Intense Seduction Quotes

Gideon: We've established some talking points: we have an intense sexual attraction and neither of us wants to date. So what do you want – exactly? Seduction, Eva? Do you want to be seduced? Eva: Sex that’s planned like a business transaction is a turnoff for me. Gideon: Establishing parameters in a merger makes it less likely that there’ll be exaggerated expectations and disappointment. Eva: Why even call it a fuck? Why not be clear and call it seminal emission in a pre-approved orifice?

But victimhood was seductive, a release from responsibility and caring. Fear would be transmuted into weary resignation; failure would no longer generate guilt but, instead, would spawn a comforting self-pity.

In order to understand the intensity of ritual forms, one must rid oneself of the idea that all happiness derives from nature, and all pleasure from the satisfaction of a desire. On the contrary, games, the sphere of play, reveal a passion for rules, a giddiness born of rules, and a force that comes from ceremony, and not desire.

victimhood was seductive, a release from responsibility and caring: Fear would be transmuted into weary resignation; failure would no longer generate guilt but, instead, would spawn a comforting self-pity.

They were not unfortunate girls who, as outcasts or in the belief that they were cast out by society, grieved wholesomely and intensely and, once in a while at times when the heart was too full, ventilated it in hate or forgiveness. No visible change took place in them; they lived in the accustomed context, were respected as always, and yet they were changed, almost unaccountably to themselves and incomprehensibly to others. Their lives were not cracked or broken, as others' were, but were bent into themselves; lost to others, they futilely sought to find themselves.

[T]he seductiveness of these unbridled and intense moods is powerful; and the ancient dialogue between reason and the senses is almost always more interestingly and passionately resolved in favor of the senses.

None of this…none of this…whatever you call this.” She waved her hand to encompass everything. Kissing. Taking her blood. Seducing her. Ordering her around. Setting perimeters. All of it. His black gaze never left her face. His eyes as still as those of a leopard scenting prey. Avid. Burning. Intense. He took her breath away with his eyes. Hypnotized her. Cast a spell over her. Tempest pulled her gaze from his, from the seductive, black velvet trap. “And stop that, too,” she said decisively, despite the fact that he made her hungry for him. “Stop what?” “Stop looking at me that way, it’s definitely out. You can’t look at me that way. It’s cheating.” “How am I looking at you?” His deep voice dropped even lower, the cadence soft and husky. Mesmerizing. “Okay, that’s out, too. No talking in that tone of voice,” she declared staunchly. “And you know very well what you’re doing. Act normal.” His white teeth gleamed at her, nearly stopping her heart. “I am acting normal, Tempest.” “Well, then, that’s out, too. No acting normal.

I sought for (and sometimes achieved) an intense concentration, a complete absorption in the worlds of mineralogy and chemistry and physics, in science – focusing on them, holding myself together in the chaos...create my own world from the neutrality and beauty of nature, so that I would not be swept into the chaos, the madness, the seduction,

That's my life: continually stepping up to and away from the edge of a hole that is by turn fascinating and terrifying- filled with whatever my faulty imagination dictates at any given time. It is absolutely imperative that I keep my distance, but the closer I get, the better I feel. Or the worse, And that's the ridiculous irony because I am compulsively drawn to this danger, and the closer I get, the closer I want to be. Those depths hold unimaginable escape-at times utter exhilaration, at others, pain so intense I can't begin to describe it. Either way the edge calls to me with it's lies that sound like promises. Soft seductive lies that I can't always resist.

It was like looking into a dream. An imagination of what seduction in its purest form would look like. This woman was so intense, so deep and utterly sensual, the music flowed right out of her onto the cello and the process moved her so much, she couldn’t contain it. It was passion and it pulled him in.

This is what he would look like if he was filling my pussy. The strain of his muscles, flex of his ass, and ram of his cock compose a seductive dance of intensity.

But he was so intense. And his smile... its like, he was a prince of seduction!

Hardly. We’ve established some talking points: We have an intense sexual attraction and neither of us wants to date. So what do you want—exactly? Seduction, Eva? Do you want to be seduced?

Their art was a natural pairing – Savannah’s poems were intensely romantic and sensual, and Antoine’s sculptures were erotically charged – and it only fueled the talk speculating if they were together.

But victimhood was seductive, a release from responsibility and caring: Fear would be transmuted into weary resignation; failure would no longer generate guilt but, instead, would spawn a comforting self-pity.

It was this intense self-discipline and objectivity that allowed Rockefeller to seize advantage from obstacle after obstacle in his life, during the Civil War, and the panics of 1873, 1907, and 1929. As he once put it: He was inclined to see the opportunity in every disaster. To that we could add: He had the strength to resist temptation or excitement, no matter how seductive, no matter the situation. Within twenty years of that first crisis, Rockefeller would alone control 90 percent of the oil market. His greedy competitors had perished. His nervous colleagues had sold their shares and left the business. His weak-hearted doubters had missed out.

The second hugely seductive move is to signal that we view the other person with a mixture of tenderness and realism. It’s often imagined that it’ll be seductive to convey an air of adoration, to hint that the other strikes us as exceptionally attractive or accomplished. But surprisingly, it is deeply worrying to be obviously adored, because everyone, from the inside, knows very well that they don’t deserve intense acclaim, are often disappointing and sometimes quite simply pitiful. So seduction involves suggesting both that one likes the other person a lot – and yet can see their frailty quite clearly, that one cope with it and forgive it with gentle indulgence. One might, towards the end of the evening drop in a small warm tease that alludes to our understanding of some less than perfect side of them: ‘I suppose you stayed under the duvet feeling a bit sorry for yourself after that?’ we might ask, with a benign smile. Such a gesture implies that we like another person not under a mistaken notion that they are flawless but with a full and unfrightened appreciation of their frailties. That ends up being powerfully seductive because it is, first and foremost, reassuring. It suggests the ideal way that we would like someone to view us within the testing conditions of a real relationship. We crave not admiration, but to be properly known and yet still liked and forgiven.

