โ
By definition, you have to live until you die. Better to make that life as complete and enjoyable an experience as possible, in case death is shite, which I suspect it will be.
โ
โ
Irvine Welsh (Trainspotting)
โ
Choose a life. Choose a job. Choose a career. Choose a family. Choose a fucking big television. Choose washing machines, cars, compact disc players and electrical tin openers... Choose DSY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit crushing game shows, stucking junk food into your mouth. Choose rotting away in the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourself, choose your future. Choose life... But why would I want to do a thing like that?
โ
โ
Irvine Welsh (Trainspotting)
โ
Some people are easier to love when you don't have to be around them.
โ
โ
Irvine Welsh
โ
Love does not exist, it's like religion, the state wants you to believe in that kind of crap so they can control you, and f**k your head up.
โ
โ
Irvine Welsh (Trainspotting)
โ
We start off with high hopes, then we bottle it. We realise that weโre all going to die, without really finding out the big answers. We develop all those long-winded ideas which just interpret the reality of our lives in different ways, without really extending our body of worthwhile knowledge, about the big things, the real things. Basically, we live a short disappointing life; and then we die. We fill up our lives with shite, things like careers and relationships to delude ourselves that it isnโt all totally pointless.
โ
โ
Irvine Welsh (Trainspotting)
โ
Mates are a waste of fucking time. They are always ready to drag you down tae their level of social, sexual and intellectual mediocrity.
โ
โ
Irvine Welsh (Trainspotting)
โ
Now there is apparently a causal link between heroin addiction and vegetarianism.
โ
โ
Irvine Welsh (Trainspotting)
โ
You fucking knew that fucking cunt would fuck some cunt.
โ
โ
Irvine Welsh (Trainspotting)
โ
Sometimes ah think that people become junkies just because they subconsciously crave a wee bit ay silence.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
People think it's all about misery and desperation and death and all that shite, which is not to be ignored, but what they forget is the pleasure of it. Otherwise we wouldn't do it. After all, we're not fucking stupid. At least, we're not that fucking stupid.
โ
โ
Irvine Welsh (Trainspotting)
โ
Thir must be less tae life than this
โ
โ
Irvine Welsh (Trainspotting)
โ
Everything in the street today seems soft focus.
โ
โ
Irvine Welsh (Trainspotting)
โ
Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suit on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pissing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourselves. Choose your future. Choose lifeโฆ But why would I want to do a thing like that? I chose not to choose life. I chose somethinโ else. And the reasons? There are no reasons. Who needs reasons when youโve got heroin?
โ
โ
Irvine Welsh (Trainspotting)
โ
The train was nearly twenty minutes late, an excellent performance by British Rail standards.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
take your best orgasm, multiply the feeling by twenty, and you're still fuckin miles off the pace
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
It's easy tae be philosophical when some other cunt's got shite fir blood.
โ
โ
Irvine Welsh (Trainspotting)
โ
The fact that you use the term "cunt" in the same breath as "sexist", shows that you display the same muddled, fucked-up thinking oan this issue as you do oan everything else.
โ
โ
Irvine Welsh (Trainspotting)
โ
... Basically, we live a short, disappointing life; and then we die. We fill up oor lives wi shite, things like careers and relationships tae delude oorsels that it isnae aw totally pointless.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
You just want tae fuck up on drugs so that everyone'll think how deep and fucking complex you are. It's pathetic, and fucking boring.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Fuckin failures in a country of failures. Its nae good blamin it oan the English fir colonising us. Ah don't hate the English. They're just wankers. We are colonised by wankers. We can't even pick a decent, vibrant healthy society to be colonised by. No..we are ruled by effete arseholes. What does that make us? The lowest of the low, the scum of the earth. The most wretched servile, miserable, pathetic trash that was ever shat intae creation. Ah don't hate the English. They just git oan wis the shite thev got. Ah hate the Scots.
โ
โ
Irvine Welsh (Trainspotting)
โ
Iggy Pop looks right at me as he sings the line: 'America takes drugs in psychic defence'; only he changes 'America' to 'Scatlin', and defines us mair accurately in a single sentence than all the others have ever done.
โ
โ
Irvine Welsh (Trainspotting)
โ
Itโs all okay, itโs all beautiful; but ah fear that this internal sea is gaunnae subside soon, leaving this poisonous shite washed up, stranded up in ma body.
โ
โ
Irvine Welsh (Trainspotting)
โ
But ah cannae even endorse these sentiments as they are at best peripheral tae the moment.
โ
โ
Irvine Welsh (Trainspotting)
โ
He emphasised basic truths: you are not dying yet, you have to live your life until you are. Underpinning them was the belief that the grim reality of impending death can be talked away by trying to invest in the present reality of life. I didnโt believe that at the time, but now I do. By definition, you have to live until you die. Better to make that life as complete and enjoyable an experience as possible, in case death is shite, which I suspect it will be.
โ
โ
Irvine Welsh (Trainspotting)
โ
It wis like auld times, but in a sense that only served tae remind us ay how much things hud changed.
โ
โ
Irvine Welsh
โ
They mean well, and they mean well tae me, but there's nae way under the sun that they can
appreciate what ah feel, what ah need.
Protect me from those who wish tae help us.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
On the issue of drugs, we wir classical liberals, vehemently opposed tae state intervention in any form.
โ
โ
Irvine Welsh (Trainspotting)
โ
He notes the depressing haste with which the successful, in the sexual sphere as in all others, segment themselves from the failures.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Ah realise now thit death is usually a process, rather than an
event. People generally die by degrees, incrementally. They rot away slowly in homes and hoespitals,
or places like this.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Living like this is a full-time business.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
I pay more tax registered in Holland than I would in the USA, but better gieing to the Dutch to build dams than the Yanks to build bombs.
โ
โ
Irvine Welsh (Dead Men's Trousers)
โ
They mean well, and they mean well tae me, but there's nae way under the sun that they can appreciate what ah feel, what ah need.
Protect me from those who wish tae help us.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Ah walk doon Hammersmith Broadway, London seeming strange and alien, after only a three-month absence, as familiar places do when youโve been away. Itโs as if everything is a copy of what you knew before, similar, yet somehow lacking in its usual qualities, a bit like the wey things are in a dream. They say you have to live in a place to know it, but you have to come fresh tae really see it.
