“
No sense of the irony of human experience, that we are the highest form of life on earth, and yet ineffably sad because we know what no other animal knows, that we must die.
”
”
Don DeLillo (White Noise)
“
The irony of man's condition is that the deepest need is to be free of the anxiety of death and annihilation; but it is life itself which awakens it, and so we must shrink from being fully alive.
”
”
Ernest Becker (The Denial of Death)
“
girls
please give your
bodies and your
lives
to
the young men
who
deserve them
besides
there is
no way
I would welcome
the
intolerable
dull
senseless hell
you would bring
me
and
I wish you
luck
in bed
and
out
but not
in
mine
thank
you.
”
”
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
“
I paid, got up, walked
to the door, opened
it.
I heard the man
say, "that guy's
nuts."
out on the street I
walked north
feeling
curiously
honored.
”
”
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
“
I feel no grief for being called something
which
I am not;
in fact, it's enthralling, somehow, like a good
back rub
”
”
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
“
Depend upon it, sir, when a man knows he is to be hanged in a fortnight, it concentrates his mind wonderfully.
”
”
Samuel Johnson (The Life of Samuel Johnson LL.D. Vol 3)
“
People often say that the English are very cold fish, very reserved, that they have a way of looking at things – even tragedy – with a sense of irony. There’s some truth in it; it’s pretty stupid of them, though. Humor won’t save you; it doesn’t really do anything at all. You can look at life ironically for years, maybe decades; there are people who seem to go through most of their lives seeing the funny side, but in the end, life always breaks your heart. Doesn’t matter how brave you are, how reserved, or how much you’ve developed a sense of humor, you still end up with your heart broken. That’s when you stop laughing. In the end there’s just the cold, the silence and the loneliness. In the end, there’s only death.
”
”
Michel Houellebecq (The Elementary Particles)
“
Within that moment was trust, compassion, and our mutual sense of irony. He was carrying death within him and I was carrying life. We were both aware of that, I know.
”
”
Patti Smith (Just Kids)
“
So if there is something on the planet that is worth living for, I'd better not miss it, because once you're dead, it's too late for regrets, and if you die by mistake, that is really, really dumb.
”
”
Muriel Barbery (The Elegance of the Hedgehog)
“
It reminds me of an old joke: What did the Zombie say to the whore?"
I looked at him blankly. "Um....what?"
He winked. "Keep the tip.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
And it was strange, I thought, that sorrow lasts and can make a man look forward to death, but the mood of victory fills a moment and then is over
”
”
V.S. Naipaul
“
Still, waking up this early was just wrong. “Why can’t people be reasonable and only die after eleven A.M.?” I whined.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
In the center lay the exploded carcass of a lonely sperm whale that hadn't lived long enough to be disappointed with its lot.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
I didn't know who to
believe
but
one thing I do
know: when a man is
living
many claim relationships
that are hardly
so
and after he dies, well,
then it's everybody's
party.
”
”
Charles Bukowski (You Get So Alone at Times That it Just Makes Sense)
“
My life is over.
My one forever love has
been snatched away,
condemned by my own
father's rules to die,
just because he loved me.
I am without a home,
without a single person to love.
And after having
discovered love, lived for a short
while surrounded by love,
that is to much to bear.
I am a pariah, at church,
at school. The few people
I once called friends have
betrayed me and caused
the death of my husband,
our innocent child.
And so they should die too.
All of them. Dad. Bishop
Crandall. Trevor, Becca, Emily.
With the pull of a 10mm hair
trigger, their lives will end at sacrament meeting.
Such lovely irony!
And when I finish there,
I'll hide in the desert,
reload, and go in search
of Carmen and Tiffany,
who started the rumors.
And Derek, just because.
”
”
Ellen Hopkins
“
But then again, I was about as far from touchy-feely as you could get. Unless you’re fucking me, don’t put your hands on me.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
You will love again, people say. Give it time. Me with time
running out. Day after day of the everyday.
What they call real life, made of eighth-inch gauge.
Newness strutting around as if it were significant.
Irony, neatness and rhyme pretending to be poetry.
I want to go back to that time after Michiko's death
when I cried every day among the trees. To the real.
To the magnitude of pain, of being that much alive.
”
”
Jack Gilbert
“
I feel as if one would only discover on one's death-bed what one ought to have lived for, and realise too late that one's life has been wasted. Any passionate and courageous life seems good in itself, yet one feels that some element of delusion is involved in giving so much passion to any humanly attainable object. And so irony creeps into the very springs of one's being.
”
”
Bertrand Russell (Sceptical Essays (Routledge Classics))
“
Lying on the metal table in front of me was a middle-aged man decked out in absolutely nothing at all. A dead man. Buck-ass naked with his little shriveled junk right there for everyone to see.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
People say it's not what happens in your life that matters, it's what you think happened. But this qualification, obviously, did not go far enough. It was quite possible that the central event of your life could be something that didn't happen, or something you thought didn't happen. Otherwise there'd be no need for fiction, there'd only be memoirs and histories...
”
”
Geoff Dyer (Jeff in Venice, Death in Varanasi)
“
So I told the lady Biology and high school were useless crap, I was going to get a job, and I was never coming back to school.
And I didn’t.
Yeah, I sure showed them.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
Hey, look, I thought with a miserable laugh, this day just got worse.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
Three hours ago I was in bed, I thought miserably. I should have stayed there.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
Look, I know this is the last thing you want to talk about, but I wanted to ask you . . . .” He trailed off, looking strangely uneasy.
“Ask me . . . ?” Ask me to dinner? Ask me out for drinks? Ask me if I wanted to see what he looked like under that uniform? Yow, where’d that last one come from?
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
Good morning!” my partner, Derrel, said in an insanely cheerful voice. “I need my Angel to come out and play.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
God-fucking-damn but he was seriously good-looking. “Have you ever had the stuffed pancakes here? They’re evil. I highly recommend them.”
“Heh. The cop is recommending evil,” I said. “Too funny.”
To my surprise, Ivanov chuckled. “You’ve discovered my dark side.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
The over-weight and out of shape guy who owned the house had apparently decided that having a half-million dollar house meant that he couldn’t afford to hire someone to clean out his gutters. Now he was dead with what looked to me like a broken neck after the ladder had slipped. He’d taken the plunge into his fancy landscaping—complete with rock garden. But hey, his fucking gutters were clean.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
Only in America can you be pro-death penalty, pro-war, pro-unmanned drone bombs, pro-nuclear weapons, pro-guns, pro-torture, pro-land mines, and still call yourself 'pro-life.
”
”
John Fugelsang
“
to require perfection is to invite paralysis. The pattern is predictable: as you see error in what you have done, you steer your work toward what you imagine you can do perfectly. You cling ever more tightly to what you already know you can do — away from risk and exploration, and possibly further from the work of your heart. You find reasons to procrastinate, since to not work is to not make mistakes. Believing that artwork should be perfect, you gradually become convinced that you cannot make such work. (You are correct.) Sooner or later, since you cannot do what you are trying to do, you quit. And in one of those perverse little ironies of life, only the pattern itself achieves perfection — a perfect death spiral: you misdirect your work; you stall; you quit.
”
”
David Bayles (Art & Fear: Observations on the Perils (and Rewards) of Artmaking)
“
the irony of man’s fate reflected in his image: that all men, from beggar to emperor, from harlot to queen, from ragged clerk to Pope, must come to this. No matter what their poverty or power in life, all is vanity, equalized by death.
”
”
Barbara W. Tuchman (A Distant Mirror: The Calamitous 14th Century)
“
The smell was like chocolate and cookies and biscuits and gravy and everything else that was delicious. It damn near drove me crazy every time I had to touch one. I’d been fighting the cravings the way I’d never fought the urge to take drugs or get drunk.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
Dear friend…'
The Witcher swore quietly, looking at the sharp, angular, even runes drawn with energetic sweeps of the pen, faultlessly reflecting the author’s mood. He felt once again the desire to try to bite his own backside in fury. When he was writing to the sorceress a month ago he had spent two nights in a row contemplating how best to begin. Finally, he had decided on “Dear friend.” Now he had his just deserts.
