Irish Accents Quotes

You didn’t tell me she was so soft on the eyes,” he said to Patch, wiping his mouth with the back of his hand. He spoke with a heavy Irish accent. “I didn’t tell her how hard you are on them either,” Patch returned, his mouth at the relaxed stage just before a grin.

Why are Americans so fascinated by Ireland?” Keith asked... “you all think you’re Irish. What’s the appeal? Do you like the accent more? Is it all the magical rocks? Oh, look, a lep­rechaun...

This was like National Lampoon's Vacation, but with death, property destruction, and an Irish accent.

Flight 2039 to Boston is now boarding at gate 14A," a voice announced over the PA system. Nellie sighed. "I love Irish accents." She paused. "And Australian accents. And English accents." A dreamy look came over her face. "Theo had an awesome accent." Dan snorted. "Yeah, there was just that one tiny problem. He turned out to be a two-timing, backstabbing thief.

Do you ever feel that everything would be okay, if only you had an Irish accent?

Americans may say they love our accents (I have been accused of sounding 'like Princess Di') but the more thoughtful ones resent and rather dislike us as a nation and people, as friends of mine have found out by being on the edge of conversations where Americans assumed no Englishmen were listening. And it is the English, specifically, who are the targets of this. Few Americans have heard of Wales. All of them have heard of Ireland and many of them think they are Irish. Scotland gets a sort of free pass, especially since Braveheart re-established the Scots' anti-English credentials among the ignorant millions who get their history off the TV.

The Board would like to come back and see you tomorrow, Ariana,' she mimicked. 'Any more questions?' 'Yes,' she answered in the Warden's Irish accent, 'I'd just like to know why I'm such an arsehole.

An Irishman walks into a pub,” she begins and the bar went silent. “The bartender asks him, ‘What'll you have?’” Her Irish accent was spot on. “The man says, ‘Give me three pints of Guinness, please.’ The bartender brings him three pints and the man proceeds to alternately sip one, then the other, then the third until they're gone. He then orders three more. “The bartender says, ‘Sir, no need to order as many at a time. I’ll keep an eye on it and when you get low, I'll bring you a fresh one.’ The man replies, ‘You don't understand. I have two brothers, one in Australia and one in the States. We made a vow to each other that every Saturday night we'd still drink together. So right now, me brothers have three Guinness stouts too, and we're drinking together.’ “The bartender thought this a wonderful tradition and every week the man came in and ordered three beers.” January’s playing and voice became more solemn, dramatic. “But one week, he ordered only two.” The crowd oohed and ahhed. “He slowly drank them,” she continued darkly, “and then ordered two more. The bartender looked at him sadly. ‘Sir, I know your tradition, and, agh, I'd just like to say that I'm sorry for your loss.’ “The man looked on him strangely before it finally dawned on him. ‘Oh, me brothers are fine - I just quit drinking.

The bearded man lit his cigarette. “I’m a leprechaun,” he said. Shadow did not smile. “Really?” he said. “Shouldn’t you be drinking Guinness?” “Stereotypes. You have to learn to think outside the box,” said the bearded man. “There’s a lot more to Ireland than Guinness.” “You don’t have an Irish accent.” “I’ve been over here too fucken long.” “So you are originally from Ireland?” “I told you. I’m a leprechaun. We don’t come from fucken Moscow.

A man with an Irish accent could sound wise and poetic and interesting even when he wasn’t.

Exquisitely embroidered tapestries lined the walls of Medb’s bedroom, but their impact was somewhat reduced by the room’s ambience. A musky odor with pungent accents of stale piss.

My heart fluttered on Kaylee’s behalf. Being called lovely in an Irish accent…well that’s swoonworthy stuff, take my word for it.

That's a killer accent you have. Sounds exotic.” “Just British, I'm afraid. I only know a trifling of foreign tongues.” He plopped down onto the divan next to her, his multi-colored arm stretched along the back. “Foreign tongues—I like the sound of that.” She thought to the article she'd read in the nail salon. “I've picked up a little French and Italian,and more recently, a bit of Hindi, I believe.” “Really?” he said, leaning close. “Such as?” “Oh, you know, Kama Sutra, and things of that nature.” Suddenly Liam was at her side. “You'll be sitting out front, Emily,” he said through gritted teeth, “right next to the stage.

