Instinct Never Fails Quotes

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She knows, because She warns him, and Her instincts never fail, That the Female of Her Species is more deadly than the Male.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Why is your species so dissatisfied?” “How so?” “Humans are individuals, quite social in nature. You strive to become more than yourselves using Silicon reconstructions in your bodies and filaments in your brains connecting you, unnaturally, to the NET.” “Our bodies are mortal. We employ silicon and alloys to extend our bodies’ existence.” “You appear to be attempting the same strategy with your brains’ architectures.” “By using the NET? Is that what you mean?” “You will never accomplish this. You must know it.” “Surely you can understand that as we are now, we have what we consider a limited lifespan, and, it seems, so does this planet. When the inevitable happens, we will not be able to travel any substantial distance in space. We cannot escape our dying planet. Humanity will cease to exist if we fail. We face our ultimate existential crisis as a species. Our most basic instinct is the survival of our species, so you see we must try. It is in our nature. It is evolution or elimination.
Brian Van Norman (Against the Machine: Evolution)
There is a moment in every relationship when you see the whole thing. The question is when does the moment come? Is it the first time you see the person and instinctively know that things between you are going to work out, or fail? Or is it a moment toward the end, however you get there, when you realize that there is something behind this persons eyes that you were never able to touch, no matter how hard you tried?
Laura Dave (The Divorce Party)
Every woman I knew seemed to think she was failing in some way, had been raised to believe she was lacking, and was certain someone else was doing it better. Had been told never to trust her own instincts. Taught to think of life as a solution when "done right", when in reality we existed in a kaleidoscope made of shades of gray, able to be very happy and very sad all at the same time.
Glynnis MacNicol (No One Tells You This)
Once or twice a week I would set my alarm for six A.M. so I could get up and plug in Hot Stix...I would study the curls in the mirror, impressed with both the appliance and my newfound ability to use it. Then, without fail, at the last second before leaving for school, I would ask myself, "Am I supposed to brush it out or leave it?" Why could I never remember" That feeling of "I'm pretty sure this next step is wrong, but I'm just gonna do it anyway" is part of the same set of instincts that makes me such a great cook.
Tina Fey (Bossypants)
The trouble is that everybody, myself included, has a brain in which the centers concerned with reason and logic are sitting on top of the socalled limbic system which we inherited from our reptilian ancestors and which never evolved past crude instincts and emotions. And that is why we have not yet arrived at the sate of homo sapiens.
Paul Watzlawick (Ultra-Solutions: How to Fail Most Successfully (English and German Edition))
Never fails—say period, tampon, or cramps and men run like you asked them to take a look at things down there. Except for Jarrett, who’s oddly fascinated by periods,
S.E. Hall (Pretty Instinct (Finally Found, #1))
And She knows, because She warns him, and Her instincts never fail, That the Female of Her Species is more deadly than the Male. —Rudyard Kipling, “The Female of the Species
Ariel Lawhon (The Frozen River)
Society never advances. It recedes as fast on one side as it gains on the other. It undergoes continual changes; it is barbarous, it is civilized, it is christianized, it is rich, it is scientific; but this change is not amelioration. For every thing that is given, something is taken. Society acquires new arts, and loses old instincts. What a contrast between the well-clad, reading, writing, thinking American, with a watch, a pencil, and a bill of exchange in his pocket, and the naked New Zealander, whose property is a club, a spear, a mat, and an undivided twentieth of a shed to sleep under! But compare the health of the two men, and you shall see that the white man has lost his aboriginal strength. If the traveller tell us truly, strike the savage with a broad axe, and in a day or two the flesh shall unite and heal as if you struck the blow into soft pitch, and the same blow shall send the white to his grave. The civilized man has built a coach, but has lost the use of his feet. He is supported on crutches, but lacks so much support of muscle. He has a fine Geneva watch, but he fails of the skill to tell the hour by the sun. A Greenwich nautical almanac he has, and so being sure of the information when he wants it, the man in the street does not know a star in the sky. The solstice he does not observe; the equinox he knows as little; and the whole bright calendar of the year is without a dial in his mind. His note-books impair his memory; his libraries overload his wit; the insurance-office increases the number of accidents; and it may be a question whether machinery does not encumber; whether we have not lost by refinement some energy, by a Christianity entrenched in establishments and forms, some vigor of wild virtue. For every Stoic was a Stoic; but in Christendom where is the Christian?
Ralph Waldo Emerson
Yes," I continued, "I discovered this model recently and her style never fails to be mathematically perfect. She seems to come by it naturally. As if she were born resonant. I notice Japanese models tend to do this. Like I said, they seem to have resonance somewhere deep in their culture. But Yuri Nakagawa, she's the best I've ever seen. The best model, with the most powerful resonance. I need her to probe deeper into this profound mathematical instinct, which I call resonance.
Alexei Maxim Russell (Trueman Bradley: The Next Great Detective)
And She knows, because She warns him, and Her instincts never fail, That the Female of Her Species is more deadly than the Male.
Ariel Lawhon (The Frozen River)
My job was simple: have faith through the storm, be determined in my actions, smart in my decisions, trusting of my instinct, and free from worrying about whether I succeeded or failed.
Bear Grylls (Never Give Up: My Life in the Wild)
Every woman I knew seemed to think she was failing in some way, had been raised to believe she was lacking, and was certain someone else was doing it better. Had been told never to trust her own instincts. Taught to think of life as a solution when “done right,” when in reality we existed in a kaleidoscope made of shades of gray, able to be very happy and very sad all at the same time.
Glynnis MacNicol (No One Tells You This)
Trust that you are making the right decisions, Raina. Trust your instinct. You are here because your blood sang a song of trust and you listened. Believe that your intuition is a gift that will never fail you.
Charissa Weaks (City of Ruin (Witch Walker, #2))
But one can often be in doubt about the effect of a word or a phrase, and one needs rules that one can rely on when instinct fails. I think the following rules will cover most cases: (i) Never use a metaphor, simile or other figure of speech which you are used to seeing in print. (ii) Never use a long words where a short one will do. (iii) If it is possible to cut a word out, always cut it out. (iv) Never use the passive where you can use the active. (v) Never use a foreign phrase, a scientific word or a jargon word if you can think of an everyday English equivalent. (vi) Break any of these rules sooner than say anything out-right barbarous. These rules sound elementary, and so they are, but they demand a deep change of attitude in anyone who has grown used to writing in the style now fashionable. One could keep all of them and still write bad English, but one could not write the kind of stuff that I quoted in those five specimens at the beginning of this article.
