Intersection Love Quotes

The moment you fall in love feels like it has centuries behind it, generations - all of them rearranging themselves so this precise, remarkable intersection could happen. In your heart, in your bones, no matter how silly you know it is, you feel that everything has been leading to this, all the secret arrows were pointing here, the universe and time itself crafted this long ago, and you are just now realizing it, you are just now arriving at the place you were always meant to be.

When you think yours is the only true path you forever chain yourself to judging others and narrow the vision of God. The road to righteousness and arrogance is a parallel road that can intersect each other several times throughout a person's life. It’s often hard to recognize one road from another. What makes them different is the road to righteousness is paved with the love of humanity. The road to arrogance is paved with the love of self.

Belief, like fear or love, is a force to be understood as we understand the theory of relativity and principals of uncertainty. Phenomena that determine the course of our lives. Yesterday, my life was headed in one direction. Today, it is headed in another. Yesterday, I believe I would never have done what I did today. These forces that often remake time and space, that can shape and alter who we imagine ourselves to be, begin long before we are born and continue after we perish. Our lives and our choices, like quantum trajectories, are understood moment to moment. That each point of intersection, each encounter, suggest a new potential direction. Proposition, I have fallen in love with Luisa Rey. Is this possible? I just met her and yet, I feel like something important has happened to me.

The desire to go home that is a desire to be whole, to know where you are, to be the point of intersection of all the lines drawn through all the stars, to be the constellation-maker and the center of the world, that center called love. To awaken from sleep, to rest from awakening, to tame the animal, to let the soul go wild, to shelter in darkness and blaze with light, to cease to speak and be perfectly understood.

What is it about the moment you fall in love? How can such a small measure of time contain such enormity? I suddenly realize why people believe in déjà vu, why people believe they've lived past lives, because there is no way the years I've spent on this earth could possibly encapsulate what I'm feeling. The moment you fall in love feels like it has centuries behind it, generations—all of them rearranging themselves so that this precise, remarkable intersection could happen. In you heart, in your bones, no matter how silly you know it is, you feel that everything has been leading to this, all the secret arrows were pointing here, the universe and time itself crafted this long ago, and you are just now realizing it, you are now just arriving at the place you were always meant to be.

But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I’ll love you through a brick wall kiss. Even when I’m dead, I’ll swim through the Earth, like a mermaid of the soil, just to be next to your bones.

When two people are in love, they are parrallel lines. That intersect. Together but seperate. Infinity.

TRIAD: Three separate highways intersect at a place no reasonable person would ever want to go. Three lives that would have been cut short, if not for hasty interventions by loved ones. Or Fate. Three people, with nothing at all in common except age, proximity, and a wish to die. Three tapestries, tattered at the edges and come unwoven to reveal a single mutual thread.

If what's always distinguished bad writing--flat characters, a narrative world that's clichéd and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it. Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage… The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years. We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent. You burn with hunger for food that does not exist. A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.

It seemed as if some subtle current of recognition had passed between them... not as if they had met before... but as if they had come close several times until finally an impatient Fate had forced their paths to intersect.

Radical self-love demands that we see ourselves and others in the fullness of our complexities and intersections and that we work to create space for those intersections.

Is the love you have for me, and the feelings I have for you forever parallel, with no chance of intersecting?

I like it when science and devotion find places of intersection.

Falling in love is a lot like death. It chooses you. It decides the moment and the chain of events that will preclude the precise intersection of life in which it occurs. It uses you—treats you as though you were malleable in its warm pliable hands. It doesn’t bother to ask if you want it, or need it, just fills the gaping hole of destiny’s design

What would America be like if we loved black people as much as we love black culture?

Being a rock star is the intersection of who you are and who you want to be.

There is a theory that if you yearn sincerely enough for a Guru, you will find one. The universe will shift, destiny's molecules will get themselves organized and your path will soon intersect with the path of the master you need.

If you find the dividing line between fairy tales and reality, let me know. In my mind, the two run together, even though the intersections aren't always obvious. The girl sitting quietly in class or waiting for the bus or roaming the mall doesn't want anyone to know, or doesn't know how to tell anyone, that she is locked in a tower. Maybe she's a prisoner of a story she's heard all her life- that fairest means best, or that bruises prove she is worthy of love.

Come, friends. Come with your grief. Come with your loss. Carry all the pieces of your heart and come sit with us. Bring your disappointments and your failures. Bring your betrayals and your masks. We welcome you no matter where you come from and what you bring. Come and join us at the intersection of acceptance and forgiveness where you will find our house of love. Bring your empty cups and we will have a feast.

...the girl longed for a love that could not be ended by death. From the time she was young, she knew that her true love was there, somewhere, living a life that would one day intersect her own. Knowing this made every day full of sweet possibility. Knowing that her true love lived and breathed and went about his day under her same sun made her fears vanish, her sorrows small, and her hopes high. Though she did not yet know his face, the color of his eyes, still she knew him better than anyone else knew him, knew his hopes and dreams, what made him laugh and cry.

There must be some other possibility than death or lifelong penance ... some meeting, some intersection of lines; and some cowardly, hopeful geometer in my brain tells me it is the angle at which two lines prop each other up, the leaning-together from the vertical which produces the false arch. For lack of a keystone, the false arch may be as much as one can expect in this life. Only the very lucky discover the keystone.

