“
I thought, briefly, that I would never feel as intensely connected to the world, to another human being, as I did at that moment.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
Love is not selective, just as the light of the sun is not selective. It does not make one person special. It is not exclusive. Exclusivity is not the love of God but the "love" of
ego. However, the intensity with which true love is felt can vary. There may be one person who reflects your love back to you more clearly and more intensely than others, and if that person feels the same toward you, it can be said that you are in a love relationship with him or her. The bond that connects you with that person is the same bond that connects you with the person sitting next to you on a bus, or with a bird, a tree, a flower. Only the degree of intensity with which it is felt differs.
”
”
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
“
The beet is the most intense of vegetables. The radish, admittedly, is more feverish, but the fire of the radish is a cold fire, the fire of discontent not of passion. Tomatoes are lusty enough, yet there runs through tomatoes an undercurrent of frivolity. Beets are deadly serious.
Slavic peoples get their physical characteristics from potatoes, their smoldering inquietude from radishes, their seriousness from beets.
The beet is the melancholy vegetable, the one most willing to suffer. You can't squeeze blood out of a turnip...
The beet is the murderer returned to the scene of the crime. The beet is what happens when the cherry finishes with the carrot. The beet is the ancient ancestor of the autumn moon, bearded, buried, all but fossilized; the dark green sails of the grounded moon-boat stitched with veins of primordial plasma; the kite string that once connected the moon to the Earth now a muddy whisker drilling desperately for rubies.
The beet was Rasputin's favorite vegetable. You could see it in his eyes.
”
”
Tom Robbins (Jitterbug Perfume)
“
At times she had thought that this was the only kind of connection you could have with people—intense, inexplicable and ultimately incomplete.
”
”
Mary Gaitskill (Bad Behavior)
“
Having destroyed all my connections, burned my bridges, I should feel a certain freedom, and in fact I do. One so intense I am afraid to rejoice in it.
”
”
Emil M. Cioran (The Trouble With Being Born)
“
Sometimes with the most intense pain a paralysis of sensibility occurs. The soul disintegrates--hence the deadly frost--the free power of the mind--the shattering, ceaseless wit of this kind of despair. There is no inclination for anything any more--the person is alone, like a baleful power--as he has no connection with the rest of the world he consumes himself gradually--and in accordance with his own principle he is--misanthropic and misotheos.
”
”
Novalis (Philosophical Writings)
“
Intensity of connection,
Depth of emotion,
Unified thoughts,
No doubts in the significance of you.
”
”
Truth Devour (Wantin (Wantin #1))
“
Authenticity is the daily practice of letting go of who we think we’re supposed to be and embracing who we are. Choosing authenticity means cultivating the courage to be imperfect, to set boundaries, and to allow ourselves to be vulnerable; exercising the compassion that comes from knowing that we are all made of strength and struggle; and nurturing the connection and sense of belonging that can only happen when we believe that we are enough. Authenticity demands Wholehearted living and loving—even when it’s hard, even when we’re wrestling with the shame and fear of not being good enough, and especially when the joy is so intense that we’re afraid to let ourselves feel it. Mindfully practicing authenticity during our most soul-searching struggles is how we invite grace, joy, and gratitude into our lives.
”
”
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
“
But he cannot see a connection between the end of yearning and the end of poetry. Is that what growing up amounts to: growing out of yearning, of passion, of all intensities of the soul?
”
”
J.M. Coetzee (Youth)
“
I realised that despite the hangups, despite the crazy drama he created, I would love him always. Clay was mine just as surely as I was his. My life and his were inexplicably intertwined and there was no denying the intense connection we shared.
”
”
A. Meredith Walters (Find You in the Dark (Find You in the Dark, #1))
“
To the extent that we believe we can skip steps, avoid the process, magically gain power through political connections or easy formulas, or depend on our natural talents, we move against this grain and reverse our natural powers. We become slaves to time – as it passes, we grow weaker, less capable, trapped in some dead end career. We become captive to the opinions and fears of others.” (9) “This intense connection and desires allows them to withstand the pain of the process – the self-doubts, the tedious hours of practice and study, the inevitable setbacks, the endless barbs from the envious. They develop a resiliency and confidence that others lack.
”
”
Robert Greene (Mastery)
“
Her green eyes came unafraid to his. The connection was so intense that it threatened to drain his sense of self. He felt that he had always known her, that she had always been a part of him, that her needs were his needs.
”
”
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
“
Over the last few days, I have been able to see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts. This does not mean I am finished with life. On the contrary, I feel intensely alive, and I want and hope in the time that remains to deepen my friendships, to say farewell to those I love, to write more, to travel if I have the strength, to achieve new levels of understanding and insight.
”
”
Oliver Sacks (Gratitude: Essays)
“
When we are lonely we not only react more intensely to the negatives; we also experience less of a soothing uplift from the positives.
”
”
John T. Cacioppo (Loneliness: Human Nature and the Need for Social Connection)
“
throw away the idea that healing is forgetting the real result is no longer reacting to old triggers with the same intensity as before the memories are still there, but they do not have the same power over your mind
”
”
Yung Pueblo (Clarity & Connection (The Inward Trilogy))
“
It's bewildering to me how you can just start chatting with a complete stranger on Facebook, and - next thing you know - it seems as if there's some intense connection with the person - or at least you feel that closeness and hope it's mutual
”
”
Zack Love (The Syrian Virgin (The Syrian Virgin, #1))
“
Louise often feels like part of her is "acting." At the same time , "there is another part 'inside' that is not connecting with the me that is talking to you," she says. When the depersonalization is at its most intense, she feels like she just doesn't exist. These experiences leave her confused about who she really is, and quite often, she feels like an "actress" or simply, "a fake.
”
”
Daphne Simeon (Feeling Unreal: Depersonalization Disorder and the Loss of the Self)
“
She stood straight and still, her arms at her side. Her eyebrows had the graceful arch of a raptor's wings in flight. Her green eyes came unafraid to his. The connection was so intense that it threatened to drain his sense of self. He felt that he had always known her, that she had always been a part of him, that her needs were his needs. She held him with her gaze as surely as a grip of iron would, searching his eyes as if searching his soul, seeking an answer to something. I am here to help you, he said in his mind. He meant it more than any thought he had ever had.
The intensity of her gaze relaxed, loosening its hold on him. In her eyes he saw something that attracted him more than anything else. Intelligence. He saw it flaring there, burning in her, and through it all he felt an overriding sense of her integrity. Richard felt safe.
”
”
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
“
None of us, irrespective of our sexual preference and/or practice, imagine that we can have an intimate relationship with a partner and always have seamless harmony. Indeed, most of us assume that once the “honeymoon” period is over differences will emerge and conflicts will happen. Positively, we also assume that we will be “safe“ in those moments; that even if voices are raised and emotions expressed are intense, there will not be and should not be any abuse or any reason to be unsafe, and that the will to connect and communicate will prevail.
”
”
bell hooks (Teaching Critical Thinking: Practical Wisdom)
“
Sensation precedes manifestation and is the foundation upon which all manifestation rests. Be careful of your moods and feelings, for there is an unbroken connection between your feelings and your visible world. Your body is an emotional filter and bears the unmistakable marks of your prevalent emotions. Emotional disturbances, especially suppressed emotions, are the causes of all disease. To feel intensely about a wrong without voicing or expressing that feeling is the beginning of disease – disease – in both body and environment. Do not entertain the feeling of regret or failure for frustration or detachment from your objective results in disease.
”
”
Neville Goddard (Feeling is the Secret)
“
We have an undeniable connection that's more intense than 10,000 Kelvin heat, more dynamic than seismic activity. It's like there's gravity between us - she's the only thing anchoring me to the world, keeping me from floating off into the upper stratosphere and getting lost in space.
”
”
Kristen Zimmer (The Gravity Between Us)
“
We need to talk about the hierarchy of grief. You hear it all the time—no grief is worse than any other. I don’t think that’s one bit true. There is a hierarchy of grief. Divorce is not the same as the death of a partner. Death of a grandparent is not
the same as the death of a child. Losing your job is not the same as losing a limb.
Here’s the thing: every loss is valid. And every loss is not the same. You can’t flatten the landscape of grief and say that
everything is equal. It isn’t.
It’s easier to see when we take it out of the intensely personal: stubbing your toe hurts. It totally hurts. For a moment, the pain can be all-consuming. You might even hobble for a while. Having your foot ripped off by a passing
freight train hurts, too. Differently. The pain lasts longer. The injury needs recovery time, which may be uncertain or complicated. It affects and impacts your life moving forward. You can’t go back to the life you had before you became a
one-footed person. No one would say these two injuries are exactly the same.
”
”
Megan Devine (It's OK That You're Not OK)
“
This is about us. This is about an intense, deep connection we have. I have loved you since I first laid eyes on you Fallon, and I haven’t stopped. I started to fall for you all over again Saturday night and even with how this afternoon went down, I still feel the same way. I am never going to hurt you. I will earn your trust again because I am only going to love you and our son for the rest of our lives.
”
”
Toni Aleo
“
I am interested in you, Gretchen." When I still won't look at him, he presses his fingers against my jaw and gently turns my face. He is looking straight in my eyes when he says, "I'm interested in you."
His midnight blues burn with an intensity that almost makes me believe him. Makes me want to believe him. He knows just the right thing to say to mess with my mind. He always has. He leans closer, watching me. His lips are a breath away from mine.