'Dear friend, your unexpected letter – which I received not quite three years after we last saw each other – has given me much joy. My joy is all the greater as various rumours have been circulating about your sudden and violent death. It is a good thing that you have decided to disclaim them by writing to me; it is a good thing, too, that you are doing so so soon. From your letter it appears that you have lived a peaceful, wonderfully boring life, devoid of all sensation. These days such a life is a real privilege, dear friend, and I am happy that you have managed to achieve it.
I was touched by the sudden concern which you deigned to show as to my health, dear friend. I hasten with the news that, yes, I now feel well; the period of indisposition is behind me, I have dealt with the difficulties, the description of which I shall not bore you with. It worries and troubles me very much that the unexpected present you received from Fate brings you worries. Your supposition that this requires professional help is absolutely correct. Although your description of the difficulty – quite understandably – is enigmatic, I am sure I know the Source of the problem. And I agree with your opinion that the help of yet another magician is absolutely necessary. I feel honoured to be the second to whom you turn. What have I done to deserve to be so high on your list?
Rest assured, my dear friend; and if you had the intention of supplicating the help of additional magicians, abandon it because there is no need. I leave without delay, and go to the place which you indicated in an oblique yet, to me, understandable way. It goes without saying that I leave in absolute secrecy and with great caution. I will surmise the nature of the trouble on the spot and will do all that is in my power to calm the gushing source. I shall try, in so doing, not to appear any worse than other ladies to whom you have turned, are turning or usually turn with your supplications. I am, after all, your dear friend. Your valuable friendship is too important to me to disappoint you, dear friend.
Should you, in the next few years, wish to write to me, do not hesitate for a moment. Your letters invariably give me boundless pleasure.
Your friend Yennefer'
The letter smelled of lilac and gooseberries.
Geralt cursed.
”
”
Andrzej Sapkowski (Krew elfów (Saga o Wiedźminie, #1))
“
I grabbed my napkin and managed to pretend to sneeze which had the added effect of covering up most of my face which was surely completely beet red with embarrassment at this point. Yeah, I was classy and suave like that. Jesus Christ, Angel, get a grip!
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
At her funeral, Diana's brother observed, 'Of all the ironies about Diana, perhaps the greatest was this--- a girl given the name of the ancient goddess of hunting was, in the end, the most hunted person of our modern age.
”
”
Kris Waldherr (Doomed Queens: Royal Women Who Met Bad Ends, From Cleopatra to Princess Di by Kris Waldherr (2008-10-28))
“
Whoa!” I jerked my hand up to stop him. “Wait, what?” I asked as sick horror shot through me. “You mean, like when the bodies get cut open?”
Delight lit his face. “Yes, you’ll be helping with the autopsies. You didn’t know that?
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
Even in dying, a Thennanin ship was reputed to be not worth putting out of its misery. In battle they were slow, unmaneuverable—and as hard to disable permanently as a cockroach.
”
”
David Brin (Startide Rising (The Uplift Saga, #2))
“
Once you hold the hand of Death, the only thing in life that can scare you is a sense of humor.
”
”
Lionel Suggs
“
It looked like pieces of bread pudding that had been soaked in raspberry syrup.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
As soon as he was gone I blew my breath out and leaned back against the wall. Awkward. First the cop who’d arrested me, then the paramedic who’d kept me from accidentally killing myself. I didn’t even want to think what a third thing might be.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
All of a sudden it seemed as if I could smell the brain, and not in a oh-how-gross way, but as if someone had taken the lid off a pot of gumbo to let the aroma fill the room. And I knew it was the brain that smelled so utterly enticing—knew it with every single cell of my being.
What the hell was wrong with me?
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
„What kind of stupid trip is this? So far, I’ve been assaulted, insulted, arrested, and now I’m tied to a chair by a bunch of vampires in case they crave a little O negative at lunch. And my boyfriend is out there somewhere, dodging sunbeams. This sucks!
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
At twenty-nine, life no longer held any brightness for him, but Voltaire supplied him with man-made wings.
Spreading these man-made wings, he soared with ease into the sky. The higher he flew, the farther below him sank the joys and sorrows of a life bathed in the light of the intellect. Dropping ironies and smiles upon the shabby towns below, he climbed through the open sky, straight for the sun--as if he had forgotten about that ancient Greek who plunged to his death in the ocean when his man-made wings were singed by the sun."
-from "The Life of a Stupid Man
”
”
Ryūnosuke Akutagawa (Rashōmon and Seventeen Other Stories)
“
If a person leads an ‘active’ life, as Wiggs had, if a person has goals, ideals, a cause to fight for, then that person is distracted, temporarily, from paying a whole lot of attention to the heavy scimitar that hangs by a mouse hair just about his or her head. We, each of us, have a ticket to ride, and if the trip be interesting (if it’s dull, we have only ourselves to blame), then we relish the landscape (how quickly it whizzes by!), interact with our fellow travelers, pay frequent visits to the washrooms and concession stands, and hardly ever hold up the ticket to the light where we can read its plainly stated destination: The Abyss.
Yet, ignore it though we might in our daily toss and tussle, the fact of our impending death is always there, just behind the draperies, or, more accurately, inside our sock, like a burr that we can never quite extract. If one has a religious life, one can rationalize one’s slide into the abyss; if one has a sense of humor (and a sense of humor, properly developed, is superior to any religion so far devised), one can minimalize it through irony and wit. Ah, but the specter is there, night and day, day in and day out, coloring with its chalk of gray almost everything we do. And a lot of what we do is done, subconsciously, indirectly, to avoid the thought of death, or to make ourselves so unexpendable through our accomplishments that death will hesitate to take us, or, when the scimitar finally falls, to insure that we ‘live on’ in the memory of the lucky ones still kicking.
”
”
Tom Robbins (Jitterbug Perfume)
“
I walked into the café, bypassing the waiting people as I scanned for the hulking figure of my partner. It’s official , I thought with a sigh as I spied him at a table for four and realized who else was with him. God hates me.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
Sun, and sky, and breeze, and solitary walks, and summer holidays, and the greenness of fields, and the delicious juices of meats and fishes, and society, and the cheerful glass, and candle-light, and fire-side conversations, and innocent vanities, and irony itself-- do these things go out with life? Can a ghost laugh, or shake his gaunt sides, when you are pleasant with him?
”
”
Charles Lamb
“
I believe in Free Will, the Force Almighty by which we conduct ourselves as if we were the sons and daughters of a just and wise God, even if there is no such Supreme Being. And by free will, we can choose to do good on this earth, no matter that we all die, and do not know where we go when we die, or if a justice or explanation awaits us.
I believe that we can, through our reason, know what good is, and in the communion of men and women, in which the forgiveness of wrongs will always be more significant than the avenging of them, and that in the beautiful natural world that surrounds us, we represent the best and the finest of beings, for we alone can see that natural beauty, appreciate it, learn from it, weep for it, and seek to conserve it and protect it.
I believe finally that we are the only true moral force in the physical world, the makers of, ethics and moral ideas, and that we must be as good as the gods we created in the past to guide us.
I believe that through our finest efforts, we will succeed finally in creating heaven on earth, and we do it every time that we love, every time that we embrace, every time that we commit to create rather than destroy, every time that we place life over death, and the natural over what is unnatural, insofar as we are able to define it.
And I suppose I do believe in the final analysis that a peace of mind can be obtained in the face of the worst horrors and the worst losses. It can be obtained by faith in change and in will and in accident and by faith in ourselves, that we will do the right thing, more often than not, in the face of adversity.
For ours is the power and the glory, because we are capable of visions and ideas which are ultimately stronger and more enduring than we are.
That is my credo. That is my belief, for what it's worth, and it sustains me. And if I were to die right now, I wouldn't be afraid. Because I can't believe that horror or chaos awaits us.
