Ireland Summer Quotes

We've searched our database for all the quotes and captions related to Ireland Summer. Here they are! All 33 of them:

You're in Ireland the summer after you left college and you're drinking at a pub near the castle where every day bus loads of English and American tourists come to kiss the Blarney Stone.
Chuck Palahniuk (Fight Club)
If I have not love, I am Nothing.
O.R. Melling (The Summer King (The Chronicles of Faerie, #2))
Once, in the summer of 1995, Adams gave a speech at a rally in Belfast. He looked like a politician, in a crisp summer suit, consulting his cue cards. But during a pause in his prepared remarks, someone in the crowd shouted, "Bring back the IRA!" As the audience cheered, Adams chuckled and smiled. Then he leaned into the microphone and said, "They haven't gone away, you know.
Patrick Radden Keefe (Say Nothing: A True Story of Murder and Memory in Northern Ireland)
At Bealltainn, or May Day, every effort was made to scare away the fairies, who were particularly dreaded at this season. In the West Highlands charms were used to avert their influence. In the Isle of Man the gorse was set alight to keep them at a distance. In some parts of Ireland the house was sprinkled with holy water to ward off fairy influence. These are only a mere handful out of the large number of references available, but they seem to me to reveal an effort to avoid the attentions of discredited deities on occasions of festival once sacred to them. The gods duly return at the appointed season, but instead of being received with adoration, they are rebuffed by the descendants of their former worshippers, who have embraced a faith which regards them as demons. In like manner the fairies in Ireland were chased away from the midsummer bonfires by casting fire at them. At the first approach of summer, the fairy folk of Scotland were wont to hold a "Rade," or ceremonial ride on horseback, when they were liable to tread down the growing grain.
Lewis Spence (British Fairy Origins)
It reminded me of our summer plans. Our road trip. Our pact not to think about the end so we wouldn’t miss out on the present.
Tamara Ireland Stone (Little Do We Know)
Love is patient. Love is kind. It bears all things. Love never fails. Love is as strong as death.
O.R. Melling (The Summer King (The Chronicles of Faerie, #2))
Milk was used in various forms during the summer months; in winter beer or water was used. Bread, cakes, potatoes, and sea food were the principal foods. Animal flesh was not used commonly due to the inconvenience of storing. Turf was the common fuel.
William Petty
Early Summer, loveliest season, The world is being colored in. While daylight lasts on the horizon, Sudden, throaty blackbirds sing. The dusty-colored cuckoo cuckoos. "Welcome, summer" is what he says. Winter's unimaginable. The wood's a wickerwork of boughs. Summer means the river's shallow, Thirsty horses nose the pools. Long heather spreads out on bog pillows. White bog cotton droops in bloom. Swallows swerve and flicker up. Music starts behind the mountain. There's moss and a lush growth underfoot. Spongy marshland glugs and stutters. Bog banks shine like ravens' wings. The cuckoo keeps on calling welcome. The speckled fish jumps; and the strong Swift warrior is up and running. A little, jumpy, chirpy fellow Hits the highest note there is; The lark sings out his clear tidings. Summer, shimmer, perfect days.
Marie Heaney (The Names Upon the Harp: Irish Myth and Legend)
Charles Lindbergh’s achievement in finding his way alone from Long Island to an airfield outside Paris deserves a moment’s consideration. Maintaining your bearings by means of dead reckoning means taking close note of compass headings, speed of travel, time elapsed since the last calculation, and any deviations from the prescribed route induced by drifting. Some measure of the difficulty is shown by the fact that the Byrd expedition the following month—despite having a dedicated navigator and radio operator, as well as pilot and copilot—missed their expected landfall by two hundred miles, were often only vaguely aware of where they were, and mistook a lighthouse on the Normandy coast for the lights of Paris. Lindbergh by contrast hit all his targets exactly—Nova Scotia, Newfoundland, the Dingle Peninsula in Ireland, Cap de la Hague in France, Le Bourget in Paris—and did so while making the calculations on his lap while flying an unstable plane.