I’d heard it many times before. That the great deal of the staff at the RiRa put on fake accents. They weren’t even Irish. An English told me. — Land of The Story Tellers

ah' he says 'I didn't think you had the local accent.' I wonder what he expects. Top o' the morning and to be sure, to be sure and shamrocks and leprechauns

The bearded man lit his cigarette. “I’m a leprechaun,” he said. Shadow did not smile. “Really?” he said. “Shouldn’t you be drinking Guinness?” “Stereotypes. You have to learn to think outside the box,” said the bearded man. “There’s a lot more to Ireland than Guinness.” “You don’t have an Irish accent.” “I’ve been over here too fucken long.” “So you are originally from Ireland?” “I told you. I’m a leprechaun. We don’t come from fucken Moscow.” “I guess not.

Two guys in an English pub, one says ‘From your accent I guess you are Irish’. Second guy says, ‘Yes, from Dublin’. ‘Me too!’ first guy says. ‘I was raised in Drimnagh, went to St. Mary’s school’. ‘Drimnagh? St. Mary’s?’ Second guy can’t believe it. ‘I graduated from St. Mary’s in 1982’. First guy slaps his forehead. ‘Faith and begorah. I graduated from St. Mary’s in 1982 also!’ Bartender says,” Jones paused for breath, “he says to himself ‘This is going to be a long night. The Murphy twins are drunk again’.

After I moved to London, I found that my accent, my good manners and my vague ability to reference Trollope helped build a picture for my English peers that became more than the sum of its parts. “You have one of those nice Irish voices,” someone once said to me. “Soft.

The Irish are good in a crisis, Michael Francis thinks, as he eases back the clingfilm on a tray of sandwiches his aunt Bridie has left in the kitchen. They know what to do, what traditions must be observed; they bring food, casseroles, pies, they dole out tea. They know how to discuss bad news: in murmurs, with shakes of the head, their accents wrapping themselves around the syllables of misfortune. A

The Brits call this sort of thing Functional Neurological Symptoms, or FNS, the psychiatrists call it conversion disorder, and almost everyone else just calls it hysteria. There are three generally acknowledged, albeit uncodified, strategies for dealing with it. The Irish strategy is the most emphatic, and is epitomized by Matt O’Keefe, with whom I rounded a few years back on a stint in Ireland. “What are you going to do?” I asked him about a young woman with pseudoseizures. “What am I going to do?” he said. “I’ll tell you what I’m goin’ to do. I’m going to get her, and her family, and her husband, and the children, and even the feckin’ dog in a room, and tell ’em that they’re wasting my feckin’ time. I want ’em all to hear it so that there is enough feckin’ shame and guilt there that it’ll keep her the feck away from me. It might not cure her, but so what? As long as I get rid of them.” This approach has its adherents even on these shores. It is an approach that Elliott aspires to, as he often tells me, but can never quite marshal the umbrage, the nerve, or a sufficiently convincing accent, to pull off. The English strategy is less caustic, and can best be summarized by a popular slogan of World War II vintage currently enjoying a revival: “Keep Calm and Carry On.” It is dry, not overly explanatory, not psychological, and does not blame the patient: “Yes, you have something,” it says. “This is what it is [insert technical term here], but we will not be expending our time or a psychiatrist’s time on it. You will have to deal with it.” Predictably, the American strategy holds no one accountable, involves a brain-centered euphemistic explanation coupled with some touchy-feely stuff, and ends with a recommendation for a therapeutic program that, very often, the patient will ignore. In its abdication of responsibility, motivated by the fear of a lawsuit, it closely mirrors the beginning of the end of a doomed relationship: “It’s not you, it’s … no wait, it’s not me, either. It just is what it is.” Not surprisingly, estimates of recurrence of symptoms range from a half to two-thirds of all cases, making this one of the most common conditions that a neurologist will face, again and again.

You Jews have no political sense whatsoever, and we Irish have a genius for it. When you argue or campaign for office, you fight on the issues. And when you lose, you console yourselves with the thought you fought on the issues and argued reasonably and logically. It must have been a Jew who said he’d rather be right than President. An Irishman knows better; he knows that you can do nothing unless you’re elected. So the first principle of politics is to get elected. And the second great principle is that a candidate is not elected because he’s the logical choice, but because of the way he has his hair cut, or the hat he wears, or his accent. That’s the way we pick even the President of the United States, and for that matter, that’s the way a man picks his wife. Now wherever you have a political situation, political principles apply. So don’t you worry as to why or how you were chosen. You just be happy that you were chosen.

