Investigator Detective Quotes

We've searched our database for all the quotes and captions related to Investigator Detective. Here they are! All 100 of them:

Investigation?" Isabelle laughed. "Now we're detectives? Maybe we should all have code names." "Good idea," said Jace. "I shall be Baron Hotschaft Von Hugenstein.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
She must feel like Lucifer’s frigid breath is running down the back of her delicate neck.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
You sound like you’re enjoying my suffering.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
Her growing possessiveness felt both good and bad.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
The verdict got both the fish and me off the hook.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
I watched her undress with moonlight shivering across the room from behind sheer curtains that moved with the currents from the hearth fire.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
I knew I rode a rugged crest of turmoil that might crash on the rocky shore of irrational behavior.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
What the hell, if you are going to roll the dice with Lucifer, I say go the distance.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
Death rides on all of our shoulders from the day we are born.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
I swallowed a sigh since, truthfully, I was glad she found the cabin.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
The final sound of the rifle shot bounced around the lake.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
It was as if we played chess after denying me both bishops and knights.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
The steps leading to the porch looked worn, cracked, and unpainted, ready for a nice hot fire.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
Death is the ultimate test of faith.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
A look of absolute terror locked onto her features.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
Mary’s hands clenched. She’d been through fire, what with a murder, and white supremacists. And what about Caroline, who had gone undercover to rescue the Scroll’s Key Keeper? Where were the College’s thanks for that?
Susan Rowland (The Alchemy Fire Murder: a Mary Wandwalker Mystery)
You know my method. It is founded upon the observation of trifles.
Arthur Conan Doyle (The Boscombe Valley Mystery - a Sherlock Holmes Short Story)
Listen, you might as well learn now that life’s nothin’ but a dirt sandwich and save yourself a lot of time.
A.G. Russo (O'SHAUGHNESSY INVESTIGATIONS, INC.: The Cases Nobody Wanted)
She’s a cop’s wife. She understands what her husband does for a living,” the priest said.
A.G. Russo (O'SHAUGHNESSY INVESTIGATIONS, INC.: The Cases Nobody Wanted)
You know my methods. Apply them.
Arthur Conan Doyle (The Sign of Four (Sherlock Holmes, #2))
When those we care about are weakest, that’s when we must be strong for them.
A.G. Russo (O'SHAUGHNESSY INVESTIGATIONS, INC.: The Cases Nobody Wanted)
Yes it is,' said the Professor. 'Wait—' he motioned to Richard, who was about to go out again and investigate— 'let it be. It won't be long.' Richard stared in disbelief. 'You say there's a horse in your bathroom, and all you can do is stand there naming Beatles songs?' The Professor looked blankly at him.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
"One cannot be a mother without first being a person; family, husband, and children should not be allowed, as is so often the case, to steal a woman’s selfhood and her dreams." Mother to Sherlock, Mycroft, and Enola Holmes by author Nancy Springer
Vannessa Anderson
It seems to me that you have two options: hide the fact that anything happened, or hide the fact that you had anything to do with it.
Keigo Higashino (The Devotion of Suspect X (Detective Galileo, #1))
Most investigators don't even know what the word means. You stop the cops from using informants and the only crimes they'd ever solve would be those by deranged postal workers who come to work once too often.
Andrew Vachss (False Allegations (Burke, #9))
Blackstone's Police Operational Handbook recommends the ABC of serious investigation: Assume nothing, Believe nothing, and Check everything.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Christianity is a statement which, if false, is of no importance, and, if true, is of infinite importance. The one thing it cannot be is moderately important.
J. Warner Wallace (Cold-Case Christianity: A Homicide Detective Investigates the Claims of the Gospels)
It's very good of you--" "No, no, not at all. It's my hobby. Not proposing to people, I don't mean, but investigating things. Well, cheer-frightfully-ho and all that. And I'll call again, if I may." "I will give the footman orders to admit you," said the prisoner, gravely, "you will always find me at home.
Dorothy L. Sayers (Strong Poison (Lord Peter Wimsey, #6))
This is Detective Ashford Ishikawa. Who am I speaking with?” “My name is Jack Ludefance. I’m a private investigator from Santa Rosaria and I’ve been retained by Cindy Hastings through her lawyer, Mr. Hooks, to investigate her father’s murder. Is there way we can get together to talk?” “Why? What are we going to talk about, Mr. Ludefance?” “As I said, Detective Ishikawa, I’ve been hired to investigate the case. I’ve read the police reports. My hat is off to you. Very thorough work.” “Just doing my job. If you’ve read them, and I won’t ask how you got them, I’ll ask you again, what is there for us to talk about?” “Detective, I’m not trying to do your job and I’m not asking you to do my job. This is of mutual interest to both of us. The sooner we solve the crime the better, yes? Think of it this way. I’m your helper.
Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
That's like leaping off a precipice and trying to knit yourself a parachute on the way down.