If any revelation awaits us at all, it must be as good as our ideals and our philosophy. For surely nature must embrace the visible and the invisible, and it couldn't fall short of us. The thing that makes the flowers open and the snowflakes fall must contain a wisdom and a final secret as intricate and beautiful as the blooming camellia or the clouds gathering above, so white and so pure in the blackness.
If that isn't so, then we are in the grip of a staggering irony. And all the spooks of hell might as well dance. There could be a devil. People who burn other people to death are fine. There could be anything.
But the world is simply to beautiful for that.
At least it seems that way to me.
”
”
Anne Rice (The Witching Hour (Lives of the Mayfair Witches, #1))
“
I’m pre-med,” he added smugly.
“Okay.” I said again. I didn’t shrug this time, but his jaw tightened a bit as if he was annoyed that I wasn’t displaying the proper amazement at his accomplishment.
“And I’m next in line to be promoted to death investigator.” The look he gave me was nothing short of a challenge, and I had to fight to not roll my eyes. What, he expected me to start crowing about my own accomplishments so he could top them? He’d be waiting a long time for that.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
Hey,” I said before he could say anything else that would make the mood even weirder or break it entirely. “You wanna grab some coffee or something someday? I mean, some time when I’m not crawling with maggots,” I added with a laugh that sounded nervous to my own ears and probably sounded desperate and pathetic to his. I totally braced myself for him to hem and haw and say that he couldn’t or had a girlfriend or something. I was shocked instead when he gave me a nod.
“That sounds nice. And I’m cool with the no maggots thing too.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
Yeah, so? I was ignorant, but I’m not a fucking moron. Why would I give the shit to you just so I could buy it back from you later?” I leaned back against the counter. “Hon, you’re fucking with the wrong chick. I’ve been around too many drug dealers to buy into a scheme like that.”
He shocked me by bursting out laughing. “Drug dealers? Well, that’s an interesting analogy.” He shook his head but a sardonic smile stayed on his face.
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
Suddenly Yudhisthira saw a yaksha approaching him. The being sat in front of him and began firing questions rapidly at him.
What is bigger than the Earth? the yaksha asked.
"A mother" replied Yudhisthira.
What is taller than the sky?
"A father"
What is faster than the wind?
"The mind , of course". Yudhisthira smiled.
What grows faster than hay?
"Worry"
What is the greatest dharma in the world? queried the yaksha
"Compassion and conscience"
With who is friendship never-ending?
"With good people" responded Yudhisthira patiently.
What is the secret to never feeling unhappy?
"If one can control his or her mind, then that person will never feel sad"
The yaksha increase his pace now.
What is the greatest kind of wealth.
"Education"
What is the greatest kind of profit?
"Health"
What is the greatest kind of happiness?
"Contentment" said Yudhisthira, ever prompt with his replies.
What is man's worst enemy?
"Anger"
What disease will never have a cure?
"Greed is incurable"
The yaksha smiled again. A last question my friend. What is life's biggest irony?
"It is the desire to live eternally. Every day, we encounter people dying but we always think that death will never come to us.
”
”
Sudha Murty (The Serpent's Revenge: Unusual Tales from the Mahabharata)
“
Angel, I have no idea how you can stand this stench,” he said. “Derrel’s been doing this for long enough that I think he doesn’t have any smell receptors left, but you . . . ?” He grimaced as he snapped pictures of the skull and the injury while I held the body in position for him. “You are one tough chick.” Then his eyes crinkled, and even though he had the mask on, I could tell he was grinning at me. “Or maybe you’re seriously sick and twisted, in which case you are so in the right line of work.”
I laughed. “Gotta be the second one,” I said. “I’m not tough!
”
”
Diana Rowland (My Life as a White Trash Zombie (White Trash Zombie, #1))
“
Poetry is a game, too, after all. Poets must be playful. Poetry is a serious matter, among the most serious. More serious than death and life and everything. A profound and vital matter. And precisely for that reason we poets have to know how to play and we have to know how to laugh and we have to know irony.
”
”
Irene Solà (Canto jo i la muntanya balla)
“
It made it easier that they both believed in the simplest kind of afterlife - that my father could say to her, even in those last days, joking but without irony, 'You're going to get tired of hearing from me. I'll be asking you for this that and the other thing twenty-four hours a day. JESUS, you'll be saying, here comes another prayer from Dennis.' And my mother would reply, her voice hoarse with pain, 'Jesus might advise you to take in a movie once in a while. Give your poor wife a rest. She's in heaven, after all.'
It was a joke, but they believed it, and they believed, too, I think, that their love, their loyalty to one another, was no longer a matter of chance or happenstance, but a condition of their existence no more voluntary or escapable than the pace of their blood, the influx of perception...There was, in their anticipation of what was to come, a queer self-satisfaction. It was clear now that they would love each other until the last moment of her life - hadn't that been the goal from the beginning? They would love each other even beyond the days they had lived together; was there any greater triumph?
”
”
Alice McDermott (Charming Billy)
“
On death row, in some ways, I feel like I did become the astronaut of my childhood aspirations. I live suspended, distant and hyperaware of all existence. I’m alien, yet affiliated, living like a satellite, away from all that I have ever known. I know more about human life now that I have moved my research on planetary existence from the streets of Harlem and Philadelphia to my Spartan spaceship of four cement walls, steel commode, and a cot. The space travelers of my felonious legion are drafted from our streets, vulnerable and afraid, some innocent, some guilty, all trained and broken in this system. We are sensitive scientists of the soul who stumble into a laboratory of the self we can’t figure out how to escape. We spend our days rereading our star maps, trying to understand how we ended up at this unintended destination. The solitude of these walls allows us the time to explore the vastness inside of us in ways that our survival on planet Earth never could. I don’t glorify this irony.
”
”
Junauda Petrus (The Stars and the Blackness Between Them)
“
Sooner or later, all talk among foreigners in Pyongyang turns to one imponderable subject. Do the locals really believe what they are told, and do they truly revere Fat Man and Little Boy? I have been a visiting writer in several authoritarian and totalitarian states, and usually the question answers itself. Someone in a café makes an offhand remark. A piece of ironic graffiti is scrawled in the men's room. Some group at the university issues some improvised leaflet. The glacier begins to melt; a joke makes the rounds and the apparently immovable regime suddenly looks vulnerable and absurd. But it's almost impossible to convey the extent to which North Korea just isn't like that. South Koreans who met with long-lost family members after the June rapprochement were thunderstruck at the way their shabby and thin northern relatives extolled Fat Man and Little Boy. Of course, they had been handpicked, but they stuck to their line.
There's a possible reason for the existence of this level of denial, which is backed up by an indescribable degree of surveillance and indoctrination. A North Korean citizen who decided that it was all a lie and a waste would have to face the fact that his life had been a lie and a waste also. The scenes of hysterical grief when Fat Man died were not all feigned; there might be a collective nervous breakdown if it was suddenly announced that the Great Leader had been a verbose and arrogant fraud. Picture, if you will, the abrupt deprogramming of more than 20 million Moonies or Jonestowners, who are suddenly informed that it was all a cruel joke and there's no longer anybody to tell them what to do. There wouldn't be enough Kool-Aid to go round. I often wondered how my guides kept straight faces. The streetlights are turned out all over Pyongyang—which is the most favored city in the country—every night. And the most prominent building on the skyline, in a town committed to hysterical architectural excess, is the Ryugyong Hotel. It's 105 floors high, and from a distance looks like a grotesquely enlarged version of the Transamerica Pyramid in San Francisco (or like a vast and cumbersome missile on a launchpad). The crane at its summit hasn't moved in years; it's a grandiose and incomplete ruin in the making. 'Under construction,' say the guides without a trace of irony. I suppose they just keep two sets of mental books and live with the contradiction for now.
”
”
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
“
I'm sucking on a cancer stick trying to think of something inspiring to say to help someone have a better life. That's "Irony".
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Stanley Victor Paskavich
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Regrets are a waste of time and waste of time brings about regrets. It's the best ironic cycle after life and death!