Some people went their whole lives enjoying pleasurable sex without brushing those lines, those dangerous and seductive boundaries. Others withered without it, because for them it was more than especially intense lovemaking. For them it was a need. A drive. Fulfillment. Catharsis. Scarlet's

She'd always chosen not to be victimized, to resist and fight back, to hold on to hope and dignity and faith in the future. But victimhood was seductive, a release from the responsibility and caring: Fear would be transmuted into weary resignation; failure would no longer generate guilt but, instead, would spawn a comforting self-pity.

There was an art to taking someone outside of themselves. Some people went their whole lives enjoying pleasurable sex without brushing those lines, those dangerous and seductive boundaries. Others withered without it, because for them it was more than especially intense lovemaking. For them it was a need. A drive. Fulfillment. Catharsis.

Tall and slim with exquisite high cheekbones, shining skin and a perfect jaw line, this Glamazon sauntered across the hall towards us. Her blonde hair was cut in dramatic spikes, punkish style. Her eyes were an astonishing shade, a kind of electric blue. When she looked at you, it was like having high intensity lasers trained on you. She had a kind of lustrous, supernatural beauty.

Whose little boy are you?” Now this, unbelievably, was precisely the phrase used by pimps and racketeers on the Avenue when they suggested, both humorously and intensely, that I “hang out” with them. Perhaps part of the terror they had caused me to feel came from the fact that I unquestionably wanted to be somebody’s little boy. I was so frightened, and at the mercy of so many conundrums, that inevitably, that summer, someone would have taken me over; one doesn’t, in Harlem, long remain standing on any auction block. It was my good luck—perhaps—that I found myself in the church racket instead of some other, and surrendered to a spiritual seduction long before I came to any carnal knowledge. For when the pastor asked me, with that marvellous smile, “Whose little boy are you?” my heart replied at once, “Why, yours.

His fingers come to my chin, tilting my head so I am looking up into his black eyes, the rage in them as hot as coals. 'You just think I ought to. That I can. That's I'd be good at it. Very well, Jude. Tell me how it's done. Do you think she'd like it if I came to her like this, if I looked deeply in to her eyes?' My whole body is alert, alive with sick desire, embarrassing in its intensity. He knows, I know he knows. 'Probably,' I say, my voice coming out a little shakily. 'Whatever it is you usually do.' 'Oh, come now,' he says, his voice full of barely controlled fury. 'If you want me to play the bawd, at least give me the benefit of your advice.' His beringed fingers trace over my cheek, trace the line of my lip and down my throat. I feel dizzy and overwhelmed. 'Should I took her like this?' he asks, lashes lowered. The shadows limn his face, casting his cheekbones in to stark relief. 'I don't know,' I say, but my voice betrays me. It's all wrong, high and breathless. He presses his mouth to my ear, kissing me there. His hands skim over my shoulders, making me shiver. 'And then like this? Is this how I ought to seduce her?' I can feel his mouth shape the light words against my skin. 'Do you think it would work?' I dig my fingernails in to the meat of my palm to keep from moving against him. My whole body is trembling with tension. 'Yes.' Then his mouth is against mine, and my lips part. I close my eyes against what I'm about to do. My fingers reach up to tangle in the black curls of his hair. He doesn't kiss me as though he's angry; his kiss is soft, yearning. Everything slows, goes liquid and hot. I can barely think. I've wanted this and feared it, and now that it's happening, I don't know how I will ever want anything else.

To give a truthful account of London society at that or indeed at any other time, is beyond the powers of the biographer or the historian. Only those who have little need of the truth, and no respect for it — the poets and the novelists — can be trusted to do it, for this is one of the cases where the truth does not exist. Nothing exists. The whole thing is a miasma — a mirage. To make our meaning plain — Orlando could come home from one of these routs at three or four in the morning with cheeks like a Christmas tree and eyes like stars. She would untie a lace, pace the room a score of times, untie another lace, stop, and pace the room again. Often the sun would be blazing over Southwark chimneys before she could persuade herself to get into bed, and there she would lie, pitching and tossing, laughing and sighing for an hour or longer before she slept at last. And what was all this stir about? Society. And what had society said or done to throw a reasonable lady into such an excitement? In plain language, nothing. Rack her memory as she would, next day Orlando could never remember a single word to magnify into the name something. Lord O. had been gallant. Lord A. polite. The Marquis of C. charming. Mr M. amusing. But when she tried to recollect in what their gallantry, politeness, charm, or wit had consisted, she was bound to suppose her memory at fault, for she could not name a thing. It was the same always. Nothing remained over the next day, yet the excitement of the moment was intense. Thus we are forced to conclude that society is one of those brews such as skilled housekeepers serve hot about Christmas time, whose flavour depends upon the proper mixing and stirring of a dozen different ingredients. Take one out, and it is in itself insipid. Take away Lord O., Lord A., Lord C., or Mr M. and separately each is nothing. Stir them all together and they combine to give off the most intoxicating of flavours, the most seductive of scents. Yet this intoxication, this seductiveness, entirely evade our analysis. At one and the same time, therefore, society is everything and society is nothing. Society is the most powerful concoction in the world and society has no existence whatsoever. Such monsters the poets and the novelists alone can deal with; with such something-nothings their works are stuffed out to prodigious size; and to them with the best will in the world we are content to leave it.

