“
Do you really think we'll ever--"
"I do," he said with certainty, not letting me finish. He leaned over and kissed my forehead. "I know it, Sassenach, and so do you. You were meant to be a mother, and I surely dinna intend to let anyone else father your children.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
That fool of a fairy Lucinda did not intend to lay a curse on me. She meant to bestow a gift. When I cried inconsolably through my first hour of life, my tears were her inspiration. Shaking her head sympathetically at Mother, the fairy touched my nose. "My gift is obedience. Ella will always be obedient. Now stop crying, child."
I stopped.
”
”
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
“
no person is your friend (or kin) who demands your silence, or denies your right to grow and be perceived as fully blossomed as you were intended. Or who belittles in any fashion the gifts you labor so to bring into the world.
”
”
Alice Walker (In Search of Our Mothers' Gardens: Prose)
“
You bend the laws of the universe when you fly," I say. "It's impressive. Defying gravity? Watching sunrises and sunsets from places Mother Nature didn't intend for you to watch them from? You really are superheroes, if you think about it.
”
”
Colleen Hoover (Ugly Love)
“
I know it. I know I shall make beastly mistakes, Father-"
"The world does not forgive mistakes so quickly, my girl." He sounds bitter and sad.
"If the world will not forgive me," I say softly, "I shall have to learn to forgive myself."
He nods in understanding.
"And how will you marry? Or do you intend to marry?"
I think of Kartik, and tears threaten. "I shall meet someone one day, as Mother found you.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
Our world has created a false unrealistic image of what women are supposed to look like and act like. But the truth is that every woman was not created by God to be skinny, with a flawless complexion and long flowing hair. Not every woman was intended to juggle a career as well as all of the other duties of being a wife, mother, citizen, and daughter. Single women should not be made to feel they are missing somenthing because they are not married. Married women should not be made to feel they must have a career to be complete. We must have the freedom to be our individual selves.
”
”
Joyce Meyer (The Confident Woman Devotional: 365 Daily Inspirations)
“
London
The Institute
Year of Our Lord 1878
“Mother, Father, my chwaer fach,
It’s my seventeenth birthday today. I know that to write to you is to break the law, I know that I will likely tear this letter into pieces when it is finished. As I have done on all my birthdays past since I was twelve. But I write anyway, to commemorate the occasion - the way some make yearly pilgrimages to a grave, to remember the death of a loved one. For are we not dead to each other?
I wonder if when you woke this morning you remembered that today, seventeen years ago, you had a son? I wonder if you think of me and imagine my life here in the Institute in London? I doubt you could imagine it. It is so very different from our house surrounded by mountains, and the great clear blue sky and the endless green. Here, everything is black and gray and brown, and the sunsets are painted in smoke and blood. I wonder if you worry that I am lonely or, as Mother always used to, that I am cold, that I have gone out into the rain again without a hat? No one here worries about those details. There are so many things that could kill us at any moment; catching a chill hardly seems important.
I wonder if you knew that I could hear you that day you came for me, when I was twelve. I crawled under the bed to block out the sound of you crying my name, but I heard you. I heard mother call for her fach, her little one. I bit my hands until they bled but I did not come down. And, eventually, Charlotte convinced you to go away. I thought you might come again but you never did. Herondales are stubborn like that.
I remember the great sighs of relief you would both give each time the Council came to ask me if I wished to join the Nephilim and leave my family, and each time I said no and I send them away. I wonder if you knew I was tempted by the idea of a life of glory, of fighting, of killing to protect as a man should. It is in our blood - the call to the seraph and the stele, to marks and to monsters.
I wonder why you left the Nephilim, Father? I wonder why Mother chose not to Ascend and to become a Shadowhunter? Is it because you found them cruel or cold? I have no fathom side. Charlotte, especially, is kind to me, little knowing how much I do not deserve it. Henry is mad as a brush, but a good man. He would have made Ella laugh. There is little good to be said about Jessamine, but she is harmless. As little as there is good to say about her, there is as much good to say about Jem: He is the brother Father always thought I should have. Blood of my blood - though we are no relation. Though I might have lost everything else, at least I have gained one thing in his friendship.
And we have a new addition to our household too. Her name is Tessa. A pretty name, is it not? When the clouds used to roll over the mountains from the ocean? That gray is the color of her eyes.
And now I will tell you a terrible truth, since I never intend to send this letter. I came here to the Institute because I had nowhere else to go. I did not expect it to ever be home, but in the time I have been here I have discovered that I am a true Shadowhunter. In some way my blood tells me that this is what I was born to do.If only I had known before and gone with the Clave the first time they asked me, perhaps I could have saved Ella’s life. Perhaps I could have saved my own.
Your Son,
Will
”
”
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
“
Neither boy ever intended to speak about the events at the cliff that day. But of course their mothers eventually worked the truth out of them. Mothers always do.
”
”
John Flanagan (The Outcasts (Brotherband Chronicles, #1))
“
Destruction of the embryo in the mother's womb is a violation of the right to live which God has bestowed upon this nascent life. To raise the question whether we are here concerned already with a human being or not is merely to confuse the issue. The simple fact is that God certainly intended to create a human being and that this nascent human being has been deliberately deprived of his life. And that is nothing but murder.
”
”
Dietrich Bonhoeffer
“
Marilla felt more embarrassed than ever. She had intended to teach Anne the childish classic, "Now I lay me down to sleep." But she had, as I have told you, the glimmerings of a sense of humor--which is simply another name for a sense of the fitness of things; and it suddenly occurred to her that simple little prayer, sacred to the white-robed childhood lisping at motherly knees, was entirely unsuited to this freckled witch of a girl who knew and cared nothing about God's love, since she had never had it translated to her through the medium of human love.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
Elizabeth’s hands flew to her mouth; tears filled her eyes with happiness
as she realized he was fulfilling yet another of her and her mother’s intended activities.
“Why are you fulfilling all of my mother’s dreams?” she asked, studying
his face and searching for answers.
“So you don’t run away like she did in search of them,” he replied, taking
her hand. “Come on, join in!” he said, leaping around.
”
”
Cecelia Ahern (If You Could See Me Now)
“
I can't breathe. I'm joing the Rational Dress Society the very moment we are back in London,and I fully intend to leave their pamphlets under Mother's pillow and tucked into her corsets.
”
”
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
“
so my grandmother was not without humanity. and if she wore cocktail dresses when she labored in the garden, they were cocktail dresses she no longer intended to wear to cocktail parties. even in her rose garden she did not want to appear underdressed. if the dresses got too dirty from gardening, she threw them out. when my mother suggested to her that she might have them cleaned, my grandmother said, "what? and have those people at the cleaners what i was doing in a dress to make it that dirty?"
from my grandmother i learned that logic is relative.
”
”
John Irving (A Prayer for Owen Meany)
“
I can't wait." Kian pressed my hands to his lips. "I love you with all my heart, all my being, all of myself. Whatever my mother says, whatever the law says, you are still my intended. I can feel it. Feel it the way I feel the power of Winter Magic in my blood. It is a truth more ancient than any laws, any magic. We can still communicate telepathically, with our minds, which is one magic of love. When you have love for someone, and it is returned, lovers can communicate through the mind - as long as we have that connection, we will never be truly parted. Promise me that, Breena.
”
”
Kailin Gow
“
You gave me life,” I continued, stronger now, the words spilling faster than I’d intended. Cathartic. “Of course I loved you. Why do you think I allowed them to chain me to an altar? At sixteen years old, I was willing to die for you. My mother.
”
”
Shelby Mahurin (Gods & Monsters (Serpent & Dove, #3))
“
One evening, intending to ask my host mother to wake me the next morning (okosu), I ask her to violently rape me (okasu). She is very confused.
”
”
Timothy Ferriss (The 4-Hour Workweek)
“
Very well, let's see. I'm very sympathetic about your having left Raffin. I think you're brave to have defied Randa as you did with that Ellis fellow; I don't know if I could've gone through with it. I think you have more energy than anyone I've ever encountered, though I wonder if you aren't a bit hard on your horse. I find myself wondering why you haven't wanted to marry Giddon, and if it's because you've intended to marry Raffin, and if so, whether you're even more unhappy to have left him than I realized. I'm very pleased you've come with me. I'd like to see you defend yourself for real, fight someone to the death, for it would be a thrilling sight. I think my mother would take to you. My brothers, of course, would worship you. I think you're the most quarrelsome person I've ever met. And I really do worry about your horse.
”
”
Kristin Cashore (Graceling (Graceling Realm, #1))
“
If you should choose to look at those files, you will have to live with the consequences of your choices while, at the same time, being mindful that these choices will not only effect you, but will also infect, sorry, I intended to say effect, our entire family.
”
”
Donna K. Childree
“
Perhaps I took my mother more literally than she intended, but I applied her rule to my life; after all, we are all searching for them, the rules. We pick them up from the strangest places, and if they appear to work once we can live a whole lifetime by them, regardless of the unhappiness and difficulty they may later bring.
”
”
Rachel Joyce (The Love Song of Miss Queenie Hennessy (Harold Fry, #2))
“
My mother made me a scientist without ever intending to. Every other Jewish mother in Brooklyn would ask her child after school: So? Did you learn anything today? But not my mother. “Izzy,” she would say, “did you ask a good question today?” That difference — asking good questions — made me become a scientist.
”
”
Isidor Isaac Rabi
“
I believe in humanity - not just you or Mother, but all mankind. Do I sound like a preacher or a cheap politician making a pretty speech? This is not what I intend to do...
I believe in life, that it is sweet and that, for all its occasional bitterness, we-man, that is-are headed toward something better - fulfillment. There is much shame, however, and so much hypocrisy around us and these inhibit our fulfillment as human beings.
”
”
F. Sionil José (My Brother, My Executioner (Rosales Saga, #3))
“
Are you seeing anyone, Maggie?” My mother’s voice is low, the whisper reserved for talk of scandal—like premarital cohabitation and non-procreative sex. “Are you even trying to find love? Or do you intend to continue fornicating with random men outside the sanctity of marriage?”
“So if I were married I’d have your blessing to fornicate with random men? Maybe I should reconsider my stance on marriage.” The words are out of my mouth before I can stop them. I’m batting zero on the New Me plan.
”
”
Lexi Ryan (Unbreak Me (Splintered Hearts, #1))
“
Ay, wait,” Rojer said. “Don’t I get a say in this? All a sudden I’m intended, and have to live with my new mother-in-law?” “What’s wrong with my mum?” Kendall demanded. “Nothing,” Rojer said. “Corespawned right,” Kendall said.
”
”
Peter V. Brett (The Skull Throne (The Demon Cycle, #4))
“
Now I’ll just have to do without.”
She raised her eyebrows. “I’m sorry?”
Then Maximus did something very strange: he went on one knee before her.
“This isn’t right at all,” he said, continuing to glare as if he found it all her fault.
She sat up. “What are you doing?”
“Artemis Greaves, will you do me the honor of —”
“Are you insane?” she demanded. “What of your father? Your conviction that you must marry for the dukedom?”
“My father is dead,” he said softly. “And I’ve decided the dukedom can go hang.”
“But —”
“Hush,” he snapped. “I’m trying to propose to you properly even without my mother’s necklace.”
“But why?” she asked...
“I know that this is rather disappointing,” he said. “But I intend to make you respectable.
”
”
Elizabeth Hoyt (Duke of Midnight (Maiden Lane, #6))
“
What is unconscious cannot be abolished by proclamation or prohibition. One can, however, develop sensitivity toward recognizing it and begin to experience it consciously, and thus eventually gain control over it. A mother cannot truly respect her child as long as she does not realize what deep shame she causes him with an ironic remark, intended only to cover her own uncertainty. Indeed, she cannot be aware of how deeply humiliated, despised, and devalued her child feels, if she herself has never consciously suffered these feelings, and if she tries to fend them off with irony.
”
”
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
“
My favorite historical response to someone hearing about a “big” death comes from the character Henry Clerval in Mary Shelley’s masterwork, Frankenstein. When Henry learns that his best friend Victor Frankenstein’s young brother William has been murdered, he says, “I can offer you no consolation, my friend. Your disaster is irreparable. What do you intend to do?” Perfect. There is no consolation. The disaster is irreparable. I’ve read Frankenstein twice since our Henry died. It is my companion in grief. It should surprise no one who reads it that Mary Shelley was a bereaved mother.