โ
โ
Irvine Welsh (Trainspotting)
โ
Ah don't hate the English. They're just wankers. We are colonised by wankers. We can't even pick a decent, vibrant, healthy culture to be colonised by. No. We're ruled by effete arseholes. What does that make us?
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
The pit of melancholy was a bottomless one, and he was descending fast, falling further away from the good times. Such times often seemed tantalisingly within reach; he could see them, going on all around him. His mind was like a cruel prison, giving his captive soul a sight of freedom, but no more.
โ
โ
Irvine Welsh (Trainspotting)
โ
Ah didnae really know much aboot women. Ah didnae really know much aboot anything.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton #2))
โ
Still, failure, success, what is it? Whae gies a fuck. We aw live, then we die, in quite a short space ay time n ะฐw. That's it; end ay fuckin story.
โ
โ
Irvine Welsh
โ
Sex generally makes them intae real relationships, or ends them. Ye go backwards or forwards after shagging, but maintaining the status quo is difficult.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Rents bir keresinde, polisin ve yargฤฑรงlarฤฑn gรถrev duygusunu tetiklemek iรงin esmer bi tenden daha iyisi yoktur, demiลti; รงok doฤru.
โ
โ
Irvine Welsh
โ
The best way ah knew tae strike a chord without compromising too much tae the sickening hypocrisy, perversely peddled as decency, which fills the room, is tae stick tae the clichรฉs.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
ยฟEstรกs jodido?", pregunto.
"No lo sรฉ. Si te soy sincero, serรก el sexo lo que mรกs echarรฉ de menos. Eso y el tener a alguien, ยฟsabes?"
Tommy necesita a la gente mucho mรกs que la mayorรญa.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats ye've produced. Choose life.
โ
โ
Irvine Welsh (Trainspotting)
โ
me doy cuenta de que por lo general la muerte es un proceso, mรกs que un suceso. Generalmente la gente se muere poco a poco, acumulativamente. Se pudren lentamente en residencias u hospitales, o sitios como รฉste
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Money gives you the luxury of not caring about it. You can affect to find it crass and vulgar, but see how crass and vulgar it is when thereโs none of it in your pocket.
โ
โ
Irvine Welsh (T2 Trainspotting (Mark Renton #3))
โ
Any cunt withoot the virus could git run ower the morn. Thatโs the wey ye huv tae look at it. Cannae jist cancel the gig. The show must go oan.
โ
โ
Irvine Welsh (Trainspotting)
โ
-ye always want what ye cannae have and the things that ye dinnae really gie a toss aboot get handed tae ye oan a plate.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Johnny wis a junky as well as a dealer. Ye hud tae go a wee bit further up the ladder before ye found a dealer whae didnae use. We called Johnny โMother Superiorโ because ay the length ay time heโd hud his habit.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton #2))
โ
It was, as the song said, โcall to arms music,โ and seemed to have little to do with Scotland and New Year. It was fighting music. Stevie didnโt want to fight anyone. But it was also beautiful music.
โ
โ
Irvine Welsh (Trainspotting)
โ
Football divisions were a stupid and irrelevant nonsense, acting against the interest of working-class unity, ensuring that the bourgeoisie's hegemony went unchallenged.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
You can only learn through failure, and what ye learn is the importance ay preparation.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Los colegas son una puta pรฉrdida de tiempo. Siempre estรกn dispuestos a arrastrarte hasta su nivel de mediocridad social, sexual e intelectual.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
I'm glad our slivers of existence intersected in a Venn diagram between the crushing slabs of oblivion on either side of them
โ
โ
Irvine Welsh (Dead Men's Trousers)
โ
Quizรก me haya acostumbrado tanto a las mentiras, que la verdad me suena indecentemente falsa. Pero bueno.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
This internal sea. The problem is that this beautiful ocean carries with it loads ay poisonous flotsam and jetsam โฆ that poison is diluted by the sea, but once the ocean rolls out, it leaves the shite behind, inside ma body. It takes as well as gives, it washes away ma endorphins, ma pain resistance centres; they take a long time tae come back.
โ
โ
Irvine Welsh (Trainspotting)
โ
It was Begbie who ensured he could never return. He had done what he wanted to do. He could now never go back to Leith, to Edinburgh, even to Scotland, ever again. There, he could not be anything other than he was. Now, free from them all, for good, he could be what he wanted to be. He'd stand or fall alone. This thought both terrified and excited him as he contemplated life in Amsterdam.
โ
โ
Irvine Welsh (Trainspotting)
โ
Algunos pobres cabrones simplemente estรกn mucho mรกs predispuestos hacia la adicciรณn a ciertas drogas que otros.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
แแแแแแแ แคแแแแกแแคแแกแแแ, แ แแชแ แกแแกแฎแแแก แแแชแแแแ แฅแแฅแ แจแแ แแ แแแแแแแก แแแแแแจแ แแ แกแฎแแแแ แ แ แแแแ แแ.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
He really is a cunt ay the first order. Nae about that. The big problem is, he's a mate na aw. Whit kin ye dae?
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
This thought though, is nowhere near sufficient tae stop us fae daein what ah huv tae dae.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Renton looks at her and sees her pain and anger. It cuts him
up. It confuses him. Kelly has a great sense of humour. What's wrong with her? The kneeโjerk
thought: Wrong time of the' month is forming in his head when he looks about and picks up the
intonations of the laughter around the bar. It's not funny laughter.
This is lynch mob laughter.
How was ah tae know, he thinks. How the fuck was ah tae know?
โ
โ
Irvine Welsh (Trainspotting)
โ
Ah sortay jist laugh whin some cats say that racism's an English thing and we're aw Jock Tamson's bairn up here . . . it's likesay pure shite man, gadges talkin through their erses.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
โ Square go then smart cunt!
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Women give more than men; young people more than their elders; people who appear to be of the most modest means seem more generous than the affluent looking.
โ
โ
Irvine Welsh (Trainspotting)
โ
They call um Sick Boy, no because heโs eywis sick wi junk withdrawal, but because heโs just one sick cunt.