Bill Bryson (One Summer: America, 1927)
In the summer of 2007, I was sitting in a studio in Dublin, debating with a lay spokesman of the Roman Catholic Church who turned out to be the only believing Christian on a discussion panel of five people. He was a perfectly nice and rather modest logic-chopping polemicist, happy enough to go for a glass of refreshment after the program, and I suddenly felt a piercing stab of pity for him. A generation ago in Ireland, the Church did not have to lower itself in this way. It raised its voice only slightly, and was instantly obeyed by the Parliament, the schools, and the media. It could and did forbid divorce, contraception, the publication of certain books, and the utterance of certain opinions. Now it is discredited and in decline. Its once-absolute doctrines appear ridiculous:
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
I awaken myself to the greatest lesson Ireland offers: that I must wake up to whatever place I find myself, wake up to its seasons and weather, its heritage and special beauties, its ultimate and indisputable holiness. I have news for you: spring comes everywhere with sweetness and hope. Summer's fullness becomes harvest, then the world sleeps through a dark time. This is the only truth: that just as Ireland is sacred, so all land is sacred, as we are all sacred. This is my news.
Patricia Monaghan (The Red-Haired Girl from the Bog: The Landscape of Celtic Myth and Spirit)
Picture a summer stolen whole from some coming-of-age film set in the small-town 1950s. This is none of Ireland's subtle seasons mixed for a connoisseur's palate, watercolor nuances within a pinch-sized range of cloud and soft rain; this is summer full-throated and extravagant in a hot pure silkscreen blue. This summer explodes on your tongue tasting of chewed blades of long grass, your own clean sweat, Marie biscuits with butter squirting through the holes and shaken bottles of red lemonade picnicked in tree houses. It tingles on your skin with BMX wind in your face, ladybug feet up your arm; it packs every breath full of mown grass and billowing wash lines; it chimes and fountains with birdcalls, bees, leaves and football-bounces and skipping-chants, One! two! three! This summer will never end. It starts every day with a shower of Mr. Whippy notes and your best friend's knock at the door, finishes it with long slow twilight and mothers silhouetted in doorways calling you to come in, through the bats shrilling among the black lace trees. This is Everysummer decked in all its best glory.
Tana French (In the Woods (Dublin Murder Squad, #1))
When a boy grows up in a “dysfunctional” family (perhaps there is no other kind of family), his interior warriors will be killed off early. Warriors, mythologically, lift their swords to defend the king. The King in a child stands for and stands up for the child’s mood. But when we are children our mood gets easily overrun and swept over in the messed-up family by the more powerful, more dominant, more terrifying mood of the parent. We can say that when the warriors inside cannot protect our mood from being disintegrated, or defend our body from invasion, the warriors collapse, go into trance, or die. The inner warriors I speak of do not cross the boundary aggressively; they exist to defend the boundary. The Fianna, that famous band of warriors who defended Ireland’s borders, would be a model. The Fianna stayed out all spring and summer watching the boundaries, and during the winter came in. But a typical child has no such protection. If a grown-up moves to hit a child, or stuff food into the child’s mouth, there is no defense—it happens. If the grown-up decides to shout, and penetrate the child’s auditory boundaries by sheer violence, it happens. Most parents invade the child’s territory whenever they wish, and the child, trying to maintain his mood by crying, is simply carried away, mood included. Each child lives deep inside his or her own psychic house, or soul castle, and the child deserves the right of sovereignty inside that house. Whenever a parent ignores the child’s sovereignty, and invades, the child feels not only anger, but shame. The child concludes that if it has no sovereignty, it must be worthless. Shame is the name we give to the sense that we are unworthy and inadequate as human beings. Gershen Kauffman describes that feeling brilliantly in his book, Shame, and Merle Fossum and Marilyn Mason in their book, Facing Shame, extend Kauffman’s work into the area of family shame systems and how they work. When our parents do not respect our territory at all, their disrespect seems overwhelming proof of our inadequacy. A slap across the face pierces deeply, for the face is the actual boundary of our soul, and we have been penetrated. If a grown-up decides to cross our sexual boundaries and touch us, there is nothing that we as children can do about it. Our warriors die. The child, so full of expectation of blessing whenever he or she is around an adult, stiffens with shock, and falls into the timeless fossilized confusion of shame. What is worse, one sexual invasion, or one beating, usually leads to another, and the warriors, if revived, die again. When a boy grows up in an alcoholic family, his warriors get swept into the river by a vast wave of water, and they struggle there, carried downriver. The child, boy or girl, unprotected, gets isolated, and has more in common with snow geese than with people.
