Install Love Quotes

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So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
So please, oh please, we beg, we pray, go throw your TV set away, and in its place you can install, a lovely bookshelf on the wall.
Roald Dahl
Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall.
Roald Dahl (Charlie and the Chocolate Factory)
A bucket full of butterflies is flutter contained. I’d like to have that installed in my chest when I have a heart transplant, which I’ll need to contain my growing love for you.
Jarod Kintz (This Book is Not for Sale)
Jared, thus far it's my understanding that you've been raised by a family of assassins. You've spied on me, stalked me, installed microphones in my bedroom, and confessed to falling in love with me before I could drive. If I haven't left by now, I don't think I'm going to.
Jamie McGuire (Providence (Providence, #1))
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall.
Roald Dahl (Charlie and the Chocolate Factory)
Of those of us who comprise the real clan of the book, who read not to judge the reading of others but to take the measure of ourselves. Of those of us who read because we love it more than anything, who feel about bookstores the way some people feel about jewelers. The silence about this was odd, both because there are so many of us and because we are what the world of books is really about. We are the people who once waited for the newest installment of Dickens's latest novel and who kept battered copies of Catcher in the Rye in our back pockets and backpacks. We are the ones who saw to it that Pride and Prejudice never went out of print.
Anna Quindlen (How Reading Changed My Life)
Everything, everything, everything can be installation art
Sherman Alexie (You Don't Have to Say You Love Me)
Death itself is too big to take in, she already sees that; the loss comes at you instead in an infinite number of small installments that can never be paid off.
Allison Pearson (I Think I Love You)
Your life needs an airbag. I swear, Anastagio, you should have come equipped when you were born.” Just then Dante leaned against him, brow between his shoulder blades for a moment, so tentatively Griff held his breath. His voice was almost sheepish. “Nah. Everyone knows I was born defective. They didn’t instal you until later.
Damon Suede
Where I'm is one of those stair climbing machines the agent has installed. You climb and climb forever and never get off the ground. You're trapped in your hotel room. It's the mystical sweat love lodge experience of our time, the only sort of Indian vision quest we can schedule into our daily planner. Our StairMaster to Heaven.
Chuck Palahniuk (Survivor)
Anyhow, he asks himself, what is an intimate secret? Is that where we hide what's most mysterious, most singular, most original about a human being? Are her intimate secrets what make Chantal the unique being he loves? No. What people keep secret is the most common, the most ordinary, the most prevalent thing, the same thing everybody has: the body and its needs, it maladies, its manias - constipation, for instance, or menstruation. We ashamedly conceal these intimate matters not because they are so personal but because, on the contrary, they are so lamentably impersonal. How can he resent Chantal, for belonging to her sex, for resembling other women, for wearing a brassiere and along with it the brassiere psychology? s if he didn't himself belong to some eternal masculine idiocy! They both of them got their start in that putterer's workshop where their eyes were botched with the disjointed action of the eyelid and where a reeking little factory was installed in their bellies. They both of them have bodies where their poor souls have almost no room. Shouldn't they forgive that in each other? Shouldn't they move beyond the little weaknesses they're hiding at the bottom of drawers? He was gripped by an enormous compassion, and to draw a final lune under that whole story, he decided to write her one last letter.
Milan Kundera (Identity)
Then, unprompted, Henry says into the stretching stillness, “Return of the Jedi.” A beat. “What?” “To answer your question,” Henry says. “Yes, I do like Star Wars, and my favorite is Return of the Jedi.” “Oh,” Alex says. “Wow, you’re wrong.” Henry huffs out the tiniest, most poshly indignant puff of air. It smells minty. Alex resists the urge to throw another elbow. “How can I be wrong about my own favorite? It’s a personal truth.” “It’s a personal truth that is wrong and bad.” “Which do you prefer, then? Please show me the error of my ways.” “Okay, Empire.” Henry sniffs. “So dark, though.” “Yeah, which is what makes it good,” Alex says. “It’s the most thematically complex. It’s got the Han and Leia kiss in it, you meet Yoda, Han is at the top of his game, fucking Lando Calrissian, and the best twist in cinematic history. What does Jedi have? Fuckin’ Ewoks.” “Ewoks are iconic.” “Ewoks are stupid.” “But Endor.” “But Hoth. There’s a reason people always call the best, grittiest installment of a trilogy the Empire of the series.” “And I can appreciate that. But isn’t there something to be valued in a happy ending as well?” “Spoken like a true Prince Charming.” “I’m only saying, I like the resolution of Jedi. It ties everything up nicely. And the overall theme you’re intended to take away from the films is hope and love and … er, you know, all that. Which is what Jedi leaves you with a sense of most of all.
Casey McQuiston (Red, White & Royal Blue)
He wished he were at his home in Abuja with a glass of cool Guinness, watching Star Wars on his high-definition widescreen television. He loved Star Wars, especially the more recent instalments. There was such honour in Star Wars. In another life, he’d have made a great Jedi knight. Being a vigilante loyal only to justice was always better than being any kind of head of state.
Nnedi Okorafor (Lagoon)
I really didn’t have a good vice. Liquor in moderate quantities. Love on the installment plan. Wouldn’t it be nice if I could really cultivate some impressive vice? Some excessive cruelty or some astonishing sacrifice.
Alfred Hayes (In Love (Modern Romance Classics))
Our whole culture is based on the appetite for buying, on the idea of a mutually favorable exchange. Modern man's happiness consists in the thrill of looking at the shop windows, and in buying all that he can afford to buy, either for cash or on installments. He (or she) looks at people in a similar way. For the man an attractive girl—and for the woman an attractive man—are the prizes they are after. 'Attractive' usually means a nice package of qualities which are popular and sought after on the personality market. What specifically makes a person attractive depends on the fashion of the time, physically as well as mentally. During the twenties, a drinking and smoking girl, tough and sexy, was attractive; today the fashion demands more domesticity and coyness. At the end of the nineteenth and the beginning of this century, a man had to be aggressive and ambitious—today he has to be social and tolerant—in order to be an attractive 'package'. At any rate, the sense of falling in love develops usually only with regard to such human commodities as are within reach of one's own possibilities for exchange. I am out for a bargain; the object should be desirable from the standpoint of its social value, and at the same time should want me, considering my overt and hidden assets and potentialities. Two persons thus fall in love when they feel they have found the best object available on the market, considering the limitations of their own exchange values. Often, as in buying real estate, the hidden potentialities which can be developed play a considerable role in this bargain. In a culture in which the marketing orientation prevails, and in which material success is the outstanding value, there is little reason to be surprised that human love relations follow the same pattern of exchange which governs the commodity and the labor market.
Erich Fromm (The Art of Loving)
Remember, your dad loves you and he always wanted more for you than he ever wanted for himself. And if he pushes your buttons, just tell yourself that he’s a master at doing that because he’s the one who installed them in the first place.
Michael Palmer (Miracle Cure)
This is no CCJ novel… It was more of her wayward bestie’s. I’d seen her name mentioned with Christina’s and decided to give her a try. Never again! She wrote murky romances that took too many turns and left me exhausted after reading too many installments of a single series. 
Love Belvin (The Right of Love (Wayward Love #3))
Miss West is never idle. Below, in the big after-room, she does her own laundering. Nor will she let the steward touch her father's fine linen. In the main cabin she has installed a sewing-machine. All hand-stitching, and embroidering, and fancy work she does in the deck-chair beside me. She avers that she loves the sea and the atmosphere of sea-life, yet, verily, she has brought her home-things and land-things along with her--even to her pretty china for afternoon tea.
Jack London (The Mutiny of the Elsinore)
She’s everything that should be loathed,” he went on, staring in front of him. “Sometimes I think I hate everything in the world. No decency, no conscience. She’s what people mean when they say America never grows up, America rewards the corrupt. She’s the type who goes to the bad movies, acts in them, reads the love-story magazines, lives in a bungalow, and whips her husband into earning more money this year so they can buy on the installment plan next year, breaks up her neighbor’s marriage—
Patricia Highsmith (Strangers on a Train)
I see a dude who looks like a meth addict across the street; I'm going to assume that's what this fiancée thief looked like, right? I mean, obviously, the only reason she would have left you for anyone else is if she suddenly lost her mind and got struck blind on top of it. Pretty action-packed, your wedding day." I looked at him askance. "I don't think that's quite her version of events." "Yeah, well," said Nate, "she's not here, so I'm just going to have to go with my version." "I could buy into that," I said, after a moment's consideration. "Excellent," he said, grinning. "Then you're going to love next week's installment in which he develops spontaneous alopecia.
Cary Attwell (The Other Guy)
So please, oh please, we beg, we pray, go throw your TV set away, and in its place you can install a lovely bookshelf on the wall.
Roald Dahl
installed in Europe. Berlin had only 120,000 cars, but at any given moment all of them seemed to collect here, like bees to a hive. One could watch the whirl of cars and people from an outdoor
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
Wooden scrabble letters offer a whole forest of literature, tiled down for easy shower installment. If you limit your use to only the letters q, u, a, c, and k, your ducks will love what you've done with your bathroom.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
Oh, yes, I forgot,” Steven digressed to no one in particular, “I installed that mind-reading expansion pack because I thought it would be so lovely to not even have to think about what I thought.” He shuddered at the thought.
Samuel Knox
So please, oh please, we beg, we pray, go throw your TV set away, and in its place you can install, a lovely bookshelf on the wall.” “The books transported her into new worlds and introduced her to amazing people who lived exciting lives. She went on olden-day sailing ships with Joseph Conrad. She went to Africa with Ernest Hemingway and to India with Rudyard Kipling. She travelled all over the world while sitting in her little room in an English village.