”
”
Rob Delaney (A Heart That Works)
“
God did not intend for Irish kids to play in the sun, according to my mother.
”
”
Laurie Halse Anderson (Prom)
“
My commitment falters. “It comes out. Twenty-one washes.” That’s not what I intended to say. The plan was to put my hand on my hip and say, “It’s my hair. I can do what I want with it.” That’s what brave, angsty teenagers say after they do something rebellious. But I’m pretty sure those teenagers didn’t ever have to answer to someone like my mother. I’m also sure I’m neither brave nor angsty.
”
”
Kasie West (Pivot Point (Pivot Point, #1))
“
They say that men should look at the mother of the girl they intend to marry," Yvette said. "Girls who did what I did should consider the wife a man has discarded or worn out, and know thye are not going to do much better.
”
”
V.S. Naipaul (A Bend in the River)
“
Hear, nature, hear; dear goddess, hear!
Suspend thy purpose, if thou didst intend
To make this creature fruitful!
Into her womb convey sterility!
Dry up in her the organs of increase;
And from her derogate body never spring
A babe to honour her! If she must teem,
Create her child of spleen; that it may live,
And be a thwart disnatured torment to her!
Let it stamp wrinkles in her brow of youth;
With cadent tears fret channels in her cheeks;
Turn all her mother's pains and benefits
To laughter and contempt; that she may feel
How sharper than a serpent's tooth it is
To have a thankless child! Away, away!
”
”
William Shakespeare
“
I can't see why you should want to dance with me now, when you never have before." The statement was more revealing than she had intended it to be. She cursed her own wayward tongue, while his speculative gaze wandered over her face.
"I wanted to," he surprised her by murmuring. "However, there always seemed to be good reasons not to."
"Why--"
"Besides," Westcliff interrupted, reaching out to take her gloved hand, "there was hardly a point in asking when your refusal was a forgone conclusion." Deftly he pressed her hand to his arm and led her toward the mass of couples in the center of the room.
"It was not a forgone conclusion."
Westcliff glanced at her skeptically. "You're saying that you would have accepted me?"
"I might have."
"I doubt it."
"I did just now, didn't I?"
"You had to. It was a debt of honor."
She couldn't help but laugh. "For what, my lord?"
"The calf's head," he reminded her succinctly.
"Well, if you hadn't served such a nasty object in the first place, I wouldn't have needed to be rescued!"
"You wouldn't have need to be rescued if you didn't have such a weak stomach."
"You're not supposed to mention body parts in front of a lady," she said virtuously. "Your mother said so."
Westcliff grinned. "I stand corrected.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Can't fail if I don't try."
...
"You're absolutely right. You'd regret trying and failing. But I'll do you one better. If you don't try, give it all you've got, you'll regret the hell out of never knowing if you would have succeeded.
...
"Because regret haunts you for the rest of your life," Sewanee chimed in from the cheap seats. She hadn't intended to say anything, but as soon as she felt the answer it was out of her mouth. She caught Marilyn's eye. Her mother smiled sadly at her. "It's like a ghost that refuses to leave your house."
Stu bugged his eye. "Why's it gotta leave? What, you think you can get through life avoiding regret? Avoiding failure?" He laughed. "Spoiler alert" life is regret, life is failure. But like that ghost, you learn to live with it. Because failure makes success matter.
”
”
Julia Whelan (Thank You for Listening)
“
The belief that public health measures are not intended for people like us is widely held by many people like me. Public health, we assume, is for people with less—less education, less-healthy habits, less access to quality health care, less time and money. I have heard mothers of my class suggest, for instance, that the standard childhood immunization schedule groups together multiple shots because poor mothers will not visit the doctor frequently enough to get the twenty-six recommended shots separately. No matter that any mother, myself included, might find so many visits daunting. That, we seem to be saying of the standard schedule, is for people like them.
”
”
Eula Biss (On Immunity: An Inoculation)
“
You’re confident you can mimic your mother’s voice?” “You have no idea how many detentions I’ve talked my way out of.” Mr. Forkle didn’t find that as reassuring as Keefe intended.
”
”
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
“
Today, for most kids in the United States and Canada, kids’ primary attachment is to other kids. “For the first time in history,” Neufeld observes, “young people are turning for instruction, modeling, and guidance not to mothers, fathers, teachers, and other responsible adults but to people whom nature never intended to place in a parenting role—their own peers. .
”
”
Leonard Sax (The Collapse of Parenting: How We Hurt Our Kids When We Treat Them Like Grown-Ups)
“
You do not know him, Alina.” It was the first time she had ever used my name. “But I do.” I stood there watching dark spirals unfurl around her, trying to comprehend what I was seeing. Searching Baghra’s strange features, I saw the explanation clearly written there. I saw the ghost of what must have once been a beautiful woman, a beautiful woman who gave birth to a beautiful son. “You’re his mother,” I whispered numbly. She nodded. “I am not mad. I am the only person who knows what he truly is, what he truly intends. And I am telling you that you must run.” The Darkling had claimed he didn’t know what Baghra’s power was. Had he lied to me? I
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
Bonding and communicating are aspects of action—proof of the extent of transformation through attaining the goal that we had intended. The power to bond with others is an extraordinary human power. It comes in the true sense when bonding develops from the heart and not from either the intellect or the passions. It comes from a deep love for one’s fellow human being and arises when we try to meet the needs of others before our own needs, much like a mother with her new born child.
”
”
Abu Hamid al-Ghazali (On the Treatment of the Lust of the Stomach and the Sexual Organs (Great Books of the Islamic World))
“
Circenn moved swiftly, intending to catch the tear upon his finger, kiss it away, then kiss away all her pain and fear, and assure her that he would permit no harm to touch her and would spend his life making things up to her; but she dropped the flask onto the table and turned swiftly.
"Please, leave me alone," she said and turned away from him. "Let me comfort you, Lisa," he entreated.
"Leave me alone."
For the first time in his life, Circenn
felt utterly helpless. Let her grieve, his heart instructed. She would need to grieve, for discovering that the flask didn't work was tantamount to lowering her mother into a solitary grave. She would grieve her mother as if she'd in truth died that very day. May God
forgive me, he prayed. I did not know what I was doing when I cursed that flask.
”
”
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
“
they will never allow that a child is under any obligation to his father for begetting him, or to his mother for bringing him into the world; which, considering the miseries of human life, was neither a benefit in itself, nor intended so by his parents, whose thoughts, in their love encounters, were otherwise employed.
”
”
Jonathan Swift
“
The archetypal image of the redeemer serpent is certainly placed here in opposition to the serpents of evil that battle with it. But why do they both have the same form if there is only oppositIOn between them? What does it mean that they both dwell in the same place, the depth of the great abyss? Are they not possibly two aspects of the same thing?
We know this image of the redeemer serpent not only from Gnosis and from the Sabbataian myth, but we know of the same serpent rising from below, redeeming and to be redeemed, as the Kundalini serpent in India, and finally from alchemy as the serpens Mercurii, the ambiguous serpent whose significance was first made clear to us by Jung's researches.
Since Jung's work on alchemy we know two things. The first is that in its "magnum opus" alchemy dealt with a redemption of matter itself. The second is that pari passu with this redemption of matter, a redemption of the individual psyche was not only unconsciously carried out but was also consciously intended. As we know, the serpent is a primeval symbol of the Spirit, as primeval and ambiguous as the Spirit itself. The emergence of the Earth archetype of the Great Mother brings with it the emergence of her companion, the Great Serpent. And, strangely enough, it seems as though modern man is confronted with a curious task, a task which is essentially connected with what mankind, rightly or wrongly, has feared most, namely the Devil.
”
”
Erich Neumann (The Fear of the Feminine and Other Essays on Feminine Psychology)
“
It's sad, when a mother has to speak the words that condemn her own son. But I couldn't allow them to believe that I would commit murder. They'll put him away now, as I should have years ago. He was always bad, and in the end he intended to tell them I killed those girls and that man... as if I could do anything but just sit and stare, like one of his stuffed birds. They know I can't move a finger, and I won't. I'll just sit here and be quiet, just in case they do... suspect me. They're probably watching me. Well, let them. Let them see what kind of a person I am. I'm not even going to swat that fly. I hope they are watching... they'll see. They'll see and they'll know, and they'll say, "Why, she wouldn't even harm a fly...
”
”
Robert Bloch (Psycho (Psycho, #1))
“
Keep calm, they said on television. Everything is under control. I was stunned. Everyone was, I know that. It was hard to believe. The entire government, gone like that. How did they get in, how did it happen? That was when they suspended the Constitution. They said it would be temporary. There wasn't even any rioting in the streets. People stayed home at night, watching television, looking for some direction. There wasn't even an enemy you could put your finger on. Look out, said Moira to me, over the phone. Here it comes. Here what comes? I said. You wait, she said. They've been building up to this. It's you and me up against the wall, baby. She was quoting an expression of my mother's, but she wasn't intending to be funny.
”
”
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
“
Indeed. And here is a new one for you: I love you, Alexander Cameron. More than common sense or decency should allow. Your strength frightens me and your stubbornness angers me, and I believe you to be a truly dangerous threat to a woman's inbred gentility, but there you have it. And unless you are prepared to give me several honest and convincing reasons why I should do otherwise, I intend to remain here at Achnacarry as your wife, as your lover if you will have me, as the mother of your sons, of which -please God- there will be many.
”
”
Marsha Canham (The Pride of Lions (Highlands, #1))
“
You asked what my intentions are, Mrs. Brenner, and I would like to answer your question.” Dibs opened his mouth as if preparing to argue and she glared at him from across the table. Did he really think not to let her state her case in front of his family? He snapped his mouth shut and briskly rubbed a palm across his forehead before tossing that same hand in the air. “My intentions are these.” She gathered her thoughts, folding her hands in her lap. “When David is sad, I intend to make him happy. When he is ill, I intend to make him well. When he is angry or upset, I intend to listen and find the words to make him feel better. When he is depressed, I intend to bring him joy, and when he is hurt, I intend to find the source of his pain and take it away from him.” She bridged the distance to Dibs’s devoted gaze, and radiant love crested the last barricade surrounding her heart. “You see, Mr. and Mrs. Brenner, I’m in love with your son. But I don’t want anything from him. You don’t need to worry because my only intention is to give to him. That’s the way it’s supposed to be when you love someone, isn’t it? To think only of their needs, instead of your own?” She broke off from Dibs and faced his mother. “Those are my intentions, Mrs. Brenner. I hope you find them satisfactory.
”
”
A.J. Nuest
“
THE POWER OF TWO If two of you agree on earth concerning anything that they ask, it will be done for them by My Father in heaven. —MATTHEW 18:19 Imagine for a moment the unlimited power of a husband and wife who walk constantly in agreement—the power of a mother and father united in the raising of children who understand the power of relationships, are saturated in wisdom, and are full of faith! How different would our world be today if there were more couples like this? How different would the church be? How different would our communities be? How different would our nations be? Father, Your Word says one person can put a thousand to flight and two can chase off ten thousand. Strengthen the hedge of protection around my marriage and family and whisper peace into my relationships, ministry, workplace, and business. No evil shall come near to my dwelling place or my marriage. Cause my relationships to work in perfect harmony with You today. Break any unhealthy patterns in our relationship, guard our thoughts and words, and fill us with new levels of passion and zeal for your calling upon us as a couple. Remove every hindrance from the divinely ordained intimacy and unity You intend for our relationship. In Jesus’s name, amen.
”
”
Cindy Trimm (Commanding Your Morning Daily Devotional: Unleash God's Power in Your Life--Every Day of the Year)
“
Where I come from, nobody reads novels unless they're like my mother-- fetishizing the artistic media of a bygone era, probably because it was the last time she was happy. But regular people don't read books there. That quasi- telepathic pact between author and reader held little interest for a general audience. Because the dominant storytelling medium of my world involved the seamless integration of an individual's subconscious wiring into the narrative, evoking deep personal wonder and terror, familiarity and delight, yearning and fury, and a triggering catharsis so spellbinding and essential that the idea of sitting down to page through a novel that's not even intended to be about the secret box inside your mind-- why would anyone want to do that for, like, fun? Unless, of course, you were constitutionally inclined to sublimate yourself to a stronger personality, in which case reading a book where every word is fixed in place by the deliberate choices of a controlling vision, surrendering agency over your own imagination to a stranger you'll likely never meet, is some sort of masochistic pleasure.