This time I'm not buying it.
My knee connects with his soft spot and he doubles over, gasping for air.
"Find your own way home," I snap before turning and marching back to my car.
”
”
Tera Lynn Childs (Sweet Shadows (Medusa Girls, #2))
“
Mademoiselle De Lafontaine – in right of her father, who was a German, assumed to be psychological, metaphysical and something of a mystic – now declared that when the moon shone with a light so intense it was well known that it indicated a special spiritual activity. The effect of the full moon in such a state of brilliancy was manifold. It acted on dreams, it acted on lunacy, it acted on nervous people; it had marvelous physical influences connected with life. Mademoiselle related that here cousin, who was mate of a merchant ship, having taken a nap on deck on such a night, lying on his back, with his face full in the light of the moon, had wakened, after a dream of an old woman clawing him by the cheek, with his features horribly drawn to one side; and his countenance had never quite recovered its equilibrium.
”
”
J. Sheridan Le Fanu (Carmilla)
“
Logan to Sam "You know, sometimes life puts people in our way at unexpected times. And even if we think them to be inconvenient, the connection can be intense, it'll change the scheme of things. Whenever something like that happens, it is best to go with it, because no amount of refusal or denial is going to make a difference in whatever is meant to be
”
”
Taylor V. Donovan (Six Degrees of Lust (By Degrees, #1))
“
Common enemy intimacy is counterfeit connection and the opposite of true belonging. If the bond we share with others is simply that we hate the same people, the intimacy we experience is often intense, immediately gratifying, and an easy way to discharge outrage and pain. It is not, however, fuel for real connection. It’s fuel that runs hot, burns fast, and leaves a trail of polluted emotion. And if we live with any level of self-awareness, it’s also the kind of intimacy that can leave us with the intense regrets of an integrity hangover. Did I really participate in that? Is that moving us forward? Am I engaging in, quite literally, the exact same behavior that I find loathsome in others?
”
”
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
“
Boys learn to cover up grief with anger; the more troubled the boy, the more intense the mask of indifference. Shutting down emotionally is the best defense when the longing for connection must be denied.
”
”
bell hooks (The Will to Change: Men, Masculinity, and Love)
“
In addition to his instinct for discerning patterns across disciplines, Leonardo honed two other traits that aided his scientific pursuits: an omnivorous curiosity, which bordered on the fanatical, and an acute power of observation, which was eerily intense. Like much with Leonardo, these were interconnected. Any person who puts “Describe the tongue of the woodpecker” on his to-do list is overendowed with the combination of curiosity and acuity. His curiosity, like that of Einstein, often was about phenomena that most people over the age of ten no longer puzzle about: Why is the sky blue? How are clouds formed? Why can our eyes see only in a straight line? What is yawning? Einstein said he marveled about questions others found mundane because he was slow in learning to talk as a child. For Leonardo, this talent may have been connected to growing up with a love of nature while not being overly schooled in received wisdom.
”
”
Walter Isaacson (Leonardo Da Vinci)
“
Like other kinds of intelligence, the storyteller's is partly
natural, partly trained. It is composed of several qualities, most
of which, in normal people, are signs of either immaturity or
incivility: wit (a tendency to make irreverent connections);
obstinacy and a tendency toward churlishness (a refusal to
believe what all sensible people know is true); childishness (an
apparent lack of mental focus and serious life purpose, a fondness
for daydreaming and telling pointless lies, a lack of proper
respect, mischievousness, an unseemly propensity for crying
over nothing); a marked tendency toward oral or anal fixation
or both (the oral manifested by excessive eating, drinking,
smoking, and chattering; the anal by nervous cleanliness and
neatness coupled with a weird fascination with dirty jokes);
remarkable powers of eidetic recall, or visual memory (a usual
feature of early adolescence and mental retardation); a strange
admixture of shameless playfulness and embarrassing earnestness,
the latter often heightened by irrationally intense feelings
for or against religion; patience like a cat's; a criminal streak of
cunning; psychological instability; recklessness, impulsiveness,
and improvidence; and finally, an inexplicable and incurable
addiction to stories, written or oral, bad or good.
”
”
John Gardner (On Becoming a Novelist)
“
He was tall, one of the tallest men she had ever seen. Dressed in jeans, boots and a cotton shirt. Thick black hair grew rakishly long, falling over the collar of his shirt. Intense brown eyes, almost the color of amber, surveyed the diner slowly before coming back to her. Electricity sizzled in the air then, as though invisible currents connected them, forcing her to recognize him on a primitive level. Not that she wouldn’t take notice anyway. He was power, strength, and so incredibly male that her breath caught at the sight of him.
”
”
Lora Leigh (Elizabeth's Wolf (Breeds, #3))
“
This is mine, I thought. Music. Rhythm. The intense rush that came from connecting with something so deeply, so right. No matter that I couldn't sing. I could breathe. I could dance. I could move. The music was still in me. It always would be.
”
”
Sarah Ockler (The Summer of Chasing Mermaids)
“
An artist is someone who sees and feels realty very intensely. Creativity doesn't mean just making things up out of thin air. It means seeing and feeling the world so vividly that you can put together connections and patterns that help to explain reality. It means you see the beauty in the world rather than trying to hide from it.
”
”
Danny Gregory (The Creative License: Giving Yourself Permission to Be The Artist You Truly Are)
“
Do what you need to do. Change your world,” he says softly, his eyes connected to mine so intensely there’s no hope of looking away. “I have to go make my world, but when the time is right, I’ll be back for you.
”
”
Kennedy Ryan (The Kingmaker (All the King's Men, #1))
“
Touch is a magical thing, Natti,” he explained. “It can comfort.” He raised one hand and stroked her cheek, soft and gentle. “It can entice.” His thumb moved along her jaw and applied pressure as it traveled down her neck, causing her to shiver with delight. “And it can hurt. Whatever the intensions, it brings two people together. It makes a certain . . . connection.
”
”
Kelsey Ketch (Daughter of Isis (Descendants of Isis #1))
“
I learned that we may meet a true love and that our lives may be transformed by such an encounter even when it does not lead to sexual pleasure, committed bonding, or even sustained contact. The myth of true love-that fairy-tale vision of two souls who meet, join, and live happily ever thereafter-is the stuff of childhood fantasy. Yet many of us, female and male, carry these fantasies into adulthood and are unable to cope with the reality of what it means to either have an intense life-altering connection that will not lead to an ongoing relationship or to be in a relationship. True love does not always lead to happily ever after, and even when it does sustaining love still takes work.
”
”
bell hooks (All About Love: New Visions)
“
Shame is the fear of disconnection—it’s the fear that something we’ve done or failed to do, an ideal that we’ve not lived up to, or a goal that we’ve not accomplished makes us unworthy of connection. Here’s the definition of shame that emerged from my research: Shame is the intensely painful feeling or experience of believing that we are flawed and therefore unworthy of love, belonging, and connection.
”
”
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
“
They were a deep emerald green, the exact same color as mine, and they glowed with an intensity I had never witnessed before. A slash of silver crossed each one, the sun's reflection making them sparkle like dancing crystals. The emerald irises appeared to be swirling in circles, creating the illusion that his eyes were never-ending. Flecks of darker emerald clustered around each pupil made my breath catch in my throat. Suddenly, my disheartened mood vanished, almost as if I had never felt sadness before. Something about these eyes held me in place, as if I had found a balance, blanketing me in a cocoon of comfort, free of worries and concerns.
”
”
Markelle Grabo (The Elf Girl (Journey into the Realm, #1))
“
ENFPs connect relatively quickly with most people. But they want more than a surface-level connection and a few common interests: they are searching for a specific, intense relationship that both challenges and grows them. If they find this, they are all in. If not, the horizons are still being scanned for what else is out there.
”
”
Heidi Priebe (The Comprehensive ENFP Survival Guide)
“
Stumbling closer, I held up the manuscript, the pages flapping frantically in the wind. “I take it this is a murder mystery? You killed the ex-fiancée and thanked her in the dedication? Mighty dignified of you, I must say.”
“Nah. It’s a horror novel. But yeah, the bimbo dies in the end. Bob Hall says it’s going to be a bestseller, so I figured I owed her some thanks for the inspiration.” He edged a few feet closer, his smile spread from ear to ear. The glimmer in his eyes flickered toward the ocean, breaking our connection. He hung his head, licked his lips, then returned his eyes to mine, restoring the connection with an intense smolder. “Are you gonna get over here, or what?”
Letting out a soft chuckle, the tears began to blind me. “Make me.
”
”
Rachael Wade (Preservation (Preservation, #1))
“
With their aggression, intensity, self-absorption, and endless self-promotion, our competitors don’t realize how they jeopardize their own efforts (to say nothing of their sanity). We will challenge the myth of the self-assured genius for whom doubt and introspection is foreign, as well as challenge the myth of pained, tortured artist who must sacrifice his health for his work. Where they are both divorced from reality and divorced from other people, we will be deeply connected, aware, and learning from all of it.
”
”
Ryan Holiday (Ego Is the Enemy)
“
Mallory realized this was how the woman was: she at once withheld and invited. The woman fulfilled so many of Mallory’s wants but left so many wants unfulfilled that the feeling of wanting in and of itself became desirable. There was an untouchable intensity, or an intense untouchability, to keeping a secret, to having a continuous crush, that Mallory wanted never to lose.