Roald Dahl
You know, Curt, there's risk in everything we do. We put on seat bells, but we don't quit driving. We install smoke detectors, but we don't shut off the breaker. We worry about keeping those we love safe, but we don't lock them in a safe.
J.H. Trumble (Just Between Us)
To My Mother" Because I feel that, in the Heavens above, The angels, whispering to one another, Can find, among their burning terms of love, None so devotional as that of “Mother,” Therefore by that dear name I long have called you— You who are more than mother unto me, And fill my heart of hearts, where Death installed you In setting my Virginia's spirit free. My mother—my own mother, who died early, Was but the mother of myself; but you Are mother to the one I loved so dearly, And thus are dearer than the mother I knew By that infinity with which my wife Was dearer to my soul than its soul-life.
Edgar Allan Poe
Herr Hitler is the very person he wants to eradicate. He might have started out with good intentions, but he is mentally unbalanced and now almost insane.” “Then how come he is loved by the whole nation?” Harold interjected. “His first programs of building the Autobahn, of installing the Reichsarbeitsdienst (national labor service) were almost strokes of genius. This endeared him with our people suffering from unemployment. Then he promised things which he is unable to deliver. His hypnotic power as an orator causes the people to cheer. They don’t love him. They are simply mesmerized by a charlatan.
Horst Christian (Children to a Degree: Growing Up Under the Third Reich: Book 1)
When we are faced with circumstances, He gives us the Power to endure! When we are faced with loss, He grants us the Poise to hold on. When we come across failure, He installs back in us the Potential to rise up again. When we meet death, He gave us the Pleasure to be carried up into the Lovely coasts of eternity!
Israelmore Ayivor (The Great Hand Book of Quotes)
When the first news of the Nazi camps was published in 1945, there were those who thought the facts might be exaggerated either by Allied war propaganda or by the human tendency to relish 'atrocity stories.' In his column in the London magazine Tribune, George Orwell wrote that, though this might be so, the speculation was not exactly occurring in a vacuum. If you remember what the Nazis did to the Jews before the war, he said, it isn't that difficult to imagine what they might do to them during one. In one sense, the argument over 'Holocaust denial' ends right there. The National Socialist Party seized power in 1933, proclaiming as its theoretical and organising principle the proposition that the Jews were responsible for all the world's ills, from capitalist profiteering to subversive Bolshevism. By means of oppressive legislation, they began to make all of Germany Judenrein, or 'Jew-free.' Jewish businesses were first boycotted and then confiscated. Jewish places of worship were first vandalised and then closed. Wherever Nazi power could be extended—to the Rhineland, to Austria and to Sudeten Czechoslovakia—this pattern of cruelty and bigotry was repeated. (And, noticed by few, the state killing of the mentally and physically 'unfit,' whether Jewish or 'Aryan,' was tentatively inaugurated.) After the war broke out, Hitler was able to install puppet governments or occupation regimes in numerous countries, each of which was compelled to pass its own version of the anti-Semitic 'Nuremberg Laws.' Most ominous of all—and this in plain sight and on camera, and in full view of the neighbours—Jewish populations as distant as Salonika were rounded up and put on trains, to be deported to the eastern provinces of conquered Poland. None of this is, even in the remotest sense of the word, 'deniable.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
Jase grew up in a home where the doors were never locked, and he never saw any reason for us to lock ours. “A locked door won’t stop a thief,” he reasoned, “so you might as well save your door.” Those teenagers could have turned the handle! Now, since Duck Dynasty came into our lives, all of us Robertsons have learned to lock our doors. Better yet, we have installed high-tech security systems.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
Libraries. How I love them. My source of stories. And solitude. Where the musty smell of books greets me like the perfume in our grandmother’s embrace. My old branch was two blocks from our London flat, and I went almost daily. The librarian and I both got teary when I said goodbye. And this library is almost as close! I’ll get a library card tomorrow and carry back my first installment of books. Maybe I can also find a quiet corner to write in peace.
Mitali Perkins (You Bring the Distant Near)
Seek no authority over the lives of men; of that the Omniwill is master. Nor seek authority over the goods of men; for men are chained so much to their goods as to their lives, and they distrust and hate the meddlers with their chains. But seek a way into the hearts of men through Love and Understanding; for once installed therein you can and better work to loose men of their chains. For love will guide your hand, while Understanding holds the lantern.
Mikhail Naimy (The Book of Mirdad: The strange story of a monastery which was once called The Ark)
To My Mother First published : 1849     A heartful sonnet written to Poe’s mother-in-law and aunt Maria Clemm, “To My Mother” says that the mother of the woman he loved is more important than his own mother. It was first published on July 7, 1849 in Flag of Our Union. It has alternately been published as “Sonnet to My Mother.”     Because I feel that, in the Heavens above, The angels, whispering to one another, Can find, among their burning terms of love, None so devotional as that of “Mother,” Therefore by that dear name I long have called you — You who are more than mother unto me, And fill my heart of hearts, where Death installed you In setting my Virginia’s spirit free. My mother — my own mother, who died early, Was but the mother of myself; but you Are mother to the one I loved so dearly, And thus are dearer than the mother I knew By that infinity with which my wife Was dearer to my soul than its soul-life.
Edgar Allan Poe (Edgar Allan Poe: The Complete Tales and Poems)
We have both been talking about you. Cosette loves you so dearly! You must not forget that you have a chamber here, we want nothing more to do with the Rue de l'Homme Armé. We will have no more of it at all. How could you go to live in a street like that, which is sickly, which is disagreeable, which is ugly, which has a barrier at one end, where one is cold, and into one cannot enter? You are to come and install yourself here. And this very day. Or you will have to deal with Cosette. She means to lead us all by the nose, I warn you. You have your own chamber here, it is close to ours, it opens on the garden; the trouble with the clock has been attended to, the bed is made, it is all ready, you have only to take possession of it. Near your bed Cosette has placed a huge, old, easy-chair covered with Utrecht velvet and she has said to it: 'Stretch out your arms to him.' A nightingale comes to the clump of acacias opposite your windows every spring. In two months more you will have it. You will have its nest on your left and ours on your right. By night it will sing, and by day Cosette will prattle. Your chamber faces due South. Cosette will arrange your books for you, your Voyages of Captain Cook and the other,— Vancouver's and all your affairs. I believe that there is a little valise to which you are attached, I have fixed upon a corner of honor for that. You have conquered my grandfather, you suit him. We will live together. Do you play whist? you will overwhelm my grandfather with delight if you play whist. It is you who shall take Cosette to talk on the days when I am at the courts, you shall give her your arm, you know, as you used to, in the Luxembourg. We are absolutely resolved to be happy. And you shall be included in it, in our happiness, do you hear, father? Come, will you breakfast with us to-day?" "Sir," said Jean Valjean, "I have something to say to you. I am an ex-convict.
Victor Hugo (Les Misérables)
His grip on the wheel tightened as we left the limits of DC and reached the beltway. Through the blur of rain pelting the windows, we could just make out the shapes of the new highway lights and cameras that would be installed over the next few months. Right now, though, our only real sources of light were the car itself and the glow of the capital's light pollution. "Did I really always side with him?" I wondered aloud "I swear I didn't mean to...." Chubs risked a quick glance at me, then fixed his eyes back on the road. "It's not about choosing sides. I shouldn't have ever said that. I'm sorry. You know how I get when my blood sugar is low. He's Lee–he's funny and nice and he dresses like a walking hug." He does wear a lot of flannel," I said. But you're those things, too. Don't make that face just to try to prove me wrong. You are." "I don't feel that way," he admitted. "But I always got that you guys had something different. I respect that. I've never been... It's harder for me to open up to people." The headlights caught the raindrops sliding off the windshield and made them glow like shooting tars. He was making it sound like one friendship was better or more important than the other. That wasn't true. They were just different. The love was exactly the same. They only difference was that Liam had lost a little sister; a part of me had always felt like he wanted to prove to himself that he could save at least one of us. "I always understood you," I told him. "Just like you always understood me.
Alexandra Bracken (The Darkest Legacy (The Darkest Minds, #4))
It works twenty-four hours a day for decades without (for the most part) needing regular servicing or the installation of spare parts, runs on water and a few organic compounds, is soft and rather lovely, is accommodatingly mobile and pliant, reproduces itself with enthusiasm, makes jokes, feels affection, appreciates a red sunset and a cooling breeze. How many machines do you know that can do any of that? There is no question about it. You are truly a wonder. But then so, it must be said, is an earthworm.
Bill Bryson (The Body: A Guide for Occupants)
We in the West regard the universe as a creation of God; like an invention or a product. After he created the universe, God set himself to oversee it and manage it. We see God as our boss. He created the universe, he is present in it, he manages every part of it, but he is still separate from it. It's like he installed video cameras all over the universe, so he can see everything that happens, and he can cause this or that to happen, but he is not a part of what happens. The Eastern view is very different. To the Hindu, for example, God didn't create the universe, but God became the universe. Then he forgot that he became the universe. Why would God do this? Basically, for entertainment. You create a universe, and that in itself is very exciting. But then what? Should you sit back and watch this universe of yours having all the fun? No, you should have all the fun yourself. To accomplish this, God transformed into the whole universe. God is the Universe, and everything in it. But the universe doesn't know that because that would ruin the suspense. The universe is God's great drama, and God is the stage, the actors, and the audience all at once. The title of this epic drama is "The Great Unknown Outcome." Throw in potent elements like passion, love, hate, good, evil, free will; and who knows what will happen? No one knows, and that is what keeps the universe interesting. But everyone will have a good time. And there is never really any danger, because everyone is really God, and God is really just playing around.
