“
Love is never supposed to hurt. Love is supposed to heal, to be your haven from misery, to make living fucking worthwhile.
”
”
Mia Asher (Arsen: A Broken Love Story)
“
Everyone keeps telling me that time heals all wounds, but no one can tell me what I’m supposed to do right now. Right now I can’t sleep. It’s right now that I can’t eat. Right now I still hear his voice and sense his presence even though I know he’s not here. Right now all I seem to do is cry. I know all about time and wounds healing, but even if I had all the time in the world, I still don’t know what to do with all this hurt right now.
”
”
Nina Guilbeau (Too Many Sisters)
“
When you first fall in love, it's supposed to be awful. Awful, uncertain, scary, wonderful, confusing, all at once. That's how you know it's real. You have to care deeply. Passionately. That hurts.
”
”
Nancy Werlin (Impossible (Impossible, #1))
“
So if I asked you 'Do you love me' then you'll lie and answer 'Yes' but deep inside you don't really love me, and I'll start believing you because you answered YES when it was supposed to be a NO. And then in the end, I'll end up getting hurt because you lied because you thought I wanted that answer.
”
”
Bianca B. Bernardino (She's Dating the Gangster)
“
Look," I said, "We knew Jason and Becky would be back, the break would end. This isn't a surprise, it's what's supposed to happen. It's what we wanted. Right?"
"Is it?" he asked. "Is it what you want?"
Whether he intended it to be or not, this was the final question, the last Truth. If I said what I really thought, I was opening myself up for a hurt bigger than I could even imagine. I didn't have it in me. We changed and altered so many rules, but it was this one, the only one when we'd started, that I would break.
"Yes," I said.
”
”
Sarah Dessen (The Truth About Forever)
“
I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar (...)
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
There’s something completely unnerving about seeing your parents
upset. I suppose it’s because they’re supposed to be the strong ones, but
that’s not just it. Ever since people are kids they use their parents as some
sort of measurement for how bad a situation is. When you fall on the ground
really hard and you can’t figure out whether it hurts or not you look to your
parents. If they look worried and rush toward you, you cry. If they laugh and
smack the ground saying “Bold ground,” then you pick yourself up and get
on with it.
”
”
Cecelia Ahern (Love, Rosie)
“
Viola?" he says.
And I turn to look at him -
And when I do, I can hear everything he's thinking.
Everything.
Clearer than before, clearer than seems possible -
And I'm not even sure I'm supposed to, but I look him in the eyes and I see it -
In the middle of everything he's feeling -
Even after we fought -
Even after I doubted him -
Even after I hurt him -
I see how much he loves me.
”
”
Patrick Ness (Monsters of Men (Chaos Walking, #3))
“
Roen snorted. "You two have the strangest relationship in the Dells."
Archer smiled slightly. "She won't consent to make it a marriage."
"I can't imagine what's stopping her. I don't suppose you've considered being less munificent with your love?"
"Would you marry me, Fire, if I slept in no one's bed but yours?"
He knew the answer to that, but it didn't hurt to remind him. "No, and I should find my bed quite cramped.
”
”
Kristin Cashore (Fire (Graceling Realm, #2))
“
Damon: I wanted to apologize.
Elena: Good.
Damon: Let me finish. I said I wanted to. And then I realized, I’m not sorry.
Elena: You would rather die than be human, and you expect me to be okay with that?
Damon: I didn’t say you were supposed to be okay with it, I just said I’m not sorry. But you know what I really am? Selfish, because I make bad choices that hurt you. Yes, I would rather have died than be human. I’d rather die right now than spend a handful of years with you, only to lose you when I’m too old and sick and miserable and you’re still you. I’d rather die right now than spend my last final years remembering how good I had it and how happy I was, because that’s who I am, Elena, and I’m not gonna change. And there’s no apology in the world that encompasses all the reasons that I’m wrong for you.
Elena: Fine, then I’m not sorry either. I’m not sorry that I met you. I’m not sorry that knowing you has made me question everything, that in death you’re the one that made me feel most alive. You’ve been a terrible person, you’ve made all the wrong choices, and of all the choices that I’ve made this will prove to be the worst one. But I am not sorry that I’m in love with you. I love you, Damon. I love you.
”
”
L.J. Smith
“
Effy found herself half in love with the Fairy King sometimes, too. The tender belly of his cruelty made her heart flutter. There was an intimacy to all violence, she supposed. The better you knew someone, the more terribly you could hurt them.
”
”
Ava Reid (A Study in Drowning (A Study in Drowning, #1))
“
People say love isn’t supposed to be painful. But maybe the best things in life are the ones that hurt the most after they’re gone.
”
”
Julie Johnson (Say the Word)
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
Rose wasn't 'ordinary'. What was I supposed to do? Wrap her in cotton wool? Tell her 'Here, I could give you the universe, but I'm not going to in case you get hurt? There's all this stuff out there, all these planets, all these wonders, but I want you to stay at home and work in a shop?
”
”
Jacqueline Rayner (Doctor Who: The Stone Rose)
“
Start by pulling him out of the fire and
hoping that he will forget the smell.
He was supposed to be an angel but they took him
from that light and turned him into something hungry,
something that forgets what his hands are for when they
aren’t shaking.
He will lose so much, and you will watch it all happen
because you had him first, and you would let the world
break its own neck if it means keeping him.
Start by wiping the blood off of his chin and
pretending to understand.
Repeat to yourself
“I won’t leave you, I won’t leave you”
until you fall asleep and dream of the place
where nothing is red.
When is a monster not a monster?
Oh, when you love it.
Oh, when you used to sing it to sleep.
Here are your upturned hands.
Give them to him and watch how he prays
like he is learning his first words.
Start by pulling him out of another fire,
and putting him back together with the pieces
you find on the floor.
There is so much to forgive, but you do not
know how to forget.
When is a monster not a monster?
Oh, when you are the reason it has become so mangled.
Here is your humble offering,
obliterated and broken in the mouth
of this abandoned church.
He has come back to stop the world
from turning itself inside out, and you love him, you do,
so you won’t let him.
Tell him that you will never know any better.
”
”
Caitlyn Siehl
“
Most adult children of toxic parents grow up feeling tremendous confusion about what love means and how it’s supposed to feel. Their parents did extremely unloving things to them in the name of love. They came to understand love as something chaotic, dramatic, confusing, and often painful—something they had to give up their own dreams and desires for. Obviously, that’s not what love is all about. Loving behaviour doesn’t grind you down, keep you off balance, or create feelings of self-hatred. Love doesn’t hurt, it feels good. Loving behaviour nourishes your emotional well-being. When someone is being loving to you, you feel accepted, cared for, valued, and respected. Genuine love creates feelings of warmth, pleasure, safety, stability, and inner peace.
”
”
Susan Forward (Toxic Parents: Overcoming Their Hurtful Legacy and Reclaiming Your Life)
“
I don't suppose you believe love could last forever."
I'd hurt him. I looked away, chagrined.
"You're mistaken," I said. "I do believe it could. But it would depend upon the lovers."
He folded his arms and watched me, forcing me to return his gaze. Oh, those eyes.
"And what kind of lovers must they be?" he asked.
The You-and-Me kind?
”
”
Julie Berry (The Amaranth Enchantment)
“
Being in a real relationship was supposed to fix everything. Our love should have mended all the pain and the hurt.
”
”
Krista Ritchie (Addicted to You (Addicted, #1))
“
my love for June and Jake is an anchor, bound with unbreakable chains. Weighing me down, but at the same time... keeping me grounded. Keeping me here. Tying me to the world. It hurts, but it's supposed to, because that's what it means to be alive. And that's comforting, actually. The realization that I'm not some robot devoid of emotions. That I still have the ability to feel things this brutally, this immediate and sharp.