”
”
Elan Mastai (All Our Wrong Todays)
“
My mother was, in the tradition of parents, quite a complicated and contradictory human being. Moralistic but a devout lover of pleasure (food, music, the aesthetics of nature). Deeply religious but seemingly as comforted by singing a secular chanson as by prayer. A lover of the natural world who was visibly anxious every time she left the castle. Fragile, but also though and stubborn. I never knew how many of her oddities had sprung from grief and how many from her own inherent nature. "There is not one blade of grass, there is no colour in this world that is not intended to make us rejoice," my mother told me once, shortly after arriving in England.
”
”
Matt Haig (How to Stop Time)
“
When the boy was grown and out hunting, the goddess brought Callisto before him, intending to have him shoot his mother, in ignorance, of course. But Zeus snatched the bear away and placed her among the stars, where she is called the Great Bear. Later, her son Arcas was placed beside her and called the Lesser Bear. Hera, enraged at this honor to her rival, persuaded the God of the Sea to forbid the Bears to descend into the ocean like the other stars. They alone of the constellations never set below the horizon.
”
”
Edith Hamilton (Mythology)
“
Books can offer a counter narrative—another story to the one we think we know. Story is told in a voice. The voice of Bastard Out of Carolina is that of a young girl who has just lost her mother and her sense of any real hope or justice. You don’t know who she is until the story ends, and I always intended for the ending to make the reader angry.
”
”
Dorothy Allison (Bastard Out of Carolina)
“
You’re not gonna believe what just happened to me,” Jase says the minute I flip my cell open, taking advantage of break at the B&T. I turn away from the picture window just in case Mr. Lennox, disregarding the break sign, will come dashing out to slap me with my first-ever demerit.
“Try me.”
His voice lowers. “You know how I put that lock on the door of my room? Well, Dad noticed it. Apparently. So today, I’m stocking the lawn section and he comes up and asks why it’s there.”
“Uh-oh.” I catch the attention of a kid sneaking into the hot tub (there’s a strict no-one-under-sixteen policy) and shake my head sternly. He slinks away. Must be my impressive uniform.
“So I say I need privacy sometimes and sometimes you and I are hanging out and we don’t want to be interrupted ten million times.”
“Good answer.”
“Right. I think this is going to be the end of it. But then he tells me he needs me in the back room to have a ‘talk.’”
“Uh-oh again.”
Jase starts to laugh. “I follow him back and he sits me down and asks if I’m being responsible. Um. With you.”
Moving back into the shade of the bushes, I turn even further away from the possible gaze of Mr. Lennox. “Oh God.”
“I say yeah, we’ve got it handled, it’s fine. But, seriously? I can’t believe he’s asking me this. I mean, Samantha. Jesus. My parents? Hard not to know the facts of life and all in this house. So I tell him that we’re moving slowly and—”
“You told him that?” God, Jase! How am I ever going to look Mr. Garret in the eye again? Help.
“He’s my dad, Samantha. Yeah. Not that I didn’t want to exit the conversation right away, but still . . .”
“So what happened then?”
“Well, I reminded him they’d covered that really thoroughly in school, not to mention at home, and we weren’t irresponsible people.”
I close my eyes, trying to imagine having this conversation with my mother. Inconceivable. No pun intended.
“So then . . . he goes on about”—Jase’s voice drops even lower—“um . . . being considerate and um . . . mutual pleasure.”
“Oh my god! I would’ve died. What did you say?” I ask, wanting to know even while I’m completely distracted by the thought. Mutual pleasure, huh? What do I know about giving that? What if Shoplifting Lindy had tricks up her sleeve I know nothing about? It’s not like I can ask Mom. “State senator suffers heart attack during conversation with daughter.”
“I said ‘Yes sir’ a lot. And he went on and on and on and all I could think was that any minute Tim was gonna come in and hear my dad saying things like, ‘Your mom and I find that . . . blah blah blah.’”
I can’t stop laughing. “He didn’t. He did not mention your mother.”
“I know!” Jase is laughing too. “I mean . . . you know how close I am to my parents, but . . . Jesus.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
I am on the third book of the Bible. This one is called Leviticus. I turn the page and read: If anyone curses his father or mother, he must be put to death. That strikes me as pretty extreme. Do they mean curse as in use obscenities toward, or curse as in hire a witch to perform a solemn utterance intended to invoke a supernatural power to inflict harm on them? I can’t help noting the use of the male pronouns. I wonder whether this directive applies to me. Am I subject to a womanly loophole? Whoever wrote this book prioritized men so much, he forgot about the other half of humanity. It seems like I can curse my parents with no repercussions at all.
”
”
Emily R. Austin (Everyone in This Room Will Someday Be Dead)
“
Eddie insisted that everyone call him Reymundo. Rey was too sweet, too causal. Why be Rey? Something that meant king, when his mother had intended for him to be the king of the earth. Why be less when he was so much more?
”
”
Zoraida Córdova (The Inheritance of Orquídea Divina)
“
We have already learned that Jehovah put an end to Judah’s self-rule. No more Davidic kings for Judah. (Ho 1:4) Jehovah has divorced Himself from her and her illegitimate children. But, we will learn that He intends to chastise and buy back her legitimate offspring, despite their mother’s rebellion. Judah will never be a nation again, but her legitimate offspring will get a second chance through the coming Messiah and his kingdom. (1Cor 15:22-25)
”
”
Michael Ben Zehabe (Lamentations: how narcissistic leaders torment church and family (The Hidden Series))
“
You are diseased in understanding and religion.
Come to me, that you may hear something of sound truth.
Do not unjustly eat fish the water has given up,
And do not desire as food the flesh of slaughtered animals,
Or the white milk of mothers who intended its pure draught
for their young, not noble ladies.
And do not grieve the unsuspecting birds by taking eggs;
for injustice is the worst of crimes.
And spare the honey which the bees get industriously
from the flowers of fragrant plants;
For they did not store it that it might belong to others,
Nor did they gather it for bounty and gifts.
I washed my hands of all this; and wish that I
Perceived my way before my hair went gray!
”
”
أبو العلاء المعري
“
It has been said ever since that the Brankoviches of Erdély count in Tzintzar, lie in Walachian, are silent in Greek, sing hymns in Russian, are cleverest in Turkish and speak their mother tongue --Serbian-- only when they intend to kill.
”
”
Milorad Pavić (Dictionary of the Khazars)
“
But if your language is intended to be the medium of an art; if you, its user, are an artist and not a reporter, a persuader, a raconteur; if you aren't writing principally to get praise or pay, but wish to avoid the busy avenues of entertainment, to traffic in the tragic maybe, dig down to the deeply serious; then (although there are a few exceptional and contrary cases) you will understand right away how blessed you are by the language you were born with, the language you began to amster in the moment you also started to learn about life, to read the lines on faces, the light in the window which meant milk, the door which deprived you of mother, the half-songs sung by that someone who lonaed you the breast you suckled - the breast you claimed as more than kin.
”
”
William H. Gass (Finding a Form)
“
WHAT DOES AN OLD MAN GAIN BY EXERCISING
what will he gain by talking on the phone
what will he gain by going after fame, tell me
what does he gain by looking in the mirror
Nothing
each time he just sinks deeper in the mud
It’s already three or four in the morning
why doesn’t he try to go to sleep
but no--he won’t stop doing exercise
won’t stop with his famous long-distance calls
won’t stop with Bach
with Beethoven
with Tchaikovsky
won’t stop with the long looks in the mirror
won’t stop with the ridiculous obsession about continuing to breathe
pitiful--it would be better if he turned out the light
Ridiculous old man his mother says to him
you and your father are exactly alike
he didn’t want to die either
may God grant you the strength to drive a car
may God grant you the strength to talk on the phone
may God grant you the strength to breathe
may God grant you the strength to bury your mother
You fell asleep, you ridiculous old man!
but the poor wretch does not intend to sleep
Let’s not confuse crying with sleeping
”
”
Nicanor Parra (Antipoems: How to Look Better and Feel Great)
“
And if she wore cocktail dresses when she labored in her rose garden, they were cocktail dresses that she no longer intended to wear to cocktail parties. Even in her rose garden, she did not want to be seen underdressed. If the dresses got too dirty from gardening, she threw them out. When my mother suggested to her that she might have them cleaned, my grandmother said, ‘What? And have those people at the cleaners wonder what I was doing in a dress to make it that dirty?’ From my grandmother I learned that logic is relative.
”
”
John Irving (A Prayer For Owen Meany)
“
Tatyana’s Letter to Onegin I’m writing you this declaration— What more can I in candour say? It may be now your inclination To scorn me and to turn away; But if my hapless situation Evokes some pity for my woe, You won’t abandon me, I know. I first tried silence and evasion; Believe me, you‘d have never learned My secret shame, had I discerned The slightest hope that on occasion— But once a week—I’d see your face, Behold you at our country place, Might hear you speak a friendly greeting, Could say a word to you; and then, Could dream both day and night again Of but one thing, till our next meeting. They say you like to be alone And find the country unappealing; We lack, I know, a worldly tone, But still, we welcome you with feeling. Why did you ever come to call? In this forgotten country dwelling I’d not have known you then at all, Nor known this bitter heartache’s swelling. Perhaps, when time had helped in quelling The girlish hopes on which I fed, I might have found (who knows?) another And been a faithful wife and mother, Contented with the life I led. Another! No! In all creation There’s no one else whom I’d adore; The heavens chose my destination And made me thine for evermore! My life till now has been a token In pledge of meeting you, my friend; And in your coming, God has spoken, You‘ll be my guardian till the end…. You filled my dreams and sweetest trances; As yet unseen, and yet so dear, You stirred me with your wondrous glances, Your voice within my soul rang clear…. And then the dream came true for me! When you came in, I seemed to waken, I turned to flame, I felt all shaken, And in my heart I cried: It’s he! And was it you I heard replying Amid the stillness of the night, Or when I helped the poor and dying, Or turned to heaven, softly crying, And said a prayer to soothe my plight? And even now, my dearest vision, Did I not see your apparition Flit softly through this lucent night? Was it not you who seemed to hover Above my bed, a gentle lover, To whisper hope and sweet delight? Are you my angel of salvation Or hell’s own demon of temptation? Be kind and send my doubts away; For this may all be mere illusion, The things a simple girl would say, While Fate intends no grand conclusion…. So be it then! Henceforth I place My faith in you and your affection; I plead with tears upon my face And beg you for your kind protection. You cannot know: I’m so alone, There’s no one here to whom I’ve spoken, My mind and will are almost broken, And I must die without a moan. I wait for you … and your decision: Revive my hopes with but a sign, Or halt this heavy dream of mine— Alas, with well-deserved derision! I close. I dare not now reread…. I shrink with shame and fear. But surely, Your honour’s all the pledge I need, And I submit to it securely.
”
”
Alexander Pushkin (Eugene Onegin)
“
Physiological stress, then, is the link between personality traits and disease. Certain traits — otherwise known as coping styles — magnify the risk for illness by increasing the likelihood of chronic stress. Common to them all is a diminished capacity for emotional communication. Emotional experiences are translated into potentially damaging biological events when human beings are prevented from learning how to express their feelings effectively. That learning occurs — or fails to occur — during childhood. The way people grow up shapes their relationship with their own bodies and psyches. The emotional contexts of childhood interact with inborn temperament to give rise to personality traits. Much of what we call personality is not a fixed set of traits, only coping mechanisms a person acquired in childhood.
There is an important distinction between an inherent characteristic, rooted in an individual without regard to his environment, and a response to the environment, a pattern of behaviours developed to ensure survival. What we see as indelible traits may be no more than habitual defensive techniques, unconsciously adopted. People often identify with these habituated patterns, believing them to be an indispensable part of the self. They may even harbour self-loathing for certain traits — for example, when a person describes herself as “a control freak.” In reality, there is no innate human inclination to be controlling. What there is in a “controlling” personality is deep anxiety.