Since she had arrived for her stay at the artists’ colony called Les Beaux Arts at the Chateau DeRoche, she’d noticed something different about the owner, Antoine Chevalier. And not just the way his eyes bore into hers, shooting shivers through her and making it difficult to breathe. His quiet nature, his preference for seclusion for days at a time, and his still, composed temperament belied an intensity within. Noir eyes that rarely blinked spoke of haunted depth and smoldering passion.

Him, yes him, this carefree and pathological liar, this cynical pervert, thus everywhere comes within in him, therefore this intense demonic coldness, where his mind is locked up by this intense darkness, and where there lies no humanity in him. Seduction is his game, to lie to satisfy his egotistical character as a narcissistic psychopath. In the end, whatsoever where he sets foot, there comes destruction, malice, betrayal, lies, greed, dupery, disloyalty, in his clothes of an evil charmer.

My back hit the wall. He closed in with an almost terrifying intensity. His muscular body boxed me in. “Rogan,” I warned. In my head, a song played over and over, singing to me in a seductive voice, Rogan, Rogan, Rogan, sex . . . want . . . “Remember that dream you had?” His voice was low, commanding. “Rogan!” The delicious warmth danced around my neck. “Where I had no clothes?” The warmth split and slid over me, over the sensitive nerves in the back of my neck, over my collarbone, around my breasts, cupping them and sliding fast to the tips, tightening my nipples, then sliding down, over my stomach, over my sides and butt, down between my legs. It was everywhere at once, and it flowed over me like a cascade of sensual ecstasy, overloading my senses, overriding my reason, and rendering me speechless. I hurtled through it, trying to sort through the sensations and failing. My head spun. He was right there, masculine, hot, sexy, so incredibly sexy, and I wanted to taste him. I wanted his hands on me. I wanted him to press himself against the aching spot between my legs. His arms closed around me. His face was too close, his eyes enticing, compelling, excited. “Let’s talk about that dream, Nevada.” I was trapped. I had nowhere to go. If he kissed me, I would melt right here. I would moan and beg him, and I would have sex with him right here, in the Galleria, in public. A spark of pain drained down my arm, driven by pure instinct. I grabbed his shoulder. Feathery lightning shot out and singed him. Agony exploded in me, cleansing like an ice-cold shower. Rogan’s body jerked, as if struck by an electric current. It lasted only a second, and I didn’t push as hard as I could have. I was learning to control it. Rogan whipped back to me, his eyes feral. His voice was a ragged growl. “Was that supposed to hurt?” “It was supposed to get your attention.” I pushed him back with my hand. “You were getting really excited.” “‘No’ would’ve been sufficient.” “I wasn’t sure.” I pushed from the wall and headed for the exit. “I said ‘once.’ That was more than once. I wanted you to stop.” “I was encouraged by you breathlessly moaning my name.” I spun on my foot. “I wasn’t moaning your name. I was shrieking in alarm.” “That was the sexiest throaty shrieking I’ve ever heard.” “You need to get out more.” My cheeks were burning.

Here’s what happens when a single mom meets New York City’s hottest fireman… “Then…seductively…as if he received instruction not from the FDNY’s training school but at Chippendale’s…he slowly inches each suspender off his bare shoulders.” “You must know that exhilarating feeling of a man’s body on top of yours, all that power and muscle pressing you into the bed, the glorious taste of his tongue in your mouth, the manly scent that washes over you and makes you want to melt underneath him.” “Let’s not forget about his nine inches of shapely fireman hose dangling so close in front of my face the scent launches me into a blissful fever.” “Every place he touches contradicts his chosen profession, because instead of putting out a fire he surely starts one.” “I’m so darn helpless in the arms of this powerful, young, ripped personification of New York’s Bravest that I feel myself about to erupt in the most earth shattering explosion since Mount Vesuvius last announced her presence.” “I wonder if he could be enticed to show us a few maneuvers on the brass pole.” “He orchestrates his own personal opera, inspiring high notes with kisses and licks along my elongated nipples, and deep moans with hands that caress my belly.” “We are drawn uncontrollably to each other and have no power to resist, only the tremendous desire to experience everything in its most intense form.

There were no such stipulations made when we discussed the agreement." "Nor were they expressly not made. I am making them now. You received what you requested. Or, have you forgotten?" The words sent a shiver down her spine. He was standing behind her, and she could feel the warm kiss of his breath on her bare neck, sending a river of heat through her. "I have not forgotten." The words came unbidden, and she closed her eyes. He laid a hand on her arm and, with virtually no pressure, turned her face to him. When he met her eyes, the anger that had been there was gone, replaced by something much more complex. "Neither have I. And not for lack of trying." Before she could begin to consider the meaning behind his words, he settled his mouth upon hers, robbing her of thought. "I've tried to forget that kiss... and the carriage ride... and the fencing club... but you seem to have taken up residence... in my memory." As he spoke between long, drugging kisses that consumed her senses, he guided Callie across the study and into a large chair near the fireplace. Kneeling in front of her, he cupped one cheek in a strong, warm hand, and met her gaze with a searing look. Shaking his head as though he couldn't quite understand what had come over him, he kissed her again, growling low in the back of his throat. Her hands found their way into his thick, dark hair as he caught her bottom lip in his teeth, nibbling and licking at it until she thought she might perish from the intensity of the feeling. She whimpered at the sensation, and he rewarded the sound by deepening the kiss, giving her everything she desired. He broke off the kiss as one of his hands found its way under her skirts, caressing up the inside of her leg. He shifted her against him, running his lips across her cheek to the curl of her ear, sucking and nibbling and licking as he spoke to her, the scandalous words more sensation than sound. "Such soft skin..." he said, as his fingers played along the inside of her thighs, driving her mad with desire as heat pooled at their juncture. "I've been wondering what you felt like here..." He shifted to gain better access to the skin high on the inside of her thighs, so close to the spot where she most wanted him. "Now that I know... I'm going to be consumed with thoughts of how this soft, lovely skin will feel against me..." He placed a soft, lush kiss on the column of her neck as his hand moved higher, closer to the center of her.