”
”
Hannah Harrington (Saving June)
“
Because when you’re hurt, and someone loves you, they’re supposed to help you, right?
”
”
Kathleen Glasgow (Girl in Pieces)
“
Of this, I am actually certain. After collecting thousands of stories, I’m willing to call this a fact: A deep sense of love and belonging is an irreducible need of all women, men, and children. We are biologically, cognitively, physically, and spiritually wired to love, to be loved, and to belong. When those needs are not met, we don’t function as we were meant to. We break. We fall apart. We numb. We ache. We hurt others. We get sick.
”
”
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Suppose to Be and Embrace Who You Are: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
“
Love isn't suppose to be easy, I know that. Nothing worth having is ever easy. But it is supposed to be honest; it is supposed to be true and unconditional. Love is messy and painful and joyous and not without sacrifice. Love is supposed to conquer all. Is it enough if the love only comes from one side? Is the love of one person enough to conquer the hurt of two?
”
”
Quinn Loftis (Elfin (The Elfin, #1))
“
Sometimes being crazy is a demon. And sometimes the demon is me. And I visit quiet sidewalks and loud parties and dark movies, and a small demon looks out at the world with me. Sometimes it sleeps. Sometimes it plays. Sometimes it laughs with me. Sometimes it tries to kill me. But it’s always with me. I suppose we’re all possessed in some way. Some of us with dependence on pills or wine. Others through sex or gambling. Some of us through self-destruction or anger or fear. And some of us just carry around our tiny demon as he wreaks havoc in our mind, tearing open old dusty trunks of bad memories and leaving the remnants spread everywhere. Wearing the skins of people we’ve hurt. Wearing the skins of people we’ve loved. And sometimes, when it’s worst, wearing our skins.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
It all comes back. Perhaps it is difficult to see the value in having one's self back in that kind of mood, but I do see it; I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were. I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing "How High the Moon" on the car radio. (You see I still have the scenes, but I no longer perceive myself among those present, no longer could ever improvise the dialogue.) The other one, a twenty-three-year-old, bothers me more. She was always a good deal of trouble, and I suspect she will reappear when I least want to see her, skirts too long, shy to the point of aggravation, always the injured party, full of recriminations and little hurts and stories I do not want to hear again, at once saddening me and angering me with her vulnerability and ignorance, an apparition all the more insistent for being so long banished.
It is a good idea, then, to keep in touch, and I suppose that keeping in touch is what notebooks are all about. And we are all on our own when it comes to keeping those lines open to ourselves: your notebook will never help me, nor mine you.
”
”
Joan Didion (Slouching Towards Bethlehem)
“
Jesus," I said. "That was bad."
Seth looked startled—and then hurt. "Bad?"
"No, not performance bad—more like dirty, wicked bad. The kind of stuff that gets an R rating."
"What, we can't do that?" He stepped forward and wrapped his arms around my waist, nuzzling my neck.
"Well, yeah...er, well, damn it. We're not supposed to be. Not at all. It's just that last time, it was like...I don't know. It was making love. This time it was..."
"Fucking?" he supplied.
"Oh God," I groaned. "Seth Mortensen just said 'fucking' out loud. The end times are near.
”
”
Richelle Mead (Succubus Heat (Georgina Kincaid, #4))
“
so the poem hurt you.
it was supposed to.
”
”
Trista Mateer ([redacted])
“
There was a lot of pain in that kiss. There was so much hurt and so much fear in it. I felt tears rolling down the both of our faces. But, in that kiss, there was even more want. We both wanted to smother out that pain, to not have so many horrible things in the all too recent past, to just be normal, to do the types of things we were supposed to be dealing with besides death and disability.
”
”
Keary Taylor (What I Didn't Say)
“
I fell in love with you that summer all those years ago. I never really told you, because of everything that happened. But I suppose I've been in love with you ever since.
Everything's been wrong with us, timing -wise. Hasn't it?
I just wanted you to know I wasn't an idiot, some stupid bastard who wanted to hurt you. I could never do that to you. There were reasons.
”
”
Harriet Evans (Happily Ever After)
“
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled.
"The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always.
”
”
Margery Williams Bianco (The Velveteen Rabbit)
“
I felt her story in every line: her struggle as the neglected child of a famous movie star; her mixed feelings about discovering she was a daughter of Aphrodite; most hurtful of all, her realization that the supposed love of her life, Jason Grace, was not someone she wanted to be with romantically.
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
As we grow up we realize that even the person who was supposed to never let you down probably will. You will probably have your heart broken more than once and it gets harder every time. You'll break hearts too, so remember how it felt when your's was broken. You'll fight with your best friend. You'll blame a new love for things an old one did. You'll cry because time is passing too fast, and you'll eventually lose someone you love, so take many pictures, laugh to much and love like you've never been hurt because every sixty seconds you spend upset is one minute of happiness you'll never get back.
”
”
Andy Sixx
“
George stared at the dove. What would she say if she could speak to him? What would she wish for, for her father? For she, too, had been harmed by a man who had meant to show his utmost love for her.
It made George wonder why love was suppose to be such a wonderful thing. As far as he could tell, love was just another excuse for causing pain.
”
”
Mette Ivie Harrison (The Princess and the Hound (The Hound Saga #1))
“
Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
...
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox.
...
But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
...
What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
He told me he loved me. He was supposed to protect me from hurt, not inflict it in the cruelest of ways. He betrayed me. I’m dying. I’m dead. Why am I still breathing? God, I don’t know how to make
the hurt stop.
”
”
Tarryn Fisher (Dirty Red (Love Me with Lies, #2))
“
Things like that happen all the time in this great big world of ours. It is like taking a boat out on a beautiful lake on a beautiful day and thinking both the sky and the lake are beautiful. Things will go where they are supposed to go if you just let them take their natural course. Despite your best efforts, people are going to be hurt when it is time for them to be hurt. Life is like that.
”
”
Haruki Murakami (Norwegian Wood)
“
It's funny the things people say when someone dies.
He's in a better place.
How do you know that?
Life goes on.
That's supposed to comfort me? I'm excruciatingly aware that life goes on. It hurts every damned second. How lovely to know it's going to continue like this. Thank you for reminding me.
Time heals.
No, it doesn't. At best, time is the great leveler, sweeping us all into coffins. We find ways to distract ourselves from the pain. Time is neither scalpel nor bandage. It is indifferent. Scar tissue isn't a good thing. It's merely the wound's other face.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
You know people who love you don't hurt you like that," he says, eyes steady on me. "Love's not supposed to try to kill you.
”
”
Rebecca Roanhorse (Trail of Lightning (The Sixth World, #1))
“
As we grow up we learn that even the person that wasn't supposed to ever let you down probably will. You will have your heart broken probably more than once and it gets harder every time. You'll break hearts too, so remember how it felt when yours was broken. You'll fight with your best friend. You'll blame a new love for things an old one did. You'll cry because time is passing too fast, and you'll eventually lose someone you love, so take many pictures, laugh too much and love like you've never been hurt because every sixty seconds you spend upset is one minute of happiness you'll never get back.
”
”
Andy Biersack
“
You hurt me, I want to say. You’re my best friend. The one who’s supposed to tell me I’d be the best boyfriend in the world and that any girl would be lucky to have me, not the one who laughs outright at the thought that I might need someone to love.
”
”
Lauren Layne (Blurred Lines (Love Unexpectedly, #1))
“
Maybe instead, I wanted the kind of love that devastates you. The kind that rips your insides open and leaves you gutted, out in the cold. Maybe I wanted that great, epic, once-in-a-lifetime love, that consumes with the brightest of flames. And maybe, even though I knew the hottest fires often burn out the fastest, even though it couldn’t last… it was worth it.
People say love isn’t supposed to be painful. But maybe the best things in life are the ones that hurt the most after they’re gone.