The infant and child who perceives that his needs are unmet may develop an obsessive coping style, anxious about each detail. When such a person fears that he is unable to control events, he experiences great stress. Unconsciously he believes that only by controlling every aspect of his life and environment will he be able to ensure the satisfaction of his needs. As he grows older, others will resent him and he will come to dislike himself for what was originally a desperate response to emotional deprivation. The drive to control is not an innate trait but a coping style. Emotional repression is also a coping style rather than a personality trait set in stone.
Not one of the many adults interviewed for this book could answer in the affirmative when asked the following: When, as a child, you felt sad, upset or angry, was there anyone you could talk to — even when he or she was the one who had triggered your negative emotions? In a quarter century of clinical practice, including a decade of palliative work, I have never heard anyone with cancer or with any chronic illness or condition say yes to that question. Many children are conditioned in this manner not because of any intended harm or abuse, but because the parents themselves are too threatened by the anxiety, anger or sadness they sense in their child — or are simply too busy or too harassed themselves to pay attention. “My mother or father needed me to be happy” is the simple formula that trained many a child — later a stressed and depressed or physically ill adult — into lifelong patterns of repression.
”
”
Gabor Maté (When the Body Says No: The Cost of Hidden Stress)
“
Your wife,” said Arthur, looking around, “mentioned some toothpicks.” He said it with a hunted look, as if he was worried that she might suddenly leap out from behind a door and mention them again.
Wonko the Sane laughed. It was a light easy laugh, and sounded like one he had used a lot before and was happy with.
“Ah yes,” he said, “that’s to do with the day I finally realized that the world had gone totally mad and built the Asylum to put it in, poor thing, and hoped it would get better.”
This was the point at which Arthur began to feel a little nervous again.
“Here,” said Wonko the Sane, “we are outside the Asylum.” He pointed again at the rough brickwork, the pointing, and the gutters. “Go through that door” — he pointed at the first door through which they had originally entered — “and you go into the Asylum. I’ve tried to decorate it nicely to keep the inmates happy, but there’s very little one can do. I never go in there myself. If I ever am tempted, which these days I rarely am, I simply look at the sign written over the door and I shy away.”
“That one?” said Fenchurch, pointing, rather puzzled, at a blue plaque with some instructions written on it.
“Yes. They are the words that finally turned me into the hermit I have now become. It was quite sudden. I saw them, and I knew what I had to do.”
The sign read:
“Hold stick near center of its length. Moisten pointed end in mouth. Insert in tooth space, blunt end next to gum. Use gentle in-out motion.”
“It seemed to me,” said Wonko the Sane, “that any civilization that had so far lost its head as to need to include a set of detailed instructions for use in a package of toothpicks, was no longer a civilization in which I could live and stay sane.”
He gazed out at the Pacific again, as if daring it to rave and gibber at him, but it lay there calmly and played with the sandpipers.
“And in case it crossed your mind to wonder, as I can see how it possibly might, I am completely sane. Which is why I call myself Wonko the Sane, just to reassure people on this point. Wonko is what my mother called me when I was a kid and clumsy and knocked things over, and sane is what I am, and how,” he added, with one of his smiles that made you feel, Oh. Well that’s all right then. “I intend to remain.
”
”
Douglas Adams (So Long, and Thanks for All the Fish (The Hitchhiker's Guide to the Galaxy, #4))
“
Hope, you were born to do this,” he says with his mouth full, and although I know it’s a compliment, the words hit me hard, because I never intended to do this at all. It wasn’t the life I wanted for myself, and Matt knows it. But my grandmother got sick, my mother died, and I no longer had a choice.
”
”
Kristin Harmel (The Sweetness of Forgetting)
“
Everyone expects me to apologize, but this is not something I can apologize for, because I told the truth, and sooner or later Mother was bound to find out anyway. I seem to be indifferent to Mother’s tears and Father’s glances, and I am, because both of them are now feeling what I’ve always felt. I can only feel sorry for Mother, who will have to decide what her attitude should be all by herself. For my part, I will continue to remain silent and aloof, and I don’t intend to shrink from the truth, because the longer it’s postponed, the harder it will be for them to accept it when they do hear it!
”
”
Anne Frank (The Diary of a Young Girl: The Definitive Edition)
“
I thought of my mother. Was she crazy? Is that why she did it? Why she strapped me into the passenger seat of her yellow Mini and sped us toward that redbrick wall? I always liked that car, its cheerful canary yellow. The same yellow as in my paint box. Now I hate that color—every time I use it, I think of death. Why did she do it? I suppose I’ll never know. I used to think it was suicide. Now I think it was attempted murder. Because I was in the car too, wasn’t I? Sometimes I think I was the intended victim—it was me she was trying to kill, not herself. But that’s crazy. Why would she want to kill me?
”
”
Alex Michaelides (The Silent Patient)
“
What I am asking of you is a sacrifice, obviously, but no one is planning on letting this continue. Your father is planning the same thing, only in reverse. He intends to have your brother kill you, and use the magic to strip your mother of her powers. Once she's stripped, he can kill her but maintain her stain and darkness.
”
”
T.L. Brown (Witch (The Devil's Roses, #4))
“
This thinking is well-intended but overly simplistic, reminiscent perhaps of the four-year-old who proudly presents his mother with a red truck for her birthday because that is the present he wants. So the best managers reject the Golden Rule. Instead, they say, treat each person as he would like to be treated, bearing in mind who he is.
”
”
Marcus Buckingham (First, Break All the Rules: What the World's Greatest Managers Do Differently)
“
Eden, I had planned to use that information to hold you grandfather overfire. I intended to force him to return what Townsend stole through manipulating my mother. I wouldn't want you to think otherwise. I went to a lot of trouble to get that story over a two year period of my life."
She knew it had cost him. It was still costing him because he had allowed his work to slip through his fingers.
And you surrendered it," she said. "Why? You could have won. Grandfather would have given you what you watned to keep you from publishing the story. He would have made Townsend cooperate."
Rafe looked off in the distance...
If I had, Eden, I would have lost more than Hanalei. I weighed everything in a balance and decided there was something I wanted even more.
”
”
Linda Lee Chaikin
“
The truth is that we never know from whom we originally get the ideas and beliefs that shape us, those that make a deep impression on us and which we adopt as a guide, those we retain without intending to and make our own.
From a great-grandparent, a grandparent, a parent, not necessarily ours? From a distant teacher we never knew and who taught the one we did know? From a mother, from a nursemaid who looked after her as a child? From the ex-husband of our beloved, from a ġe-bryd-guma we never met? From a few books we never read and from an age through which we never lived? Yes, it's incredible how much people say, how much they discuss and recount and write down, this is a wearisome world of ceaseless transmission, and thus we are born with the work already far advanced but condemned to the knowledge that nothing is ever entirely finished, and thus we carry-like a faint booming in our heads-the exhausting accumulated voices of the countless centuries, believing naively that some of those thoughts and stories are new, never before heard or read, but how could that be, when ever since they acquired the gift of speech people have never stopped endlessly telling stories and, sooner or later, everything is told, the interesting and the trivial, the private and the public, the intimate and the superfluous, what should remain hidden and what will one day inevitably be broadcast, sorrows and joys and resentments, certainties and conjectures, the imagined and the factual, persuasions and suspicions, grievances and flattery and plans for revenge, great feats and humiliations, what fills us with pride and what shames us utterly, what appeared to be a secret and what begged to remain so, the normal and the unconfessable and the horrific and the obvious, the substantial-falling in love-and the insignificant-falling in love. Without even giving it a second thought, we go and we tell.
”
”
Javier Marías (Poison, Shadow, and Farewell (Your Face Tomorrow, #3))
“
I wonder if the story (though not intended as such by my aunt) is a warning for me, a preview of my own life which I thought I had fashioned so cleverly, so differently from my mother's, but which is only a repetition, in a different raga, of her tragic song. Perhaps it is like this for all daughters, doomed to choose for ourselves, over and over, the men who have destroyed our mothers.
”
”
Chitra Banerjee Divakaruni
“
And now, in looking back upon it, and reviewing the part of my life intervening between her death and the present time, I think I can distinctly see how it has worked for ultimate good. I humbly believe the Lord intended it so. We lost the benefit of her motherly care and instruction, but we gained the benefit of tuition in the school of affliction; and eternity alone will reveal how important that discipline was.
”
”
John Lafayette Girardeau
“
The three conditions without which healthy growth does not take place can be taken for granted in the matrix of the womb: nutrition, a physically secure environment and the unbroken relationship with a safe, ever-present maternal organism. The word matrix is derived from the Latin for “womb,” itself derived from the word for “mother.” The womb is mother, and in many respects the mother remains the womb, even following birth. In the womb environment, no action or reaction on the developing infant’s part is required for the provision of any of his needs.
Life in the womb is surely the prototype of life in the Garden of Eden where nothing can possibly be lacking, nothing has to be worked for. If there is no consciousness — we have not yet eaten of the Tree of Knowledge — there is also no deprivation or anxiety. Except in conditions of extreme poverty unusual in the industrialized world, although not unknown, the nutritional needs and shelter requirements of infants are more or less satisfied. The third prime requirement, a secure, safe and not overly stressed emotional atmosphere, is the one most likely to be disrupted in Western societies.
The human infant lacks the capacity to follow or cling to the parent soon after being born, and is neurologically and biochemically underdeveloped in many other ways. The first nine months or so of extrauterine life seem to have been intended by nature as the second part of gestation. The anthropologist Ashley Montagu has called this phase exterogestation, gestation outside the maternal body. During this period, the security of the womb must be provided by the parenting environment. To allow for the maturation of the brain and nervous system that in other species occurs in the uterus, the attachment that was until birth directly physical now needs to be continued on both physical and emotional levels. Physically and psychologically, the parenting environment must contain and hold the infant as securely as she was held in the womb.
For the second nine months of gestation, nature does provide a near-substitute for the direct umbilical connection: breast-feeding. Apart from its irreplaceable nutritional value and the immune protection it gives the infant, breast-feeding serves as a transitional stage from unbroken physical attachment to complete separation from the mother’s body. Now outside the matrix of the womb, the infant is nevertheless held close to the warmth of the maternal body from which nourishment continues to flow.
Breast-feeding also deepens the mother’s feeling of connectedness to the baby, enhancing the emotionally symbiotic bonding relationship. No doubt the decline of breast-feeding, particularly accelerated in North America, has contributed to the emotional insecurities so prevalent in industrialized countries. Even more than breast-feeding, healthy brain development requires emotional security and warmth in the infant’s environment. This security is more than the love and best possible intentions of the parents. It depends also on a less controllable variable: their freedom from stresses that can undermine their psychological equilibrium. A calm and consistent emotional milieu throughout infancy is an essential requirement for the wiring of the neurophysiological circuits of self-regulation. When interfered with, as it often is in our society, brain development is adversely affected.
”
”
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
“
The Misunderstood Social Butterfly Like manipulative mothers, scheming co-workers act nice toward their intended target and present themselves as a victim. These schemers make themselves seem misunderstood and victimized to gain their target’s trust. The unwitting target then makes it his or her job to cover for the “victim,” making sure that the “victim” is protected from others. This forms an exclusive bond between the two parties, with the manipulator effectively cutting off the target’s contact with other employees by painting them in a bad light. The target then becomes the manipulator’s personal pep squad, leaving the employee emotionally and mentally drained. Typically, the person being manipulated in this type of relationship at work is someone who is hard working, trusting, and unfortunately, often times easy prey to a manipulator. The manipulator sees the victim as the person who is always working late and the person who always “tries to do the right thing”. The manipulator, conversely, often times is the one leaving early, skating by day-to-day, but occasionally has enough “golden opportunities” with the boss to make themselves the “favored employees”. Nearly always a gregarious and outgoing person, these manipulative people can be true terrors to those whom they manipulate.
”
”
Sarah Goldberg (Manipulative People: Learn To Turn The Tables & Manipulate The Manipulator!)
“
Oh, stop talking," I cried, in a hunted tone. "I can't bear it. If you are going to arrest me, get it over."