Then he said the truest thing about their relationship. He said, "We didn't really fall in love. What we did was collide at the intersection of your life and mine.

14. Muddy Road Tanzan and Ekido were once traveling together down a muddy road. A heavy rain was still falling. Coming around a bend, they met a lovely girl in a silk kimono and sash, unble to cross the intersection. "Come on, girl," said Tanzan at once. Lifting her in his arms, he carriedher over the mud. Ekido did not speak again until that night when they reached a lodging temple. Then he could no longer restrain himself. "We monks don't go near females," he told Tanzan, "especially not young and lovely ones. It is dangerous. Why did you do that?" "I left the girl there," said Tanzan. "Are you still carrying her?

The celebrations Of secret nonmeetings are empty, Unspoken conversations, Unuttered words. Glances that don't intersect Don't know where to come to rest. And only the tears rejoice Because they can flow and flow. Sweetbrier around Moscow, Alas! Somehow it is here ... And all this they will call Love eternal.

It feels like forever, like he's lived through the same things as me, like our lives ran parallel for years until last week, when they finally intersected and fused.

Person after person after person... they all converge at one moment, irrevocably changing the course of a thousand more live. As it is with accidents, so it is with love.

My grandmother and my two aunts were an exhibition in resilience and resourcefulness and black womanhood. They rarely talked about the unfairness of the world with the words that I use now with my social justice friends, words like "intersectionality" and "equality", "oppression", and "discrimination". They didn't discuss those things because they were too busy living it, navigating it, surviving it.

A black woman making art is a disruptive act. Every story that I tell as a woman is a political act, even if I want to tell a 'silly love story.' The fact it exists through my gaze is radical.

I'm glad our slivers of existence intersected in a Venn diagram between the crushing slabs of oblivion on either side of them

The skin is a variety of contingency: in it, through it, with it, the world and my body touch each other, the feeling and the felt, it defines their common edge. Contingency means common tangency: in it the world and the body intersect and caress each other. I do not wish to call the place in which I live a medium, I prefer to say that things mingle with each other and that I am no exception to that. I mix with the world which mixes with me. Skin intervenes between several things in the world and makes them mingle.

The moment you fall in love feels like it has centuries behind it, generations—all of them rearranging themselves so that this precise, remarkable intersection could happen.

Exploring the intersection of sexuality and Catholic theology kept me alive, and provided an outlet for my spirit’s raging demand for love.

Maybe he was overwhelmed, like I am overwhelmed, by that mysterious intersection where love meets luck, where fate meets will. Because he'd been waiting for her. And there she was.

Physics admits of a lovely unification, not just at the level of fundamental forces, but when considering its extent and implications. Classifications like "optics" or "thermodynamics" are just straitjackets, preventing physicists from seeing countless intersections.

He is only happy when he can maintain himself - mentally and spiritually - at the intersection between a vertical line and horizontal one, in a state of perfect balance. For this, he needs to know where he is located every moment, both in his relationship to the divine and to his family here on earth. If he loses that balance, he loses his power.

A slow-motion train wreck. For something to go this colossally wrong, everything must intersect and collide at the exact right, or in this case, wrong, moment.

What do you mean, 'Angle of Repose?' she asked me when I dreamed we were talking about Grandmother's life, and I said it was the angle at which a man or woman finally lies down. I suppose it is; and yet ... I thought when I began, and still think, that there was another angle in all those years when she was growing old and older and very old, and Grandfather was matching her year for year, a separate line that did not intersect with hers. They were vertical people, they lived by pride, and it is only by the ocular illusion of perspective that they can be said to have met. But he had not been dead two months when she lay down and died too, and that may indicate that at that absolute vanishing point they did intersect. They had intersected for years, for more than he especially would ever admit.

Righteousness and love, law and grace, life and death, as well as time and eternity all intersect at the cross; displaying a divine wisdom that staggers the imagination and leads the humble heart to bow in thankful adoration. To understand the cross of Christ is to understand the heart of God toward a fallen world He wants to save.

In the end, I'm not interested in that which I fully understand. The words I have written over the years are just a veneer. There are truths that lie beneath the surface of the words... truths that rise up without warning, like the humps of a sea monster and then disappear. What performance and song is to me is finding a way to tempt the monster to the surface, to create a space, where the creature can break through what is real and what is known to us. This shimmering space, where imagination and reality intersect... this is where all love and tears and joy exist. This is the place. This is where we live.

We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.

Our beliefs about bodies disproportionately impact those whose race, gender, sexual orientation, ability, and age deviate from our default notions. The further from the default, the greater the impact. We are all affected - but not equally.

The grand scheme of a life, maybe (just maybe), is not about knowing or not knowing, choosing or not choosing. Perhaps what is truly known can’t be described or articulated by creativity or logic, science or art — but perhaps it can be described by the most authentic and meaningful combination of the two: poetry: As Robert Frost wrote, a poem 'begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness. It is never a thought to begin with.' I recommend the following course of action for those who are just beginning their careers or for those like me, who may be reconfiguring midway through: heed the words of Robert Frost. Start with a big, fat lump in your throat, start with a profound sense of wrong, a deep homesickness, or a crazy lovesickness, and run with it.

But I consoled myself with the reflexion that in spite of everything she was for me the real point of intersection between reality and dream.

Include and project the voices of underrepresented people in the spaces where their access is limited. Go love, and build, and restore, and speak, and engage, and create. Go be better and do better.