Come here, Amanda." His voice was a low scrape of sound. "Oh, I can't," she said unsteadily. "I-I think you should go now." Jack leaned forward and caught her wrist gently in his fingers. "I won't hurt you," he whispered. "I won't do anything that you don't like. But before I leave you this evening, I'm going to hold you in my arms." Confusion and desire swirled inside her, making her feel unanchored, helpless. She let him pull her forward until her short limbs rested stiffly against his much longer ones. He ran a large palm down her back, and she could feel a trail of sensation in its wake. His skin was hot, as if a fire burned right beneath the smooth golden surface. Her breath shortened, and she closed her eyes, shivering, luxuriating in the feeling of being warm all the way down to her bones. For the first time in her life, she let her head fall into the waiting crook of a man's arm, and stared up at his shadowed face. As he felt the trembling of her limbs, he made a crooning sound and cuddled her closer. "Don't be afraid, mhuirnin. I won't hurt you." "What did you call me?" she asked in bewilderment. He smiled down at her. "A small endearment. Did I neglect to mention that I'm half Irish?" That explained his accent, the neat cultured tones tempered with a sort of musical softness that must be Celtic in origin.

This broth! How can it be this rich and mellow?! It's just creamy enough to go perfectly with the noodles too! And this savory flavor! It's so deep and expansive!" "I grated some potato and added it to the stock. That's what's giving the broth its creaminess. Believe it or not, the potato is another vegetable that contains the umami compound glutamic acid. That compound seeped out into the broth, giving it it's rich and savory flavor. Plus, I only grated the potato roughly, so there are still little beads of potato in the broth, giving the texture some interesting highlights." "But what about this topping? What is it?! Hnngh! I knew it! Imo-Mochi Potato Cakes! They're soft and chewy on the inside and crisp and crunchy on the outside!" Imo-Mochi Potato Cakes are another Hokkaido specialty. Made with potatoes and potato starch, they're a popular treat with tourists. The heavy, chewy potato cakes soaked in the creamy broth are a pleasing textural contrast... ... to the light and sleek udon noodles while also giving the dish an extra sense of fullness and satisfaction! "Unbelievable. It's almost as if this one dish... ... contains all the expressions of a potato possible in cooking!" "Exactly! Y'see, this dish---" "This dish uses all facets of the Irish Cobbler Potato, accenting its starch, its unique texture and its umami goodness. In fact, it can be considered the ultimate in potato-noodle dishes!

we neared Liverpool’s Lime Street station, we passed through a culvert with walls that appeared to rise up at least thirty feet, high enough to block out the sun. They were as smooth as Navajo sandstone. This had been bored out in 1836 and had been in continuous use ever since, the conductor told me. “All the more impressive,” he said, “when you consider it was all done by Irish navvies working with wheelbarrows and picks.” I couldn’t place his accent and asked if he himself was Irish, but he gave me a disapproving look and told me he was a native of Liverpool. He had been talking about the ragged class of nineteenth-century laborers, usually illiterate farmhands, known as “navvies”—hard-drinking and risk-taking men who were hired in gangs to smash the right-of-way in a direct line from station to station. Many of them had experienced digging canals and were known by the euphemism “navigators.” They wore the diminutive “navvy” as a term of pride. Polite society shunned them, but these magnificent railways would have been impossible without their contributions of sweat and blood. Their primary task was cleaving the hillsides so that tracks could be laid on a level plain for the weak locomotive engines of the day. Teams of navvies known as “butty gangs” blasted a route with gunpowder and then hauled the dirt out with the same kind of harness that so many children were then using in the coal mines: a man at the back of a full wheelbarrow would buckle a thick belt around his waist, then attach that to a rope dangling from the top of the slope and allow himself to be pulled up by a horse. This was how the Lime Street approach had been dug out, and it was dangerous. One 1827 fatality happened as “the poor fellow was in the act of undermining a heavy head of clay, fourteen or fifteen feet high, when the mass fell upon him and literally crushed his bowels out of his body,” as a Liverpool paper told it. The navvies wrecked old England along with themselves, erecting a bizarre new kingdom of tracks. In a passage from his 1848 novel Dombey and Son, Charles Dickens gives a snapshot of the scene outside London: Everywhere