"I'd rather NOT arrest you, if we can find a way out. You look so young, so new to Crime! Even your excuse for being here is so naive, that I—won't you tell me why you wrote a love letter, if you are not in love? And whom you sent it to? That's important, you see, as it bears on the case. I intend," he said, "to be judgdicial[sic], unimpassioned, and quite fair."
"I wrote a love letter" I explained, feeling rather cheered, "but it was not intended for any one, Do you see? It was just a love letter."
"Oh," he said. "Of course. It is often done. And after that?"
"Well, it had to go somewhere. At least I felt that way about it. So I made up a name from some malted milk tablets——"
"Malted milk tablets!" he said, looking bewildered.
"Just as I was thinking up a name to send it to," I explained, "Hannah—that's mother's maid, you know—brought in some hot milk and some malted milk tablets, and I took the name from them."
"Look here," he said, "I'm unpredjudiced and quite calm, but isn't the `mother's maid' rather piling it on?"
"Hannah is mother's maid, and she brought in the milk and the tablets, I should think," I said, growing sarcastic, "that so far it is clear to the dullest mind."
"Go on," he said, leaning back and closing his eyes. "You named the letter for your mother's maid—I mean for the malted milk. Although you have not yet stated the name you chose; I never heard of any one named Milk, and as to the other, while I have known some rather thoroughly malted people—however, let that go."
"Valentine's tablets," I said. "Of Course, you understand," I said, bending forward, "there was no such Person. I made him up. The Harold was made up too—Harold Valentine."
"I see. Not clearly, perhaps, but I have a gleam of intellagence[sic]."
"But, after all, there was such a person. That's clear, isn't it? And now he considers that we are engaged, and—and he insists on marrying me."
"That," he said, "is realy[sic] easy to understand. I don't blame him at all. He is clearly a person of diszernment[sic]."
"Of course," I said bitterly, "you would be on HIS side. Every one is."
"But the point is this," he went on. "If you made him up out of the whole cloth, as it were, and there was no such Person, how can there be such a Person? I am merely asking to get it all clear in my head. It sounds so reasonable when you say it, but there seems to be something left out."
"I don't know how he can be, but he is," I said, hopelessly. "And he is exactly like his picture."
"Well, that's not unusual, you know."
"It is in this case. Because I bought the picture in a shop, and just pretended it was him. (He?) And it WAS."
He got up and paced the floor.
"It's a very strange case," he said. "Do you mind if I light a cigarette? It helps to clear my brain. What was the name you gave him?"
"Harold Valentine. But he is here under another name, because of my Familey. They think I am a mere child, you see, and so of course he took a NOM DE PLUME."
"A NOM DE PLUME? Oh I see! What is it?"
"Grosvenor," I said. "The same as yours.
”
”
Mary Roberts Rinehart (Bab: A Sub-Deb)
“
You are wonderful!" he said gravely. "Oh, you appreciate me!" she burst out again. "I wish you didn't. You appreciate us all—see good in all of us. And all the time you are dead—dead—dead. Look, why aren't you angry?" She came up to him, and then her mood suddenly changed, and she took hold of both his hands. "You are so splendid, Mr. Herriton, that I can't bear to see you wasted. I can't bear—she has not been good to you—your mother." "Miss Abbott, don't worry over me. Some people are born not to do things. I'm one of them; I never did anything at school or at the Bar. I came out to stop Lilia's marriage, and it was too late. I came out intending to get the baby, and I shall return an 'honourable failure.' I never expect anything to happen now, and so I am never disappointed. You would be surprised to know what my great events are. Going to the theatre yesterday, talking to you now—I don't suppose I shall ever meet anything greater. I seem fated to pass through the world without colliding with it or moving it—and I'm sure I can't tell you whether the fate's good or evil. I don't die—I don't fall in love. And if other people die or fall in love they always do it when I'm just not there. You are quite right; life to me is just a spectacle, which—thank God, and thank Italy, and thank you—is now more beautiful and heartening than it has ever been before.
”
”
E.M. Forster (WHERE ANGELS FEAR TO TREAD Annotated book)
“
Rachel came carefully downstairs one morning, in a dressing gown that wasn't quite clean, and stood at the brink of the living room as though preparing to make an announcement. She looked around at each member of the double household - at Evan, who was soberly opening the morning paper, at Phil, who'd been home from Costello's for hours but hadn't felt like sleeping yet, and at her mother, who was setting the table for breakfast - and then she came out with it.
"I love everybody," she said, stepping into the room with an uncertain smile. And her declaration might have had the generally soothing effect she'd intended if her mother hadn't picked it up and exploited it for all the sentimental weight it would bear.
"Oh Rachel," she cried, "What a sweet, lovely thing to say!" and she turned to address Evan and Phil as if both of them might be too crass or numbskulled to appreciate it by themselves. "Isn't that a wonderful thing for this girl to say, on a perfectly ordinary Friday morning? Rachel, I think you've put us all to shame for our petty bickering and our selfish little silences, and it's something I'll never forget. You really do have a marvelous wife, Evan, and I have a marvelous daughter. Oh, and Rachel, you can be sure that everybody in this house loves you, too, and we're all tremendously glad to have you feeling so well."
Rachel's embarrassment was now so intense that it seemed almost to prevent her from taking her place at the table; she tried two quick, apologetic looks at her husband and her brother, but they both missed the message in her eyes.
And Gloria wasn't yet quite finished. "I honestly believe that was a moment we'll remember all our lives," she said. "Little Rachel coming downstairs - or little big Rachel, rather - and saying 'I love everybody.' You know what I wish though Evan? I only wish your father could've been here this morning to share it with us."
But by then even Gloria seemed to sense that the thing had been carried far enough. As soon as she'd stopped talking the four of them took their breakfast in a hunched and businesslike silence, until Phil mumbled "Excuse me" and shoved back his chair.
"Where do you think you're going, young man?" Gloria inquired. "I don't think you'd better go anywhere until you finish up all of that egg.
”
”
Richard Yates (Cold Spring Harbor)
“
Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance — not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations.
The stretch of Hudson Street where I live is each day the scene of an intricate sidewalk ballet. I make my own first entrance into it a little after eight when I put out my garbage gcan, surely a prosaic occupation, but I enjoy my part, my little clang, as the junior droves of junior high school students walk by the center of the stage dropping candy wrapper. (How do they eat so much candy so early in the morning?)
While I sweep up the wrappers I watch the other rituals of the morning: Mr Halpert unlocking the laundry's handcart from its mooring to a cellar door, Joe Cornacchia's son-in-law stacking out the empty crates from the delicatessen, the barber bringing out his sidewalk folding chair, Mr. Goldstein arranging the coils of wire which proclaim the hardware store is open, the wife of the tenement's super intendent depositing her chunky three-year-old with a toy mandolin on the stoop, the vantage point from which he is learning English his mother cannot speak. Now the primary childrren, heading for St. Luke's, dribble through the south; the children from St. Veronica\s cross, heading to the west, and the children from P.S 41, heading toward the east. Two new entrances are made from the wings: well-dressed and even elegant women and men with brief cases emerge from doorways and side streets. Most of these are heading for the bus and subways, but some hover on the curbs, stopping taxis which have miraculously appeared at the right moment, for the taxis are part of a wider morning ritual: having dropped passengers from midtown in the downtown financial district, they are now bringing downtowners up tow midtown. Simultaneously, numbers of women in housedresses have emerged and as they crisscross with one another they pause for quick conversations that sound with laughter or joint indignation, never, it seems, anything in between. It is time for me to hurry to work too, and I exchange my ritual farewell with Mr. Lofaro, the short, thick bodied, white-aproned fruit man who stands outside his doorway a little up the street, his arms folded, his feet planted, looking solid as the earth itself. We nod; we each glance quickly up and down the street, then look back at eachother and smile. We have done this many a morning for more than ten years, and we both know what it means: all is well.
The heart of the day ballet I seldom see, because part off the nature of it is that working people who live there, like me, are mostly gone, filling the roles of strangers on other sidewalks. But from days off, I know enough to know that it becomes more and more intricate. Longshoremen who are not working that day gather at the White Horse or the Ideal or the International for beer and conversation. The executives and business lunchers from the industries just to the west throng the Dorgene restaurant and the Lion's Head coffee house; meat market workers and communication scientists fill the bakery lunchroom.
”
”
Jane Jacobs (The Death and Life of Great American Cities)
“
Well, honey, it’s capitalism that brings out the meanness and greed,” says I. “Our founding fathers did a decent job of framing our democracy. They wrote the Constitution and added a Bill of Rights that intended for people of all classes to enjoy the freedoms the Constitution offers. But capitalism came along without a constitution or a bill of rights and the industrialists grabbed unrestricted power. The capitalists wrote their own ‘Declaration of Capitalism’.” — Mother Jones
”
”
Jerry Ash (Hellraiser—Mother Jones: An Historical Novel)
“
Revelation 12:11 "And they overcame him by the blood of the Lamb, and by the word of their testimony; and they loved not their lives unto the death ". I would like you to read this message with rapt attention, so that you can key in to what God intends to do through this miracle power. The verse above is a very interesting part of the Bible; it gives us weapons and it would be good, if you could memorise it and appropriate it to yourself. There is a weapon that has never lost its power, but people have not learnt to use it; whereas, it is highly effective. Even the enemy is afraid, when you start to talk about it. That old serpent, the dragon, that the Bible talks about, saying: "Woe unto the earth and the sea ... " There is a weapon that can overcome it. There is nothing that God created, that He cannot rearrange; there is no enemy that God cannot defeat. A two-year old girl learnt this song and was always singing it: "There is power, there is power, there is power in the Blood of Jesus." Her mother noticed that she never took ill. One day, the mother washed the girl's clothes and hung them outside. There was a high wind, which blew her small panty to the compound next to theirs and it landed in the sitting room of a neighbour, who was a herbalist. Immediately the panty landed, there was pandemonium in the room; everything turned upside down. Everything he knew how to do failed; nothing could avail for him. He did his consultation and he found out that there
”
”
D.K. Olukoya (Praying by the Blood of Jesus)
“
it was England that shone as Hamilton’s true lodestar in public finance. Back in the 1690s, the British had set up the Bank of England, enacted an excise tax on spirits, and funded its public debt—that is, pledged specific revenues to insure repayment of its debt. During the eighteenth century, it had vastly expanded that public debt. Far from weakening the country, it had produced manifold benefits. Public credit had enabled England to build up the Royal Navy, to prosecute wars around the world, to maintain a global commercial empire. At the same time, government bonds issued to pay for the debt galvanized the economy, since creditors could use them as collateral for loans. By imitating British practice, Hamilton did not intend to make America subservient to the former mother country, as critics claimed. His objective was to promote American prosperity and self-sufficiency and make the country ultimately less reliant on British capital. Hamilton wanted to use British methods to defeat Britain economically.
”
”
Ron Chernow (Alexander Hamilton)
“
Footsteps from the stairwell startle him out of the past. He turns around as Emma's mother takes the last step into the dining area, Emma right behind her.
Mrs. McIntosh glides over and puts her arm around him. The smile on her face is genuine, but Emma's smile is more like a straight line. And she's blushing.
"Galen, it's very nice to meet you," she says, ushering him into the kitchen. "Emma tells me you're taking her to the beach behind your house today. To swim?"
"Yes, ma'am." Her transformation makes him wary.
She smiles. "Well, good luck with getting her in the water. Since I'm a little pressed for time, I can't follow you over there, so I just need to see your driver's license while Emma runs outside to get your plate number."
Emma rolls her eyes as she shuffles through a drawer and pulls out a pen and paper. She slams the door behind her when she leaves, which shakes the dishes on the wall.
Galen nods, pulls out his wallet, and hands over the fake license. Mrs. McIntosh studies it and rummages through her purse until she produces a pen-which she uses to write on her hand. “Just need your license number in case we ever have any problems. But we’re not going to have any problems, are we, Galen? Because you’ll always have my daughter-my only daughter-home on time, isn’t that right?”
He nods, then swallows. She holds out his license. When he accepts it, she grabs his wrist, pulling him close. She glances at the garage door and back to him. “Tell me right now, Galen Forza. Are you or are you not dating my daughter?”
Great. She still doesn’t believe Emma. If she won’t believe them anyway, why keep trying to convince her? If she thinks they’re dating, the time he intends to spend with Emma will seem normal. But if they spend time together and tell her they’re not dating, she’ll be nothing but suspicious. Possibly even spy on them-which is less than ideal.
