Inspirational Mosaic Quotes

We are mosaics - pieces of light, love, history, stars -- glued together with magic and music and words.

...but beautiful mosaics are made of broken pieces.

i am nothing but a mosaic of the people i’ve met & the things they’ve carried.

Everyone breathing is broken. Keep breathing light into them until the stained glass collage takes your breath away.

But that initial, comet-blazing-across-the-sky, Big Idea is only the beginning. Each book is composed of a mosaic of thousands of little ideas, ideas that invariably come to me at two in the morning when my alarm is set for seven.

Your life is like a mosaic, a puzzle. You have to figure out where the pieces go and put them together for yourself.

I think that I shall never know Why I am thus, and I am so. Around me, other girls inspire In men the rush and roar of fire, The sweet transparency of glass, The tenderness of April grass, The durability of granite; But me- I don't know how to plan it. The lads I've met in Cupid's deadlock Were- shall we say?- born out of wedlock. They broke my heart, they stilled my song, And said they had to run along, Explaining, so to sop my tears, First came their parents or careers. But ever does experience Deny me wisdom, calm, and sense! Though she's a fool who seeks to capture The twenty-first fine, careless rapture, I must go on, till ends my rope, Who from my birth was cursed with hope. A heart in half is chaste, archaic; But mine resembles a mosaic- The thing's become ridiculous! Why am I so? Why am I thus?

If you pay attention to those aspects of God that demonstrate love, truth, beauty, intelligence, order, and spiritual evolution, those aspects will begin to expand in your life. Bit by bit, like a mosaic, disparate fragments of grace will merge to form a complete picture. Eventually this picture will replace the ore threatening one you have carried around inside you since infancy.

But most of all I was inspired by the stirring examples of all the other runners. In some pictures they would seem like tiny dots in a mosaic, but each had a separate narrative starting a few months or a lifetime earlier and finishing that day in the New York City Marathon, the race with 37,000 stories.

Indeed, in Scripture, no two people encounter Jesus in exactly the same way. Not once does anyone pray the “Sinner’s Prayer” or ask Jesus into their heart. The good news is good for the whole world, certainly, but what makes it good varies from person to person and community to community. Liberation from sin looks different for the rich young ruler than it does for the woman caught in adultery. The good news that Jesus is the Messiah has a different impact on John the Baptist, a Jewish prophet, than it does the Ethiopian eunuch, a Gentile and outsider. Salvation means one thing for Mary Magdalene, first to witness the resurrection, and another to the thief who died next to Jesus on a cross. The gospel is like a mosaic of stories, each one part of a larger story, yet beautiful and truthful on its own. There’s no formula, no blueprint.

Don’t regret the past, sometimes things happen for a good reason. Life is like a mosaic. From up close it may seem like a mess, but from afar it creates a beautiful picture.

Owen took Nora’s hand and squeezed it. She leaned her head against his arm, and beneath the layers of grime and torn silk and the frantic beating of her heart, something whispered to her. A cool cup of water soothing her parched throat. A breeze in the middle of India’s scorching summer. A dance beneath monsoon rains. This is right. This is good. This is worth it.

Reality, at first glance, is a simple thing: the television speaking to you now is real. Your body sunk into that chair in the approach to midnight, a clock ticking at the threshold of awareness. All the endless detail of a solid and material world surrounding you. These things exist. They can be measured with a yardstick, a voltammeter, a weighing scale. These things are real. Then there’s the mind, half-focused on the TV, the settee, the clock. This ghostly knot of memory, idea and feeling that we call ourself also exists, though not within the measurable world our science may describe. Consciousness is unquantifiable, a ghost in the machine, barely considered real at all, though in a sense this flickering mosaic of awareness is the only true reality that we can ever know. The Here-and-Now demands attention, is more present to us. We dismiss the inner world of our ideas as less important, although most of our immediate physical reality originated only in the mind. The TV, sofa, clock and room, the whole civilisation that contains them once were nothing save ideas. Material existence is entirely founded on a phantom realm of mind, whose nature and geography are unexplored. Before the Age of Reason was announced, humanity had polished strategies for interacting with the world of the imaginary and invisible: complicated magic-systems; sprawling pantheons of gods and spirits, images and names with which we labelled powerful inner forces so that we might better understand them. Intellect, Emotion and Unconscious Thought were made divinities or demons so that we, like Faust, might better know them; deal with them; become them. Ancient cultures did not worship idols. Their god-statues represented ideal states which, when meditated constantly upon, one might aspire to. Science proves there never was a mermaid, blue-skinned Krishna or a virgin birth in physical reality. Yet thought is real, and the domain of thought is the one place where gods inarguably ezdst, wielding tremendous power. If Aphrodite were a myth and Love only a concept, then would that negate the crimes and kindnesses and songs done in Love’s name? If Christ were only ever fiction, a divine Idea, would this invalidate the social change inspired by that idea, make holy wars less terrible, or human betterment less real, less sacred? The world of ideas is in certain senses deeper, truer than reality; this solid television less significant than the Idea of television. Ideas, unlike solid structures, do not perish. They remain immortal, immaterial and everywhere, like all Divine things. Ideas are a golden, savage landscape that we wander unaware, without a map. Be careful: in the last analysis, reality may be exactly what we think it is.