George Orwell (All Art is Propaganda: Critical Essays)
Tess's feminine hope - shall we confess it - had been so obstinately recuperative as to revive in her surreptitious visions of a domiciliary intimacy continued long enough to break down his coldness even against his judgement. Though unsophisticated in the usual sense, she was not incomplete; and it would have denoted deficiency of womanhood if she had not instinctively known what an argument lies in propinquity. Nothing else would save her, she knew, if this failed. It was wrong to hope in what was of the nature of strategy, she said to herself; yet that sort of hope she could not extinguish. His last representation had now been made, and it was, as she said, a new view. She had truly never though so far as that, and his lucid picture of possible offspring who would scorn her was one that brought deadly conviction to an honest heart which was humanitarian to its centre. Sheer experience had already taught her that, in some circumstances, there was one thing better than to lead a good life, and that was to be saved from leading any life whatever. Like all who have been previsioned by suffering, she could, in the words of M. Sully-Prudhomme, hear a penal sentence in the fiat, 'You shall be born,' particularly if addressed to potential issue or hers.
Thomas Hardy (Tess of the D’Urbervilles)
I lay awake long into the night, obsessing over Lucy's failings. Never mind the drugs and adultery; she seemed to lack the most basic parental instincts for keeping the children out of harm's way. The drip, drip, drip of her poor judgment and neglect was pushing me over the edge.
James Whitfield Thomson (Lies You Wanted to Hear)
Writing, I feel my way on instinct—always trying to find the beating heart of things. It’s a delicate procedure, and often the flashing firefly I catch at dusk turns out to just be a dark bug in the light of morning. Logic, apparently, is not enough. I am learning to trust my senses and allow the dancing of time to teach me what I need to know.
David Rynick (This Truth Never Fails: A Zen Memoir in Four Seasons)
Adam wet his dry lips and tried to ask and failed and tried again. "Why do they have to do it?" he said. "Why is it?" Cyrus was deeply moved and he spoke as he had never spoken before. "I don't know," he said. "I've studied and maybe learned how things are, but I"m not even close to why they are. And you must not expect to find that people understand what they do. So many things are done instinctively, the way a bee makes honey or a fox dips his paws into a stream to fool dogs. A fox can't say why he does it, and what bee remembers winter or expects it to come again? When I knew you had to go I thought to leave the future open so you could dig out your own findings, and then it seemed better if I could protect you with the little I know. You'll go in soon now--you've come to the age." "I don't want to," said Adam quickly. "You'll go in soon," his father went on, not hearing. "And I want to tell you so you won't be surprised. They'll first strip off your clothes, but they'll go deeper than that. They'll shuck off any little dignity you have--you'll lose what you think of as your decent right to live and be let alone to live. They'll make you live and eat and sleep and shit close to other men. And when they dress you up again you'll not be able to tell yourself from the others. You can't even wear a scrap or pin a note on your breast to say, 'This is me--separate from the rest.'" "I don't want to do it," said Adam. "After a while," said Cyrus, "you'll think no thought the others do not think. You'll know no word the others can't say. And you'll do things because the others do them. You'll feel the danger in any difference whatever-- a danger to the whole crowd of like-thinking, like-acting men." "What if I don't?" Adam demanded. "Yes," said Cyrus, "sometimes that happens. Once in a while there is a man who won't do what is demanded of him, and do you know what happens? The whole machine devotes itself coldly to the destruction of his difference. They'll beat your spirit and your nerves, your body and your mind, with iron rods until the dangerous difference goes out of you. And if you can't finally give in, they'll vomit you up and leave you stinking outside--neither part of themselves nor yet free. It's better to fall in with them. They only do it to protect themselves [...]
John Steinbeck (East of Eden)
Lenin is one of those people who possess a quite exceptional strength of character . . . he is a man of many gifts and he has all the qualities of a “leader” – especially the complete lack of morality essential for such a role, and the aristocrat’s contempt for the masses. Life in all its complexity is unknown to Lenin. He does not know the masses. He has never lived among them, but he found out from books how to raise the masses onto their hind legs, how to enrage their instincts easily. To Lenin, the working class is like iron ore to a metalworker. Is it possible, given present circumstances, to cast a socialist state out of this ore? Evidently not. But why not try? What does Lenin risk if his experiment fails? . . . I am mistrustful of Russians in power – recently slaves themselves, they will become unbridled despots as soon as they have the chance to be their neighbours’ masters.
Victor Sebestyen (Lenin the Dictator)
He could not maintain the effort to arrive on time since his lifelong habit had created the opposite habit: to elude, to avoid, to disappoint every expectation of others, every commitment, every promise, every crystallization. The magic beauty of simultaneity, to see the loved one rushing toward you at the same moment you are rushing toward him, the magic power of meeting exactly at midnight to achieve union, the illusion of one common rhythm achieved by overcoming obstacles, deserting friends, breaking other bonds —all this was soon dissolved by his laziness, by his habit of missing every moment, of never keeping his word, of living perversely in a state of chaos, of swimming more naturally in a sea of failed intentions, broken promises, and aborted wishes. The importance of rhythm in Djuna was so strong that no matter where she was, even without a watch, she sensed the approach of midnight and would climb on a bus, so instinctively and accurate that very often as she stepped of the bus the twelve loud gongs of midnight would be striking at the large station clock. This obedience to timing was her awareness of the rarity of unity between human beings.
Anaïs Nin (The Four-Chambered Heart: V3 in Nin's Continuous Novel)
We all agree, I think, that your problem is that you've never been given a chance to formulate your views. Because of the competitive American context, you've had to convert everything into action too rapidly. Your life has no reflective content; it's all instinct, and when your instincts let you down, you have nothing to trust. That's what makes you cynical. Cynicism, I've seen it said somewhere, is tired pragmatism. You accept these things as sacred not out of love or faith but fear; your thought is frozen because the first moment when your instincts failed, you raced to the conclusion that everything is nothing, that zero is the real answer. That is what we Americans think, it's win or lose, all or nothing, kill or die, because we've never created the leisure in which to take thought.