So, dating Emma is the only way to make sure she mates with Grom. Things just get better and better. “Yes,” he says. “We’re definitely dating.”
She narrows her eyes. “Why would she tell me you’re not?”
He shrugs. “Maybe she’s ashamed of me.”
To his surprise, she chuckles. “I seriously doubt that, Galen Forza.” Her humor is short lived. She grabs a fistful of his T-shirt. “Are you sleeping with her?”
Sleeping…Didn’t Rachel say sleeping and mating are the same thing? Dating and mating are similar. But sleeping and mating are the same exact same. He shakes his head. “No, ma’am.”
She raises a no-nonsense brow. “Why not? What’s wrong with my daughter?”
That is unexpected. He suspects this woman can sense a lie like Toraf can track Rayna. All she’s looking for is honesty, but the real truth would just get him arrested. I’m crazy about your daughter-I’m just saving her for my brother. So he seasons his answer with the frankness she seems to crave. “There’s nothing wrong with your daughter, Mrs. McIntosh. I said we’re not sleeping together. I didn’t say I didn’t want to.”
She inhales sharply and releases him. Clearing her throat, she smoothes out his wrinkled shirt with her hand, then pats his chest. “Good answer, Galen. Good answer.”
Emma flings open the garage door and stops short. “Mom, what are you doing?”
Mrs. McIntosh steps away and stalks to the counter. “Galen and I were just chitchatting. What took you so long?”
Galen guesses her ability to sense a lie probably has something to do with her ability to tell one. Emma shoots him a quizzical look, but he returns a casual shrug. Her mother grabs a set of keys from a hook by the refrigerator and nudges her daughter out of the way, but not before snatching the paper out of her hand.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Blood is the price we pay for access to God, and it comes at great expense. God has invited us to His winepress so that He can do with us that which is necessary to reconnect something temporal to its eternal source. Don’t be surprised and begin to despair at the onset of the crushing you will endure. Don’t run from it; run to it, because you’re not being crushed simply for crushing’s sake. ... Your pain is not going to last and, like the labor pains of an expectant mother, will produce new life.
The crushing is meant to do two things: get out of you what’s in you, and get the true you out of the thin skin that encases you. The crushing of the grape not only expresses the juice from the flesh, but it also separates the unusable parts of the grape from the juice.
Crushing requires purification. Do you know anyone who would purify something they do not intend to use? ... Your crushing cannot be the end, because God would never purify you if He didn’t intend to use you. Your crushing is nothing more than the beginning of a glorious transformation process that will reveal to the world and you who and what you really are. Just like the grapes being trampled comes first, so does your crushing. There is more to come—so much more.
”
”
T.D. Jakes (Crushing: God Turns Pressure into Power)
“
You'll make a good First Lady, Shelby Campbell."
Shelby's fingers tightened on her wineglass, an involuntary gesture noticed only by Alan and his mother. "Perhaps," she returned calmly. "if it were one of my ambitions."
"Ambitions or not,it's fate when you're paired with this one," Daniel stabbed his fork toward Alan.
"You're a little premature." Alan cut cleanly through his meat, swearing fluidly in his mind only. "I haven't decided to run for president, and Shelby hasn't agreed to marry me."
"Haven't decided? Hah!" Daniel silled down wine. "Hasn't agreed?" He set down the glass with a bang. "The girl doesn't look like a fool to me, Campbell or no," he continued. "She's good Scottish stock,no matter what her clan.This one'll breed true MacGregors."
"He'd still like me to change my name," Justin commented, deliberately trying to shift the attention onto himself.
"It's been done to ensure the line before," Daniel told him. "but Rena's babe'll be as much MacGregor as not. As will Caine's when he's a mind to remember his duty and start making one." He sent his younger son a lowered-brow look that was met with an insolent grin. "But Alan's the firstborn, duty-bound to marry and produce and sire..."
Alan turned, intending on putting an end to the topic,when he caught Shelby's grin. She'd folded her arms on the table,forgetting her dinner in the pure enjoyment of watching Daniel MacGregor on a roll. "Having fun?" Alan muttered near her ear.
"Wouldn't miss it.Is he always like this?"
Alan glanced over, watching his father gesture with his lecture. "Yes."
Shelby sighed. "I think I'm in love. Daniel..." She interrupted his flow of words by tugging sharply on his sleeve. "No offense to Alan,or to your wife,but I think if I were going to marry a MacGregor,he'd have to be you."
Still caught up in his own diatribe, Daniel stared at her.Abruptly his features shifted and his laugh rang out. "You're a pistol,you are, Shelby Campbell.Here..." He lifted a bottle of wine. "Your glass is empty.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Damn it, Jacob, I’m freezing my butt off.”
“I came as fast as I could, considering I thought it would be wise to walk the last few yards.”
Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection.
“I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’”
“Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?”
“Well, I’m fifty percent sure.”
“Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.”
“As Legna tells it, that’s what you’re supposed to do.”
“Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck.
“Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.”
“This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.”
“Jacob!” she gasped, laughing.
“Some traditions are not necessarily publicized,” he teased.
“You people are outrageous.”
“Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?”
Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so.
“Have I ever said no to you?”
“No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled.
“How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair.
His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet.
“If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.”
“Okay,” she agreed, her tongue touching his pulse.
“Bella . . .”
“Jacob, I want to spend the entire night making love to you,” she murmured.
Jacob stopped in his tracks, taking a moment to catch his breath.
“Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?”
“You started it,” she reminded him, laughing softly.
“I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.”
“I’m sorry, you’re right.” She turned her face away from his neck.
Jacob resumed his ritual walk for all of thirty seconds before he stopped again.
“Bella . . .” he warned dangerously.
“I’m sorry! It just popped into my head!”
“What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace.
“Well, in about an hour, I hope it will be me.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest.
“Forever. Nearly as long as I did about you.”
“God, Jesse. Why didn’t you say anything?”
“He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.”
“Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.”
“Do you mean…I did it?” I asked. “I made him figure it out? What he is?”
Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.”
“I don’t want to separate from you,” I said.
“No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.”
Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…”
But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin.
Skin that was marble-pale, I realized. Just like mine.
“Yes?” I said, more gently than I’d intended.
“Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.”
“Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.”
He dropped his arm. “You got that from the diary.”
“No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.”
“Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?”
“Jesse is a star.”
The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.”
I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.”
“Aye.”
A single blue eye blinked open between Armand’s fingers. “Show me what?
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
There was great indignation at home when she told her story that evening. Her mother said it was a shame, but told her she had done right. Beth declared she wouldn't go to the fair at all, and Jo demanded why she didn't take all her pretty things and leave those mean people to get on without her.
"Because they are mean is no reason why I should be. I hate such things, and though I think I've a right to be hurt, I don't intend to show it. they will feel that more than angry speeches and huffy actions, won't they, Marmee?"
"That's the right spirit, my dear. A kiss for a blow is always best, though it's not very easy to give it sometimes," said her mother, with the air of one who had learned the difference between preaching and practicing.
”
”
Louisa May Alcott (Little Women)
“
FRIDAY, APRIL 2, 1943 Dearest Kitty, Oh my, another item has been added to my list of sins. Last night I was lying in bed, waiting for Father to tuck me in and say my prayers with me, when Mother came into the room, sat on my bed and asked very gently, “Anne, Daddy isn’t ready. How about if I listen to your prayers tonight?” “No, Momsy,” I replied. Mother got up, stood beside my bed for a moment and then slowly walked toward the door. Suddenly she turned, her face contorted with pain, and said, “I don’t want to be angry with you. I can’t make you love me!” A few tears slid down her cheeks as she went out the door. I lay still, thinking how mean it was of me to reject her so cruelly, but I also knew that I was incapable of answering her any other way. I can’t be a hypocrite and pray with her when I don’t feel like it. It just doesn’t work that way. I felt sorry for Mother—very, very sorry—because for the first time in my life I noticed she wasn’t indifferent to my coldness. I saw the sorrow in her face when she talked about not being able to make me love her. It’s hard to tell the truth, and yet the truth is that she’s the one who’s rejected me. She’s the one whose tactless comments and cruel jokes about matters I don’t think are funny have made me insensitive to any sign of love on her part. Just as my heart sinks every time I hear her harsh words, that’s how her heart sank when she realized there was no more love between us. She cried half the night and didn’t get any sleep. Father has avoided looking at me, and if his eyes do happen to cross mine, I can read his unspoken words: “How can you be so unkind? How dare you make your mother so sad!” Everyone expects me to apologize, but this is not something I can apologize for, because I told the truth, and sooner or later Mother was bound to find out anyway. I seem to be indifferent to Mother’s tears and Father’s glances, and I am, because both of them are now feeling what I’ve always felt. I can only feel sorry for Mother, who will have to figure out what her attitude should be all by herself. For my part, I will continue to remain silent and aloof, and I don’t intend to shrink from the truth, because the longer it’s postponed, the harder it will be for them to accept it when they do hear it! Yours, Anne
”
”
Anne Frank (The Diary of a Young Girl)
“
But if your language is intended to be the medium of an art if you, its user, are an artist and not a reporter, a persuader, a raconteur; if you aren't writing principally to get praise or pay, but wish to avoid the busy avenues of entertainment, to traffic in the tragic maybe, dig down to the deeply serious; then (although there are a few exceptional and contrary cases) you will understand right away how blessed you are by the language you were born with, the language you began to amster in the moment you also started to learn about life, to read the lines on faces, the light in the window which meant milk, the door which deprived you of mother, the half-songs sung by that someone who lonaed you the breast you suckled - the breast you claimed as more than kin.
”
”
William H. Gass (Finding a Form)
“
They blamed it on the Islamic fanatics, at the time. Keep calm, they said on television. Everything is under control. I was stunned. Everyone was, I know that. It was hard to believe. The entire government, gone like that. How did they get in, how did it happen? That was when they suspended the Constitution. They said it would be temporary. There wasn’t even any rioting in the streets. People stayed home at night, watching television, looking for some direction. There wasn’t even an enemy you could put your finger on. Look out, said Moira to me, over the phone. Here it comes. Here what comes? I said. You wait, she said. They’ve been building up to this. It’s you and me up against the wall, baby. She was quoting an expression of my mother’s, but she wasn’t intending to be funny.
”
”
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
“
And God himself will have his servants, and his graces, tried and exercised by difficulties. He never intended us the reward for sitting still; nor the crown of victory, without a fight; nor a fight, without an enemy and opposition. Innocent Adam was unfit for his state of confirmation and reward, till he had been tried by temptation. therefore the martyrs have the most glorious crown, as having undergone the greatest trial. and shall we presume to murmur at the method of God?
And Satan, having liberty to tempt and try us, will quickly raise up storms and waves before us, as soon as we are set to sea: which make young beginners often fear, that they shall never live to reach the haven. He will show thee the greatness of thy former sins, to persuade thee that they shall not be pardoned. he will show thee the strength of thy passions and corruption, to make thee think they will never be overcome. he will show thee the greatness of the opposition and suffering which thou art like to undergo, to make thee think thou shall never persevere. He will do his worst to poverty, losses , crosses, injuries, vexations, and cruelties, yea , and unkind dearest friends, as he did by Job, to ill of God, or of His service.
If he can , he will make them thy enemies that are of thine own household. He will stir up thy own father, or mother, or husband, or wife, or brother, or sister, or children, against thee, to persuade or persecute thee from Christ: therefore Christ tells us, that if we hate not all these that is cannot forsake them, and use them as men do hated things; when they would turn us from him, we cannot be his disciples". Look for the worst that the devil can do against thee, if thou hast once lifted thyself against him, in the army of Christ, and resolvest, whatever it cost thee, to be saved. Read heb.xi. But How little cause you have to be discouraged, though earth and hell should do their worst , you may perceive by these few considerations.