Kelli Jae Baeli (Also Known as Armchair Detective (AKA Investigations, #1))
Peter! Were you looking for a horse-shoe?" "No; I was expecting the horse, but the shoe is a piece of pure, gorgeous luck." "And observation. I found it." "You did. And I could kiss you for it. You need not shrink and tremble. I am not going to do it. When I kiss you, it will be an important event -- one of those things which stand out among their surroundings like the first time you tasted li-chee. It will not be an unimportant sideshow attached to a detective investigation.
Dorothy L. Sayers (Have His Carcase (Lord Peter Wimsey, #7))
Perhaps this is the purpose of detective investigations, real and fictional -- to transform sensation, horror and grief into a puzzle, and then to solve the puzzle, to make it go away. 'The detective story,' observed Raymond Chandler in 1949, 'is a tragedy with a happy ending.' A storybook detective starts by confronting us with a murder and ends by absolving us of it. He clears us of guilt. He relieves us of uncertainty. He removes us from the presence of death.
Kate Summerscale (The Suspicions of Mr. Whicher: Murder and the Undoing of a Great Victorian Detective)
This is one of the great charms of Poirot’s investigations, for they reveal a world where manners and morals are quite different from today. There are no overt and unnecessary sex scenes, no alcoholic, haunted detectives in Poirot’s world. He lives in a simpler, some would say more human, era: a lost England, seen through the admiring eyes of this foreigner, this little Belgian detective.
David Suchet (Poirot and Me)
The joey, large-eyed and gangly in the way of almost all young animals, frisked about. He – she – it (Saskia couldn’t tell what sex) batted its front paws at its mother – who straightened from her feeding with a look of resigned patience to fend off the tiny fists before reaching out and enfolding the youngster in her arms. The joey melted into her embrace, touching its nose against her mouth. Saskia took several photos, letting out a small “oooh!” at the cuteness of the interaction. The youngster hopped away and leapt into the air with twists that could be for no other reason than the joy of doing them. Suddenly, it returned to the doe and, once again, interrupted her grazing by thrusting its head into her pouch.
Miriam Verbeek (The Forest: A new Saskia van Essen crime mystery thriller (Saskia van Essen mysteries))
Tolerance used to be the attitude that we took toward one another when we disagreed about an important issue; we would agree to treat each other with respect, even though we refused to embrace each other’s view on a particular topic. Tolerance is now the act of recognizing and embracing all views as equally valuable and true, even though they often make opposite truth claims.
J. Warner Wallace (Cold-Case Christianity: A Homicide Detective Investigates the Claims of the Gospels)
He told me he was used to getting what he wanted.
Celia Conrad (A Model Murder (Alicia Allen Investigates Trilogy #1))
The truth must be quite plain, if one could just clear away the litter.
Agatha Christie (A Caribbean Mystery (Miss Marple, #10))
We need a bigger gun.” “We need a shower,” Raphael said. “Gun first. Shower later.” Ten minutes later I walked into the Order’s office. A group of knights standing in the hallway turned at my approach: Mauro, the huge Samoan knight; Tobias, as usual dapper; and Gene, the seasoned former Georgia Bureau of Investigations detective. They looked at me. The conversation died. My clothes were torn and bloody. Soot stained my skin. My hair stuck out in clumps caked with dirt and blood. The reek of a dead cat emanated from me in a foul cloud. I walked past them into the armory, opened the glass case, took Boom Baby out, grabbed a box of Silver Hawk cartridges, and walked out. Nobody said a thing.
Ilona Andrews (Magic Mourns (World of Kate Daniels, #3.5; Andrea Nash, #0.5))
Being a homicide detective can be the loneliest job in the world. The friends of the victim are upset and in despair, but sooner or later - after weeks or months - they go back to their everyday lives. For the closest family it takes longer, but for the most part, to some degree, they too get over the grieving and despair. Life has to go on; it does go on. But the unsolved murders keep gnawing away and in the end there's only one person left who thinks night and day about the victim: it's the office who is left with the investigation.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
The name's Clem Williamson Snide. I am a private asshole.
William S. Burroughs
The Metropolitan Police has a very straightforward approach to murder investigations, not for them the detective’s gut instinct or the intricate logical deductions of the sleuth savant. No, what the Met likes to do is throw a shitload of manpower at the problem and run down every single lead until it is exhausted, the murderer is caught or the senior investigating officer dies of old age.
Ben Aaronovitch (Whispers Under Ground (Rivers of London, #3))
I do not know whether it came from his own innate depravity or from the promptings of his master, but he was rude enough to set a dog at me. Neither dog nor man liked the look of my stick, however, and the matter fell through. Relations were strained after that, and further inquiries out of the question.
Arthur Conan Doyle (The Return of Sherlock Holmes (Sherlock Holmes, #6))
Some day I would like to write a textbook on how to be a female detective in a man's world. Rule Number One: try not to let your animosity show. Your career as an investigator will be short lived if you cannot hide your feelings when you dislike, distrust, or despise your interviewee.
Frances Brody (Dying in the Wool (Kate Shackleton, #1))
If skeptics were willing to give the Gospels the same 'benefit of the doubt' they are willing to give other ancient documents, the Gospels would easily pass the test of authorship.