”
”
Michelle Hart (We Do What We Do in the Dark: 'A haunting study of solitude and connection' Meg Wolitzer)
“
My old world is feeling more and more like a ghost. You know how a dream feels the farther you get from it? It loses its color and intensity and logic. Your emotional connection to it fades.
”
”
Blake Crouch (Dark Matter)
“
People are more likely to fall intensely in love when they are anxious and their self-esteem is lowest.... Feeling inadequate, unhappy, and empty are virtual prerequisites for falling and staying desperately in love; at least temporarily, the ecstasy of desire seems to cure everything that ails you. There is a connection between aversive states of mind -- loneliness, shame, even grief and horror -- and a propensity to feel overwhelming passion; this is one reason why romances blossom in times of war or natural disasters, as well as during the private disasters of our everyday lives.
”
”
Jeanne Safer (The Golden Condom: And Other Essays on Love Lost and Found)
“
It's an intense feeling of human experience when a connection has the kind of power to turn dreams into a reality or crush them almost instantly. Those are the souls you remember decades down the road.
”
”
Nikki Rowe
“
After three of four years of schooling, the nucleus basalis, which forms sharp memories in the brain, falls into disuse and decays. This is the part of the brain that makes learning so effortless for small children, and it is always activated in undomesticated humans. But neuroplasticity research has shown that damage to the nucleus basalis can be reversed by reintroducing activities involving highly focused attention, which results in massive increases in production of acetylcholine and dopamine. Using new skills under conditions of intense focus rewires billions of neural connections and reactivates the nucleus basalis. Loss of function in this part of the brain is not a natural stage of development--we are supposed to retain and even increase it throughout our lives. Until very recently in human history, we did.
”
”
Tyson Yunkaporta (Sand Talk: How Indigenous Thinking Can Save the World)
“
With Ethan everything was fast, intense… combustive. From the beginning, he told me things. He told me that he wanted me. And yes, he even said he loved me. He had no problem telling me about what he wanted with me, or how he felt about me. And I don’t just mean the sex. That was a big part of our connection, but it wasn’t everything with Ethan. He can share his feelings easily. It is his way— not necessarily mine.
”
”
Raine Miller (All In (The Blackstone Affair, #2))
“
I have social media accounts, I answer honestly in interviews—and anyone who sees me perform can tell I’m in love with human beings, I want desperately to feel connected. Everything I do is for my love of, and yearning for, people. So press outlets nonetheless insisting I’m ‘intensely private’ feels vindictive, like a punishment for setting boundaries, and for not offering more of myself for content and exploitation.
”
”
mitski
“
Healing does not erase the past, and the point of healing is not to forget what has happened. Old memories from hard moments may come up even after deep healing has taken place, but what shifts is how we react to them when they arise. If the intensity of the reaction is decreasing, then real progress is being made.
”
”
Yung Pueblo (Lighter: Let Go of the Past, Connect with the Present, and Expand the Future)
“
I'm no pessimist. I don't loathe art because I couldn't live without devoting all my time to it. I love it as the only end of my life. Everything I do connected with it gives me intense pleasure. But still, I don't see why the whole world should be taken up with art, demand its credentials, and on that subject give free rein to its own stupidity. Museums are just a lot of lies, and the people who make art their business are mostly imposters.' -Picasso
”
”
Ingo F. Walther (Pablo Picasso 1881-1973: Genius of the Century)
“
I am tired of people calling those of us who get stuck in these cycles "codependent" or "addicted" to the narcissistic relationship. It's not that. If you have any empathy, have normal cognitive functioning, and were shaped by societal and cultural norms and realities, it is not surprising that you would get stuck. The narcissistic relationship is like a riptide that pulls you back in even as you try to swim away. The intensity, attentiveness, and highs and lows are why you swim out to where the riptide is. The abusive behavior makes you want to swim away from the riptide, but the guilt and fear of leaving, the practical issues raised by leaving (financial, safety, cultural, family), as well as the natural drive toward attachment, connection, and love are what keep you stuck in the riptide's pull.
”
”
Ramani Durvasula (It's Not You: Identifying and Healing from Narcissistic People)
“
She hardly knew what to do, it had been so long since such strong feelings had borne down on her. It was like carrying another creature inside her, and nothing so benign and natural as a baby. Undamped, untamed, the pain and exultation of her attachment to them blew through Liga like a storm-wind carrying sharp leaves and struggling birds. How long she had known her daughters, and how well, and in what extraordinary vividness and detail! How blithely she had done the work of rearing them - it seemed to her now that she had had cause for towering, disabling anxieties about them; that what had seemed little plaints and sorrows in their childhoods were in fact off-drawings from much greater tragedies, from which she had tried to keep them but could not. And the joys she had had of them, too, their embraces and laughter - it was all too intense to be endured, this connection with them, which was a miniature of the connection with the forces that drove planet and season - the relentlessness of them, the randomness, the susceptibility to glory, to accident, to disaster. How soft had been her life in that other place, how safe and mild! And here she was, back where terrors could immobilize her, and wonders too; where life might become gulps of strong ale rather than sips of bloom-tea. She did not know whether she was capable of lifting the cup, let alone drinking the contents.
”
”
Margo Lanagan (Tender Morsels)
“
The fiery intensity at the heart of anger asks neither for smothering nor mere discharge, but for a mindful embrace that does not require any dilution of passion, any lowering of the heat, nor any muting of the essential voice in the flames.
”
”
Robert Augustus Masters (Emotional Intimacy: A Comprehensive Guide for Connecting with the Power of Your Emotions)
“
Calvin told me to do something with my brain, but how? Threads of ideas appear on the edge and are gone as soon as my fingers settle on the keys. There's no connective tissue to string them together, no skeleton to hold them up. I want to live my life with the intensity I see on the stage up there, want to feel passionate about something in the same way. But what if it never happens for me?
”
”
Christina Lauren (Roomies)
“
Muscle Contraction Is Medicine The reason that moving regularly is important is because a body in which muscles are contracting frequently (even at low intensities for short periods) is experiencing totally different physiology than a body where the muscles are worked in only a one- to two-hour exercise block per day (no matter how intense that block). Muscle contraction is miraculous medicine.
”
”
Casey Means (Good Energy: The Surprising Connection Between Metabolism and Limitless Health)
“
The connection between our archaic system of punishment and our androcentric culture is two-fold. The impulse of resistance, while, as we have seen, of the deepest natural origin, is expressed more strongly in the male than in the female. The tendency to hit back and hit harder has been fostered in him by sex-combat till it has become of great intensity. The habit of authority too, as old as our history; and the cumulative weight of all the religions and systems of law and government, have furthermore built up and intensified the spirit of retaliation and vengeance.
They have even deified this concept, in ancient religions, crediting to God the evil passions of men. As the small boy recited; 'Vengeance. A mean desire to get even with your enemies: 'Vengeance is mine saith the Lord'--'I will repay.
”
”
Charlotte Perkins Gilman (The Man-Made World)
“
Many conflict-resolution professionals stress the value of curiosity, accompanied by active listening. Many conflicts can be avoided or de-escalated if the parties involved are willing to set aside their prejudgments—and the intense feelings connected to them—and ask a question. And then be curious about the actual answer. Not just any question, though. The question should be genuine and open-ended, a serious request for more information about another person's feelings, intentions or motivations. It should not be a choice between predefined alternatives, or an accusation followed by a demand for a response. It should be, as much as possible, unburdened from what you think will be the answer. That means being curious about what it really is.
”
”
Eve Rickert (More Than Two: A Practical Guide to Ethical Polyamory)
“
There was a muffled tap again, and I heard a familiar voice whisper faintly, “Kelsey, it’s me.”
I unlocked the door and peeked out. Ren was standing there dressed in his white clothes, barefoot, with a triumphant grin on his face. I pulled him inside and hissed out thickly, “What are you doing here? It’s dangerous coming into town! You could have been seen, and they’d send hunters out after you!”
He shrugged his shoulders and grinned. “I missed you.”
My mouth quirked up in a half smile. “I missed you too.”
He leaned a shoulder nonchalantly against the doorframe. “Does that mean you’ll let me stay here? I’ll sleep on the floor and leave before daylight. No one will see me. I promise.”
I let out a deep breath. “Okay, but promise you’ll leave early. I don’t like you risking yourself like this.”
“I promise.” He sat down on the bed, took my hand, and pulled me down to sit beside him. “I don’t like sleeping in the dark jungle by myself.”
“I wouldn’t either.”
He looked down at our entwined hands. “When I’m with you, I feel like a man again. When I’m out there all alone, I feel like a beast, an animal.” His eyes darted up to mine.
I squeezed his hand. “I understand. It’s fine. Really.”
He grinned. “You were hard to track, you know. Lucky for me you two decided to walk to dinner, so I could follow your scent right to your door.”
Something on the nightstand caught his attention. Leaning around me, he reached over and picked up my open journal. I had drawn a new picture of a tiger-my tiger. My circus drawings were okay, but this latest one was more personal and full of life. Ren stared at it for a moment while a bright crimson flush colored my cheeks.
He traced the tiger with his finger, and then whispered gently, "Someday, I'll give you a portrait of the real me."