God is on your side, who hath all your enemies in his hand, and can rebuke them, or destroy them in a moment. O what is the breath or fury of dust or devils, against the Lord Almighty? "If God be for us, who can be against us?" read often that chapter, Rom. viii. In the day when thou didst enter into covenant with God, and he with thee, thou didst enter into the most impregnable rock and fortress, and house thyself in that castle of defense, where thought mayst (modestly)defy all adverse powers of earth or hell. If God cannot save thee, he is not God. And if he will not save thee, he must break his covenant. Indeed, he may resolve to save thee, not from affliction and persecution, but in it, and by it. But in all these sufferings you will "be more than conquerors, through Christ that loveth you;" that is, it is far more desirable and excellent, to conquer by patience, in suffering for Christ, than to conquer our persecutors in the field, by force arms. O think on the saints triumphant boastings in their God:" God is our refuge and strength, a very present help in trouble: therefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea". when his " enemies were many" and "wrested his words daily," and "fought against him, and all their thoughts were against him, " yet he saith, "What time I am afraid, I will trust in thee. in God I will praise his word; in God I have put my trust: I will not fear what flesh can do unto me". Remember Christ's charge, " Be not afraid of them that kill the body, and after that have no more that they can do. But I will forewarn you whom ye shall fear: fear him, which after he hath killed, hath power to cast into hell; yea, I say unto you , Fear him" if all the world were on they side, thou might yet have cause to fear; but to have God on thy side, is infinitely more.
Practical works of Richard Baxter,Ch 2 Directions to Weak Christians for Their Establishment and Growth, page 43.
”
”
Richard Baxter
“
It’s hard to imagine calling the dairy industry anything but “inhumane” when you consider that on dairy farms, cows are artificially inseminated and forced to give birth, only to have their beloved babies torn away from them so the milk that nature intended for them can instead be consumed by humans. Both mother cows and their calves are emotionally traumatised when forcibly separated from one another. The mother cows bellow in desperation, and their calves bawl in distress. They cry out for each other for days – in vain.
The male calves – often referred to as “by-products” – are either shot at birth or destined to become veal. The female calves, like their mothers, face a lifetime of repeated forcible impregnation and anguish over their stolen babies. Their bodies are strained to the limit in order to squeeze out every last drop of milk. Today, British cows typically produce 10 times more milk than they would naturally in order to feed their calves.
”
”
Mimi Bekhechi
“
Anti-voting lawmakers perhaps weren’t intending to make it harder for married white women to vote, but that’s exactly what they did by requiring an exact name match across all forms of identification in many states in recent years. Birth certificates list people’s original surnames, but if they change their names upon marriage, their more recent forms of ID usually show their married names. Sandra Watts is a married white judge in the state of Texas who was forced to use a provisional ballot in 2013 under the state’s voter ID law. She was outraged at the imposition: “Why would I want to vote provisional ballot when I’ve been voting regular ballot for the last forty-nine years?” Like many women, she included her maiden name as her middle name when she took her husband’s last name—and that’s what her driver’s license showed. But on the voter rolls, her middle name was the one her parents gave her at birth, which she no longer used. And like that, she lost her vote—all because of a law intended to suppress people like Judge Watts’s fellow Texan Anthony Settles, a Black septuagenarian and retired engineer. Anthony Settles was in possession of his Social Security card, an expired Texas identification card, and his old University of Houston student ID, but he couldn’t get a new photo ID to vote in 2016 because his mother had changed his name when she remarried in 1964. Several lawyers tried to help him track down the name-change certificate in courthouses, to no avail; his only recourse was to go to court for a new one, at a cost of $250. Elderly, rural, and low-income voters are more likely not to have birth certificates or to have documents containing clerical errors. Hargie Randell, a legally blind Black Texan who couldn’t drive but who had a current voter registration card used before the new Texas law, had to arrange for people to drive him to the Department of Public Safety office three times, and once to the county clerk’s office an hour away, only to end up with a birth certificate that spelled his name wrong by one letter.
”
”
Heather McGhee (The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together)
“
You’re angry at me,” she says.
I stop crying at once. My whole body goes cold and still. She squats down beside me, and even though I’m careful not to look up, not to look at her at all, I can feel her, can smell the sweat from her skin and hear the ragged pattern of her breathing.
“You’re angry at me,” she repeats, and her voice hitches a little. “You think I don’t care.”
Her voice is the same. For years I used to imagine that voice lilting over those forbidden words: I love you. Remember. They cannot take it. Her last words to me before she went away.
She shuffles forward and squats next to me. She hesitates, then reaches out and places her palm against my cheek, and turns my head toward hers so I’m forced to look at her. I can feel the calluses on her fingers.
In her eyes, I see myself reflected in miniature, and I tunnel back to a time before she left, before I believed she was gone forever, when her eyes welcomed me into every day and shepherded me, every night, into sleep.
“You turned out even more beautiful than I’d imagined,” she whispers. She, too, is crying.
The hard casement inside me breaks.
“Why?” is the only word that comes. Without intending to or even thinking about it, I allow her to draw me against her chest, let her wrap her arms around me. I cry into the space between her collarbones, inhaling the still-familiar smell of her skin.
There are so many things I need to ask her: What happened to you in the Crypts? How could you let them take you away? Where did you go? But all I can say is: “Why didn’t you come for me? After all those years—all that time—why didn’t you come?” Then I can’t speak at all; my sobs become shudders.
“Shhh.” She presses her lips to my forehead, strokes my hair, just like she used to when I was a child. I am a baby once again in her arms—helpless and needy. “I’m here now.”
She rubs my back while I cry. Slowly, I feel the darkness drain out of me, as though pulled away by the motion of her hand. Finally I can breathe again. My eyes are burning, and my throat feels raw and sore. I draw away from her, wiping my eyes with the heel of my hand, not even caring that my nose is running. I’m suddenly exhausted—too tired to be hurt, too tired to be angry. I want to sleep, and sleep.
“I never stopped thinking about you,” my mother says. “I thought of you every day—you and Rachel.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
In the Palacolithic period, for example, when agriculture was developing, the cult the Mother Goddess expressed a sense that the fertility which was transforming human life was actually sacred.Artists carved those statues depicting her as a naked pregnant woman which archaeologists have found all over Europe, the Middle East and India.The Great Mother remained imaginatively important for centuries.Like the old Sky God, she was absorbed into later pantheons and took her place alongside the older deities.She was usually of powerful of the gods, certainly more powerful than the Sky God, who remained a rather shadowy figure.She was called Inana in ancient Sumeria, Ishtar in Babylon, Anat in Canaan, Isis in Egypt and Aphrodite in Greece, and remarkably similar stories were devised in all these cultures to express her role in the spiritual lives of the people.These myths were not intended to be taken literally but were metaphorical attempts to describe a reality that was too complex and elusive to express in any other way.These dramatic and evocative stories of gods and goddesses helped people to articulate their sense of powerful but forces that surrounded them.
”
”
Karen Armstrong
“
You didn’t tell me,” he says. “Why not?”
“Because I didn’t…” I shake my head. “I didn’t know how to.”
He scowls. “It’s pretty easy, Tris--”
“Oh yeah,” I say, nodding. “It’s so easy. All I have to do is go up to you and say, ‘By the way, I shot Will, and now guilt is ripping me to shreds, but what’s for breakfast?’ Right? Right?” Suddenly it is too much, too much to contain. Tears fill my eyes, and I yell, “Why don’t you try killing one of your best friends and then dealing with the consequences?”
I cover my face with my hands. I don’t want him to see me sobbing again. He touches my shoulder.
“Tris,” he says, gently this time. “I’m sorry. I shouldn’t pretend that I understand. I just meant that…” He struggles for a moment. “I wish you trusted me enough to tell me things like that.”
I do trust you, is what I want to say. But it isn’t true--I didn’t trust him to love me despite the terrible things I had done. I don’t trust anyone to do that, but that isn’t his problem; it’s mine.
“I mean,” he says, “I had to find out that you almost drowned in a water tank from Caleb. Doesn’t that seem a little strange to you?”
Just when I was about to apologize.
I wipe my cheeks hard with my fingertips and stare at him.
“Other things seem stranger,” I say, trying to make my voice light. “Like finding out that your boyfriend’s supposedly dead mother is still alive by seeing her in person. Or overhearing his plans to ally with the factionless, but he never tells you about it. That seems a little strange to me.”
He takes his hand from my shoulder.
“Don’t pretend this is only my problem,” I say. “If I don’t trust you, you don’t trust me either.”
“I thought we would get to those things eventually,” he says. “Do I have to tell you everything right away?”
I feel so frustrated I can’t even speak for a few seconds. Heat fills my cheeks.
“God, Four!” I snap. “You don’t want to have to tell me everything right away, but I have to tell you everything right away? Can’t you see how stupid that is?”
“First of all, don’t use that name like a weapon against me,” he says, pointing at me. “Second, I was not making plans to ally with the factionless; I was just thinking it over. If I had made a decision, I would have said something to you. And third, it would be different if you had actually intended to tell me about Will at some point, but it’s obvious that you didn’t.”
“I did tell you about Will!” I say. “That wasn’t truth serum; it was me. I said it because I chose to.”
“What are you talking about?”
“I was aware. Under the serum. I could have lied; I could have kept it from you. But I didn’t, because I thought you deserved to know the truth.”
“What a way to tell me!” he says, scowling. “In front of over a hundred people! How intimate!”
“Oh, so it’s not enough that I told you; it has to be in the right setting?” I raise my eyebrows. “Next time should I brew some tea and make sure the lighting is right, too?”
Tobias lets out a frustrated sound and turns away from me, pacing a few steps. When he turns back, his cheeks are splotchy. I can’t remember ever seeing his face change color before.
“Sometimes,” he says quietly, “it isn’t easy to be with you, Tris.” He looks away.
I want to tell him that I know it’s not easy, but I wouldn’t have made it through the past week without him. But I just stare at him, my heart pounding in my ears.
I can’t tell him I need him. I can’t need him, period--or really, we can’t need each other, because who knows how long either of us will last in this war?
“I’m sorry,” I say, all my anger gone. “I should have been honest with you.”
“That’s it? That’s all you have to say?” He frowns.
“What else do you want me to say?”
He just shakes his head. “Nothing, Tris. Nothing.”
I watch him walk away. I feel like a space has opened up within me, expanding so rapidly it will break me apart.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
You didn’t tell me,” he says. “Why not?”
“Because I didn’t…” I shake my head. “I didn’t know how to.”
He scowls. “It’s pretty easy, Tris--”
“Oh yeah,” I say, nodding. “It’s so easy. All I have to do is go up to you and say, ‘By the way, I shot Will, and now guilt is ripping me to shreds, but what’s for breakfast?’ Right? Right?” Suddenly it is too much, too much to contain. Tears fill my eyes, and I yell, “Why don’t you try killing one of your best friends and then dealing with the consequences?”
I cover my face with my hands. I don’t want him to see me sobbing again. He touches my shoulder.
“Tris,” he says, gently this time. “I’m sorry. I shouldn’t pretend that I understand. I just meant that…” He struggles for a moment. “I wish you trusted me enough to tell me things like that.”
I do trust you, is what I want to say. But it isn’t true--I didn’t trust him to love me despite the terrible things I had done. I don’t trust anyone to do that, but that isn’t his problem; it’s mine.
“I mean,” he says, “I had to find out that you almost drowned in a water tank from Caleb. Doesn’t that seem a little strange to you?”
Just when I was about to apologize.
I wipe my cheeks hard with my fingertips and stare at him.
“Other things seem stranger,” I say, trying to make my voice light. “Like finding out that your boyfriend’s supposedly dead mother is still alive by seeing her in person. Or overhearing his plans to ally with the factionless, but he never tells you about it. That seems a little strange to me.”
He takes his hand from my shoulder.
“Don’t pretend this is only my problem,” I say. “If I don’t trust you, you don’t trust me either.”
“I thought we would get to those things eventually,” he says. “Do I have to tell you everything right away?”
I feel so frustrated I can’t even speak for a few seconds. Heat fills my cheeks.
“God, Four!” I snap. “You don’t want to have to tell me everything right away, but I have to tell you everything right away? Can’t you see how stupid that is?”
“First of all, don’t use that name like a weapon against me,” he says, pointing at me. “Second, I was not making plans to ally with the factionless; I was just thinking it over. If I had made a decision, I would have said something to you. And third, it would be different if you had actually intended to tell me about Will at some point, but it’s obvious that you didn’t.”
“I did tell you about Will!” I say. “That wasn’t truth serum; it was me. I said it because I chose to.”
