (Out of Africa)
β
Everything that you saw made for greatness and freedom, and unequalled nobility.
β
β
Isak Dinesen (Out of Africa)
β
Truth is for tailors and shoemakers. ... I, on the contrary, have always held that the Lord has a penchant for masquerades.
β
β
Isak Dinesen (Seven Gothic Tales)
β
Therefore does the world love the Swedes, because in the midst of their woes they can draw it all to their bosom and be so galant that they shine a long way away.
β
β
Isak Dinesen (Out of Africa)
β
...and do not think that I could ever really love a woman who had not, at some time or other, been up on a broomstick.
β
β
Isak Dinesen (Seven Gothic Tales)
β
And as he passed the boy gave the elder man a short glance and a smile, the haughty and arrogant smile which youth gives to ages.
β
β
Isak Dinesen (Babetteβs Feast)
β
Mercy and truth, my friends, have met together,' said the General. 'Righteousness and bliss shall kiss one another.
β
β
Isak Dinesen (Babetteβs Feast)
β
A man's center of gravity, the substance of his being, consists in what he has executed and performed in his life; the woman's, in what she is.
β
β
Isak Dinesen (Daguerreotypes and Other Essays)
β
But the cultivation of race gets nowhere, for even its triumphal progress becomes a vicious circle. It cannot give and cannot receive.
β
β
Isak Dinesen (Daguerreotypes and Other Essays)
β
It is impossible that a town will not play a part in your life, it does not matter whether you have good or bad things to say of it, it draws your mind to it, by a mental law of gravitation.
β
β
Isak Dinesen
β
From my journeys in southern Europe I have gained the impression that in our time the Virgin Mary is the only heavenly creature who is really beloved by millions. But I believe these millions would be uncomprehending and perhaps even offended if I were to tell them that the Virgin Mary had made a significant discovery, solved difficult mathematical problems, or masterfully organized and administered an association of housewives in Nazareth.
β
β
Isak Dinesen (Daguerreotypes and Other Essays)
β
It is more than their land that you take away from the people, whose Native land you take. It is their past as well, their roots and their identity. If you take away the things that they have been used to see, and will be expecting to see, you may, in a way, as well take their eyes. This applies in a higher degree to the primitive people than to the civilized, and animals again will wander back a long way, and go through danger and sufferings, to recover their lost identity, in the surroundings that they know.
β
β
Isak Dinesen (Out of Africa)
β
If a man can devote himself undisturbed to the work which is on his mind, he can, as far I have observed, completely ignore his surroundings--they disappear for him; he can sit in filth and disorder, draught and cold, and be completely happy. For most women it is insufferable to sit in a room if the color scheme displeases them.
β
β
Isak Dinesen (Daguerreotypes and Other Essays)
β
The true aristocracy and the true proletariat of the world are both in understanding with tragedy. To them it is the fundamental principle of God, and the key,βthe minor key,βto existence. They differ in this way from the bourgeoisie of all classes, who deny tragedy, who will not tolerate it, and to whom the word of tragedy means in itself unpleasantness.
β
β
Isak Dinesen
β
The old lady continued, "We women, my child, are often very simple. But that any female would lack reason to such a degree that she would start reasoning with a man--that is beyond my comprehension! She has lost the battle, my dear child, she has lost the battle before it began! No, if a woman will have her way with a man she must look him square in the eye and say something of which it is impossible for him to make any sense whatsoever and to which he is at a loss to reply. He is defeated at once.
β
β
Isak Dinesen (Daguerreotypes and Other Essays)
β
Books on one shelf, a small collection of old titles. Isak Dinesen, bound in leather. Alice in Wonderland, in an old illustrated edition. The kind of things someone kept to show visitors how smart they were. Accessories to identity. But one bookβa copy of Cadillac Desert, old. He reached for it. βDonβt,β she said. βItβs a signed first.β Angel smirked. βββCourse it is.β Then: βMy boss makes all her new hires read that. She likes us to see this mess isnβt an accident. We were headed straight to Hell, and didnβt do anything about it.
β
β
Paolo Bacigalupi (The Water Knife)
β
He was not dogmatic enough to believe that you must
have boards and footlights to be within the theater; he carried the stage with him in his heart.
β
β
Isak Dinesen (Seven Gothic Tales)
β
hornbill was another visitor to the farm, and came there to
β
β
Isak Dinesen (Out of Africa)
β
Is it not a sweet thing to think that, if only you have patience, all that has ever been, will come back to you?
β
β
Isak Dinesen (The Blue Jar)
β
The tales that white people tell you of their Native servants are conceived in the same spirit. If they had been told that they played no more important part in the lives of the Natives than the Natives played in their own lives, they would have been highly indignant and ill at ease.
