Intruder In The Dust Quotes

We've searched our database for all the quotes and captions related to Intruder In The Dust. Here they are! All 33 of them:

Some things you must always be unable to bear. Some things you must never stop refusing to bear. Injustice and outrage and dishonor and shame. No matter how young you are or how old you have got. Not for kudos and not for cash: your picture in the paper nor money in the bank either. Just refuse to bear them.
William Faulkner (Intruder in the Dust)
...no man can cause more grief than the one clinging blindly to the vices of his ancesters.
William Faulkner (Intruder in the Dust)
It was like something you have dreaded and feared and dodged for years until it seemed like all your life, then despite everything it happened to you and all it was was just pain, all it did was hurt and so it was all over, all finished, all right.
William Faulkner (Intruder in the Dust)
We shall not kill and maybe next time we even won't.
William Faulkner (Intruder in the Dust)
You don't dare think whole even to yourself the entirety of a dear hope or wish let alone a desperate one else you yourself have doomed it.
William Faulkner (Intruder in the Dust)
It's all now you see. Yesterday won't be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it's still not yet two o'clock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it's all in the balance, it hasn't happened yet, it hasn't even begun yet, it not only hasn't begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armistead and Wilcox look grave yet it's going to begin, we all know that, we have come too far with too much at stake and that moment doesn't need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose than all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world's roaring rim.
William Faulkner (Intruder in the Dust)
A man or a race either if he's any good can survive his past without even needing to escape from it and not because of the high quite often only too rhetorical rhetoric of humanity but for the simple indubitable practical reason of his future: that capacity to survive and absorb and endure and still be steadfast.
William Faulkner (Intruder in the Dust)
What sets a man writhing sleepless in bed at night is not having injured his fellow so much as having been wrong; the mere injury he can efface by destroying the victim and the witness but the mistake is his and that is one of his cats which he always prefers to choke to death with butter.
William Faulkner (Intruder in the Dust)
It's all now you see. Yesterday won't be over until tomorrow and tomorrow began ten thousand years ago.
William Faulkner (Intruder in the Dust)
thinking remembering how his uncle had said that all man had was time, all that stood between him and the death he feared and abhorred was time yet he spent half of it inventing ways of getting the other half past:
William Faulkner (Intruder in the Dust)
The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.
William Faulkner (Intruder in the Dust)
IT WAS JUST NOON that Sunday morning when the sheriff reached the jail with Lucas Beauchamp though the whole town (the whole county too for that matter) had known since the night before that Lucas had killed a white man.
William Faulkner (Intruder in the Dust)
If you got something outside the common run that’s got to be done and cant wait, dont waste your time on the menfolks; they works on what your uncle calls the rules and the cases. Get the womens and the children at it; they works on the circumstances.
William Faulkner (Intruder in the Dust)
people seemed to hold that the one sole end of the entire establishment of public office was to elect one man like Sheriff Hampton big enough or at least with sense and character enough to run the county and then fill the rest of the jobs with cousins and inlaws who had failed to make a living at everything else they ever tried.
William Faulkner (Intruder in the Dust)
My pistol is a fawty-one Colt,’ Lucas said. Which it would be; the only thing he hadn’t actually known was the calibre—that weapon workable and efficient and well cared for yet as archaic peculiar and unique as the gold toothpick, which had probably (without doubt) been old Carothers McCaslin’s pride a half century ago. ‘All right,’ he said. ‘Then what?’ ‘He wasn’t shot with no fawty-one Colt.
William Faulkner (Intruder in the Dust)
Some things you must always be unable to bear. Some things you must never stop refusing to bear. Injustice and outrage and dishonor and shame. No matter how young you are or how old you have got. Not for kudos and not for cash: your picture in the paper nor money in the back either. Just refuse to bear them. —William Faulkner, Intruder in the Dust
Misty Griffin (Tears of the Silenced)
All right. What do you want me to do?’ ‘Go out there and look at him,’ Lucas said. ‘Go out where and look at who?’ he said. But he understood all right. It seemed to him that he had known all the time what it would be; he thought with a kind of relief So that’s all it is even while his automatic voice was screeching with outraged disbelief: ‘Me? Me?