Warren Sharpe (Philosophy For The Serious Heretic: The Limitations of Belief and the Derivation of Natural Moral Principles)
Because of the city's fragmentary, far-flung floor plan, accessible almost exclusively by car, there is no collective sense of community, no overarching sense of "we." ... It's a city of transplants ... Everyone moves to LA with plans not to stay. But then we stay. Because somewhere along the way, this Garden of Forking Freeways burrows itself inside our hardened, from-elsewhere hearts, and slowly, we begin to love the place we claimed to hate. Los Angeles is such a misunderstood city... It's a place that's impossible not to ridicule until you...fully appreciate all its endearing inconsistencies. It is ugly, and it is also beautiful. It is fast; it is slow. It is sexy, and it is also smart.
Lilibet Snellings (Box Girl: My Part Time Job as an Art Installation)
For years, Lady du Maurier had been suffering from a depressive form of senility, devotedly cared for by Angela and a nurse. Every year, Lady du Maurier and the nurse were installed at Mena for a time, while Angela had a much-needed break. Bing had never been very close to her mother in adult life, and Tod declared that in her childhood she had even been afraid of her. I always felt this explained much about Bing’s fear of emotions, and her secretiveness. It was all the more consoling to know that there was peace between them at the end, and that a loving kiss could even break through the barrier of a deep coma, to reach out to her. It comforted Bing, at a time when she was desperately in need of comfort, and for a while gave her the feeling that death is not loss, but a beginning.
Daphne du Maurier (Letters from Menabilly: Portrait of a Friendship)
I pull back and tell him, “You’re amazing.” He gives me a soft smirk. “That is the general consensus.” I smile. “And I love you.” He sets my feet on the floor but keeps his arms around my waist. “Good. Then you’re going to let me put three locks on the door of whatever apartment you decide to move into. And a chain. And a dead bolt.” I smile wider. “Okay.” Drew slowly steps forward, backing me up toward the bed. “And you’re not going to bitch when I have a security system installed.” “Wouldn’t dream of it.” We take another step together, almost like we’re dancing. “I’m thinking about buying you one of those ‘I’ve fallen and I can’t get up’ necklaces too.” My eyes squint as I pretend to think about the idea. “We’ll talk about it.” “And . . . you’re going to let me walk you home from work every night.” “Yes.” The back of my legs make contact with the bed frame. “I’m also going to come to every doctor’s appointment with you.” “I didn’t for a second imagine you wouldn’t.” Drew cups my face in his hands. “And one day, I’m going to ask you to marry me. And you’re going to know it’s not because you’re pregnant, or because of some misguided attempt to keep you.” Tears spring into my eyes as we gaze at each other. In a rough voice, he continues, “You’re going to know I’m asking because nothing would make me prouder than to be able to say, ‘This is my wife, Kate.’ And when I do ask, you’re going to say yes.” When I nod, one tear trails down my cheek. Drew wipes it away with his thumb as I promise, “It’s a sure thing.” And then he’s kissing me, with all the passion and desire he’s held in check the last two days. Drew cradles my head as we fall on the bed together.
Emma Chase (Twisted (Tangled, #2))
By first light, immigrants haul crates of melons and buckets of ice over the narrow cobblestone streets. Old men sell salted capers and branches of wild oregano while the young ones build their fish stands, one silvery torqued body at a time, like an edible art installation. It's a startling scene: gruff young palermitani, foul-mouthed and wreathed in cigarette smoke, lovingly laying out each fish at just the right angle, burrowing its belly into the ice as if to mimic its swimming position in the ocean. Sicilian sun and soil and ingenuity have long produced some of Italy's most prized raw ingredients, and the colors of the market serve as a map of the island's agricultural prowess: the forest green pistachios of Bronte; the Crayola-bright lemons and oranges of Paternò; the famous pomodorini of Pachino, fiery orbs of magical tomato intensity.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
They sit and stare and stare and sit Until they're hypnoti[z]ed by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keep them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? It rots the senses in the head! It kills imagination dead! It clogs and clutters up the mind! It makes a child so dull and blind He can no longer understand A fantasy, a fairyland! His brain becomes as soft as cheese! His powers of thinking rust and freeze! He cannot think-he only sees! 'All right' you'll cry. 'All right' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: They... used ... to... read! They'd read and read, And read and read, and then proceed To read some more, Great Scott! Gadzooks! One half their lives was reading books!... Oh books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall... ...They'll now begin to feel the need Of having something good to read. And once they start-oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did...
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
Buddhist Psychology You can use enlightening Buddhist practices to transform your life. Unfortunately, many people do not know it, but the Buddhist Dharma, or teaching, is actually a scientific system of psychology, developed in India and further refined in Tibet. It is a psychology that works. I call it a „joyous science of the heart“ because it is based on the idea that while unenlightened life is full of suffering, you are completely capable of escaping from that suffering. You can get well. In fact, you already are well; you just need to awaken to that fact. And how do you do this? By analyzing your thought patterns. When you do, you realize that you are full of „misknowledge“ - misunderstandings of yourself and the world that lead to anger, discontent, and fear. The target of Buddhist practice and the constant theme of this book is the primal misconception that you are the center of the universe, that your „self“ is a fixed, constant, and bounded entity. When you meditate on enlightened insights into the true nature of reality and the boundlessness of the self, you develop new habits of thinking. You free yourself from the constraints of your habitual mind. In other words, you teach yourself to think differently. This in turn leads you to act differently. And voila! You are on the path to happiness, fulfillment, and even enlightenment. The battle for happiness is fought and won or lost primarily within the mind. The mind is the absolute key, both to enlightenment and to life. When your mind is peaceful, aware, and under your command, you will be securely happy. When your mind is unaware of its true nature, constantly in turmoil, and in command of you, you will suffer endlessly. This is the whole secret of the Dharma. If you recognize delusion, greed, anger, envy, and pride as the main enemies of your well-being and learn to focus your mind on overcomming them, you can install wisdom, generosity, tolerance, love, and altruism in their place. This is where enlightened psychology can be most useful. Psychology and philosophy are really one entity in Buddhism. They are called the inner science, the science of the human interior. In the flow of Indian history, it is fair to say that the Buddha was a great explorer of the human interior rather than some sort of religious prophet. He came into the world at a time when people were just beginning to experiment with self-exploration, but mostly in an escapist way, using their focus on the inner world to run away from the sufferings of life by entering a supposed realm of absolute quiet far removed from everday existence. The Buddha started out exploring that way too, but then realized the futility of escapism and discovered instead a way of being happier here and now. (pp. 32-33)
Robert A.F. Thurman (Infinite Life: Awakening to Bliss Within)
To escape the throngs, we decided to see the new Neil Degrasse Tyson planetarium show, Dark Universe. It costs more than two movie tickets and is less than thirty minutes long, but still I want to go back and see it again, preferably as soon as possible. It was more visually stunning than any Hollywood special effect I’d ever seen, making our smallness as individuals both staggering and - strangely - rather comforting. Only five percent of the universe consists of ordinary matter, Neil tells us. That includes all matter - you, and me, and the body of Michael Brown, and Mork’s rainbow suspenders, and the letters I wrote all summer, and the air conditioner I put out on the curb on Christmas Day because I was tired of looking at it and being reminded of the person who had installed it, and my sad dying computer that sounds like a swarm of bees when it gets too hot, and the fields of Point Reyes, and this year’s blossoms which are dust now, and the drafts of my book, and Israeli tanks, and the untaxed cigarettes that Eric Garner sold, and my father’s ill-fitting leg brace that did not accomplish what he’d hoped for in terms of restoring mobility, and the Denver airport, and haunting sperm whales that sleep vertically, and the water they sleep in, and Mars and Jupiter and all of the stars we see and all of the ones we don’t. That’s all regular matter, just five percent. A quarter is “dark matter,” which is invisible and detectable only by gravitational pull, and a whopping 70 percent of the universe is made up of “dark energy,” described as a cosmic antigravity, as yet totally unknowable. It’s basically all mystery out there - all of it, with just this one sliver of knowable, livable, finite light and life. And did I mention the effects were really cool? After seeing something like that it’s hard to stay mad at anyone, even yourself.
Summer Brennan
So much we once coveted. So much That would have saved us, but lived, Instead, its own quick span, returning To uselessness with the mute acquiescence Of shed skin. It watches us watch it: Our faulty eyes, our telltale heat, hearts Ticking through our shirts. We’re here To titter at gimcracks, the naïve tools, The replicas of replicas stacked like bricks. There’s green money, and oil in drums. Pots of honey pilfered from a tomb. Books Recounting the wars, maps of fizzled stars. In the south wing, there’s a small room Where a living man sits on display. Ask, And he’ll describe the old beliefs. If you Laugh, he’ll lower his head to his hands And sigh. When he dies, they’ll replace him With a video looping on ad infinitum. Special installations come and go. “Love” Was up for a season, followed by “Illness,” Concepts difficult to grasp. The last thing you see (After a mirror—someone’s idea of a joke?) Is an image of an old planet taken from space. Outside, vendors hawk t-shirts, three for eight.
Tracy K. Smith (Life on Mars: Poems)
Despite such experiences Houdini never developed what we think of as a political consciousness. He could not reason from his own hurt feelings. To the end he would be almost totally unaware of the design of his career, the great map of revolution laid out by his life. He was a Jew. His real name was Erich Weiss. He was passionately in love with his ancient mother whom he had installed in his brownstone home on West 113th Street. In fact Sigmund Freud had just arrived in America to give a series of lectures at Clark University in Worcester, Massachusetts, and so Houdini was destined to be, with Al Jolson, the last of the great shameless mother lovers, a nineteenth-century movement that included such men as Poe, John Brown, Lincoln, and James McNeill Whistler. Of course Freud's immediate reception in America was not auspicious. A few professional alienists understood his importance, but to most of the public he appeared as some kind of German sexologist, an exponent of free love who used big words to talk about dirty things. At least a decade would have to pass before Freud would have his revenge and see his ideas begin to destroy sex in America for ever.