J. Warner Wallace (Cold-Case Christianity: A Homicide Detective Investigates the Claims of the Gospels)
At one point during the Holmes investigation Chicago's chief of police told a Tribune reporter he'd just as soon have a squad of reporters under his command as detectives.
Erik Larson (The Devil in the White City)
a philosophy borrowed from the long-suffering Scots, that there is no such thing as bad weather, only the wrong clothes. 
Bruce Beckham (Murder in the Mind (Detective Inspector Skelgill Investigates Book 6))
I would say I’m cautiously pessimistic about our chances.
Phil Hall (Murder O'clock (Inspector Bee Thrillers))
Just here taking a closer look.
Khayri R.R. Woulfe
Some girls work in shops or sell flowers. Some girls find husbands and play house. I assist a mad detective in investigating unexplained phenomena—like fish that ought to be cats but seem to have forgotten how. My name is Abigail Rook, and this is what I do.
William Ritter (Beastly Bones (Jackaby, #2))
Biased people are seen as prejudicial and unfair, arrogant and overly confident of their position. Nobody wants to be identified as someone who is biased or opinionated. But make no mistake about it, all of us have a point of view; all of us hold opinions and ideas that color the way we see the world. Anyone who tells you that he (or she) is completely objective and devoid of presuppositions has another more important problem: that person is either astonishingly naive or a liar.
J. Warner Wallace (Cold-Case Christianity: A Homicide Detective Investigates the Claims of the Gospels)
Natalie North thought she was all that. He wouldn’t let a good looking private detective take him down. Time to turn the tables, shut this Miss Natalie North up.
Nancy Mangano (Deadly Decisions)
In a culture where image is more important than information, style more important than substance it is not enough to possess the truth. [Christian] case makers must also master the media.
J. Warner Wallace (Cold-Case Christianity: A Homicide Detective Investigates the Claims of the Gospels)
There were no footmarks.' 'Meaning that you saw none?' 'I assure you, sir, that there were none.' 'My good Hopkins, I have investigated many crimes, but I have never yet seen one which was committed by a flying creature. As long as the criminal remains upon two legs so long must there be some indentation, some abrasion, some trifling displacement which can be detected by the scientific searcher.
Arthur Conan Doyle (The Return of Sherlock Holmes (Sherlock Holmes, #6))
The question is not whether or not we have ideas, opinions, or preexisting points of view; the question is whether or not we will allow these perspectives to prevent us from examining the evidence objectively.
J. Warner Wallace (Cold-Case Christianity: A Homicide Detective Investigates the Claims of the Gospels)
Wow,” he said, his voice as sarcastic as before. “I had no idea I was related to such an accomplished detective. Is that where you were the past couple of days? Doing undercover work? Tell me, Detective Oliviera, what else did you and your CSI team learn during your amazing investigation?” “She learned,” Mr. Liu said, taking a menacing step forward, “that boys who smart off to ladies often get slapped.
Meg Cabot (Underworld (Abandon, #2))
Sometimes a girl's gotta be bad to be good. Murder in the Dog Park
Jill Yesko
Sometimes it’s not worth questioning authority because it usually won’t know the answer.
Patrick Thomas (Rites Of Passage: The Department of Mystic Affairs Casefiles of Agent Karver (featuring Detective Bianca Jones): Mystic Investigators Book 6)
When we devote ourselves to this rational preparation and study, we are worshipping God with our mind, the very thing He has called us to do (Matt. 22:37).
J. Warner Wallace (Cold-Case Christianity: A Homicide Detective Investigates the Claims of the Gospels)
Our effort was mocked by some police supervisors: has the computer caught Ted yet?
Robert D. Keppel (The Riverman: Ted Bundy and I Hunt for the Green River Killer)
Dearly beloved, avenge not yourselves, but rather give place unto wrath: for it is written, Vengeance is mine; I will repay, saith the Lord. Romans 12:19 King James Version What most people don’t seem to understand is that sometimes, He subcontracts the work! Detective-Investigator Louis Martelli, NYPD
Theodore Jerome Cohen (Night Shadows (Martelli NYPD, #4))
If you’re going to talk to him,” she said, “you should at least have me tag along.” “Hmm. In this case, I think it might be better if I didn’t have a cop with me.” She sighed. “Fine. Just promise me you’re not going to get yourself killed, okay?” “Cross my heart and hope to die,” I said. “Not funny. Seriously, this guy isn’t like the low-level whack jobs we usually deal with. He’s smart, he’s ruthless, and he’s very, very powerful.” “Okay, okay.
Scott William Carter (Ghost Detective (Myron Vale Investigations, #1))
While we are often willing to spend time reading the Bible, praying, or participating in church programs and services, few of us recognize the importance of becoming good Christian case makers.
J. Warner Wallace (Cold-Case Christianity: A Homicide Detective Investigates the Claims of the Gospels)
The detective thinks he is investigating a murder or a missing girl. But truly he is investigating something else altogether, something he cannot grasp hold of directly. Satisfaction will be rare. Uncertainty will be your natural state. Sureness will always elude you. The detective will always circle around what he wants, never seeing it whole. We do not go on despite this. We go on because of it.