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Adhish Mazumder
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Whatever you are, do not even assume that you will be surrounded and gnawed by luxurious worms of an exquisite breed.
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Alexander Zalan (Pavilion of Thoughts)
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Of course, no one dies at exactly the correct moment: some too early, some too late.
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Julian Barnes (The Noise of Time)
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Perhaps the saddest irony of depression is that suicide happens when the patient gets a little better and can again function sufficiently.
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Dick Cavett
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We sometimes run for our life to our death.
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Mokokoma Mokhonoana (P for Pessimism: A Collection of Funny yet Profound Aphorisms)
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My life only has a meaning insofar as I lack one: oh, but let me be mad! Make something of all this he who is able to, understand it he who is dying, and there the living self is, knowing not why, its teeth chattering in the lashing wind: the immensity, the night engulfs it and, all on purpose, that living self is there just in order … ‘not to know’. But as for GOD? What have you got to say, Monsieur Rhetorician? And you, Monsieur Godfearer? — GOD, if He knew, would be a swine. I said ‘GOD, if He knew, would be a swine.’ He (He would I suppose be, at that particular moment, somewhat in disorder, his peruke would sit all askew) would entirely grasp the idea … but what would there be of the human about him? Beyond, beyond everything … and yet farther, and even farther still … HIMSELF, in an ecstasy, above an emptiness … And now? I TREMBLE. O Thou my Lord [in my distress, I call out unto my heart], O deliver me, make them blind! The story — how shall I go on with it?
But I am done.
From out of the slumber which for so short a space kept us in the taxi, I awoke, the first to open his eyes … The rest is irony, long, weary waiting for death …
”
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Georges Bataille (Madame Edwarda seguido de El muerto)
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Ursula tried to remember what her own last words to her father had been. A nonchalant 'See you later,' she concluded. The final irony. 'We never know when it will be the last time,' she said...
”
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Kate Atkinson (Life After Life (Todd Family, #1))
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I'm always finding humans at their best and worst. I see their ugly and their beauty, and I wonder how the same thing can be both. Still, they have one thing I envy. Humans, if nothing else, have the good sense to die.
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Markus Zusak (The Book Thief)
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If you believe in the eighteenth century view of the mind, you will look and act wimpy. You will think that all you need to do is give people the facts and the figures and they will reach the right conclusion. You will think that all you need to do is point out where their interests lie, and they will act politically to maximize them. You will believe in polling and focus groups: you will believe that if you ask people what their interests are, they will be aware of them and will tell you, and will vote on it. You will not have any need to appeal to emotion---indeed, to do so would be wrong! You will not have to speak of values; facts and figures will suffice. You will not have to change people's brains; their reason should be enough. You will not have to frame the facts; they will speak for themselves. You just have to get the facts to them...
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George Lakoff (Don't Think of an Elephant! Know Your Values and Frame the Debate: The Essential Guide for Progressives)
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he said something enormously charged and meaningful about death, the tone was resigned and laconic, but not without irony, and I thought I will have to remember this, this is important, I’ll have to remember this for the rest of my life, but by the time we were in the car on our way home along the Hardanger fjord I had forgotten.
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Karl Ove Knausgård (My Struggle: Book 1)
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Fellow-citizens, pardon me, allow me to ask, why am I called upon to speak here to-day? What have I, or those I represent, to do with your national independence? Are the great principles of political freedom and of natural justice, embodied in that Declaration of Independence, extended to us? And am I, therefore, called upon to bring our humble offering to the national altar, and to confess the benefits and express devout gratitude for the blessings resulting from your independence to us?
I am not included within the pale of this glorious anniversary! Your high independence only reveals the immeasurable distance between us. The blessings in which you this day rejoice are not enjoyed in common. The rich inheritance of justice, liberty, prosperity, and independence bequeathed by your fathers is shared by you, not by me. The sunlight that brought life and healing to you has brought stripes and death to me. This Fourth of July is yours, not mine. You may rejoice, I must mourn. To drag a man in fetters into the grand illuminated temple of liberty, and call upon him to join you in joyous anthems, were inhuman mockery and sacrilegious irony. Do you mean, citizens, to mock me, by asking me to speak today?
What, to the American slave, is your Fourth of July? I answer: a day that reveals to him, more than all other days of the year, the gross injustice and cruelty to which he is a constant victim. To him, your celebration is a sham; your boasted liberty, an unholy license; your national greatness, swelling vanity; your sounds of rejoicing are empty and heartless; your denunciation of tyrants, brass fronted impudence; your shouts of liberty and equality, hollow mockery; your prayers and hymns, your sermons and thanksgivings, with all your religious parade and solemnity, are, to Him, mere bombast, fraud, deception, impiety, and hypocrisy—a thin veil to cover up crimes that would disgrace a nation of savages. There is not a nation of the earth guilty of practices more shocking and bloody than are the people of these United States at this very hour.
At a time like this, scorching irony, not convincing argument, is needed. O! had I the ability, and could reach the nation’s ear, I would, to-day, pour forth a stream, a fiery stream of biting ridicule, blasting reproach, withering sarcasm, and stern rebuke. For it is not light that is needed, but fire; it is not the gentle shower, but thunder. We need the storm, the whirlwind, the earthquake. The feeling of the nation must be quickened; the conscience of the nation must be roused; the propriety of the nation must be startled; the hypocrisy of the nation must be exposed; and the crimes against God and man must be proclaimed and denounced.
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Frederick Douglass (Frederick Douglass: Selected Speeches and Writings)
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Our ability to measure and apportion time affords an almost endless source of comfort.
“Synchronise watches at oh six hundred,” says the infantry captain, and each of his huddled lieutenants finds a respite from fear in the act of bringing two tiny pointers into jeweled alignment while tons of heavy artillery go fluttering overhead; the prosaic, civilian looking dial of the watch has restored, however briefly, an illusion of personal control. Good, it counsels, looking tidily up from the hairs and veins of each terribly vulnerable wrist; fine: so far, everything’s happening right on time…
“Oh, let me see now,” says the ancient man, tilting his withered head to wince and blink at the sun in bewildered reminiscence, “my first wife passed away the spring of -” and for a moment he is touched with terror. The spring of what? Past? Future? What is any spring but a mindless rearrangement of cells in the crust of the spinning earth as it floats in endless circuit of its sun? What is the sun itself but one of a billion insensible stars forever going nowhere into nothingness? Infinity! But soon the merciful valves and switches of his brain begin to do their tired work, and “The spring of Nineteen-Ought-Six,” he is able to say. “Or no, wait-” and his blood runs cold again as the galaxies revolve. “Wait! Nineteen-Ought — Four.”… He may have forgotten the shape of his first wife’s smile and the sound of her voice in tears, but by imposing a set of numerals on her death, he has imposed coherence on his own life and on life itself… “Yes sir,” he can say with authority, “nineteen-Ought-Four,” and the stars tonight will please him as tokens of his ultimate heavenly rest. He has brought order out of chaos.
”
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Richard Yates (Revolutionary Road)
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There have been ample opportunities since 1945 to show that material superiority in war is not enough if the will to fight is lacking. In Algeria, Vietnam and Afghanistan the balance of economic and military strength lay overwhelmingly on the side of France, the United States, and the Soviet Union, but the will to win was slowly eroded. Troops became demoralised and brutalised. Even a political solution was abandoned. In all three cases the greater power withdrew. The Second World War was an altogether different conflict, but the will to win was every bit as important - indeed it was more so. The contest was popularly perceived to be about issues of life and death of whole communities rather than for their fighting forces alone. They were issues, wrote one American observer in 1939, 'worth dying for'. If, he continued, 'the will-to-destruction triumphs, our resolution to preserve civilisation must become more implacable...our courage must mount'.