EL Doctorow (Ragtime)
See? If you would have gotten a dog like I told you to, you'd be one of the cool kids around here." "And I told I work too much to have a dog. If you want a dog, you get a dog." "I did suggest that at one point, but you said no." "As I recall, your plan was to get a dog and keep it at my house. That would still be me getting a dog except in that scenario you would get to pick the dog. For some strange reason, that seems lose/lose to me." "Well, obviously I'd come over whenever it needed to go out." "How is that going to work? The club is almost an hour's drive from my house even at the best of times." He sighed, leading the way into the great room. "You'd need to let me live in your pool house, of course." "I don't have a pool house, or even a pool, dipshit." He followed her inside, enjoying this conversation far too much to leave now. "Obviously, the first part of the plan would be for you to get a pool installed, and then build a pool house for me to live in." She frowned at him and punched him in the chest. "Your imaginary dog is already costing me an imaginary fortune." "The upside is that imaginary dogs aren't big eaters. You're already saving a fortune on dog food.
Sparrow Beckett (All's Fair in Love and Mastery (Masters Unleashed, #5))
Most of the garden was devoted to the usual things- lettuces, onions, cabbage, and eggplant- ordinary ingredients for good, honest meals. But then there were the chef's other plants, the ones that made the cooks cross themselves and kiss their thumbnails whenever they were forced to handle them. Take love apples, to start with. Their poisonous reputation was as well known as that of hemlock, and the cooks protested loudly the day the chef put in his seedlings. What if their roots contaminated the onions? What if their fumes caused swoons or fits? What if the odd, tangy smell of their leaves attracted disgruntled ghosts from the nearby dungeons? It took repeated assurances, the installation of a wire enclosure, and the fact that nothing catastrophic followed their planting to keep the staff from uprooting the love apples behind the chef's back. Even so, one cook quit, and another developed a twitchy eye and started nipping at the cooking sherry. After the love apples, the chef put in beans- another rarity from the New World- and then potatoes. Once, he tried something he called maize, but the plants failed, so instead he bought sacks of dried maize from an unknown source. In a giant stone mortar, he ground the dried maize down to a coarse yellow meal from which he made one of his exotic specialties- polenta.
Elle Newmark (The Book of Unholy Mischief)
The panel delivery truck drew up before the front of the “Amsterdam Apartments” on 126th Street between Madison and Fifth Avenues. Words on its sides, barely discernible in the dim street light, read: LUNATIC LYNDON … I DELIVER AND INSTALL TELEVISION SETS ANY TIME OF DAY OR NIGHT ANY PLACE. Two uniformed delivery men alighted and stood on the sidewalk to examine an address book in the light of a torch. Dark faces were highlighted for a moment like masks on display and went out with the light. They looked up and down the street. No one was in sight. Houses were vague geometrical patterns of black against the lighter blackness of the sky. Crosstown streets were always dark. Above them, in the black squares of windows, crescent-shaped whites of eyes and quarter moons of yellow teeth bloomed like Halloween pumpkins. Suddenly voices bubbled in the night. “Lookin’ for somebody?” The driver looked up. “Amsterdam Apartments.” “These is they.” Without replying, the driver and his helper began unloading a wooden box. Stenciled on its side were the words: Acme Television “Satellite” A.406. “What that number?” someone asked. “Fo-o-six,” Sharp-eyes replied. “I’m gonna play it in the night house if I ain’t too late.” “What ya’ll got there, baby?” “Television set,” the driver replied shortly. “Who dat getting a television this time of night?” The delivery man didn’t reply. A man’s voice ventured, “Maybe it’s that bird liver on the third storey got all them mens.” A woman said scornfully, “Bird liver! If she bird liver I’se fish and eggs and I got a daughter old enough to has mens.” “… or not!” a male voice boomed. “What she got ’ill get television sets when you jealous old hags is fighting over mops and pails.” “Listen to the loverboy! When yo’ love come down last?” “Bet loverboy ain’t got none, bird liver or what.” “Ain’t gonna get none either. She don’t burn no coal.” “Not in dis life, next life maybe.” “You people make me sick,” a woman said from a group on the sidewalk that had just arrived. “We looking for the dead man and you talking ’bout tricks.” The two delivery men were silently struggling with the big television box but the new arrivals got in their way. “Will you ladies kindly move your asses and look for dead men sommers else,” the driver said. His voice sounded mean. “ ’Scuse me,” the lady said. “You ain’t got him, is you?” “Does I look like I’m carrying a dead man ’round in my pocket?” “Dead man! What dead man? What you folks playing?” a man called down interestedly. “Skin?” “Georgia skin? Where?” “Ain’t nobody playing no skin,” the lady said with disgust. “He’s one of us.” “Who?” “The dead man, that’s who.” “One of usses? Where he at?” “Where he at? He dead, that’s where he at.” “Let me get some green down on dead man’s row.” “Ain’t you the mother’s gonna play fo-o-six?” “Thass all you niggers thinks about,” the disgusted lady said. “Womens and hits!” “What else is they?” “Where yo’ pride? The white cops done killed one of usses and thass all you can think about.” “Killed ’im where?” “We don’t know where. Why you think we’s looking?” “You sho’ is a one-tracked woman. I help you look, just don’t call me nigger is all.
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
What used the darling ones to do? ‘How used they keep themselves contented Before this monster was invented?’ Have you forgotten? Don’t you know? We’ll say it very loud and slow: They . . . used . . . to . . . read! They’d read and read, And read and read, and then proceed To read some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching ’round the pot, Stirring away at something hot. (It smells so good, what can it be! Good gracious, it’s Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and— Just How The Camel Got His Hump, And How The Monkey Lost His Rump, And Mr. Toad, and bless my soul, There’s Mr. Rat and Mr. Mole— Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks— Fear not, because we promise you That, in about a week or two Of having nothing else to do, They’ll now begin to feel the need Of having something good to read. And once they start—oh boy, oh boy! You watch the slowly growing joy
Roald Dahl (Charlie and the Chocolate Factory)
She stole surreptitious glances at Christopher, as she had been doing all evening, mesmerized by the sight of him. He was tawny and sun glazed, the candlelight finding threads of gold in his hair. The yellow glow struck sparkling glints in the new growth of bristle on his face. She was fascinated by the raw, restless masculinity beneath his quietness. She wanted to revel in him as one might dash out-of-doors in a storm, letting the elements have their way. Most of all she longed to talk with him…to pry each other open with words, share every thought and secret. “My sincere thanks for your hospitality,” Christopher finally said at the conclusion of the meal. “It was much needed.” “You must return soon,” Cam said, “especially to view the timber yard in operation. We have installed some innovations that you may want to use at Riverton someday.” “Thank you. I would like to see them.” Christopher looked directly at Beatrix. “Before I depart, Miss Hathaway, I wonder if you would introduce me to this notorious mule of yours?” His manner was relaxed…but his eyes were those of a predator. Beatrix’s mouth went dry. There would be no escaping him. That much was clear. He wanted answers. He would have them either now or later. “Now?” she asked wanly. “Tonight?” “If you don’t mind,” he said in a far too pleasant tone. “The barn is but a short walk from the house, is it not?” “Yes,” Beatrix said, rising from her chair. The men at the table stood obligingly. “Excuse us, please. I won’t be long.” “May I go with you?” Rye asked eagerly. “No, darling,” Amelia said, “it’s time for your bath.” “But why must I wash if I can’t see any dirt?” “Those of us who have a difficult time with godliness,” Amelia replied with a grin, “must settle for cleanliness.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Worldly morality and love for Krishna. (18/43 Mall Road, Kanpur, December 1, 1927)   Bless me so that I can dedicate my life to fulfilling Śrī Bhaktivinoda Ṭhākura’s desire and glorifying the Supreme Lord, which is the goal of Śrīmad-Bhāgavatam. Śrī Gaurasundara has been established at Kurukṣetra, which is a center for vipralambha-rasa. His service has now been introduced at Naimiṣāraṇya, which is the place for Bhāgavata recitation. Next year, Śrī Gaurasundara may be installed in Vṛndāvana. I have visited Puṣkara, Dvārakā, Gopīsarovara, Prabhāsa, Sudāmāpurī, and Avantipura. Yet, even after seeing these seven major holy places that award liberation, I am not being liberated because of not engaging in the service of all of you. It is not that I do not have a desire to serve Lord Krishna in a liberated state. Since today I remembered the Bhagavad-gītā verses, api cet suduracāra (9.30), sarvadharmān parityajya (18.66), yat karoṣi yad aśnāsī (9.27), and yā prītiravivekīnāṁ, as well as the Śrīmad-Bhāgavatam verse, janmādasya (1.1.1), I wrote this letter to disturb you. Ethical principles and moral rules are best according to material considerations. I have no second opinion about this. But since love of Krishna is most relishable, moral rules are not superior to nor more relishable than Krishna. In fact, there is no comparison. Many people do not like the way Lord Krishna forcibly killed the washerman in Mathurā and took away the clothes, garlands, etc., They may think that sincere premika bhaktas, who are under the shelter of the transcendental parakīya-rasa, are less ethical, but love for Hari has such a wonderful power that even a greatly delightful moral standard becomes dim in front of it. The code of conduct that is found when one becomes absorbed in service to Krishna, giving up all impediments that come in its way and are born of “a sense of duty,” should be ardently respected. Unless a chanter is considerate, he does not attain devotional service, and if devotional service is not attained, then a mundane sense of duty and a doubting temperament do not go away.