”
”
Julie Johnson (Say the Word)
“
The person who was supposed to love me the hardest-the most unconditionally-has always wanted me gone. No matter how hard I tried to be perfect. Now, this boy-who knows all my imperfections and has seen all my hurt laid bare-wants me to stay.
”
”
Angelo Surmelis (The Dangerous Art of Blending In)
“
The thief of love was ego. How weak was love that it could not sustain insecurity? Wasn’t it supposed to do the opposite?
”
”
Tarryn Fisher (F*ck Marriage)
“
Make love to me. Please. I’m dying for it, for you. And therein lay the other major problem. His body was a wreck along with his mind. His past addictions were spinning in desperation and it was taking everything he had to keep from flying apart. The hunger to hurt and be hurt had never been more volatile and each second he didn’t connect with Mercy, it grew worse. But how exactly was a monster cyclone supposed to connect with an angel and not rip her apart in ways that made him feel vile and dirty? Fuck, he never wanted to feel that with her.
”
”
Lucian Bane (Beg For Mercy (Mercy, #3))
“
I worry for you. If you love everyone, you’ll end up having hurt feelings most of the time. I suppose, relative to the length of your life, you feel as if you’ve known me a rather long time. Your perspective of time is really very warped, Maya. But I am old and soon, you’ll forget you even knew me.
”
”
Gabrielle Zevin (The Storied Life of A.J. Fikry)
“
You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?"
The word sprang from my lips without thought. "No!"
"Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?"
I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste."
I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public.
And I'd said it on live television.
I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely.
"Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?"
I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face.
He really wanted to know.
And I couldn't poke fun at him, not when I had a chance to say what I'd really started to think now that he was my friend. I couldn't joke about the person who'd saved me from facing absolute heartbreak at home, who fed my family boxes of sweets, who ran to me worried that I was hurt if I asked for him.
A month ago, I had looked at the TV and seen a stiff, distant, boring person-someone I couldn't imagine anyone loving. And while he wasn't anything close to the person I did love, he was worthy of having someone to love in his life.
"Maxon Schreave is the epitome of all things good. He is going to be a phenomenal king. He lets girls who are supposed to be wearing dresses wear jeans and doesn't get mad when someone who doesn't know him clearly mislabels him." I gave Gavril a keen look, and he smiled. And behind him, Maxon looked intrigued. "Whoever he marries will be a lucky girl. And whatever happens to me, I will be honored to be his subject."
I saw Maxon swallow, and I lowered my eyes.
"America Singer, thank you so much." Gavril went to shake my hand. "Up next is Miss Tallulah Bell."
I didn't hear what any of the girls said after me, though I stared at the two seats. That interview had become way more personal than I'd intended it to be. I couldn't bring myself to look at Maxon. Instead I sat there replaying my words again and again in my head.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
I always thought love was supposed to make you itchy. A crawling-out-of-your-skin kind of obsession. I thought love was synonymous with pining and longing. That it had to hurt.
”
”
Rosie Danan (The Roommate (The Shameless Series, #1))
“
Every time someone hurts you, you carry a little piece of that with you. When it’s one of the people who’s supposed to love you most in the world, well, I’d imagine that takes a whole chunk out of your faith in humanity.
”
”
Kristin Harmel (When We Meet Again)
“
What was wrong with her? Why did things like this keep happening to her? Love wasn't supposed to hurt, yet it felt like all she knew when it came to love was pain. Every time she opened her heart, she just got burned. Or, in this case, frozen. And she was getting sick and tired of it.
”
”
Elizabeth Rudnick (Disney Frozen: A Frozen Heart)
“
I was just a flat line until he came along. And maybe now I'm hurting. But isn't that what love is supposed to do? Make you feel, make you brave, make you look at yourself more carefully?
”
”
Tarryn Fisher (F*ck Love)
“
We’re supposed to be reckless and careless and wild. And none of it is supposed to hurt. If we’ve kissed too many people, smoked too many cigarettes, had too much to drink, laughed too hard, offended too many people—we've done it right. We haven’t wasted any time. And Nathan and I have a lot of catching up to do.
”
”
Alexis Bass (Love and Other Theories)
“
I'm sorry. For all of us. Sorry for all the little ways the people who were supposed to love us most could hurt us so deeply, despite their shared heritage and blood, as thought their knowledge of our pasts gave them unlimited access to all the most tender places, the old wounds that could be so easily reopened with no more than a glance, a comment, a passing reminder of all the ways in which we failed to live up to their expectations.
”
”
Sarah Ockler (The Summer of Chasing Mermaids)
“
I have learned that if you fake your life it will kill you slowly, terribly and cause the most pain for everyone. You try to do the right thing, not hurt anyone, conform to what love is supposed to be and what it is supposed to look like, but in the end it destroys you. It eats away at your heart and soul like acid. You slowly destroy those around you that you say you love, and you slowly destroy yourself.
”
”
Mark D'Arbanville (The Naked Husband)
“
I learned that one person hurting another really is like a hand curling into a fist to smash the foot. And that all that really matters is family and other people. And that the purpose of life is to find the Light of God, but not the light from some old guy with a beard sitting up there judging us. The light is the love we give each other on our way back home. And that God wouldn’t mind if we spent a little less time telling him how great he is and a little more time loving each other, and not just the people we’re supposed to love, but everyone.
”
”
Paul H. Magid (Lifting the Wheel of Karma)
“
I can’t quite shake this feeling that we live in a world gone wrong, that there are all these feelings you’re not supposed to have because there’s no reason to anymore. But still they’re there, stuck somewhere, a flaw that evolution hasn’t managed to eliminate yet. I want so badly to feel bad about getting pregnant. But I can’t, don’t dare to. Just like I didn’t dare tell Jack that I was falling in love with him, wanting to be a modern woman who’s supposed to be able to handle the casual nature of these kinds of relationships. I’m never supposed to say, to Jack or anyone else, ‘What makes you think I’m so rich that you can steal my heart and it won’t mean a thing?’ Sometimes I think that I was forced to withdraw into depression, because it was the only rightful protest I could throw in the face of a world that said it was all right for people to come and go as they please, that there were simply no real obligations left. Deceit and treachery in both romantic and political relationships is nothing new, but at one time, it was bad, callous, and cold to hurt somebody. Now it’s just the way things go, part of the growth process. Really nothing is surprising. After a while, meaning and implication detach themselves from everything. If one can be a father and assume no obligations, it follows that one can be a boyfriend and do nothing at all. Pretty soon you can add friend, acquaintance, co-worker, and just about anyone else to the long list of people who seem to be part of your life, though there is no code of conduct that they must adhere to. Pretty soon, it seems unreasonable to be bothered or outraged by much of anything because, well, what did you expect?
”
”
Elizabeth Wurtzel (Prozac Nation)
“
but he’s yet another person who was supposed to love me but didn’t.” My chest ached. If I wasn’t the problem, why did this keep happening to me? I tried to be a good person. A good daughter, good girlfriend…but no matter how hard I tried, I always ended up hurt.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
But that’s what love’s supposed to do sometimes, right? Hurt? It beats us around every now and then to make sure we’re paying attention. To make sure we know that, yes, that’s the person who really matters the most.
”
”
Ella Frank (True (Temptation, #6))
“
Absolutely pathetic.”
I make a Jeopardy! buzzer sound. “Who is Joshua Templeman?”
“Lucinda flirting with couriers. Pathetic.”
Joshua is hammering away on his keyboard. He certainly is an impressive touch typist. I stroll past his desk and am gratified by his frustrated backspacing.
“I’m nice to him.”
“You? Nice?”
I’m surprised by how hurt I feel. “I’m lovely. Ask anyone.”
“Okay. Josh, is she lovely?” he asks himself aloud. “Hmm, let me think.”