William Faulkner (Intruder in the Dust)
It’s all now you see. Yesterday wont be over until tomorrow and tomorrow began ten thousand years ago. For every Southern boy fourteen years old, not once but whenever he wants it, there is the instant when it’s still not yet two oclock on that July afternoon in 1863, the brigades are in position behind the rail fence, the guns are laid and ready in the woods and the furled flags are already loosened to break out and Pickett himself with his long oiled ringlets and his hat in one hand probably and his sword in the other looking up the hill waiting for Longstreet to give the word and it’s all in the balance, it hasn’t happened yet, it hasn’t even begun yet, it not only hasn’t begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armstead and Wilcox look grave yet it’s going to begin, we all know that, we have come too far with too much at stake and that moment doesn’t need even a fourteen-year-old boy to think This time. Maybe this time with all this much to lose and all this much to gain: Pennsylvania, Maryland, the world, the golden dome of Washington itself to crown with desperate and unbelievable victory the desperate gamble, the cast made two years ago; or to anyone who ever sailed even a skiff under a quilt sail, the moment in 1492 when somebody thought This is it: the absolute edge of no return, to turn back now and make home or sail irrevocably on and either find land or plunge over the world’s roaring rim.
William Faulkner (Intruder in the Dust)
The intruder took a step forward, and Moody’s voice asked, “Severus Snape?” Then the dust figure rose from the end of the hall and rushed him, raising its dead hand. “It was not I who killed you, Albus,” said a quiet voice. The jinx broke: The dust-figure exploded again, and it was impossible to make out the newcomer through the dense gray cloud it left behind. Harry pointed his wand into the middle of it. “Don’t move!” He had forgotten the portrait of Mrs. Black: At the sound of his yell, the curtains hiding her flew open and she began to scream, “Mudbloods and filth dishonoring my house--” Ron and Hermione came crashing down the stairs behind Harry, wants pointing, like his, at the unknown man now standing with his arms raised in the hall below. “Hold your fire, it’s me, Remus!” “Oh, thank goodness,” said Hermione weakly, pointing her wand at Mrs. Black instead; with a bang, the curtains swished shut again and silence fell.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
It was in this year, too, that the hard crust of my dry soul finally squeezed out all the last traces of religion that had ever been in it. There was no room for any God in that empty temple full of dust and rubbish which I was now so jealously to guard against all intruders, in order to devote it to the worship of my own stupid will.
Thomas Merton (The Seven Storey Mountain)
Not without a slight shudder at the danger, I often perceive how near I had come to admitting into my mind the details of some trivial affair- the news of the street; and I am astonished to observe how willing men are to lumber their minds with such rubbish- to permit idle rumors and incidents of the most insignificant kind to intrude on ground which should be sacred to thought. Shall the mind be a public arena, where the affairs of the street and the gossip of the tea-table chiefly are discussed? Or shall it be a quarter of heaven itself- an hypaethral temple, consecrated to the service of the gods? I find it so difficult to dispose of the few facts which to me are significant, that I hesitate to burden my attention with those which are insignificant, which only a divine mind could illustrate. Such is, for the most part, the news in newspapers and conversation. It is important to preserve the mind's chastity in this respect. Think of admitting the details of a single case of the criminal court into our thoughts, to stalk profanely through their very sanctum sanctorum for an hour, ay, for many hours! to make a very bar-room of the mind's inmost apartment, as if for so long the dust of the street had occupied us- the very street itself, with all its travel, its bustle, and filth, had passed through our thoughts' shrine! Would it not be an intellectual and moral suicide?
Henry David Thoreau (Life Without Principle)
You see?’ his uncle said. ‘He has nothing against what he calls niggers. If you ask him, he will probably tell you he likes them even better than some white folks he knows and he will believe it. They are probably constantly beating him out of a few cents here and there in his store and probably even picking up things—packages of chewing gum or bluing or a banana or a can of sardines or a pair of shoelaces or a bottle of hair-straightener—under their coats and aprons and he knows it; he probably even gives them things free of charge—the bones and spoiled meat out of his butcher’s icebox and spoiled candy and lard. All he requires is that they act like niggers. Which is exactly what Lucas is doing: blew his top and murdered a white man—which Mr Lilley is probably convinced all Negroes want to do—and now the white people will take him out and burn him, all regular and in order and themselves acting exactly as he is convinced Lucas would wish them to act: like white folks; both of them observing implicitly the rules: the nigger acting like a nigger and the white folks acting like white folks and no real hard feelings on either side (since Mr Lilley is not a Gowrie) once the fury is over; in fact Mr Lilley would probably be one of the first to contribute cash money toward Lucas’ funeral and the support of his widow and children if he had them. Which proves again how no man can cause more grief than that one clinging blindly to the vices of his ancestors.