β
β
Isak Dinesen (Out of Africa)
β
A friend of mine who is working on a memoir says, I hate the idea of writing as some kind of catharsis, because it seems like that can't possibly produce a good book.
You cannot hope to console yourself for your grief by writing, warns Natalia Ginzburg.
Turn then to Isak Dinesen, who believed that you could make any sorrow bearable by putting it into a story or telling a story about it.
β
β
Sigrid Nunez (The Friend)
β
There are many highly intelligent people who have no answer at all in them. A conversation or a correspondence with such persons is nothing but a double monologue--you may stroke them or strike them, you will get no more echo from them than from a block of wood. And how, then, can you yourself go on speaking?
β
β
Isak Dinesen (Daguerreotypes and Other Essays)
β
If I know a song of Africa,-I thought-, of the giraffe and the African new moon lying on her back, of the ploughs in the fields and the sweaty faces of the coffee-pickers, does Africa know a song of me? Would the air over the plain quiver with a color that I have had on, or the children invent a game in which my name was, or the full moon throw a shadow over the gravel of the drive that was like me, or would the eagles of Ngong look out for me?
β
β
Isak Dinesen (Out of Africa)
β
Nobody has seen the trekking birds take their way towards such warmer spheres as do not exist, or rivers break their course through rocks and plains to run into an ocean which is not to be found. For God does not create a longing or a hope without having a fulfilling reality ready for them. But our longing is our pledge, and blessed are the homesick, for they shall come home.
β
β
Isak Dinesen (Anecdotes of Destiny and Ehrengard)
β
There is no joy for a woman in putting a man in his place; it is no humiliation for a man to kneel before a woman. But it is humiliating for the women of a society not to be able to respect their men; it is humiliating for the men of a society not to be able to venerate their women.
β
β
Isak Dinesen (Daguerreotypes and Other Essays)
β
By the time I got to high school, I had learned to be more cautious about revealing my dreams. I was readingβand therefore writingβadventure stories. This was before Iβd read Isak Dinesen and Mikhail Bulgakov, before Ernest Hemingway and T. Coraghessan Boyle, before Iβd read something and really felt it, when writing was still just a compulsion, and my teen-age brain was only bordering on sentience. I filled pages of white space with swashbuckling, rapier-wielding, sidekick-sacrificing, dragon-baiting romance.
(from 'High-School Confidential' in the The New Yorker.)
β
β
TΓ©a Obreht
β
You do not know', said the Princess of Augustenberg to Herr Gottingen, 'what a place this is for making you clean. That sea breeze has blown straight through my bonnet and my clothes, and through the very flesh and the bones of me, until my heart and spirit are swept, sun-dried, and salted.
β
β
Isak Dinesen (Seven Gothic Tales)
β
The table was prettily decorated with camellias from the orangery, and upon the snow-white tablecloth, amongst the clear crystal glasses, the old green wineglasses threw delicate little shadows, like the spirit of a pine forest in summer. The Prioress had on a grey taffeta frock with a very rare lace, a white lace cap with streamers, and her old diamond eardrops and brooches. The heroic strength of soul of old women, Boris thought, who with great taste and trouble make themselves beautiful - more beautiful, perhaps, than they have ever been as young women - and who still can hold no hope of awakening any desire in the hearts of men, is like a righteous man working at his good deeds even after he has abandoned his faith in a heavenly reward.
β
β
Karen Blixen
β
The truth, my children, is that we are, all of us, act-
ing in a marionette comedy. What is important more than anything else in a marionette comedy, is keeping the ideas of the author clear. This is the real happiness of life, and now that I have at last come into a marionette play, I will never go out of it again.
β
β
Isak Dinesen (Seven Gothic Tales)
β
The great archetypal stories provide a framework or model for an individual's belief system. They are, in Isak Dinesen's marvelous expression, 'a serious statement of our existence.' The stories and tales handed down to us from the cultures that proceded us were the most serious, succinct expressions of the accumulated wisdom of those cultures. They were created in a symbolic, metaphoric story language and then hones by centuries of tongue-polishing to a crystalline perfection....
"And if we deny our children their cultural, historic heritage, their birthright to these stories, what then? Instead of creating men and women who have a grasp of literary allusion and symbolic language, and a metaphorical tool for dealing with the problems of life, we will be forming stunted boys and girls who speak only a barren language, a language that accurately reflects their equally barren minds. Language helps develop life as surely as it reflects life. It is the most important part of the human condition.
β
β
Jane Yolen (Touch Magic: Fantasy, Faerie & Folklore in the Literature of Childhood)
β
It took them both by surprise like an amazing, brilliant idea from an outside world which they had forgotten.