John Updike (Rabbit Redux (Rabbit Angstrom, #2))
A familiar image of a grim, frozen Russia is the babushka, the old woman, hunched and determined, head wrapped in a scarf. Her gnarled face stares out from old Ellis Island photographs and modern cable specials, and never fails to elicit awwwwws from concerned Westerners who'd love nothing more than to hug poor, helpless Granny and tell her that everything's going to be all right. That is misguided, and potentially hazardous. Women who had survived long enough to become grandmothers by the 1980s were Russia's rocks. Their generation had a hard life, even by the unforgiving standards of mother Russia. Forged from the crucible of wars, famines, and purges, the babushki had witnessed entire populations of husbands and sons vanish into the grave. These women were instilled with fierce matriarchal instinct, the notion that they were responsible for the welfare of all society, not just their kin, and underneath their kerchiefs the babushki watched, and listened, and remembered, and commanded.
Lev Golinkin (A Backpack, a Bear, and Eight Crates of Vodka: A Memoir)
The hardest thing to do in talking to a woman was taking the first step, but the most important thing to do was not to think. Not thinking is more difficult than it sounds, and yet, with women, one should never think. Never. It simply won't do. The first few times in approaching girls, during my lycée years, I had thought too much, hesitated, and as a result, flailed and failed. But even so, I discovered that all the childhood bullying directed at me had toughened me, making me believe that being rejected was better than not having the chance to be rejected at all. Thus it was that I approached girls, and now women, with such Zen negation of all doubt and fear the Buddha would approve. Sitting down next to Lana and thinking of nothing, I merely followed my instincts and my first three principles in talking to a woman: do not ask for permission; do not say hello; and do not let her speak first… Fourth principle: give a woman the chance to reject something else besides me… which gave me a few seconds to say something while she focused on (the original offer).
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
He could not maintain the effort to arrive on time since his lifelong habit had created the opposite habit: to elude, to avoid, to disappoint every expectation of others, every commitment, every promise, every crystallization. The magic beauty of simultaneity, to see the loved one rushing toward you at the same moment you are rushing toward him, the magic power of meeting exactly at midnight to achieve union, the illusion of one common rhythm achieved by overcoming obstacles, deserting friends, breaking other bonds —all this was soon dissolved by his laziness, by his habit of missing every moment, of never keeping his word, of living perversely in a state of chaos, of swimming more naturally in a sea of failed intentions, broken promises, and aborted wishes. The importance of rhythm in Djuna was so strong that no matter where she was, even without a watch, she sensed the approach of midnight and would climb on a bus, so instinctively and accurate that every often as she stepped of the bus the twelve loud gongs of midnight would be striking at the large station clock. This obedience to timing was her awareness of the rarity of unity between human beings.
Anaïs Nin (The Four-Chambered Heart: V3 in Nin's Continuous Novel)
Now, here is the kicker: while hemi-neglect can occur when there is actual loss of sensation or motor systems, a version of it can also occur when all sensory systems and motor systems are in good working order—a syndrome known as extinction. In this case each half brain seems to work just fine alone, but it begins to fail when required to work at the same time as the other half. Yet information in the neglected field can be used at a nonconscious level!5 That means the information is there, but the patient isn’t conscious it is there. Here is how it works. If patients with left hemi-neglect are shown visual stimuli in both their right and left visual fields at the same time, they report seeing only the stimulus on the right. If, however, they are shown only the left visual stimulus, hitting the same exact place on the retina as previously, the left stimulus is perceived normally. In other words, if there is no competition from the normal side, then the neglected side will be noticed and pop into conscious awareness! What is strangest of all is that these patients will deny that there is anything wrong; they are not conscious of the loss of these circuits and their resulting problems. It appears, then, that their autobiographical self must be derived only from what they are conscious of. And what they are conscious of is dependent on two things. First, they are not conscious of circuits that are not working. It is as if the circuits never existed and consciousness for what the circuits did disappears with the circuit. The second thing is that some sort of competitive processing is happening. Some circuits’ processing makes it into consciousness while others’ does not. In short, conscious experience seems tied to processing that is exceedingly local, which produces a specific capacity, and that processing can also be outcompeted by the processing of other modules and never make it to consciousness. This has astounding implications.
Michael S. Gazzaniga (The Consciousness Instinct: Unraveling the Mystery of How the Brain Makes the Mind)
It is strange how this fails to annoy me, although as a rule I am sensitive to bad manners. It is just that occasionally, very occasionally, one meets someone who is so markedly a contrast with the general run of people that one’s instinctive reaction is one of admiration, indulgence, and, no doubt, if one is not very careful indeed, of supplication. I am not arguing the rights and wrongs of this: I am simply stating the facts as they appear to me. And not only to me, for I have noticed that extremely handsome men and extremely beautiful women exercise a power over others which they themselves have no need, or indeed no time, to analyse. People like Nick attract admirers, adherents, followers. They also attract people like me: observers. One is never totally at ease with such people, for they are like sovereigns and one’s duty is to divert them. Matters like worth or merit rarely receive much of their attention, for, with the power of choice which their looks bestow on them, they can change their minds when they care to do so. Because of their great range of possibilities, their attention span is very limited. And their beauty has accustomed them to continuous gratification. I find such people – and I have met one or two – quite fascinating. I find myself respecting them, as I would respect some natural phenomenon: a rainbow, a mountain, a sunset. I recognize that they might have no intrinsic merit, and yet I will find myself trying to please them, to attract their attention. ‘Look at me,’ I want to say. ‘Look at me.’ And I am also intrigued by their destinies, which could, or should, be marvelous. I will exert myself for such people, and I will miss them when they leave. I will always want to know about them, for I tend to be in love with their entire lives. That is a measure of the power they exert. That is why I join Nick in a smile of complicity when he spares himself the boredom of a conversation with Dr. Simek. It is a kind of law, I suppose.
