Iranian Food Quotes

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Alcohol makes other people less tedious, and food less bland, and can help provide what the Greeks called entheos, or the slight buzz of inspiration when reading or writing. The only worthwhile miracle in the New Testament—the transmutation of water into wine during the wedding at Cana—is a tribute to the persistence of Hellenism in an otherwise austere Judaea. The same applies to the seder at Passover, which is obviously modeled on the Platonic symposium: questions are asked (especially of the young) while wine is circulated. No better form of sodality has ever been devised: at Oxford one was positively expected to take wine during tutorials. The tongue must be untied. It's not a coincidence that Omar Khayyam, rebuking and ridiculing the stone-faced Iranian mullahs of his time, pointed to the value of the grape as a mockery of their joyless and sterile regime. Visiting today's Iran, I was delighted to find that citizens made a point of defying the clerical ban on booze, keeping it in their homes for visitors even if they didn't particularly take to it themselves, and bootlegging it with great brio and ingenuity. These small revolutions affirm the human.
Christopher Hitchens (Hitch 22: A Memoir)
The Japanese have a saying that for every new food we try, we gain seven days of life. I may be immortal by now.
Firoozeh Dumas (Laughing Without an Accent: Adventures of an Iranian American, at Home and Abroad)
A Persian, a Turk, an Arab, and a Greek were traveling to a distant land when they began arguing over how to spend the single coin they possessed among themselves. All four craved food, but the Persian wanted to spend the coin on angur; the Turk, on uzum; the Arab, on inab; and the Greek, on stafil. The argument became heated as each man insisted on having what he desired. A linguist passing by overheard their quarrel. “Give the coin to me,” he said. “I undertake to satisfy the desires of all of you.” Taking the coin, the linguist went to a nearby shop and bought four small bunches of grapes. He then returned to the men and gave them each a bunch. “This is my angur!” cried the Persian. “But this is what I call uzum,” replied the Turk. “You have brought me my inab,” the Arab said. “No! This in my language is stafil,” said the Greek. All of a sudden, the men realized that what each of them had desired was in fact the same thing, only they did not know how to express themselves to each other. The four travelers represent humanity in its search for an inner spiritual need it cannot define and which it expresses in different ways. The linguist is the Sufi, who enlightens humanity to the fact that what it seeks (its religions), though called by different names, are in reality one identical thing. However—and this is the most important aspect of the parable—the linguist can offer the travelers only the grapes and nothing more. He cannot offer them wine, which is the essence of the fruit. In other words, human beings cannot be given the secret of ultimate reality, for such knowledge cannot be shared, but must be experienced through an arduous inner journey toward self-annihilation. As the transcendent Iranian poet, Saadi of Shiraz, wrote, I am a dreamer who is mute, And the people are deaf. I am unable to say, And they are unable to hear.
Reza Aslan (No God But God: The Origins, Evolution and Future of Islam)
Don't wait for that special occasion. Today, tomorrow, and every day are special occasions. Use your saffron. She's worth it, and you're worth it.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
Despite a few exceptions, I have found that Americans are now far more willing to learn new names, just as they're far more willing to try new ethnic foods... It's like adding a few new spices to the kitchen pantry.
Firoozeh Dumas (Funny in Farsi: A Memoir of Growing Up Iranian in America)
There was shish-kabob for lunch, huge, savory hunks of spitted meat sizzling like the devil over charcoal after marinating seventy-two hours in a secret mixture Milo had stolen from a crooked trader in the Levant, served with Iranian rice and asparagus tips Parmesan, followed by cherries jubilee for dessert and then steaming cups of fresh coffee with Benedictine and brandy.
Joseph Heller (Catch-22)
. . . there we pause. Mother and daughter at the rice pot. Tradition, culture, and the meaning of life contained in this one critical moment.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
Rice is the crown jewel of Persian cuisine.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
Sometimes I take her food from the Iranian restaurant she and Ollie liked—the Sunny Acres kitchen staff is happy to warm it up—and sometimes I bring her a DVD or two. She likes the oldies, like with Fred Astaire and Ginger Rogers. I always bring her something, and she’s always happy to see me. On her good days she does see me. On her bad ones, she’s apt to call me Olivia. Or Charlotte. That’s my aunt. I also have an uncle.