What is it about the moment you fall in love? How can such small measure of time contain such enormity? I suddenly realize why people believe in deja vu, why people believe they've lived past lives, because there is no way the years I've spent on this earth could possibly encapsulate what I'm feeling. The moment you fall in love feels like it has centuries behind it, generations -- all of them rearranging themselves so that this precise, remarkable intersection could happen.

My funeral," the Blue Man said. "Look at the mourners. Some did not even know me well, yet they came. Why? Did you ever wonder? Why people gather when others die? Why people feel they should? "It is because the human spirit knows, deep down, that all lives intersect. That death doesn't just take someone, it misses someone else, and in the small distance between being taken and being missed, lives are changed. "You say you should have died instead of me. But during my time on earth, people died instead of me, too. It happens every day. When lightning strikes a minute after you are gone, or an airplane crashes that you might have been on. When your colleague falls ill and you do not. We think such things are random. But there is a balance to it all. One withers, another grows. Birth and death are part of a whole. "It is why we are drawn to babies . . ." He turned to the mourners. "And to funerals.

Chubby chasers don't prove that fat is beautiful. Chubby chasers show us that ugliness is optional.

Once we stop asking ourselves to be happy or perfect or anything else other than what is simply true for us in the moment, we can more easily stop asking the same of others as well.

The moment you fall in love feels like it has centuries behind it, generations—all of them rearranging themselves so that this precise, remarkable intersection could happen. In your heart, in your bones, no matter how silly you know it is, you feel that everything has been leading to this, all the secret arrows were pointing here, the universe and time itself crafted this long ago, and you are just now realizing it, you are just now arriving at the place you were always meant to be.

But if you judge safety to be the paramount consideration in life you should never, under any circumstances, go on long hikes alone. Don’t take short hikes alone, either – or, for that matter, go anywhere alone. And avoid at all costs such foolhardy activities as driving, falling in love, or inhaling air that is almost certainly riddled with deadly germs. Wear wool next to the skin. Insure every good and chattel you possess against every conceivable contingency the future might bring, even if the premiums half-cripple the present. Never cross an intersection against a red light, even when you can see all roads are clear for miles. And never, of course, explore the guts of an idea that seems as if it might threaten one of your more cherished beliefs. In your wisdom you will probably live to be a ripe old age. But you may discover, just before you die, that you have been dead for a long, long time.

meander, v. "...because when it all comes down to it, there's no such thing as a two-hit wonder. So it's better just to have that one song that everyone knows, instead of diluting it with a follow-up that only half succeeds. I mean, who really cares what Soft Cell's next single was, as long as we have 'Tainted Love'?" I stop. You're still listening. "Wait," I say. "What was I talking about? How did we get to 'Tainted Love'?" "Let's see," you say, "I believe we started roughly at the Democratic gains in the South, then jumped back to the election of 1948, dipping briefly into northern constructions of the South, vis-a-vis Steel Magnolias, Birth of a Nation, Johnny Cash, and Fried Green Tomatoes. Which landed you on To Kill a Mockingbird, and how it is both Southern and universal, which -- correct me if I'm wrong -- got us to Harper Lee and her lack of a follow-up novel, intersected with the theory, probably wrong, that Truman Capote wrote the novel, then hopping over to literary one-hit wonders, and using musical one-hit wonders to make a point about their special place in our culture. I think." "Thank you," I say. "That's wonderful.

There will be times in which things appear hopeless. You will begin to doubt everything around you. You will even begin to doubt yourself. You will think things will never look up and you may be in the deepest, darkest, loneliest place in the world. Everything which had once been infused with wonder may appear disappointing and harsh. You may grow cynical and come to believe that this is simply the way the world is...that one must bear with the unforgiving realities of the world and only hope that it doesn’t get worse. You might grow suspicious of others, as adults tend to do, and close yourself off from the rest of the world. You might just look to the past and reminisce about better days...or you might just dwell in one place for a little too long and become nostalgic for the future. Just remember—regardless of where you are, what experiences you have, and who you have become—that there will always be those who have loved you. Those whom you may have taken for granted, but have nonetheless, always had you in their hearts and in their hopes and wishes. Lives that you have touched: whether you realize it or not. To separation you may venture, but indissolubly in union shall you drift...you will always be at the whims of forces, both great and small, and far beyond your capacity to control. That’s how all our stories go. Innumerable arcs intersect and scatter into a vast indefinite sea.

I would dearly love to read the reactions, the observations of each and every person who walks through the gates of Le Cirque des Reves, to know what they see and hear and feel. To see how their experience overlaps with my own and how it differs. I have been fortunate letters with such information, to have reveurs share with me writings from journals or thoughts scribbled on scraps of paper. We add our own stories, each visitor, each visit each night spent at the circus. I suppose there will never be a lack of things to say, of stories to be told and shared. -Friedrick Thiessen, 1895

As a community, we should seek to create an environment that is inclusive of varying perspectives. Flat out, it makes us stronger. Diversity of thoughts and experiences opens us up to new ideas or to approaching old ideas in new ways.

Every time you share a meal with someone, you bring your history, your country, your region, your religion, your tribe, your grandmother with you. You sit with your past, your opinions, your love, your curiosity, your resentments, your hospitality. Food is where we all intersect. Everywhere you go, anywhere you go.