He picks up his tin of mints, opens the lid, checks them, closes it, and looks at me. I open my mouth and lift my tongue like a mental patient at the medication window.
“She’s got a few lovely things about her, I suppose.”
I raise a finger and enunciate the words crisply: “Human resources.”
He sits up straighter but the corner of his mouth moves. I wish I could use my thumbs to pull his mouth into a huge deranged grin. As the police drag me out in handcuffs I’ll be screeching, Smile, goddamn you.
We need to get even, because it’s not fair. He’s gotten one of my smiles, and seen me smile at countless other people. I have never seen him smile, nor have I seen his face look anything but blank, bored, surly, suspicious, watchful, resentful. Occasionally he has another look on his face, after we’ve been arguing. His Serial Killer expression.
”
”
Sally Thorne (The Hating Game)
“
I hugged my mom. “Is it supposed to hurt this much, mommy?” I asked.
“My sweet Sloane,” she said. “True love hurts the worst.”
Sloane and Tammi
”
”
Micalea Smeltzer (Hush)
“
They weren’t so different, the two of them. They’d both been abandoned by their parents, but at least she’d had the Professor. He’d seen something in her worth saving, but Harte never had that. She still might not trust him, but she understood him. The drive that made him who he was, the determination to prove himself—the bone-deep need to belong somewhere—those were all things she knew very well. She understood the hurt, too. The fear that there was something intrinsically wrong with you to make the people who were supposed to love you leave. The way that fear either hardened you or destroyed you. It had turned into a sort of armor for her, another weapon in her arsenal, and she suspected the same was true of Harte.
”
”
Lisa Maxwell (The Last Magician (The Last Magician, #1))
“
And there it is again -- that profound lesson about choices. Once we make them, we're tied to them, and consequences will follow us. But we also need to know that each day we get the chance to choose all over again. And believe me, there's hope in that
”
”
Christi Paul (Love Isn't Supposed to Hurt)
“
Contrast is important in life. We understand what light is because we can compare it with what we know is dark. Sweet is made sweeter after we eat something bitter. It’s the very same with sadness. And it’s important to experience sadness, to embrace it in order to truly know happiness. I was just a flat line until he came along. And maybe now I’m hurting. But isn’t that what love is supposed to do? Make you feel, make you brave, make you look at yourself more carefully?
”
”
Tarryn Fisher (F*ck Love)
“
Sometimes the people who are supposed to love you the most are the ones who hurt you the worst. They don’t get a pass just because they’re family. Choose yourself.” I’ve seen the damage holding onto a toxic relationship of any kind can cause and I don’t want that for her.
”
”
Natasha Bishop (Only for the Week)
“
Her laugh was a travesty. Which made sense because in a way, so was his apology. But what was he supposed to say?
I want you until I hurt. Until I sweat.
I love you with a raw, bleeding need that I've never understood.
And all I know for sure is that you can never be mine.
”
”
Jessica Bird (From the First (The Moorehouse Legacy, #3; Callie/Grace/Walker Brothers/Moorehouse series, #6))
“
Today Means Amen
Dear you, whoever you are, however you got here,
this is exactly where you are supposed to be.
This moment has waited its whole life for you.
This moment is your lover and you are a soldier.
Come home, baby, it's over. You don't need
to suffer anymore. Dear you, this moment
is your surprise party. You are both hiding
in the dark and walking through the door.
This moment is a hallelujah. This moment
is your permission slip to finally open that love
letter you've been hiding from yourself,
the one you wrote when you were little
when you still danced like a sparkler at dusk.
Do you remember the moment you realized
they were watching? When you became
ashamed of how much light you were holding?
When you first learned how to unlove yourself?
Dear you, the word today means amen
in every language. Today, we made it. Today,
I'm going to love you. Today, I'm going
to love myself. Today, the boxcutter will rust
in the garbage. The noose will forget
how to hold you, today, today--
Dear you, and I have always meant you,
nothing would be the same if you
did not exist. You, whose voice is someone's
favorite voice, someone's favorite face
to wake up to. Nothing would be the same
if you did not exist. You, the teacher,
the starter's gun, the lantern in the night
who offers not a way home, but the courage
to travel farther into the dark. You, the lover,
who worships the taste of her body, who is
the largest tree ring in his heart, who does not
let fear ration your love. You, the friend,
the sacred chorus of how can I help.
You, who have felt more numb than holy,
more cracked than mosaic. Who have known
the tiles of a bathroom by heart, who have
forgotten what makes you worth it.
You, the forgiven, the forgiver, who belongs
right here in this moment. You, this clump
of cells, this happy explosion that happened
to start breathing, and by the grace of whatever
is up there, you got here. You made it
this whole way: through the nights
that swallowed you whole, the mornings
that arrived in pieces. The scabs, the gravel,
the doubt, the hurt, the hurt, the hurt
is over. Today, you made it. You made it.
You made it here.
”
”
Sierra DeMulder (Today Means Amen)
“
As we grow up, we learn that even the one person that wasn't supposed to ever let us down, probably will. You'll have your heart broken and you'll break others' hearts. You'll fight with your best friend or maybe even fall in love with them, and you'll cry because time is flying by. So take too many pictures, laugh too much, forgive freely, and love like you've never been hurt. Life comes with no guarantees, no time outs, no second chances. You just have to live life to the fullest, tell someone what they mean to you and tell someone off, speak out, dance in the pouring rain, hold someone's hand, comfort a friend, fall asleep watching the sun come up, stay up late, be a flirt, and smile until your face hurts. Don't be afraid to take chances or fall in love and most of all, live in the moment because every second you spend angry or upset is a second of happiness you can never get back.
”
”
Matti Nykanen
“
No, hey, no.” He bent down until his eyes were level with hers. “We’re not arguing. I’m just worried about you, OK? I want to keep you safe. I love you, always will. No matter how many times you almost give me a heart attack or a nervous breakdown. It’s just…” He drew off, his voice guttering out. “It’s scary, to know that someone might want to hurt you, or make you scared. You’re my person. My little one. My Sarge. And I’m supposed to protect you.
”
”
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
“
Her head hurt and her chest felt hollowed out, as if she’d lost more than just her memories. For a second the agony was so deep and so brutal, she clutched her heart, half expecting to find a jagged hole. But there was no wound. Her heart was still there; she could feel it beating. Yet for a devastating moment, Evangeline imagined that it shouldn’t have been, that her heart was supposed to be as broken as she felt. Then it hit her, not a feeling but a thought—a sharp, fragmented one. She had something important to tell someone.
”
”
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
“
Forgiveness isn't reserved for the ones who deserve it. God gives it freely, and we should do the same. The one person you can set free from bitterness is you. The fact that your dad apologized is amazing. But even if he hadn't, at some point you're going to have to let go of your anger or you'll end up just like him, hurting the people you're supposed to love.
”
”
Liz Johnson (On Love's Gentle Shore (Prince Edward Island Dreams #3))
“
What? It’s ridiculous. Control your emotions. Can you imagine if criminals went around saying they fell into hatred or jealousy and that’s why they killed four people or robbed the bank? We act like love is this uncontrollable thing. But when it comes to anger and all of that ugly stuff, we’re expected to control it. We’re supposed to handle those emotions without hurting anyone. But throw out the word ‘love’ and everyone thinks all of the rules should go right out the window and who can help it if someone gets hurt? It’s absurd and it’s degrading, honestly, that we expect people to control themselves except for when it comes to wanting to sleep with someone.