A fresh, uplifting mélange of Italian bergamot, mandarin, and raspberry that comprised the opening accord filled her nostrils with the carefree scents of spring. Her imagination soared with memories. The gardens of Bellerose, picnic baskets bursting with summer fruits on sunny Mediterranean beaches, summers spent on the Riviera, yacht parties, and the casino in Monte Carlo. The plain little bottle held the essence of the happy life she had known. She inhaled again, closed her eyes, and allowed her mind to wander, to visualize the images the aroma evoked. Excitement coursed through her veins. She imagined a glamorous, luxurious lifestyle of exotic locales, mysterious lovers, sandy beaches, glittering parties, elegant gowns, and precious jewels. And amid it all, sumptuous bouquets of fabulous flowers, enchanting and romantic, intense aromas of pure, bridal white jasmine and sultry tuberose, and the heady, evocative aroma of rose. Seductive spices, clove with musk and patchouli, smoothed with sandalwood and vanilla, elegant and sensual, like a lover in the night. And finally, she realized what was missing. A strong, smooth core, a warm amber blend that would provide a deep connection to the soul. Love.

Aidan," she said with a tiny shake of her head, very low. "I..." Her jaw seemed to have locked in place- why, her entire body. She could say no more. She'd certainly lost the power to move. And Aidan... she was heatedly aware of those sapphire eyes roving her features until she longed to scream. "No need to say more," he said very quietly. "I see I am to take my leave now." He released her hands. It came then, when she least expected it... perhaps when she should have most expected it. His lips were rather cold from the frigid air outside. His kiss was not. And it was like nothing she'd ever imagined. She thought immediately of Raven and Rowan, for it was one thing to write about a kiss, having never truly experienced it... And quite another to actually feel it. And feel it she did, a kiss so heated and intense, it burned clear to the very bottom of her soul. The taste of him was like nothing she'd ever expected; the combination of warmth and cold turned to fire with blistering heat. His kiss sent heat blazing to every part of her. His hands stole inside her cloak, closing around her waist and pulling her hard against him. She chafed at the burden of his greatcoat. She itched to rip it open, tear at his shirt until she could feel warm, masculine skin and truly know what it was to feel a man's flesh.

Political change--alterations in public mood, sharp shifts in crowd sentiment, the collapse of party allegiance--has long been a subject of intense interest to academics and intellectuals of all kinds. There is a vast literature on revolutions, as well as a mini-genre of formulas designed to predict them. Most of these investigations focus on measurable, quantifiable economic criteria, like degrees of inequality or standards of living. Many seek to predict what level of economic pain--how much starvation, how much poverty--will produce a reaction, force people to the street, persuade them to take risks. Very recently, this question has become more difficult to answer. In the Western world, the vast majority of people are not starving. They have food and shelter. They are literate. If we describe them as "poor" or "deprived," it is sometimes because they lack things that human beings couldn't dream of a century ago, like air-conditioning or Wi-Fi. In this new world, it may be that big, ideological changes are not caused by bread shortages but by new kinds of disruptions. These new revolutions may not even look like the old revolutions at all. In a world where most political debate takes place online or on television, you don't need to go out on the street and wave a banner to assert your allegiance. In order to manifest a sharp change in political affiliation, all you have to do is switch channels, turn to a different website every morning, or start following a different group of people on social media.

What did she think she understood about him? His gorgeous appearance was only the first layer, yet it was one that she savored now as if she had been hungry for it all of her life. Α wealth of lace and silk on a man was something she had always taken for granted. It spoke of power and social status, vital to the structure of society. Yet Alden had turned it into something else His appearance was both beautiful and witty, almost as if he celebrated the irony of hiding masculine muscle beneath such essentially feminine frippery. For a woman to put her hand on a man's sleeve and feel the hard tension of his arm beneath the silk was intensely erotic. Perhaps no age had ever been as blatantly sensual as this one. No wonder men like Alden reveled in it, reaping woman after woman like a scythe harvesting flowers.

bold front she portrayed, this Earth woman had concerns he might not have considered. For all she knew, the Challenge had begun the moment she’d traveled through time. At the moment, he had absolutely no idea what she was thinking. FINALLY, KAHN decreased the stimulation in Tessa’s suit. After several minutes of diminished intensity, she’d recovered enough to concentrate better on his words, but focusing wasn’t easy. Kahn folded his arms over his chest. “We have less than a month to train you for the Challenge. Our goal is for you to operate your suit and our machinery at the highest proficiency possible. Watch and do not be alarmed.” Tessa blinked as the man went from seductive to businesslike. She’d thought he would accept her invitation for him to touch her without hesitation—but he wanted to talk about machinery. Kahn had picked a hell of a time to change the subject, and her elevated hormones were going nuts. She fought those hormones by telling herself that her body had simply responded to the unwanted stimulation in a natural manner. She drew in deep breaths through her nose and forced air from her mouth in an attempt to clear her head. Kahn opened a wall panel and again showed her the communications screen. “Beside the screen is a musical library and a holovision system for entertainment.” “Okay.” She forced herself to listen even while her nerves endings demanded attention. At least her suit had stopped the nonsense, but she still tingled from the after effects. And she couldn’t help noticing Kahn’s muscular body in a way she hadn’t before Dora’s suggestion. No longer could she assess his musculature only as that of an opponent. Now she saw his muscles as pleasing to the eye, his flesh satisfying to her touch, his lips gratifying her desire to be kissed. A startling idea popped into her mind, unbidden

Life will always come up with three demands: 1. Asking for your time to be invested in what you love doing 2. Asking you to urgently focus on what you don't like doing (sometimes what you intensely dislike) but stuff which is unavoidable and important 3. Asking you to try and keep doing multiple stuff that definitely interest you, excite you, but are not your Bliss...they are likeable stuff, but not exactly loveable stuff. Often times, you end up constantly responding to Demands 2 & 3 - 2, because they are non-negotiable and 3, because they are enticing, seductive, also financially rewarding. Now, if you did not have an idea about what you love, what your Bliss is, what your Purpose in Life is, you can dabble in 2 & 3, until you have your "1 Zone" clearly defined. But if you have a clear idea of 1, stay with 1 & 2. Make Demand 1 your non-negotiable too. You will live happily ever after!!!