Srila Bhaktisiddhanta Prabhupada (Patramrta: Nectar from the Letters)
Standing, balanced precariously on the narrow top of a drainpipe, you had to give a good leap up to grab hold of the narrow ledge, and then swing your whole body up and over. It took some guts, and a cool head for heights. Get it wrong and the fall was a long one, onto concrete. In an attempt to make it harder, the school security officers had put barbed wire all around the lip of the roof to ensure such climbs were “impossible.” (This was probably installed after Ran Fiennes’s escapades onto the dome all those years earlier.) But in actual fact the barbed wire served to help me as a climber. It gave me something else to hold on to. Once on the roof, then came the crux of the climb. Locating the base of the lightning conductor was the easy bit, the tough bit was then committing to it. It held my weight; and it was a great sense of achievement clambering into the lead-lined small bell tower, silhouetted under the moonlight, and carving the initials BG alongside the RF of Ran Fiennes. Small moments like that gave me an identity. I wasn’t just yet another schoolboy, I was fully alive, fully me, using my skills to the max. And in those moments I realized I simply loved adventure. I guess I was discovering that what I was good at was a little off-the-wall, but at the same time recognizing a feeling in the pit of my stomach that said: Way to go, Bear, way to go. My accomplice never made it past the barbed wire, but waited patiently for me at the bottom. He said it had been a thoroughly sickening experience to watch, which in my mind made it even more fun. On the return journey, we safely crossed one college house garden and had silently traversed half of the next one. We were squatting behind a bush in the middle of this housemaster’s lawn, waiting to do the final leg across. The tutor’s light was on, with him burning the midnight oil marking papers probably, when he decided it was time to let his dog out for a pee. The dog smelled us instantly, went bananas, and the tutor started running toward the commotion. Decision time. “Run,” I whispered, and we broke cover together and legged it toward the far side of the garden. Unfortunately, the tutor in question also happened to be the school cross-country instructor, so he was no slouch. He gave chase at once, sprinting after us across the fifty-meter dash. A ten-foot wall was the final obstacle and both of us, powered by adrenaline, leapt up it in one bound. The tutor was a runner but not a climber, and we narrowly avoided his grip and sprinted off into the night. Up a final drainpipe, back into my open bedroom window, and it was mission accomplished. I couldn’t stop smiling all through the next day.
Bear Grylls (Mud, Sweat and Tears)
So,” I cleared my throat, unable to tolerate his moans of pleasure and praise any longer, “uh, what are your plans for the weekend?” “The weekend?” He sounded a bit dazed. “Yes. This weekend. What do you have planned? Planning on busting up any parties?” I asked lightly, not wanting him to know that I was unaccountably breathless. I moved to his other knee and discarded the towel. “Ha. No. Not unless those wankers down the hall give me a reason to.” Removing his arms from his face, Bryan’s voice was thick, gravelly as he responded, “I, uh, have some furniture to assemble.” “Really?” Surprised, I stilled and stared at the line of his jaw. The creases around his mouth—when he held perfectly still—made him look mature and distinguished. Actually, they made him even more classically handsome, if that was even possible. “Yes. Really. Two IKEA bookshelves.” I slid my hands lower, behind his ankle, waiting for him to continue. When he didn’t, I prompted, “That’s it?” “No.” He sighed, hesitated, then added, “I need to stop by the hardware store. The tap in my bathroom is leaking and one of the drawer handles in the kitchen is missing a screw. I just repainted the guest room, so I have to take the excess paint cans to the chemical disposal place; it’s only open on Saturdays before noon. And then I promised my mam I’d take her to dinner.” My mouth parted slightly because the oddest thing happened as he rattled off his list of chores. It turned me on. Even more so than running my palms over his luscious legs. That’s right. His list of adult tasks made my heart flutter. I rolled my lips between my teeth, not wanting to blurt that I also needed to go to the hardware store over the weekend. As a treat to myself, I was planning to organize Patrick’s closet and wanted to install shelves above the clothes rack. Truly, Sean’s penchant for buying my son designer suits and ties was completely out of hand. Without some reorganization, I would run out of space. That’s right. Organizing closets was something I loved to do. I couldn’t get enough of those home and garden shows, especially Tiny Houses, because I adored clever uses for small spaces. I was just freaky enough to admit my passion for storage and organization. But back to Bryan and his moans of pleasure, adult chores, and luscious legs. I would not think about Bryan Leech adulting. I would not think about him walking into the hardware store in his sensible shoes and plain gray T-shirt—that would of course pull tightly over his impressive pectoral muscles—and then peruse the aisles for . . . a screw. I. Would. Not. Ignoring the spark of kinship, I set to work on his knee, again counting to distract myself. It worked until he volunteered, “I’d like to install some shelves in my closet, but that’ll have to wait until next weekend. Honestly, I’ve been putting it off. I’d do just about anything to get someone to help me organize my closet.” He chuckled. I’d like to organize your closet. I fought a groan, biting my lip as I removed my hands, turned from his body, and rinsed them under the faucet. “We’re, uh, finished for today.
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
When we look through the spiritual consciousness, the lens of love, we look through and from a totally different context. The conditioned perceptual filters that have been installed dissolve, and we awaken even more fully into the truth of who we are - divine beings having a human experience.
Lori Cash Richards (Letting the Upside In: Discovering the code that grants us access to the extraordinary treasures contained within our hearts)
Therefore, if anyone is in Christ, the new creation has come: The old has gone, the new is here! —2 Corinthians 5:17 (NIV) It’s amazing what a few gallons of butter-yellow paint can do for your soul. As I stepped out of a difficult year that included financial hardship and a painful divorce, I wanted my home to reflect not only my survival, but also my hope and renewed joy. I got rid of every painting and hung up blank white canvases waiting for colors and inspiration. Old photos were taken down and new ones were framed. My dingy linoleum floors were covered by bright laminate wood, and the dining room chairs were newly dressed in dark, childproof upholstery. As my home was undergoing its slow rebirth, I asked advice from carpenters who had come to my church on a missions trip from North Carolina. “I’m thinking of building a loft bed for my boys,” I said. I wanted them to have space for all their toys. “Is it safe to use my old bed frame to build it?” “Why don’t you wait till we get back to New York City next month?” they responded. I waited and painted my sons’ walls the color of sunny skies, and when the team finally returned they had a surprise waiting for me: the loft bed! I was overwhelmed by their generosity and love. As they installed the bed, I could feel God’s hand in it. He’d done so much to transform me on the inside and now He was helping me transform everything else. Lord, thank You for the gift of renewal. —Karen Valentin Digging Deeper: Rom 12:2; 1 Pt 1:13
Guideposts (Daily Guideposts 2014)
The first mile was torture. I passed beneath the massive stone arch at the entrance to the school, pulled off the road and threw up. I felt better and ran down the long palm-lined drive to the Old Quad. Lost somewhere in the thicket to my left was the mausoleum containing the remains of the family by whom the university had been founded. Directly ahead of me loomed a cluster of stone buildings, the Old Quad. I stumbled up the steps and beneath an archway into a dusty courtyard which, with its clumps of spindly bushes and cacti, resembled the garden of a desert monastery. All around me the turrets and dingy stone walls radiated an ominous silence, as if behind each window there stood a soldier with a musket waiting to repel any invader. I looked up at the glittering facade of the chapel across which there was a mosaic depicting a blond Jesus and four angels representing Hope, Faith, Charity, and, for architectural rather than scriptural symmetry, Love. In its gloomy magnificence, the Old Quad never failed to remind me of the presidential palace of a banana republic. Passing out of the quad I cut in front of the engineering school and headed for a back road that led up to the foothills. There was a radar installation at the summit of one of the hills called by the students the Dish. It sat among herds of cattle and the ruins of stables. It, too, was a ruin, shut down for many years, but when the wind whistled through it, the radar produced a strange trilling that could well be music from another planet. The radar was silent as I slowed to a stop at the top of the Dish and caught my breath from the upward climb. I was soaked with sweat, and my headache was gone, replaced by giddy disorientation. It was a clear, hot morning. Looking north and west I saw the white buildings, bridges and spires of the city of San Francisco beneath a crayoned blue sky. The city from this aspect appeared guileless and serene. Yet, when I walked in its streets what I noticed most was how the light seldom fell directly, but from angles, darkening the corners of things. You would look up at the eaves of a house expecting to see a gargoyle rather than the intricate but innocent woodwork. The city had this shadowy presence as if it was a living thing with secrets and memories. Its temperament was too much like my own for me to feel safe or comfortable there. I looked briefly to the south where San Jose sprawled beneath a polluted sky, ugly and raw but without secrets or deceit. Then I stretched and began the slow descent back into town.
Michael Nava (The Little Death (The Henry Rios Mysteries Book 1))
This is getting weird,” Lip said, flipping through some of the others.  “Do you think these are code?” “Could be.  Don’t know.  Not our speed, though.  We’re going to need to call in some favors to get them run.” Lip nodded.  “That shouldn’t be a problem.  We’ll use our go-to boy.” “Lawrence?” “He owes us.” Lawrence Simpson.  He still worked at the NSA.  Man was a lifer.  And he owed them big. “They’ve got the Black Widow now,” Lip said.  “I’d love to work with that baby.” The Black Widow.  The NSA’s colossal Cray supercomputer.  Thing could scan through millions of emails, phone calls, you name it, in seconds.  It could find patterns, search for key words, and do it on a scale that was unfathomable. “Keep dreaming,” Marks said. Lip could get carried away.  Like the NSA was going to let ‘em use that.  Thing was needed for its job.  Like spying on the world. First time on the job Marks was pretty blown away.  Didn’t faze him in the least now, knowing that the NSA captured every bit of correspondence every day and every second from around the world.  Phone calls, cell or land lines.  Domestic and international.  Emails.  Text messages.  Fuckin’ everything. It was all captured, scanned and stored.  And Lip and he had a hand in helping with that.  Still were helping.  Information in motion.  There were always new pipes that needed to be tapped, more splitters to put in place somewhere around the world.  Dubai, Chóngqing, Bangalore…  Marks and Lip, just two of your friendly cable box installers.  No job too small or too far away. Marks eyed the walls again.  In a micro sense this was almost like a snapshot of the soup.  Random and nonsensical.  Just a bunch of non-related groups lumped together. He examined some of the newspaper clippings.  It was weird to see the paper content. 