Words like 'will' and 'courage' are difficult for historians to use as instruments of cold analysis. They cannot be quantified; they are elusive of definition; they are products of a moral language that is regarded sceptically today, even tainted by its association with fascist rhetoric. German and Japanese leaders believed that the spiritual strength of their soldiers and workers in some indefinable way compensate for their technical inferiority. When asked after the war why Japan lost, one senior naval officer replied that the Japanese 'were short on spirit, the military spirit was weak...' and put this explanation ahead of any material cause. Within Germany, belief that spiritual strength or willpower was worth more than generous supplies of weapons was not confined to Hitler by any means, though it was certainly a central element in the way he looked at the world.
The irony was that Hitler's ambition to impose his will on others did perhaps more than anything to ensure that his enemies' will to win burned brighter still. The Allies were united by nothing so much as a fundamental desire to smash Hitlerism and Japanese militarism and to use any weapon to achieve it. The primal drive for victory at all costs nourished Allied fighting power and assuaged the thirst for vengeance. They fought not only because the sum of their resources added up to victory, but because they wanted to win and were certain that their cause was just.
The Allies won the Second World War because they turned their economic strength into effective fighting power, and turned the moral energies of their people into an effective will to win. The mobilisation of national resources in this broad sense never worked perfectly, but worked well enough to prevail. Materially rich, but divided, demoralised, and poorly led, the Allied coalition would have lost the war, however exaggerated Axis ambitions, however flawed their moral outlook. The war made exceptional demands on the Allied peoples. Half a century later the level of cruelty, destruction and sacrifice that it engendered is hard to comprehend, let alone recapture. Fifty years of security and prosperity have opened up a gulf between our own age and the age of crisis and violence that propelled the world into war. Though from today's perspective Allied victory might seem somehow inevitable, the conflict was poised on a knife-edge in the middle years of the war. This period must surely rank as the most significant turning point in the history of the modern age.
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Richard Overy (Why the Allies Won)
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The irony of life! Of life in love! That he who has the time should lack the force, that she who has the force should lack the time! That a trifling and in all probability tractable obstruction of some endocrinal Bandusia, that a mere matter of forty-five or fifty minutes by the clock, should as effectively as death itself, or as the Hellespont, separate lovers.
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Samuel Beckett (Watt)
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He moved on from Anatole France to the eighteenth-century philosophers, though not to Rousseau. Perhaps this was because one side of him - the side easily moved by passion - was too close to Rousseau. Instead, he approached the author of 'Candide', who was closer to another side of him - the cool and richly intellectual side.
At twenty-nine, life no longer held any brightness for him, but Voltaire supplied him with man-made wings.
Spreading these man-made wings, he soared with ease into the sky. The higher he flew, the farther below him sank the joys and sorrows of a life bathed in the light of intellect. Dropping ironies and smiles upon the shabby towns below, he climbed through the open sky, straight for the sun - as if he had forgotten about that ancient Greek who plunged to his death in the ocean when his man-made wings were singed by the sun.
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Ryūnosuke Akutagawa
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Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond.
But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen.
Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now.
Now, not then.
I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it.
There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together.
There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.'
I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now.
He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on.
Even when broken it still works.
”
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Cecelia Ahern (Thanks for the Memories)
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Don't you see? The enemy represents Death to 'em. The government propaganda mills paint the enemy as an unfeelin', devourin' monster. So, when we go to war we go on a noble mission, a life-affirming mission, whose object is the destruction o' death. And 'tis precisely because we hate death so much that we're too crazed and irrational to see the irony in it. We hate death so bloody much that we will kill — and die — in order to try to halt its march.
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Tom Robbins (Jitterbug Perfume)
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(Inevitably, someone raises the question about World War II: What if Christians had refused to fight against Hitler? My answer is a counterquestion: What if the Christians in Germany had emphatically refused to fight for Hitler, refused to carry out the murders in concentration camps?) The long history of Christian “just wars” has wrought suffering past all telling, and there is no end in sight. As Yoder has suggested, Niebuhr’s own insight about the “irony of history” ought to lead us to recognize the inadequacy of our reason to shape a world that tends toward justice through violence. Might it be that reason and sad experience could disabuse us of the hope that we can approximate God’s justice through killing? According to the guideline I have proposed, reason must be healed and taught by Scripture, and our experience must be transformed by the renewing of our minds in conformity with the mind of Christ. Only thus can our warring madness be overcome. This would mean, practically speaking, that Christians would have to relinquish positions of power and influence insofar as the exercise of such positions becomes incompatible with the teaching and example of Jesus. This might well mean, as Hauerwas has perceived, that the church would assume a peripheral status in our culture, which is deeply committed to the necessity and glory of violence. The task of the church then would be to tell an alternative story, to train disciples in the disciplines necessary to resist the seductions of violence, to offer an alternative home for those who will not worship the Beast. If the church is to be a Scripture-shaped community, it will find itself reshaped continually into a closer resemblance to the socially marginal status of Matthew’s nonviolent countercultural community. To articulate such a theological vision for the church at the end of the twentieth century may be indeed to take most seriously what experience is telling us: the secular polis has no tolerance for explicitly Christian witness and norms. It is increasingly the case in Western culture that Christians can participate in public governance only insofar as they suppress their explicitly Christian motivations. Paradoxically, the Christian community might have more impact upon the world if it were less concerned about appearing reasonable in the eyes of the world and more concerned about faithfully embodying the New Testament’s teaching against violence. Let it be said clearly, however, that the reasons for choosing Jesus’ way of peacemaking are not prudential. In calculable terms, this way is sheer folly. Why do we choose the way of nonviolent love of enemies? If our reasons for that choice are shaped by the New Testament, we are motivated not by the sheer horror of war, not by the desire for saving our own skins and the skins of our children (if we are trying to save our skins, pacifism is a very poor strategy), not by some general feeling of reverence for human life, not by the naive hope that all people are really nice and will be friendly if we are friendly first. No, if our reasons for choosing nonviolence are shaped by the New Testament witness, we act in simple obedience to the God who willed that his own Son should give himself up to death on a cross. We make this choice in the hope and anticipation that God’s love will finally prevail through the way of the cross, despite our inability to see how this is possible. That is the life of discipleship to which the New Testament repeatedly calls us. When the church as a community is faithful to that calling, it prefigures the peaceable kingdom of God in a world wracked by violence.
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Richard B. Hays (The Moral Vision of the New Testament: A Contemporary Introduction to New Testament Ethics)
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What about death?” she asked Gérard, who was doing justice to a plate of cheese. “Suppose death is even drearier than life?”
“Who can say,” Gérard retorted, chewing despondently, “whether life is not a punishment we must endure for a crime we committed in another world? Perhaps this is
hell and not what the Church foretells for us after death.”
“It also foretells heaven.”
“Then perhaps we are all fallen angels condemned to a number of years of penance on earth.”
“We can shorten the sentence if we want to.”
“Suicide!” Gérard nodded enthusiastically. “And we shrink from it. Yet it is liberation! If life were fire, we’d know what to do. Jump out of it! The irony—
”
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Erich Maria Remarque (Heaven Has No Favorites)
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What about death?” she asked Gérard, who was doing justice to a plate of cheese. “Suppose death is even drearier than life?”
“Who can say,” Gérard retorted, chewing despondently, “whether life is not a punishment we must endure for a crime we committed in another world? Perhaps this is hell and not what the Church foretells for us after death.”
“It also foretells heaven.”
“Then perhaps we are all fallen angels condemned to a number of years of penance on earth.”
“We can shorten the sentence if we want to.”