On the King were two sinewy males actively servicing the strapping Italian. The strikingly handsome dancer was straddling the hairy photographer, his drumming hardness coddled inside the machismo’s mouth as Mario relished the protrusion with feverous gusto, wetting the throbbing length with salivary potency. Behind Jamal, Albert was suckling the Italian’s bulging protuberance and lapping at the plumpness below. The dancer’s seductive buttocks plummeted rhythmically as he fed his stiffness into the Count’s oral hollow. This homoeroticism had inflamed my libido. Transfixed on their erotic prowess, my palpitating puissance throbbed unceasingly within my trousers. I craved to partake in their uninhibited proclivities and be free of the constraints of my apparel. Zac was the one who nudged me back to my photographic sorcery. I clicked away from left to right and from above to below, capturing the fiery intensity that prevailed throughout the course of my arousing mission.               When Jamal’s pulsating organ eased conspicuously down Albert’s throat and Mario’s hardness came close to impaling the boy’s silky bottom, Zac

Rebellious"™ You're a barefoot odyssey, perched on a granite counter. Perched on edgeless intensity and arched reasoning. Why do I succumb to valiant persuasions? Just shatter me with your mammoth reality, break me into shards you think will clatter. But, I'm not made of material gravity I'm a symphony of notes looking to burst free! Call me lyrical, call it mercy, call this poetic justice and end my dispassionate existence so criminal. Bang your gavel against my criminalistic loins, I'm guilty of animalistic tendencies and tamed to humanoid inadequacies. I can shatter you in all aspects, and put you back in form in all retrospectives. I do not care to mold you into material to use as an art plateau. My hilly curves canvas's your mighty sword, burst free! Sing to me! Write me your lies. I beckon to endure your truths passionately, injustice webbed upon us is it poetic? Or law abiding? Where will it begin? Where will it end? Time has frozen around me, and all I can think of is this consumption of you. Wholely intoxicating, and wholely seductive. And I can't decide; When your limbs are apart and pinned displayed like a canvas to be ravaged, will you be entirely vulnerable to my demonstrations? Or will you swallow me whole? Swallow you, wallow in you... I'm invaded by your touch. Caught up! Caught up! Caught up! So caught up to us. I say; just lay down my body, tie up my mind, spank my assets, kisses so low and divine. This hasn't yet fully begun, and for sure won't end soon. So meet in our place of desire this noon, when footsteps cross the moon. Darkness descends during daylight when I draw the curtains tight, shutting out the world that claims our time. Now you're mine, you can't escape me, you can't escape this! I won't let you! Now you're a convoluted odyssey subdued by ministration firm, tender, meticulous, smitten, sensitized and shackled. You're a richly tainted taste of sin. A resolute candle of insatiable inspiration. Whose wick lit quick, whose burn smoulders on. Lights out, darkness nears and you burn within me. If I'm a sin, get on bended knees. Prey on me, and you're forgiven. To hell with Mary I want to cum quick see? Rebel no more, we've found retribution! Call it retribution, call it mercy, call this poetic justice, call this confession. I want the marks of your claws to escort me out the door. I want the ruthless indulgence of rebellion tattooed across your psyche! Exhale my name, and blow the flame out! I'll lay and lay som more, till the next time my rebellious lover comes through the door...

I knew from experience that my sensitivity to what scripture calls "powers and principalities" was stronger some days than others. As I biked through downtown (Cochabamba, Bolivia), I saw groups of young men loitering on the street corners waiting for the next movie to start. I stopped and walked through a bookstore stacked with magazines depicting violence, sex, and gossip, endless forms of provocative advertisement and unnecessary articles imported from other parts of the world. I had the dark feeling of being surrounded by powers much greater than myself and felt the seductive allure of sin all around me. I got a glimpse of the evil behind all the horrendous realities that plague our world-extreme hunger, nuclear weapons, torture, exploitation, rape, child abuse, and various forms of oppression-and how they all have their small and sometimes unnoticed beginnings in the human heart. The demon is patient in the way it seeks to devour and destroy the work of God. I felt intensely the darkness of the world around me. After a period of aimless wandering, I biked to a small Carmelite convent close to the house of my hosts. A very friendly Carmelite sister spoke to me and invited me into the chapel to pray. She radiated joy, peace, and yes, light. She told me about the light that shines into the darkness without saying a word about it. As I looked around, I saw the images of Teresa of Avila and Therese of Liseaux, two sisters who taught in their own times that God speaks in subtle ways and that peace and certainty follow when we hear well. Suddenly, it seemed to me that these two saints were talking to me about another world, another life, another love. As I knelt down in the small and simple chapel, I knew that this place was filled with God's presence. Because of the prayers offered there day and night, the chapel was filled with light, and the spirit of darkness had not gotten a foothold there. My visit to the Carmelite convent helped me realize again that where evil seems to hold sway, God is not far away, and where God shows his presence, evil may not remain absent for very long. There always remains a choice to be made between the creative power of love and life and the destructive power of hatred and death. I, too, must make that choice myself, again and again. Nobody else, not even God, will make that choice for me.

