Ireland Rain Quotes

...I live in Ireland every day in a drizzly dream of a Dublin walk...

In prehistoric times, early man was bowled over by natural events: rain, thunder, lightning, the violent shaking and moving of the ground, mountains spewing deathly hot lava, the glow of the moon, the burning heat of the sun, the twinkling of the stars. Our human brain searched for an answer, and the conclusion was that it all must be caused by something greater than ourselves - this, of course, sprouted the earliest seeds of religion. This theory is certainly reflected in faery lore. In the beautiful sloping hills of Connemara in Ireland, for example, faeries were believed to have been just as beautiful, peaceful, and pleasant as the world around them. But in the Scottish Highlands, with their dark, brooding mountains and eerie highland lakes, villagers warned of deadly water-kelpies and spirit characters that packed a bit more punch.

Limerick gained a reputation for piety, but we knew it was only the rain.

He saw the black water and the declining sun and the swan dipping down, its white wings flashing, and slowing and slowing till silver ripples carried it home. It was a scene which seemed the heart of this land. The lowing sun and the one star waking, white wings on a black water, and the smell of rain, and the long lane fading where a voice comes in the falling night. --Ireland, said Scrotes. --Yes, this is Ireland.

It’s raining,” she said with a glower out the window. He rose and walked around the island to stand next to her. “Shall we spend the day before a roaring fire making love?

He decides it is better to die in Ireland than in Paris because in Ireland the outdoors looks like the outdoors and gravestones are mossy and chipped, and the letters wear down with the wind and the rain so everyone gets forgotten in time, and life flies on.

But can you make someone feel the world all around loves them? Can you make them feel the rain is for cooling them, the wind is for drying them, the sun is for warming them?

The History of Ireland in two words: Ah well. The Invasion by the Vikings: Ah well. The Invasion by the Normans. The Flight of the Earls, Mr Oliver Cromwell. Daniel O’Connell, Robert Emmett, The Famine, Charles Stewart Parnell, Easter Rising, Michael Collins, Éamon De Valera, Éamon De Valera again (Dear Germany, so sorry to learn of the death of your Mr Hitler), Éamon De Valera again, the Troubles, the Tribunals, the Fianna Fáil Party, The Church, the Banks, the eight hundred years of rain: Ah well. In the Aeneid Virgil tells it as Sunt lacrimae rerum, which in Robert Fitzgerald’s translation means ‘They weep for how the world goes’, which is more eloquent than Ah well but means the same thing.

Rain fell more steadily now. Grey and unrelenting. Nobody seemed to notice. Rain on the puddles. Rain on the high brickwork. Rain on the slate roofs. Rain on the rain itself.

If it was raining soup, the Irish would go out with forks.

To me, Gothic fiction is the literary representation of the stormy gloom of the British Isles.

Timeless There’s a place in the far west of Ireland. A place called Mayo -- a rain-soaked, misty county on the wild Atlantic. The name alone is of another time and conjures up mystery and myth. This is a place to disappear, to live unseen, where few questions are asked. You can lose yourself in Mayo.

Picture a summer stolen whole from some coming-of-age film set in the small-town 1950s. This is none of Ireland's subtle seasons mixed for a connoisseur's palate, watercolor nuances within a pinch-sized range of cloud and soft rain; this is summer full-throated and extravagant in a hot pure silkscreen blue. This summer explodes on your tongue tasting of chewed blades of long grass, your own clean sweat, Marie biscuits with butter squirting through the holes and shaken bottles of red lemonade picnicked in tree houses. It tingles on your skin with BMX wind in your face, ladybug feet up your arm; it packs every breath full of mown grass and billowing wash lines; it chimes and fountains with birdcalls, bees, leaves and football-bounces and skipping-chants, One! two! three! This summer will never end. It starts every day with a shower of Mr. Whippy notes and your best friend's knock at the door, finishes it with long slow twilight and mothers silhouetted in doorways calling you to come in, through the bats shrilling among the black lace trees. This is Everysummer decked in all its best glory.