Robert Bly (Iron John: A Book about Men)
The Riders Placencia Beach, Belize, 1996 Americans aren’t overly familiar with Tim Winton, although in my mind he is one of the best writers anywhere. This novel is set in Ireland and Greece as a man and his daughter search for their missing wife and mother. Gripping. 2. Family Happiness Miacomet Beach, Nantucket, 2001 The finest of Laurie Colwin’s novels, this is, perhaps, my favorite book in all the world. It tells the story of Polly Demarest, a Manhattan woman who is torn between her very uptown lawyer husband and her very downtown artist lover. 3. Mary and O’Neil Cottesloe Beach, Western Australia, 2009 These connected stories by Justin Cronin will leave you weeping and astonished. 4. Appointment in Samarra Nha Trang Beach, Vietnam, 2010 This classic novel was recommended to me by my local independent bookseller, Dick Burns, once he had found out how much I loved Revolutionary Road by Richard Yates. John O’Hara’s novel has all the requisite elements of a page-turner—drinking, swearing, and country club adultery, although set in 1930s Pennsylvania. This may sound odd, but trust me, it’s un-put-downable! 5. Wife 22 Oppenheimer Beach, St. John, U.S. Virgin Islands, 2012 If you like piña coladas… you will love Melanie Gideon’s tale of marriage lost and rediscovered. 6. The Interestings Steps Beach, Nantucket, 2013 And this summer, on Steps Beach in Nantucket, I will be reading The Interestings by Meg Wolitzer. Wolitzer is one of my favorite writers. She explores the battles between the sexes better than anyone around.
Elin Hilderbrand (Beautiful Day)
I’d like to see some identification,” growled the inspector. I fully expected Barrons to toss O’Duffy from the shop on his ear. He had no legal compulsion to comply and Barrons doesn’t suffer fools lightly. In fact, he doesn’t suffer them at all, except me, and that’s only because he needs me to help him find the Sinsar Dubh. Not that I’m a fool. If I’ve been guilty of anything, it’s having the blithely sunny disposition of someone who enjoyed a happy childhood, loving parents, and long summers of lazy-paddling ceiling fans and small-town drama in the Deep South which-while it’s great—doesn’t do a thing to prepare you for live beyond that. Barrons gave the inspector a wolfish smile. “Certainly.” He removed a wallet from the inner pocket of his suit. He held it out but didn’t let go. “And yours, Inspector.” O’Duffy’s jaw tightened but he complied. As the men swapped identifications, I sidled closer to O’Duffy so I could peer into Barrons’ wallet. Would wonders never cease? Just like a real person, he had a driver’s license. Hair: black. Eyes: brown. Height: 6’3”. Weight: 245. His birthday—was he kidding?—Halloween. He was thirty-one years old and his middle initial was Z. I doubted he was an organ donor. “You’ve a box in Galway as your address, Mr. Barrons. Is that where you were born?” I’d once asked Barrons about his lineage, he’d told me Pict and Basque. Galway was in Ireland, a few hours west of Dublin. “No.” “Where?” “Scotland.” “You don’t sound Scottish.” “You don’t sound Irish. Yet here you are, policing Ireland. But then the English have been trying to cram their laws down their neighbors’ throats for centuries, haven’t they, Inspector?” O’Duffy had an eye tic. I hadn’t noticed it before. “How long have you been in Dublin?” “A few years. You?” “I’m the one asking the questions.” “Only because I’m standing here letting you.” “I can take you down to the station. Would you prefer that?” “Try.” The one word dared the Garda to try, by fair means or foul. The accompanying smile guaranteed failure. I wondered what he’d do if the inspector attempted it. My inscrutable host seems to possess a bottomless bag of tricks. O’Duffy held Barrons’ gaze longer than I expected him to. I wanted to tell him there was no shame in looking away. Barrons has something the rest of us don’t have. I don’t know what it is, but I feel it all the time, especially when we’re standing close. Beneath the expensive clothes, unplaceable accent, and cultural veneer, there’s something that never crawled all the way out of the swamp. It didn’t want to. It likes it there.