Anita Brookner (Look at Me)
As Jung notes: Individuation cuts one off from personal conformity and hence from collectivity. That is the guilt which the individual leaves behind him for the world, that is the guilt he must endeavor to redeem. He must offer a ransom in place of himself that is, he must bring forth values which are an equivalent substitute for his absence in the collective personal sphere.6 In calling individuation a myth, we mean that such an image, charged with affect, rich with possibility, and related to transcendent purpose, is a psychologically grounding force field for the conduct of a conscious life. Most culturally charged alternatives of our time have noticeably failed because in the end they are not effective, do not satisfy the soul; only the myth of individuation deepens and ennobles our journey. Rather than ask, what does my tribe demand of me, what will win me collective approval, what will please my parents, we ask, what do the gods intend through me? It is a quite different question, and the answers will vary with the stage of life, and from one person to another. The necessary choices will never prove easy, but asking this question, and suffering it honestly, leads through the vicissitudes of life to larger places of meaning and purpose. One finds so much richness of experience, so much growth of consciousness, so much enlargement of one’s vision that the work proves well worth it. The false gods of our culture, power, materialism, hedonism, and narcissism, those upon which we have projected our longing for transcendence, only narrow and diminish. Of each critical juncture of choice, one may usefully ask: “Does this path enlarge or diminish me?” Usually, we know the answer to that question. We know it intuitively, instinctively, in the gut. Choosing the path that enlarges is always going to mean choosing the path of individuation. The gods want us to grow up, to step up to that high calling that each soul carries as its destiny. Choosing the path that enlarges rather than diminishes will serve us well in navigating through our idol-ridden, clamorous, but sterile time and move us further toward meeting the person we are meant to be.
James Hollis (Finding Meaning in the Second Half of Life: How to Finally, Really Grow Up)
I know you don’t want to feel superior, but it is so easy to control us.” He snorted his disagreement. “I have failed to control you at every turn. You have no idea how often I wanted to force your obedience when you placed yourself in danger. I should have gone with my instincts…but no, I allowed you to go back to the inn.” “Your love for me caused you to pull back.” She reached out to touch his hair. “Isn’t that how it should be between two people? If you really love who I am, and you want me to be happy, then you know I have to do what comes naturally to me, what I feel is right.” His finger traced down her throat, through the deep valley between her breasts, making her shiver with sudden heat. “That is true, little one, but that is also true of my needs. You can do no other than to make me happy. My happiness is completely dependent on whether or not you are safe.” Raven couldn’t help smiling. “Somehow I think your devious nature is showing. Perhaps you need to examine human ingenuity. You rely heavily on your gifts, Mikhail, but humans must find other ways. We are uniting two worlds. If we decide to have a child…” He stirred restlessly, his dark eyes glittering. She caught the imperious Carpathian decree before he could censor his thoughts. You must. “If we decide someday to have a child,” she persisted, ignoring his authority, “if it is male, he will be raised in both worlds. And if it is a girl, she will be raised with free will and a mind of her own. I mean it, Mikhail. I will never, ever, consent to bringing a child into this world to be a broodmare for one of these men. She will know her own power and choose her own life.” “Our women make their choices,” he said quietly. “I’m sure there’s some ritual that ensures that she wants to choose the right man,” Raven guessed. “You will give me your word you will agree to my terms, or I will not bear a child.” His fingertips brushed her face with exquisite tenderness. “More than anything I want your happiness. I would also want my children to be happy. We have years to decide these things, lifetimes, but yes, when we have learned to balance the two worlds and we know the time is right, I agree absolutely to your terms.” “You know I’ll hold you to it,” she warned. He laughed softly, cupping the side of her face in his palm. “As the years go by, your strength and power will grow. You already terrify me, Raven. I do not know if my heart will be able to stand the coming years.
Christine Feehan (Dark Prince (Dark, #1))
Question : BELOVED OSHO, I AM A GOD-FEARING MAN, BUT YOU SAY THAT ALL FEAR HAS TO BE DROPPED. HAS THE FEAR OF GOD ALSO TO BE DROPPED? Osho : Ramchandra, fear is fear: it does not matter of what, of whom. The object makes no difference; your subjectivity is full of fear. And if you are God-fearing you can never be God-loving. How can you love God if you are afraid of him? You may submit and surrender, but deep down there will be resistance, anger. And fear is just the opposite of love. Hate is not really the opposite of love - you will be surprised - fear is the exact opposite. Hate is love standing upside down; fear is just the opposite. And if you follow a religious life out of fear it will be the life of a slave, not of a man who is free. And if you start in fear you cannot end in freedom; you will end in slavery. And all that you will do out of fear is going to be wrong; it is going to be false, superficial. If you do things out of fear you can't do them with your heart. Up to now, religion has been based on fear. That's why the earth has remained irreligious or only superficially religious. Religion has remained just something like a painted face: false, pseudo. And the basic reason why it has failed is fear. The priests have based the religion on fear and greed - which are two aspects of the same coin. And in the scriptures they have invented so many methods of torture that it seems that Adolf Hitler must have read all the scriptures of the world, otherwise how had he come across so many methods to torture people? They can be found only in religious scriptures. The priests have based their religion on two basic, ugly instincts: fear and greed. And both have nothing to do with real religion. Real religion is freedom from greed and freedom from fear. We love out of fear, we pray out of fear. Parents are afraid of their children and children are afraid of their parents. Children are afraid of their teachers and teachers are afraid of their pupils. Everybody is afraid of everybody else - it seems as if fear is the only climate we live in. People are loving even... even love is nothing but fear - a diplomacy, a strategy, to keep things running smoothly. Ramchandra, if you really know what prayer is then prayer itself is its own reward...praying itself is such a beautiful phenomenon that who cares about the future and who bothers about the reward? Prayer in itself is such a celebration, it brings such great joy and ecstasy, that one prays for the prayer's sake. One does not pray out of fear and one does not pray out of greed; one prays because one enjoys it. If you enjoy dancing, you simply dance! Whether anybody sees the dance from the sky or not is not your concern. Whether the stars and the sun and the moon are going to reward you for your dance, you don't care. The dance is enough of a reward in itself. If you love singing you sing; whether anybody listens or not is not the point. So is prayer. It is a dance, it is a song, it is music, it is love. You enjoy it, and there it is finished. Prayer is the means and prayer is the end; the ends and the means are not separate. Only then do you know what prayer is. Prayer means surrender. Prayer means bowing down to existence. Prayer means gratitude. Prayer means thankfulness. Prayer means silence. Prayer means that "I am happy that I am." Prayer simply means that "This tremendous gift of life is so much for such an unworthy man like me. I don't deserve it, yet the unknown has showered it on me." Seeing it, gratitude arises. Ramchandra, you ask me: "I am a God-fearing man, but you say that all fear has to be dropped. Has the fear of God also to be dropped?" Yes, absolutely yes. Only then you will know what God is, and only then you will know what love is, and only then you will know what being religious means, what it is all about.