I’d like to see some identification,” growled the inspector. I fully expected Barrons to toss O’Duffy from the shop on his ear. He had no legal compulsion to comply and Barrons doesn’t suffer fools lightly. In fact, he doesn’t suffer them at all, except me, and that’s only because he needs me to help him find the Sinsar Dubh. Not that I’m a fool. If I’ve been guilty of anything, it’s having the blithely sunny disposition of someone who enjoyed a happy childhood, loving parents, and long summers of lazy-paddling ceiling fans and small-town drama in the Deep South which-while it’s great—doesn’t do a thing to prepare you for live beyond that. Barrons gave the inspector a wolfish smile. “Certainly.” He removed a wallet from the inner pocket of his suit. He held it out but didn’t let go. “And yours, Inspector.” O’Duffy’s jaw tightened but he complied. As the men swapped identifications, I sidled closer to O’Duffy so I could peer into Barrons’ wallet. Would wonders never cease? Just like a real person, he had a driver’s license. Hair: black. Eyes: brown. Height: 6’3”. Weight: 245. His birthday—was he kidding?—Halloween. He was thirty-one years old and his middle initial was Z. I doubted he was an organ donor. “You’ve a box in Galway as your address, Mr. Barrons. Is that where you were born?” I’d once asked Barrons about his lineage, he’d told me Pict and Basque. Galway was in Ireland, a few hours west of Dublin. “No.” “Where?” “Scotland.” “You don’t sound Scottish.” “You don’t sound Irish. Yet here you are, policing Ireland. But then the English have been trying to cram their laws down their neighbors’ throats for centuries, haven’t they, Inspector?” O’Duffy had an eye tic. I hadn’t noticed it before. “How long have you been in Dublin?” “A few years. You?” “I’m the one asking the questions.” “Only because I’m standing here letting you.” “I can take you down to the station. Would you prefer that?” “Try.” The one word dared the Garda to try, by fair means or foul. The accompanying smile guaranteed failure. I wondered what he’d do if the inspector attempted it. My inscrutable host seems to possess a bottomless bag of tricks. O’Duffy held Barrons’ gaze longer than I expected him to. I wanted to tell him there was no shame in looking away. Barrons has something the rest of us don’t have. I don’t know what it is, but I feel it all the time, especially when we’re standing close. Beneath the expensive clothes, unplaceable accent, and cultural veneer, there’s something that never crawled all the way out of the swamp. It didn’t want to. It likes it there.

Cantor’s 60-minute C&S shows were largely carried by himself, Wallington, and violinist Dave Rubinoff, with occasional guests. Rubinoff supposedly led the orchestra. It was typical early ’30s variety: Cantor singing and mugging, situation skits, orchestra numbers, violin solos. Rubinoff’s segments were billed as “Rubinoff and His Violin,” and his radio-fed fame in those days was greater than that of most noted concert violinists. He “was a good violinist rather than a great violinist,” Cantor wrote years later: but Rubinoff was “a showman who gave the impression of being all the great violinists put together.” His Russian accent was so formidable that he did not speak on the air. In the early days, Cantor did Rubinoff’s lines: he would ask a question in his natural voice and answer it with a Russian accent. Cantor played every conceivable dialect, from “an Irish policeman to a Swedish cook.” Later he hired people for his skits: Teddy Bergman (Alan Reed) and Lionel Stander played dialects, including the Rubinoff role.

I never get it when I see people waving their national flag, getting all weepy, singing some dirge about their homeland. Everyone sobbing for the old country (which is just a wet piece of peat moss) going on and on about how many generations back their people lived on this potato farm (said with an Irish accent) and how they loved it even though they’ve probably emigrated to another country. To me it’s dirt, to them it’s land: same thing. My people this, my people that. I have no real people except when I was in the mental institution and then it was full of them. They were my people, because they did not answer with ‘fine’ when you asked how they were. We didn’t need a flag.