I never met a librarian worth his or her salt who didn't perceive my passion for books. And without exception, each one would lend me a book on a subject we had been discussing. No paperwork, no formalities of any kind, no rules or regulations. My unspoken side of the bargain was to protect them, in two ways; first by keeping the book unharmed - not that easy, especially in bad weather, but when it rained, I carried the book next to my skin. I can tell you now that carrying Gulliver's Travels or Lays of Ancient Rome or Mr. Oscar Wilde's stories or Mr. William Yeat's poems next to my heart gave me a kind of sweet pleasure. The second half of the bargain often nearly broke my heart, but I always kept it - and that was to return the book safe and sound to the library that had lent it. To part company with Mr. Charles Dickens or Mr. William Makepeace Thackeray and his lovely name! - that was harder than saying good-bye to a dear flesh-and-blood companion. But I always did it - and I sent the book by registered post, no small consideration of cost given the peculiar economics of an itinerant storyteller.

Separated from everyone, in the fifteenth dungeon, was a small man with fiery brown eyes and wet towels wrapped around his head. For several days his legs had been black, and his gums were bleeding. Fifty-nine years old and exhausted beyond measure, he paced silently up and down, always the same five steps, back and forth. One, two, three, four, five, and turn . . . an interminable shuffle between the wall and door of his cell. He had no work, no books, nothing to write on. And so he walked. One, two, three, four, five, and turn . . . His dungeon was next door to La Fortaleza, the governor’s mansion in Old San Juan, less than two hundred feet away. The governor had been his friend and had even voted for him for the Puerto Rican legislature in 1932. This didn’t help much now. The governor had ordered his arrest. One, two, three, four, five, and turn . . . Life had turned him into a pendulum; it had all been mathematically worked out. This shuttle back and forth in his cell comprised his entire universe. He had no other choice. His transformation into a living corpse suited his captors perfectly. One, two, three, four, five, and turn . . . Fourteen hours of walking: to master this art of endless movement, he’d learned to keep his head down, hands behind his back, stepping neither too fast nor too slow, every stride the same length. He’d also learned to chew tobacco and smear the nicotined saliva on his face and neck to keep the mosquitoes away. One, two, three, four, five, and turn . . . The heat was so stifling, he needed to take off his clothes, but he couldn’t. He wrapped even more towels around his head and looked up as the guard’s shadow hit the wall. He felt like an animal in a pit, watched by the hunter who had just ensnared him. One, two, three, four, five, and turn . . . Far away, he could hear the ocean breaking on the rocks of San Juan’s harbor and the screams of demented inmates as they cried and howled in the quarantine gallery. A tropical rain splashed the iron roof nearly every day. The dungeons dripped with a stifling humidity that saturated everything, and mosquitoes invaded during every rainfall. Green mold crept along the cracks of his cell, and scarab beetles marched single file, along the mold lines, and into his bathroom bucket. The murderer started screaming. The lunatic in dungeon seven had flung his own feces over the ceiling rail. It landed in dungeon five and frightened the Puerto Rico Upland gecko. The murderer, of course, was threatening to kill the lunatic. One, two, three, four, five, and turn . . . The man started walking again. It was his only world. The grass had grown thick over the grave of his youth. He was no longer a human being, no longer a man. Prison had entered him, and he had become the prison. He fought this feeling every day. One, two, three, four, five, and turn . . . He was a lawyer, journalist, chemical engineer, and president of the Nationalist Party. He was the first Puerto Rican to graduate from Harvard College and Harvard Law School and spoke six languages. He had served as a first lieutenant in World War I and led a company of two hundred men. He had served as president of the Cosmopolitan Club at Harvard and helped Éamon de Valera draft the constitution of the Free State of Ireland.5 One, two, three, four, five, and turn . . . He would spend twenty-five years in prison—many of them in this dungeon, in the belly of La Princesa. He walked back and forth for decades, with wet towels wrapped around his head. The guards all laughed, declared him insane, and called him El Rey de las Toallas. The King of the Towels. His name was Pedro Albizu Campos.