”
”
Audrey Bell (Love Show)
“
I Don’t Even Like Him—How Can I Pray for Him? Have you ever been so mad at your husband that the last thing you wanted to do was pray for him? So have I. It’s hard to pray for someone when you’re angry or he’s hurt you. But that’s exactly what God wants us to do. If He asks us to pray for our enemies, how much more should we be praying for the person with whom we have become one and are supposed to love? But how do we get past the unforgiveness and critical attitude? The first thing to do is be completely honest with God. In order to break down the walls in our hearts and smash the barriers that stop communication, we have to be totally up-front with the Lord about our feelings. We don’t have to “pretty it up” for Him. He already knows the truth. He just wants to see if we’re willing to admit it and confess it as disobedience to His ways. If so, He
”
”
Stormie Omartian (The Power of a Praying® Wife)
“
The reason why the world is a difficult place to live in, is due to the fact that people are not interested in people. Nobody is truly interested in anybody; they are only interested in the parts that they think will be pleasurable and comfortable for them to get to know. People don't want to know what you're afraid of, what kind of dreams you have at night, what your eyes look like when you laugh and when you hurt... people want to receive perfect gifts and other people are supposed to be those perfect gifts! But then none of us are those perfect gifts. All of us are real on the inside but then people want what's not real... so how is the world supposed to work, that way? I want to know what's real in people, and in me. And it's hard to be this way, because nobody else is.
”
”
C. JoyBell C.
“
Need we go into details about what I said to Judy? I am no poet, and I suppose what I said was very much what everybody always says, and although I remember her as speaking golden words, I cannot recall precisely anything she said. If love is to be watched and listened to without embarrassment, it must be transmuted into art, and I don't know how to do that, and it is not what I have come to Zurich to learn.
”
”
Robertson Davies (The Manticore (The Deptford Trilogy, #2))
“
We were all made with the potential to be the people we are supposed to be. We all have souls and we all have minds and we all have wills. Many people look at the world and see a beautiful place full of potential and love and beauty those are the people you want as friends. But many people look at the world and see a place that hurts, that causes pain, that destroys and corrupts. Those are the people you don't want to have as friends, for those are the people who will pull you down with them, who will fill your mind with similar thoughts, who will turn you from a positive person to a negative person. God made us all with the potential to be positive people, contributing to the growth of this world, but many people choose to be negative, diminishing the light of those who wish to do good.'
'Why?' Walker asked.
'Because, my friend, it's easier. It's unfortunate, but it's true. It's much easier for a person to think that the world will not let him advance, because then that person won't have many expectations of himself, and it's easier to fulfill low expectations.
”
”
Tom Walsh
“
Oh, my darling, why is it that love makes me hate the world? It’s supposed to have quite the opposite effect. I feel as though all mankind, and God, too, were in a conspiracy against us.”
“They are, they are.”
“But we’ve got our happiness in spite of them; here and now, we’ve taken possession of it. They can’t hurt us, can they?”
“Not tonight; not now.
”
”
Evelyn Waugh (Brideshead Revisited)
“
10 facts about abusive relationships (what i wish i'd known)
1. it's not always loud. it's not always obvious. the poison doesn't always hit you like a gunshot. sometimes, it seeps in quietly, slowly. sometimes, you don't even know it was ever there until months after.
2. love is not draining. love is not tiring. this is not how it is supposed to be.
3. apologies are like band-aids, when what you really need is stitches– they don't actually fix anything long-term. soon enough, you'll be bleeding again, but they will never give you what you really need.
4. this is not your fault. you did not turn them into this. this is how they are, how they've always been. you can't blame yourself.
5. there will be less good days than bad days but the good days will be so amazing that it will feel like everything is better than it actually is. your mind is playing tricks on itself and your heart is trying to convince itself that it made the right choice.
6. they do not love you. they can not love you. this is not love.
7. you're not wrong for wanting to run, so do it. listen to what your gut is telling you.
8. you will let them come back again and again before you realize that they only change long enough for you to let them in one more time.
9. it's okay to be selfish and leave. there is never any crime in putting yourself first. when they tell you otherwise, don't believe them. don't let them tear you down. they want to knock you off your feet so that they can keep you on the ground.
10. after, you will look back on this regretting all the chances given, all the time wasted. you will think about what you know now, and what you would do differently if given the chance. part of you will say that you would never have even given them the time of the day, but another part of you, the larger one, will say that even after everything, you wouldn't have changed a thing. and as much as it will bother you, eventually, you will realize that that is the part that is right. because as much as it hurts, as much as you wish you'd never felt that pain, it has taught you something. it has helped you grow. they brought you something that you would have never gotten from somebody else. at the end of the day, you will accept that even now, you wouldn't go about it differently at all.
”
”
Catarine Hancock (how the words come)
“
I don't like kissing."
"I suppose it is a matter of taste."[...]"I wondered, did anyone ever," shrug, "you know, hurt you so you don't like kissing? love?"
"Nope."[...]
"I thought maybe someone had been bad to you in the past, and that was why you don't like people touching or holding you."
"Ah damn it to hell," she bangs the lamp down on the desk and the flame jumps wildly.
"I said no. I haven't been raped or jilted or abused in any fashion. There is nothing in my background to explain the way I am." She steadies her voice, taking the impatience out of it. "I'm the odd one out, the peculiarity in my family, because they are all normal and demonstrative physically. But ever since I can remember, I've disliked close contact...charge contact, emotional contact, as well as any overtly sexual contact. I veer away from it, because it always feels like the other person is draining something out of me. I know that's irrational, but that's the way I feel."
She touches the lamp and the flaring light stills.
"I spent a considerable amount of time when I was, o, adolescent, wondering why I was different, whether there were other people like me. Why, when everyone else was facinated by their developing sexual nature, I couldn't give a damn. I've never been attracted to men. Or women. Or anything else. It's difficult to explain, and nobody has ever believed it when I have tried to explain, but while I have an apparently normal female body, I don't have any sexual urge or appetite. I think I am a neuter.
”
”
Keri Hulme (The Bone People)
“
- Then I realized maybe Atlas wasn't supposed to be my whole life. Maybe he was only supposed to be a part of it.
- I'm going to make a promise to you. When my life is good enough for you to be a part of it, I'll come find you. But I don't want you to wait around for me, because that might never happen.
- You pushed me. "You fell", he says.
- You are my wife. I'm supposed to be the one who protects you from the monsters. I'm not supposed to be the one.
- Where did you get that magnet, Lily?
- Lily saved your life, now you're saving hers.
- I had nothing to offer you but live, and to me, you deserved more than that- Atlas
- If you severer need me, I want you to call me. But only if it's an emergency. I'm not capable of being casual with you, Lily.- Atlas
- In the future..if by some miracle you ever find yourself in the position to fall in love again..fall in love with me. You're still my favourite person, Lily. Always will be.- Atlas
- Just because someone hurts you doesn't mean you can simply stop loving them. It's not a person's actions that hurt the most. It's the love.
-It stops here. With me and you. It ends with us- Lily to her baby Emerson.
- I feel like my life is good enough for you now. So whenever you're ready...- Atlas
- You can stop swimming now, Lily. We finally reached the shore."- Atlas
”
”
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
“
You asked what my intentions are, Mrs. Brenner, and I would like to answer your question.” Dibs opened his mouth as if preparing to argue and she glared at him from across the table. Did he really think not to let her state her case in front of his family? He snapped his mouth shut and briskly rubbed a palm across his forehead before tossing that same hand in the air. “My intentions are these.” She gathered her thoughts, folding her hands in her lap. “When David is sad, I intend to make him happy. When he is ill, I intend to make him well. When he is angry or upset, I intend to listen and find the words to make him feel better. When he is depressed, I intend to bring him joy, and when he is hurt, I intend to find the source of his pain and take it away from him.” She bridged the distance to Dibs’s devoted gaze, and radiant love crested the last barricade surrounding her heart. “You see, Mr. and Mrs. Brenner, I’m in love with your son. But I don’t want anything from him. You don’t need to worry because my only intention is to give to him. That’s the way it’s supposed to be when you love someone, isn’t it? To think only of their needs, instead of your own?” She broke off from Dibs and faced his mother. “Those are my intentions, Mrs. Brenner. I hope you find them satisfactory.