So what’s the story your grandpa told you?” I leaned back against the blanket, propping my head in one hand and looking up at him. “It wasn’t about the pond, I guess. It’s more about the town. I didn’t ever come to Mona when I lived here. I never had reason to - so when I asked my grandpa if there were any good fishing spots around here, and he mentioned this pond, I asked him about the town. He said Burl Ives, the singer, was once thrown in jail here in Mona. It was before his time, but he thought it was a funny story.” “I’ve never heard about that!” “It was the 1940’s, and Burl Ives traveled around singing. I guess the authorities didn’t like one of his songs - they thought it was bawdy, so they put him in jail.” “What was the song?” I snickered. “It was called Foggy, Foggy Dew. My grandpa sang it for me.” “Let’s hear it!” I challenged. “It’s far too lewd.” Samuel pulled his mouth into a serious frown, but his eyes twinkled sardonically. “All right you’ve convinced me,” he said without me begging at all, and we laughed together. He cleared his throat and began to sing, with a touch of an Irish lilt, about a bachelor living all alone whose only sin had been to try to protect a fair young maiden from the foggy, foggy dew. One night she came to my bedside When I was fast asleep. She laid her head upon my bed And she began to weep She sighed, she cried, she damn near died She said what shall I do? So I hauled her into bed and covered up her head Just to keep her from the foggy, foggy dew. “Oh my!” I laughed, covering my mouth. “I don’t think I would have stuck Burl Ives in jail for that, but it is pretty funny,” “Marine’s are the lewdest, crudest, foulest talking bunch you’ll ever find. I’ve heard much, much worse. I’ve sung much, much worse. I tried to remain chaste and virtuous, and I still have the nickname Preacher after all these years - but I have been somewhat corrupted.” He waggled his eyebrows at his ribaldry. “I kind of liked that song…” I mused, half kidding. “Sing something else but without the Irish.” “Without the Irish? That’s the best part.” Samuel smiled crookedly. “I had a member of my platoon whose mom was born and raised in Ireland. This guy could do an authentic Irish accent, and man, could he sing. When he sang Danny Boy everybody cried. All these tough, lethal Marines, bawling like babies

While Dixieland men may have struggled with a language inferiority complex, the opposite is true of Southern women. We’ve always known our accent is an asset, a special trait that makes us stand out from our Northern peers in all the best ways. For one thing, men can’t resist it. Our slow, musical speech drips with charm, and with the implied delights of a long, slow afternoon sipping home-brewed tea on the back porch. In educated circles, Southern speech is considered aristocratic, and for good reason: it is far closer linguistically to the Queen’s English than any other American accent. Scottish, Irish, and rural English formed the basis of our language years ago, and the accent has held strong ever since. In the poor hill country there haven’t been many other linguistic influences, and in Charleston you’d be hard pressed to tell a British tourist from a native. In the Delta of Mississippi and Louisiana, the mixture of French, West Indian, and Southern formed two dialects--Cajun and Creole--that in some places are far more like French than English.

Sometimes I look at you and I wonder,” he says, his voice taking on a strange quality, like it’s being filtered, muffled, “what power your blood could bring.” It’s not what he says at the end there that makes my blood run cold. And it’s not the Irish accent that he says it in. It’s that when I look at his eyes, I don’t see Jay anymore. I see someone else entirely. Stare into the abyss and the abyss stares right back. Silas Black. “Ada!

My name is Kathleen." An Irish name. "Why do you have no accent?" "I was sent to England as a child, to live with family friends in Leominster." "Why?" A frown knit between her winged brows. "My parents were very much occupied with their horses. They spent several months of each year in Egypt to purchase Arabian bloodstock for their farm. I was... an inconvenience. Their friends Lord and Lady Berwick, who were also horse people, offered to take me in and raise me with their two daughters.

He was Irish, which always helped. A man with an Irish accent could sound wise and poetic and interesting even when he wasn’t.

Language has always fascinated me. My Irish grandmother was a Gaelic speaker who pronounced words in English with a delightful brogue—an accent that sometimes was more pleasant than what she had to say. The various sounds that people make are part of my lifelong fascination with languages.

Blair continued to educate the boy. Each day Okeke arrived at the Big House early in the morning for his day’s lessons. By the age of ten he spoke with their accent, and knew other languages. He could read and write as well as any learned man.

On the way back to Canefield House we passed through the more hilly district of Scotland, and observed, working in the fields or sitting in the doorways of miserable wooden shacks, not the Negro figures to which the eye is accustomed in such settings in the West Indies, but ragged white men with blue eyes and tow-coloured hair bleached by the sun. This little population of Redlegs, as they are called, are descendants of the followers of the Duke of Monmouth, who, after their defeat at Sedgemoor, were deported to Barbados by order of Judge Jeffreys at the Bloody Assizes. They have remained here ever since, in the same humble plight as when they were first herded ashore. Labat and many other writers talk of the presence in the islands of Irish deportees shipped here by Cromwell after Wexford and Drogheda, and it is perhaps due to them that the closest affinity of the Barbadian way of speaking is with the Irish accent.