Stephen King (Mr. Mercedes (Bill Hodges Trilogy, #1))
Naan (the Persian word for "bread") at the table is not only a constant companion but a revered guest. Wheat is considered sacred, a symbol of life and the beginnings of civilization. Not a single crumb is ever to be wasted and should always be repurposed.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
These are the kinds of stews that bring us running to the family table. Whether the table is firmly planted in its destined place or lingering somewhere in between. The kind of stew that bridges the path to a new continent, a new country, a new life, a new kitchen with its own stories to tell.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
Scatter the herbs across the table, sit together, and pick off the tender stems and leaves. There is a meditative rhythm and ritual to it all. It's one of those rare times we are asked to slow down, and we are able to converse, to commiserate, to gossip, to air out grievances, to share secrets and dreams. Life happens in these spaces, amid a field of greens.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
When I first moved out on my own, whenever my mom visited she would fill my freezer with individual containers of various stews, kookoo [Persian frittatas], aash [soups], and rice dishes.... These days when I visit my mom, I try to fill her freezer with some of these same favorites. The cycle always comes full circle. Hopefully with a packed freezer ready to serve, feed, and comfort.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
Then just when I thought I was going to really break down for a good cry, I remembered a large bag of pistachio nuts in the back of the pantry. I don't know what made me think of them. I had hidden them beneath several packages of dried pasta. Sam liked pistachio nuts. I bought them for a cake recipe I had seen in Gourmet. I stood up like a sleepwalker, my hands empty of sheets or shoes. I would take care of all this once the cake was in the oven. The recipe was from several months ago. I didn't remember which issue. I would find it. I would bake a cake. My father liked exotic things. On the rare occasions we went out to dinner together over the years, he always wanted us to go to some little Ethiopian restaurant down a back alley or he would say he had to have Mongolian food. He would like this cake. It was Iranian. There was a full tablespoon of cardamom sifted in with the flour, and I could imagine that it would make the cake taste nearly peppered, which would serve to balance out all the salt. I stood in the kitchen, reading the magazine while the sharp husks of the nuts bit into the pads of my fingers. I rolled the nut meat between my palms until the bright spring green of the pistachios shone in my hands, a fist full of emeralds. I would grind the nuts into powder without letting them turn to paste. I would butter the parchment paper and line the bottom of the pan. It was the steps, the clear and simple rules baking, that soothed me. My father would love this cake, and my mother would find this cake interesting, and Sam wouldn't be crazy about it but he'd be hungry and have a slice anyway. Maybe I could convince Camille it wasn't a cake at all. Maybe I could bring them all together, or at least that's what I dreamed about while I measured out the oil.
Jeanne Ray (Eat Cake)
The cuisine of Northern Iran, overlooked and underrated, is unlike most Persian food in that it's unfussy and lighthearted as the people from that region. The fertile seaside villages of Mazandaran and Rasht, where Soli grew up before moving to the congested capital, were lush with orchards and rice fields. His father had cultivated citrus trees and the family was raised on the fruits and grains they harvested. Alone in the kitchen, without Zod's supervision, he found himself turning to the wholesome food of his childhood, not only for the comfort the simple compositions offered, but because it was what he knew so well as he set about preparing a homecoming feast for Zod's only son. He pulled two kilos of fava beans from the freezer. Gathered last May, shucked and peeled on a quiet afternoon, they defrosted in a colander for a layered frittata his mother used to make with fistfuls of dill and sprinkled with sea salt. One flat of pale green figs and a bushel of new harvest walnuts were tied to the back of his scooter, along with two crates of pomegranates- half to squeeze for fresh morning juice and the other to split and seed for rice-and-meatball soup. Three fat chickens pecked in the yard, unaware of their destiny as he sharpened his cleaver. Tomorrow they would braise in a rich, tangy stew with sour red plums, their hearts and livers skewered and grilled, then wrapped in sheets of lavash with bouquets of tarragon and mint. Basmati rice soaked in salted water to be steamed with green garlic and mounds of finely chopped parsley and cilantro, then served with a whole roasted, eight kilo white fish stuffed with barberries, pistachios, and lime. On the farthest burner, whole bitter oranges bobbed in blossom syrup, to accompany rice pudding, next to a simmering pot of figs studded with cardamom pods for preserves.