”
”
A.J. Nuest
“
I step in to give him a hug, but his hand comes in between us.
His hand.
Because he doesn't want to do any more than shake. With the girl he's made love to. Whose heart is bursting out of her chest.
I'm trembling in a way that makes me feel like I might fall apart any second. His hand touches mine, and I love the warmth of him. Love the way he feels.
My eyes don't live his. He has only some idea that he could be a model for Calvin Klein. This is so weird. I'm supposed to be angry. Hurt. Instead I'm in shock that he still makes me feel this way - like we were something special.
”
”
Jolene Perry (My Heart for Yours (Crawford, #1))
“
There are many toxic myths about love, but perhaps the worst is that "love conquers all." This myth hurts us in all kinds of ways -- such as the untold zillions of hours and wasted tears spent by people trying to heal, reform or otherwise change a partner. Especially pernicious is the idea that we're supposed to "give until it hurts" -- in fact, for some of us, that the measure of our worth is our ability to give, right down to the last drop of ourselves. That is wrong. Love isn't supposed to hurt, and we should not and do not need to sacrifice our selves for good relationships.
”
”
Franklin Veaux (More Than Two: A Practical Guide to Ethical Polyamory)
“
Between them all the poor little Rabbit was made to feel himself very insignificant and commonplace, and the only person who was kind to him at all was the Skin Horse.
The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it.
"What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?"
"Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real."
"Does it hurt?" asked the Rabbit.
"Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt."
"Does it happen all at once, like being wound up," he asked, "or bit by bit?"
"It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept.
Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand."
"I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive.
But the Skin Horse only smiled.
”
”
Margery Williams Bianco (The Velveteen Rabbit (Illustrated))
“
Fathers of the fatherless sons and daughters, your spitefulness isn’t hurting the Chief Guardians. Your bitter ways are hurting your flesh and blood – your sons and daughters. Your deceptions are the dimensions of you. Your sons and daughters are a blueprint of you in so many ways, such as their height, features at every angle, physical appearance, size, and at times, the version of their character and attitude. Fathers of the fatherless sons and daughters, you failed to realize your children are a blueprint of you. However, you are all so selfish you do not see your blueprint, the blueprint that you’ve created. You are put here to help and show them the way. You are the one who’s supposed to lay out the design plan for your sons and daughters.
”
”
Charlena E. Jackson (Dear fathers of the fatherless children)
“
People say “Move on” “Think about your happiness”. But that isn’t easy. Is it?
Life is much powerful than we can imagine. It doesn’t go according to our wish. We can’t choose whom we fall for. Nope that’s not up to us. Because the term ‘blinded in love’ occurred for some reason. Lol. How can someone think about their happiness when they are in love? Isn’t love supposed to be selfless? Thinking about thyself is the “selfishest” thing ever of this planet.
You might say he doesn’t love me back so why I am hurting myself sticking to it and expecting the unexpected to happen? Let me tell you this. Have you ever been in love? I don’t think so. Because if you did, you’d know loving someone immensely is the most beautiful thing in the world. Even if it’s one sided or has no future, but the peace you get thinking about them, the satisfaction of giving your purest love to them is enough for you to live happily ever after.
”
”
Shehrin Odri
“
She didn’t note the time of moonrise or when a great horned owl took a diurnal dive at a blue jay. From bed, she heard the marsh beyond in the lifting of blackbird wings, but didn’t go to it. She hurt from the crying songs of the gulls above the beach, calling to her. But for the first time in her life, did not go to them. She hoped the pain from ignoring them would displace the tear in her heart. It did not. Listless, she wondered what she had done to send everyone away. Her own ma. Her sisters. Her whole family. Jodie. And now Tate. Her most poignant memories were unknown dates of family members disappearing down the lane. The last of a white scarf trailing through the leaves. A pile of socks left on a floor mattress. Tate and life and love had been the same thing. Now there was no Tate. “Why, Tate, why?” She mumbled into the sheets, “You were supposed to be different. To stay. You said you loved me, but there is no such thing. There is no one on Earth you can count on.” From somewhere very deep, she made herself a promise never to trust or love anyone again. She’d always found the muscle and heart to pull herself from the mire, to take the next step, no matter how shaky. But where had all that grit brought her? She drifted in and out of thin sleep.
”
”
Delia Owens (Where the Crawdads Sing)
“
But I love him. You know it. You can't ask me to just sit back and let Paul do this. If he succeeds I won't even remember having met Jesse." "Right," my dad said reasonably. "So it won't hurt." "It will," I insisted, "It will hurt, Dad. Because deep down I'll know. I'll know there was someone… someone I was supposed to have met. Only I'll never meet him. I'll go through my whole life waiting for him to come along, only he never will. What kind of life is that, Dad, huh? What kind of life is that?
”
”
Meg Cabot (Twilight (The Mediator, #6))
“
I’m afraid he’s going to hurt me. I’m afraid to lose someone I love again. I’m afraid to let go. To acknowledge what I feel for him. And yet he has proven himself to me. Over and over. He found me on my darkest day. He followed me to war, to the front lines. He came between me and Death, taking wounds that were supposed to be mine. There is something electric within me. Something that is begging me to remove the last of my armor and let him see me as I am. To choose him. And yet here I sit, alone, typing word after word as I seek to make sense of myself. I watch the candlelight flicker and all I can think is … I am so afraid. And yet how I long to be vulnerable and brave when it comes to my own heart.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
The world transformed itself around me: the stakes shot up, colors were so beautiful they hurt, life became almost unimaginably sweet and almost unimaginably frightening. It’s so fragile, you know; things are so easily broken. I suppose this may be what it’s like to fall in love, or to have a child, and to know that this could be taken from you at any moment. We were racing at breakneck speed towards the day when everything we had would be at the mercy of a merciless world, and every second was so beautiful and so precarious, it took my breath away.
”
”
Tana French (The Likeness (Dublin Murder Squad, #2))
“
I thought about how often this was needed in everyday life. How we feel lonely, sometimes to the point of tears, but we don’t let those tears come because we are not supposed to cry. Or how we feel a surge of love for a partner but we don’t say anything because we’re frozen with the fear of what those words might do to the relationship.
Morrie’s approach was exactly the opposite. Turn on the faucet. Wash yourself with the emotion. It won’t hurt you. It will only help. If you let the fear inside, if you pull it on like a familiar shirt, then you can say to yourself, “All right, it’s just fear, I don’t have to let it control me. I see it for what it is.”
Same for loneliness: you let go, let the tears flow, feel it completely—but eventually be able to say, “All right, that was my moment with loneliness. I’m not afraid of feeling lonely, but now I’m going to put that loneliness aside and know that there are other emotions in the world, and I’m going to experience them as well.
”
”
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
“
Number 23 had plenty of redeeming qualities that made falling for him a justifiable accident. But our connection had nothing to do with our similarities, our differences, our aesthetic attractions, or our emotional and physical needs. When we spoke, he was truly with me. Our egos, our personas, expected social cues, the facades that everyone builds around them that are supposed to sculpt the way the world sees us, were stripped with Number 23 and I. He was immediately my best friend, familiar and safe - an epiphany that I had been spending my life alone in crowded rooms.
Our souls were naked. We initially curled into the warmth of that connection. But once we knew how real it was, we felt exposed, vulnerable, and raw. While his defense was his fearful recoil, mine was dictation.