Osho
It was like explaining colour to a blind man, describing the lust of the hunter to someone who was born without it. Duff listened in agonized silence as Sean tried to find the words for the excitement that makes a man's blood sing through his body, that heightens his senses and allows him to lose himself in an emotion as old as the urge to mate. Sean tried to show him how the nobler and more beautiful was the quarry, the stronger was the compulsion to hunt and hill it, that it had no conscious cruelty in it but was rather an expression of love: a fierce possessive love. A devouring love that needed the complete and irrevocable act of death for its consummation. By destroying something, a man could have it always as his own: selfish perhaps, but then instinct knows no ethics. It was all very clear to Sean, so much a part of him that he had never tried to voice it before and now he stumbled over the words, gesticulating in helpless inarticulateness, repeating himself, coming at last to the end and knowing by the look on Duff's face that he had failed to show it to him.
Wilbur Smith (When the Lion Feeds (Courtney publication, #1; Courtney chronological, #10))
This, then, I believe to be,—will you not admit it to be,—the woman's true place and power? But do not you see that to fulfill this, she must—as far as one can use such terms of a human creature—be incapable of error? So far as she rules, all must be right, or nothing is. She must be enduringly, incorruptibly good; instinctively, infallibly wise—wise, not for self-development, but for self-renunciation: wise, not that she may set herself above her husband, but that she may never fail from his side: wise, not with the narrowness of insolent and loveless pride, but with the passionate gentleness of an infinitely variable, because infinitely applicable, modesty of service—the true changefulness of woman. In that great sense—"La donna è mobile," not "Qual piúm' al vento"; no, nor yet "Variable as the shade, by the light quivering aspen made"; but variable as the light, manifold in fair and serene division, that it may take the color of all that it falls upon, and exalt it. 70.
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
The confusion of languages is a fundamental component of the manner of living here: one is surrounded by a perpetual Babel, in which everyone shouts orders and threats in languages never heard before, and woe betide whoever fails to grasp the meaning. No one has time here, and no one has patience, no one listens to you; we latest arrivals instinctively collect in the corners, against the walls, afraid of being beaten.
Primo Levi (If This Is a Man and The Truce)
The Director’s Chair is with Francis Ford Coppola (The Godfather, Apocalypse Now, etc.), and Robert refers later to this quote from Francis: “Failure is not necessarily durable. Remember that the things that they fire you for when you are young are the same things that they give lifetime achievement awards for when you’re old.” ROBERT: “Even if I didn’t sell Mariachi, I would have learned so much by doing that project. That was the idea—I’m there to learn. I’m not there to win; I’m there to learn, because then I’ll win, eventually. . . . “You’ve got to be able to look at your failures and know that there’s a key to success in every failure. If you look through the ashes long enough, you’ll find something. I’ll give you one. Quentin [Tarantino] asked me, ‘Do you want to do one of these short films called Four Rooms [where each director can create the film of their choosing, but it has to be limited to a single hotel room, and include New Year’s Eve and a bellhop]?’ and my hand went up right away, instinctively. . . . “The movie bombed. In the ashes of that failure, I can find at least two keys of success. On the set when I was doing it, I had cast Antonio Banderas as the dad and had this cool little Mexican as his son. They looked really close together. Then I found the best actress I could find, this little half-Asian girl. She was amazing. I needed an Asian mom. I really wanted them to look like a family. It’s New Year’s Eve, because [it] was dictated by the script, so they’re all dressed in tuxedos. I was looking at Antonio and his Asian wife and thinking, ‘Wow, they look like this really cool, international spy couple. What if they were spies, and these two little kids, who can barely tie their shoes, didn’t know they were spies?’ I thought of that on the set of Four Rooms. There are four of those [Spy Kids movies] now and a TV series coming. “So that’s one. The other one was, after [Four Rooms] failed, I thought, ‘I still love short films.’ Anthologies never work. We shouldn’t have had four stories; it should have been three stories because that’s probably three acts, and it should just be the same director instead of different directors because we didn’t know what each person was doing. I’m going to try it again. Why on earth would I try it again, if I knew they didn’t work? Because you figured something out when you’re doing it the first time, and [the second attempt] was Sin City.” TIM: “Amazing.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
As I retold those stories, I watched the faces of the house-church leaders. They were listening in rapt attention. I felt that the Holy Spirit was moving and working in that farmyard. I could sense that these leaders were pulling real biblical principles out of the stories. Then, in the middle of the final story that I was going to tell, I heard a noise, a disturbance. I looked around and, in the back corner, I saw a movement. It was those two brothers that I had tried to interview a little earlier. They were standing up and waving their arms. I couldn't imagine what they were doing. I tried to ignore them, hoping that no one would notice the commotion. But they rushed forward. Weaving their way through the crowd, they made their way toward the platform. I tried in vain to figure out some way to keep them from coming up on the stage. As they drew closer though, I could tell that they were crying. Instinctively, I moved back and gave way. By the time they stepped up on the platform, they were shaking and sobbing. They said to the assembled group: 'Listen to this man! Listen to this man! The stories he tells are true! You can only grow in persecution what you go into persecution with.' Then they opened their hearts to their Christian brothers and sisters seated before them. What they said sounded like a confession: 'You have honored us and you have made us leaders just because the authorities arrested us and we went to jail for three years. But you never, ever asked us our story. We know that when most of you went to prison, you shared your faith, you preached the word of God, and you brought hundreds if not thousands of people to Jesus. You started dozens of churches, and you began a movement that has grown out of the prisons. The Lord used you in a might way. But when we were arrested, we barely knew who Jesus was! We did not know how to pray! We did not know the Bible! We did not know many songs of faith. We have to confess this to you today and beg your forgiveness. For three years in prison we did not share our faith with one person. We hid our faith. And yet, when we came out of prison, you made us leaders just because we had been put into jail. The truth is, we failed Jesus in prison. Would you please forgive us? You must listen to this man! Listen to this man! What he is teaching is true: You can only grow in jail what you take to jail with you. You can only grow in persecution what you take into it.' There seemed to be nothing more that I could add to that. I silently asked for God's forgiveness. I had been upset about my interview with these two brothers. Evidently, God had a purpose in bringing them to the front.