Zen Buddhism, for example, as practiced by Suzuki, the excellent Japanese mystic, has nothing to do with the superstitious and predjudiced Buddhism that infested Asia for centuries. Sufism, as boasted by the subtle Gurdjeff, totally differs from the Islamism that shouts death to the “infidels.” The doctrine of Vivekananda, inspired by his master Ramakrishna, is nothing like the Hinduism that suffocated India for centures of superstious and stupid passivity; the noble mysticism of Martin Buber, the Jewish philosopher, is nothing like the bloody cultural narrowness and tribal elitism of the mosaic orthodoxy.

“I would’ve followed you anywhere,” he mumbles, his voice raw with agony. “All I ever wanted was to spend forever with my best friend. With the girl who gave life to my paintings. But I’m not the one who inspired your mosaics, am I? It was always Wonderland. That’s why you chose him.” “Chose him? It was a kiss, that’s all—” “It’s not the kiss. Sometimes words are louder than actions.” “Words . . . ? What words?” “The promise you gave him that you couldn’t give me.”

The only points in which I differ from all ecclesiastical teaching is that I do not believe that any man ever saw or talked with God, I do not believe that God inspired the Mosaic code, or told the historians what they say he did about woman, for all the religions on the face of the earth degrade her, and so long as woman accepts the position that they assign her, her emancipation is impossible. Whatever the Bible may be made to do in Hebrew or Greek, in plain English it does not exalt and dignify woman.

How can God be happy and decree calamity? Consider that he has the capacity to view the world through two lenses. Through the narrow one he is grieved and angered at sin and pain. Through the wide one he sees evil in relation to its eternal purposes. Reality is like a mosaic. The parts may be ugly in themselves, but the whole is beautiful.

Every coin has two sides. Every mountain has a valley. For every strength there is a weakness. Every up has a down. For every in there is an out. For every height there is a depth. Life itself is a mosaic of light and dark. And every human is a study in opposites, a kaleidoscope of good and bad, positive and negative, hopes and losses, dreams and disappointments, successes and failures, courage and fear, confidence and insecurity, power and vulnerability. We do not live in a homogeneous world. We live in a world of brilliant contrasts, vivid diversity, striking polarity, and eloquent disparity...a stunning array of sometimes gorgeous, sometimes glaring, always fascinating differences.

Slowly, God is opening my eyes to needs all around me. In Scripture, God revisits this issue of caring for the poor- an echo that repeats itself from Genesis to Revelation. The Bible acknowledges that the poor will always be part of society, but God takes on their cause. The Mosaic law of the Old Testament is filled with regulations to prevent and eliminate poverty. The poor were given the right to glean- to take produce from the unharvested edges of the fields, a portion of the tithes, and a daily wage. The law prevented permanent slavery by releasing Jewish bondsmen and women on the sabbatical and Jubilee year and forbade charging interest on loans. In one of his most tender acts, God made sure that the poor- the aliens, widows, and orphans- were all invited to the feasts.

The only points in which I differ from all ecclesiastical teaching is that I do not believe that any man ever saw or talked with God, I do not believe that God inspired the Mosaic code, or told the historians what they say he did about woman, for all the religions on the face of the earth degrade her, and so long as woman accepts the position that they assign her, her emancipation is impossible.

All I know is that you can survive. You have to! You can climb higher. You want to! Don't give up. No matter what ... Don't give up on your children ... on your mate ... on your sanity ... on your faith. As far as I know ... we only have one life ... take your sour lemons and make lemonade ... look at whatever positives you can ... but believe ... if you keep on ... step-by-step ... you will not only survive, you will rise.