”
”
Maggie Georgiana Young (Just Another Number)
“
This woman controls my heartbeats. Every love lyric I sing each night is made for her. Every melody chases her heartbeat, and every chorus begs for her love. It has been brought to my attention that a few people on my management team have chosen to approach the love of my life and tell her that she wasn't good for my image. Due to her looks and the past she had no say in creating, they said she wasn't good enough. It's true, we grew up in the same town, but that didn't mean our home lives were built on the same steady foundation. I was blessed enough to never know struggle. This girl had to fight tooth and nail for everything she was given. She sacrificed her own youth, because she didn't want her little sister to go into the foster system. She gave up love, in order for me to go chase my dreams. She gives and gives in order to make others happy, because that's the person she is.
She's the most beautiful human being alive, and for anyone--especially people who are supposed to be in my corner--to say differently disgusts me to my core. I am not a robot. I hurt, I ache, I love, and I cry. And it breaks me to live in a world where I have to be afraid of showing who I really am in order to gain followers.
So if you don't like this fact--that I am not single and that I am hopelessly in love--then that's fine. If I lose fans over this, I'm okay with that. I will make every sacrifice in the world from this point on in order to give my love fully to the woman who has given more than she ever should've had to give. I love you, Haze. From the new moon to the fullest. From now until forever.
”
”
Brittainy C. Cherry (The Wreckage of Us)
“
He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down…
All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does.
Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough.
Don’t be afraid, says Yeshua. Far more can be mended than you know.
She is weeping. The executee helps her to stand up.
”
”
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
“
Really, Nan could be very odious when she liked. Yet somehow she [Gay] didn't hate her as before. She felt very indifferent to her. She found herself looking at her with cool, appraising eyes, seeing her as she had never seen her before. An empty, selfish little creature, who had always to be amused like a child. ...A girl who posed as a sophisticate before her country cousins but who was really more provincial than they were, knowing nothing of real life or real love or real emotion of any kind. Gay wondered, as she looked, how she could ever have hated this girl—ever been jealous of her. She was not worth hating. Gay spoke at last. She stood up and looked levelly at Nan. There was contempt in her quiet voice.
"I suppose you came here to hurt me, Nan. You haven't—you can never hurt me again. You've lost the power. I think I even feel a little sorry for you. You've always been a taker, Nan. All through your life you've taken whatever you wanted. But you've never been a giver—you couldn't be because you've nothing to give. Neither love nor truth nor understanding nor kindness nor loyalty. Just taking all the time and giving nothing—oh, it has made you very poor. So poor that nobody need envy you.
”
”
L.M. Montgomery (A Tangled Web)
“
Don't ever call me Princess again," she said, head still resting in my shoulder.
"Did I do that?" I asked.
"Yes, you did."
"I don't remember."
"Driving back from Tsujido, that night. Don't say it again."
"I won't. I promise I won't. I swear on Boy George and Duran Duran. Never, never, never again."
"That's what Mama always calls me. Princess."
"I won't call you that again."
"Mama, she's always hurting me. She's just got no idea. And yet she loves me. I know she does."
"Yes, she does."
"So what am I supposed to do?"
"The only thing you can. Grow up."
"I don't want to."
"No other way," I said. "Everyone does, like it or not. People get older. That's how they deal with it. They deal with it till the day they die. It's always been this way. Always will be. It's not just you."
She looked up at me, her face streaked with tears. "Don't you believe in comforting people?"
"I was comforting you."
She brushed my arm from her shoulder and took a tissue from her bag. "There's something really abnormal about you, you know," she said.
”
”
Haruki Murakami (Dance Dance Dance)
“
Lost in the stormy kiss, Elizabeth felt her legs gliding down his as he gently lowered her against him until her feet touched the floor. But when his fingers pulled at the ribbon that held her gown in place at her shoulder, she jerked free of his kiss, automatically clamping her hand over his. “What are you doing?” she asked in a quaking whisper. His fingers stilled, and Ian lifted his heavy-lidded gaze to hers.
The question took him by surprise, but as he stared into her green eyes Ian saw her apprehension, and he had a good idea what was causing it. “What do you think I’m doing?” he countered cautiously.
She hesitated, as if unwilling even to accuse him of such an unspeakable act, and then she admitted in a small, reluctant voice, “Disrobing me.”
“And that surprises you?”
“Surprises me? Of course it does. Why wouldn’t it?” Elizabeth asked, more suspicious than ever of what Lucinda had told her.
Quietly he said, “What exactly do you know about what takes place between a husband and wife in bed?”
“You-you mean ‘as it pertains to the creation of children’?” she said, quoting his words to her the day she agreed to become betrothed to him.
He smiled with tender amusement at her phrasing. “I suppose you can call it that-for now.”
“Only what Lucinda told me.” He waited to hear an explanation, and Elizabeth reluctantly added, “She said a husband kisses his wife in bed and that it hurts the first time, and that is how it is done.”
Ian hesitated, angry with himself for not having followed his own instincts and questioned her further when she seemed fully informed and without maidenly qualms about lovemaking. As gently as he could, he said, “You’re a very intelligent young woman, love, not an overly fastidious spinster like your former duenna. Now, do you honestly believe the rules of nature would be completely set aside for people?
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.”
“Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively.
“We all did. Hop to it.”
“What about Sam?” Tucker asked. “His woman is the one who got us into this.”
“I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps.
Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted.
“He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.”
“That hurt,” Sam said, turning back.
“Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.”
“Fat help you are,” Sam accused. “I could use a little confidence here.”
Kyle snorted. “You don’t have a chance, buddy.”
“Goin’ to meet your maker,” Gator added solemnly.
Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.”
“Have you ever actually used a sword before?” Kadan asked, all innocent.
Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.”
“You’re all a big help,” Sam said and stepped out into the hall.
This was the biggest moment of his life. If they turned him down, he was lost.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
I take another step toward the serpent. And then another. This close, I am stunned all over again by the creature's sheer size. I raise a wary hand and place it against the black scales. They feel dry and cool against my skin.
Its golden eyes have no answer, but I think of Cardan lying beside me on the floor of the royal rooms.
I think of his quicksilver smile.
I think of how he would hate to be trapped like this. How unfair it would be for me to keep him this way and call it love.
You already know how to end the curse.
'I do love you,' I whisper. 'I will always love you.'
I tuck the golden bridle into my belt.
Two paths are before me, but only one leads to victory.
But I don't want to win like this. Perhaps I will never live without fear, perhaps power will slip from my grasp, perhaps the pain of losing him will hurt more than I can bear.
And yet, if I love him, there's only one choice.
I draw the borrowed sword at my back. Heartsworn, which can cut through anything. I asked Severin for the blade and carried it into battle, because no matter how I denied it, some part of me knew what I would choose.
The golden eyes of the serpent are steady, but there are surprised sounds from the assembled Folk. I hear Madoc's roar.
This wasn't supposed to be how things ended.
I close my eyes, but I cannot keep them that way. In one movement, I swing Heartsworn in a shining arc at the serpent's head. The blade falls, cutting through scales, through flesh and bone. Then the serpent's head is at my feet, golden eyes dulling.
Blood is everywhere. The body of the serpent gives a terrible coiling shudder, then goes limp. I sheath Heartsworn with trembling hands. I am shaking all over, shaking so hard that I fall to my knees in the blackened grass, in the carpet of blood.
I hear Lord Jarel shout something at me, but I can't hear it.
I think I might be screaming.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
He fixed her in his gaze and set his jaw, his hands twitching at his sides. "You feel something for me," he said, daring her to try and deny it.
There was no point trying to hide it now. She looked away, numb.
"You can't feel that way about me." He lowered his voice. "It'll only get you hurt."
"Oh, come on! That's so cliche! What's that even supposed to mean?"
"It means my life is one that prevents me from the luxury of silly romantic notions. I can't have you look at me the way you just did. I don't care what Agatha's told you, or what she thinks she knows. This isn't going to happen, okay?"