Karen Marie Moning (Bloodfever (Fever, #2))
The end of a summer day; Sweet love dead.
A. Norman Jeffares (Ireland's Love Poems)
I lived in Ireland. This meant it was only summer for 24 hours and the rest of the time it’s freezing.
Elizabeth McGivern (Amy Cole Has Lost Her Mind (Amy Cole, #1))
That summer was a long hot one, unusual for Ireland. As the days grew hotter the summer seemed endless. Gertrude was suspended in a lethargy of heat and helplessness, as she waited the long wait for her exam results. She slept late into mid-morning, then sat in a stuffed chair in the parlour devouring Anna Karenina and Madame Bovary.
Anne McCabe
Day an' night they set in a room with a checker-board on th' end iv a flour bar'l, an' study problems iv th' navy. At night Mack dhrops in. 'Well, boys,' says he, 'how goes th' battle?' he says. 'Gloryous,' says th' Sthrateejy Board. 'Two more moves, an' we'll be in th' king row.' 'Ah,' says Mack, 'this is too good to be thrue,' he says. 'In but a few brief minyits th' dhrinks'll be on Spain,' he says. 'Have ye anny plans f'r Sampson's fleet?' he says. 'Where is it?' says th' Sthrateejy Board. 'I dinnaw,' says Mack. 'Good,' says th' Sthrateejy Board. 'Where's th' Spanish fleet?' says they. 'Bombardin' Boston, at Cadiz, in San June de Matzoon, sighted near th' gas-house be our special correspondint, copyright, 1898, be Mike O'Toole.' 'A sthrong position,' says th' Sthrateejy Board. 'Undoubtedly, th' fleet is headed south to attack and seize Armour's glue facthory. Ordher Sampson to sail north as fast as he can, an' lay in a supply iv ice. Th' summer's comin' on. Insthruct Schley to put on all steam, an' thin put it off again, an' call us up be telephone. R-rush eighty-three millyon throops an' four mules to Tampa, to Mobile, to Chickenmaha, to Coney Island, to Ireland, to th' divvle, an' r-rush thim back again. Don't r-rush thim. Ordher Sampson to pick up th' cable at Lincoln Par-rk, an' run into th' bar-rn. Is th' balloon corpse r-ready? It is? Thin don't sind it up. Sind it up. Have th' Mulligan Gyards co-op'rate with Gomez, an' tell him to cut away his whiskers. They've got tangled in th' riggin'. We need yellow-fever throops. Have ye anny yellow fever in th' house? Give it to twinty thousand three hundherd men, an' sind thim afther Gov'nor Tanner. Teddy Rosenfelt's r-rough r-riders ar-re downstairs, havin' their uniforms pressed. Ordher thim to th' goluf links at wanst. They must be no indecision. Where's Richard Harding Davis? On th' bridge iv the New York? Tur-rn th' bridge. Seize Gin'ral Miles' uniform. We must strengthen th' gold resarve. Where's th' Gussie? Runnin' off to Cuba with wan hundherd men an' ar-rms, iv coorse. Oh, war is a dhreadful thing. It's ye'er move, Claude,' says th' Sthrateejy Board. "An
Finley Peter Dunne (Mr. Dooley in Peace and in War)
Archaic myths from many parts of Europe (and around the world) refer to this event by mention of bright new stars which fell to Earth as seven flaming mountains, of how the oceans rose up in vast waves and totally engulfed the lands, and how summer was driven away with a cold darkness that lasted several years. In support of the mythological accounts of the vast waves covering the lands it is important to mention that many of the highest mountains in England, Scotland, and Ireland are littered with beds of sand and gravel containing sea shells deposited in the very recent geological past. Geology also gives irrefutable evidence that at two times in the recent past, around 7640 BC and 3100 BC, there have been complete reversals of the Earth's magnetic field caused by an outside influence, most probably a comet.