The next bit is the fairy tale. There’s a day in April when it’s raining. The river is running fast. The girl whose father had died, whose mother raised her in the crooked house by the river, who grew up with that broken part inside where your father has died and which if you’re a girl and your father was Spencer Tracy you can’t fix or unhurt, that girl who yet found in herself some kind of forbearance and strength and was not bitter, whose name was Mary MacCarroll and who was beautiful without truly knowing it and had her mother and father’s dancing and pride in her, that girl walked the riverbank in the April rain. And standing at that place in Shaughnessy’s called Fisher’s Step, where the ground sort of raises a little and sticks out over the Shannon, right there, the place which in The Salmon in Ireland Abraham Swain says salmon pass daily and though it’s treacherous he calls a blessed little spot, right there, looking like a man who had been away a long time and had come back with what in Absalom, Absalom! (Book 1,666, Penguin Classics, London) William Faulkner calls diffident and tentative amazement, as if he’d been through some solitary furnace experience, and come out the other side, standing right there, suntanned face, pale-blue eyes that look like they are peering through smoke, lips pressed together, aged twenty-nine but looking older, back in Ireland less than two weeks, the ocean-motion still in his legs but strangely the river now lending him a river repose, standing right there, was Virgil Swain.

It was simple: we are the storytellers. Imagination in Ireland was beyond the beyond. It was out there. It was Far Out before far out was invented in California, because sitting around in a few centuries of rain breeds these outlands of imagination. As evidence, think of Abraham Stoker, confined to bed until he was eight years old, lying there breathing damp Dublin air with no TV or radio but the heaving wheeze of his chest acting as pretty constant reminder that soon he was heading Elsewhere. Even after he was married to Florence Balcombe of Marino Crescent (she who had an unrivalled talent for choosing the wrong man, who had already given up Oscar Wilde as a lost cause in the Love Department when she met this Bram Stoker and thought: he seems sweet), even after Bram moved to London he couldn’t escape his big dark imaginings in Dublin and one day further down the river he spawned Dracula (Book 123, Norton, New York). Jonathan Swift was only settling into a Chesterfield couch in Dublin when his brain began sailing to Lilliput and Blefuscu (Book 778, Gulliver’s Travels, Jonathan Swift, Penguin, London). Another couple of deluges and he went further, he went to Brobdingnag, Laputa, Bainbarbi, Glubbdubdrib, Luggnagg and . . . Japan, before he went furthest of all, to Houyhnhnms. Read Gulliver’s Travels when you’re sick in bed and you’ll be away. I’m telling you. You’ll be transported, and even as you’re being carried along in the current you’ll think no writer ever went this Far. Something like this could only be dreamt up in Ireland. Charles Dickens recognised that.

Rain in Ireland had been a gentle blessing from the heavens. Here the deluge poured from the skies over Pine Creek Farm as though driven by the devil himself. Whipped by wind, studded with ice, the storm lashed between the mountain peaks, filling him with reckless exhilaration.

carried the Makarov outside to watch the fireworks. Thirty yards beyond the spot where Brendan Magill lay dead was a rock wall running on a north-south axis. Gabriel took cover behind it after a 7.62x39mm round shredded the air a few inches from his right ear. Keller hit the ground next to him as rounds exploded against the stones of the wall, sending sparks and fragments flying. The source of the fire was silenced, so Gabriel had only a vague idea of the direction from which it was coming. He poked his head above the wall to search for a muzzle flash, but another burst of rounds drove him downward. Keller was now crawling northward along the base of the wall. Gabriel followed after him, but stopped when Keller suddenly opened up with the dead man’s AK-47. A distant scream indicated that Keller’s rounds had found their mark, but in an instant they were taking fire from several directions. Gabriel flattened himself on the ground at Keller’s side, the Glock in one hand, the dead man’s phone in the other. After a few seconds he realized it was pulsing with an incoming text. The text was apparently from Eamon Quinn. It read KILL THE GIRL . . . 79 CROSSMAGLEN, SOUTH ARMAGH A MID THE HEAP OF BROKEN and dismembered farm implements in Jimmy Fagan’s shed, Katerina had found a scythe, rusted and caked in mud, a museum piece, perhaps the last scythe in the whole of Ireland, north or south. She held it tightly in her hands and listened to the sound of men pounding up the track at a sprint. Two men, she thought, perhaps three. She positioned herself against the shed’s sliding door. Madeline was at the opposite end of the space, hooded, hands bound, her back to the bales of hay. She was the first and only thing the men would see upon entry. The latch gave way, the door slid open, a gun intruded. Katerina recognized its silhouette: an AK-47 with a suppressor attached to the barrel. She knew it well. It was the first weapon she had ever fired at the camp. The great AK-47! Liberator of the oppressed! The gun was pointed upward at a forty-five-degree angle. Katerina had no choice but to wait until the barrel sank toward Madeline. Then she raised the scythe and swung it with every ounce of strength she had left in her body. Two hundred yards away, crouched behind a stone wall at the western edge of Jimmy Fagan’s property, Gabriel showed the text message to Christopher Keller. Keller immediately poked his head above the wall and saw muzzle flashes in the doorway of the shed. Four flashes, four shots, more than enough to obliterate two lives. A burst of AK-47 fire drove him downward again. Eyes wild, he grabbed Gabriel savagely by the front of his coat and shouted, “Stay here!” Keller hauled himself over the wall and vanished from sight. Gabriel lay there for a few seconds as the rounds rained down on his position. Then suddenly he was on his feet and running across the darkened pasture. Running toward a car in a snowy square in Vienna. Running toward death. The blow that Katerina delivered to the neck of the man holding the AK-47 resulted in a partial decapitation. Even so, he had managed to squeeze off a shot before she wrenched the gun from his grasp—a shot that struck the hay bales a few inches from Madeline’s head. Katerina shoved the dying man aside and quickly fired two shots into the chest of the second man. The fourth shot she fired into the partially decapitated creature twitching at her feet. In the lexicon of the SVR, it was a control shot. It was also a shot of