Dave Buschi (Proportionate Response (Marks and Lip))
From the clear center of my heart, there are no edges to my loving you. I’ve heard it said there’s a window that opens from one mind to another, but if there were no wall, what need of installing a window?” — RUMI
Darren R. Weissman (The Heart of the Matter: A Simple Guide to Discovering Gifts in Strange Wrapping Paper)
Joey,” she said quietly, in almost a whisper. “I think I have a man in my life.” “You found a man in that place?” “Uh-huh. I think so.” “Why do you sound so…strange?” “I have to know something. Is it okay? Because I’m not even close to being over Mark. I still love Mark more than anything. Anyone.” Joey let out her breath slowly. “Mel, it’s all right to get on with your life. Maybe you’ll never love anyone as much as you loved Mark—but then maybe there will be someone else. Someone next. You don’t have to compare them, honey, because Mark is gone and we can’t get him back.” “Love,” she corrected. “Not past tense. I still love Mark.” “It’s all right, Mel,” Joey said. “You can go on living. You might as well have someone to pass the time with. Who is he?” “The man who owns the bar across from Doc’s clinic—the one who fixed up the cabin, bought me the fishing pole, got my phone installed. Jack. He’s a good man, Joey. And he cares about me.” “Mel… Have you…? Are you…?” There was no answer. “Mel? Are you sleeping with him?” “No. But I let him kiss me.” Joey laughed sadly. “It’s okay, Mel. Can you really think otherwise? Would Mark want you to wither away, lonely? Mark was one of the finest men I’ve ever known—generous, kind, loving, genuine. He’d want you to remember him sweetly, but to get on with your life and be happy.” Melinda started to cry. “He would,” she said through her tears. “But what if I can’t be happy with anyone except Mark?” “Baby sis, after what you’ve been through, would you settle for some marginal happiness? And a few good kisses?” “I don’t know. I just don’t know.” “Give it a go. Worst case—it takes your mind off your loneliness.” “Is
Robyn Carr (Virgin River (Virgin River, #1))
You know what? Let’s not risk what we have here while it’s still in install mode.
Theodora Taylor (His Pretend Baby: 50 Loving States, Oregon)
― En réalité, reprit Elianor qui venait d'avoir un éclair de génie, nous sommes un couple libre. Tristan toussa si bruyamment qu'elle eut du mal à contenir son sourire. ― Je vous demande pardon ? souffla la grande brune après quelques secondes d'ébahissement. Elianor, la démarche chaloupée, alla s'installer sur l'accoudoir du fauteuil de Tristan. Elle fit courir ses doigts jusqu'à son épaule. ― Chéri, est-ce que tu lui as parlé de notre projet ? De ton fantasme avec les crochets et les pince-tétons ?
Elisia Blade (Séduire & Conquérir (Crush Story #5))
Warning: This read will cause lack of sleep! You wont want to put it down! July 13, 2016 by Francine Baia This was a long awaited novel in the Sword of the God series and it was most definitely well worth the wait. The author provides an all encompassing look into the inner thoughts and machinations of each character which is commanding. She tackles several serious subjects that are current in today’s society, including PTSD and how it affects people differently and the devastation it causes on family. Several love stories are explored which keeps the readers on edge and wanting more. The integration of languages and cultures are seamless and readily understandable which bolsters the depth of the multiple storylines and at times is masterfully interlaced with comic relief. This is truly an enjoyable read that you will find difficult to put down. Anxiously anticipating the next installment!
Anna Erishkigal (Sword of the Gods: The Dark Lord's Vessel (Sword of the Gods Saga, # 4))
He had a new stereo installed that’s pretty crisp, but I hate music in cars, so it doesn’t do me much good. The second he starts it up, Pigs in the Toaster, this emo band he loves for reasons I cannot fathom, blasts out of the speakers at a volume that should be illegal for whining set to guitar. The singer’s voice is screechy and the music is too disjointed to have a real beat. He doesn’t move to turn it down. Normally,
Tori Centanni (The Demon's Deadline (Demon's Assistant, #1))
At the end of June, we had to move from our flat. Exxon had extended my husband’s assignment for another six months and the landlord wanted a huge rent increase that the company would not cover. At the beginning of July, we moved to 11 Eaton Mews South, a small carriage house I had found. The house was owned by an American expatriate, Jud James, who had installed new appliances and cleaned all the curtains and carpets for us--a considerable improvement over the flat. Jud was proud of the fact that earlier on he had leased his house for a while to Richard Leakey, the famous anthropologist. I wonder how Jud felt when the young nanny in his house became engaged to the Prince of Wales.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Je sais qu'une fois face à mon installation, je serai à l'intérieur de moi, quelque part où personne ne peut me distraire ni m'intimider, dans l'état proche de la transe. Le problème, c'est de rentrer dans cet état.
Mirelle Hdb (#Love(ly) Story (Lovely Projets) (French Edition))
He wasn’t worried about Marco being there alone with Cedes. He trusted her. He also had a camera installed in every room around the house, including their bedroom.
Ms. Brii (Love And A Thug 2: A Hitta's Love Story (Love And A Thug: A Hitta's Love Story))
Where do we find love and comfort in this comfortless, mechanical world? And above all, More wanted to know, where is God? Descartes’s answer was confident and pat. God was the omnipotent Legislator who has made everything and installed all the necessary rules that govern the universe, including the laws of mathematics, rather the way the manufacturer installs software on a new Android. Then God steps aside and lets His creation “do its thing.
Arthur Herman (The Cave and the Light: Plato Versus Aristotle, and the Struggle for the Soul of Western Civilization)
Maybe it was a coincidence. Or maybe there’s a trigger in the human psyche, a coded response that activates our first and greatest survival skill when we sense the raptors approaching. In terms of stress relief and sensual pleasure, running is what you have in your life before you have sex. The equipment and desire come factory installed; all you have to do is let ’er rip and hang on for the ride. That’s what I was looking for; not some pricey hunk of plastic to stick in my shoe, not a monthly cycle of painkillers, just a way to let ’er rip without tearing myself up. I didn’t love running, but I wanted to.
Christopher McDougall (Born to Run)
RULE #1 An addiction to distraction is the end of your creative production. Empire-makers and history-creators take one hour for themselves before dawn, in the serenity that lies beyond the clutches of complexity, to prepare themselves for a world-class day. RULE #2 Excuses breed no genius. Just because you haven’t installed the early-rising habit before doesn’t mean you can’t do it now. Release your rationalizations and remember that small daily improvements, when done consistently over time, lead to stunning results. RULE #3 All change is hard at first, messy in the middle and gorgeous at the end. Everything you now find easy you first found difficult. With consistent practice, getting up with the sun will become your new normal. And automatic. RULE #4 To have the results The Top 5% of producers have, you must start doing what 95% of people are unwilling to do. As you start to live like this, the majority will call you crazy. Remember that being labeled a freak is the price of greatness. RULE #5 When you feel like surrendering, continue.Triumph loves the relentless.
Robin S. Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)
However, one Sunday in December, when the rosebushes on the tombs had already defeated the garden shears, he saw the swallows on the recently installed electric wires and he suddenly realized how much time had gone by since the death of his mother, and how much since the murder of Olimpia Zuleta, and how very much since that other distant December afternoon when Fermina Daza sent him a letter saying yes, she would love him always. Until then he had behaved as if time would not pass for him but only for others.
Gabriel García Márquez (Love in the Time of Cholera)
taking care not to install the control buttons from which they must flee. We do this by noticing their growing wisdom and development … and honoring their increasing independence. We do this by recognizing them as the experts in their own lives, and by sharing our own experience when needed. We do this by backing away from believing every moment with our children must be productive and by returning to what has always worked—being together. Just being. Yes, they will fly away and the launching may even have its painful moments. But ultimately, we want to raise children who choose interdependence, knowing that nothing is more meaningful or makes us more successful than being surrounded by those we love.
Lisa Heffernan (Grown and Flown: How to Support Your Teen, Stay Close as a Family, and Raise Independent Adults)
ACTION ITEMS TO INCREASE YOUR EHR Install time management software on your computer. Monitor how you’re spending your time. Adjust your workflow based on the report. Turn off all social media notifications (both emails and push notifications on your phone). Switch your phone to silent. Unsubscribe from any email newsletter that isn’t taking your business forward.
James Schramko (Work Less, Make More: The counter-intuitive approach to building a profitable business, and a life you actually love)
ACTION ITEMS TO INCREASE YOUR EHR Install time management software on your computer. Monitor how you’re spending your time. Adjust your workflow based on the report. Turn off all social media notifications (both emails and push notifications on your phone). Switch your phone to silent. Unsubscribe from any email newsletter that isn’t taking your business forward. Get support emails out of your inbox by using dedicated help desk software. Block ‘deep work’ time into your calendar (at whatever time suits you) so you have uninterrupted work time. Make portions of your time available to others using a scheduler tool. (The rest of the week is yours.) Purge unwanted things and people from your life. Set a 12-week goal and stick to it. Hint: Actioning items in this book will change your life. Commit 12 weeks to actioning the key elements at the end of each chapter. Prioritise sleep. Get eight hours a night for a week (even if it means not getting as much ‘work’ done) and see how it feels. Clean up your diet. Eat food that’s as close to the source as possible (i.e. not out of packets). Find a type of exercise or daily movement you enjoy, and carve out time to do it every day.