Faith is always tested at the intersection of "Why?" and "Trust Me!" We come to God with those situations and problems that make us ask Him "Why?" He answers with a simple "Trust Me!" You cannot trust God in those things which you choose and not trust Him in others. You either trust Him with it all or with nothing at all. Your choice will either provide you with a powerful faith to carry you through the ups and downs of life or a faith that struggles with the slightest circumstance.

Love may come more than once, but there is only one first love. The only time there is nothing to compare it to. Every subsequent love has to deal with the ghost of the first.

Inclusivity has to be seen as a benefit to the community. The lack of diversity has to be seen as a detriment to that community.

It is said that once upon a time St. Kevin was kneeling with his arms stretched out in the form of a cross in Glendalough. . . As Kevin knelt and prayed, a blackbird mistook his outstretched hand for some kind of roost and swooped down upon it, laid a clutch of eggs in it and proceeded to nest in it as if it were the branch of a tree. Then, overcome with pity and constrained by his faith to love all creatures great and small, Kevin stayed immobile for hours and days and nights and weeks, holding out his hand until the eggs hatched and the fledging grew wings, true to life if subversive of common sense, at the intersection of natural process and the glimpsed ideal, at one and the same time a signpost and a reminder. Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.

There comes a point when you realize that these things, these brands, aren't "enough." Having more or better or best doesn't provide you with a lasting sense of having more or being better or being best. It's a rather fleeting experience, this romantic attachment to brands, and I find that if I'm not careful, the search for having more or better or best is a precarious journey into the infinite. When you depend on finite objects-or brands-to provide you with a long-term sense of self or love or pride or achievement, you start yourself out on a path with no end. No object, no product, and no brand can provide you with ultimate, infinite satisfaction.

Nobody can tell you what to stand for, or how your values, wants and needs should intersect with those of your customers and then manifest as a business, an idea or an experience. Figuring out the destination is hard—but recognising it is more valuable than knowing exactly how you’re going to get there.

My mind, a Venn diagram. You, the overlap and the intersect; a pulsating glimmer—omnipresent, a lighthouse with its glowing breath. You are the stone that skirts the river, that skips along its crystal plane; a surface skimmed by concentric shimmer, and trembles with the touch of rain. You are worlds that spin in orbit, a star who rose and fell; infinity summoned for audit— a penny toss in the wishing well.

A funny thing happens when you focus on work that you love; more soon starts to appear. Like attracts like. Plus, that intersection between enjoying what you do and getting paid to do it is the sweetest place of all.

Here are the words that have brought me to a new understanding. Here are the words that will bind us forever. From this day forward, I will speak your name with gratitude, knowing it is the mantra of my soul. I will let you go, knowing we are eternal. We were born to walk this world in intersecting lines. We are circles and signposts and parallels. I have left markers for you at every turn. Look for me in everything that catches your breath. Let the simple miracle of your own presence overwhelm you. For you are beautiful, in ways that can't be described. And we are love at its most inexplicable. With these words, I am one with divinity. With these words, I am one with you.

Loss is a cousin of loneliness. They intersect and overlap, and so it’s not surprising that a work of mourning might invoke a feeling of aloneness, of separation. Mortality is lonely. Physical existence is lonely by its nature, stuck in a body that’s moving inexorably towards decay, shrinking, wastage and fracture. Then there’s the loneliness of bereavement, the loneliness of lost or damaged love, of missing one or many specific people, the loneliness of mourning.

The moment you fall in love feels like it has centuries behind it, generations – all of them rearranging themselves so this precise, remarkable intersection could happen. In your heart, in your bones, no matter how silly you know it is, you feel that everything has been leading to this, all the secret arrows were pointing here, the universe and time itself crafted this long ago, and you are just now realizing it, you are just now arriving at the place you were always meant to be.

It is not that love sometimes makes mistakes, but that it is, essentially, a mistake. We fall in love when our imagination projects nonexistent perfections on to another person. One day the phantasmagoria vanishes, and with it love dies. Ortega y Gasset, On Love

...somewhere in that intersection of broken hearts and shattered souls... broken is not the end of things, but the beginning. Maybe broken is what happens before you become unbroken. What's more, maybe our broken pieces don't fit us... maybe my pieces are the very pieces needed to mend you and your pieces are the very pieces needed to mend me, but until we've been broken we don't have the pieces to mend each other. Maybe in the offering we discover the meaning, and value of being broken. Maybe...somewhere on the planet is another somebody standing around holding a bag of all the jagged, painful pieces of themselves and they can't get whole without you... Maybe love, the real kind, the kind only wished for in whispers and the kind our hearts are hardwired to want, is opening up the bag of you... And what's more, they don't cost you anything. They're free. I paid for them in the breaking... And because you're desperate, and you've tried most everything else, you empty my bag across the floor... and...find the one piece you've been missing... And when you insert that piece into the puzzle that had become you, it stops the hemorrhage, and for the first time in maybe your whole life, the wound starts to heal.

Pick something you aren't just able to do; instead, pick something you feel like you were made to do and then do lots of that. You weren't just an incredible idea that God never got around to making. The next step happened for the world when God dropped you on the planet...God decided to have us intersect history, not at just any time, but at this time. He made us to be good at a few things and bad at a couple of others. He made us to love some things and not like others. Most of all, He made us to dream...We're part of God's much bigger plan for the whole world. Just like God's Son arrived here, so did you. And after Jesus arrived, God whispered to all of humanity..."It's your move.