Nik Ripken
Jenny, what can I do to help?” Westhaven’s expression was merely genial, but in his words, Jenny heard determination and that most dratted of holiday gifts, sibling concern. “Help?” “You’re quiet as a dormouse. Maggie says you’re chewing your nails. Louisa reports that you’re taking odd notions, and Sophie won’t say anything, but she’s clearly worried. Her Grace muttered something about regretting all the time she’s permitted you to spend among the paint fumes.” “What would Her Grace know of paint fumes?” What would the duchess know of anything relating to painting? “She’s our mother. Where knowledge fails, maternal instinct serves. Is Bernward troubling you?” Westhaven was an excellent dancer, and if Jenny did not finish the dance with him, Her Grace would casually suggest that tomorrow be a day to rest from the activity in the studio. The idea made Jenny desperate. “Westhaven, you must not involve yourself in anything to do with Elijah.” “Elijah.” Westhaven’s gaze shifted to a spot over Jenny’s shoulder. “And does he call you Jenny?” He calls me Genevieve, and sometimes he even calls me “woman.” “He calls me talented and brilliant but uneducated and unorthodox too. I’ve enjoyed working with him these past weeks more than anything—” “Excuse me.” Elijah had tapped Westhaven on the shoulder. “May I cut in?” Westhaven’s smile was diabolical. “Of course. Jenny would never decline an opportunity to dance with a family friend.” Family friend? Her blighted, interfering, perishing brother was laying it on quite thick. Elijah bowed. “Lady Genevieve, may I have what remains of this dance?” Two days remained. Two days and three nights. Jenny curtsied and assumed waltz position. As Elijah’s hand settled on her back, his scent wafted to her, enveloping her in his presence. “You’re avoiding me,” he said. “You needn’t. I’ll be leaving soon, and I hope we can at least part friends.” With her siblings, she could dissemble and maintain appearances, but with Elijah… “I am honored you think me a friend, Elijah.” And he danced wonderfully, with the same sense of assurance and mastery that he undertook painting… and lovemaking. “I am your friend too, Genevieve.
Grace Burrowes (Lady Jenny's Christmas Portrait (The Duke's Daughters, #5; Windham, #8))
And Man knows it! Knows, moreover, that the Woman that God gave him Must command but may not govern—shall enthral but not enslave him. And She knows, because She warns him, and Her instincts never fail, That the Female of Her Species is more deadly than the Male.
Caroline Kennedy (She Walks in Beauty: A Woman's Journey Through Poems)
Therefore Whitman failed radically in his dearest ambition: he can never be a poet of the people. For the people, like the early races whose poetry was ideal, are natural believers in perfection. They have no doubts about the absolute desirability of wealth and learning and power, none about the worth of pure goodness and pure love. Their chosen poets, if they have any, will he always those who have known how to paint these ideals in lively even if in gaudy colours. Nothing is farther from the common people than the corrupt desire to be primitive. They instinctively look toward a more exalted life, which they imagine to be full of distinction and pleasure, and the idea of that brighter existence fills them with hope or with envy or with humble admiration. If the people are ever won over to hostility to such ideals, it is only because they are cheated by demagogues who tell them that if all the flowers of civilization were destroyed its fruits would become more abundant. A greater share of happiness, people think, would fall to their lot could they destroy everything beyond their own possible possessions. But they are made thus envious and ignoble only by a deception: what they really desire is an ideal good for themselves which they are told they may secure by depriving others of their preeminence. Their hope is always to enjoy perfect satisfaction themselves; and therefore a poet who loves the picturesque aspects of labour and vagrancy will hardly be the poet of the poor. He may have described their figure and occupation, in neither of which they are much interested; he will not have read their souls. They will prefer to him any sentimental story-teller, any sensational dramatist any moralizing poet; for they are hero-worshippers by temperament, and are too wise or too unfortunate to be much enamoured of themselves or of the conditions of their existence.
George Santayana
Eros is not merely a demoniac power who creates chaos and destruction, locking the whole of life in binding fetters. In all ages, this same power has been a source of irresistible energy. The love of man and woman, which God has placed in the heart of mankind as one of the mightiest aids to the maintenance of the species, is also one of the greatest inspirations of human culture. This is the force which sets heroism aflame and inspires artists; it urges men to achievements which they never would dream of attempting in their sober senses. Where would the divine spark of poetry be, or the sweet harmony of our composers, not the mention the deep feeling which moves us to much in the old folk songs, but for this inner urge which can turn any stripling into a poet? All the great creative artists mankind has produced were sensitive, not to say sensual, individuals, and we should bring a sympathetic understanding to bear upon their failings if now and then they overstep the bounds, not only of narrow conventions, but even of the accepted moral code. . . . Certainly the natural Eros is capable of anything -- of noble deeds or of abysmal follies, of highest self-sacrifice or senseless destruction. But does this entitle us to condemn the intensity of the fire which can cook a meal or bake a potter's masterpiece and, on the other hand, is also capable of burning down an entire city, sweeping away countless works of art in its destructive course? Man tries by every art to harness destructive forces and employ them constructively for his own convenience and profit. It is equally morality's task to use the mighty power of this primitive urge to the highest ends, but no part of the true morality's function either to malign or condemn the sexual instinct.
August Adam (The Primacy of Love)
He'd never failed at anything. Not like this. And he'd been so stupidly desperate, so stupidly hopeful, that he hadn't believed she'd truly refuse. Until today, when he'd seen her on that rock and known she'd wanted to get up, but watched her shut down the instinct. Watched her clamp that steel will over herself.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
I used to live a short distance away from a standing stone which, at full moon and/or Midsummer’s Eve, would dance around its field at night, incidentally leaving unguarded a pot of gold which, in theory, was available to anyone who dared to seize it and could run faster than a stone. I went to see it by daylight early on, but for some reason I never found the time to make the short nocturnal journey and check on its dancing abilities. I now realize this was out of fear: I feared that, like so many stones I have met, it would fail to dance. There was a small part of me that wanted the world to be a place where, despite planning officers and EU directives and policemen, a stone might dance. And somewhere there, I think, is the instinct for folklore. There should be a place where a stone dances.
Terry Pratchett (The Folklore of Discworld)
Every woman I knew seemed to think she was failing in some way, had been raised to believe she was lacking, and was certain someone else was doing it better. Had been told never to trust her own instincts. Taught to think of life as a solution when "done right," when in reality we existed in a kaleidoscope made of shades of gray, able to be very happy and very sad all at the same time.