Suddenly his mind played a trick on him. He imagined her, not on the deck beside him, but in a ballroom, in a beautiful ball gown. His heart turned over hard, then thundered. Good God, she would be so beautiful . . . For a moment, speech failed him. She would have a dozen suitors, he realized, still stunned. “Amanda,” he heard himself say, his gaze holding hers “when you come out, I must insist on the first dance.” “You want the first dance?” she gasped. He tore his gaze away, shaken by the possessive desire that had arisen. “I do. In fact, I will make certain to be in London for your first ball—if you promise me that dance.” She turned away, incredulous, but the rope between them went taut. “Of course,” she said breathlessly. Then she faced him, still surprised. “But why?” “Are you not my protégée?” he asked, trying to sound casual. But he knew that she would be too beautiful to resist in a ball gown, whirling about the floor in a gentleman’s arms. It flashed through his mind that he might not be that pleased when she was introduced into society, because no gentleman would be immune to her beauty. And suddenly he wanted that first dance very badly—suddenly he ached for it. He glanced at her through his lashes. “Is it not my right to dance with you before all others?” he asked softly, unable to help himself. He could not control himself. They were standing near the helm in gale winds, the deck rocking heavily beneath their feet, and he was thinking of this woman, her beauty, her allure and his passion, not the storm. He knew he would feel as intensely passionate dancing with her as he would if he allowed himself to take her to his bed. She began to smile. “I am clumsy,” she warned. He laughed, relieved by her absurd comment. “Impossible. You are light on your feet—we locked swords, remember? I know you will excel at dancing, just as you will excel at all of your current studies.” She suddenly lowered her dark lashes. “Very well. I will allow you the first dance—if you allow me to ride the storm here with you.” “Absolutely not!” he shouted, aghast. “I do not need you going overboard, either!” She pulled on the rope binding them, then gave him a sideling, seductive look. “I can hardly fall overboard now.” He shook his head, furious with her for daring to use that dance against him, and glanced at the high, white foam of the seas. The horizon ahead was now pitch-black, a sight he did not care for. He turned back to her. “I will not barter for that dance,” he warned. He was going to have it, no matter what she now intended.

Why would I joke about sin?" The urge to cross her over became a sweet and intense pain. "Because you think it's cool or something." She glanced up at him and smiled, then caught his eyes and started as if she had finally seen the danger there. He loved the fear he now saw on her face. He wanted to turn that fear into jagged terror. "Sin and suffer," he whispered and brushed her hair away from her neck, exposing the rapid pulse of vein. She sucked in air and took a quick step backward, her hand smoothing her throat. He wanted her to turn and run. Above all, he enjoyed the chase.

Dylan Caruso, the one in all black with silvery-white hair and black roots, rings and tattoos all over his hands, seductive hooded eyes covered in kohl, and a killer smile, flicks a lighter on and off. Alistair King sits next to him in his black netted outfit covered in thick jewelry, his curly, light-brown hair softly swishing in the wind, and a devilish smirk on his pale face as he looks down at the girls. But worst of all is Felix Rivera … a brown-haired guy with a face so sharply cut and intense sanpaku hazel eyes so deeply sunken in that it does honor to his society’s name.

what matters is not education or money, but your persistence and the intensity of your desire to learn; that failures, mistakes, and conflicts are often the best education of all; and how true creativity and mastery emerge from all this.

I stood under the arch and absorbed the image. Rose and blue and ancient oriental rugs held pale pink loveseats with curved arms and perfectly faded silk upholstery. Sheer white-winged angels floated on a ceiling of baby-blue sky with clouds of spun gold. And eastern-facing windows of blue stained glass held paler blue stained-glass crosses in the middle. Daylight and streetlamps were obliterated by thick velvet curtains with gold tasseled ropes, and a small, dusty beam of faded light managed to seep past the heavy drapes, making it look like the tail end of the day instead of the early part of the afternoon. His home was lavish and seductive, and I thought it rare that a man living alone could create a thing of such intensity. For the second time in two days I found myself having to adjust my opinion of Michael Bon Chance. It was a marble fountain that ended my reverie and brought me back down to earth. It was the true centerpiece of the room, with water slowly seeping from a cracked jug and dripping over a statue of a nude couple, bathing. I cringed at the sound. Michael looked at me. "Something wrong?" "It's the dripping." He went over to the bar and poured me a glass of wine. "You're tense. Maybe this will help." I took a sip from the glass and put it down on the fireplace mantel. I caught a glimpse of Michael and myself in the mirror above the fire and felt trapped by how beautiful we looked in the rose glow of the dragon's-head lamps with pale pink bulbs.

Intense desire has a distracting power on a woman, just as the Siren’s physical presence does on a man.