When we find a painting or a novel or a musical we love, we are briefly connected to the best that human beings are capable of, in ourselves and others, and we are reminded that our path through the world must intersect with others. Whether we like it or not, we are not alone.

It was hard, and we were going to be lost in the start, but if we learned to look within, we’d pave our own paths. And maybe one day those paths would intersect. Either way, that wasn’t the point. The point was to work on ourselves. To love who we are before we love someone else.

Our Master can see it all. If you drive down a long curvy road, you don’t see the twists and turns until you are on top of them. But when you see things from a much higher perspective, you can see the whole road and the twists and the turns and the beginning and the end. In Heaven we can see where you are in relation to where you’re going and we can make things happen along the way at the intersections of life. We can create the right time and the right place and we can already see how it all ends. We can see the whole story of your life while you are living it in little bits and pieces.

The thing that makes systemic oppression so difficult to discuss is that when you do, you have to acknowledge your role in it. Often this means having to admit that you're part of the problem. It's not a comfortable experience when you learn that you further or benefit from the oppression of others.

Dylan stopped at an intersection and gave Chris a long look. 'Not you. You are original. Unique.' 'That good or bad?' 'Oh definitely good. Very, very good. I'd never go back to an off-the-rack lover again.' 'Naw, you prob'ly ordered your lays from the Williams-Sonoma catalog.' 'Well, I'm done shopping now.'

What is it about the moment you fall in love? haw can such a small measure of time contain such enormity? I suddenly realize why people believe in deja vu, why people believe they've lived past lives, because there is no way the years I've spent on this earth could possibly encapsulate what I'm feeling. The moment when you fall in love feel like it has centuries behind it, generations -- all of them rearranging themselves so that this precise, remarkable intersection could happen. In your heart, in your bones, no matter how silly you know it is, you feel that everything has been leading to this, all the secret arrows were pointing here, the universe and time itself crafted this long ago, and you are just now realizing it, you are just now arriving at the place you were always meant to be.

She was sorry to have been so impatient with him. Perhaps if they had stayed together longer, Sabina and Franz would have begun to understand the words they used. Gradually, timorously, their vocabularies would have come together, like bashful lovers, and the music of one would have begun to intersect with the music of the other. But it was too late now.

Venus and her pentacle became symbols of perfection, beauty, and the cyclic qualities of sexual love. As a tribute to the magic of Venus, the Greeks used her four-year cycle to organize their Olympiads. Nowadays, few people realized that the four-year schedule of modern Olympic Games still followed the cycles of Venus. Even fewer people knew that the five-pointed star had almost become the official Olympic seal but was modified at the last moment—its five points exchanged for five intersecting rings to better reflect the games’ spirit of inclusion and harmony.

I read this forward and knew i'd love the book. This book is for you. The men & women, lost & lonely, searching & wary, uncertain & ill prepared for what the heart can lead them into. Sometimes, love is right around the corner. Its the road not taken that has suddenly intersected with that congested road of life you're traveling, bringing you to a harsh & sudden stop. It's a look. It's a smile thhat warms you to the depths of your soul, steals your breath, and pulls you aside as that moment in time screams to a halt & leaves you struggling to adjust. It's the love you didn't expect. It's the love you didn't ask for, hadn't thought aobut, & you realize it's the love that heals the wounds in your soul. It's the love that will reveal the person you are, & the life, though never perfect, that you never knew you dreamed of. Call it destiny, call it fate. Or call it a gift from God. Whichever, its the dream & the everlasting hope for the future.

...we all live our lives with multiple identities intersecting with one another, creating a mix of privileges and challenges that all people carry with us. Race, gender, economic background, religion, immigration status, family acceptance, and so much more create a complex matrix that sometimes erects obstacles but other times ensures support in overcoming barriers put in your way.

We all have our own loves, insecurities, strengths, weaknesses, and unique capabilities. And we have to take those into account in figuring out where our talents and desires intersect. That intersection is what I call your "blue flame" -- where passion and ability come together. When that blue flame is ignited within a person, it is a powerful force in getting you where you want to be.

Writing about New York is hard. Not because memories intersect and overlap, because of course they do. Not because incidents and times mix with others, because that happens too. Not because I didn't fall in love with New York, because even though I was lonely and poor, no place had ever made me feel more at home. It is because knowing what I know now, it's hard to write about a love story with a broken heart.

Kimberlé Crenshaw’s “Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color”; Jennifer L. Morgan’s Laboring Women: Reproduction and Gender in New World Slavery; All the Women Are White, All the Blacks Are Men, but Some of Us Are Brave, edited by Akasha Gloria Hull, Patricia Bell-Scott, and Barbara Smith; bell hooks’s Ain’t I a Woman: Black Women and Feminism; and Alice Walker’s In Search of Our Mother’s Gardens are all like scripture to me. Zora Neale Hurston’s Their Eyes Were Watching God was my first introduction (on the page) to a Black feminist heroine as well as to the African American southern vernacular that my mother’s family spoke.

Although I believe identity politics '"produces limited but real empowerment for its participants," it is important to note that it contains significant problems: first, its essentialist tendency; second, its fixed _we-they_ binary position; third, its homogenization of diverse social oppression; fourth, its simplification of the complexity and paradox of being privileged and unprivileged; and fifth its ruling out of intersectional space of diverse forms of oppression in reality.