William Faulkner (Intruder in the Dust)
According to one estimate, the average urban dweller inhales some twenty billion foreign particles every day. Dust, industrial pollutants, pollen, fungal spores, whatever is adrift on the day's air. A lot of this stuff can make you very ill, but it doesn't by and large because your body is normally adept at challenging intruders. If an invading particle is big or especially irritating, you will almost certainly cough or sneeze it straight back out again, often in the process making it someone else's problem.
Bill Bryson (The Body: A Guide for Occupants)
Claude didn’t sound every note. He must’ve been playing from memory. There is an unguarded quality in musicians unaware of listening ears. Intimate, hearing the piece like that, played for no one, played from far away, the sound escaping onto a stairwell presumed empty. Sheherazade spun out her tales over a thousand and one Arabian nights. Her tales were her demand for life: I deserve to live so long as I can unravel such intrigue into the world. do not kill me now. Do not strangle me at dawn. I wondered if that trapped animal of a boy had left off rocking to listen. That pitiful youth, did he understand rapture? There was a terrible pain across my chest. It was the old pain, the old loss. This paper room at the top of the stairs in which, yesterday, my father had been, and now this unassuming beauty welling out of it, unbidden. Sunlight was spilling through the glass door on to the landing; the dust motes might have been there since time began. It was all immensely delicate and just beyond my reach. There were pockets of wonder all over the earth, I knew, like wild animals in glades, and I happened upon them now and then. Less so in America, because it was not my home, but there were pockets in America too, and I prized them all the more for their rarity. Once I blundered into them, the wonder took flight; it evaporated like dew. It was a matter of not blundering into them, of letting them be, of trying to live on the brink of them without intruding.
Claire Kilroy
He finds a basket and lays fish inside it. Charcoal is in a wooden bucket. Enrique lifts it, basket in his other hand, and moves through shadow toward daylight. A presence makes him turn his head. He sees no one, yet someone is there. He sets down fish and charcoal. Straightening up, Enrique slips his Bowie knife clear of its sheath. He listens, tries to sense the man’s place. This intruder lies low. Is concealed. Behind those barrels? In that corner, crouched down? Enrique shuts his eyes, holds his breath a moment and exhales, his breath’s movement the only sound, trying to feel on his skin some heat from another body. Where? Enrique sends his mind among barrels and sacks, under shelves, behind posts and dangling utensils. It finds no one. He is hiding. Wants not to be found. Is afraid. If he lies under a tarpaulin, he cannot see. To shoot blind would be foolish: likely to miss, certain to alert the others. Enrique steps around barrels, his boots silent on packed sand. Tarps lie parallel in ten-foot lengths, their wheaten hue making them visible in the shadowed space. They are dry and hold dust. All but one lies flat. There. Enrique imagines how it will be. To strike through the tarp risks confusion. Its heavy canvas can deflect his blade. But his opponent will have difficulty using his weapon. He might fire point-blank into Enrique’s weight above him, bearing down. To pull the tarpaulin clear is to lose his advantage; he will see the intruder who will see him. An El Norte mercenary with automatic rifle or handheld laser can cut a man in half. Knife in his teeth, its ivory handle smooth against lips and tongue, Enrique crouches low. Pushing hard with his legs, he dives onto the hidden shape. The man spins free as Enrique grasps, boots slipping on waxed canvas. His opponent feels slight, yet wiry strength defeats Enrique’s hold. He takes his knife in hand and rips a slit long enough to plunge an arm into his adversary’s shrouded panic. Enrique thrusts the blade’s point where he believes a throat must be. Two strong hands clamp his arm and twist against each other rapidly and hard. Pain flares across his skin. Enrique wrests his arm free and his knife flies from his grasp and disappears behind him. He clenches-up and, pivoting on his other hand, turns hard into a blind punch that smashes the hidden face. The dust of their struggle rasps in Enrique’s throat. His intended killer sucks in a hard breath and Enrique hits him again, then again, each time turning his shoulder into the blow. The man coughs out, “Do not kill me.” Enrique knows this voice. It is Omar the Turk. [pp. 60-61]
John Lauricella (2094)