I’m shanty Irish. A south Boston boy—you’ll hear the accent when I get excited or drunk,” Hennessey said. “We know potatoes. But most of us still can’t make a decent slab of hash browns to save our lives. We can boil stuff like nobody’s business, but frying is too exotic.

Sven, “the Swede” who had a detectable Brooklyn accent, talked the entire time. He was beyond excited about my makeover and wouldn’t let me look until he was finished. It was that dramatic. Finally, he squealed, “Are you ready, little one?” I glanced up at Sven. He was so wound up, he could barely contain himself. Though he was very tall and extremely blond, he reminded me of Martin Short’s character in Father of the Bride.

Philip, I just love your accent,” the casting director cooed as she looked over his rather blank résumé. “We can always use someone like you.” While Philip continued to form a bond with the powerful and influential casting director, the girl next to me leaned over and whispered, “It’s amazing what a little accent can do for your career.” “I know.” I watched in awe. “I wish I had an accent.” My heart stilled as the answer to my five-year question hit me smack in the face.

D’aron the Daring, Derring, Derring-do, stealing base, christened D’aron Little May Davenport, DD to Nana, initials smothered in Southern-fried kisses, dat Wigga D who like Jay Z aw-ite, who’s down, Scots-Irish it is, D’aron because you’re brave says Dad, No, D’aron because you’re daddy’s daddy was David and then there was mines who was named Aaron, Doo-doo after cousin Quint blew thirty-six months in vo-tech on a straight-arm bid and they cruised out to Little Gorge glugging Green Grenades and read three years’ worth of birthday cards, Little Mays when he hit those three homers in the Pee Wee playoff, Dookie according to his aunt Boo (spiteful she was, misery indeed loves company), Mr. Hanky when they discovered he TIVOed ‘Battlestar Galactica,’ Faggot when he hugged John Meer in third grade, Faggot again when he drew hearts on everyone’s Valentine’s Day cards in fourth grade, Dim Dong-Dong when he undressed in the wrong dressing room because he daren’t venture into the dark end of the gym, Philadelphia Freedom when he was caught clicking heels to that song (Tony thought he was clever with that one), Mr. Davenport when he won the school’s debate contest in eighth grade, Faggot again when he won the school’s debate contest in eighth grade, Faggot again more times than he cared to remember, especially the summer he returned from Chicago sporting a new Midwest accent, harder on the vowels and consonants alike, but sociable, played well with others that accent did, Faggot again when he cried at the end of ‘WALL-E,’ Donut Hole when he started to swell in ninth grade, Donut Black Hole when he continued to put on weight in tenth grade (Tony thought he was really clever with that one), Buttercup when they caught him gardening, Hippie when he stopped hunting, Faggot again when he became a vegetarian and started wearing a MEAT IS MURDER pin (Oh yeah, why you craving mine then?), Faggot again when he broke down in class over being called Faggot, Sissy after that, whispered, smothered in sniggers almost hidden, Ron-Ron by the high school debate team coach because he danced like a cross between Morrissey and some fat old black guy (WTF?) in some old-ass show called ‘What’s Happening!!’, Brainiac when he aced the PSATs for his region, Turd Nerd when he hung with Jo-Jo and the Black Bruiser, D’ron Da’ron, D’aron, sweet simple Daron the first few minutes of the first class of the first day of college.

You’re loading the deck. You’re wasted. And I’m ninety-percent sure you’re Irish—tell me, why would I trust you?” Quinn thought about it. The man had a point—well, several. “Because you like my accent?

YOU—THE IRISH GIRL. OVER HERE.” A THIN, SCOWLING MATRON in a white bonnet beckons with a bony finger. She must know I’m Irish from the papers Mr. Schatzman filled out when he brought me in to the Children’s Aid several weeks ago—or perhaps it is my accent, still as thick as peat. “Humph,” she says, pursing her lips, when I stand in front of her. “Red hair.

The string of bright beads, he had told her, were to remind her of the twenty brightest days they had spent together, and a promise of twenty more, and then twenty more, infinitely. Even in old age she would be able to call to mind the sound of the word "infinitely", the music it made, coloured by the slight Irish accent in his mouth - a word that whether shouted, sung, or spoken, sounded always like a tender whisper.