Donia Bijan (The Last Days of Café Leila)
You are claiming that the Soviet authorities began and influenced the existence of the Democratic Party [in Iran]. That is the basis of all your statements. The simplest way to discredit your absurd claim si to tell you about Iran, of which you are apparently ignorant. The people of Iran are oppressed, poverty-stricken, and miserable with hunger and disease. Their death rate is among the highest in the world, and their infant mortality rate threatens Iran with complete extinction. They are ruled without choice by feudalistic landowners, ruthless Khans, and venal industrialists. The peasants are slaves and the workers are paid a few pennies for a twelve hour day--not enough to keep their families in food. I can quote you all the figures you like to support these statements, quote them if necessary from British sources. I can also quote you the figures of wealth which is taken out of Iran yearly by the Anglo-Iranian Oil Company, of which the British Governemtn is the largest shareholder. 200 million pounds sterling have been taken out of Iran by your Oil company: a hundred times the total amount of Iran's national income and ten thousand times the total national income of the working people of Iran. By such natural resources as oil, Iran is by nature one of the wealthiest countries on earth. That wealth goes to Britain, while Iran remains poverty-ridden and without economic stability at all. It has no wage policies, no real trade unions, few hospitals, no sanitation and drainage, no irrigation, no proper housing, and no adequate road system. Its people have no rights before the law; their franchise in non-existent, and their parliamentary rights are destroyed by the corrupt method of election and political choice. The Iranian people suffer the terrors of a police regime, and they are prey to the manipulations of the grain speculators and the money operators. The racial minorities suffer discrimination and intolerance, and religious minorities are persecuted for political ends. Banditry threatens the mountain districts, and British arms have been used to support one tribe against another. I could go on indefinitely, painting you a picture of misery and starvation and imprisonment and subjection which must shame any human being capable of hearing it. Yet you say that the existence of a Democratic Party in Iran has been created by the Soviet authorities. You underestimate the Iranian people, Lord Essex! The Democratic Party has arisen out of all this misery and subjection as a force against corruption and oppression. Until now the Iranian people have been unable to create a political party because the police system prevented by terror and assassination. Any attempt to organize the workers and peasants was quickly halted by the execution of party leaders and the vast imprisonment of its followers. The Iranian people, however, have a long record of struggle and persistence, and they do not have to be told by the Soviet Union where their interests lie. They are not stupid and they are not utterly destroyed. They still posses the will to organize a democratic body and follow it into paths of Government. The Soviet Union has simply made sure that the police assassins did not interfere.... To talk of our part in 'creating' the democratic movement is an insult to the people and a sign of ignorance. We do not underestimate the Iranian people, and as far as we are concerned the Democratic Party...belongs to the people. It is their creation and their right, and it cannot be broken by wild charges which accuse the Soviet Union of its birth. We did not create it, and we have not interfered in the affairs of Iran. On the contrary, it is the British Government which has interfered continuously and viciously in Iran's affairs.
James Aldridge (The Diplomat)
I’d noticed that in Britain and America the word Persian is generally used for the ‘nice’ things: Persian carpets, Persian food and restaurants, poetry and art, that kind of thing. But when it comes to talking about politics, and say, the nuclear programme or human rights, anything that the western media considers intimidating or distasteful, then it’s ‘Iran’ and ‘Iranian’.