Setting the journal down carefully, he took both of my hands in his, turned to me with an intense expression, and said, "I don't want you to see only a tiger when you look at me. I want you to see me. The man."
Reaching out, he almost touched my cheek but he stopped and withdrew his hand. "I've worn the tiger's face for far too many years. He's stolen my humanity."
I nodded while he squeezed my hands and whispered quietly, "Kells, I don't want to be him anymore. I want to be me. I want to have a life."
"I know," I said softly. I reached up to stroke his cheek. "Ren, I-" I froze in place as he pulled my hand slowly down to his lips and kissed my palm. My hand tingled. His blue eyes searched my face desperately, wanting, needing something from me.
I wanted to say something to reassure him. I wanted to offer him comfort. I just couldn't frame the words. His supplication stirred me. I felt a deep bond with him, a strong connection. I wanted to help him, I wanted to be his friend, and I wanted...maybe something more. I tried to identify and categorize my reactions to him. What I felt for him seemed too complicated to define, but it soon became obvious to me that the strongest emotion I felt, the one that was stirring my heart, was...love.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Most of us are pseudo-scholars...for we are a very large and quite a powerful class, eminent in Church and State, we control the education of the Empire, we lend to the Press such distinction as it consents to receive, and we are a welcome asset at dinner-parties.
Pseudo-scholarship is, on its good side, the homage paid by ignorance to learning. It also has an economic side, on which we need not be hard. Most of us must get a job before thirty, or sponge on our relatives, and many jobs can only be got by passing an exam. The pseudo-scholar often does well in examination (real scholars are not much good), and even when he fails he appreciates their inner majesty. They are gateways to employment, they have power to ban and bless. A paper on King Lear may lead somewhere, unlike the rather far-fetched play of the same name. It may be a stepping-stone to the Local Government Board. He does not often put it to himself openly and say, "That's the use of knowing things, they help you to get on." The economic pressure he feels is more often subconscious, and he goes to his exam, merely feeling that a paper on King Lear is a very tempestuous and terrible experience but an intensely real one. ...As long as learning is connected with earning, as long as certain jobs can only be reached through exams, so long must we take the examination system seriously. If another ladder to employment were contrived, much so-called education would disappear, and no one be a penny the stupider.
”
”
E.M. Forster (جنبههای رمان)
“
These are connections between two points that were previously unconnected. Jokes are one of the most pure examples of this neural creation event; most humor is based on two ideas coming together in a new way: puns, rhymes, double meanings, unusual circumstances, accidents, exposed delusions, and contextually inappropriate content are examples of this. The chemical rush we get from sudden neural connections in jokes is so intense and pleasurable that we laugh out loud. This kind of humor and joy in learning is a huge part of Aboriginal and Torres Strait Islander cultures. If people are laughing, they are learning. True learning is a joy because it is an act of creation.
”
”
Tyson Yunkaporta (Sand Talk: How Indigenous Thinking Can Save the World)
“
The feeling that we have endless time to complete our work has an insidious and debilitating effect on our minds. Our attention and thoughts become diffused. Our lack of intensity makes it hard for the brain to jolt into a higher gear. The connections do not occur. For this purpose you must always try to work with deadlines, whether real or manufactured.
”
”
Robert Greene (Mastery)
“
I promise you that I will not call. I have called you enough, and woken you enough times, in the years when we were together and in the years since then. But there are nights now in this strange, flat and forsaken place when those sad echoes and dim feelings come to me slightly more intensely than before. They are like whispers, or trapped whimpering sounds.
”
”
Colm Tóibín
“
In the United States and Canada, many young people are currently being raised on the idea of “safe spaces”. Ideas that fall outside of the framework of Political Correctness are seen as so offensive that hearing these ideas is believed to be psychologically damaging. The young generation should therefore get ‘protected’ from these opposing ideas. It is hard to come up with a more effective way to create a generation of idiots. Besides being deeply and intensely indoctrinated with Political Correctness, these young people have an additional tendency to connect Western values and principles to the concept of “white supremacy”. Western values and principles are thus “racist” and Western Civilisation is “oppressive”.
”
”
Paul Nielsen (How to Debate the Left on Islam (Freedom of Expression, Western Values, Europe, Political Correctness, Cultural Marxism, Islamisation))
“
This inclination is a reflection of a person’s uniqueness. This uniqueness is not something merely poetic or philosophical—it is a scientific fact that genetically, every one of us is unique; our exact genetic makeup has never happened before and will never be repeated. This uniqueness is revealed to us through the preferences we innately feel for particular activities or subjects of study. Such inclinations can be toward music or mathematics, certain sports or games, solving puzzle-like problems, tinkering and building, or playing with words. With those who stand out by their later mastery, they experience this inclination more deeply and clearly than others. They experience it as an inner calling. It tends to dominate their thoughts and dreams. They find their way, by accident or sheer effort, to a career path in which this inclination can flourish. This intense connection and desire allows them to withstand the pain of the process—the self-doubts, the tedious hours of practice and study, the inevitable setbacks, the endless barbs from the envious. They develop a resiliency and confidence that others lack.
”
”
Robert Greene (Mastery (The Modern Machiavellian Robert Greene Book 1))
“
Loneliness is hallmarked by an intense desire to bring the experience to a close; something which cannot be achieved by sheer willpower or by simply getting out more, but only by developing intimate connections. This is far easier said than done, especially for people whose loneliness arises from a state of loss or exile or prejudice, who have reason to fear or mistrust as well as long for the society of others. [...] The lonelier a person gets, the less adept they become at navigating social currents. Loneliness grows around them, like mould or fur, a prophylactic that inhibits contact, no matter how badly the contact is desired. Loneliness is accretive, extending and perpetuating itself. Once it becomes impacted, it is by no means easy to dislodge.
”
”
Olivia Laing (The Lonely City: Adventures in the Art of Being Alone)
“
When I was outdoors, walking, like now, what I saw gave me nothing. Snow was snow, trees were trees. It was only when I saw a picture of snow or of trees that they were endowed with meaning. Monet had an exceptional eye for light on snow, which Thaulow, perhaps technically the most gifted Norwegian painter ever, also had. It was a feast for the eyes, the closeness of the moment was so great that the value of what gave rise to it increased exponentially, an old tumbledown cabin by a river or a pier at a holiday resort suddenly became priceless, the paintings were charged with the feeling that they were here at the same time as us, in this intense here and now, and that we would soon be gone from them, but with regard to the snow, it was as if the other side of this cultivation of the moment became visible, the animation of this and its light so obviously ignored something, namely the lifelessness, the emptiness, the non-charged and the neutral, which were the first features to strike you when you entered a forest in winter, and in the picture, which was connected with perpetuity and death, the moment was unable to hold its ground.
”
”
Karl Ove Knausgård (A Man in Love)
“
As they talk, Eva has the sense that she is drifting further and further from the room, into a borderless place where time fractures, loosens, and there is only this man, this conversation, this inexplicable sense of profound connection. There is no other way she can describe it, though she is not yet trying to describe it to herself—she is simply here, intensely aware of the moment
”
”
Laura Barnett (The Versions of Us)
“
The practice of celibacy alone was opening me up to a deeper sense of the way the mind-body connection works. I saw over and over that my mind and body could be filled with desire and that no matter how intense the craving was it would always pass. I didn't have to satisfy every desire that arose in my mind. I began to understand impermanence through direct experience rather than just intellectual theory.
”
”
Noah Levine (Dharma Punx: A Memoir)
“
The moment after, I began to respire 20 quarts of unmingled nitrous oxide. A thrilling, extending from the chest to the extremities, was almost immediately produced. I felt a sense of tangible extension highly pleasurable in every limb; my visible impressions were dazzling, and apparently magnified, I heard distinctly every sound in the room and was perfectly aware of my situation. By degrees, as the pleasurable sensations increased, I last all connection with external things; trains of vivid visible images rapidly passed through my mind, and were connected with words in such a manner, as to produce perceptions perfectly novel. I existed in a world of newly connected and newly modified ideas. I theorised—I imagined that I made discoveries. When I was awakened from this semi-delirious trance by Dr. Kinglake, who took the bag from my mouth, indignation and pride were the first feelings produced by the sight of the persons about me. My emotions were enthusiastic and sublime; and for a minute I walked round the room, perfectly regardless of what was said to me. As I recovered my former state of mind, I felt an inclination to communicate the discoveries I had made during the experiment. I endeavoured to recall the ideas, they were feeble and indistinct; one collection of terms, however, presented itself: and with the most intense belief and prophetic manner, I exclaimed to Dr Kinglake, 'Nothing exists but thoughts!—the universe is composed of impressions, ideas, pleasures and pains!
”
”
Humphry Davy (Researches, Chemical and Philosophical, Chiefly Concerning Nitrous Oxide, or Dephlogisticated Nitrous Air, and Its Respiration.)