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Having been a Ship’s Captain, a Naval Officer a Mathematics & Science Teacher, most people would believe that my primary interests would be directed towards the sciences. On the other hand, those that know me to be an author interested in history, may believe me to be interested in the arts. University degrees usually fall into the general category of Art or Science. It’s as if we have to pick sides and back one or the other team…. With my degree in Marine Science I am often divided and pigeon holed into this specific discipline or area of interest. One way or the other, this holds true for most of us but is this really true for any of us. As a father I can certainly do other things. Being a navigator doesn’t preclude me from driving a car. Hopefully this article does more than just introduce Cuban Art and in addition gives us all good reason to be accepted as more than a “Johnny One Note.“ My quote that “History is not owned solely by historians. It is a part of everyone’s heritage” hopefully opens doors allowing that we be defined as a sum of all our parts, not just a solitary or prominent one. As it happens, I believe that “Just as science feeds our intellect, art feeds our soul.” For the years that Cuba was under Spanish rule, the island was a direct reflection of Spanish culture. Cuba was thought of as an extension of Spain's empire in the Americas, with Havana and Santiago de Cuba being as Spanish as any city in Spain. Although the early Renaissance concentrated on the arts of Ancient Greece and Rome, it spread to Spain during the 15th and 16th centuries. The new interest in literature and art that Europe experienced quickly spread to Cuba in the years following the colonization of the island. Following their counterparts in Europe, Cuban Professionals, Government Administrators and Merchants demonstrated an interest in supporting the arts. In the 16th century painters and sculptors from Spain painted and decorated the Catholic churches and public buildings in Cuba and by the mid-18th century locally born artists continued this work. During the early part of the 20th century Cuban artists such as Salvador Dali, Joan Miró and Pablo Picasso introduced modern classicism and surrealism to Europe. Cuban artist Wilfred Lam can be credited for bringing this artistic style to Cuba. Another Cuban born painter of that era, Federico Beltran Masses, known to be a master of colorization as well as a painter of seductive images of women, sometimes made obvious artistic references to the tropical settings of his childhood. As Cuban art evolved it encompassed the cultural blend of African, European and American features, thereby producing its own unique character. One of the best known works of Cuban art, of this period, is La Gitana Tropical, painted in 1929, by Víctor Manuel. After the 1959 Cuban Revolution, during the early 1960’s, government agencies such as the Commission of Revolutionary Orientation had posters produced for propaganda purposes. Although many of them showed Soviet design features, some still contained hints of the earlier Cuban style for more colorful designs. Towards the end of the 1960’s, a new Cuban art style came into its own. A generation of artists including Félix Beltran, Raul Martinez, Rene Mederos and Alfredo Rostgaard created vibrantly powerful and intense works which remained distinctively Cuban. Though still commissioned by the State to produce propaganda posters, these artists were accepted on the world stage for their individualistic artistic flair and graphic design. After bringing the various and distinct symbols of the island into their work, present day Cuban artists presented their work at the Volumen Uno Exhibit in Havana. Some of these artists were Jose Bedia, Juan Francisco Elso, Lucy Lippard, Ana Mendieta and Tomas Sanchezare. Their intention was to make a nationalistic statement as to who they were without being concerned over the possibility of government rep

One sleepless night shortly after the boy’s arrival, I was going through a tough time, missing you. Bernard heard my sobs and crept into my bed. We held each other close. I could not help but relish his intimacy and his warm body next to mine. Wrapping my arms around the boy, we were aroused by the passionate auras surrounding the both of us. As an experienced ‘big brother’ I took charge. I kissed his tender lips before planting soft kisses on his closed lids, and soon I was nibbling at his delicate earlobes. He groaned with pleasure, desiring to do the same to me. Before I knew it, we were taking turns caressing each other’s nipples. Our seductive foreplay lasted for a long time until we could stave off our sexual urges no longer. He engulfed my manhood, licking, suckling and engorging mouthfuls of my rod. I could hold back no longer. Pressing his head against my crotch, I released my abundance into his orifice with forceful intensity. Yet he continued to nourish himself on my length; unwilling to relinquish his feed, he greedily guzzled the last drop of my seed down his yearning throat. His sensuality propelled me to share my lingering sustenance from his delectable tongue. We French kissed until we were drunk with the elixir of love. His youthful beauty did not fail to arouse me to another bout of sexual vitality. As I flipped him on his stomach, he lifted his derriere to receive my pulsing organ. He hungered for my entry and I – I was deliriously ready to feed this angelic sprite with my protruding protraction. Gently and lovingly I submerged myself into his person, gyrating slowly to the rhythmic flow of our entangled bewilderment. He opened willingly to my warmth as I plunged inside him, at times fast and furious and at others slow and gentle. In the process I ground his manhood onto the bed, coercing him into ecstatic moans before giving in to cries of whimpering ecstasies. My hand reached around his slender torso, working his hardness to the point of no return. He could not hold off any further. Jets of oozing cum shot onto my stroking palm. His sexiness sent my ejaculation spewing deep inside his opening as he swallowed my dripping seed between his pining fissures. He devoured his own seed from my fingers as I planted caresses on his amorous mouth, sharing every creamy bead of his milkiness between us. He wanted me in him, like I did you, long after our tantalizing desires had subsided. Our friendship took on an intimate significance that night, which we shared over and over again during our time together before Bernard left for Scotland and I to my new dig. Keep your news coming, Andy. Like you, I look forward to receiving your uplifting messages. Love and kisses, Young, Xoxoxo

The old-style carnivals gave a chance for the individual liberties denied in daily life to be ecstatically tasted; now the sorely missed opportunities are those of loosing the burden and burying the anguish of individuality through dissolving the self in a 'greater whole' and joyously abandoning oneself to its rule, celebrating in brief yet intense festivals of communal merry-making. The function (and seductive power) of liquid modern carnivals lies in the momentary resuscitation of the togetherness that has sunk into a coma.