His ears strained to pick up the least sound of tiny paws; instead, all he could hear was a furious yowling and scuffling that broke out somewhere ahead, near the Twoleg fence. Was something—maybe a Twoleg dog—attacking his warriors? He raced through the trees until he came to the edge of the wood. Ashfur and Brambleclaw were scuffling with an unfamiliar black-and-white cat. Brambleclaw had climbed onto the cat’s back, clawing at its neck fur, while Ashfur bit down hard on the end of its tail. The black-and-white cat was writhing on the ground, his flailing paws barely touching his attackers. “Get off me!” he yowled. “I need to see Rusty—I mean Firestar!” Firestar suddenly recognized the disheveled bundle of black-and-white fur. It was Smudge, the kittypet who had been his friend before Firestar left his Twolegs to live in the forest. “Stop!” He ran over to the wrestling cats, lowering his head to butt Brambleclaw hard in his flank. Brambleclaw slid off Smudge’s back, glaring up with a furious hiss that broke off when he realized who had interrupted the fight. “Leave him alone,” Firestar ordered. “But he’s an intruder,” Brambleclaw protested, scrambling to his paws and shaking dust from his pelt. “A kittypet intruder,” added Ashfur, reluctantly letting go of Smudge’s tail. “No, he’s not,” Firestar corrected them. “He’s a friend. What are you two doing here, anyway?” “We’re the border patrol,” Brambleclaw told him. “With Dustpelt and Mousefur. Look, here they come.” Following the direction of his pointing tail, Firestar spotted the two older warriors bounding rapidly through the trees. “In StarClan’s name, what’s going on?” Dustpelt demanded. “I thought a fox must have gotten you from all that noise.” “No, just a kittypet,” Firestar mewed, faintly amused at Brambleclaw’s and Ashfur’s outraged expressions. “Okay, carry on with your patrol,” he added. “But what about the kittypet?” Ashfur asked. “I think I can handle him,” Firestar mewed. “You’re doing fine, but just remember that not everything you haven’t seen before is a threat.” Brambleclaw and Ashfur fell in behind Dustpelt and Mousefur as they continued their patrol; Brambleclaw cast a threatening glance back at Smudge and hissed, “Stay off our territory in the future!” Smudge heaved himself to his paws, glaring at his attackers. His fur was covered in dust and stuck out in all directions, but he didn’t seem to be hurt. “You’re lucky I was here to save your pelt,” Firestar remarked as the patrol vanished among the trees. His old friend let out a furious snort. “I’ll never understand you, Firestar. You actually want to live with these violent ruffians?” Firestar hid his amusement.
Erin Hunter (Firestar's Quest (Warriors Super Edition, #1))
Some things you must always be unable to bear. Some things you must never stop refusing to bear. Injustice and outrage and dishonor and shame. No matter how young you are or how old you have got. Not for kudos and not for cash: your picture in the paper nor money in the back either. Just refuse to bear them.” ― William Faulkner, Intruder in the Dust I
Misty Griffin (Tears of the Silenced)
People have often asked me how we girls managed any privacy in a house with so many boys and no private rooms. It was difficult. We used to bathe with a washcloth from a pan of water. We would first start with our necks and faces and wash down as far as possible. Then we would wash the road dust from our feet and wash up as far as possible. Later, when the boys were out of the room, we would wash “possible.” It was these circumstances that led to a very embarrassing mishap that I have told very few people and would not relate here if it were not so funny. We had an outdoor bathroom, and there were times in the middle of the night when it was very inconvenient to dress and go out into the cold just to take a leak. For these times there was a little room, actually a closet, that had in it what was called a “slop jar” or “slop bucket.” It was actually an enameled pot with flared sides that was made to accommodate a woman squatting over it to do her business. The closet had no door as such, just a sort of curtain hung on a tight piece of wire. After dark when the fire had died down, it could afford some kind of privacy at least. One night when I was about sixteen or seventeen, I had been out on a date and got home fairly late. Everybody was already in bed, and I didn’t want to wake them and alert Mama and Daddy to the hour of my homecoming. I was absolutely bustin’ to pee, so I fumbled my way through the dark until I found the curtain to the closet and stepped inside. I dropped my panties and hiked up my skirt and assumed the position over the slop jar. I was feeling relieved in a physical sense and quite grown-up and somewhat smug that I “pulled it off,” so to speak. But suddenly, here in the middle of my little triumph, or more accurately here in the middle of my rump, came the cold nose of an unexpected intruder. A raccoon had gotten into the house, and unbeknownst to me, we were sharing the closet as well as a very intimate moment. When I felt that cold nose on my butt, I screamed bloody murder and literally peed all over myself. Of course I woke the whole house with my unscheduled concert. Daddy grabbed the poker to fend off an intruder. Mama started praying. The little kids cried, and the big kids just ran around confused. When everybody found out what had happened, they all had a good laugh at my expense. Except, of course, the raccoon. Once the lights were turned on, he acted like any man caught in a compromising position with a lady and bolted for the door. I often think of that moment at times when I’m feeling “too big for my britches,” and it tends to have a humbling effect.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