β
β
Isak Dinesen (Anecdotes of Destiny and Ehrengard (Vintage International))
β
We fish rest quietly, on all sides supported, within an element which all the time accurately and unfailingly evens itself out. An element which may be said to have taken over our personal experience, in as much as, regardless of individual shape and whether we be flat fish or round fish, our weight and body and calculated according to the quantity of our surroundings which we displace...We run no risks. For our changing of place in existence never creates, or leaves after it, what man calls a way, upon which phenomenon - in reality no phenomenon but an illusion - he will waste inexplicable passionate deliberation. Man, in the end, is alarmed by the idea of time, and unbalanced by incessant wanderings between past and future.
β
β
Karen Blixen
β
March 12 ACCEPTANCE/MISTAKES/AMENDS Of all the idiots I have met in my life, and the Lord knows that they have not been few or little, I think that I have been the biggest. βIsak Dinesen One of the ways that I can reclaim my power and my person is to admit my mistakes. Sometimes it is helpful to sit down and make a list of people that I have wronged (including myself) and to make amends to those with whom it is possible and where it would not harm them to do so. What a clean feeling it is to accept and own my life and not beat myself up for the mistakes I have made! How good it feels to let those I have harmed know that I am aware of what I have done and that I genuinely wish to own and change my behavior, and do what I can to live
β
β
Anne Wilson Schaef (Meditations for Women Who Do Too Much - Revised Edition)
β
The propaganda that has here reached such a state of perfection covers all aspects of existence and constantly surprises one by finding new fields of endeavor. But once a new generation has grown up that has wholly emancipated itself from the tradition of a union between word and fact, the substance of the word will have been juggled out of it, and it will be like paper money which is nowhere backed by gold, and the propaganda itself will have lost its savor. "And with what shall it be salted? It will no longer be good for anything ... "(Matthew 5:13)
β
β
Isak Dinesen (Daguerreotypes and Other Essays)
β
I want to study astronomy,β said the boy, βbecause I can no longer stand the thought of time. It feels like a prison to me, and if I could only get away from it altogether I think I should be happy.
β
β
Isak Dinesen (Seven Gothic Tales)
β
Who then," she continues, "tells a finer tale than any of us? Silence does. And where does one read a deeper tale than upon the most perfectly printed page of the most precious book? Upon the blank page. When a royal and gallant pen, in the moment of its highest inspiration, has written down its tale with the rarest ink of all -- where, then, may one read a still deeper, sweeter, merrier and more cruel tale than that? Upon the blank page.
β
β
Isak Dinesen (Last Tales)
β
be eternally and unswervingly loyal to the story," means no less than, Be loyal to life, don't create fiction but accept what life is giving you, show yourself worthy of whatever it may be by recollecting and pondering over it, thus repeating it in imagination; this is the way to remain alive. And to live in the sense of being fully alive had early been and remained to the end her only aim and desire. "My life, I will not let you go except you bless me, but then I will let you go." The reward of storytelling is to be able to let go: "When the storyteller is loyal ... to the story, there, in the end, silence will speak. Where the story has been betrayed, silence is but emptiness. But we, the faithful, when we have spoken our last word, will hear the voice of silence.
β
β
Isak Dinesen (Daguerreotypes and Other Essays)
β
[W]here in the world did you get the ideathat the Lord wants the truth from us? It is a strange, a most orig-
inal, idea of yours, My Lord [Cardinal]. Why, he knows it already, and may even have found it a little bit dull. Truth is for tailors and shoemakers, My Lord. I, on the contrary, have always held that the Lord has a penchant for masquerades. Do you not yourself tell us, my lords spiritual, that our trials are really blessings in disguise? And so they are. I, too, have found them to be so, at midnight, at the hour when the mask falls. But at the same time nobody can deny that they have been dressed up by the hand of an unrivaled expert. The Lord himselfβwith your permissionβseems
to me to have been masquerading pretty freely at the time when he took on flesh and dwelt amongst us.β
β The Deluge at Norderney
β
β
Isak Dinesen (Seven Gothic Tales)
β
You know, Tembu," said Mira suddenly, after a pause, "that if, in planting a coffee tree, you bend the taproot, that tree will start, after a little time, to put out a multitude of small delicate roots near the surface. That tree will never thrive, nor bear fruit, but it will flower more richly than the others.
Those fine roots are the dreams of the tree. As it puts them out, it need no longer think of its bent taproot. It keeps alive by themβ a little, not very long. Or you can say that it dies by them, if you like. For really, dreaming is the well-mannered people's way of committing suicide.
β
β
Isak Dinesen (Seven Gothic Tales)
β
To be so at one with one's own destiny that no one will be able to tell the dancer from the dance, that the answer to the question, Who are you? will be the Cardinal's answer, "Allow me ... to answer you in the classic manner, and to tell you a story," is the only aspiration worthy of the fact that life has been given us. This is also called pride, and the true dividing line between people is whether they are capable of being"in love with {their} destiny" or whether they "accept as success what others warrant to be so ... at the quotation of the day. They tremble, with reason, before their fate.