“
THE BEET IS THE MOST INTENSE of vegetables. The radish, admittedly, is more feverish, but the fire of the radish is a cold fire, the fire of discontent not of passion. Tomatoes are lusty enough, yet there runs through tomatoes an undercurrent of frivolity. Beets are deadly serious. Slavic peoples get their physical characteristics from potatoes, their smoldering inquietude from radishes, their seriousness from beets. The beet is the melancholy vegetable, the one most willing to suffer. You can't squeeze blood out of a turnip . . . The beet is the murderer returned to the scene of the crime. The beet is what happens when the cherry finishes with the carrot. The beet is the ancient ancestor of the autumn moon, bearded, buried, all but fossilized; the dark green sails of the grounded moon-boat stitched with veins of primordial plasma; the kite string that once connected the moon to the Earth now a muddy whisker drilling desperately for rubies. The beet was Rasputin's favorite vegetable. You could see it in his eyes. In Europe there is grown widely a large beet they call the mangel-wurzel. Perhaps it is mangel-wurzel that we see in Rasputin. Certainly there is mangel-wurzel in the music of Wagner, although it is another composer whose name begins, B-e-e-t——. Of course, there are white beets, beets that ooze sugar water instead of blood, but it is the red beet with which we are concerned; the variety that blushes and swells like a hemorrhoid, a hemorrhoid for which there is no cure. (Actually, there is one remedy: commission a potter to make you a ceramic asshole—and when you aren't sitting on it, you can use it as a bowl for borscht.) An old Ukrainian proverb warns, “A tale that begins with a beet will end with the devil.” That is a risk we have to take.
”
”
Tom Robbins (Jitterbug Perfume)
“
Evan saw a man across the kitchen, butt leaning against the counter, muscular arms folded over his broad chest. His blond hair was cut very short, and his eyes were bright blue sparks. Evan’s gaze locked with Paul’s, and a sudden sense of vertigo swam through his head. The conversation in the other room, the back and forth between John and Alden, the startling brilliance of Bill’s teeth -- all of that faded away as Paul stared back at him. Evan found himself inside a strange bubble that blocked all outside stimuli. He had never experienced a connection this intense before, especially with an initial look, and even though it terrified him in a thrillingly sexual way, he didn’t dare pull his gaze away from Paul’s for fear of breaking the timeless moment between them.
”
”
Hank Edwards (Plus Ones)
“
I’ve had the thought almost without realizing it—the encroaching awareness that I feel settled but in truth can’t see my future at all. I have a temporary job, a temporary marriage. Will anything ever be permanent? What the hell am I going to do with my life? I only get one shot at this, and right now, I’m finding my value only in being valuable to others. How do I find value for me?
Calvin told me to do something with my brain, but how? Threads of ideas appear on the edge and are gone as soon as my fingers settle on the keys. There’s no connective tissue to string them together, no skeleton to hold them up. I want to live my life with the intensity I see on the stage up there, want to feel passionate about something in that same way. But what if it never happens for me?
”
”
Christina Lauren (Roomies)
“
The essence of the adolescent brain changes that are the essence of healthy ways of living throughout the life span spell the word essence itself: ES: Emotional Spark—honoring these important internal sensations that are more intense during adolescence but serve to create meaning and vitality throughout our lives. SE: Social Engagement—the important connections we have with others that support our journeys through life with meaningful, mutually rewarding relationships. N: Novelty—how we seek out and create new experiences that engage us fully, stimulating our senses, emotions, thinking, and bodies in new and challenging ways. CE: Creative Explorations—the conceptual thinking, abstract reasoning, and expanded consciousness that create a gateway to seeing the world through new lenses.
”
”
Daniel J. Siegel (Brainstorm: The Power and Purpose of the Teenage Brain)
“
significantly in his work by psychologist Mary Ainsworth, a Canadian researcher who helped give shape to his ideas and test them. Together, they identified four elements of attachment: •We seek out, monitor, and try to maintain emotional and physical connection with our loved ones. Throughout life, we rely on them to be emotionally accessible, responsive, and engaged with us. •We reach out for our loved ones particularly when we are uncertain, threatened, anxious, or upset. Contact with them gives us a sense of having a safe haven, where we will find comfort and emotional support; this sense of safety teaches us how to regulate our own emotions and how to connect with and trust others. •We miss our loved ones and become extremely upset when they are physically or emotionally remote; this separation anxiety can become intense and incapacitating. Isolation is inherently traumatizing for human beings. •We depend on our loved ones to support us emotionally and be a secure base as we venture into the world and learn and explore. The more we sense that we are effectively connected, the more autonomous and separate we can be.
”
”
Sue Johnson (Love Sense: The Revolutionary New Science of Romantic Relationships (The Dr. Sue Johnson Collection Book 2))
“
Women have been trained to be deeply relational creatures with "permeable boundaries," which make us vulnerable to the needs of others. This permeability, this compelling need to connect, is one of our greatest gifts, but without balance it can mean living out the role of the servant who nurtures at the cost of herself. Referring to this feminine script in her essay "Professions for Women," Virginia Woolf describes the syndrome and offers a drastic remedy: "She was intensely sympathetic. She was immensely charming. She was utterly unselfish. She excelled in the difficult arts of family life. She sacrificed herself daily. If there was chicken, she took the leg; if there was a draft she sat in it - in short she was so constituted that she never had a mind or wish of her own, but preferred to sympathize always with the minds and wishes of others...I did my best to kill her. My excuse, if I were to be had up in a court of law, would be that I acted in self-defense. Had I not killed her, she would have killed me." At the very least we need to disempower this part of ourselves, to relieve ourselves of the internal drive to forfeit our souls as food for others.
”
”
Sue Monk Kidd (The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine)
“
Einstein was filled with good humor and sagacity, both qualities lacking in Gödel, whose intense logic sometimes overwhelmed common sense. This was on glorious display when Gödel decided to become a U.S. citizen in 1947. He took his preparation for the exam very seriously, studied the Constitution carefully, and (as might be expected by the formulator of the incompleteness theory) found what he believed was a logical flaw. There was an internal inconsistency, he insisted, that could allow the entire government to degenerate into tyranny.
Concerned, Einstein decided to accompany — or chaperone — Gödel on his visit to Trenton to take the citizenship test, which was to be administered by the same judge who had done so for Einstein. On the drive, he and a third friend tried to distract Gödel and dissuade him from mentioning this perceived flaw, but to no avail. When the judge asked him about the constitution, Gödel launched into his proof that the internal inconsistency made a dictatorship possible. Fortunately, the judge, who by now cherished his connection to Einstein, cut Gödel off. ‘You needn’t go into all that,’ he said, and Gödel’s citizenship was saved.
”
”
Walter Isaacson (Einstein: His Life and Universe)
“
The dominant experience is sadness,” explains Bonanno, in a podcast interview with Dr. David Van Nuys, “and there are also some other emotions….There’s anger, sometimes contempt, or shame, where people are having all kinds of memories and difficult experiences….So rather than this elaborate, steady state of months of deep sadness, it’s really much more of an in and out kind of an oscillatory state, and this sadness is punctuated at times by positive states and smiling, laughter and connection to other people.” For many people, says Bonanno, these “periods of sadness…gradually get less intense.
”
”
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)
“
Shame Resilience 101 Here are the first three things that you need to know about shame: We all have it. Shame is universal and one of the most primitive human emotions that we experience. The only people who don’t experience shame lack the capacity for empathy and human connection. We’re all afraid to talk about shame. The less we talk about shame, the more control it has over our lives. Shame is basically the fear of being unlovable—it’s the total opposite of owning our story and feeling worthy. In fact, the definition of shame that I developed from my research is: Shame is the intensely painful feeling or experience of believing that we are flawed and therefore unworthy of love and belonging.1 Shame keeps worthiness away by convincing us that owning our stories will lead to people thinking less of us. Shame is all about fear. We’re afraid that people won’t like us if they know the truth about who we are, where we come from, what we believe, how much we’re struggling, or, believe it or not, how wonderful we are when soaring (sometimes it’s just as hard to own our strengths as our struggles). People often want to believe that shame is reserved for the folks who have survived terrible traumas, but this is not true. Shame is something we all experience. And while it feels as if shame hides in our darkest corners, it actually tends to lurk in all of the familiar places, including appearance and body image, family, parenting, money and work, health, addiction, sex, aging, and religion. To feel shame is to be human.
”
”
Brené Brown (The Gifts of Imperfection: Let Go of Who You Think You're Supposed to Be and Embrace Who You Are)
“
Generational Patterns Since the beginning of recorded time, certain writers and thinkers have intuited a pattern to human history. It was perhaps the great fourteenth-century Islamic scholar Ibn Khaldun who first formulated this idea into the theory that history seems to move in four acts, corresponding to four generations. The first generation is that of the revolutionaries who make a radical break with the past, establishing new values but also creating some chaos in the struggle to do so. Often in this generation there are some great leaders or prophets who influence the direction of the revolution and leave their stamp on it. Then along comes a second generation that craves some order. They are still feeling the heat of the revolution itself, having lived through it at a very early age, but they want to stabilize the world, establish some conventions and dogma. Those of the third generation—having little direct connection to the founders of the revolution—feel less passionate about it. They are pragmatists. They want to solve problems and make life as comfortable as possible. They are not so interested in ideas but rather in building things. In the process, they tend to drain out the spirit of the original revolution. Material concerns predominate, and people can become quite individualistic. Along comes the fourth generation, which feels that society has lost its vitality, but they are not sure what should replace it. They begin to question the values they have inherited, some becoming quite cynical. Nobody knows what to believe in anymore. A crisis of sorts emerges. Then comes the revolutionary generation, which, unified around some new belief, finally tears down the old order, and the cycle continues. This revolution can be extreme and violent, or it can be less intense, with simply the emergence of new and different values.