Lois Pryce (Revolutionary Ride: On the Road in Search of the Real Iran)
They sat around the dining table looking innocuous as they awaited my chilled avocado soup. The mango-cilantro salsa made a colorful garnish. But when I brought it out to the table, Todd, the painter, said he was allergic to mangoes, and Carlos from Guadalajara hated cilantro. How could a Mexican hate cilantro, I thought as I spooned out the garnish from Carlos’s bowl. Margo, the macrobiotic, wouldn’t eat avocado since it wasn’t native to the Northeast, and Robert, the banker on the Pritikin diet, was banned from eating it because it was high in fat. Things got progressively worse. Niloufer, the daughter of a Turkish diplomat, took one look at my dolma and said, “That doesn’t look like the ones my grandmother made.” Reza, the Iranian consultant, announced that he wouldn’t eat Turkish food, since his ancestors were murdered by Turks. Todd, I discovered, was allergic not only to mangoes but also to cabbage. He was the only one in the group who touched my umeboshi-cranberry sauce, which the entire group pronounced inedible. Olivia, my fashionable Italian friend, stated that she “simply couldn’t” eat the pine nuts that I had liberally included in my dolma stuffing, and spent the entire meal scratching her plate to spot and discard the offenders. With each dish, I had to recite its ingredients in excruciating detail and answer questions—had I used stone-ground flour? Was the produce organic (it wasn’t)? —all of which determined who would deign to eat my delicacies.
Shoba Narayan (Monsoon Diary: A Memoir with Recipes)
Growing up it seemed like all Iranians naturally knew which foods fell into which category, and meals were subconsciously, or at times consciously, due to illness or the weather, designed around this hot and cold concept. Out of respect to the scientists and doctors in our family I will say that none of this is based on hard science, but even the doctors in the family agree that if it brings comfort (like a warm bowl of. . . soup), then that is all the more reason to embrace it.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
No matter what, there will always be tahdig. It's who we are. It's where we come from.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
Come dinnertime, we could always rely on the permanent fixture of two pots, standing at attention, prepared for their marching orders.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
. . . Baba filled the void the only way he could think of: a faceoff with the two-burner stove, the two pots, and a heaping bag of sabzi--fresh herbs. The permanent lumps lodged in our throats were temporarily soothed by a steaming pot of khoresh ghormeh sabzi--fresh herb stew. The royalty of all Persian stews.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
So we improvised and made do, substituting where possible, always with an eye out for the postman and packages from Iran. Packages bursting with dried herbs and spices, well-traveled scents and secrets from home. Envelopes with a few perfunctory words from family (lest officials be monitoring them) and a photograph or two pulled from all the picture albums that were left behind. Substitutes for all the loved ones that were left behind.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
He got to Tajrish Square. He had given instructions to Tara to be right next to the jigar forooshi, a liver and kidney store, a delicacy Iranians have been delighting in for centuries. The real Liver King resides in Iran. Not on TikTok. The authentic liver kings and queens have known about the health benefits of eating raw organs for thousands of years.
Soroosh Shahrivar (Tajrish)
Iranians love nothing more than an excuse to gather outdoors, preferably next to a body of water, be it a fountain, river, lake, or sea, with plenty of food, drink, and slices of kookoo--Iranian-style frittatas--nestled in warm pieces of bread.
Naz Deravian (Bottom of the Pot: Persian Recipes and Stories)
I started in our neighborhood, buying a pastrami burrito at Oki Dog and a deluxe gardenburger at Astro Burger and matzoh-ball soup at Greenblatt's and some greasy egg rolls at the Formosa. In part funny, and rigid, and sleepy, and angry. People. Then I made concentric circles outward, reaching first to Canter's and Pink's, then rippling farther, tofu at Yabu and mole at Alegria and sugok at Marouch; the sweet-corn salad at Casbah in Silver Lake and Rae's charbroiled burgers on Pico and the garlicky hummus at Carousel in Glendale. I ate an enormous range of food, and mood. Many favorites showed up- families who had traveled far and whose dishes were steeped with the trials of passageways. An Iranian cafe near Ohio and Westwood had such a rich grief in the lamb shank that I could eat it all without doing any of my tricks- side of the mouth, ingredient tracking, fast-chew and swallow. Being there was like having a good cry, the clearing of the air after weight has been held. I asked the waiter if I could thank the chef, and he led me to the back, where a very ordinary-looking woman with gray hair in a practical layered cut tossed translucent onions in a fry pan and shook my hand. Her face was steady, faintly sweaty from the warmth of the kitchen. Glad you liked it, she said, as she added a pinch of saffron to the pan. Old family recipe, she said. No trembling in her voice, no tears streaking down her face.