β
β
Isak Dinesen (Daguerreotypes and Other Essays)
β
How beautiful were the evenings of the Masai Reserve when after sunset we arrived at the river or the water-hole where we were to outspan, travelling in a long file. The plains with the thorn trees on them were already quite dark, but the air was filled with clarity,βand over our heads, to the West, a single star which was to grow big and radiant in the course of the night was now just visible, like a silver point in the sky of citrine topaz. The air was cold to the lungs, the long grass dripping wet, and the herbs on it gave out their spiced astringent scent. In a little while on all sides the Cicada would begin to sing. The grass was me, and the air, the distant invisible mountains were me, the tired oxen were me. I breathed with the slight night-wind in the thorn trees.
β
β
Isak Dinesen
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[W]here in the world did you get the ideathat the Lord wants the truth from us? It is a strange, a most orig-
inal, idea of yours, My Lord [Cardinal]. Why, he knows it already, and may even have found it a little bit dull. Truth is for tailors and shoemakers, My Lord. I, on the contrary, have always held that the Lord has a penchant for masquerades. Do you not yourself tell us, my lords spiritual, that our trials are really blessings in disguise? And so they are. I, too, have found them to be so, at midnight, at the hour when the mask falls. But at the same time nobody can deny that they have been dressed up by the hand of an unrivaled expert. The Lord himselfβwith your permissionβseems
to me to have been masquerading pretty freely at the time when he took on flesh and dwelt amongst us.
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Isak Dinesen (Seven Gothic Tales)
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[W]here in the world did you get the ideathat the Lord wants the truth from us? It is a strange, a most orig-
inal, idea of yours, My Lord [Cardinal]. Why, he knows it already, and may even have found it a little bit dull. Truth is for tailors and shoemakers, My Lord. I, on the contrary, have always held that the Lord has a penchant for masquerades. Do you not yourself tell us, my lords spiritual, that our trials are really blessings in disguise? And so they are. I, too, have found them to be so, at midnight, at the hour when the mask falls. But at the same time nobody can deny that they have been dressed up by the hand of an unrivaled expert. The Lord himselfβwith your permissionβseems
to me to have been masquerading pretty freely at the time when he took on flesh and dwelt amongst us.β
--The Deluge at Norderney
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Isak Dinesen (Seven Gothic Tales)
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The book I was reading was this book I took out of the library by mistake. They gave me the wrong book, and I didn't notice it till I got back to my room. They gave me Out of Africa, by Isak Dinesen. I thought it was going to stink, but it didnβt. It was a very good book. Iβm quite illiterate, but I read a lot. My favorite author is my brother D.B., and my next favorite is Ring Lardner. My brother gave me a book by Ring Lardner for my birthday, just before I went to Pencey. It had these very funny, crazy plays in it, and then it had this one story about a traffic cop that falls in love with this very cute girl that's always speeding. Only, he's married, the cop, so he can't marry her or anything. Then this girl gets killed, because she's always speeding. That story just about killed me. What I like best is a book thatβs at least funny once in a while. I read a lot of classical books, like The Return of the Native and all, and I like them, and I read a lot of war books and mysteries and all, but they donβt knock me out too much. What really knocks me out is a book that, when youβre all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesnβt happen much, though. I wouldnβt mind calling this Isak Dinesen up. And Ring Lardner, except that D.B. told me heβs dead. You take that book Of Human Bondage, by Somerset Maugham, though. I read it last summer. Itβs a pretty good book and all, but I wouldnβt want to call Somerset Maugham up. I donβt know. He just isnβt the kind of a guy Iβd want to call up, thatβs all. Iβd rather call old Thomas Hardy up. I like that Eustacia Vye.
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J.D. Salinger (The Catcher in the Rye)
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I had now also got to deal with the fate of my horses and my dogs... In the end I decided to give them to my friends.
I rode in to Nairobi on my favourite horse, Rouge, going very slowly and looking round to the North, and the South. It was a very strange thing to Rouge, I thought, to be going in by the Nairobi road, and not to be coming back. I installed him, with some trouble, in the horse-van of the Naivasha train, I stood in the van and felt, for the last time, his silky muzzle against my hands and my face. I will not let thee go, Rouge, except thou bless me. We had found together the riding-path down to the river amongst the Native shambas and huts, on the steep slippery descent he had walked as nimbly as a mule, and in the brown running river-water I had seen my own head and his close together. May you now, in a valley of clouds, eat carnations to the right and stock to the left.
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Isak Dinesen (Out of Africa)