”
”
Robert Greene (The Laws of Human Nature)
“
Why are you here?" My voice sounded breathless.
As if it should've been obvious, Cole said, "I came here to offer you eternal life.Again."
I pushed him away from him. "I already made my choice."
"Yes,but it's obviously the wrong choice. Return with me. To the Everneath. And we'll live in the High Court. And you won't be a battery in the Tunnels. You could be a queen."
"The Everneath has a High Court?"
"Of course.It's where Osiris and Isis ruled.Hades and Persephone.Every realm in every dimension has people who give orders and people who take orders. And I'm tired of taking orders,Nick."
I grimaced. "That has nothing to do with me."
He paused and let out a little sigh. "Then I'm saying it wrong,beause it has everything to do with you. I want what Hades and Persephone had, and I can't do it without you.The only time the queen of the Everneath has been overthrown is when an Everliving has found his perfect match. I've spent my whole life-and it's a long one,trust me-looking for my perfect match,and it's you. I knew you were different from the first moment I met you.The first moment you placed your hands on mine.You remember?"
I nodded. It had been the night we first met.
"Your cheeks turned red,and I was gone for you." He shook his head,and his lips quirked up in a smile. "I know you felt it too.The connection between us. It started even before the Feed."
I looked away,because my cheeks were getting warm thinking about it, and I couldn't let him see it.Remembering that night was pointless. I was a different person now. "It doesn't matter what I felt then.I didn't know who you really were."
I glanced up.He raised his eyebrows and said, "It wouldn't have made a difference."
He held my gaze with eyes so intense I couldn't look away. He was probably right. From the moment we met, I had been drawn to him.At the time, nothing would've changed my decision to go with him.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
In America the gay world touched my life at the margins, though references and images and occasional conversations with men and women who celebrated their homosexuality with pride. As far as I could see there was nothing to be proud about. There was only pain, humiliation and shame. If I were to join this group, I would have to act proud and hide my feelings of rejection and loneliness. If I were to show these men and women that I was terrified for my future, I would be regarded as misguided or a victim of Islam or Arabness. But if there was one thing I wsa certain of it was that there was nothing misguided about my feelings, and I did not feel that Islam or my Arabness was to blame. If I were to join this group, I would simply go from the repressiveness of secrecy to the repressiveness of pride. I didn't despise my shame. I had no reason to do so. My shame illuminated my intense attachment to the world, my desire to be connected with others.
”
”
Saleem Haddad (Guapa)
“
have always been fascinated by relationships. I grew up in Britain, where my dad ran a pub, and I spent a lot of time watching people meeting, talking, drinking, brawling, dancing, flirting. But the focal point of my young life was my parents’ marriage. I watched helplessly as they destroyed their marriage and themselves. Still, I knew they loved each other deeply. In my father’s last days, he wept raw tears for my mother although they had been separated for more than twenty years. My response to my parents’ pain was to vow never to get married. Romantic love was, I decided, an illusion and a trap. I was better off on my own, free and unfettered. But then, of course, I fell in love and married. Love pulled me in even as I pushed it away. What was this mysterious and powerful emotion that defeated my parents, complicated my own life, and seemed to be the central source of joy and suffering for so many of us? Was there a way through the maze to enduring love? I followed my fascination with love and connection into counseling and psychology. As part of my training, I studied this drama as described by poets and scientists. I taught disturbed children who had been denied love. I counseled adults who struggled with the loss of love. I worked with families where family members loved each other, but could not come together and could not live apart. Love remained a mystery. Then, in the final phase of getting my doctorate in counseling psychology at the University of British Columbia in Vancouver, I started to work with couples. I was instantly mesmerized by the intensity of their struggles and the way they often spoke of their relationships in terms of life and death.
”
”
Sue Johnson (Hold Me Tight: Seven Conversations for a Lifetime of Love (The Dr. Sue Johnson Collection Book 1))
“
Cruelty is especially near the childish character, since the inhibition which restrains the impulse to mastery before it causes pain to others—that is, the capacity for sympathy—develops comparatively late. As we know, a thorough psychological analysis of this impulse has not as yet been successfully accomplished; we may assume that the cruel feelings emanate from the impulse to mastery and appear at a period in the sexual life before the genitals have taken on their later rôle. It then dominates a phase of the sexual life, which we shall later describe as the pregenital organization. Children who are distinguished for evincing especial cruelty to animals and playmates may be justly suspected of intensive and premature sexual activity in the erogenous zones; and in a simultaneous prematurity of all sexual impulses, the erogenous sexual activity surely seems to be primary. The absence of the barrier of sympathy carries with it the danger that the connections between cruelty and the erogenous impulses formed in childhood cannot be broken in later life.
”
”
Sigmund Freud (The Collected Works of Sigmund Freud: PergamonMedia)
“
In the silent whispers of the night,
Where shadows dance and dreams take flight,
There lies a yearning, deep and true,
A hunger born of longing, infused.
It sings within the soul's soft embrace,
A melody of desire, a tender chase,
A craving for a touch, gentle and kind,
To soothe the restless heart, the troubled mind.
Like petals seeking the sun's warm glow,
Or rivers drawn to the ocean's flow,
We ache for connection, for hands to meet,
In an alchemy of passion, sweet.
To feel the brush of fingertips light,
To ignite the senses, to set alight
The flame that burns within, intense,
A symphony of longing, immense.
So let us reach across the space,
And in each other's arms find grace,
For in the touch, we find release,
And in each other, we find peace.
”
”
Rolf van der Wind
“
Silence. Her eyes on mine. But unlike Kitsey—who was always at least partly somewhere else, who loathed serious talk, who at a similar turn would be looking around for the waitress or making whatever light and/or comic remark she could think of to keep the moment from getting too intense—she was listening, she was right with me, and I could see only too well how saddened she was at my condition, a sadness only worsened by the fact she truly liked me: we had a lot in common, a mental connection and an emotional one too, she enjoyed my company, she trusted me, she wished me well, she wanted above all to be my friend; and whereas some women might have preened themselves and taken pleasure at my misery, it was not amusing to her to see how torn-up I was over her.
”
”
Donna Tartt (The Goldfinch)
“
I beg your pardon, Mrs. Graham - but you get on too fast. I have not yet said that a boy should be taught to rush into the snares of life, - or even wilfully to seek temptation for the sake of exercising his virtue by overcoming it; - I only say that it is better to arm and strengthen your hero, than to disarm and enfeeble the foe; - and if you were to rear an oak sapling in a hothouse, tending it carefully night and day, and shielding it from every breath of wind, you could not expect it to become a hardy tree, like that which has grown up on the mountain-side, exposed to all the action of the elements, and not even sheltered from the shock of the tempest.'
'Granted; - but would you use the same argument with regard to a girl?'
'Certainly not.'
'No; you would have her to be tenderly and delicately nurtured, like a hot-house plant - taught to cling to others for direction and support, and guarded, as much as possible, from the very knowledge of evil. But will you be so good as to inform me why you make this distinction? Is it that you think she has no virtue?'
'Assuredly not.'
'Well, but you affirm that virtue is only elicited by temptation; - and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith. It must be either that you think she is essentially so vicious, or so feeble-minded, that she cannot withstand temptation, - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin is at once to make her a sinner, and the greater her knowledge, the wider her liberty, the deeper will be her depravity, - whereas, in the nobler sex, there is a natural tendency to goodness, guarded by a superior fortitude, which, the more it is exercised by trials and dangers, is only the further developed - '
'Heaven forbid that I should think so!' I interrupted her at last."
'Well, then, it must be that you think they are both weak and prone to err, and the slightest error, the merest shadow of pollution, will ruin the one, while the character of the other will be strengthened and embellished - his education properly finished by a little practical acquaintance with forbidden things. Such experience, to him (to use a trite simile), will be like the storm to the oak, which, though it may scatter the leaves, and snap the smaller branches, serves but to rivet the roots, and to harden and condense the fibres of the tree. You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others. Now I would have both so to benefit by the experience of others, and the precepts of a higher authority, that they should know beforehand to refuse the evil and choose the good, and require no experimental proofs to teach them the evil of transgression. I would not send a poor girl into the world, unarmed against her foes, and ignorant of the snares that beset her path; nor would I watch and guard her, till, deprived of self-respect and self-reliance, she lost the power or the will to watch and guard herself; - and as for my son - if I thought he would grow up to be what you call a man of the world - one that has "seen life," and glories in his experience, even though he should so far profit by it as to sober down, at length, into a useful and respected member of society - I would rather that he died to-morrow! - rather a thousand times!' she earnestly repeated, pressing her darling to her side and kissing his forehead with intense affection. He had already left his new companion, and been standing for some time beside his mother's knee, looking up into her face, and listening in silent wonder to her incomprehensible discourse.
Anne Bronte, "The Tenant of Wildfell Hall" (24,25)
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Anne Brontë
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Love is intimacy, Eli. Love is feeling protected, trusted, secure with yourself. Love is feeling like you’re home. Like there is nowhere else you want to be than in your person’s arms. Love is feeling this unbridled connection with another human, a connection so strong that when they’re not around, you feel . . . empty, incomplete. And love grows with intensity as your relationship grows. It starts small, like this tiny kernel needling at your back, bringing awareness to your brain that something is taking over and that an emotion is growing inside you. And as time passes, that kernel blooms into something bigger, something that eclipses your heart and takes up room in your chest, so when you see your person, all you can do is let out a deep breath of relief because they’re there. With you. For you. And if that person is the right person, if they’re truly the match to your soul, then they will make sure that nothing bad ever happens to you. That no matter what life throws at you—death, joy, heartache—they will be there, by your side, holding your hand, and reminding you that despite what you might be going through, there is always a home in their arms.