Glynnis MacNicol (No One Tells You This)
7. UNFAVORABLE ENVIRONMENTAL INFLUENCES DURING CHILDHOOD. "As the twig is bent, so shall the tree grow." Most people who have criminal tendencies acquire them as the result of bad environment, and improper associates during childhood. 8. PROCRASTINATION. This is one of the most common causes of failure. "Old Man Procrastination" stands within the shadow of every human being, waiting his opportunity to spoil one's chances of success. Most of us go through life as failures, because we are waiting for the "time to be right" to start doing something worthwhile. Do not wait. The time will never be "just right." Start where you stand, and work with whatever tools you may have at your command, and better tools will be found as you go along. 9. LACK OF PERSISTENCE. Most of us are good "starters" but poor "finishers" of everything we begin. Moreover, people are prone to give up at the first signs of defeat. There is no substitute for PERSISTENCE. The person who makes PERSISTENCE his watch-word, discovers that "Old Man Failure" finally becomes tired, and makes his departure. Failure cannot cope with PERSISTENCE. 10. NEGATIVE PERSONALITY. There is no hope of success for the person who repels people through a negative personality. Success comes through the application of POWER, and power is attained through the cooperative efforts of other people. A negative personality will not induce cooperation. 11. LACK OF CONTROLLED SEXUAL URGE. Sex energy is the most powerful of all the stimuli which move people into ACTION. Because it is the most powerful of the emotions, it must be controlled, through transmutation, and converted into other channels. 12. UNCONTROLLED DESIRE FOR "SOMETHING FOR NOTHING." The gambling instinct drives millions of people to failure. Evidence of this may be found in a study of the Wall Street crash of " 29, during which millions of people tried to make money by gambling on stock margins. 13. LACK OF A WELL DEFINED POWER OF DECISION. Men who succeed reach decisions promptly, and change them, if at all, very slowly. Men who fail, reach decisions, if at all, very slowly, and change them frequently, and quickly. Indecision and procrastination are twin brothers. Where one is found, the other may usually be found also. Kill off this pair before they completely "hog-tie" you to the treadmill of FAILURE.
Napoleon Hill (Think and Grow Rich [Illustrated & Annotated])
He’d never lost a battle with the water when listening to his instincts, and he hoped like hell those same instincts wouldn’t fail him now.
Tessa Bailey (It Happened One Summer (Bellinger Sisters, #1))
I remembered John as far from robust—before joining the school, his fragile legs had required medical support. He also faced learning difficulties, which this typically unevolved 1970s boarding school failed to address. His Maidwell years would have been challenging anyway; but they were made hellish by the likes of Goffie. John was a sensitive and thoroughly decent boy who was tormented by this shameless, cowardly bully, in a school regime that had a hundred rules, but not one of them proved capable of protecting the most vulnerable in its ranks. What on earth would persuade Goffie—a man, powerful in physique and status—to pick on someone so fragile and defenseless? As his younger brother recalled in the eulogy that he gave at John’s funeral: At Maidwell John had a tough time, principally because he had dyslexia which was not diagnosed for several years, until age ten. Some bullying teachers accused him of not trying, or of being lazy, neither of which was true. Looking back, John always noted Mr. Goffe as the worst offender, a mean teacher who regularly hit his knuckles with a wooden ruler. These constant knockdowns in turn affected John’s self-confidence, and he became very shy. But John was always sweet and kind with other boys, never passing on the knocks that were handed out to him. Aged eleven, John was moved to a school specializing in dyslexia. But three years at Maidwell, being bullied by the likes of Goffie, had changed him. The self-assurance that he’d had as a young boy, before being sent away, was bled out of him. After school he lived the quietest of lives. In adulthood he had no romantic partner or close friends, preferring to sit at home by himself, watching television. His family background was immensely privileged, but he took humble jobs—helping in a pet store, then a home supplies warehouse—surprising colleagues at the latter by walking to work on a day when the roads were so clogged with snow that none of them, or any of their customers, made it in. John died from an intestinal disorder that he had ignored: His family believes that he had lost the instinct for self-care, had failed to get himself to a doctor, and this killed him. He was found dead after failing to turn up for work. I had not appreciated that the weight of suffering experienced by many of my contemporaries would be so virulent, and so hard to bear. When I read John’s eulogy, I cried with pity, and then rage.
Charles Spencer (A Very Private School: A Memoir)
28. Experts Should Be On Tap, Not On Top This is another piece of advice from Winston Churchill (he was a fountain of great one-liners): Experts should be on tap, not on top. I have made the mistake all too often in the past of taking experts’ advice as gold, as the only ‘right’ option. It has often been against my instinct, and it has all too frequently landed me in trouble. To let yourself be guided purely by experts is always a recipe for disaster. So-called experts might know their field, but they don’t always know the whole picture of what’s right. Especially for you. I know some very wealthy people who don’t even live where they want to because their accountant told them they could pay less tax if they bought a home in Monaco. It is as if their accountant has more of a say over their lives than their kids or partners do - and that is always a ‘false’ economy. Experts are experts because they specialize in one small part of a field. A leader’s job is to see beyond that, to see the whole picture and then to make a considered decision. The expert advice should be there to serve you: to be ‘on tap’, when you need it, but not as your only option. So when you need guidance, ‘listen’ to all the experts, assemble the knowledge in your head, sleep on it, trust your instinct (more of that later!), then make an informed, not hasty decision. By the way, the only thing worse than making a bad decision? Making no decision! So many people fail to get ahead because they can’t decide. They dither. It is natural. We all get fearful of making a bad decision - but really that is back to being scared of failing, and we know how to deal with that now, don’t we? Failing is OK. A bad decision is better than no decision. So learn to make decisions - informed, good decisions, based on good advice, but not dictated solely by the advisors. Trust your instincts, and commit to your decision. And if it proves wrong, then learn from the error, have the humility to acknowledge it, then move on - wiser and smarter. And remember, like so many things, the more you practice making decisions, the better you will become at making good decisions. You’ll never have a 100 per cent gold strike rate, but some people get pretty darned close, and if you study their habits I bet you will see some clear patterns in their decision-making. So, listen to the experts, keep them on tap, but know your own mind, know your own heart - and let these lead you to the right choices to keep you on top.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
32. Laugh At Yourself Everyone always warms to people who can laugh at themselves. It’s human nature - and the best jokes are always against ourselves. It shows character, humility and grace. So don’t take yourself too seriously: if you fall in the mud, just sit up tall and laugh. Conversely, note how those who laugh at others are the people we instinctively pull away from. People who laugh at others are really showing that they think they’re better than the people they’re making fun of. And if they laugh at them, then we naturally think that maybe next time they will be laughing at us - behind our backs. And no one likes that. The ability to laugh at yourself also shows to others that you adhere to one of the great teachings of the Bible: Be humble, and consider others better than yourself. Great people make you feel great about yourself. They build others up, they pay compliments often and freely, and they don’t pull others down to push themselves up. So laugh at yourself, not others; build others up before yourself; and talk well, not nastily, about others in public. I love this idea: How you speak about others speaks loudest about yourself. It is so true (which is why there’s a whole chapter on it later in the book). It is one of my life goals that, at my funeral, those who know me will be able to stand up and say they never heard me speak badly of anyone else. (By the way, I have failed at this many times already, but it is still a good goal to have!) Like you, I am still a work in progress, but I am trying, like you, to do better. Every day a little kinder, a little more generous, and taking myself a little less seriously. Great men and women never take themselves seriously. It is part of what makes them great. Look at the animals: the strongest grizzly bear still rolls around with her cubs, goofing. It is part of their strength and magnetic appeal.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
Never live the life with support of others. Otherwise you will fail on your instincts.