Sara Gran (Claire DeWitt and the City of the Dead (Claire DeWitt Mysteries, #1))
Follow my lead, Miss Rook," Jackaby said, rapping on the ornately trimmed door to 1206 Campbell Street. Were my employer a standard private investigator, those might have been simple instructions, but in the time I've been his assistant, I've found very little about Jackaby to be standard. Following his lead tends to call for a somewhat flexible relationship with reality.
William Ritter (Beastly Bones (Jackaby, #2))
There’s no understanding the power of a mother, of Zana in particular, because she was the only one who didn’t swallow the story of the English bank. When a son’s fate is at stake, no detective in the world can find more clues than a mother.
Fábio Moon (Two Brothers)
I don't believe for one moment that I killed him [...] But if I didn't, somebody else did. I must appoint myself Investigator. I must catch this malefactor, this pig. And if at any time it looks as if I am going to catch myself, I can always accept my resignation.
Pamela Branch (Lion in the Cellar)
My grandfather always said a sudden shiver meant someone had just stepped on the spot where your grave would be.
Richard Bowes (Weird Detectives: Recent Investigations)
must explain Henry early, to avoid disappointment. If I simply said he was a detective, and let it go at that, I should be obtaining the reader's interest under false pretences. He was really only a sort of detective, a species of sleuth. At Stafford's International Investigation Bureau, in the Strand,
P.G. Wodehouse (The Man with Two Left Feet and Other Stories (Jeeves, #0.5))
I love this book. When other U.S. reporters were licking Ken Lay's loafers, Leopold went for Enron's thieving throat. Leopold is a journalist who insists on real investigative reporting–inside documents, inside sources, hard knife-in-the-gut evidence–detective-style reporting that is just about illegal in the U.S.A. Bravo and my personal Pulitzer to Jason Leopold. Every journalist in America should read this, then quit or riot.
Greg Palast
Yes it is," said the Professor. "Wait—" he motioned to Richard, who was about to go out again and investigate— "let it be. It won’t be long." Richard stared in disbelief. "You say there’s a horse in your bathroom, and all you can do is stand there naming Beatles songs?" The Professor looked blankly at him. "Listen," he said, "I'm sorry if...I alarmed you earlier, it was just a slight turn. These things happen, my dear fellow, don't upset yourself about it. Dear me, I've known odder things in my time. Many of them. Far odder. She's only a horse, for heaven's sake. I'll go and let her out later. Please don't concern yourself. Let us revive our spirits with some port." "But...how did it get in there?" "Well, the bathroom window's open. I expect she came in through that." Richard looked at him, not for the first and certainly not for the last time, through eyes that were narrowed with suspicion. "You're doing it deliberately, aren't you," he said. "Doing what, my dear fellow?
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
Police and prosecutors are morally and professionally obligated to make every effort to identify specious rape reports, safeguard the civil rights of rape suspects, and prevent the falsely accused from being convicted. At the same time, however, police and prosecutors are obligated to do everything in their power to identify individuals who have committed rape and ensure that the guilty are brought to justice. These two objectives are not mutually exclusive. A meticulous, expertly conducted investigation that begins by believing the victim is an essential part of prosecuting and, ultimately, convicting those who are guilty of rape. It also happens to be the best way to exonerate those who have been falsely accused. Rape victims provide police with more information--and better information--when detectives interview them from a position of trust rather than one of suspicion.
Jon Krakauer (Missoula: Rape and the Justice System in a College Town)
Murder investigations start with the victim, because usually in the first instance that's all you've got. The study of the victim is called victimology because everything sounds better with an 'ology' tacked on the end. To make sure you make a proper fist of this, the police have developed the world's most useless mnemonic - 5 x W H & H - otherwise known as Who? What? Where? When? Why? and How? Next time you watch a real murder investigation on the TV, and you see a group of serious-looking detectives standing around talking, remember that what they're actually doing is trying to work out what sodding order the mnemonic is supposed to go in. Once they've sorted that out, the exhausted officers will retire to the nearest watering hole for a drink and a bit of a breather.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
When we smuggle our conclusions into our investigation by beginning with them as an initial premise, we are likely to beg the question and end up with conclusions that match our presuppositions rather than reflect the truth of the matter.
J. Warner Wallace (Cold-Case Christianity: A Homicide Detective Investigates the Claims of the Gospels)
Too often, the anthropologist takes on the role of police detective, discovering what is "hidden," assembling "evidence" to make a strong "case"... But sometimes what is called for is not an "investigator" at all, but an attentive listener.
Liisa H. Malkki (Purity and Exile: Violence, Memory, and National Cosmology among Hutu Refugees in Tanzania)
I simply said he was a detective, and let it go at that, I should be obtaining the reader's interest under false pretences. He was really only a sort of detective, a species of sleuth. At Stafford's International Investigation Bureau, in the Strand,
P.G. Wodehouse (The Man with Two Left Feet and Other Stories (Jeeves, #0.5))
When you don’t know what to believe, when you’re not prepared to play the amateur detective, then you get tired and dismiss the entire business, you let it go, you stop thinking and wash your hands of the truth or of the whole tangled mess—which comes to the same thing. The truth is never clear, it’s always a tangled mess. Even when you get to the bottom of it. But in real life almost no one needs to find the truth or devote himself to investigating anything, that only happens in puerile novels.