Brien Foerster (Aftershock: The Ancient Cataclysm That Erased Human History)
Here is a nature-picture (attributed to Oisin) as vivid as ancient: “A tale for you: oxen lowing: winter snowing: summer passed away: wind from the north, high and cold: low the sun and short his course: wildly tossing the wave of the sea. The fern burns deep red. Men wrap themselves closely: the wild goose raises her wonted cry: cold seizes the wing of the bird: ‘tis the season of ice: sad my tale.
Seumas MacManus (The Story of the Irish Race: A Popular History of Ireland)
It was a wet summer, even for Ireland. The sun was out the morning I landed in Dublin and shone again the day I left-and it rained every day in between. When I mentioned this, I was told, "Yes, but it's a dry rain." The Irish have a subtle conception of the truth.
James Wofford (Still Horse Crazy After All These Years: If It Didn't Happen This Way, It Should Have)
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Marc Myers (Rock Concert: An Oral History as Told by the Artists, Backstage Insiders, and Fans Who Were There)
Dad loved Aeney more than anything, but he couldn’t show it. He just couldn’t. There’s a Code for fathers in Ireland. Maybe it’s everywhere, I don’t know, I haven’t cracked it. My father followed the Code. He was careful about his children, he didn’t want to ruin us though somehow felt sure he would. He thought Aeney and I were marvels but he didn’t want to make a mistake. Maybe he thought Abraham was watching. So he’d probably thought about it for a long time before he came in from the casting and decided he should go fishing with Aeney. Dad could be sudden like that. He couldn’t help it. It’s the nature of Poets. You don’t believe me, look up William Blake, say hello to those impulses, go meet Mr John Donne in a dark church some time, spend a summer’s day with young William Butler, Ace Butterfly-catcher.
Niall Williams (History of the Rain)
It was in the reign of Conn, at the very end of the second, or beginning of the third century that was founded the Fian — a great standing army of picked and specially trained, daring warriors, whose duty was to carry out the mandates of the high-king — “To uphold justice and put down injustice, on the part of the kings and lords of Ireland — and to guard the harbors from foreign invaders.” From this latter we might conjecture that an expected Roman invasion first called the Fian into existence. They were soldiers in time of war, and a national police in time of peace. We are informed that they prevented robberies, exacted fines and tributes, put down public enemies and every kind of evil that might afflict the country. Moreover they moved about from place to place, all over the island. During the summer and harvest, from Beltinne to Samain — May first till November first — they camped in the open, and lived by the chase. During the winter half-year they were quartered upon the people. But Fionn, being a chieftain himself in his own right, had a residence on the hill of Allen (Almuin) in Kildare.
Seumas MacManus (The Story of the Irish Race: A Popular History of Ireland)
So why submit? I know this as sure as I’m sittin’ here across the roast from you. They’re tryin’ to bury our law and eradicate our language. And once they take your name, they’ll take your freedom too.” “No one’s goin’ anywhere with my freedom. And don’t worry yourself, Owen. If I do accept myself a fine English title, I promise I won’t insist that you call me by it.” “That’s very kind of you, you feckin’ idiot.” Gilleduff laughed and punched my father in the shoulder. Owen laughed too. I myself was too young to know how right my father had been, or how the English army would one day, in the not so distant future, somehow make it across those impenetrable forests and bogs of Ireland, and smash our sea defenses, all in the name of murderin’ the old Gaelic order, our very way of life. But it was a warm summer night, and we were booleyin’, and the bard was settling down by the fire to begin his telling of histories and generations back through the mists of time. And we soon forgot about the English and their titles and their fears of the “Wild Irish” out beyond the Pale. By
Robin Maxwell (The Wild Irish: A Novel of Elizabeth I and the Pirate O'Malley)
Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.