James Schramko (Work Less, Make More: The counter-intuitive approach to building a profitable business, and a life you actually love)
By my early twenties, I was still devoted to heroic woman stories, but the love narratives had started to lose some of their appeal. The release of a new Meg Ryan/Tom Hanks vehicle seemed far less interesting to me than the latest installment of the Alien movie franchise. Had I lost interest in romance? Far from it. In fact, this was at the time in my life when I was very serious about finding a great love. However, I was also struggling to be my own person, to understand my identity, to follow my own dreams and start down my chosen career path. I had plans to travel the world, to attend graduate school. I was coming into—and exercising—my own forms of strength and independence. But I was tired of the one-sided representations of male-identified characters doing this, of feeling that only one version of this kind of empowerment existed. I wanted balance and social justice. I wanted to see more evidence of women on screen doing the same, women making a difference, doing something amazing, and being the heroes of their own lives and stories. Unfortunately, there weren’t very many female-bodied characters who did that who also got to find love. In fact, the more romance a woman enjoyed in a narrative, the less strength or independence of any kind she expressed in the story, especially before the last two decades. (3)
Allison P. Palumbo
Ten shockingly arty events What arty types like to call a ‘creative tension’ exists in art and music, about working right at the limits of public taste. Plus, there’s money to be made there. Here’s ten examples reflecting both motivations. Painting: Manet’s Breakfast on the Lawn, featuring a group of sophisticated French aristocrats picnicking outside, shocked the art world back in 1862 because one of the young lady guests is stark naked! Painting: Balthus’s Guitar Lesson (1934), depicting a teacher fondling the private parts of a nude pupil, caused predictable uproar. The artist claimed this was part of his strategy to ‘make people more aware’. Music: Jump to 1969 when Jimi Hendrix performed his own interpretation of the American National Anthem at the hippy festival Woodstock, shocking the mainstream US. Film: In 1974 censors deemed Night Porter, a film about a love affair between an ex-Nazi SS commander and his beautiful young prisoner (featuring flashbacks to concentration camp romps and lots of sexy scenes in bed with Nazi apparel), out of bounds. Installation: In December 1993 the 50-metre-high obelisk in the Place Concorde in the centre of Paris was covered in a giant fluorescent red condom by a group called ActUp. Publishing: In 1989 Salman Rushdie’s novel Satanic Verses outraged Islamic authorities for its irreverent treatment of Islam. In 2005 cartoons making political points about Islam featuring the prophet Mohammed likewise resulted in riots in many Muslim cities around the world, with several people killed. Installation: In 1992 the soon-to-be extremely rich English artist Damien Hirst exhibited a 7-metre-long shark in a giant box of formaldehyde in a London art gallery – the first of a series of dead things in preservative. Sculpture: In 1999 Sotheby’s in London sold a urinoir or toilet-bowl-thing by Marcel Duchamp as art for more than a million pounds ($1,762,000) to a Greek collector. He must have lost his marbles! Painting: Also in 1999 The Holy Virgin Mary, a painting by Chris Ofili representing the Christian icon as a rather crude figure constructed out of elephant dung, caused a storm. Curiously, it was banned in Australia because (like Damien Hirst’s shark) the artist was being funded by people (the Saatchis) who stood to benefit financially from controversy. Sculpture: In 2008 Gunther von Hagens, also known as Dr Death, exhibited in several European cities a collection of skinned corpses mounted in grotesque postures that he insists should count as art.
Martin Cohen (Philosophy For Dummies, UK Edition)
As soon as a suitable location was found for a franchise, he was given two weeks to design the store, paint it, install coolers, shelves and counters and arrange merchandise. Nothing could get in the way of him attending opening day for each store, which always took place on a weekend. “I loved that moment. You could feel the excitement of everyone waiting outside before the doors opened.” The energy was that much higher when Perrette promised a complimentary milk jug to the first 500 clients and granted specials on other products, to promote the full range of their offerings.
Guy Gendron (Daring to succed: Couche-tard & Circle K convenience store empire)
The transformation of Hollywood into a foreign-first business has also made sequels, spinoffs, and cinematic universes the smartest bet in the movie business. Newly minted middle-class customers in developing nations like China love prestige Western brands like Apple, Louis Vuitton, and Gucci. The same logic applies in cinemas. American cineastes may reach for the Advil when offered the choice between the latest superhero, dinosaur, or talking robot spinoff, but to many foreign moviegoers, that response is somewhere between condescending and confounding—the equivalent of complaining that there aren’t enough modern art installations at Disneyland. One more trend fundamentally changed the movie business this decade: the golden age of television. As TV has gotten better, the pressure on major movie studios is not to keep up with Breaking Bad, Orange Is the New Black, and Fargo (a property that was perfect for the movie business of the 1990s and for the TV business of today), but rather to stand out by offering something different. Most people, particularly middle-aged adults, simply don’t go to the movies for sophisticated character dramas anymore. Why would they, when there are so many on their DVR and Netflix and Amazon queues at home?
Ben Fritz (The Big Picture: The Fight for the Future of Movies)
This is called the Three Muses,” Barbara said, pride evident in her voice. “One of my favorites, it was installed in 1913. The goddesses represent History, Science, and Art. The sculpture was created by Julia Bracken Wendt,
Jan Moran (Love California Box Set 2 (Love, California, #4-6))
Habits The word “habit” comes from the Old French abit, habit, from Latin habitus “condition, appearance,” from habere “have, consist of.” The term originally meant “dress, attire,” and the noun “habit” meant a monk’s outfit. The habit was an external sign of a monk’s internal constitution, which defined their whole life. Later the meaning of this word drifted to denote physical or mental constitution. Constitution, consisting of, consistency. Habits just scream consistency.[iv] Habits get things done because your mind does not have to focus as much on semiautomatic routines and can therefore conserve energy. It also will spend less time debating with itself about whether to do something. When routines turn into habits, they become the “status quo,” and the rightness of them isn’t debated any more. On the other hand, one-off activities easily generate excuses because it is easier not to do something new than it is to do it. Your mind will think of many reasons for inactivity: Listen to what it is saying . . . • It’s hard, don’t tire yourself. • It’s new, you don’t know the effect or result, so better not risk something bad. • You’ll make a jerk out of yourself, better stay low and enjoy what you’ve got so far. • It’s a lot of fuss, why don’t drink a glass of whisky/play the computer/eat pizza instead? • You have no chance to achieve anything meaningful in a reasonable time (a few minutes); give up, stop wasting the energy. • What? Do you want to do it for years, with no guarantee of success? Are you out of your mind? That’s a lot of energy to commit! • Hey, I love the couch and the TV and there will be less time for that if you commit to this new venture. I protest! You do not consciously think about habits. They are just a part of your constitution. And your mind cannot abandon them once they are a part of you. Any time you install a new activity into your life in the form of a habit, your mind not only accepts it but becomes its guard. Whenever the time or circumstances indicate that the habit should be done, your mind reminds you about it, gently or otherwise.
Michal Stawicki (The Art of Persistence: Stop Quitting, Ignore Shiny Objects and Climb Your Way to Success)
Harvard economist Theodore Levitt was the first authority to write about what he called the total product.2 A total product has four dimensions that marketers, executives, and support people need to understand if they want customers to appreciate the value of what they are selling:   1.Generic What your product is — software, a suitcase, etc. 2.Expected The essential features and benefits the product must provide, e.g., a refrigerator has to cool food. 3.Value-Added Features and benefits that exceed customer expectations. 4.Potential Future enhancements to value based on what customers want. Levitt’s thinking was daring but limited because it focused on features and benefits but not the overall customer experience. Then in 1999, Geoffrey A. Moore took Levitt’s ideas to the next logical level with his book, Crossing the Chasm. According to Moore, the way to create a “whole” product is to think through both your customer’s problems and solutions. It’s not enough to address the core product — you have to think about everything needed to get your customer from consideration to an imperative to buy. This can be everything from the installation of the product to training to procedural standards to integrations, whether they are provided by your company or achieved using partners.3 “The product is the complete experience and the relationship you and the customer share.” Moore moved beyond features and benefits — bigger iPhones with higher camera resolution — to something else: Being the solution to customers’ problems. Doing that requires more than visionary engineers and brilliant designers. It means getting to know your customers, learning what they care about, and learning to care about them. That’s why Moore is the grandfather of the CPE.
Brian de Haaff (Lovability: How to Build a Business That People Love and Be Happy Doing It)
The superpowers took some of the least developed areas on earth, like the Somali desert or the Congo River basin, and pumped in first-world killing equipment. They installed leaders of these tinderboxes on the basis not of genuine popularity but merely of who would do their bidding.
Jeffrey Gettleman (Love, Africa: A Memoir of Romance, War, and Survival)
This is no CCJ novel… It was more of her wayward bestie’s. I’d seen her name mentioned with Christina’s and decided to give her a try. Never again! She wrote murky romances that took too many turns and left me exhausted after reading too many installments of a single series.