“Suicide!” Gérard nodded enthusiastically. “And we shrink from it. Yet it is liberation! If life were fire, we’d know what to do. Jump out of it! The irony—
”
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Erich Maria Remarque (Heaven Has No Favorites)
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In this world nothing is in its place, beginning with the world itself. We must therefore not be surprised by the spectacle of human injustice. It is equally futile to refuse or to accept the social order: we must endure its changes for the better or the worse with a despairing conformism, as we endure birth, love, the weather, and death. Decomposition presides over the laws of life: closer to our dust than inanimate objects to theirs, we succumb before them and rush upon our destiny under the gaze of the apparently indestructible stars. But they themselves will crumble in a universe which only our heart takes seriously, later expiating its lack of irony by terrible lacerations…
”
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Emil M. Cioran (A Short History of Decay)
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Up to the second half of the fifteenth century, or even a little beyond, the theme of death reigns alone. The end of man, the end of time bear the face of pestilence and war. What overhangs human existence is this conclusion and this order from which nothing escapes. The presence that threatens even within this world is a fleshless one. Then in the last years of the century this enormous uneasiness turns on itself; the mockery of madness replaces death and its solemnity. From the discovery of that necessity which inevitably reduces man to nothing, we have shifted to the scornful contemplation of that nothing which is existence itself. Fear in the face of the absolute limit of death turns inward in a continuous irony; man disarms it in advance, making it an object of derision by giving it an everyday, tamed form, by constantly renewing it in the spectacle of life, by scattering it throughout the vices, the difficulties, and the absurdities of all men. Death’s annihilation is no longer anything because it was already everything, because life itself was only futility, vain words, a squabble of cap and bells. The head that will become a skull is already empty. Madness is the déjà-là of death.4 But it is also its vanquished presence, evaded in those everyday signs which, announcing that death reigns already, indicate that its prey will be a sorry prize indeed. What death unmasks was never more than a mask; to discover the grin of the skeleton, one need only lift off something that was neither beauty nor truth, but only a plaster and tinsel face. From the vain mask to the corpse, the same smile persists. But when the madman laughs, he already laughs with the laugh of death; the lunatic, anticipating the macabre, has disarmed it.
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Michel Foucault (Madness and Civilization: A History of Insanity in the Age of Reason)
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If I understand anything at all about this great symbolist, it is this: that he regarded only subjective realities as realities, as “truths”—that he saw everything else, everything natural, temporal, spatial and historical, merely as signs, as materials for parables. The concept of “the Son of God” does not connote a concrete person in history, an isolated and definite individual, but an “eternal” fact, a psychological symbol set free from the concept of time. The same thing is true, and in the highest sense, of the God of this typical symbolist, of the “kingdom of God,” and of the “sonship of God.” Nothing could be more un-Christian than the crude ecclesiastical notions of God as a person, of a “kingdom of God” that is to come, of a “kingdom of heaven” beyond, and of a “son of God” as the second person of the Trinity. All this—if I may be forgiven the phrase—is like thrusting one’s fist into the eye (and what an eye!) of the Gospels: a disrespect for symbols amounting to world-historical cynicism.... But it is nevertheless obvious enough what is meant by the symbols “Father” and “Son”— not, of course, to every one—: the word “Son” expresses entrance into the feeling that there is a general transformation of all things (beatitude), and “Father” expresses that feeling itself —the sensation of eternity and of perfection.—I am ashamed to remind you of what the church has made of this symbolism: has it not set an Amphitryon story at the threshold of the Christian “faith”? And a dogma of “immaculate conception” for good measure?... And thereby it has robbed conception of its immaculateness—
The “kingdom of heaven” is a state of the heart—not something to come “beyond the world” or “after death.” The whole idea of natural death is absent from the Gospels: death is not a bridge, not a passing; it is absent because it belongs to a quite different, a merely apparent world, useful only as a symbol. The “hour of death” is not a Christian idea —“hours,” time, the physical life and its crises have no existence for the bearer of “glad tidings.”... The “kingdom of God” is not something that men wait for: it had no yesterday and no day after tomorrow, it is not going to come at a “millennium”—it is an experience of the heart, it is everywhere and it is nowhere....
This “bearer of glad tidings” died as he lived and taught—not to “save mankind,” but to show mankind how to live. It was a way of life that he bequeathed to man: his demeanour before the judges, before the officers, before his accusers—his demeanour on the cross. He does not resist; he does not defend his rights; he makes no effort to ward off the most extreme penalty—more, he invites it.... And he prays, suffers and loves with those, in those, who do him evil.... Not to defend one’s self, not to show anger, not to lay blames.... On the contrary, to submit even to the Evil One—to love him....
36.
—We free spirits—we are the first to have the necessary prerequisite to understanding what nineteen centuries have misunderstood—that instinct and passion for integrity which makes war upon the “holy lie” even more than upon all other lies.... Mankind was unspeakably far from our benevolent and cautious neutrality, from that discipline of the spirit which alone makes possible the solution of such strange and subtle things: what men always sought, with shameless egoism, was their own advantage therein; they created the church out of denial of the Gospels....
That mankind should be on its knees before the very antithesis of what was the origin, the meaning and the law of the Gospels—that in the concept of the “church” the very things should be pronounced holy that the “bearer of glad tidings” regards as beneath him and behind him—it would be impossible to surpass this as a grand example of world- historical irony—
”
”
Nietszche
“
Prologue In 1980, a year after my wife leapt to her death from the Silas Pearlman Bridge in Charleston, South Carolina, I moved to Italy to begin life anew, taking our small daughter with me. Our sweet Leah was not quite two when my wife, Shyla, stopped her car on the highest point of the bridge and looked over, for the last time, the city she loved so well. She had put on the emergency brake and opened the door of our car, then lifted herself up to the rail of the bridge with the delicacy and enigmatic grace that was always Shyla’s catlike gift. She was also quick-witted and funny, but she carried within her a dark side that she hid with bright allusions and an irony as finely wrought as lace. She had so mastered the strategies of camouflage that her own history had seemed a series of well-placed mirrors that kept her hidden from herself. It was nearly sunset and a tape of the Drifters’ Greatest Hits poured out of the car’s stereo. She had recently had our car serviced and the gasoline tank was full. She had paid all the bills and set up an appointment with Dr. Joseph for my teeth to be cleaned. Even in her final moments, her instincts tended toward the orderly and the functional. She had always prided herself in keeping her madness invisible and at bay; and when she could no longer fend off the voices that grew inside her, their evil set to chaos in a minor key, her breakdown enfolded upon her, like a tarpaulin pulled across that part of her brain where once there had been light. Having served her time in mental hospitals, exhausted the wide range of pharmaceuticals, and submitted herself to the priestly rites of therapists of every theoretic persuasion, she was defenseless when the black music of her subconscious sounded its elegy for her time on earth. On the rail, all eyewitnesses agreed, Shyla hesitated and looked out toward the sea and shipping lanes that cut past Fort Sumter, trying to compose herself for the last action of her life. Her beauty had always been a disquieting thing about her and as the wind from the sea caught her black hair, lifting it like streamers behind her,
”
”
Pat Conroy (Beach Music)
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At the end of this Sabbath encounter with the religious leaders Mark records a remarkable sentence that sums up one of the main themes of the New Testament, “Then the Pharisees went out and began to plot with the Herodians how they might kill Jesus.” The Herodians were the supporters of Herod, the nastiest of the corrupt kings who ruled Israel, representing the Roman occupying power and its political system. In any country that the Romans conquered, they set up rulers. And wherever the Romans went, they brought along the culture of Greece—Greek philosophy, the Greek approach to sex and the body, the Greek approach to truth. Conquered societies like Israel felt assaulted by these immoral, cosmopolitan, pagan values. In these countries there were cultural resistance movements; and in Israel that was the Pharisees. They put all their emphasis on living by the teachings of the Hebrew Scriptures and putting up big hedges around themselves to prevent contamination by the pagans. See what was going on? The Herodians were moving with the times, while the Pharisees upheld traditional virtues. The Pharisees believed their society was being overwhelmed with pluralism and paganism, and they were calling for a return to traditional moral values. These two groups had been longtime enemies of each other—but now they agree: They have to get rid of Jesus. These two groups were not used to cooperating, but now they do. In fact, the Pharisees, the religious people, take the lead in doing so. That’s why I say this sentence hints at one of the main themes of the New Testament. The gospel of Jesus Christ is an offense to both religion and irreligion. It can’t be co-opted by either moralism or relativism. The “traditional values” approach to life is moral conformity—the approach taken by the Pharisees. It is that you must lead a very, very good life. The progressive approach, embodied in the Herodians, is self-discovery—you have to decide what is right or wrong for you. And according to the Bible, both of these are ways of being your own savior and lord. Both are hostile to the message of Jesus. And not only that, both lead to self-righteousness. The moralist says, “The good people are in and the bad people are out—and of course we’re the good ones.” The self-discovery person says, “Oh, no, the progressive, open-minded people are in and the judgmental bigots are out—and of course we’re the open-minded ones.” In Western cosmopolitan culture there’s an enormous amount of self-righteousness about self-righteousness. We progressive urbanites are so much better than people who think they’re better than other people. We disdain those religious, moralistic types who look down on others. Do you see the irony, how the way of self-discovery leads to as much superiority and self-righteousness as religion does? The gospel does not say, “the good are in and the bad are out,” nor “the open-minded are in and the judgmental are out.” The gospel says the humble are in and the proud are out. The gospel says the people who know they’re not better, not more open-minded, not more moral than anyone else, are in, and the people who think they’re on the right side of the divide are most in danger.