She’s a fine one to talk—her accent is hilarious. She is Scottish and sort of prejudiced against everyone in Europe. She hasn’t lived in Seattle long. Not long enough to decide if she likes the city or hates it. Apparently, she still hates the Irish, though. And the English. And Germans. And Polish people. She hates everyone, including us “bloody Yanks” who are always “bloody rude” to her and ripping her off. She kills me with all the things she hates and then loves in a bipolar sort of fashion.

Vowels Irish marks long vowels with an accent; short vowels have no accent. Here are the main vowel sounds:

She said that too.” His voice was low key and modest. The accent, which was not very pronounced, had the gentle burr of the Scottish professional classes. This was an accent that would score highly in those tests of reliability that newspapers liked to carry out—those surveys that tended to reveal that a mild Scottish accent in a bank manager or financial adviser inspired more public trust than any other voice. By the same token, although the surveys were never so tactless as to point it out, people were reluctant to take investment recommendations from a person with a very strong Irish accent. There was no objective reason for this, of course, even if Ireland had created a property bubble of gargantuan proportions in the days of easily borrowed money. These views were tied in with old perceptions, and were slow to change, even in the face of hard evidence.

By the same token, the overseers are usually the descendants of Cockneys who were born not far from Bow bells. The profanity and coarseness and violent metaphors of a truly pagan race are of course the gifts of the Irish, God bless their souls. But perhaps the greatest contribution is from the people who were brought to the New World on slave ships during the era of the Middle Passage. It’s the iambic line. Listen to it sometime. Every other syllable is accented. Any British poet would immediately recognize it.

I’ve only ever seen him smile looking at Nessa. But I know he’s brilliant and utterly ruthless. He took on my family and the Griffins simultaneously and caused a fuck of a lot of trouble until he was ensnared by the gentle heart of the youngest Irish princess. “Good morning,” Mikolaj says politely in his slight accent.

Just outside the main door of the hotel, a man with an Irish accent asks to borrow my phone. ‘I was DJing up in the mountains and now I have to call me mother.’ It’s not the most convincing story I’ve heard. ‘I’m really sorry, I can’t give you my phone,’ I reply. ‘I’m going in this door now, sorry.’ He tells me to piss off (which is surely what I’m already doing?) and to go and have sex with myself (on my list).

mainly because of her lovely Irish accent which made most things she said sound funnier and more interesting than they actually were.

For those of you with a passing memory of grade-school history, our so-called founding fathers signed Canada into existence in 1867. The location was Prince Edward Island. A bloat of prosperous men from all over British North America came together and, fortified with a ridiculous amount of liquor, they argued and drank until a country was born. It was not an immaculate conception; it was a messy one. Modern-day Canada prides itself on being a diverse nation, and the Fathers of Confederation were no slouches in that department. There were many shades of white and a variety of English accents. Diversity was encouraged as long as everyone was Protestant. Rumours persist that there were a few Irish Catholics in the mix. If true, they kept their lifestyle on the downlow. The man at the centre of the founding bender was Sir John A. Macdonald. He would go on to become Canada's first and drunkest prime minister. After we was sworn in for the first time, he was asked what is the most he ever spent on a bottle of whiskey. His answer? Forty-five minutes.

My name is Rajalakshmi. What is yours?’ the lady asked in her South-Indian accented English. How Venkat had teased her about it. ‘Katherine Flannigan,’ came the choked whisper.

The actual antecedents of contemporary populist politicians like Trump are to be found not in interwar Central European totalitarian states but in state and local politics, particularly urban politics. In Europe, pro-Brexit Boris Johnson was the mayor of London before becoming prime minister, and Italy’s Matteo Salvini was on the city council of Milan from 1993 to 2012. In the United States, the shift from post-1945 democratic pluralism to technocratic neoliberalism was fostered from the 1960s onward by an alliance of the white overclass with African Americans and other racial minority groups. The result was a backlash by white working-class voters, not only against nonwhites who were seen as competitors for jobs and housing, but also against the alien cultural liberalism of white “gentry liberals.” The backlash in the North was particularly intense among “white ethnics”—first-, second-, and third-generation white immigrants like Irish, German, Italian, and Polish Americans, many of them Catholic. The disproportionately working-class white ethnics now found themselves defined as bigots by the same white Anglo-Saxon Protestant (WASP) elites who until recently had imposed quotas on Jews and Catholics in their Ivy League universities, but who were now posing as the virtuous, enlightened champions of civil rights. This toxic mix of black aspiration, white ethnic backlash, and WASP condescension provided a ripe habitat for demagogues, many of them old-school Democrats like Frank Rizzo, mayor of Philadelphia, Sam Yorty, mayor of Los Angeles, and Mario Angelo Procaccino, failed mayoral candidate in New York. These populist big-city mayors or candidates in the second half of the twentieth century combined appeals to working-class grievances and resentments with folksy language and feuds with the metropolitan press, a pattern practiced, in different ways, by later New York City mayors Ed Koch, a Democrat, and Rudy Giuliani, a Republican. In its “Against Trump” issue of January 22, 2016, the editors of National Review mocked the “funky outer-borough accents” shared by Donald Trump and Bernie Sanders. Indeed, Trump, a “white ethnic” from Queens with German and Scots ancestors, with his support in the US industrial states where working-class non-British European-Americans are concentrated, is ethnically different from most of his predecessors in the White House, whose ancestors were proportionately far more British American. Traits which seem outlandish in a US president would not have seemed so if Trump had been elected mayor of New York. Donald Trump was not Der Führer. He was Da Mayor of America.