Dad loved Aeney more than anything, but he couldn’t show it. He just couldn’t. There’s a Code for fathers in Ireland. Maybe it’s everywhere, I don’t know, I haven’t cracked it. My father followed the Code. He was careful about his children, he didn’t want to ruin us though somehow felt sure he would. He thought Aeney and I were marvels but he didn’t want to make a mistake. Maybe he thought Abraham was watching. So he’d probably thought about it for a long time before he came in from the casting and decided he should go fishing with Aeney. Dad could be sudden like that. He couldn’t help it. It’s the nature of Poets. You don’t believe me, look up William Blake, say hello to those impulses, go meet Mr John Donne in a dark church some time, spend a summer’s day with young William Butler, Ace Butterfly-catcher.

What you had in the chronicle of the country then was a few centuries of a game of Rebellion-Betrayal, Rebellion-Betrayal, Uprising Put-Down, and Hope Dashed. The History of Ireland in two words: Ah well. The Invasion by the Vikings: Ah well. The Invasion by the Normans. The Flight of the Earls, Mr Oliver Cromwell. Daniel O’Connell, Robert Emmett, The Famine, Charles Stewart Parnell, Easter Rising, Michael Collins, Éamon De Valera, Éamon De Valera again (Dear Germany, so sorry to learn of the death of your Mr Hitler), Éamon De Valera again, the Troubles, the Tribunals, the Fianna Fáil Party, The Church, the Banks, the eight hundred years of rain: Ah well.

had a hard enough time fitting in back home in Ireland, so what hope did I have in America – with bears and earthquakes and heat waves, spiders, snakes and tornados? The worst I'd seen in Ireland was a daddy-long-legs and a bit of rain. I didn't do Fahrenheit, I was a Celsius girl, and anything over sixteen degrees was too much for me.

It seemed that no matter what we did on the land, no matter how much we worked or how hard we worked or how fervently we prayed, nature’s forces were mostly working against us. We had to offer up a portion of our work and bounty to the heartless gods of rain and wind and frost and snow, to rats and mice and birds and beetles, to foxes and rabbits and hares and snails, to millions of insects of all manner and kind, to tinkers and gypsies and beggers and blight. And still we lived and the battle went on – with God’s unwavering help, as Mom would say.

This is my father’s story. I am writing it to find him. But to get to where you’re going you have to first go backwards. That’s directions in Ireland, it’s also T. S. Eliot. My father was named Virgil by his father who was named Abraham by his father who once upon a time was the Reverend Absalom Swain in Salisbury, Wiltshire. Who the Reverend’s father was I have no clue, but sometimes when I’m on the blue tablets I take off into a game of extreme Who Do You Think You Are? and go Swain-centuries deep. I follow the trail in reverse, Reverends and Bishops, past the pulpit-thumpers, the bible-wavers, the sideburn and eyebrow-growers. I keep going, pass long-ago knights, crusaders and other assorted do-lallies, eventually going as far back as The Flood. Then in the final segment, ad-breaks over and voiceover dropped to a whisper, I trace all the way back to God Himself and say Who Do You Think You Are?