They could see the hills now; they were almost there—the long lift of the first pine ridge standing across half the horizon and beyond it a sense a feel of others, the mass of them seeming not so much to stand rush abruptly up out of the plateau as to hang suspended over it as his uncle had told him the Scottish highlands did except for this sharpness and color; that was two years ago, maybe three and his uncle had said, 'Which is why the people who chose by preference to live on them on little patches which wouldn't make eight bushels of corn or fifty pounds of lint cotton an acre even if they were not too steep for a mule to pull a plow across (but then they dont want to make the cotton anyway, only the corn and not too much of that because it really doesn't take a great deal of corn to run a still as big as one man and his sons want to fool with) are people named Gowrie and McCallum and Fraser and Ingrum that used to be Ingraham and Workitt that used to be Urquhart only the one that brought it to America and then Mississippi couldn’t spell it either, who love brawling and fear God and believe in Hell——' and it was as though his uncle had read his mind, holding the speedometer needle at fifty-five into the last mile of gravel (already the road was beginning to slant down toward the willow-and-cypress bottom of the Nine-Mile branch) speaking, that is volunteering to speak for the first time since they left town: 'Gowrie and Fraser and Workitt and Ingrum. And in the valleys along the rivers, the broad rich easy land where a man can raise something he can sell openly in daylight, the people named Littlejohn and Greenleaf and Armstead and Millingham and Bookwright——' and stopped, the car dropping on down the slope, increasing speed by its own weight; now he could see the bridge where Aleck Sander had waited for him in the dark and below which Highboy had smelled quicksand. 'We turn off just beyond it,' he said. 'I know,' his uncle said. '—And the ones named Sambo, they live in both, they elect both because they can stand either because they can stand anything.' The bridge was quite near now, the white railing of the entrance yawned rushing at them. 'Not all white people can endure slavery and apparently no man can stand freedom (Which incidentally—the premise that man really wants peace and freedom—is the trouble with our relations with Europe right now, whose people not only dont know what peace is but—except for Anglo Saxons—actively fear and distrust personal liberty; we are hoping without really any hope that our atom bomb will be enough to defend an idea as obsolete as Noah's Ark.); with one mutual instantaneous accord he forces his liberty into the hands of the first demagogue who rises into view: lacking that he himself destroys and obliterates it from his sight and ken and even remembrance with the frantic unanimity of a neighborhood stamping out a grass-fire. But the people named Sambo survived the one and who knows? they may even endure the other.
William Faulkner (Intruder in the Dust)
of Weedpatch Camp were working in the fields. Perhaps as many as fifty children were playing baseball at the school or swimming in the pool when three cars driven by teenage boys began to circle the playground. The teenage boys got out of the cars and squared off in front of Eddie and a line of other sixteen-year-old boys from the camp. When the intruders hurled rocks into the swimming pool, the Okie boys charged forward and the Fight was on. Some men from the camp rushed over to the playground to restore order, but by then the invaders were in retreat with bloody noses and scuffed faces. That
Jerry Stanley (Children of the Dust Bowl: The True Story of the School at Weedpatch Camp)
Beat Four: the notorious, the
William Faulkner (Intruder in the Dust)
Young folks and womens, they aint cluttered. They can listen. But a middle-year man like your paw and your uncle, they cant listen. They aint got time. They're too busy with facks.
William Faulkner (Intruder in the Dust)
RICHARD SCHICKEL: Hollywood was a big moneymaking industry, set in its ways. It was trying to keep its audience through new technology and trying to keep up with the times with movies like Blackboard Jungle and Island in the Sun and Intruder in the Dust and Caged and all kinds of things, but as liberal as it thought it was trying to be, it wasn’t keeping up with the changing times. And it was failing to look at what a White man’s business it had become.
Jeanine Basinger (Hollywood: The Oral History)