โ
โ
Irvine Welsh (Trainspotting)
โ
It's mibbe nae mair vermin thin you or me, likesay... whae's tae say what's vermin...they posh wifire think people us ur vermin, likesay, does that make it right thit they should kill us, ah goes.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
... ona aลktan sรถz ettim. o ise aลkฤฑn din gibi bir ลey olduฤunu, aslฤฑnda var olmadฤฑฤฤฑ halde sistemin bizi daha kolay kullanmak iรงin uydurduฤu bir ลey olduฤunu sรถyledi.
โ
โ
Irvine Welsh (Trainspotting)
โ
Bazen insanlarฤฑn junkie olmayฤฑ farkฤฑnda olmadan sฤฑrf bir parรงa sessizlik istedikleri iรงin seรงtiklerini dรผลรผnรผrรผm.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
[...] but it's aw hate, hate, hate wi some punters, and whair does it git us likesay, man? Whair the fuck does it git us?
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
The disease which racked his body was a sweetheart compared to the more obscure one that possessed his sick mind.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Planet Ay The Apes hus insinuated hissel intae the company. The thought ay that cunt shaggin wee Maria Anderson is not aesthetically appealing. The thought ay that cunt shaggin anybody isnae aesthetically appealing. If he tries tae talk tae ma Ma, ahโll gless the fuckerโs primate pus.
โ
โ
Irvine Welsh (Trainspotting)
โ
They filed out into the cold night at closing time, heading for Begbie's place with a carry-out. They'd already spent twelve hours drinking and pontificating about Matty's life and his motivations. In truth, the more reflective of them realised, all their insights pooled and processed, did little to illuminate the cruel puzzle of it all.
They were no wiser now than at the start.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Choose life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, Choose washing machines, cars, compact disc players, and electrical tin openers. Choose good health, low cholesterol and dental insurance. Choose fixed- interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisure wear and matching luggage. Choose a three piece suite on hire purchase in a range of fucking fabrics. Choose DIY and wondering who you are on a Sunday morning. Choose sitting on that couch watching mind-numbing sprit- crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pishing you last in a miserable home, nothing more than an embarrassment to the selfish, fucked-up brats you have spawned to replace yourself. Choose your future. Choose life... But why would I want to do a thing like that?
โ
โ
John Hodge (Trainspotting: A Screenplay (Based on the Novel by Irvine Welsh))
โ
Everytime ye go to jail, the probability ay ye ever becoming free fae that kind of life decreases. It's the same every time ye go back tae smack. Ye decrease yir chances of ay ever bein able tae dae withoot it.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Si por mi fuera, pillarรญa todos los libros que hay, harรญa una pila enorme con ellos y los quemarรญa todos. Los libros sรณlo sirven para que los listos farden acerca de toda la mierda que han leรญdo. Todo lo que necesitas saber lo puedes sacar de la prensa y de la tele. Capullos pretenciosos. Ya les darรฉ yo jodidos libros.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
ยฟHasta quรฉ punto puede alguien conocer de verdad a cualquier otra persona?
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Underpinning them was the belief that the grim reality of impending death can be talked away by trying to invest in the present reality of life.
โ
โ
Irvine Welsh (Trainspotting)
โ
Si por mi fuera, pillaria todos los libros que hay, haria una pila enorme con ellos y los quemarรญa todos. Los libros sรณlo sirven para que los listos farden acerca de toda la mierda que han leรญdo. Todo lo que necesitas saber lo puedes sacar de la prensa y de la tele. Capullos pretenciosos. Ya les darรฉ yo jodidos libros.
โ
โ
Irvine Welsh
โ
ะะต ะผะพะถะตั
ะดะฐ ะบะฐะถะฐ ะฝะฐ ะะธะทะธ ะทะฐ ะบัะฟะพะฝะฐ ะฒ ะััะพัะปะตะฝะด. ะะฐะฟัะฐะฒะพ ะฝะธะบะฐะบัะฒ ัะฐะฝั. ะฉะพะผ ะฒะทะตั
"ะฟะตะฝัะธััะฐ", ะฒะตะดะฝะฐะณะฐ ะบัะฟะธั
ะฑะธะปะตัะฐ. ะััะฐะฝะฐั
ะฑะตะท ะฟัะบะฝะฐัะฐ ะฟะฐัะฐ. ะขะพะทะธ ะดะตะฝ ะพะฑะฐัะต ัั ะธะผะฐัะต ัะพะถะดะตะฝ ะดะตะฝ. ะขััะฑะฒะฐัะต ะดะฐ ะธะทะฑะธัะฐะผ: ะธะปะธ ะฑะธะปะตัะฐ, ะธะปะธ ะฟะพะดะฐััะบ ะทะฐ ะฝะตั. ะะธะบะฐะบัะฒ ัะฐะฝั. ะกัะฐะฒะฐัะต ะดัะผะฐ ะทะฐ ะะณะธ ะะพะฟ. ะะธัะปะตั
, ัะต ัะต ะผะต ัะฐะทะฑะตัะต.
- ะะฝะฐัะธ ะผะพะถะตั ะดะฐ ัะธ ะบัะฟะธั ัะธะฑะฐะฝ ะฑะธะปะตั ะทะฐ ัะบะฐะฟะฐะฝะธั ะะณะธ ะะพะฟ, ะฐ ะฝะต ะผะพะถะตั ะดะฐ ัะต ะฟัะตะถะฐะปะธั ะทะฐ ะฟะพะดะฐััะบ!
ะ ัะพะฒะฐ ะต ะะธะทะธ ั ัะตัะพัะธัะฝะธัะต ัะธ ะฒัะฟัะพัะธ - ะณะฐะดะฝะพัะพ ะพััะถะธะต ะฝะฐ ะณะฐะดะถะตัะฐัะฐ ะธ ะฟัะธั
ะฐัะธัะต.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Society invents a spurious convoluted logic tae absorb and change people whae's behaviour is outside its mainstream. Suppose that ah ken aw the pros and cons, know that ah'm gaunnae huv a short life, am ah sound mind, ectetera, ectetera, but still want tae use smack? They won't let ye dae it. They won't let ye dae it, because it's seen as a sign ay thir ain failure. The fact that ye jist simply choose tae reject whut they huv tae offer.