Anyone who comes in contact with you will have something common with you. If two lines have intersected at a point, of course they were moving towards the same direction- in the direction of the intersection point. Therefore, marrying someone just because there is something common is a wrong idea. After the intersection, the lines move more and more apart from each other. To move together after the intersection, both of you have to sacrifice things that are not common between you.

On the Promise of the Present The eternal self dwells in eternity, and eternity intersects linear time at only one point: the present. Who you are in this moment, therefore, is who you truly are. And who you are is love itself. From that essential point of perfect being, created anew by God in every instant, miracles flow naturally. Love interrupts the past and opens the future to new probabilities. No matter who you are, no matter how young or old you are, in the present, all things are possible.

When weight loss is conflated with veganism, it falls into dangerous area of body shaming and misogyny. Mainstream media loves to make women feel inferior when it comes to their bodies and unfortunately veganism has recently become another weapon and this sexist war on our society. Thin white women are used to sell veganism as a quick fix to a more desirable body at the expense of anyone who doesn't fit the cookie cutter idea of female perfection. In addition, these images and messages work to oppress women of colour and people living with disabilities. Selling veganism as anything other than caring for animals often leads to oppression, plain and simple. We need to resist this approach to promoting veganism by drawing the fight back to animals. Every single time.

They say that the personal transformation that gives rise to self-realization – the transcendent function that leads to the highest echelon of human attainment – takes place on the border between consciousness and unconsciousness, and that when we dream we dissolve the boundary between consciousness and unconsciousness. In other words, we dream a world into being, and we are the collective product of our lifetime of immanent dreams. If the oracles are correct, I dreamed you into being, and you represent the real point of intersection between dream and reality.

Misgendering is a complicated topic to trans people as it intersects with so many other issues. Innocent misgendering by the general public can still be painful, as it’s often taken as a sign that no matter the effort we may have put in, we’re still seen as that old persona we’re trying to leave behind. Someone in the street could innocently ruin a trans person’s day by reading them as the wrong gender and openly using the wrong pronoun. By trying to keep my expectations low, I felt that I was minimising the hurt that misgendering was causing, but I’d be lying to say that it wasn’t still disappointing.

Today, with the defeat of [the Equal Rights Amendment], the tightening economy, and increased conservatism, it is easier once again for white women to believe the dangerous fantasy that if you are good enough, pretty enough, sweet enough, quiet enough, teach the children to behave, hate the right people, and marry the right men, then you will be allowed to co-exist with patriarchy in relative peace, at least until a man needs your job or the neighborhood rapist happens along. And true, unless one lives and loves in the trenches it is difficult to remember that the war against dehumanization is ceaseless.

Lake Michigan, impossibly blue, the morning light bouncing toward the city. Lake Michigan frozen in sheets you could walk on but wouldn't dare. Lake Michigan, gray out a high-rise window, indistinguishable from the sky. Bread, hot from the oven. Or even stale in the restaurant basket, rescued by salty butter. The Cubs winning the pendant someday. The Cubs winning the Series. The Cubs continuing to lose. His favorite song, not yet written. His favorite movie, not yet made. The depth of an oil brushstroke. Chagall's blue window. Picasso's blue man and his guitar. ... The sound of an old door creaking open. The sound of garlic cooking. The sound of typing. The sound of commercials from the next room, when you were in the kitchen getting a drink. The sound of someone else finishing a shower. ... Dancing till the floor was an optional landing place. Dancing elbows out, dancing with arms up, dancing in a pool of sweat. All the books he hadn't started. The man at Wax Trax! Records with the beautiful eyelashes. The man who sat every Saturday at Nookies, reading the Economist and eating eggs, his ears always strangely red. The ways his own life might have intersected with theirs, given enough time, enough energy, a better universe. The love of his life. Wasn't there supposed to be a love of his life? ... His body, his own stupid, slow, hairy body, its ridiculous desires, its aversions, its fears. The way his left knee cracked in the cold. The sun, the moon, the sky, the stars. The end of every story. Oak trees. Music. Breath. ...

We are lovers, we say Yes to each other.  Yes to life—to more and more of life—to its brevity, its grief, its disappointments.  To its possibilities, its magnificence, its glory.  We quarrel—because we glimpse further possibilities, the non-sense—and wish to lay claim to it.  We remember death, and that life is brief, and that the time for love is now and more is possible.  One more step toward the holy.  It is to know the peace that passes understanding and that there is no peace.  It is to love others as they are, warts and all, and to believe that more is possible, and to bespeak that wanting.  It is to pray 'Give us this day our daily bread….' and to know that we do not live by bread alone.  It is to remember death, and to love life and to accept them both as holy. More and more, then, the embracing of ministry is work for an artist—one who is alert to 'apprehending the points of intersection of the timeless with time.

Out there, danger wasn't something that erupted purposelessly in parking lots or at traffic intersections; it was peril, pure and moral and invigorating. Unifying. Out there, love bridged the space between planets, and betrayal risked the destruction of universes. Life was lived along a spectrum so vibrant it felt ultraviolet. How could the world outside the window seem anything but gray in comparison?