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Meghan Quinn (Those Three Little Words (The Vancouver Agitators, #2))
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These men suffer. Their anguish and despair has no limits or boundaries. They suffer in a society that does not want men
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to change, that does not want men to reconstruct masculinity so that the basis for the social formation of male identity is not rooted in an ethic of dom- ination. Rather than acknowledge the intensity of their suffering, they dissim- ulate. They pretend. They act as though they have power and privilege when they feel powerless. Inability to acknowledge the depths of male pain makes it difficult for males to challenge and change patriarchal masculinity.
Broken emotional bonds with mothers and fathers, the traumas of emo- tional neglect and abandonment that so many males have experienced and been unable to name, have damaged and wounded the spirits of men. Many men are unable to speak their suffering. Like women, those who suffer the most cling to the very agents of their suffering, refusing to resist sexism or sexist oppression. Their refusal is rooted in the fear that their weakness will be exposed. They fear acknowledging the depths of their pain. As their pain intensifies, so does their need to do violence, to coercively dominate and abuse others. Barbara Deming explains: “I think the reason that men are so very violent is that they know, deep in themselves, that they’re acting a lie, and so they’re furious. You can’t be happy living a lie, and so they’re furious at being caught in the lie. But they don’t know how to break out of it, so they just go further into it.” For many men the moment of violent connection may be the only intimacy, the only attainable closeness, the only space where the agony is released. When feminist women insist that all men are powerful op- pressors who victimize from the location of power, they obscure the reality that many victimize from the location of victimization. The violence they do to others is usually a mirroring of the violence enacted upon and within the self.
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bell hooks (The Will to Change: Men, Masculinity, and Love)
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As black people in a white-supremacist culture we have had a psychohistory of learning to utterly hide or repress our vulnerability in order to survive. When this survival strategy links with the overall cultural devaluation of vulnerability it makes sense that so many black folks have wrongly interpreted invulnerability as a sign of emotional strength. Maintaining this survival strategy when we no longer have to fear extreme violence at the hands of racist whites has damaged our emotional and intimate bonds. The inability to be vulnerable means that we are unable to feel. If we cannot feel we cannot truly emotionally connect with one another. We cannot know love. No wonder then that the lovelessness that abounds in our culture is even more intense among African-Americans.
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bell hooks (We Real Cool: Black Men and Masculinity)
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When You Comin’ Home, Dad?” To experience the male tragedy in its present form, listen to Harry Chapin’s song “Cat’s in the Cradle.” The son asks, “When you comin’ home, Dad?” The dad responds, “I don’t know when.” Yet the father’s yearning for his son is so deep that the moment the dad was no longer preoccupied with providing for his son, he reached out for his son’s companionship. Unfortunately, the pressure on the dad is relieved only when the son has a job of his own. So the son responds, “My new job’s a hassle and the kids have the flu.” Historically, the obligations of dads deprive dads of love while the obligations of moms provide moms with love. Deprived of genuine love, dads are deprived of genuine power. Ironically, the son had ached for connection with his dad so intensely that he vowed, “Some day I’m gonna be like him. …
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Warren Farrell (The Myth of Male Power)
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Anger is a completely natural emotion. It’s a strong signal that our needs aren’t being met. Evolutionarily it protects us when we perceive a threat in our environment. The destructive effects of anger come from how we handle it, not from the anger itself. When we can differentiate the stories of blame from our unmet needs, we can express ourselves more constructively.
Feeling “manipulated” or “betrayed” indicates that your emotions are colored by an interpretation about the other person’s intentions. To honor the intensity of your experience without getting entangled in the blame game, see those words as information that points back to your feelings and needs. Investigate what’s in your heart. When you tell yourself, “I’m being manipulated,” how do you feel on the inside? What do you need?
Once this is clear, work on conveying the depth of your feelings without blame. Express the rawness of your emotions and connect them to what matters to you. If you can’t find other words (and if you think the other person will understand), you could take responsibility for the blame by saying something such as, “I’m telling myself a story that you betrayed me.” This indicates your subjective interpretation while leaving space for the other person’s experience.
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Oren Jay Sofer (Say What You Mean: A Mindful Approach to Nonviolent Communication)
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For most writers, reading is also a very intense experience; they don’t read so much as compete. The writer measure’s himself against every text he encounters, imagining he could do it better or wishing he had thought of it first. The natural writer would almost always rather be reading, writing, or alone, except of course when he needs to come up for air (that is, for subject matter, food, sex, love, attention). He may be a selfish son of a bitch, he may seem to care more about his work than about the people in his life, he may be a social misfit, a freak, or a smooth operator, but every person who does serious time with a keyboard is attempting to translate his version of the world into words so that he might be understood. Indeed, the great paradox of the writer’s life is how much time he spends alone trying to connect with other people.
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Betsy Lerner (The Forest for the Trees)
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The core components of high EQ are the following: The ability to self-soothe. The key to managing emotion is to allow, acknowledge, and tolerate our intense emotions so that they evaporate, without getting stuck in them or taking actions we’ll later regret. Self-soothing is what enables us to manage our anxiety and upsets, which in turn allows us to work through emotionally charged issues in a constructive way. Emotional self-awareness and acceptance. If we don’t understand the emotions washing over us, they scare us, and we can’t tolerate them. We repress our hurt, fear, or disappointment. Those emotions, no longer regulated by our conscious mind, have a way of popping out unmodulated, as when a preschooler socks his sister or we (as adults) lose our tempers or eat a pint of ice cream. By contrast, children raised in a home in which there are limits on behavior but not on feelings grow up understanding that all emotions are acceptable, a part of being human. That understanding gives them more control over their emotions. Impulse control. Emotional intelligence liberates us from knee-jerk emotional reactions. A child (or adult) with high EQ will act rather than react and problem-solve rather than blame. It doesn’t mean you never get angry or anxious, only that you don’t fly off the handle. As a result, our lives and relationships work better. Empathy. Empathy is the ability to see and feel something from the other’s point of view. When you’re adept at understanding the mental and emotional states of other people, you resolve differences constructively and connect deeply with others. Naturally, empathy makes us better communicators.
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Laura Markham (Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting (The Peaceful Parent Series))
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On New Year's Eve, when the children had gone up the hill to be with their father, I went to a Mensa party in San Francisco, but returned home relatively early, wanting to face the first few hours of the new year away from the noise and lurching of people who had drunk too much. I stood outside on the deck, in darkness, looking up at the star-frosted sky, letting myself feel without censoring the ache and hope that belonged to that night, and I sent out prayer for connection with someone who would be --finally -- the person I'd needed to be with all my life, someone who would have gone through his own changes and wars of the spirit and emerged a true adult. A grown-up man. Who wouldn't mind my being a grandmother, for Pete's sake. A man somewhat like Shura Borodin -- or what Shura seemed to be.
I cried a bit because the wanting was so very intense and the clear night sky so very indifferent, and everything I was in body and soul might yet grow old without a lover and friend who could be to me what I was capable of being to him. I toasted myself, hope, the new year and the magnificent cold stars with a bit of wine, then went to bed.
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Ann Shulgin (Pihkal: A Chemical Love Story)
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Feeling stressed and feeling overwhelmed seem to be related to our perception of how we are coping with our current situation and our ability to handle the accompanying emotions: Am I coping? Can I handle this? Am I inching toward the quicksand? Jon Kabat-Zinn describes overwhelm as the all-too-common feeling “that our lives are somehow unfolding faster than the human nervous system and psyche are able to manage well.” This really resonates with me: It’s all unfolding faster than my nervous system and psyche can manage it. When I read that Kabat-Zinn suggests that mindful play, or no-agenda, non-doing time, is the cure for overwhelm, it made sense to me why, when we were blown at the restaurant, we weren’t asked to help problem-solve the situation. We were just asked to engage in non-doing. I’m sure experience taught the managers that doing nothing was the only way back for someone totally overwhelmed. The non-doing also makes sense—there is a body of research that indicates that we don’t process other emotional information accurately when we feel overwhelmed, and this can result in poor decision making. In fact, researcher Carol Gohm used the term “overwhelmed” to describe an experience where our emotions are intense, our focus on them is moderate, and our clarity about exactly what we’re feeling is low enough that we get confused when trying to identify or describe the emotions. In other words: On a scale of 1 to 10, I’m feeling my emotions at about 10, I’m paying attention to them at about 5, and I understand them at about 2. This is not a setup for successful decision making. The big learning here is that feeling both stressed and overwhelmed is about our narrative of emotional and mental depletion—there’s just too much going on to manage effectively.
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Brené Brown (Atlas of the Heart: Mapping Meaningful Connection and the Language of Human Experience)
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If both you and your plane are on time, the airport is merely a diffuse, short, miserable prelude to the intense, long, miserable plane trip. But what if there's five hours between your arrival and your connecting flight, or your plane is late arriving and you've missed your connection, or the connecting flight is late, or the staff of another airline are striking for a wage-benefit package and the government has not yet ordered out the National Guard to control this threat to international capitalism so your airline staff is trying to handle twice as many people as usual, or there are tornadoes or thunderstorms or blizzards or little important bits of the plane missing or any of the thousand other reasons (never under any circumstances the fault of the airlines, and rarely explained at the time) why those who go places on airplanes sit and sit and sit and sit in airports, not going anywhere?