Love Belvin (The Right of Love (Wayward Love #3))
The fascination with automation in part reflected the country’s mood in the immediate postwar period, including a solid ideological commitment to technological progress. Representatives of industry (along with their counterparts in science and engineering) captured this mood by championing automation as the next step in the development of new production machinery and American industrial prowess. These boosters quickly built up automation into “a new gospel of postwar economics,” lauding it as “a universal ideal” that would “revolutionize every area of industry.” 98 For example, the November 1946 issue of Fortune magazine focused on the prospects for “The Automatic Factory.” The issue included an article titled “Machines without Men” that envisioned a completely automated factory where virtually no human labor would be needed. 99 With visions of “transforming the entire manufacturing sector into a virtually labor-free enterprise,” factory owners in a range of industries began to introduce automation in the postwar period. 100 The auto industry moved with particular haste. After the massive wave of strikes in 1945–46, automakers seized on automation as a way to replace workers with machines. 101 As they converted back to civilian auto production after World War II, they took the opportunity to install new labor-saving automatic production equipment. The two largest automakers, Ford and General Motors, set the pace. General Motors introduced the first successful automated transfer line at its Buick engine plant in Flint in 1946 (shortly after a 113-day strike, the longest in the industry’s history). The next year Ford established an automation department (a Ford executive, Del S. Harder, is credited with coining the word “automation”). By October 1948 the department had approved $ 3 million in spending on 500 automated devices, with early company estimates predicting that these devices would result in a 20 percent productivity increase and the elimination of 1,000 jobs. Through the late 1940s and 1950s Ford led the way in what became known as “Detroit automation,” undertaking an expensive automation program, which it carried out in concert with the company’s plans to decentralize operations away from the city. A major component of this effort was the Ford plant in the Cleveland suburb of Brook Park, a $ 2 billion engine-making complex that attracted visitors from government, industry, and labor and became a national symbol of automation in the 1950s. 102
Stephen M. Ward (In Love and Struggle: The Revolutionary Lives of James and Grace Lee Boggs (Justice, Power, and Politics))
2. Rylanne rated the tale 4 stars and commented that, “I really enjoyed John O’Connor’s Blooming. It was a fun read with stunning, colorful illustrations that I loved looking at.” “The beautiful colors and art style are perfect for capturing the attention of young children, and I think they will love the story of this princess and her new friend. I would love to see the two go on more adventures together, and I hope their story continues in future installments.
Rylanne
I really didn’t have a good vice. Liquor in moderate quantities. Love on the installment plan.
Alfred Hayes (In Love)
The way women are made to conform to this double standard is through the deprivation of sexual self knowledge. Deprived of their own bodies, they have no way of discovering or developing sexual responses. Had an early age, women are prohibited from touching their genitals with the threat of supernatural or real punishment. Information about the clitoris and life affirming orgasm is withheld, and women are installed with the idea that female genitals are inferior, that a woman’s main value lies in procreation and giving a man sexual pleasure. Without any sexual pleasure of her own, I woman may come to think of her genitals as being repulsive and a constant source of discomfort and shame. This kind of sexual repression is a vital aspect of keeping women in their ‘proper role’.
Betty Dodson (Sex for One: The Joy of Selfloving)
The once tattered and gloomy public library has moved to a brilliant new building a few streets over, and as I walked around the landscapers installing the brick steps, I caught the sign on the door that said, "Welcome to Your New Library." In the breezeway, three junior high school girls gathered around a computer terminal and giggled. A woman in a purple cardigan greeted me from behind the circulation desk with a smile and thin wave. Seduced by all of it, I thought, I love my new library.
Wendy S. Walters (The Fire This Time: A New Generation Speaks About Race)
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Skilled Home Renovations Burnaby
And what does the truly sophisticated dry fly artist do when he finally bags a fish? He lets the fool thing go and eats baloney sandwiches instead. On the other hand, fly-fishing did have its attractions. I love to waste time and money. I had ways to do this most of the year—hunting, skiing, renting summer houses in To-Hell-and-Gone Harbor for a Lebanon hostage’s ransom. But, come spring, I was limited to cleaning up the yard. Even with a new Toro every two years and a lot of naps by the compost heap, it’s hard to waste much time and money doing this. And then there’s the gear needed for fly-fishing. I’m a sucker for anything that requires more equipment than I have sense. My workshop is furnished with the full panoply of Black & Decker power tools, all from one closet shelf I installed in 1979.
P.J. O'Rourke (Thrown Under the Omnibus: A Reader)
VESPA SIDECAR IDEAS, LATEST MODELS, AND PRICES With so many automotive ideas, concepts, and brand new models, the Vespa community now has grown, and with so many amazing novel ideas for the Vespa sidecar. Sidecar has been around since World War II and has becoming hobbies, idea, and concept for many automotive lovers. Getting to Sidecar for your Vespa might not be the easiest and cheapest way, but it sure is worth it if you love it. If you want to know more about the latest novel ideas for scooter sidecars, the latest models for Vespa, Vespa upgrade ideas, and local prices for monkey sidecars, then you have come to the right place. For now, find out more about the amazing Vespa and scooters sidecar ideas here. First of all, do you know about the sidecar? Well, the sidecar is an open seating cabin, attached to the motorcycle (preferably scooters or Vespa) side, making the motorcycle three-wheelers, and able to carry another passenger on the sidecar seats. Back then, during wartimes, a sidecar was introduced as extra cargo space for a motorcycle to carry ammunition, supplies, or man in the sidecar of a motorcycle. Nowadays, it becomes a stylish upgrade to the all-time classic motorcycle, Vespa, and scooters. How to Buy, And Install Vespa Sidecar in Your Country? Do you want to buy and install a sidecar for your Vespa? Well then, there are many ways, and means to get the sidecar. You can buy the official sidecar from dealers, from Vespa, or scooters or you can try your luck on customized, homemade sidecar from many auto dealers, and sidecar manufacturers. For example, if you want to get a sidecar for your Vespa scooter, you can buy it from the official dealers of Vespa. Vespa provides the customized, official sidecar that can be attached to the Vespa motorcycle. Depending on the types, and products of the Vespa, from the LX Vespa, S Vespa, 946 Vespa, to the special edition Vespa, the newer types will vary and be different from other older Vespa types. However, you can also try to order a sidecar for your Vespa scooters from homemade manufacturers. You can contact many homemade manufacturers near you. There are a lot of specifications, and different types of the sidecar, with armaments and accessories from armrest, lamp, and windshield. Homemade manufacturers of Sidecar would charge different prices, depending on the modified version of the Vespa sidecar you have. If you have questions regarding the homemade manufacturers of Sidecar, then you might need to reach out to the Vespa community in your city, lot of Vespa community loves to share ideas, and modified Vespa manufacturers. Frequently Asked Questions about The Modified Sidecar for Vespa Do you have any questions about the sidecar Vespa? Like how to get one for your Vespa, is it legal to get modified Vespa in your countries, is it safe to drive with a sidecar, etc. Here are the FAQs to help you figure out about the Sidecar Vespa. • Is it legal to get a sidecar for your Vespa? – In most countries, the sidecar is perfectly legal. In Europe, Asia, and America, most of the time government has already regulated the sidecar regulations, from maximum weight, where it should be attached, and many more. • Is it safe to drive with a sidecar? – Yes it is safe to drive with a sidecar. However, you need to mind where you attach your sidecar, on the left or right, and depending on your country, you need to adjust how you drive on the side of the road. • How to get a sidecar for your motorbike? – You can get a Vespa sidecar from official dealers for Vespa, and get many modifications, or you can also use homemade modifications for the Vespa.
Motorcycles
In this step you need to stay focused on features and capabilities (also called attributes), rather than the value that those features drive for customers (we will get to that in Step 6). I define features as something your product or company has or does. Some examples of features: “a 15-megapixel camera,” “integrates with QuickBooks,” “one-click installation” and “metal construction.
April Dunford (Obviously Awesome: How to Nail Product Positioning so Customers Get It, Buy It, Love It)
An addiction to distraction is the end of your creative production. Empire-makers and history-creators take one hour for themselves before dawn, in the serenity that lies beyond the clutches of complexity, to prepare themselves for a world-class day. RULE #2 Excuses breed no genius. Just because you haven’t installed the early-rising habit before doesn’t mean you can’t do it now. Release your rationalizations and remember that small daily improvements, when done consistently over time, lead to stunning results. RULE #3 All change is hard at first, messy in the middle and gorgeous at the end. Everything you now find easy you first found difficult. With consistent practice, getting up with the sun will become your new normal. And automatic. RULE #4 To have the results The Top 5% of producers have, you must start doing what 95% of people are unwilling to do. As you start to live like this, the majority will call you crazy. Remember that being labeled a freak is the price of greatness. RULE #5 When you feel like surrendering, continue.Triumph loves the relentless.
Robin S. Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)
More Quotes II 151/ … what we inherit is so vast it must come to us in installments received over time. 153/ Of course we may rage against our parents and siblings for a time. Either we have been given too little of what we wanted, too much of what we did not want, or not a fair portion compared to what someone else received. The most obvious symbol of this giving is money, but love, attention, encouragement, and so much more are also part of our inheritance. 180/ … no simple rule can govern whether we should enter into debt. 192/ CG Jung wrote of the play of fantasy that precedes any creative work. “Without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable.” 250/ Receiving this symbol [in the Wizard of Oz] is like a ritual that allows the to take the final step in their process of transformation, the step of knowing what they have become. 252/ The power of money to symbolize our life energy confuses us; we imagine that our self-worth and value depend on possessing money instead of using money as a tool to look more deeply within ourselves. … To circulate money, especially in service to our community, allows us to contact the natural wealth that we have within, energy that is augmented by giving to others. 253/ Dispelling illusions about money guides us towards the values that are most true for us. Each of us must find the nature of our own abundance. Each of us must decide how willing we are to share our money, our productivity, and our energy. So our relationship to money can deepen our understanding of our connection to other people and to our community.
Tad Crawford (The Secret Life of Money: Enduring Tales of Debt, Wealth, Happiness, Greed, and Charity)
I'm certain that our friends from around the world find it hilarious that as soon as the sun makes an appearance we rush to sit out on our patios and balconies clutching hot drinks, "Isn't it lovely?" we tell each other, our voices barely audible through the chatter of our teeth. Even in summer the Scottish weather can be so changeable that we have learned to adapt our gardens, putting up seagrass walls to shield lawns and installing barbeques in sunken courtyards in an attempt to prevent being driven inside by the wind.
Gabriella Bennett (The Art of Coorie: How to Live Happy the Scottish Way)
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