Bob Thurber (Nothing But Trouble)
This amply shows Cromwell’s frame of mind before leaving for Ireland. His fear was that the young Charles, who had been declared king in Scotland immediately after his father’s death, would land in Ireland, rally the people to the royalist cause and lead an invasion to England. In the summer of 1649 it seemed to Cromwell that Ireland had become a royalist state and the prospects of a successful English invasion of that country were receding with every passing day.
Sean O'Callaghan (To Hell or Barbados: The ethnic cleansing of Ireland)
Wicklow's Bounty: Ode to the Irish Strawberry by Stewart Stafford The Garden County's ruby hue; Juicy gush with tart aftertaste, Seeded cream teases the palate, A Summer afternoon without haste. Eireann's pride swallowed so well; Sunburst flesh, chilled bitterness, Enveloped in richest dairy pillows, Feel the divine fingerprint finesse. Amass nature's brief treasures, Don't wait, dear brother/sister, Before frosted breath chokes, Turning land's song into a whisper. © 2024, Stewart Stafford. All rights reserved.
Stewart Stafford
Once the economic and then the religious troubles in the U.S. closed what was once the longest unguarded border in the world, Canada retreated into something like an armed camp, as aware as the United States used to be of just how desperate our neighbors to the south might be. The summers got hot and the winters got cold. The U.S. was awfully hungry for a while, too—especially when the Gulf Stream quit from Antarctic meltwater and the climate shift gave them searing droughts in the summer and winters like cold hell on earth. I didn’t even like to think about Britain and Ireland. The population is still dropping, but the food riots and the Christian Fascist regime are largely a thing of the past.
Elizabeth Bear (Hammered (Jenny Casey, #1))
Thinking now of the luminous cleanliness and bell-like resonance of Aran’s limestone rock sheets, their parallel fissures pointing one to the edge of clear-cut cliffs, and the solace on a summer’s day of its spring wells that image the perfection of the wildflowers attendant on them, I realize what a difficult terrain is south Connemara: multidirectional from every point, so complex in form it verges on the formless, disputing every step with stony irregularities, leachlike softness of bog or bootlace-catching twiggy heath. Often when visitors ask me what they should see in this region I am at a loss. A curious hole in the ground? The memory of an old song about a drowning? Ultimately I have to tell them that this is a land without shortcuts.
Tim Robinson (Connemara: A Little Gaelic Kingdom)
The cold and quiet months had arrived as the dark, cloud-heavy skies settled into place. Up a long boreen on the top of the hill at Tarabeg Farm they were ready for the short days and long nights, having worked throughout the summer to ensure there would be enough food and drink to see them through to the other end. ‘No child who lives on a hard-worked and well-managed farm should ever go hungry,’ said Seamus, in a part of Ireland where children often did just that
Nadine Dorries (The Velvet Ribbon (Tarabeg #3))
Several years ago, Edward Farrell of Detroit took his two-week summer vacation to Ireland to celebrate his favorite uncle's eightieth birthday. On the morning of the great day, Ed and his uncle got up before dawn, dressed in silence, and went for a walk along the shores of Lake Killarney. Just as the sun rose, his uncle turned and stared straight at the rising orb. Ed stood beside him for twenty minutes with not a single word exchanged. Then the elderly uncle began to skip along the shoreline, a radiant smile on his face. After catching up with him, Ed commented, "Uncle Seamus, you look very happy. Do you want to tell me why?" "Yes, lad," the old man said, tears washing down his face. "You see, the Father is very fond of me. Ah, me Father is very fond of me." ... If you too can answer with gut-level honesty, "Oh yes, the Father is very fond of me," there comes a relaxedness and serenity, a compassionate attitude toward yourself in your brokenness, that elucidates the meaning of tenderness.
Brennan Manning (The Wisdom of Tenderness: What Happens When God's Fierce Mercy Transforms Our Lives)