Silly romantic notions? Farley's embarrassment quickly moved aside to make room for her anger. "Agatha hasn't told me anything. None of you ever do. You're right, I do feel something for you, but don't worry. From your reaction, it's pretty clear that the feeling's not mutual. I'm not some crazy stalker. I'd appreciate it if you wouldn't flatter yourself into thinking that I'm completely head over heels in love with you. So just go!" she screamed, destroyed by his words and the feelings of rejection that coursed through her.
"You don't understand."
"I think I do."
"No! You don't!" The hard look in his eyes morphed into something more pained and desperate. He stepped forward and grabbed her roughly by the arms, the same way he had done in the silo.
"I sat there and watched you for months. Months! I watched you everywhere you went; I watched you when you didn't go anywhere at all! When you were so low you couldn't even leave the house. I watched the most beautiful person I'd ever seen get screwed over by the cops and have her life threatened on a daily basis without her even knowing it."
Farley stared up at him-frozen and unblinking-his words barraging her.
"How do you think I felt when I found you bleeding and broken on the floor of Aldan's room? I thought you were dead!" He stood, his eyes on fire, with something terrible strewn across his face. His voice dropped to barely more than a whisper. "We've got a war about to be unleashed here-one that I'm going to die for. One where you and I are an impossibility. So I don't get to tell you that I love you. And you don't get to look at me like that.
”
”
Frankie Rose
“
Do you still want to know what the stones do when they're together?'
'Yes,' she said. But suddenly, she felt nervous. This was the answer she'd been waiting for. The one she'd been begging for. All this time, she'd been dying to know what Jacks really wanted. For a while, she'd been afraid of it, because she didn't want him to hurt anyone. But now from the way he looked at her, she suddenly feared the only person his answer would hurt was her.
Jacks crossed over to his desk and picked up a white apple. He tossed it as he said. 'When the four stones are combined, a person has the power to return to any moment in their past. It can only be done once. Once the stones have been used for this purpose, they'll never have the power to be used like this again.'
For a second, it didn't sound so bad. Lots of people had moments they wanted to change. That day alone, there were several things Evangeline would have done differently. 'What moment do you want to go back to?'
Jacks looked at the apple in his hand as he answered. 'I want to return to the moment I met Donatella.'
'The princess who stabbed you?'
He nodded tightly.
For a second, Evangeline was speechless. Of all the answers, she did not expect this. She quickly flashed back to the night that she and Jacks had spent together in the crypt, when he'd finally told her the story of Princess Donatella- how he'd kissed her and it should have killed her, but instead, it made his heart beat. She should have been his one true love, but Donatella chose another and stabbed Jacks in the heart.
'Why would you want to go back for her?'
Jacks worked his jaw. 'She was supposed to be my one true love- I want another chance at that.'
'But this doesn't make sense,' Evangeline said. 'Why go to all this trouble for a girl who you don't love?' Because Evangeline knew Jacks didn't love Donatella. She might have believed it before when she'd first heard the story, but Evangeline couldn't fathom it now.
”
”
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
“
Then the events leading up to her collapse came back to her in a flash. Her hands flew automatically to her belly and she was only partially reassured to feel the tight ball there. Was her baby okay? Was she herself okay?
She blinked harder to bring the room more into focus. There was light shining through a crack in the bathroom door. A glance at the blinds told her that it was dark outside.
Then her gaze fell on the chair beside her bed and she found Ryan staring at her, his gaze intense. She flinched away from the raw emotion shining in his blue eyes.
“Hey,” he said quietly. “How are you feeling?”
“Numb,” she answered before she could think better of it. “Kind of blank. My head doesn’t hurt anymore. Are my feet still swollen?”
He carefully picked up the sheet and pushed it over her feet. “Maybe a little. Not as bad as they were. They’ve been giving you meds and they’re monitoring the baby.”
“How is she?” Kelly asked, a knot of fear in her throat.
“For now, she’s doing fine. Your blood pressure stabilized, but they might have to do a C-section if it goes back up or if the baby starts showing signs of distress.”
Kelly closed her eyes and then suddenly Ryan was close to her, holding her, his lips pressed against her temple.
“Don’t worry, love,” he murmured. “You’re supposed to stay calm. You’re getting the best possible care. I’ve made sure of it. They’re monitoring you round-the-clock. And the doctor said the baby has an excellent prognosis at thirty-four weeks’ gestation.”
She sagged against the pillow and closed her eyes. Relief pulsed through her but she was so tired she couldn’t muster the energy to do anything more than lie there thanking God that her baby was okay.
“I’m going to take care of you, Kell,” Ryan said softly against her temple. “You and our baby. Nothing will ever hurt you again. I swear it.”
Tears burned her eyelids. She was emotionally and physically exhausted and didn’t have the strength to argue. Something inside her was broken and she had no idea how to fix it. She felt so…disconnected.
”
”
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
“
Suppose he really is in love. What about her? She never has anything good to say about him.”
“Yet she blushes whenever he enters a room. And she stares at him a good deal. Or hadn’t you noticed that, either?”
“As a matter of fact, I have.” Gazing up at him, she softened her tone. “But I do not want her hurt, Isaac. I must be sure she is desired for herself and not her fortune. Her siblings had a chance of not gaining their inheritance unless the others married, so I always knew that their mates loved them, but she…” She shook her head. “I had to find a way to remove her fortune from the equation.”
“I still say you’re taking a big risk.” He glanced beyond her to where Celia was talking to the duke. “Do yo really think she’d be better off with Lyons?”
But she doesn’t love him…If you’d just give her a chance-
“I do not know,” Hetty said with a sigh. “I do not know anything anymore.”
“Then you shouldn’t meddle. Because there’s another outcome you haven’t considered. If you try to manipulate matters to your satisfaction, she may balk entirely. Then you’ll find yourself in the sticky position of having to choose between disinheriting them all or backing down on your ultimatum. Personally, I think you should have given up that nonsense long ago, but I know only too well how stubborn you can be when you’ve got the bit between your teeth.”
“Oh?” she said archly. “Have I been stubborn with you?”
He gazed down at her. “You haven’t agreed to marry me yet.”
Her heart flipped over in her chest. It was not the first time he had mentioned marriage, but she had refused to take him seriously.
Until now. It was clear he would not be put off any longer. He looked solemnly in earnest. “Isaac…”
“Are you worried that I am a fortune hunter?”
“Do not be absurd.”
“Because I’ve already told you that I’ll sign any marriage settlement you have your solicitor draw up. I don’t want your brewery or your vast fortune. I know it’s going to your grandchildren. I only want you.”
The tender words made her sigh like a foolish girl. “I realize that. But why not merely continue as we have been?”
His voice lowered. “Because I want to make you mine in every way.”
A sweet shiver swept along her spine. “We do not need to marry for that.”
“So all you want from me is an affair?”
“No! But-“
“I want more than that. I want to go to sleep with you in my arms and wake with you in my bed. I want the right to be with you whenever I please, night or day.” His tone deepened. “I love you, Hetty. And when a man loves a woman, he wants to spend his life with her.”
“But at our age, people will say-“
“Our age is an argument for marriage. We might not have much time left. Why not live it to the fullest, together, while we’re still in good health? Who cares about what people say? Life is too short to let other people dictate one’s choices.”
She leaned heavily on his arm as they reached the steps leading up to the dais at the front of the ballroom. He did have a point. She had been balking at marrying him because she was sure people would think her a silly old fool.
But then, she had always been out of step with everyone else. Why should this be any different? “I shall think about it,” she murmured as they headed to the center of the dais, where the family was gathering.
“I suppose I’ll have to settle for that. For now.” He cast her a heated glance. “But later this evening, once we have the chance to be alone, I shall try more effective methods to persuade you. Because I’m not giving up on this. I can be as stubborn as you, my dear.”
She bit back a smile. Thank God for that.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))