In this, probably its true aspect, the airport is not a prelude to travel, not a place of transition: it is a stop. A blockage. A constipation. The airport is where you can't go anywhere else. A nonplace in which time does not pass and there is no hope of any meaningful existence. A terminus: the end. The airport offers nothing to any human being except access to the interval between planes.
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Ursula K. Le Guin (Changing Planes)
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As we’ve seen, one of the most frequently pursued paths for achievement-minded college seniors is to spend several years advancing professionally and getting trained and paid by an investment bank, consulting firm, or law firm. Then, the thought process goes, they can set out to do something else with some exposure and experience under their belts. People are generally not making lifelong commitments to the field in their own minds. They’re “getting some skills” and making some connections before figuring out what they really want to do. I subscribed to a version of this mind-set when I graduated from Brown. In my case, I went to law school thinking I’d practice for a few years (and pay down my law school debt) before lining up another opportunity. It’s clear why this is such an attractive approach. There are some immensely constructive things about spending several years in professional services after graduating from college. Professional service firms are designed to train large groups of recruits annually, and they do so very successfully. After even just a year or two in a high-level bank or consulting firm, you emerge with a set of skills that can be applied in other contexts (financial modeling in Excel if you’re a financial analyst, PowerPoint and data organization and presentation if you’re a consultant, and editing and issue spotting if you’re a lawyer). This is very appealing to most any recent graduate who may not yet feel equipped with practical skills coming right out of college. Even more than the professional skill you gain, if you spend time at a bank, consultancy, or law firm, you will become excellent at producing world-class work. Every model, report, presentation, or contract needs to be sophisticated, well done, and error free, in large part because that’s one of the core value propositions of your organization. The people above you will push you to become more rigorous and disciplined, and your work product will improve across the board as a result. You’ll get used to dressing professionally, preparing for meetings, speaking appropriately, showing up on time, writing official correspondence, and so forth. You will be able to speak the corporate language. You’ll become accustomed to working very long hours doing detail-intensive work. These attributes are transferable to and helpful in many other contexts.
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Andrew Yang (Smart People Should Build Things: How to Restore Our Culture of Achievement, Build a Path for Entrepreneurs, and Create New Jobs in America)
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It was an amazing experience,” I said. “By remembering the love I felt I was able to open up. I sat up there all day simmering in it. I didn’t reach the state I experienced on the ridge but I got close.” Sanchez looked more serious. “The role of love has been misunderstood for a long time. Love is not something we should do to be good or to make the world a better place out of some abstract moral responsibility, or because we should give up our hedonism. Connecting with energy feels like excitement, then euphoria, and then love. Finding enough energy to maintain that state of love certainly helps the world, but it most directly helps us. It is the most hedonistic thing we can do.” I agreed, then noticed he had moved his chair back several more feet and was looking at me intensely, his eyes unfocused. “So what does my field look like,” I asked. “It is much larger,” he said. “I think you feel very good.” “I do.” “Good. That is what we do here.” “Tell me about that,” I said. “We train priests to go farther into the mountains and work with the Indians. It is a lonely job and the priests must have great strength. All of the men here have been screened thoroughly and all have one thing in common: each has had one experience he calls mystical. “I have been studying this kind of experience for many years,” he continued, “even before the Manuscript was found, and I believe that when one has already encountered a mystical experience, getting back into this state and raising one’s personal energy level comes much easier. Others can also connect but it takes longer. A strong memory of the experience, as I think you learned, facilitates its re-creation. After that, one slowly builds back.” “What does a person’s energy field look like when this is happening?” “It grows outward and changes color slightly.” “What color?” “Normally from a dull white toward green and blue. But the most important thing is that it expands. For instance, during your mystical encounter on the ridge top, your energy flashed outward into the whole universe. Essentially you connected and drew energy from the entire cosmos and in turn your energy swelled to encompass everything, everywhere. Can you remember how that felt?” “Yeah,” I said. “I felt as though the entire universe was my body and I was just the head, or perhaps more accurately, the eyes.” “Yes,” he said, “and at that moment, your energy field and that of the universe were the same. The universe was your body.
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James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
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The essence of Roosevelt’s leadership, I soon became convinced, lay in his enterprising use of the “bully pulpit,” a phrase he himself coined to describe the national platform the presidency provides to shape public sentiment and mobilize action. Early in Roosevelt’s tenure, Lyman Abbott, editor of The Outlook, joined a small group of friends in the president’s library to offer advice and criticism on a draft of his upcoming message to Congress. “He had just finished a paragraph of a distinctly ethical character,” Abbott recalled, “when he suddenly stopped, swung round in his swivel chair, and said, ‘I suppose my critics will call that preaching, but I have got such a bully pulpit.’ ” From this bully pulpit, Roosevelt would focus the charge of a national movement to apply an ethical framework, through government action, to the untrammeled growth of modern America. Roosevelt understood from the outset that this task hinged upon the need to develop powerfully reciprocal relationships with members of the national press. He called them by their first names, invited them to meals, took questions during his midday shave, welcomed their company at day’s end while he signed correspondence, and designated, for the first time, a special room for them in the West Wing. He brought them aboard his private railroad car during his regular swings around the country. At every village station, he reached the hearts of the gathered crowds with homespun language, aphorisms, and direct moral appeals. Accompanying reporters then extended the reach of Roosevelt’s words in national publications. Such extraordinary rapport with the press did not stem from calculation alone. Long before and after he was president, Roosevelt was an author and historian. From an early age, he read as he breathed. He knew and revered writers, and his relationship with journalists was authentically collegial. In a sense, he was one of them. While exploring Roosevelt’s relationship with the press, I was especially drawn to the remarkably rich connections he developed with a team of journalists—including Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—all working at McClure’s magazine, the most influential contemporary progressive publication. The restless enthusiasm and manic energy of their publisher and editor, S. S. McClure, infused the magazine with “a spark of genius,” even as he suffered from periodic nervous breakdowns. “The story is the thing,” Sam McClure responded when asked to account for the methodology behind his publication. He wanted his writers to begin their research without preconceived notions, to carry their readers through their own process of discovery. As they educated themselves about the social and economic inequities rampant in the wake of teeming industrialization, so they educated the entire country. Together, these investigative journalists, who would later appropriate Roosevelt’s derogatory term “muckraker” as “a badge of honor,” produced a series of exposés that uncovered the invisible web of corruption linking politics to business. McClure’s formula—giving his writers the time and resources they needed to produce extended, intensively researched articles—was soon adopted by rival magazines, creating what many considered a golden age of journalism. Collectively, this generation of gifted writers ushered in a new mode of investigative reporting that provided the necessary conditions to make a genuine bully pulpit of the American presidency. “It is hardly an exaggeration to say that the progressive mind was characteristically a journalistic mind,” the historian Richard Hofstadter observed, “and that its characteristic contribution was that of the socially responsible reporter-reformer.
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Doris Kearns Goodwin (The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism)
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The Prime Minister, who was in close contact with the Queen and Prince Charles, captured the feelings of loss and despair when he spoke to the nation earlier in the day from his Sedgefield constituency. Speaking without notes, his voice breaking with emotion, he described Diana as a ‘wonderful and warm human being.’
‘She touched the lives of so many others in Britain and throughout the world with joy and with comfort. How difficult things were for her from time to time, I’m sure we can only guess at. But people everywhere, not just here in Britain, kept faith with Princess Diana. They liked her, they loved her, they regarded her as one of the people. She was the People’s Princess and that is how she will stay, how she will remain in all our hearts and memories for ever.’
While his was the first of many tributes which poured in from world figures, it perfectly captured the mood of the nation in a historic week which saw the British people, with sober intensity and angry dignity, place on trial the ancient regime, notably an elitist, exploitative and male-dominated mass media and an unresponsive monarchy. For a week Britain succumbed to flower power, the scent and sight of millions of bouquets a mute and telling testimony to the love people felt towards a woman who was scorned by the Establishment during her lifetime.
So it was entirely appropriate when Buckingham Palace announced that her funeral would be ‘a unique service for a unique person’. The posies, the poems, the candles and the cards that were placed at Kensington Palace, Buckingham Palace and elsewhere spoke volumes about the mood of the nation and the state of modern Britain. ‘The royal family never respected you, but the people did,’ said one message, as thousands of people, most of whom had never met her, made their way in quiet homage to Kensington Palace to express their grief, their sorrow, their guilt and their regret. Total strangers hugged and comforted each other, others waited patiently to lay their tributes, some prayed silently. When darkness fell, the gardens were bathed in an ethereal glow from the thousands of candles, becoming a place of dignified pilgrimage that Chaucer would have recognized. All were welcome and all came, a rainbow of coalition of young and old of every colour and nationality, East Enders and West Enders, refugees, the disabled, the lonely, the curious, and inevitably, droves of tourists. She was the one person in the land who could connect with those Britons who had been pushed to the edges of society as well as with those who governed it.
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Andrew Morton (Diana: Her True Story in Her Own Words)