Still, there were days when I wanted to scream in his face that he lived in Ireland, so of course it was going to rain later. It was always going to rain later.

Over and over again, growing increasingly hostile as he went, he blackened the earth, drawing with the magnet of his rage the storm of the bloody century to my demesne. Worms screamed in anguish as they burned. Moles, disturbed from slumber, whimpered once then crumbled to ash. I suffered the soft implosion of larvae not yet formed enough to rue the beauty they were losing; subterranean life in all its dark, earthy grandeur. The occasional burrowing snake hissed defiance as it was seared to death. Sean O’Bannion walks—the earth turns black, barren, and everything in it dies, a dozen feet down. Hell of a princely power. Again, what the fuck was the Unseelie king thinking? Was he? Incensed by failure, Sean insisted hotly, as we stood in the bloody deluge—it wasn’t raining, that scarce-restrained ocean that parked itself above Ireland at the dawn of time and proceeded to leak incessantly, lured by the siren-song of Sean’s broodiness decamped to Scotland and split wide open—that I was either lying or it didn’t work the same for each prince. Patiently (okay, downright pissily, but, for fuck’s sake, I could be having sex again and gave that up to help him), I explained it did work the same for each of us but, because he wasn’t druid-trained, it might take time for him to understand how to tap into it. Like learning to meditate. Such focus doesn’t come easy, nor does it come all at once. Practice is key. He refused to believe me. He stormed thunderously and soddenly off, great ebon wings dripping rivers of water, lightning bolts biting into the earth at his heels, Kat trailing sadly at a safe distance behind. I was raised from birth to be in harmony with the natural world. Humans are the unnatural part of it. Animals lack the passel of idiotic emotions we suffer. I’ve never seen an animal feel sorry for itself. While other children played indoors with games or toys, my da led me deep into the forest and taught me to become part of the infinite web of beating hearts that fill the universe, from the birds in the trees to the insects buzzing about my head, to the fox chasing her cubs up a hillside and into a cool, splashing stream, to the earthworms tunneling blissfully through the vibrant soil. By the age of five, it was hard for me to understand anyone who didn’t feel such things as a part of everyday life. As I matured, when a great horned owl perched nightly in a tree beyond my window, Uncle Dageus taught me to cast myself within it (gently, never usurping) to peer out from its eyes. Life was everywhere, and it was beautiful. Animals, unlike humans, can’t lie. We humans are pros at it, especially when it comes to lying to ourselves.

It was a wet summer, even for Ireland. The sun was out the morning I landed in Dublin and shone again the day I left-and it rained every day in between. When I mentioned this, I was told, "Yes, but it's a dry rain." The Irish have a subtle conception of the truth.

There’s nothing quite like a sunny day in Ireland, Margaret thought, when the clouds have cleared, the threat of rain isn’t imminent, and a breeze gently blows the grasses. She took a deep breath, the scent of seawater and damp earth filling her nose. It smelled like home.

If Ireland’s first historian had been a girl instead of a salmon-boy it would have been a different story. If the man writing it down hadn’t been a saint there’d have been other parts for women besides Goddesses, witches and swans.

Some people waste their smiles by using them too often. Not Patrick. He rarely smiled—but when he did, his face shone like the sun after rain.

My first interviewer, my very first, photographed me. I told him that he was wasting a plate, but he went on and wasted three. Why did he do it? If I were a very beautiful woman I could understand it, though I think it would be a mistake to photograph Venus herself on the gangway of a steamer at eight o'clock in the morning in a downpour of rain.

There's Ireland for you now, McGlynn, all of it. Unending rain rattling the windows, and inside a kindly woman boasting about her clerical relations, and two men drinking whiskey, and outside the rest of the world. If Michelangelo painted the Resurrection on her smoky ceiling she wouldn't give it a look or him a thank-you if her portly cousin His Reverence were within miles of the place. Once upon a time we exported scholars and culture to the Continent. Now we export nothing but beasts and priests, God help us.

This is my father’s story. I am writing it to find him. But to get where you’re going, you have to first go backwards. That’s directions in Ireland, it’s also T.S. Eliot.