There is nothing God loves more than keeping promises, answering prayers, performing miracles, and fulfilling dreams. That is who He is. That is what He does. And the bigger the circle we draw, the better, because God gets more glory. The greatest moments in life are the miraculous moments when human impotence and divine omnipotence intersect – and they intersect when we draw a circle around the impossible situations in our lives and invite God to intervene. I promise you this: God is ready and waiting. So while I have no idea what circumstances you find yourself in, I’m confident that you are only a prayer away from a dream fulfilled, a promise kept, or a miracle performed. It is absolutely imperative at the outset that you come to terms with this simple yet life-changing truth: God is for you. If you don’t believe that, then you’ll pray small timid prayers; if you do believe it, then you’ll pray big audacious prayers. And one way or another, your small timid prayers or bid audacious prayers will change the trajectory of your life and turn you into two totally different people. Prayers are prophecies. They are best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life.

It is less that you are an adversary and more that you are someone with an opinion that (although frightening to me) might in some way enrich my own. And if I raise myself to being a partner with you on this mutual journey of ours, and if I refuse to bow to the posture of being a frightened adversary as you intersect my journey with a journey different than my own, we can profoundly change what we would have otherwise both died fighting over.

He was the one, however, with whom no one wanted his or her picture taken, the one to whom no one wanted to introduce his son or daughter. Louis and Gage knew him; they had met him and faced him down in New England, some time ago. He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boggie of electricity—Available at Your Nearest Switchplate or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nurdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too—Shower with a Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who’s out there? you howled into the dark when you were frightened and all alone, and it was his answer that came back: Don’t be afraid, it’s just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let’s go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar blue cast of the fingernails following asphyxiation—in its final grim struggle to survive the brain takes all the oxygen that is left, even that in those living cells under the nails. Hi, folks, my name’s Oz the Gweat and Tewwible, but you can call me Oz if you want—hell, we’re old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can’t stay, got to see a woman about a breach birth, then I’ve got a little smoke-inhalation job to do in Omaha. And that thin voice is crying, “I love you, Tigger! I love you! I believe in you, Tigger! I will always love you and believe in you, and I will stay young, and the only Oz to ever live in my heart will be that gentle faker from Nebraska! I love you . . .” We cruise . . . my son and I . . . because the essence of it isn’t war or sex but only that sickening, noble, hopeless battle against Oz the Gweat and Tewwible. He and I, in our white van under this bright Florida sky, we cruise. And the red flasher is hooded, but it is there if we need it . . . and none need know but us because the soil of a man’s heart is stonier; a man grows what he can . . . and tends it.

One of the ways to distance ourselves from the madnesses of our times is to retain an interest in politics but not to rely on it as a source of meaning. The call should be for people to simplify their lives and not to mislead themselves by devoting their lives to a theory that answers no questions, makes no predictions and is easily falsifiable. Meaning can be found in all sorts of places. For most individuals it is found in the love of the people and places around them: in friends, family and loved ones, in culture, place and wonder. A sense of purpose is found in working out what is meaningful in our lives and then orientating ourselves over time as closely as possible to those centres of meaning. Using ourselves up on identity politics, social justice (in this manifestation) and intersectionality is a waste of a life. We may certainly aim to live in a society in which nobody should be held back from what they can do because of some personal characteristic allotted to them by chance. If somebody has the competency to do something, and the desire to do something, then nothing about their race, sex or sexual orientation should hold them back. But minimizing difference is not the same as pretending difference does not exist. To assume that sex, sexuality and skin colour mean nothing would be ridiculous. But to assume that they mean everything will be fatal.

The fox has a long history of magic and cunning associated with it. Because it is a creature of the night, it is often imbued with supernatural power. It is often most visible at the times of dawn and dusk, the “Between Times” when the magical world and the world in which we live intersect. It lives at the edges of forests and open land-the border areas. Because it is an animal of the “Between Times and Places,” it can be a guide to enter the Faerie Realm. Its appearance at such times can often signal that the Faerie Realm is about to open for the individual. In the Orient, it was believed that faxes were capable of assuming human form. In ancient Chinese lore, the fox acquires the faculty to become human at the age of 50, and on its hundredth birthday, it becomes either a wizard or a beautiful maiden who will ultimately destroy any man unlucky enough to fall in love with her. “There are several American Indian tribes that tell tales of hunters who accidentally discovered their wives were foxes.”52 This is very symbolic of the idea of magic being born within the feminine energies, and that unless a male can recognize the magic of the feminine-in himself or others-and learn to use it to shapeshift his own life, it will ultimately lead to destruction.

Once the purging has taken place, the woman often dreams of a black goddess who becomes her bridge between spirit and body. As one aspect of Sophia, such an image can open her to the mystery of life being enacted in her own body. Her "mysterious and exotic darkness" inspires a particular depth of wonderment and love. For a woman without a positive mother, this "dark" side of the Virgin can bring freedom, the security of freedom, because she is a natural home for the rejected child. The child born from the rejected side of the mother can bring her own rebel to rest in the outcast state of Mary. In loving the abandoned child within herself, a woman becomes pregnant with herself. The child her mother did not nourish, she will now nourish, not as the pure white biblical Virgin who knew no Joseph, but as the dark Montserrat Virgin who presides over "marriage and sex, pregnancy and childbirth." The Black Madonna is nature impregnated by spirit, accepting the human body as the chalice of the spirit. She is the redemption of matter, the intersection of sexuality and spirituality. Connecting to this archetypal image may result in dreams of a huge serpent, mysterious, cold­blooded, inaccessible to human feeling. Seen as an appendage of the negative mother, it is the phallus stolen from the father and used to guard inviolate purity. Yet this same snake, when seen in relation to the moon, symbolizes the dark, impersonal side of femininity and at the same time its capacity to renew itself. The daughter who can come out from under the skin of the negative mother will not perpetuate her but redeem her. The Black Madonna is the patron saint of abandoned daughters who rejoice in their outcast state and can use it to renew the world.