โ
โ
Irvine Welsh (Trainspotting)
โ
High cunts are a big fuckin drag when yir feeling like this, because thir too busy enjoying their high tae notice or gie a fuck about your suffering. Whereas the piss-held in the pub wants every cunt tae git as ootay it as he is, the real junky (as opposed tae the casual user who wants a partner-in-crime) doesnae gie a fuck aboot anybody else.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Society invents a spurious convoluted logic tea absorb and change people whae's behaviour is outside its mainstream. Suppose that ah ken all the pros and cons, know that ah'm gaunnae huv a short life, am ay sound mind etcetera etcetera, but still want tae use smack? They won't let ye dae it. They won't let ye dae it, because it's seen as a sign ay thir ain failure. The fact that ye jist simply choose tae reject whit they huv tae offer. Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fucking junk food intae yir mooth. Choose rotting away, pishing and shiteing yourself in a home, a total fucking embarrassment to the selfish, fucked-up brats ye've produced. Choose life.
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Whin yir oan junk, aw ye worry aboot is scorin. Oaf the gear, ye worry aboot loads ay things. Nae money, cannae git pished. Goat money, drinkin too much. Cannae git a burd, nae chance ay a ride. Git a burd, too much hassle, cannae breathe withoot her gittin oan yir case. Either that. or ye blow it, and feel aw guilty. Ye worry aboot bills, food, bailiffs, these Jambo Nazi scum beatin us, aw the things that ye couldnae gie a fuck aboot whin yuv goat a real junk habit. Yuv just goat one thing tae worry aboot. The simplicity ay it aw. Ken whit ah mean?
โ
โ
Irvine Welsh (Trainspotting (Mark Renton, #2))
โ
Thing is, as ye git aulder, this character-deficiency gig becomes mair sapping. Thir wis a time ah used tae say tae aw the teachers, bosses, dole punters, poll-tax guys, magistrates, when they telt me ah was deficient:'Hi, cool it, gadge, ah'm jist me, jist intae a different sort ay gig fae youse but, ken?' Now though, ah've goat tae concede thit mibee they cats had it sussed. Ye take a healthier slapping the aulder ye git. The blows hit hame mair. It's like yon Mike Tyson boy at the boxing, ken?
Every time ye git it thegither tae make a comeback, thir's jist a wee bit mair missin. So ye fuck up again. Yip, ah'm jist no a gadge cut oot fir modern life n that's aw thir is tae it, man. Sometimes the gig goes smooth, then ah jist pure panic n it's back tae the auld weys. What kin ah dae?
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Irvine Welsh (Trainspotting)
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Society invents a spurious convoluted logic tae absorb and change people whae's behaviour is outside its mainstream. Suppose that ah ken aw the pros and cons, know that ah'm gaunnae huv a short life, am ah sound mind, etcetera, etcetera, but still want tae use smack? They won't let ye dae it. They won't let ye dae it, because it's seen as a sign ay thir ain failure. The fact that ye jist simply choose tae reject whut they huv tae offer. Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats ye've produced. Choose life.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Two choices; one: tough it oot, back in the room, two: phone that cunt Forrester and go tae Muirhoose, get fucked aboot and ripped oaf wi some crap gear. Nae contest.
In twenty minutes it wis: โ Muirhoose pal? tae the driver oan the 32 bus and quiveringly stickin ma forty-five pence intae the the box.
Any port in a storm, and itโs raging in here behind ma face.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Leave it man. Squirrelโs botherin nae cunt likesay! Ah hate it the wey Markโs intae hurtin animalsโฆ itโs wrong man. Ye cannae love yirsel if ye want tae hurt things like thatโฆ ah meanโฆ what hope is thir? The squirrelโs likes fuckin lovely. Heโs daein his ain thing. Heโs free. Thatโs mibble what Rents cannae stand. The squirrelโs free man.
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Irvine Welsh
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Eroinden sรถz ederken kendimi ลaลฤฑrtฤฑcฤฑ รถlรงรผde iyi, sakin ve berrak hissediyordum.
"Tam olarak bilmiyorum, Tom, bilmiyorum. Bi ลekilde her ลeyi daha gerรงekรงi kฤฑlฤฑyor. Hayat sฤฑkฤฑcฤฑ ve anlamsฤฑz. Bรผyรผk umutlarla baลlฤฑyoruz, sonra รงuvallฤฑyoruz. Hepimiz bi gรผn bรผyรผk sorulara cevap bulmadan รถleceฤimizi keลfederiz. Hayatฤฑmฤฑzฤฑn gerรงeฤini farklฤฑ biรงimlerde yorumlayacak dolambaรงlฤฑ dรผลรผnceler geliลtiririz, bedenimizle bรผyรผk ลeylere, gerรงek ลeylere dair kayda deฤer bi bilgiye uzanmaksฤฑzฤฑn. Aslฤฑnda, kฤฑsa ve hayal kฤฑrฤฑklฤฑklarฤฑyla dolu bi hayat yaลar, sonra da รถlรผrรผz. Kendimizi her ลeyin tamamen anlamdan yoksun olmadฤฑฤฤฑna inandฤฑrmak iรงin hayatlarฤฑmฤฑzฤฑ bokla doldururuz; kariyerle, iliลkiyle falan. Eroin dรผrรผst bir uyuลturucudur, รงรผnkรผ bu yanฤฑlsamalarฤฑ sฤฑyฤฑrฤฑp atar. Eroin รงaktฤฑฤฤฑnda iyiysen, kendini รถlรผmsรผz hissedersin. Kรถtรผysen zaten var olan sฤฑkฤฑntฤฑyฤฑ artฤฑrฤฑr. Tek dรผrรผst uyuลturucudur. Bilincini deฤiลtirmez. Bi anda รงarpar ve gevลetir. Ondan sonra dรผnyanฤฑn sefaletini olduฤu gibi gรถrรผr, kendini buna karลฤฑ duyarsฤฑzlaลtฤฑramazsฤฑn.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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แแ แแแแขแแ แแฃแแแก แแแแแแแแ แแแแแแ แ แแแขแแ แ แแแแแกแแแก แแแซแฆแแแ แแ แแแแแก แกแฃแแแก แแแกแแฎแกแแแแแแแแ แชแแ แแแแแแ แกแฌแ แแคแแ แแแแงแแแแ แ. แแ แแฆแแก แแแแ แ แแ แแแแชแแ แขแแ แแแแแแ แแ แแแแฎแแแก แแแขแ แแแแแแก แแ แ แแ แฐแฅแแแแ. แแ แแ-แแ แ แแแ แแแ แแแแแแขแแ แแ แจแแแแแคแแ แแแ, แชแแขแ แแแแแแแแก, แแ แแแแ แแแชแแ แฌแแ แแแแฅแแแก แแ แแแแแแก แแ แแแแขแแ แแฃแแจแ แแแกแแแแแแแ แแแแแแแแ แแก แฆแแแแแแแช แแแแฌแแแแฃแแ. แแแแแ แ แแแแแแแแ แแแแแแช แแ แแแกแ แแแแฆแแแแแแแแ แชแแแ แแแแแฌแฃแ แแแแแ.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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- Makes nae fucking difference. Rents n Stevie came up fae London for this. If Rents n Stevie kin come up fae fucking London, Sick Boy kin come up fae fuckcing France.