One man owns many large mansions adorned with costly marbles, another has not so much as a small hut to keep out the cold and heat. One man has vast territories and unlimited possessions, another has but a little stretch of turf to sit upon and call his own … Are these riches from God? … If God had willed universal inequality, he would have distributed all creation unequally, would not have permitted … equal shares … in the sky, the earth, the elements … Does the rich man enjoy the blessings of fresh air more than the poor man? Does he feel the sun’s heat more keenly or less? When earth receives the gift of rain, do larger drops fall upon the rich man’s field than upon the poor man’s? … What God himself distributes … is shared equally; what we own in unjust inequality is everything whose distribution was entrusted to human control … Is there one law for the rich, another for the poor? … Are the rich reborn from one Baptism, the poor from another? … If God distributes the gifts of flesh and spirit with fully equal affection towards all mankind, it begins to be clear that inequality of wealth is not to be blamed upon the graciousness of God, but upon the iniquity of men.

Fortunately, at that time, Ireland wasn’t in the world. So we weren’t in the World War. Old Roundrims came up with that. Brilliant, really. World War II was toirmiscthe, he said, which people had to look up but basically turned out to be verboten in Irish. Twitter went crazy, saying it was shameful and backward, but back then twitter was only spoken by birds.

An English traveler, James H. Juke, was aghast that a day’s sail could take him from a well-fed nation to an island of the wretched and dying. He saw Irish trying to exist on sand eels, turnip tops and seaweed—“a diet which no one in England would consider fit for the meanest animal which he kept.” The potato blight had not spared England, nor Holland, parts of France and Germany. Their crops also failed. But only in Ireland were people dying en masse. The cause had been planted in the land—not the potato, but English rule that had driven a majority of Irish from ground their ancestors had owned. “The terrifying exactitude of memory,” in Tocqueville’s phrase. Famines had come before, epochs of hunger that killed upwards of 70,000 in the worst case. But this starvation reached across the island—it was now the Great Hunger, an Gorta Mór, with a fatal toll ten times that of the Great Plague of London in 1665. And here was the tragedy: there was plenty of food in Ireland while the people starved. Irish rains produced a prodigious amount of Irish grains. Almost three fourths of the country’s cultivable land was in corn, wheat, oats and barley. The food came from Irish land and Irish labor. But it didn’t go into Irish mouths. About 1.5 billion pounds of grain and other foodstuffs were exported. The natives were hired hands and witnesses to these money crops, grown by Anglo landlords. Same with cattle, sheep and hogs raised within eyesight of the hollow-bellied. Famine-ravaged Ireland exported more beef than any other part of the British Empire.

Feeling obscurely reassured, she turned over and fell asleep. Chapter 6 The next morning Maura was awakened by the tapping of rain against the glass sliding doors. It came as a surprise, but Maura realized it shouldn’t have: it must rain all the time in Ireland, to keep all those fields so green. Still, she was glad she’d had a day of sunshine first. If it had stayed cold and grey, like the day she’d arrived, she might have turned tail and run. She lay listening to the sounds: the rain, of course, but also the clinking of pans and plates in the kitchen above, and the young voices as the Keohane children pounded down the hall and out the door. She thought she heard the rumble of a male voice as well—Ellen’s husband? She didn’t want to move, but she knew Ellen would probably be waiting breakfast on her, and surely her landlady had other things to do today. She checked the clock: 8:00. That meant she’d had no more than six hours of sleep, after a long day yesterday. The night before, Jimmy and Mick had offered her a job at the pub. And by the light of day she still thought she wanted it. She could stay longer. It wouldn’t be much of a vacation, working all the time, but she’d never had any vacations anyway, so nothing new there. She wouldn’t be seeing much of Ireland, but she’d never been a fan of touristy things back home in Boston, and she didn’t plan to join groups of gawping tourists here. And she’d get to know some real people. But there were a lot of things that were murky, starting with how long Jimmy

Wendell pushed the door open. Light. It was full morning, and my vision flooded with color. Primarily green, but there was also the yellow of moss and lichened stone, the violet of bluebells clustered at the edge of the forest, the gold of sunbeams, and the rich azure of the sky. The door opened onto a hill in a small clearing, beyond which a wall of trees nodded their boughs in the wind, as if in greeting. The air was wet from a recent rain and heavy with the smell of green and growing things--- all as I remembered.