Javier Marías (Los enamoramientos)
it go at that, I should be obtaining the reader's interest under false pretences. He was really only a sort of detective, a species of sleuth. At Stafford's International Investigation Bureau, in the Strand, where he was employed, they did not require
P.G. Wodehouse (The Man with Two Left Feet and Other Stories (Jeeves, #0.5))
It has often been said that the more unusual the murder the easier it is to solve, but this is a theory I don't believe. Nothing is easy, nothing is simple, and you should think of your investigations as a complicated experiment: look at what remains constant and look at what changes, ask the right questions and don't be afraid of wrong answers, and above all rely on observation and rely on experience.
Peter Ackroyd (Hawksmoor)
The general public have a warped view of the speed at which an investigation proceeds. They like to imagine tense conversations going on behind the venetian blinds and unshaven, but ruggedly handsome, detectives working themselves with single-minded devotion into the bottle and marital breakdown. The truth is that at the end of the day, unless you've generated some sort of lead, you go home and get on with the important things in life - like drinking and sleeping, and if you're lucky, a relationship with the gender and sexual orientation of your choice.
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
Thus, by science I mean, first of all, a worldview giving primacy to reason and observation and a methodology aimed at acquiring accurate knowledge of the natural and social world. This methodology is characterized, above all else, by the critical spirit: namely, the commitment to the incessant testing of assertions through observations and/or experiments — the more stringent the tests, the better — and to revising or discarding those theories that fail the test. One corollary of the critical spirit is fallibilism: namely, the understanding that all our empirical knowledge is tentative, incomplete and open to revision in the light of new evidence or cogent new arguments (though, of course, the most well-established aspects of scientific knowledge are unlikely to be discarded entirely). . . . I stress that my use of the term 'science' is not limited to the natural sciences, but includes investigations aimed at acquiring accurate knowledge of factual matters relating to any aspect of the world by using rational empirical methods analogous to those employed in the natural sciences. (Please note the limitation to questions of fact. I intentionally exclude from my purview questions of ethics, aesthetics, ultimate purpose, and so forth.) Thus, 'science' (as I use the term) is routinely practiced not only by physicists, chemists and biologists, but also by historians, detectives, plumbers and indeed all human beings in (some aspects of) our daily lives. (Of course, the fact that we all practice science from time to time does not mean that we all practice it equally well, or that we practice it equally well in all areas of our lives.)
Alan Sokal
...you cannot enter into an investigation with a philosophy that dictates the outcome. Objectivity is paramount; this is the first principle of detective work that each of us must learn. It sounds simple, but our presuppositions are sometimes hidden in a way that makes them hard to uncover and recognize.
J Warner Wallace
Even if we have a reliable criterion for detecting design, and even if that criterion tells us that biological systems are designed, it seems that determining a biological system to be designed is akin to shrugging our shoulders and saying God did it. The fear is that admitting design as an explanation will stifle scientific inquiry, that scientists will stop investigating difficult problems because they have a sufficient explanation already. But design is not a science stopper. Indeed, design can foster inquiry where traditional evolutionary approaches obstruct it. Consider the term "junk DNA." Implicit in this term is the view that because the genome of an organism has been cobbled together through a long, undirected evolutionary process, the genome is a patchwork of which only limited portions are essential to the organism. Thus on an evolutionary view we expect a lot of useless DNA. If, on the other hand, organisms are designed, we expect DNA, as much as possible, to exhibit function. And indeed, the most recent findings suggest that designating DNA as "junk" merely cloaks our current lack of knowledge about function. For instance, in a recent issue of the Journal of Theoretical Biology, John Bodnar describes how "non-coding DNA in eukaryotic genomes encodes a language which programs organismal growth and development." Design encourages scientists to look for function where evolution discourages it. Or consider vestigial organs that later are found to have a function after all. Evolutionary biology texts often cite the human coccyx as a "vestigial structure" that hearkens back to vertebrate ancestors with tails. Yet if one looks at a recent edition of Gray’s Anatomy, one finds that the coccyx is a crucial point of contact with muscles that attach to the pelvic floor. The phrase "vestigial structure" often merely cloaks our current lack of knowledge about function. The human appendix, formerly thought to be vestigial, is now known to be a functioning component of the immune system.
William A. Dembski
If you're good at this job, and I am, then every step in a murder case moves you in one direction: towards order. We get thrown shards of senseless wreckage, and we piece them together until we can lift the picture out of the darkness and hold it up to the white light of day, solid, complete, clear. Under all the paperwork and the politics, this is the job; this is its cool shining heart that I love with every fiber of mine. This case was different. It was running backwards, dragging us with it on some ferocious ebb tide. Every step washed us deeper in black chaos, wrapped us tighter in tendrils of crazy and pulled us downwards.