Spud's senses were dangerously dulled with the alcohol. Stupidly, he kept the argument going. - Yeah, but, eh... France is further away... wir talking aboot the south ay France here, likesay. Ken?
Begbie looked incredulously at Spud. Obviously the message had not got across. He spoke lower, higher and with a snarl twisting his cruel mouth into a strange shape below his blazing eyes.
- IF RENTS N STEVIE KIN COME UP FI FUCKING LONDON, SICK BOY KIN COME UP FAE FUCKING FRANCE!
- Yeah... right enough. Should've made the effort. Mate's funeral likesay, ken. Spud thought that the Conservative Party in Scotland could do with a few Begbies. It's not what the message is, the problem is just communication. Begbie is good at getting the message across.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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To those of us gathered here today, Matthew Connell filled a number of different roles in our lives. Matthew was a son, a brother, a father and a friend. Matthew's last days in his young life were bleak, suffering ones. Yet, we must remember the real Matthew, the loving young man who had a great lust for life. A keen musician, Matthew loved to entertain friends with his guitar playing...
Renton could not make eye contact with Spud, standing next to him in the pew, as nervous laughter gripped him. Matty was the shitest guitarest he'd known, and could only play the Doors' 'Roadhouse Blues' and a few Clash and Status Quo numbers with any sort of proficiency. He tried hard to do the riff from 'Clash City Rockers', but could never quite master it. Nonetheless, Matty loved that Fender Strat. It was the last thing he sold, holding onto it after the amplifier had been flogged off in order to fill his veins with shite. Perr Matty, Renton thought. How well did any of us really know him? How well can anybody really know anybody else?
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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- แ แแก แแแแแแแ, แแแแจแแแ? แแฅ, แซแแแ แกแแแแฃแ แแ, แแแขแแ แแแแแแแก แกแแแแแแแแแแแ แแแฎแแแแแ, แแฃ แงแแคแแ แกแแฌแงแแแจแ โแกแแฉแฎแแ -แแแแแแแแ?โ _ แแแแแแก แแ แแฃแแแแแแ แฎแแแฎแแแแแก แกแแแฃแแแ แแแแแแแฃแ แแ.
_ แแแแแแชแแแ, _ แแฃแแแแแ แแแแแ แแ แแแแแ แฎแแแแ แฃแแแขแแแก, _ แแแแแ แ แแฃแแแ.
_ แแแ, แแแ, แแแแแแจแแ แแ แแแแ แแแ, แแ แฎแแแก แแ แจแแแแจแแแ! _ แแแแแแก แแแ แแแแชแ แแ แแแแชแแแแ แแแแชแแแแ. แแแกแ แฎแ แแแฌแแแแ แกแแชแแแแก แแฅแ แแแแ แแแขแแแแแฃแ แกแแฌแงแแแจแ แแกแแแก. แแแแฉแแแ, แ แ แแแแแ แแแแ แ แแแแซแแแแ. แแแ แแช แแ แแแแแ แฃแแ แแ แแฆแแ แแแงแฃแ แแแก.
แแแจแแแฆแ แแแแฎแแแ, แ แ แแก แแแแ แแแแแแแกแ แแงแ.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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-แแฎแแ, แฃแแแแแแ แฃแแแ แแแแแ แญแ, แแแแ แแ แแแแแแแ แแแ แแแแแกแก แแแ แแแ แแแแแแแฎแแ แแแแแแแแแ, แ แ แจแแแแแแกแแก แแ แแแขแแแแแก. แแฃแแแแแ แจแแแแแฃแแจแแแ, แแแแขแ แ แ แแแแก แแแ แแแแแ แแแแแแแ, แแแ แ แแแชแแแแ, แแแแแฃแแแ, - แแฅแแ แแ แฆแ แแ แแแคแแแ แแแแ แขแงแ.
แแแ แ แแแแแ แแแแจแแแแฎแฃแแ แฅแแแ แแ แแ แซแแแแแแแแ, แฐแแแ, แแแแแแแแ แแ แแฆแแแแฉแแแ. แแแแขแแ แ แแฆแแช แกแฎแแ แแแแแแแ แแแ แแแแแ, แ แแแแแแช, แแแกแ แแแ แแ, แกแแแแฎแแ แแแแแแแแแแแ. แซแแแแแ แแแแแขแ แแ แฌแแแแแแแ แ แแแ แแงแ. แแแแแแ, แแแแแแ แฌแแฃแกแแ แกแแฌแงแแ แฅแแแแแแก แแกแแแ.