Hari krishnan Nair (WHO AM I: Author Hari Krishnan Nair)
And in the late summer of 1998, the bond-trading crowd was extremely fearful, especially of risky credits. The professors hadn't modeled this. They had programmed the market for a cold predictability that it had never had; they had forgotten the predatory, acquisitive, and overwhelming protective instincts that govern real-life traders. They had forgotten the human factor.
Roger Lowenstein (When Genius Failed: The Rise and Fall of Long-Term Capital Management)
I’ve visited more lands than I’ve set foot on, I’ve seen more landscapes than I’ve laid eyes on, I’ve experienced more sensations than all the ones I’ve felt, Because however much I felt I never felt enough, And life always pained me, it was always too little, and I was unhappy. ... I cross my arms on the table, I lay my head on my arms, And I need to want to cry, but I don’t know where to find the tears. No matter how hard I try to pity myself, I don’t cry, My soul is broken under the curved finger that touches it. . . What will become of me? What will become of me? ... As it is I stay, I stay . . . I’m the one who always wants to leave And always stays, always stays, always stays. Until death I’ll stay, even if I leave I’ll stay, stay, stay . . . ... Make me human, O night, make me helpful and brotherly. Only humanitarianly can one live. Only by loving mankind, actions, the banality of jobs, Only in this way—alas! —only in this way can one live. Only this way, O night, and I can never be this way! I’ve seen all things, and marveled at them all, But it was too much or too little—I’m not sure which—and I suffered. I’ve lived every emotion, every thought, every gesture, And remained as sad as if I’d wanted to live them and failed to. I’ve loved and hated like everyone else, But for everyone else this was normal and instinctive, Whereas for me it was always an exception, a shock, a release valve, a convulsion. ... I’m unable to feel, to be human, to reach out From inside my sad soul to my fellow earthly brothers. And even were I to feel, I’m unable to be useful, practical, quotidian, definite, To have a place in life, a destiny among men, To have a vocation, a force, a will, a garden, A reason for resting, a need for recreation, Something that comes to me directly from nature.
Fernando Pessoa
I recently visited New Zealand and learned that it has a very diverse ecosystem. Until the arrival of humans, it was populated almost entirely by birds. They occupied every niche in the food chain, from tiny ɻightless things to predators so enormous they could snatch a hundred-pound prey for dinner. For millions of years, birds dominated their man-less, mammal-less world, a universe of feathers, beaks, and talons, knowing of no other form of higher life. The birds acquired a host of abilities and natural defenses optimal for their environment. But then in the thirteenth century, while the Europeans were still busy with their crusades, Polynesian explorers came, and with them came rats—with fur instead of feathers, teeth instead of beaks, and tiny paws instead of fearsome talons. The defense mechanisms that worked well against other birds failed against the rats. Small ɻightless birds who, when sensing danger, would remain perfectly still to avoid being spotted by predators ɻying overhead, would do the same when encountering a rat. Fighting for its life, in its passive way, the little bird focused its every eʃort on not moving a single muscle—only to be gobbled up where it stood. The scientific term for animals like the little bird who had not encountered rats or humans is naïve. I find this charming, as if the little bird existed in a moral universe of which his New Zealand was a kind of Eden, its inhabitants living a peaceful existence disrupted only by the victimization of a cunning intruder, preying on their relative innocence. I often think the people I encounter are naïve, but only because they may never have encountered someone quite like me. Sociopaths see things that no one else does because they have diʃerent expectations about the world and the people in it. While you and observer from certain harsh truths, the sociopath remains undistracted. We are like rats on an island of birds. I have never identified with the little bird, trapped by fear and an instinct for passivity, the wide-eyed victim of circumstance. I have never pined for an Eden of peace on earth and goodwill toward men. I am the rat, and I will take every advantage I can without apology or excuse. And there are others like me.
M.E. Thomas
the inner urge of your feelings, emotions, instincts, and ingrained habits gives you the go power that puts you into action.
W. Clement Stone (The Success System That Never Fails)
He’s temporarily taken by that childish madness that a lot of us never lose, that destructive instinct that is both a rush and a sense of failing. In that moment he wants to show her, to get back at her for all the perceived wrongs she’s done him.
Luke Smitherd (In The Darkness)
What if I try and try and still fail?” “Then you are listening to your ego and not your true instinct because it will never fail you.
Catherine Stack (The Irish Flapper)
It is a great temptation to go on multiplying the rules of the game. There are so many sensible and necessary‌ pieces of advice which we all need to have emphasized. That is the course we must try to avoid. The child needs to be told, arbitrarily for a while, what is right, and what is wrong, that he must do this, and he must not do that. The time comes, however, when the growing instinct toward right living is the thing to foster—not the details of life which will inevitably take care of themselves if the underlying principle is made right. It must be the ideal of moral teaching to make clear and pure the source of action. Then the stream will be clear and pure. Such a stream will purify itself and neutralize the dangerous inflow along its banks. It is true that great harm may come from the polluted inflows, but they will be less and less harmful as the increasing current from the good source flows down. We shall have to look well to our habits lest serious ills befall, but that must never be the main concern or we‌ shall find ourselves living very narrow and labored lives; we shall find that we are failing to observe one of the most important rules of the game.
Herbert J Hall (The Untroubled Mind)
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Kate Milford (The Raconteur's Commonplace Book: A Greenglass House Story (The Greenglass House Series))