Tana French (Broken Harbour (Dublin Murder Squad, #4))
My friend J. Warner Wallace is one of the most thoughtful and winsome apologists for the gospel I know. Cold-Case Christianity is literally packed with insights to share with the skeptics in your life, and this book will give you the confidence to share it!” Dr. Rick Warren, author of The Purpose-Driven Life and pastor of Saddleback Church
J. Warner Wallace (Cold-Case Christianity: A Homicide Detective Investigates the Claims of the Gospels)
Emilia typed in her password and checked her inbox. A review by the Secretariat de Gobernación of drug cartel activities across Mexico. A report of a robbery in Acapulco’s poorest barrio neighborhood that would probably never be investigated. Notice of a reward for a child kidnapped in Ixtapa who was almost certainly dead by now. Her phone rang. It was the desk sergeant saying that a Señor Rooker wished to see her. Emilia avoided Rico’s eye as she said, yes, the sergeant could let el señor pass into the detectives’ area. A minute later Rucker was standing by her desk, sweat beaded on his forehead. The starched collar of his shirt was damp. “There’s a head,” he said breathlessly. “Someone’s head in a bucket on the hood of my car.
Carmen Amato (Made in Acapulco (Emilia Cruz Mysteries))
Monk worked on his remaining Intertect cases at his dining table while I tried to hone my detecting instincts by reading the Murder, She Wrote novel he bought in Mill Valley. I can't say that I learned much about investigative procedure but I discovered that you should stay far away from Cabot Cove. That tiny New England village is deadlier than Beirut, South Central Los Angeles, and the darkest back alley in Juarez combined. Even though every killer eventually gets caught by Jessica Fletcher, I still wouldn't feel safe there. I'm surprised the old biddy walks around town unarmed.
Lee Goldberg (Mr. Monk and the Dirty Cop (Mr. Monk, #8))
It’s not like the movies. There are rarely gunshots or explosions, bad guys hunting you down. You follow a lead to where it takes you. Most times it takes you to a dead end and you have to return to the beginning and follow another. Usually, you have to follow dozens of leads before you get anywhere. But, sometimes, you get lucky, and every door you open leads you to another until, finally, you stumble upon the truth. It’s not about justice, you see, or money—God knows it’s not about money. It’s about bringing the truth to light. It’s not glamorous, but it makes the world a little more truthful a place. That’s enough for me.
Philip Elliott (Porno Valley)
But if you were investigating a crime,” said Lady Swaffham, “you’d have to begin by the usual things, I suppose — finding out what the person had been doing, and who’d been to call, and looking for a motive, wouldn’t you?” “Oh, yes,” said Lord Peter, “but most of us have such dozens of motives for murderin’ all sorts of inoffensive people. There’s lots of people I’d like to murder, wouldn’t you?” “Heaps,” said Lady Swaffham.
Dorothy L. Sayers (Whose Body? (Lord Peter Wimsey, #1))
Do you read crime fiction?” “I dote on it. It’s such a relief to escape from one’s work into an entirely different atmosphere.” “It’s not as bad as that,” Nigel protested. “Perhaps not quite as bad as that. Any faithful account of police investigations, in even the most spectacular homicide case, would be abysmally dull. I should have thought you’d seen enough of the game to realise that. The files are a plethora of drab details, most of them entirely irrelevant. Your crime novelist gets over all that by writing grandly about routine work and then selecting the essentials. Quite rightly. He’d be the world’s worst bore if he did otherwise.
Ngaio Marsh (The Nursing Home Murder (Roderick Alleyn, #3))
If the case isn't plea bargained, dismissed or placed on the inactive docket for an indefinite period of time, if by some perverse twist of fate it becomes a trial by jury, you will then have the opportunity of sitting on the witness stand and reciting under oath the facts of the case-a brief moment in the sun that clouds over with the appearance of the aforementioned defense attorney who, at worst, will accuse you of perjuring yourself in a gross injustice or, at best, accuse you of conducting an investigation so incredibly slipshod that the real killer has been allowed to roam free. Once both sides have argued the facts of the case, a jury of twelve men and women picked from computer lists of registered voters in one of America's most undereducated cities will go to a room and begin shouting. If these happy people manage to overcome the natural impulse to avoid any act of collective judgement, they just may find one human being guilty of murdering another. Then you can go to Cher's Pub at Lexington and Guilford, where that selfsame assistant state's attorney, if possessed of any human qualities at all, will buy you a bottle of domestic beer. And you drink it. Because in a police department of about three thousand sworn souls, you are one of thirty-six investigators entrusted with the pursuit of that most extraordinary of crimes: the theft of a human life. You speak for the dead. You avenge those lost to the world. Your paycheck may come from fiscal services but, goddammit, after six beers you can pretty much convince yourself that you work for the Lord himself. If you are not as good as you should be, you'll be gone within a year or two, transferred to fugitive, or auto theft or check and fraud at the other end of the hall. If you are good enough, you will never do anything else as a cop that matters this much. Homicide is the major leagues, the center ring, the show. It always has been. When Cain threw a cap into Abel, you don't think The Big Guy told a couple of fresh uniforms to go down and work up the prosecution report. Hell no, he sent for a fucking detective. And it will always be that way, because the homicide unit of any urban police force has for generations been the natural habitat of that rarefied species, the thinking cop.