แ แแแแแแก แฌแแแ แแฆแแแฉแแแ. แแ แกแแชแแแแแก แแแแจแ แฉแแแแแแ แแ แแฃแขแแแแแ แขแแแแแแแกแแแแ แกแแจแแแแแ แแแฆแ แแแแ. แแแแแแแแแแแ แแแ แฃแแฉแฎแแแแแ แกแแฌแแแแ แแ แแ แซแแแแแ, แ แแ แชแแขแแช แแ แแกแแก แแแแ แแแฆแแแ แแแกแซแแ แแแแแ.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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แแกแแ แแฃ แแกแ, แแแแแแแ แแแฆแแแแ แแแ , แ แ แแแ แแแ แแฎแฃแญแแ แแแแแแแก แแ แซแแแ แแแแก แแแ แแแแแก. แแแแแ แแแซแแแแแ, แ แแชแ แแแ แซแแแ, แ แ แแแ แแแแชแ แแแแ แแแ แแแแแฌแแ, แแแ แ แแแแแแ แแแฃแแแแแ, แ แแแแแแแช แแแกแฃแกแฃแแ แฌแแแก แแ แแฎแแแก แแแแแ แแแแก แแ แช แแ แชแแแแแแก. แแแแแช แแ แแแ แฉแแชแแฃแแแแ แแฌแแแแ แ. แแแ แซแแแ, แ แ แแแแแแงแแคแฃแ , แฃแแแแ แซแแแจแ แแแซแแ แแแ.
แแแฆแแแซแแ. แแแ แแ แแ แ แแแ , แ แแแแแ แกแแแแก แแแซแแแ. แแแ แ แแแแจแ แแแ แแแฅแแก, แกแแฎแแแ แแ แฃแชแแแฃแ แ แกแแกแแแแแก แจแแแ แซแแแแ แแแฌแฃแฎแแแก. แแแงแแแ แฎแแแก แแแกแแแ แแ แแฎแแแแ, แ แ แฎแแแแ แ แแฆแแช แแแแแแ แ, แจแแแแแแแฃแแ แแ แฌแแแแแแแ แแแแแแแ แแแ แแแงแแ. แแขแ แแแแแแแ แแ แ แแก แแฎแแแแ!.. แแแ แแแแชแ แแแแ แแแ แแแฌแแแก, แแแแแ แแแแแจแแแแแแ แแ แแแขแแ แ, แแกแฃแฅแแแ แแกแแแแ แกแแแ แแ แแแฃแแแแแแก.
- แฃแฃแฃ, แจแ แแแแแฎแกแแ แแแฃแแ แแแแแ แ!.. แแแ แแแแแแแแ, แกแแแแ แแแซแแแ, แจแ แแแแ, แจแแแ?!โฆ แแแแแแแ, แจแ แแฎแแแ แ แแแแแญแแแ แ! - แแกแ แแแแแแ, แแแแซแฃแ แ แชแฎแแแ แกแแฎแแชแ แแแ -แแแแฅแ, แ แแแแแแช แแฎแแแ แแก แแ แแแแแแแแแก. แญแแฃแแแแ แแแแแกแฃแแ แแ แ แแแแแ แก แแฃแแแฌแฃแแแ แกแแคแแแจแ แแ แกแแฌแแแแแแ แแแแแแ. แกแแแแแฆแแ , แขแ แแแแแกแแแแฃแ แฏแฃแฏแแก แฐแแแแก, แแแแ แฆแแแแแ แแ แแ แแแแแ แแแแ แแ. แแแแ แฃแแฉแฎแฃแแ แแแแ แแแขแแแแ แแ แแ แฌแแฎแแแแก แแฅแแแแ แแฃแ แขแงแแ, แกแแแแ แแ แแฎแแแแแ, แ แ แขแแ แแก.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Why is it that because ye use hard drugs every cunt feels that they have a right tae dissect and analyse ye? Once ye accept that they huv that right, yeโll join them in the search fir this holy grail, this thing that makes ye tick. Yeโll then defer tae them, allowin yersel tae be conned intae believin any biscuit-ersed theory ay behaviour they choose tae attach tae ye. Then yir theirs, no yir ain; the dependency shifts from the drug to them. Society invents a spurious convoluted logic tae absorb and change people whaeโs behaviour is outside its mainstream. Suppose that ah ken aw the pros and cons, know that ahโm gaunnae huv a short life, am ay sound mind etcetera, etcetera, but still want tae use smack? They wonโt let ye dae it. They wonโt let ye dae it, because itโs seen as a sign ay thir ain failure. The fact that ye jist simply choose tae reject whit they huv tae offer. Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats yeโve produced. Choose life. Well, ah choose no tae choose life. If the cunts cannae handle that, itโs thair fuckin problem. As Harry Lauder sais, ah jist intend tae keep right on to the end of the road โฆ
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Irvine Welsh (Trainspotting)
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Baลarฤฑ ve baลarฤฑsฤฑzlฤฑk arzunun tatmin edilmesi ya da iรงinde kalmasฤฑ anlamฤฑna gelir. Arzu ya kiลisel dรผrtรผlerimize baฤlฤฑ olarak baskฤฑn bir biรงimde iรงseldir, ya da esasen reklamlarla veya medyanฤฑn ve popรผler kรผltรผrรผn sunduฤu rol modelleriyle uyarฤฑlmฤฑล bir biรงimde, dฤฑลsal. Tom benim baลarฤฑ ve baลarฤฑsฤฑzlฤฑk kavramlarฤฑmฤฑn toplumsal dรผzeyden รงok kiลisel dรผzeyde geรงerli olduฤu gรถrรผลรผnde. Toplumsal รถdรผlรผ kabul etmediฤim iรงin baลarฤฑ (ve baลarฤฑsฤฑzlฤฑk) sadece anlฤฑk olabilirdi benim iรงin, รงรผnkรผ bu deneyim toplumsal destek gรถren bir servet, gรผรง ve statรผ dรผลmanlฤฑฤฤฑyla, ya da baลarฤฑsฤฑzlฤฑk sรถz konusu olduฤunda utanรง ve ayฤฑplamayla sรผrdรผrรผlemezdi. Bu yรผzden, Tom'a gรถre, bana sฤฑnavlarda baลarฤฑlฤฑ olduฤumu ya da iyi bir iลim olduฤunu ya da gรผzel bir piliรงle รงฤฑktฤฑฤฤฑmฤฑ sรถylemenin bir yararฤฑ yoktu; bu tรผr รถvgรผler bir ลey ifade etmiyordu benim iรงin. Tabii ki, gerรงekleลtiklerinde bu ลeylerin keyfini รงฤฑkarฤฑyordum, fakat deฤerleri kalฤฑcฤฑ olamazdฤฑ, รงรผnkรผ onlarฤฑ deฤerlendiren toplumun kabulรผ sรถz konusu deฤildi bende.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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--Thing is though, Spud, whin yir intae skag, that's it. That's aw yuv goat tae worry aboot. Ken Billy, ma brar, likes? He's jist signed up tae go back intae the fuckin army. He's gaun tae fucking Belfast, the stupid cunt. Ah always knew that the fucker wis tapped. Fuckin imperialist lackey. Ken whit the daft cunt turned roond n sais tae us? He goes: Ah cannae fuckin stick civvy street. Bein in the army, it's like being a junky. The only difference is thit ye dinnae git shot at sae often bein a junky. Besides, it's usually you that does the shootin.