The Ten Commandments of Punk Thou shalt know everything by the time thou art seventeen, with a great and sure certainty. Thou shalt proclaim the year zero and not honor the past because the new alone shall count. Thou shalt wear a garb of torn leather jacket and trousers, with accessories bearing a hint of S&M, with thy feet shod by Doc Martens. Thy T-shirt, like thy lyrics, will bear a slogan to offend. Thou shalt be bored, angry, pretty vacant, or at least faintly pissed off. Thou shalt have no more heroes, nor accept anyone in authority. Thou shalt bear an adjective for a surname like Rotten or Vicious. Thou shalt connect with thy audience so that they may invade thy stage or receive thy spit in their eye. Let them mosh. Thou shalt speak the truth in a fake cockney accent, even if thou art Irish or went to a minor English public school. Thou shalt not grow old lest thy come to realize the biggest authority thy will need to defeat is thine own self.

Catherine, Erica, Mike, and I all said hello at once—in four completely different accents, as none of us were quite sure where the Mazurka family might be from. Catherine’s was Italian, Erica’s was Russian, Mike’s was Irish, and mine was just my own, because I’m not that good at accents.

I still haven’t caught my breath when the priest says to me in a heavy Irish accent, “What’s your name, lass?” “Reyna.” “Lovely. Best of luck to you.

Your English is great. Why do your compadres choose to not adapt to an American accent when speaking English? NACHO MAMA Dear Gabacha: What the hell is an American accent, anyway? The drawl of the South? The lazy uh s of beachside Southern California? It’s difficult enough to learn a second language, and now you want Mexicans to adopt a mythical “American” accent?! When a Mexican keeps his accent, he’s just continuing the proud American ethnic tradition of allowing one’s native tongue to influence a region’s cadence—examples include the Scandinavian singsong common to Minnesota and North Dakota, the Irish brogues of Boston, the hurried Italian of Philadelphia, the Jewish nasal inflections of New York City, and so on.

At school, everybody called her Irish, because of her name and her accent, but she felt more British than any of them. On rare occasions, a school friend would invite her over to her place, but there was never a flag to be seen, neither English nor British.

When she wanted to think of nothing else, sh would listen to him talk. The Irish accent was more prominent in his father, but the tiny song in his voice often calmed her like the rise and fall of a ship on low waves.

There is a New Orleans city accent … associated with downtown New Orleans, particularly with the German and Irish Third Ward, that is hard to distinguish from the accent of Hoboken, Jersey City, and Astoria, Long Island, where the Al Smith inflection, extinct in Manhattan, has taken refuge. The reason, as you might expect, is that the same stocks that brought the accent to Manhattan imposed it on New Orleans.

accents started to be tinged with what was, stateside, referred to as an Irish brogue. I was finally

the phrase comes to him before the emotion; but we must add that he is nevertheless a born writer, a man who detests meals, servants, ease, respectability or anything that gets between him and his art; who has kept his freedom when most of his contemporaries have long ago lost theirs; who is ashamed of nothing but being ashamed; who says whatever he has it in his mind to say, and has taught himself an accent, a cadence, indeed a language, for saying it in which, though they are not English, but Irish, will give him his place among the lesser immortals of our tongue.

Grandma Sylvia hated for nice things to stay locked up in trunks, so we used to have fashion shows and put on Irish skits in Irish accents with whatever wasn’t in danger of turning to dust. It was like frolicking with the ancestors.