Canadian official multiculturalism has developed through the 1970s and '80s, and has become in the '90s a major part of Canadian political discourse in Canada rather than in the United States, which is also a multi-ethnic country, may be due to the lack of an assimilationist discourse so pervasive in the U.S. The melting pot thesis has not been popular in Canada, where the notion of a social and cultural mosaic has had a greater influence among liberal critics. This mosaic approach has not been compensated with an integrative politics of antiracism or of class struggle which is sensitive to the racialization involved in Canadian class formation. The organized labour movement in Canada has repeatedly displayed anti-immigrant sentiments. For any inspiration for an antiracist theorization and practice of class struggle Canadians have looked to the United States or the Caribbean.

November 1 SINGING YOUR OWN PRAISES “Piglet noticed that even though he had a Very Small Heart, it could hold a rather large amount of Gratitude.” —A. A. Milne, Winnie-the-Pooh As an introvert, you might have grown up feeling anything but grateful for your personality. You tried to cure your introversion by mimicking extroverted behavior. Of course, this didn’t work because you can’t fix what isn’t broken. You are an introvert. You like people, but sometimes you like your alone time more. You think deeply and choose your words carefully. You enjoy different pastimes than the extrovert down the street. None of this makes you a bad person. In fact, there are billions of other people who share your preferences. So, let’s try a different approach, shall we? Let’s try on a little self-acceptance for size. Instead of trying to fix or cure, let’s celebrate our strengths. For the longest time, I saw my quietness as a fatal flaw, a sign that I was not friendly or feminine enough. Now, I see it as just another piece of the intricate mosaic that is my personality. Alongside my quietness, there is also intuition, wisdom, and an ability to read between the lines. Sure, I speak slowly and pause often, but I am singing on the inside. Those who matter can hear my silent song. This month’s entries will help you to see the beauty in your introverted nature and guide you toward singing your own praises (quietly, of course).

Geologists claim to find evidence from the earth itself that it is very much older than the Mosaic record teaches. Bones of men and animals, as well as instruments of warfare, petrified trees, et cetera, much larger than any that now exist, or that have existed for thousands of years, have been discovered, and from this it is inferred that the earth was populated long before the time brought to view in the record of creation, and by a race of beings vastly superior in size to any men now living. Such reasoning has led many professed Bible believers to adopt the position that the days of creation were vast, indefinite periods. But apart from Bible history, geology can prove nothing. Those who reason so confidently upon its discoveries have no adequate conception of the size of men, animals, and trees before the Flood, or of the great changes which then took place. Relics found in the earth do give evidence of conditions differing in many respects from the present, but the time when these conditions existed can be learned only from the Inspired Record. In the history of the Flood, inspiration has explained that which geology alone could never fathom. In the days of Noah, men, animals, and trees, many times larger than now exist, were buried, and thus preserved as an evidence to later generations that the antediluvians perished by a flood. God designed that the discovery of these things should establish faith in inspired history; but men, with their vain reasoning, fall into the same error as did the people before the Flood—the things which God gave them as a benefit, they turn into a curse by making a wrong use of them.

Kaleidoscope Yoga: The universal heart and the individual self. We, as humanity, make up together a mosaic of beautiful colors and shapes that can harmoniously play together in endless combinations. We are an ever-changing play of shape and form. A kaleidoscope consists of a tube (or container), mirrors, pieces of glass (or beads or precious stones), sunlight, and someone to turn it and observe and enjoy the forms. Metaphorically, perhaps the sun represents the divine light, or spark of life, within all of us. The mirrors represent our ability to serve as mirrors for one another and each other’s alignment, reflecting sides of ourselves that we may not have been aware of. The tube (or container) is the practice of community yoga. We, as human beings, are the glass, the beads, the precious stones. The facilitator is the person turning the Kaleidoscope, initiating the changing patterns. And the resulting beauty of the shapes? Well, that’s for everyone to enjoy... Coming into a practice and an energy field of community yoga over and over, is a practice of returning, again and again, to the present moment, to the person in front of you, to the people around you, to your body, to others’ bodies, to your energy, to others’ energy, to your breath, to others’ breath. [...] community yoga practice can help us, in a very real, practical, grounded, felt, somatic way, to identify and be in harmony with all that is around us, which includes all of our fellow human beings.
 We are all multiple selves. We are all infinite. We are all universal selves. We are all unique expressions of the universal heart and universal energy. We are all the universal self. We are all one another. And we are all also unique specific individuals. And to the extent that we practice this, somatically, we become more and more comfortable and fluid with this larger, more cosmic, more inter-related reality. We see and feel and breathe ourselves, more and more, as the open movement of energy, as open somatic possibility. As energy and breath. This is one of the many benefits of a community yoga practice. Kaleidoscope shows us, in a very practical way, how to allow universal patterns of wisdom and interconnectedness to filter through us. [...] One of the most interesting paradoxes I have encountered during my involvement with the community yoga project (and it is one that I have felt again and again, too many times to count) is the paradox that many of the most infinite, universal forms have come to me in a place of absolute solitude, silence, deep aloneness or meditation. And, similarly, conversely and complimentarily, (best not to get stuck on the words) I have often found myself in the midst of a huge crowd or group of people of seamlessly flowing forms, and felt simultaneously, in addition to the group energy, the group shape, and the group awareness, myself as a very cleanly and clearly defined, very particular, individual self. These moments and discoveries and journeys of group awareness, in addition to the sense of cosmic expansion, have also clarified more strongly my sense of a very specific, rooted, personal self. The more deeply I dive into the universal heart, the more clearly I see my own place in it. And the more deeply I tune in and connect with my own true personal self, the more open and available I am to a larger, more universal self. We are both, universal heart and universal self. Individual heart and individual self. We are, or have the capacity for, or however you choose to put it, simultaneous layers of awareness. Learning to feel and navigate and mediate between these different kinds and layers of awareness is one of the great joys of Kaleidoscope Community Yoga, and of life in general. Come join us, and see what that feels like, in your body, again and again. From the Preface of Kaleidoscope Community Yoga: The Art of Connecting: The First 108 Poses