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Timothy J. Keller (Jesus the King: Understanding the Life and Death of the Son of God)
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Everyone wants to be successful rather than forgotten, and everyone wants to make a difference in life. But that is beyond the control of any of us. If this life is all there is, then everything will eventually burn up in the death of the sun and no one will even be around to remember anything that has ever happened. Everyone will be forgotten, nothing we do will make any difference, and all good endeavors, even the best, will come to naught. Unless there is God. If the God of the Bible exists, and there is a True Reality beneath and behind this one, and this life is not the only life, then every good endeavor, even the simplest ones, pursued in response to God’s calling, can matter forever. That is what the Christian faith promises. “In the Lord, your labor is not in vain,” writes Paul in the first letter to the Corinthians, chapter 15, verse 58. He was speaking of Christian ministry, but Tolkien’s story shows how this can ultimately be true of all work. Tolkien had readied himself, through Christian truth, for very modest accomplishment in the eyes of this world. (The irony is that he produced something so many people consider a work of genius that it is one of the bestselling books in the history of the world.) What about you? Let’s say that you go into city planning as a young person. Why? You are excited about cities, and you have a vision about how a real city ought to be. You are likely to be discouraged because throughout your life you probably will not get more than a leaf or a branch done. But there really is a New Jerusalem, a heavenly city, which will come down to earth like a bride dressed for her husband (Revelation 21–22). Or let’s say you are a lawyer, and you go into law because you have a vision for justice and a vision for a flourishing society ruled by equity and peace. In ten years you will be deeply disillusioned because you will find that as much as you are trying to work on important things, so much of what you do is minutiae. Once or twice in your life you may feel like you have finally “gotten a leaf out.” Whatever your work, you need to know this: There really is a tree. Whatever you are seeking in your work—the city of justice and peace, the world of brilliance and beauty, the story, the order, the healing—it is there. There is a God, there is a future healed world that he will bring about, and your work is showing it (in part) to others. Your work will be only partially successful, on your best days, in bringing that world about. But inevitably the whole tree that you seek—the beauty, harmony, justice, comfort, joy, and community—will come to fruition. If you know all this, you won’t be despondent because you can get only a leaf or two out in this life. You will work with satisfaction and joy. You will not be puffed up by success or devastated by setbacks. I just said, “If you know all this.” In order to work in this way—to get the consolation and freedom that Tolkien received from his Christian faith for his work—you need to know the Bible’s answers to three questions: Why do you want to work? (That is, why do we need to work in order to lead a fulfilled life?) Why is it so hard to work? (That is, why is it so often fruitless, pointless, and difficult?) How can we overcome the difficulties and find satisfaction in our work through the gospel? The rest of this book will seek to answer those three questions in its three sections, respectively.
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Timothy J. Keller (Every Good Endeavor: Connecting Your Work to God's Work)
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At the very least literature should not preen itself on mocking us and picking at our wounds, as modern writers in our days do ad nauseam. All they can write is satire, irony, parody (including self-parody), vicious sarcasm, all steeped in malice.
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Amos Oz (Rhyming Life & Death: A Novel)
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Enslave me or deliberately liberate me as I'm meant to be. Dependent on God is a mindset in ancient, present and future prophecy. Hallucinations of the light coming to an illumination of Truth for death has no place in the life of an immortal. The third eye is a wide open portal. I brush off any of lifes struggles, any of lifes limits. I have no shame, Jesus is my Savior and with redemptive pride, I admit it.
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Jose R. Coronado (The Land Flowing With Milk And Honey)
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Throughout the day, Republicans in the committee grilled Secretary Clinton on why more wasn’t done to provide the necessary security for Ambassador Stevens in Libya prior to the attack that resulted in his death. Now, the irony of this is, when looking at congressional votes, it was actually the Republican-controlled House that voted to cut funding to foreign embassies, leading up to the September 11, 2012 attack.
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James R. Clapper (Facts and Fears: Hard Truths from a Life in Intelligence)
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That was the great irony. In life, everyone was a snowflake of separate and beautiful proportion, but when death came in and grabbed hold, you were left with anonymous skin and muscle and bone, all of which cooled and decayed at predictable rates.
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J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
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Prannoy Roy has been preaching integrity in public life for the longest time, as if he was always taking the high road. Irony died a thousand deaths20!
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Sree Iyer (NDTV Frauds)
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My father is strange, he said, if that needs to be said at all, since everyone is strange except colorless and faceless people, who again are strange since they have nothing of their own. In other words, their character is precisely their lack of character. Except every one of us, of course, because we grow so accustomed to ourselves that everything that’s different from us seems strange, so it could be said that whatever is not us is strange. So my father is strange because he thinks that I’m strange, and the other way around, and so on and so forth. There’s no end to our strangeness, and maybe we should consider that in itself strange. The difference between them is that his father thinks that he, Hassan, has brought misery upon himself with his way of life. And Hassan is convinced that there are many ways for a man to bring misery upon himself, but the least likely way is to do what he wants as long as it doesn’t disgrace him. And so, it turns out that his father is miserable because Hassan is content, and his father’s idea of happiness, both his own and that of his family, would be for Hassan to be genuinely unhappy.
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Meša Selimović (Death and the Dervish)
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A man was once told by an astrologer that his wife would leave him for someone else and that would lead to his death. As a result of that prediction the man became increasingly fearful. He became extremely suspicious towards his wife even though she was devoted towards him.
He also started hating her and hitting because he believed she would not be loyal towards him and leave him. After ten years of constant physical and emotional abuse the wife had enough and became attracted to another man, she felt was much kinder. One day after yet another violent episode from the suspicious husband, she decided that she would leave him for the other man and ran away that evening! Shocked, the man committed suicide.
The man made that very thing happen that he feared! His own fear led him to commit actions that ultimately made his wife desert him. He made his life a self-fulfilling prophecy. If you are going to make your life a self-fulfilling prophecy, might as well make it a constructive one, not a destructive one fueled by endless fear!
On a lighter note, if you are the impressionable kind, which many of us are, this is why sometimes it is best to not try and know your future!
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Anubhav Srivastava (UnLearn: A Practical Guide to Business and Life (What They Don't Want You to Know Book 1))
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The most ironic thing was that, the thing she valued the most was freedom. For according to her, happiness can never occur in bondage. In spite of the fact that death will set her free from all humanly bondages, she wanted to live, let life be the only bondage she was tied with. She wanted it. That one single bondage, to live boundlessly.
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Pradnya Chabbi
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if Substance is Life, is the Subject not Death? Insofar as, for Hegel, the basic feature of pre-subjective Life is the “spurious infinity” of the eternal reproduction of the life substance through the incessant movement of the generation and corruption of its elements—that is, the “spurious infinity” of a repetition without progress—the ultimate irony we encounter here is that Freud, who called this excess of death over life the “death drive,” conceived it precisely as repetition, as a compulsion to repeat.