“What are you talking about?”
“I was aware. Under the serum. I could have lied; I could have kept it from you. But I didn’t, because I thought you deserved to know the truth.”
“What a way to tell me!” he says, scowling. “In front of over a hundred people! How intimate!”
“Oh, so it’s not enough that I told you; it has to be in the right setting?” I raise my eyebrows. “Next time should I brew some tea and make sure the lighting is right, too?”
Tobias lets out a frustrated sound and turns away from me, pacing a few steps. When he turns back, his cheeks are splotchy. I can’t remember ever seeing his face change color before.
“Sometimes,” he says quietly, “it isn’t easy to be with you, Tris.” He looks away.
I want to tell him that I know it’s not easy, but I wouldn’t have made it through the past week without him. But I just stare at him, my heart pounding in my ears.
I can’t tell him I need him. I can’t need him, period--or really, we can’t need each other, because who knows how long either of us will last in this war?
“I’m sorry,” I say, all my anger gone. “I should have been honest with you.”
“That’s it? That’s all you have to say?” He frowns.
“What else do you want me to say?”
He just shakes his head. “Nothing, Tris. Nothing.”
I watch him walk away. I feel like a space has opened up within me, expanding so rapidly it will break me apart.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Dearly beloved: We have come together in the presence of God to witness and bless the joining together of this man and this woman in Holy Matrimony. The bond and covenant of marriage was established by God in creation, and our Lord Jesus Christ adorned this manner of life by his presence and first miracle at a wedding in Cana of Galilee. It signifies to us the mystery of the union between Christ and his Church, and Holy Scripture commends it to be honored among all people.
The union of husband and wife in heart, body, and mind is intended by God for their mutual joy; for the help and comfort given one another in prosperity and adversity; and, when it is God’s will, for the procreation of children and their nurture in the knowledge and love of the Lord. Therefore marriage is not to be entered into unadvisedly or lightly, but reverently, deliberately, and in accordance with the purposes for which it was instituted by God.
I glanced at Marlboro Man, who was listening intently, taking in every word. I held his bicep in my hand, squeezing it lightly and trying to listen to Father Johnson despite the distraction of Marlboro Man’s work-honed muscles. Everything else was a blur: iron candlesticks attached to the end of each pew…my mother’s olive green silk jacket with the mandarin collar…Mike’s tuxedo…Mike’s bald head…
Will you have this man to be your husband; to live together in the covenant of marriage? Will you love him, comfort him, honor and keep him, in sickness and in health; and, forsaking all others, be faithful to him as long as you both shall live?
“I will.” I breathed in.
The scent of roses…the evening light coming through the stained-glass window.
Will you have this woman to be your wife; to live together in the covenant of marriage? Will you love her, comfort her, honor and keep her, in sickness and in health; and, forsaking all others, be faithful to her as long as you both shall live?
“I will.” That voice. The voice from all the phone calls. I was marrying that voice. I couldn’t believe it.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
So buy a home. Find a pretty girl to marry. Settle down and start a family.”
Bram shook his head. Impossible suggestions, all. He was not about to resign his commission at the age of nine-and-twenty, while England remained at war. And he damned well wasn’t going to marry. Like his father before him, he intended to serve until they pried his flintlock from his cold, dead grip. And while officers were permitted to bring their wives, Bram firmly believed gently bred women didn’t belong on campaign. His own mother was proof of that. She’d succumbed to the bloody flux in India, a short time before young Bram had been sent to England for school.
He sat forward in his chair. “Sir Lewis, you don’t understand. I cut my teeth on rationed biscuit. I could march before I could speak. I’m not a man to settle down. While England remains at war, I cannot and will not resign my commission. It’s more than my duty, sir. It’s my life. I…” He shook his head. “I can’t do anything else.”
“If you won’t resign, there are other ways of helping the war effort.”
“Deuce it, I’ve been through all this with my superiors. I will not accept a so-called promotion that means shuffling papers in the War Office.” He gestured at the alabaster sarcophagus in the corner. “You might as well stuff me in that coffin and seal the lid. I am a soldier, not a secretary.”
The man’s blue eyes softened. “You’re a man, Victor. You’re human.”
“I’m my father’s son,” he shot back, pounding the desk with his fist. “You cannot keep me down.”
He was going too far, but to hell with boundaries. Sir Lewis Finch was Bram’s last and only option. The old man simply couldn’t refuse.
Sir Lewis stared at his folded hands for a long, tense moment. Then, with unruffled calm, he replaced his spectacles. “I have no intention of keeping you down. Much to the contrary.”
“What do you mean?” Bram was instantly wary.
“I mean precisely what I said. I have done the exact opposite of keeping you down.” He reached for a stack of papers. “Bramwell, prepare yourself for elevation.
”
”
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
“
Fig-tree, for such a long time I have found meaning
in the way you almost completely omit your blossoms
and urge your pure mystery, unproclaimed,
into the early ripening fruit.
Like a curved pipe of a fountain, your arching boughs drive the sap
downward and up again: and almost without awakening
it bursts out of sleep, into its sweetest achievement.
Like the god stepping into the swan.
......But we still linger, alas,
we, whose pride is in blossoming; we enter the overdue
interior of our final fruit and are already betrayed.
In only a few does the urge to action rise up
so powerfully the they stop, glowing in their heart's abundance,
while, like the soft night air , the temptation to blossom
touches their tender mouths, touches their eyelids, softly:
heroes perhaps, and those chosen to disappear early,
whose veins Death the gardener twists into a different pattern.
These plunge on ahead: in advance of their own smile
like the team of galloping horses before the triumphant
pharaoh in the mildly hollowed reliefs at Karnak.
The hero is strangely close to those who died young. Permanence
does not concern him. He lives in continual ascent,
moving on into the ever-changed constellation
of perpetual danger. Few could find him there. But
Fate, which is silent about us, suddenly grows inspired
and sings him into the storm of his onrushing world.
I hear no one like him. All at once I am pierced
by his darkened voice, carried on the streaming air.
Then how gladly I would hide from the longing to be once again
oh a boy once again, with my life before me, to sit
leaning on future arms and reading of Samson,
how from his mother first nothing, then everything, was born.
Wasn't he a hero inside you mother? didn't
his imperious choosing already begin there, in you?
Thousands seethed in your womb, wanting to be him,
but look: he grasped and excluded—, chose and prevailed.
And if he demolished pillars, it was when he burst
from the world of your body into the narrower world, where again
he chose and prevailed. O mothers of heroes, O sources
of ravaging floods! You ravines into which
virgins have plunged, lamenting,
from the highest rim of the heart, sacrifices to the son.
For whenever the hero stormed through the stations of love,
each heartbeat intended for him lifted him up, beyond it;
and, turning away, he stood there, at the end of all smiles,—transfigured.
”
”
Rainer Maria Rilke (The Selected Poetry of Rainer Maria Rilke)
“
Minny came ever day to make sure I was breathing, feed me food to keep me living.
All I know is, I ain't saying it. And I know she ain't saying what she want a say either and it's a strange thing happening here cause nobody saying nothing and we still managing to have us a conversation.
"Mama, it would really be so terrible if I never met a husband?"
Write about what disturbs you, particularly if it bothers no one else.
I stare at her, wishing the ceiling fan would fly from its post, crash down on both of us.
I feel tears come up in my eyes, cause three years just ain't long enough. A hundred years ain't gone be long enough.
Eugenia, just because this is a hospital doesn't mean I'm an invalid"
"you kind. you smart. you important."
See, I think if God had intended for white people and colored people to be this close together for so much of the day, he would've made us color-blind.
Every time a Negro complained about the cost of living didn't mean she was begging for money.
But the truth is, I don't care about voting. I don't care about eating at a counter with white people. What I care about is, if, in ten years, a white lady will call my girls dirty and accuse them of stealing the silver.
when you little, you only get to ask two questions, what's your name and how old you is, so you better get em right.
Mister Jonny knows about me. Miss Celia Knows Mister Jony know about me. But Mister Jonny doesn't know that Miss Celia knows he knows.
"Yes ma'am. I tell her." In about a hundred years.
How an awful day could turn even worse. It seems like at some point you'd just run out of awful.
Lots of folks think if you talk back to your husband, you crossed the line. And that justifies punishment.
She can take the most complicated things in life and wrap them up so small and simple, they'll fit right in your pocket.
"Don't you let him cheapen you. If Stuart doesn't know how intelligent and kind I raised you to be, he can march straight on back to State Street. Frankly, I don't care much for Stuart. He doesn't know how lucky he was to have you."
You tell her we love her, like she's our own family.
"You a beautiful person, Minny."
Mississippi is like my mother. I am allowed to complain about her all I want, but God help the person who raises an ill word about her around me unless she is their mother too.
For the dishonesty upon which a society is founded makes every emotion suspect, makes it impossible to know whether what flowed between two people was honest feeling or pity or pragmatism
”
”
Kathryn Stockett (The Help)
“
Hyphen This word comes from two Greek words together meaning ‘under one’, which gets nobody anywhere and merely prompts the reflection that argument by etymology only serves the purpose of intimidating ignorant antagonists. On, then. This is one more case in which matters have not improved since Fowler’s day, since he wrote in 1926: The chaos prevailing among writers or printers or both regarding the use of hyphens is discreditable to English education … The wrong use or wrong non-use of hyphens makes the words, if strictly interpreted, mean something different from what the writers intended. It is no adequate answer to such criticisms to say that actual misunderstanding is unlikely; to have to depend on one’s employer’s readiness to take the will for the deed is surely a humiliation that no decent craftsman should be willing to put up with. And so say all of us who may be reading this book. The references there to ‘printers’ needs updating to something like ‘editors’, meaning those who declare copy fit to print. Such people now often get it wrong by preserving in midcolumn a hyphen originally put at the end of a line to signal a word-break: inter-fere, say, is acceptable split between lines but not as part of a single line. This mistake is comparatively rare and seldom causes confusion; even so, time spent wondering whether an exactor may not be an ex-actor is time avoidably wasted. The hyphen is properly and necessarily used to join the halves of a two-word adjectival phrase, as in fair-haired children, last-ditch resistance, falling-down drunk, over-familiar reference. Breaches of this rule are rare and not troublesome. Hyphens are also required when a phrase of more than two words is used adjectivally, as in middle-of-the-road policy, too-good-to-be-true story, no-holds-barred contest. No hard-and-fast rule can be devised that lays down when a two-word phrase is to be hyphenated and when the two words are to be run into one, though there will be a rough consensus that, for example, book-plate and bookseller are each properly set out and that bookplate and book-seller might seem respectively new-fangled and fussy. A hyphen is not required when a normal adverb (i.e. one ending in -ly) plus an adjective or other modifier are used in an adjectival role, as in Jack’s equally detestable brother, a beautifully kept garden, her abnormally sensitive hearing. A hyphen is required, however, when the adverb lacks a final -ly, like well, ill, seldom, altogether or one of those words like tight and slow that double as adjectives. To avoid ambiguity here we must write a well-kept garden, an ill-considered objection, a tight-fisted policy. The commonest fault in the use of the hyphen, and the hardest to eradicate, is found when an adjectival phrase is used predicatively. So a gent may write of a hard-to-conquer mountain peak but not of a mountain peak that remains hard-to-conquer, an often-proposed solution but not of one that is often-proposed. For some reason this fault is especially common when numbers, including fractions, are concerned, and we read every other day of criminals being imprisoned for two-and-a-half years, a woman becoming a mother-of-three and even of some unfortunate being stabbed six-times. And the Tories have been in power for a decade-and-a-half. Finally, there seems no end to the list of common phrases that some berk will bung a superfluous hyphen into the middle of: artificial-leg, daily-help, false-teeth, taxi-firm, martial-law, rainy-day, airport-lounge, first-wicket, piano-concerto, lung-cancer, cavalry-regiment, overseas-service. I hope I need not add that of course one none the less writes of a false-teeth problem, a first-wicket stand, etc. The only guide is: omit the hyphen whenever possible, so avoid not only mechanically propelled vehicle users (a beauty from MEU) but also a man eating tiger. And no one is right and no-one is wrong.
”
”
Kingsley Amis (The King's English: A Guide to Modern Usage)