We, as humanity, make up together a mosaic of beautiful colors and shapes that can harmoniously play together in endless combinations. We are an ever-changing play of shape and form.

Dear listeners, this Wednesday we have with us Monseñor Romero. Today he’s going to answer our questions on the topic of the family . . .” the journalist of the day would begin. Then he would take the reins and never let go of them. Questions followed, then the answers. He always got inspired in front of the microphone. He was crazy about radio.

Whatever fear he’d instilled in people on the streets was of no consequence inside the market, packed with ramshackle stalls and vendors and food stands, smoke drifting throughout, the tang of blood and spark of magic acrid in his nostrils. And above it all, against the far wall of the enormous space, was a towering mosaic, the tiles taken from an ancient temple in Pangera, restored and re-created here in loving detail, despite its gruesome depiction: cloaked and hooded death, the skeleton’s face grinning out from the cowl, a scythe in one hand and an hourglass in the other. Above its head, words had been crafted in the Republic’s most ancient language: Memento Mori.

When teachers doubt your potential, show them how wrong they truly are. Don’t just practice until you get it right, PRACTICE UNTIL YOU CAN’T GET IT WRONG.

I empathize with those of you who have struggled long and hard with few rainbows and even less sunny days. Life for you as been an uphill battle. I implore-I beg you to continue to push, continue to believe in the power of the human spirit when there is nothing left but shame behind you, faith inside you and uncertainty ahead of you.

The priest and his desires Not alone, but a lonely monastery priest, Resisting hard not to venture out and pursue the need for love and passion driven heist, Bound by his sanctum and religion, He tries not to give in to any seduction, Adam and Eve blamed the devil, The priest is baffled to decide who shall he blame for this evil, He rolls and turns restlessly in the bed of his desires, And every night after the Church service he deals with these raging fires, He is dressed in his black robe on the much anticipated Sunday mass, But he is distracted and sees passions and desires cast on peoples faces and even on mosaic glass, At the end of the service he serves all some fine and red wine, And when he stands face to face with a beautiful woman his inner self says “I wish you were mine!’” His Sunday night is spent in her curled hair locks, He is shackled to her beautiful face and desires that fasten around him like unbreakable locks, He often touches his cross that he wears always, Still his nights are restless and now it is so even during the sunny Spring days, He bows before the Altar and makes a solemn confession, “My Lord! her face and her overpowering beauty have become my obsession, Am I still worthy of worshipping you my God? For I have silently started worshiping this feeling of loving her and I do not feel odd, It is her thoughts that possess me even during my sermons, In her absence, not yours My Lord, everything presents itself like bad omens, To tame my wandering thoughts I refer to the Holy Book, But through it too peeps her face and her mesmerising look, I wonder if I shall quit clergy, And adopt this new synergy, I am drowning farther and farther in this mental eclipse, And I only want to think of her beautiful face, her warm skin and her red lips, Shall I forsake my black robe, My Lord, and not Thee? Or Forsake her and thereby my black robe and Thee? Because without her I do not feel anything that is a part of me, And without being me, how can I anything else be, Perhaps I am supposed to be a man of God but not a man, Never to fulfillmy own desires for I am busy fulfilling Your plan, So let me live with my state and the social taboo, While every night I place my desires in the coffin along with the happy morning cuckoo.” The Lord smiles at him, “It is your personal battle and it is grim, You desire her, her face, her charming ways, You think of her during nights and during the bountiful days, But you think of me too and that is enough for me to know, So seek her and kiss her grace, for then you shall better baptise in my glow, And before you fall too low, Rise to your calling and you shall reap as you shall sow, Whether you wear a black robe or her kisses, I shall judge you on how you made others feel with or without your kisses.” Said the Lord in His emphatic voice, And the priest stood up and made the right choice! To love the woman he loved and missed, And he felt something divine within him, whenever her deep beauty he kissed! Source of inspiration : The Thorn Birds 1983 Drama