David Simon
In this mystery they were alone, for unlike the real world with real detectives solving real disappearances, the people they were investigating were ghosts. Perhaps not even that, because ghosts implied remains, and they didn’t even have that. They didn’t exist. They were people who had never walked on this earth, never even been to the school where they had met each other. Leila James and Paddy Harrison were nothing more than names now, names with no faces and no identity.
Alex Armoredes (They Fade Away)
The bar was crowded with theorizing Sherlockians, who in the absence of any actual evidence had created grand machinations to explain the crime. Minor points of canonical disagreement became reasons for brutal murder. Some tried to piece together their theories in small groups, hoping that with enough brainpower and expertise they might arrive at a solution. Others jumped straight over the “investigation” phase and landed square at the end of the story they were creating, instantly accusing the man across the table of some vile treachery. And, moreover, actually employing phrases like “vile treachery” in doing so. Everyone was a suspect. But at the world’s largest Sherlockian gathering, everyone was a detective as well.
Graham Moore (The Sherlockian)
A few weeks later alarms went off in an air defense bunker south of Moscow. A Soviet early-warning satellite had detected five Minuteman missiles approaching from the United States. The commanding officer on duty, Lieutenant Colonel Stanislav Petrov, tried to make sense of the warning. An American first strike would surely involve more than five missiles—but perhaps this was merely the first wave. The Soviet general staff was alerted, and it was Petrov’s job to advise them whether the missile attack was real. Any retaliation would have to be ordered soon. Petrov decided it was a false alarm. An investigation later found that the missile launches spotted by the Soviet satellite were actually rays of sunlight reflected off clouds.
Eric Schlosser (Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety)
Guts,” never much of a word outside the hunting season, was a favorite noun in literary prose. People were said to have or to lack them, to perceive beauty and make moral distinctions in no other place. “Gut-busting” and “gut-wrenching” were accolades. “Nerve-shattering,” “eye-popping,” “bone-crunching”—the responsive critic was a crushed, impaled, electrocuted man. “Searing” was lukewarm. Anything merely spraining or tooth-extracting would have been only a minor masterpiece. “Literally,” in every single case, meant figuratively; that is, not literally. This film will literally grab you by the throat. This book will literally knock you out of your chair… Sometimes the assault mode took the form of peremptory orders. See it. Read it. Go at once…Many sentences carried with them their own congratulations, Suffice it to say…or, The only word for it is…Whether it really sufficed to say, or whether there was, in fact, another word, the sentence, bowing and applauding to itself, ignored…There existed also an economical device, the inverted-comma sneer—the “plot,” or his “work,” or even “brave.” A word in quotation marks carried a somehow unarguable derision, like “so-called” or “alleged…” “He has suffered enough” meant if we investigate this matter any further, it will turn out our friends are in it, too… Murders, generally, were called brutal and senseless slayings, to distinguish them from all other murders; nouns thus became glued to adjectives, in series, which gave an appearance of shoring them up… Intelligent people, caught at anything, denied it. Faced with evidence of having denied it falsely, people said they had not done it and had not lied about it, and didn’t remember it, but if they had done it or lied about it, they would have done it and misspoken themselves about it in an interest so much higher as to alter the nature of doing and lying altogether. It was in the interest of absolutely nobody to get to the bottom of anything whatever. People were no longer “caught” in the old sense on which most people could agree. Induction, detection, the very thrillers everyone was reading were obsolete. The jig was never up. In every city, at the same time, therapists earned their living by saying, “You’re being too hard on yourself.
Renata Adler (Speedboat)
You probably didn’t intend it, but you’ve done me a favor. With an assist from Detective Dayton. You’ve solved a problem for me. No man likes to betray a friend but I wouldn’t betray an enemy into your hands. You’re not only a gorilla, you’re an incompetent. You don’t know how to operate a simple investigation. I was balanced on a knife-edge and you could have swung me either way. But you had to abuse me, throw coffee in my face, and use your fists on me when I was in a spot where all I could do was take it. From now on I wouldn’t tell you the time by the clock on your own wall. ” For some strange reason he sat there perfectly still and let me say it. Then he grinned. “You’re just a little old cop-hater, friend. That’s all you are, shamus, just a little old cop-hater.” “There are places where cops are not hated, Captain. But in those places you wouldn’t be a cop.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
What is art? It is not decoration. It is the re-living of experience. The artist says, 'I will make that event happen again, altering its shape, which was disfigured by its contacts with other events, so that its true significance is revealed'; and his audience says, 'We will let that event happen again by looking at this man's picture or house, listening to his music or reading his book.' It must not be copied, it must be remembered, it must be lived again, passed through those parts of the mind which are actively engaged in life, which bleed when they are wounded and give forth the bland emulsions of joy, while at the same time it is being examined by those parts of the mind which stand apart from life. At the end of this process the roots of experience are traced; the alchemy by which they make a flower of joy or pain is, so far as is possible to our brutishness, detected. What is understood is mastered. If art could investigate all experiences then man would understand the whole of life, and could control his destiny.