Aimee Bender (The Particular Sadness of Lemon Cake)
What is the best thing you've ever eaten?" Poulet rôti. I was sure that my mother was going to say the poulet rôti from L'Ami Louise in Paris because she'd sat next to Jacques Chirac there and he'd said that since she was a chef, perhaps she would cook something for him. And so she did. She went right back into the kitchen and whipped up something fabulous. After that, they used goose as well as duck fat when frying their potatoes, because it had been her way. I mouthed Poulet rôti into the pillow. But my mother was quiet. She could have made conversation, little noises while she was thinking. But she didn't. Lou didn't care. "Masgouf," she said. "From an Iraqi restaurant that's closed now." I sat up. I opened my mouth. I almost yelled, What? But she was still talking. "I went there with her dad years and years ago." I imagined her jerking her thumb in the direction of my room. "The company was like watching paint dry, but the food was fantastic. Out of this world." "And?" Lou said. "And," my mother said, "I went back a couple of years ago, just to see, and it was closed up. Totally empty and sad. One silver tray sat in the middle of the place, I remember. Broke my heart to pieces." "Masgouf?" Lou said. I was already out of bed, sockless and by the bookshelf, ripping through the index of The Joy of Cooking, then Cook Everything, then, finally, Recipes from All Over. I found it. "'Traditional Iraqi fish dish, grilled with tamarind and/or lemon, salt, and pepper,'" I whispered, shocked. "It was heaven," my mother said. "Literally heaven. I've tried to replicate it, I can't tell you how many times." For a second, I saw spots. I would have bet my life on it- on the poulet rôti. "You know how they say that life imitates art?" my mother said. "Well, life imitated masgouf. The fish was so good, so tender, and we ate it with our fingers. For a little while, I convinced myself that life could be so simple." Which meant happiness. Masgouf was my mother's happiness.
Jessica Soffer (Tomorrow There Will Be Apricots)
She opens her schoolbook to a lesson called "A Day In London", curls up beside me and rests her head on my shoulder...I read, "We are in London. It rains. It is very cold. Everyone is sad because the weather is dreadful. Churches are empty, but shops are full. Most people drive cars, but they are very expensive. Many people are without food. The Queen wears much jewellery.
Alison Wearing (Honeymoon in Purdah: An Iranian Journey)
At only nine in the morning the kitchen was already pregnant to its capacity, every crevice and countertop overtaken by Marjan's gourmet creations. Marinating vegetables ('torshis' of mango, eggplant, and the regular seven-spice variety), packed to the briny brims of five-gallon see-through canisters, sat on the kitchen island. Large blue bowls were filled with salads (angelica lentil, tomato, cucumber and mint, and Persian fried chicken), 'dolmeh,' and dips (cheese and walnut, yogurt and cucumber, baba ghanoush, and spicy hummus), which, along with feta, Stilton, and cheddar cheeses, were covered and stacked in the enormous glass-door refrigerator. Opposite the refrigerator stood the colossal brick bread oven. Baking away in its domed belly was the last of the 'sangak' bread loaves, three feet long and counting, rising in golden crests and graced with scatterings of poppy and nigella seed. The rest of the bread (paper-thin 'lavash,' crusty 'barbari,' slabs of 'sangak' as well as the usual white sliced loaf) was already covered with comforting cheesecloth to keep the freshness in. And simmering on the stove, under Marjan's loving orders, was a small pot of white onion soup (not to be mistaken for the French variety, for this version boasts dried fenugreek leaves and pomegranate paste), the last pot of red lentil soup, and a larger pot of 'abgusht.' An extravaganza of lamb, split peas, and potatoes, 'abgusht' always reminded Marjan of early spring nights in Iran, when the cherry blossoms still shivered with late frosts and the piping samovars helped wash down the saffron and dried lime aftertaste with strong, black Darjeeling tea.
Marsha Mehran (Pomegranate Soup (Babylon Café #1))