The priest and his desires Not alone, but a lonely monastery priest, Resisting hard not to venture out and pursue the need for love and passion driven heist, Bound by his sanctum and religion, He tries hard not to give in to any form of seduction, Adam and Eve blamed the devil, The priest is baffled to decide who shall he blame for this evil? He rolls and turns restlessly in the bed of his desires, And every night after the Church service he deals with these raging fires, He is dressed in his black robe on the much anticipated Sunday mass, But he is distracted when he sees passions and desires cast on peoples faces and even on mosaic glass, At the end of the service he serves all some fine and red wine, And when he comes face to face with a beautiful woman, his inner self says “I wish you were mine!’” His Sunday night is spent in her curled hair locks, He is shackled to her beautiful face and desires that fasten around him like unbreakable locks, He often touches his cross that he wears always, Still his nights are restless and now it is so even during the sunny Spring days, He bows before the Altar and makes a solemn confession, “My Lord! her face and her overpowering beauty have become my obsession, Am I still worthy of worshipping you my God? For I have silently started worshiping this feeling of loving her and I do not feel odd, It is her thoughts that possess me even during my sermons, In her absence, not yours My Lord, everything presents itself like bad omens, To tame my wandering thoughts I refer to the Holy Book, But through it too peeps her face and her mesmerising look, I wonder if I shall quit clergy, And adopt this new synergy? I am drowning farther and farther in this mental eclipse, And I only want to think of her beautiful face, her warm skin and her red lips, Shall I forsake my black robe, My Lord, and not Thee? Or Forsake her and thereby my black robe and as well Thee? Because without her I do not feel anything that is a part of me, And without being me, how can I anything else be, Perhaps I am supposed to be a man of God but not a man, Never to fulfil my own desires for I am busy fulfilling Your plan, So let me live with my state and the social taboo, While every night I place my desires in the coffin along with the happy morning cuckoo.” The Lord smiles at him, “It is your personal battle and it is grim, You desire her, her face, her charming ways, You think of her during nights and during the bountiful days, But you think of me too and that is enough for me to know, So seek her and kiss her grace, for then you shall better baptise in my glow, And before you fall too low, Rise to your calling and you shall reap as you shall sow, Whether you wear a black robe or her kisses, I shall judge you on how you made others feel with or without your kisses.” Said the Lord in His emphatic voice, And the priest stood up and made the right choice! To love the woman he loved and missed, And he felt something divine within him, whenever her deep beauty he kissed! Source of inspiration : The Thorn Birds . 1983 Drama

Begin again.’ For in the rubble lies the raw material of redemption, where shattered fragments pave the path to a mosaic of renewal.

INTRODUCTION IT LOOKS AND FEELS like a book, I know, but I promise you that what you hold in your hand is an axe. A paper axe, it’s true, but an axe nonetheless. I’ll explain. Jericho Mosaic is the capstone of Ted Whittemore’s Jerusalem Quartet, one of the most ambitious literary endeavors of the 20th Century. Like Robert Musil’s Man of Qualities and Lawrence Durrell’s Alexandria Quartet, Whittemore’s magnum opus explores the great themes of this and every other age. War and peace, friendship and death, loss and betrayal. Dreams. An historical novel of subtle and ferocious dimensions, Jericho Mosaic is, above all else, a tale of espionage inspired by the tragic heroism of a spy named Eli Cohen.

To all those smiles that makes a beautiful mosaic ❤️ adding beauty to life

All life is a mosaic of Light, and you, a brilliance throughout.

And that time moved. That time moved and we did not. That time that brought with it change. Brought with it the human rights movements. That brought with it a steady rise of envy, insufficiency and violence on the streets. A fulfilment of the Cavemen's ascension to rule the earth with vengeance and greed. And despite all that time brought with it, some things remained the same. There still ran the quiet little river of reverence, camaraderie and love in the cultural mosaic of an ancient land and an ancient people.