Rebecca West (Black Lamb and Grey Falcon)
Generally he knew by instinct the likely length of an investigation, but on this occasion he did not: as he fought to get his breath he suddenly saw himself as others must see him, and he was struck by the impossibility of his task. The event of the boy's death was not simple because it was not unique and if he traced it backwards, running the time slowly in the opposite direction (but did it have a direction?), it became no clearer. The chain of causality might extend as far back as the boy's birth, in a particular place and on a particular date, or even further into the darkness beyond that. And what of the murderer, for what sequence of events had drawn him to wander by this old church? All these events were random and yet connected, part of a pattern so large that it remained inexplicable. He might, then, have to invent a past from the evidence available - and, in that case, would not the future also be an invention? It was as if he were staring at one of those puzzle drawings in which foreground and background create entirely different images: you could not look at such a thing for long.
Peter Ackroyd (Hawksmoor)
The detective thinks he is investigating a murder or a missing girl but truly he is investigating something else all together, something he cannot grasp hold of directly. satisfaction will be rare. Uncertainty will be your normal state. Much of your life will be spent in the dark woods, no path visible, with fear and loneliness your only companions. But answers exist. Solutions wait for you, trembling, pulling you to them, calling your name, even if you cannot hear. And when you are sure that you have been forgotten, and that every step has been wrong, and that the woods are swallowing you whole, remember this: I too was once in those woods, and I have emerged to give you, if not a map or a path, hopefully at least a few clues. Remember that I, if no one else, know you are there, and will never give up hope for you, not in this lifetime or the next. And the day I came out of the woods I saw the sun as I had never seen it before, which is the only consolation I can offer as of now. I believe that someday, perhaps many lifetimes from now, all will be explained, and all mysteries will be solved. All knowledge will be free for the taking, including the biggest mystery of all - who we really are. But for now, each detective, alone in the woods, must take her clues, and solve her mysteries herself. - Jacques Silette, Detection
Sara Gran (Claire DeWitt and the Bohemian Highway (Claire DeWitt Mysteries, #2))
This is one of the great charms of Poirot’s investigations, for they reveal a world where manners and morals are quite different from today. There are no overt and unnecessary sex scenes, no alcoholic, haunted detectives in Poirot’s world. He lives in a simpler, some would say more human, era: a lost England, seen through the admiring eyes of this foreigner, this little Belgian detective. For me, that makes the stories all the more appealing, for although the days he lives in seem far away, they are all the more enchanting because of it." "In those first days after the series had begun on ITV, I realised for the first time that Poirot touches people’s hearts in a way that I had never anticipated when I started to play him. I cannot put my finger on precisely how he does it, but somehow he makes those who watch him feel secure. People see him and feel better. I don’t know exactly why that is, but there is something about him. My performance had touched that nerve." "The more Poirot welcomes his fellow characters, the more the audience sympathise with him, and the more he extends his gentle control over everything around him, as if wrapping it all in his own personal glow. I believe he is unique in fictional detectives in that respect, because he carefully welcomes everyone – be they reader, viewer, or participant character – into his drama. He then quietly explains what it all means and, in doing so, he becomes what one critic called ‘our dearest friend’.
David Suchet (Poirot and Me)
For members of a particular religious community, the sense of obligation takes a specific form when it comes to their commitment to each other. In the movie Shall We Dance?, Richard Gere plays a bored middle-aged attorney who surreptitiously takes up ballroom dancing. His wife, played by Susan Sarandon, becomes suspicious at his renewed energy and vitality. She hires a private detective, who discovers the dance studio and reports the news. She decides to let her husband continue dancing undisturbed. In the scene where she meets the private detective in a bar to pay his fee and end the investigation, they linger over a drink and discuss why people marry in the first place. The detective, whose countless investigations into infidelity have rendered him cynical about marriage, suggests that the desire to marry has something to do with hormones and passing fancy. She disagrees. The reason we marry, she insists, is that “we need a witness to our lives. There’s a billion people on the planet. . . . I mean, what does any one life really mean? But in a marriage, you’re promising to care about everything. The good things, the bad things, the terrible things, the mundane things . . . all of it, all of the time, every day. You’re saying ‘Your life will not go unnoticed because I will notice it. Your life will not go un-witnessed because I will be your witness.’ ” The sacramental bond that unites two people in a marriage or committed relationship is known as a covenant. A covenant—the word means mutual agreement—is a promise to bear witness to the life of another: the good things, the bad things, the terrible things, the mundane things. At its heart, the relationship among members of a religious community is covenantal as well. As with marriage, the relationship also includes other dimensions, such as friendship and perhaps financial and/or legal partnership. But the defining commitment that members of a religious community make to each other arises from their calling—their covenantal duty—to bear witness to each other’s lives: the lives they now lead and the lives they hope to lead in the future, and the world they now occupy and the world they hope to occupy in the future.
Galen Guengerich (God Revised: How Religion Must Evolve in a Scientific Age)