My husband and I have been a part of the same small group for the past five years.... Like many small groups, we regularly share a meal together, love one another practically, and serve together to meet needs outside our small group. We worship, study God’s Word, and pray. It has been a rich time to grow in our understanding of God, what Jesus has accomplished for us, God’s purposes for us as a part of his kingdom, his power and desire to change us, and many other precious truths. We have grown in our love for God and others, and have been challenged to repent of our sin and trust God in every area of our lives. It was a new and refreshing experience for us to be in a group where people were willing to share their struggles with temptation and sin and ask for prayer....We have been welcomed by others, challenged to become more vulnerable, held up in prayer, encouraged in specific ongoing struggles, and have developed sweet friendships. I have seen one woman who had one foot in the world and one foot in the church openly share her struggles with us. We prayed that God would show her the way of escape from temptation many times and have seen God’s work in delivering her. Her openness has given us a front row seat to see the power of God intersect with her weakness. Her continued vulnerability and growth in godliness encourage us to be humble with one another, and to believe that God is able to change us too. Because years have now passed in close community, God’s work can be seen more clearly than on a week-by-week basis. One man who had some deep struggles and a lot of anger has grown through repenting of sin and being vulnerable one on one and in the group. He has been willing to hear the encouragement and challenges of others, and to stay in community throughout his struggle.... He has become an example in serving others, a better listener, and more gentle with his wife. As a group, we have confronted anxiety, interpersonal strife, the need to forgive, lust, family troubles, unbelief, the fear of man, hypocrisy, unemployment, sickness, lack of love, idolatry, and marital strife. We have been helped, held accountable, and lifted up by one another. We have also grieved together, celebrated together, laughed together, offended one another, reconciled with one another, put up with one another,...and sought to love God and one another. As a group we were saddened in the spring when a man who had recently joined us felt that we let him down by not being sensitive to his loneliness. He chose to leave. I say this because, with all the benefits of being in a small group, it is still just a group of sinners. It is Jesus who makes it worth getting together. Apart from our relationship with him...,we have nothing to offer. But because our focus is on Jesus, the group has the potential to make a significant and life-changing difference in all our lives. ...When 7 o’clock on Monday night comes around, I eagerly look forward to the sound of my brothers and sisters coming in our front door. I never know how the evening will go, what burdens people will be carrying, how I will be challenged, or what laughter or tears we will share. But I always know that the great Shepherd will meet us and that our lives will be richer and fuller because we have been together. ...I hope that by hearing my story you will be encouraged to make a commitment to become a part of a small group and experience the blessing of Christian community within the smaller, more intimate setting that it makes possible. 6

What is it that makes a person the very person that she is, herself alone and not another, an integrity of identity that persists over time, undergoing changes and yet still continuing to be—until she does not continue any longer, at least not unproblematically? I stare at the picture of a small child at a summer’s picnic, clutching her big sister’s hand with one tiny hand while in the other she has a precarious hold on a big slice of watermelon that she appears to be struggling to have intersect with the small o of her mouth. That child is me. But why is she me? I have no memory at all of that summer’s day, no privileged knowledge of whether that child succeeded in getting the watermelon into her mouth. It’s true that a smooth series of contiguous physical events can be traced from her body to mine, so that we would want to say that her body is mine; and perhaps bodily identity is all that our personal identity consists in. But bodily persistence over time, too, presents philosophical dilemmas. The series of contiguous physical events has rendered the child’s body so different from the one I glance down on at this moment; the very atoms that composed her body no longer compose mine. And if our bodies are dissimilar, our points of view are even more so. Mine would be as inaccessible to her—just let her try to figure out [Spinoza’s] Ethics—as hers is now to me. Her thought processes, prelinguistic, would largely elude me. Yet she is me, that tiny determined thing in the frilly white pinafore. She has continued to exist, survived her childhood illnesses, the near-drowning in a rip current on Rockaway Beach at the age of twelve, other dramas. There are presumably adventures that she—that is that I—can’t undergo and still continue to be herself. Would I then be someone else or would I just no longer be? Were I to lose all sense of myself—were schizophrenia or demonic possession, a coma or progressive dementia to remove me from myself—would it be I who would be undergoing those trials, or would I have quit the premises? Would there then be someone else, or would there be no one? Is death one of those adventures from which I can’t emerge as myself? The sister whose hand I am clutching in the picture is dead. I wonder every day whether she still exists. A person whom one has loved seems altogether too significant a thing to simply vanish altogether from the world. A person whom one loves is a world, just as one knows oneself to be a world. How can worlds like these simply cease altogether? But if my sister does exist, then what is she, and what makes that thing that she now is identical with the beautiful girl laughing at her little sister on that forgotten day? In this passage from Betraying Spinoza, the philosopher and novelist Rebecca Newberger Goldstein (to whom I am married) explains the philosophical puzzle of personal identity, one of the problems that engaged the Dutch-Jewish thinker who is the subject of her book.5 Like her fellow humanist Dawkins, Goldstein analyzes the vertiginous enigma of existence and death, but their styles could not be more different—a reminder of the diverse ways that the resources of language can be deployed to illuminate a topic.