His eyes closed, savoring the feel of her body against his, the fact that he could want her with such intensity. He held her, wanting her, needing her, burning for her, not even understanding how such a firestorm could consume him. Reluctantly he lifted his head, his body raging at him. “Let us go home, Raven.” His voice was pure seduction. A slow smile curved her soft mouth. “I don’t think it’s safe. You’re the kind of man my mother warned me about.” He kept his arm possessively around her shoulders, shackling her to him. Mikhail had no intention of allowing her to leave his side again. His body urged her in the direction he wanted. They walked together in companionable silence. “Jacob wasn’t going to hurt me,” she denied suddenly. “I would have known.” “You were not touching him, little one, and it was lucky for him.” “He’s certainly capable of violence. It’s always hard to miss violence.” She flashed him her mischievous smile. “It clings to you like a second skin.” He tugged at her thick braid in retaliation for her teasing. “I want you to come stay in my home. At least until we find and dispose of the assassins.” Raven walked several steps in silence. He had said we, as if they were a team. That pleased her. “You know, Mikhail, it was the strangest thing today. Not one person at the inn or in the village seemed to know of the murder.” His finger flicked along her delicate cheekbone. “And you said nothing.” She flashed him a quelling glance from under long lashes. “Of course not. Gossiping is not my form of entertainment.

Why do you fear me, Raven? You have seen me at my worst, as a killer, a dispenser of justice for our people.” His thumbs stroked her nipples, a slow, erotic brush that sent liquid heat curling through her. “Do you believe I am evil? Touch my mind, little one. It is impossible for me to hide anything from you. I never concealed my true nature from you. You looked upon me once with the eyes of compassion and love. Of acceptance. Has that all been forgotten?” Raven closed her eyes, long lashes sweeping down on high cheekbones. “I don’t know what to believe anymore.” “Kiss me, Raven. Merge your mind with mine. Share your body so that we are completely one being. You trusted me before. Do so now. Look at me with the eyes of love, in forgiveness for the things I have been forced to do, for the beast in my nature. Do not look at me through the eyes of one who would wish to destroy our people and us. Give yourself to me.” His voice was seductive, a black magic spell, his hands caressing every beloved inch of her satin skin. He had committed every hollow, every curve, to memory. His body burned with need, and his hunger was rising. Her hunger, his. Very gently, so as not to alarm her, Mikhail pressed her slender body to the quilt, his muscular frame covering her smaller one like a blanket. She was so petite, so fragile, beneath his exploring hands. “Why have you become my life, Mikhail? I’ve always been alone and strong and sure of myself. You seem to have taken over my life.” His palms slid up the curve of her body to frame her face. “You are my only life, Raven. I will admit I took you from all you knew, but you were never meant to live in isolation. I know what that does, how desolate life can be. The people you worked for were using you up. Eventually they would have destroyed you. Can you not feel that you are my other half--that I am yours?” His mouth drifted over her eyes, her cheekbones, each corner of her mouth. “Kiss me, Raven. Remember me.” She lifted long lashes and searched his black, hungry gaze with blue eyes that had darkened to deep purple. There was a burning intensity in the heat of his gaze, of his body. “If I kiss you, Mikhail, I won’t be able to stop.

Zidane's words struck a deep chord inside Leah's heart as the opera of romance started to play and vibrate within her as his heavy breath caressed her skin, laden with intense passion and desire as it seductively tickled her cheek.

Broward had been vilified by modern environmentalists for his intense assautl on the everglades, but he was considered a staunch conversvationist in his day. he supported strict laws to protect fish, game, birds, and oysters, and his top priority was the reclamation of a swamp for agriculture and envelopment. Brossard never stopped to think what draining the Everglades might do to the fish, game, birds, and oysters that lived there, but hardly anyone did. The conservationist John Giford dedicated his book of Everglades essays to Broward, explaining that “the man who makes two blades of grass grow where only one grew before is the proverbial public benefactor, bu the man who inaugurates a movement to render 3,000,000 acres of waste land highly productive deserves endless commendation.” Broward was also a progressive- an anti railroad, anti corporation, anti-Flagler populist. His crusade for Everglades drainage was not just a fight for man against nature; it was a fight for ordinary Floridians angst’s the “seductive and enslaving power of corporate interests” who monopolized state lands without improving them. Flagler and other railroad barons, he complained, were “draining the people instead of the swamps” At a time when the richest one percent of Americans owned halfthe nation’s wealth, when forty-two corporate trusts controlled at least 70 percent of their industries, Broward wanted to turn the Everglades into a place where ordinary people could deprive their lot in life through hard work. That’s what he had done.

Feel the beat. It is the wind,” A’isha directed. “Fly with it.” The soft beat of a drum, paired with the lilting melody of a flute, filled the room as Danica stepped onto the dais at the back of the nest. Closing her eyes, Danica stretched upward, moving onto the balls of her feet, wrists crossed high above her head, and paused there for a heartbeat. The pose was known as a prayer--a dancer’s call for guidance from the powers that be. She moved into the dance flawlessly, the sway of her body as fluid as water over stone. This was the magic of the serpent and the snake charmer combined, as pure and intense as a thunderstorm. The first dance was soft and gentle, a common sakkri’nira. I could feel the drive in the music, however, and knew the moment when the first dance would move into a more complex one. When the flute stilled, Danica rose once again onto the balls of her feet for an instant. She smiled at me before she began the most complex of the intre’marl: Maeve’s solo from the Namir-da. What had been praise and beauty became passion. Maeve’s dance was a seduction, and the way Danica held my eyes made me feel it. Seeing my mate perform those steps made me want to join her, as any royal-born serpiente would. The holiday for which the Namir-da had been named was still four months away; she would be able to perform then, and I with her, in a ritual that dated back to the creation of my kind.

The harder you try to resist the lure of seduction—as an idea, as a form of power—the more you will find yourself fascinated. The reason is simple: most of us have known the power of having someone fall in love with us. Our actions, gestures, the things we say, all have positive effects on this person; we may not completely understand what we have done right, but this feeling of power is intoxicating. It gives us confidence, which makes us more seductive. We may also experience this in a social or work setting—one day we are in an elevated mood and people seem more responsive, more charmed by us. These moments of power are fleeting, but they resonate in the memory with great intensity.