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Slavoj Žižek (Less than Nothing: Hegel and the Shadow of Dialectical Materialism)
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Dandy, I thought. When it gets too hot, the earth freezes over. Makes sense, though. A perfect incongruous symmetry. If life is filled with ironies, why shouldn’t nature be? Hard work leads to coronaries, love to heartbreak of another kind, life to death. As night follows day, sorrow follows joy. The affluent, many of whom labored mightily to get there, spawn indolent children. The kid from the ghetto gets an Ivy League scholarship, then is cut down in a gang fight at home. The rich get richer, the poor get poorer, and the meek shall inherit the shit.
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Paul Levine (Mortal Sin (Jake Lassiter #4))
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You know? Ain’t it ironic how we live our entire lives without the luxury of time, only to spend an eternity in death.
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Jason Medina (A Ghost In New Orleans)
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No, there's a group of hardened, fossilised men opposed by fresh young revolutionaries as John Butte once was, forming between them a whole, a balance. And then a group of fossilised hardened men like John Butte, opposed by a group of fresh and lively-minded and critical people. But the core of deadness, of dry thought, could not exist without lively shoots of fresh life, to be turned so fast, in their turn, into dead sapless wood. In other words, I, 'Comrade Anna'- and the ironical tone of Comrade Butte's voice now frightens me when I remember it-keep Comrade Butte in existence, feed him, and in due course will become him. And as I think this, that there is no right, no wrong, simply a process, a wheel turning, I become frightened, because everything in me cries out against such a view of life, and I am back inside a nightmare which it seems I've been locked in for years, whenever I'm off guard. The nightmare takes various forms, comes in sleep, or in wakefulness, and can be pictured most simply like this: There is a blindfolded man standing with his back to a brick wall. He has been tortured nearly to death. Opposite him are six men with their rifles raised ready to shoot, commanded by a seventh, who has his hand raised. When he drops his hand, the shots will ring out, and the prisoner will fall dead. But suddenly there is something unexpected-yet not altogether unexpected, for the seventh has been listening all this while in case it happens. There is an outburst of shouting and fighting in the street outside. The six men look in query at their officer, the seventh. The officer stands waiting to see how the fighting outside will resolve itself. There is a shout: 'We have won!' At which the officer crosses the space to the wall, unties the bound man, and stands in his place. The man, hitherto bound, now binds the other. There is a moment, and this is the moment of horror in the nightmare, when they smile at each other: it is a brief, bitter, accepting smile. They are brothers in that smile. The smile holds a terrible truth that I want to evade. Because it cancels all creative emotion. The officer, the seventh, now stands blindfolded and waiting with his back to the wall. The former prisoner walks to the firing squad who are still standing with their weapons ready. He lifts his hand, then drops it. The shots ring out, and the body by the wall falls twitching. The six soldiers are shaken and sick; now they will go and drink to drown the memory of their murder. But the man who was bound, is now free, smiles as they stumble away, cursing and hating him, just as they would have cursed and hated the other, now dead. And in this man's smile at the six innocent soldiers there is a terrible understanding irony. This is the nightmare.
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Doris Lessing (The Golden Notebook)
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I came to understand the most intriguing irony of life, that the most intimate partner of life is death.
(Page 94)
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Neena Verma (A Mother's Cry... A Mother's Celebration)
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Frankly speaking, I'm not afraid of death. I don't endeavour to avert its advent. But I don't want to be a witness of it.
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Alexander Zalan
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I was choosing to be alone then; it was not the inescapable consequence of the wolf’s death, nor even a carefully considered decision. I was embracing my solitude, courting my pain. It was not the first time I had chosen such a course.
I handled that thought carefully, for it was sharp enough to kill me. I had chosen my isolated years with Hap in my cabin. No one forced me into that exile. The irony was that it had been the granting of my often-voiced wish. Throughout my youth, I had always asserted that what I truly wished was to live a life where I could make my own choices, independent of the “duties” of my birth and position. It was only when fate granted that to me that I realized the cost of it. I could set aside my responsibilities to others and live my life as I pleased only when I also severed my ties to them. I could not have it both ways. To be part of a family, or a community, is to have duties and responsibilities, to be bound by the rules of that group. I had lived apart from that for a time, but now I knew that had been my choice. I had chosen to renounce my responsibilities to my family, and accepted the ensuing isolation as the cost. At the time, I had insisted to myself that fortune had forced me into that role. Just as I was making a choice now, even though I tried to persuade myself I was but following the inescapable path fate had set out for me.
To recognize you are the source of your own loneliness is not the cure for it. But it is a step toward seeing that it is not inevitable, and that such a choice is not irrevocable.
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Robin Hobb (Golden Fool (Tawny Man, #2))
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[S]oldiers' slang, which spanned death, drink, food, women, weapons, the battlefield, and the warring nations, grew out of irony and contempt for what was intolerable; it was as crude and unlovely as camp life itself.
Qenya thrived in the same soil, but not in the same mood. Nothing could be further removed from the unbeautiful inflexible practicalities Tolkien was being taught than the invention of a language for the joy of its sounds. 124
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John Garth (Tolkien and the Great War: The Threshold of Middle-Earth)
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If the fear of death were merely the fear of dying, it would be better dealt with by medicine than by argument. There is, or there might be, an art of dying well, of dying painlessly, willingly, and in season,—as in those noble partings which Attic gravestones depict,—especially if we were allowed, as Lucretius would allow us, to choose our own time.
But the radical fear of death, I venture to think, is something quite different. It is the love of life. Epicurus, who feared life, seems to have missed here the primordial and colossal force he was fighting against. Had he perceived that force, he would have been obliged to meet it in a more radical way, by an enveloping movement, as it were, and an attack from the rear. The love of life is not something rational, or founded on experience of life. It is something antecedent and spontaneous. It is that Venus Genetrix which covers the earth with its flora and fauna. It teaches every animal to seek its food and its mate, and to protect its offspring; as also to resist or fly from all injury to the body, and most of all from threatened death. It is the original impulse by which good is discriminated from evil, and hope from fear.
Nothing could be more futile, therefore, than to marshal arguments against that fear of death which is merely another name for the energy of life, or the tendency to self-preservation. Arguments involve premises, and these premises, in the given case, express some particular form of the love of life; whence it is impossible to conclude that death is in no degree evil and not at all to be feared. For what is most dreaded is not the agony of dying, nor yet the strange impossibility that when we do not exist we should suffer for not existing. What is dreaded is the defeat of a present will directed upon life and its various undertakings. Such a present will cannot be argued away, but it may be weakened by contradictions arising within it, by the irony of experience, or by ascetic discipline. To introduce ascetic discipline, to bring out the irony of experience, to expose the self-contradictions of the will, would be the true means of mitigating the love of life; and if the love of life were extinguished, the fear of death, like smoke rising from that fire, would have vanished also.
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George Santayana (Three Philosophical Poets: Lucretius, Dante And Goethe)
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Got Milk? For the record, you shouldn’t. I am not advocating for training your gut to handle lactose. We learned about the effect of animal protein and saturated fat on the gut in Chapter 2—less SCFA-producing bacteria, more inflammatory bacteria, increased TMAO production, increased intestinal permeability, and increases in bacterial endotoxin. As we’ve done in the past, when we examine the whole food rather than a sum of its parts, we find that dairy products have been associated with prostate cancer and Parkinson’s disease. Also the link to bone health turns out to be a myth—a prospective study of ninety-six thousand people over twenty-two years showed that milk consumption during teenage years did not protect against hip fracture later in life. In fact, men who drank more milk as a teenager actually had increased risk of hip fracture in the study. In a study of women in Sweden, high milk intake was associated with increased risk of bone fracture, heart disease, cancer, and premature death. One of the first things I do with my patients who have gas, bloating, or diarrhea is to eliminate dairy. You would not believe how many of them are cured just by doing this. Sorry, but milk doesn’t do a body good. The irony is that lactose, which has been vilified through the years as evil, is probably the most redeeming thing about dairy because lactose is actually a prebiotic and can have a beneficial effect on the gut microbiota.
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Will Bulsiewicz (Fiber Fueled: The Plant-Based Gut Health Program for Losing Weight, Restoring Your Health, andOptimizing Your Microbiome)