--That, eh, likesay, seems a bit eh, fucked up like man. Ken?
--Naw but, listen the now. You jist think aboot it. In the army they dae everything fir they daft cunts. Feed thum, gie the cunts cheap bevvy in scabby camp clubs tae keep thum fae gaun intae toon n lowerin the fuckin tone, upsetting the locals n that. Whin they git intae civvy street, thuv goat tae dae it aw fir thumsells.
--Yeah, but likesay, it's different though, cause . . . Spud tries to cut in, but Renton is in full flight. A bottle in the face is the only thing that could shut him up at this point; even then only for a few seconds.
--Uh, uh . . . wait a minute, mate. Hear us oot. Listen tae whit ah've goat tae say here . . . what the fuck wis ah sayin . . . aye! Right. Whin yir oan junk, aw ye worry aboot is scorin. Oaf the gear, ye worry aboot loads ay things. Nae money, cannae git pished. Goat money, drinkin too much. Cannae git a burd, nae chance ay a ride. Git a burd, too much hassle, cannae breathe withoot her gittin oan yir case. Either that, or ye blow it, and feel aw guilty. Ye worry aboot bills, food, bailiffs, these Jambo Nazi scum beatin us, aw the things that ye couldnae gie a fuck aboot whin yuv goat a real junk habit. Yuv just goat one thing tae worry aboot. The simplicity ay it aw. Ken whit ah mean?
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Irvine Welsh (Trainspotting)
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Ah donโt really know, Tam, ah jist dinnae. It kinday makes things seem mair real tae us. Lifeโs boring and futile. We start aof wi high hopes, then we bottle it. We realise that weโre aw gaunnae die, withoot really findin oot the big answers. We develop aw they long-winded ideas which just interpret the reality ay oor lives in different weys, withoot really extending oor body ay worthwhile knowledge, about the big things, the real things. Basically, we live a short, disappointing life; and then we die. We fill up oor lives wi shite, things like careers and relationships tae delude oorsels that it isnae totally pointless. Smackโs an honest drug, because it strips away these delusions. Wi smack, whin ye feel good, ye feel immortal. Whin ye feel bad, it intensifies the shite thatโs already thair. Itโs the only really honest drug. It doesnae alter yer consciousness. It just gies ye a hit and a sense ay well-being. Eftir that, ye see the misery ay the world as it is, and ye cannae anaesthetise yirsel against it.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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Me contรณ un montรณn de cosas que yo no querรญa oรญr, cosas que mi madre y mi padre nunca supieron, y que odiarรญan saber. Lo cabrรณn que era Billy con ella. Cรณmo en ocasiones la golpeaba, la humillaba, y la trataba en general como un trozo de mierda excepcionalmente corrompida.
"ยฟPor quรฉ te quedaste con รฉl?"
"Era mi chico. Siempre piensas que serรก diferente, que puedes hacerle cambiar, que tรบ puedes suponer la diferencia."
Eso lo entendรญa, Pero es un error. Los รบnicos hijoputas que supusieron alguna vez una diferencia para Billy fueron los Provisionales, y ellos tambiรฉn eran unos cabrones. No tengo ninguna ilusiรณn sobre ellos como luchadores de la libertad. Los muy hijoputas convirtieron a mi hermano en un montรณn de comida para gatos. Pero ellos sรณlo tiraron de la palanca. Su muerte fue concebida por esos cabrones anaranjaos que venรญan por aquรญ todos los meses de julio con sus fajines y sus flautas, llenando la estรบpida cabeza de Billy con insensateces acerca de la corona y la naciรณn y toda esa mierda. Ellos irรกn a casa felices por el dรญa de hoy. Pueden contarles a todos sus colegas cรณmo muriรณ asesinado por el IRA uno de la familia mientras defendรญa el Ulster. Eso alimentarรก su ira sin objeto, harรก que les inviten a copas en los pubs, y consolidarรก su credibilidad memo-bastarda entre otros tontolabas sectarios.
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Irvine Welsh (Trainspotting)
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แแ แแแชแแแแแขแแ, แชแแขแ แแ แแงแแก, แแแแแคแแฅแ แ. แแแขแ, แกแแแแแ แแแชแ-แแแแฅแ, แ แ แฐแแแแกแแฅแกแฃแแแแกแขแ แแ แ แแแ , แแฃแแ แแแชแแแ แแ แแกแแแแก แแฌแแแแแแแ ? แแแฃ, แแกแแแ แแแ แฌแแฃแแแแฃแแ แ แแขแแ แแแ -แแแแฅแ, แแคแแฅแ แแ. แแกแ, แกแฃแ แแแแแแแ แแแแแกแแแฏแ, แ แ แแแ แแ แแแแกแฃแแแงแแแ, แแ แ แแแแ แแ. แแแแก แแฅแแ แแแแแ, แ แ แแแแแแแแแ, แแ แแฎแแ แแแแแช, แงแแแแแคแแ แ แฃแแแ แแแกแแแฏแแก. แแแ แ แฉแแแก แแแแก แแฎแแแแ แแฅแขแแฃแ แ แแแจแ แแฎแแแแ แแ แแแ แฌแแ แแแแแแแแแแ, แแ แ แแแแ แฃแแแ แแแแแแแก แแแฆแแชแแ แฃแแแแแแจแ. แแ แแฎแแ แแ แแ แแแแแ แ แแแแแ แ แแแแฎแกแแแ แแแแแแแแก แกแแจแแแแ แแ แกแแฎแแแแกแแแแแ. แแแแแแ แจแ แฌแแแแแ แแ, แซแแแ แแแแแจแ. แฃแชแแ แขแแแ แแ แแแ แแแแแแ แแ แแแแ แฃแแแแแแ! แจแแแ แแแแฆแแก, แ แแแแแแแช แแ แแแแแแขแจแ แแ แฏแแแแ แก แแแแแขแก แแฃแแแแแแแ, แชแฎแแแแ, แแแแแแแแ. แแแแแแแแแแแกแแแแก แแแแแขแแก แแแแแแแแ แแแแแแ, แ แ แฎแแแแแแฃแ แ แแกแ แแแฆแ แแแ แจแ. แฅแแแชแ แแแแแแแ แแแแซแแ แ, แแแ แ แแแแ แแแ แแแแแ แแแแแแแแ แแแแกแแแฃแ แ, แแกแขแแขแฃแ แ แแแแแขแ แแ แแซแฃแแแแฃแแ แแแงแแแ, แแแแแแแแก แแแแขแจแ แแแช แแแแแ แแแฅแแ. แแฃแแชแ, แแแแก แกแแฎแแก แแแแแแแขแงแแแแแแแก แ แ แแฃแงแฃแ แแแแ, แแแ แแแ แแแคแฃแจแแแแแ แแ แแกแขแแ แแฃแแ แกแแชแแแ แแแแแ แแแแแแ. แแ แ แแ แแแแแก แฐแแแแแ, แ แแแแแแช แแแแ แฎแแแก แฌแแ แแแแแกแแแแแ, แฐแแแ, แแแขแแ แ แฌแแ แแแกแแฎแแแก แฃแแแ แแก แฌแงแแแแแแ, แ แแแแ แฆแแช แแแแแช แแแแแแแแ แแ แฉแแแก แ แแแแแจแ.
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Irvine Welsh (Trainspotting (Mark Renton, #2))
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_ แกแแแแคแ แแ แแแแจแ แแกแแฎแฃแ แแแแ, แจแแแแ? แฉแแแ แแ แแแแแแช แแแแ แแงแ, แกแแแแคแ แแ แแแแจแ, แแ แแแแ แแแแแแฃ.
_ แแแแ, แแกแโฆ แแ แ, แฅแแแแแขแแแ, แคแแแขแจแ แแแงแแแ, _ แแฎแ แแแก แแฉแแฉแแแก แฏแแแ.
_ แแ แแแแแ แแฆแแ แแแแแแ แฃแแแ, แฆแแแ แแแ แแชแฎแแแแก แแแกแ แกแฃแแ. แแชแแแแ แแ แฌแแแก แแงแ, แฉแแแ แกแแฌแงแแแ แแแญแ. แแกแแแ แแแ แแ แงแแแฌแแแแ แแงแ, _ แฅแแแก แแแแแแแ แชแ แแแแแแแ แแแกแแแ. แฎแแ แแแแแ แฉแแฃแฌแงแแ แแ แกแแฌแงแแแแแแแ แแแฃแฎแแ แกแแแฃแแแ แ แฃแกแฃแกแฃแ แ แแแ แแแก แแแแ. _ แแชแ, แจแแแแ, แแ แกแแแแแฆแแ แ แขแแขแฉแแ แ แกแแชแแชแฎแแแก แแแแแแแ แแแซแฃแแแแ. แแ แแ แแฆแแช แแ แแแแ, แแ แ แ แแ แแแแฌแงแแแแ.
แแแ แ แกแแคแฃแแแก แแฆแแแก, แแชแแแ แแแแฅแแแ แแฃแแแฃแ แแก แแแฃแแแแก แแ แฏแแแแก แฎแแแจแ แฃแขแแแแก:
_ แแแฆแ, แจแแแแ, แแแแก แแแขแ แแ แแคแแ แ แแแฅแแก, แแแแ แแ แแแแแ, แ แ แจแแ แแฅแแแแแก. _ แแแ แ แฅแแแแแแ แฃแแแ แแแแ แแ แแแแแก, แคแแฎแแ แซแแแแก แแแแก; แแกแแแ แแ แซแแแแแ, แแแแฅแแก แแแแแ แแแญแ แแก.
_ แฆแแแ แแแ แแแแแแชแแ, แฅแแแแแขแแแ! _ แแแฐแแแแแก แฏแแแ แแแแแแแแก. _ แฆแแแ แแแ แแแแแชแแก แจแแขแแแแแแแแ แฏแแ แแกแแแชแแแ! _ แแแ แ แขแแจแกแแช แจแแแแฐแแ แแแก, แกแแฎแแ แฃแแแ แแฆแแ แแ, แ แแ แแแแ แชแแแแแแแแก แแงแแแแก แแ แแ แแแขแแแแแแแ แแ แแแ แแแแแฃแจแแแแก, แ แแแแแแช แฃแแแ แแฅแแก. แคแกแแฅแแแแขแแแแแฃแ แ แแแแขแแแแ: แแแกแ แแแขแแ แแแแกแแแแ แแแแแแแแ แแแแแแ, แแแกแ แแแขแแ แ แกแแแแแฎแแกแแแแ, แ แแแแแกแแช แแแฃแชแแแแแแ แแแแแแ แแแกแชแแแแแ แแ แแแ แแคแแกแแแแ; แแแแแ แแแ แแกแแแแก แฉแแกแฌแแแแแแแ แแ แแแขแแ แแแแก แแ แกแก... แแแแแก แแแแแ แแฆแฃแฏแ แชแแแแแแแแ แแฅแแก, แแแแแก แแแแ แแแแแฃแฌแแ แแก. แแฆแแก แกแแฆแแแแก แแฃแชแแแแแแแ แแแแแแฎแฃแแแแก แแ แแแแแก แแแแแแงแแค แแแแแแแ แก. แแแแแก แแแแแกแ แแแแแแแแ แกแญแแ แแแแ, แฏแแแแก แแแแ _ แแแกแ แคแกแแฅแแขแ แแแฃแแแแ. แแแขแแ แแกแแ แแแแแแฃแ แ แแแแฎแแแแ แแ. แแแแฎแแช! แฆแแแ แแแ แฌแงแแแแแ แแ แแแฃแจแแแแก แจแแขแแแแแแแ แฏแแ แแกแแแชแแแก แแ แแ แแขแแแฃแ แฏแแแแแชแแแก!
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Irvine Welsh (Trainspotting (Mark Renton, #2))